#this was literally the first thing I thought of when I saw this

[ktownshizzle]

Love & Lullabies | Part 1 of 2

Pairing: Min Yoongi x female Reader

Summary: What begins as a simple favor for your best friend Namjoon soon pulls you into the rhythms of Yoongi’s life—afternoons spent caring for his son, late nights filled with candid conversations, and a connection neither of you thought you needed. You’re just fresh out of a long-term relationship with an ex who didn’t want a family with you, so did you really just stumble into a life you’ve always dreamed of? (Thank god Namjoon isn’t the only one who’s clumsy.)

Alternatively: It’s 2025 and BTS is prepping for their comeback. All members seem to have gained muscle weight from their time at camp. But Min Yoongi has gained a different kind of weight—an 8-pound baby and a fuck-load of responsibility. (Thank god you’re there to help him.)

Genre: Fluff, Angst, Smut, idol!au, Acquaintances to Lovers, Reader is Namjoon’s bestie

Warnings: Yoongi is a DILF (!!!) That’s it.

Chapter warnings: A lot of mood and scene setting—just vibe with it, MC is in her sad girl era, hints of depression and anxiety, masturbation, Yoongi is a new dad y’all he is tireddd af

Word count: almost 6k

Posting date: November 12, 2024

Notes: This is inspired by an ask/prompt sent by @yoongznme. Enjoy, my lovelies~ 💕🫶🏼

Part One | Part Two | Masterlist

Namjoon leans back in his seat, sporting an all-too-familiar, slightly conspiratorial glint in his eyes. Hmm. You know that look. 

It's the same one he had when he "casually" set you up to tutor one of his trainee friends in English—the one you let slip was kinda cute. Or when he signed you up to perform with one of his rapper friends in that underground club in Hongdae. Sure, you knew every word of the chorus to eminem’s Stan, but you were not a fucking singer. 

You still did it, though. Both times. 

Namjoon’s especially notorious for volunteering you to do things he insists are "right up your alley." There’s a fire in his eyes when he starts talking about one of his ideas, and before you know it, you're swept up in his vision, already picturing yourself right there beside him, doing something you’d never consider on your own.

Namjoon has been your best friend since forever and for reasons you can’t explain, saying no to him has always been impossible.

Right. It’s definitely that. It’s definitely not because in those two prior instances mentioned, both friends of his are actually the same guy. The one you had an almost crippling crush on over a decade ago. (You’re sooo over it, though. Trust.)

When Namjoon leaned in, you were already bracing yourself.

“So, you know Yoongi, right?”

You blink, pause, and slowly shake your head. It has taken years, but today is the day you tell him, “No.”

“The fuck? What do you mean no?” He replies, already looking hella amused. “I haven’t even said anything.”

Your face feels like a furnace, but you grit and steady your voice. “Whatever it is, the answer is no.”

He lets out a hum, shifting in his seat, and you get the sense he’s working up to something. 

You sip your coffee, keeping your eyes on him. He gives you an exaggerated shrug, dimples deepening as he lets his shoulder sag. 

God you’re literally already about to break. 

“Fuck. Joon. Spit it out.”

He nods triumphantly, “Ok, there’s something I thought I’d run by you first, before he hears about it.”

The words hang in the air, and you raise an eyebrow. “Joon. What are you getting me into?”

Namjoon chuckles softly as he folds his hands on the table. “So… Yoongi has a son. A baby, actually.” He pauses, watching for your reaction. 

Woah. Someone has fuckboi Min Yoongi all locked down?! Huh. You never saw that coming.

You let that sink in, surprise filling the quiet space between you. “I… didn’t know he had a kid.”

“Not many people do,” Namjoon admits. “Only those close to him know. Yoongi’s a great dad, but his caretaker recently left, and now he’s scrambling to balance his schedule and take care of his son.”

“And his wife?”

Namjoon sighs, gives you a look that means he’s about to say something confidential. “There’s no wife.”

“Baby mama?”

“Out of the picture.”

You let out a small breath, absorbing everything you just heard. You already had an idea of where this is leading up to, but you want it said explicitly. “So what exactly are you asking me?”

Namjoon nods, eyes hopeful. “Look, I know this is a big ask. I’m putting this out there because you’re one of the best with kids I know. And Yoongi—well, he’s pretty wary about letting new people get close to his son.”

You take another sip of your latte as he prattles on.

“While you’re still getting your bearings back, maybe you could take over the caretaker job, even part time?” Namjoon scratches the back of his neck, grinning sheepishly as he says your name. “I just thought you might consider it. You’d be doing us both a favor. Yoongi really needs help, and I’d trust you more than anyone with this.”

You sit back, letting Namjoon’s words settle. Namjoon knows exactly what he’s asking—knows exactly how hard it is for you to refuse when he gives you that puppy dog look, especially when he’s throwing Yoongi into the mix. Honestly, you hate how you're apparently still soft for him even after all these years.

Namjoon also knows your current situation. Does he not realize it’s a bit unfair to ask this of you right now? Not when you're still picking up the pieces after your breakup with your long-term boyfriend. Not when you need time to heal. Not when you literally uprooted your life and just moved back to Seoul a month ago.

But somehow, you can’t shake the curiosity. What would it even be like to see Yoongi as a dad? To get a glimpse of this whole other life he’s got now?

It’s probably a terrible idea. 

Yeah, no. You don’t need this right now. Money isn’t tight. And you need to focus on… 

You take a slow breath, mentally tracing the edges of this mess. There are a hundred reasons to say no, and only one reason you’d even consider saying yes. And because it’s for Yoongi… damn, maybe that’s reason enough.

The next time you see Yoongi, it’s at HYBE’s massive rehearsal space. Namjoon had invited you to watch the group practice—innocent enough, though you know it’s also his way of nudging you toward the job. Joon thinks he’s subtle, but you know his plans are, more often than not, clunky as hell.

You settle in one corner, holding on to your half-finished iced Americano. A few staff are scattered around the studio, there was another girl (maybe a member’s girlfriend, you’re not sure), but it’s mostly empty. The boys are warming up, stretching or chatting, and you wave to Jungkook and Taehyung before finding yourself glancing toward Yoongi.

Wearing an all black outfit and a baseball cap, he’s standing off to the side, arms full with a fussy baby, and a bassinet stroller in front of him. The boy can’t be more than a few months shy of his first birthday. He’s close to tears, twisting and squirming, while Yoongi, visibly flustered, tries to hand him a toy, then a bottle, then anything he can find. Nothing works. Soon, the baby’s fuss turns into a full-on tantrum.

Oh, damn. Poor Yoongi. 

He drops the bottle, spilling milk across the floor just as the stroller, half-locked, rolls a few feet away. He lunges for it, fumbling as the baby’s wailing intensifies, tiny fists flailing in frustration. Yoongi’s eyes dart around, panicked, while a couple of female staff start toward him, hands outstretched. But he waves them off, his face set in a mix of fierce determination and mild desperation as he rocks and hushes the baby.

It honestly hurts to watch the scene unfold. You almost want to do something.

Namjoon starts clearing people out, Jimin dims the studio lights, and Seokjin picks up the spilled bottle, wiping down the floor. Hobi taps a white noise track on his phone, placing it near the stroller. Your heart warms at how effortlessly everyone pitches in, their movements so practiced it’s obvious they’ve done this before. But it makes you wonder just how many rehearsals have paused for these moments. It’s probably why Namjoon wants to help find a solution, a.k.a you.

You meet your best friend’s gaze and he cocks his head toward the door, signaling for you to file out with the others, but your feet take you somewhere else entirely.

“Is he okay?” you ask, approaching Yoongi.

Yoongi doesn’t hear you at first, too focused on calming his son. His face is etched with exhaustion and something fragile, an uncharacteristic crack in his calm. He finally glances up, half-exasperated. To your mild relief, a look of recognition crosses his face, before he replies, “Yeah, he’s—he’s usually not this fussy.”

You watch him struggle for a bit, then, before you can second-guess, you step forward. “Do you mind if I try?”

Yoongi hesitates, studying you like he’s weighing the decision to trust you with his son. His eyes flick towards Namjoon who was standing by the door, before it goes back to you. After a tense pause, he nods, handing the baby over.

You hold the little boy, shifting him gently away from the mirrors and bright lights, rocking him slowly and humming an old lullaby you used to sing for your preschoolers. Gradually, his cries quiet down, his tiny head resting against your shoulder as he begins to relax, fingers curling around the fabric of your shirt. Within minutes, he’s fast asleep.

When you glance up, Yoongi is watching, his face unreadable. There’s relief, yes, but also a quiet wonder, an almost surprised gratitude. 

“I owe you,” he murmurs, a softness in his voice you hadn’t expected.

“‘S ok,” you say, quietly, careful not to wake the baby.

The two of you stand there, his eyes on you for just a beat too long, and if you didn’t have the baby to ground you, you feel like you just might float.

“Thank you,” he says, tone soft and sincere.

From across the room, Namjoon watches, his eyes mirroring the same gratitude.

The call from Yoongi comes unexpectedly one evening, just after dinner. You don’t recognize the number, then again you don’t have a lot of +82s yet since you just moved back after many years of being in the States. The last thing you expect is to hear Yoongi’s voice on the other end of the line.

“Hey, it’s…Min Yoongi,” he starts, voice a little rough.

“Oh, hi.”

There’s a short silence, and then he clears his throat. “Namjoonie mentioned you uh might… be interested in helping with my son.”

You feel a strange flutter, both at the fact that Yoongi is talking to you, and at the fact that he’s asking something so personal. “Uh, yeah. I can help out.”

The pause is long enough that you imagine him somewhere, shifting uncomfortably. “I know it’s a lot to ask,” he finally says, sounding almost apologetic. “I don’t want to… impose or anything. But it would help. A lot.”

“Okay.”

“Thank you,” You hear Yoongi release a sigh of relief. Then he says the next phrase in a rush, “I know you are overqualified for this, so uh please let me compensate you with your salary as a teacher in America.”

You feel your face flush. Thank god this was not a video call. Seems you’re as uncomfortable as he is talking about money, though it is a necessary evil. “Oh, no, please Yoongi. You don’t have to. Joonie’s my bestfriend and you’re his brother. I can just help until you can find a more permanent solution.”

Thankfully, he doesn’t argue with you on this. You hear a puff of breath before he says. “Alright. Thank you.”

And just like that, you’re set. He gives you the address, and you’re left wondering for the rest of the night how you’ll manage this strange new gig.

The first day you arrive at Yoongi’s apartment in Hannam-dong, you’re a bundle of nerves, unsure what to expect. 

After you ring the bell, the door opens to reveal Yoongi with his usual reserved expression, a piece of muslin cloth draped on one shoulder.

“Hi,” he says simply, stepping aside to let you in.

You offer him a smile. “Hey.”

He closes the door behind you as you step inside. You look around, taking everything in.

The apartment is spacious but cozy, with a warmth that speaks of careful design—minimalistic furniture in muted colors, shelves lined with books and vinyl records, a few baby toys strewn around the living room. Homey.

This is the first time you get to really see Yoongi. The brief encounter at the rehearsal studio didn’t afford you the chance to appreciate how time has treated him. 

Seeing him after six years, he’s both the same and somehow different. He has always had that calm confidence—a steady, grounded energy that feels both nostalgic and new. His usually colorful hair, now in its natural hue, casually frames his face. He wears a simple white tee and you can tell the noodle arms are gone. His shoulders are much broader, arms stronger than how you remember him. The silver earrings are still there, subtle reminders of his edginess, softened by time.

But beneath it all, there’s a layer of, hmm… exhaustion, you guess? A shadow under his eyes, faint lines hinting at the weight of sleepless nights. His lips are chapped, there’s a tiny red bump on his chin. He’s a new dad, he hasn’t prioritized himself for a while. Still, his face carries a tenderness in the fatigue, like he’s tired, but happy.

“He’s napping right now,” Yoongi clears his throat, motioning toward a small crib by the window, where his son is sleeping peacefully, bundled in soft blankets. 

“You haven’t told me his name.”

“Haneul.”

“That’s beautiful,” you reply, and Yoongi nods, almost shy.

He hesitates, glancing down as if gathering his thoughts. Then he says your name. “I… um, I didn’t know how this would go. His last caretaker was actually my aunt, but she got sick and had to go back home.”

“I’m really sorry to hear that.”

He nods, “But after seeing how he calmed down with you… I think he’ll be alright.”

He gives you a tour of his apartment, the baby monitor clipped in his jean pocket. His place is modern, spacious, baby-proofed. There are pictures that line the walls of the hallway linking the nursery, his studio, guest room, guest bath, and the masters.

You spend some time going through Haneul’s things—familiarizing yourself with the layout of the nursery. He shows you where the baby food and snacks are. Talks about his favorite toys and activities. 

While he downloads the 101 on Haneul, the one thing you were curious to know was, where is his birth mom? You obviously don’t want to be a prick so you swallow the question down. Maybe you’ll find out in the future. But for now, you just need to know where the baby wipes are.

For the first few days that you come over, Yoongi keeps close, hovering just within earshot as you ease into the cadence of his son’s needs. He’s there with his arms folded, watching as you handle Haneul, a cautious yet respectful distance. You get it though. You’re a virtual stranger he just let into his home and his son’s life. Who wouldn’t be guarded?

You quickly notice that Haneul has a sweet temperament, but has a bit of a sensitive side. He doesn’t take to loud sounds, so you keep your voice low and movements gentle, singing him lullabies and nursery rhymes under your breath while Yoongi quietly observes, even if he pretends to be engrossed with something else.

On your third day, Yoongi has to leave to attend an important meeting at HYBE. He’s been pacing by the door, making sure his son is settled before he goes, even though you’re right there, holding the baby with practiced ease.

“Are you sure you’re… good with this?” he asks, his brow furrowed, as if still convincing himself to leave.

You give him a reassuring smile. “Go. I got him. He’ll be fine.”

He hesitates one last time, eyes fixed on you, and then he finally gives a small nod. “Okay. I’ll be back soon.”

As soon as the door closes, you’re left with the quiet hum of the apartment and a very awake, very curious baby in your arms. You spend the next hour rocking him and singing songs, amazed at how easily he settles, almost as if he’s known you longer than a few days.

After his nap, you take a video of the babbling Haneul enjoying his yogurt gems and send it to Yoongi. He replies almost immediately with a smiley emoji and a curt: cute.

Yoongi returns around dinnertime right as you’ve settled the baby down in his bed. He steps inside the nursery quietly, watching as you tuck the blanket around his son. When you look up, he’s standing there, holding two cups of steaming liquid.

“I, uh… thought you might want some tea,” he says, looking slightly awkward but endearing.

“Always.” You take the mug with a grateful smile. “How was your meeting?”

“Could’ve been an email,” He shrugs and stuffs the empty hand inside his pocket.

You grin as you take a sip, remembering how you’ve always enjoyed his dry sense of humor, in the rare occasions you hung out in the past. Ooh, this tea is… your favorite.

“Silver moon?” you asked.

He nodded, “There’s a TWG shop that just opened near the office. Namjoonie might have mentioned it was your favorite, so.”

Your ears warm up just as well as your throat as you savor another drink.

“How was Haneul? Did he give you a hard time?”

“Not at all,” you shake your head, looking over to the little angel. “I’ve had a lot of practice, you know.”

“I can’t imagine handling a whole classroom full of them,” he says, looking at you with a mix of admiration and amusement. “One’s hard enough.”

“You’re lucky to have him,” you reply wistfully, suddenly feeling a tug at your heartstrings. ‘What I would give…’ you almost utter out loud.

The thing is, you actually do, without realizing it. Unbeknownst to you, Yoongi files the thought away, a subject he might bring up one day—when the time comes that he thinks you trust him, too.

The days blur into a steady rhythm. You arrive in some afternoons, not really everyday, only when Yoongi needs the extra hand at home or if he needs to leave the house for a day of rehearsals. You both establish that this is merely a favor so he doesn’t treat you like you’re at his every beck and call. Usually it starts with a short message in Kakao, and if you’re free, he would send a car to pick you up. Your meals are always ready, delivered on the dot. Conveniences are always within your reach—your favorite tea, extra clothes in case there are food or poop blow-outs, etc. The cleaning lady that goes thrice a week, Mrs. Kwon sometimes keeps you company and assists you with anything.

As you help take care of his baby, you feel that he’s looked out for you, too. Which is nice.

On days that he is working from home, Yoongi brings his work into the living room, just to be nearby during playtime with you and Haneul. 

One evening, when his son falls asleep in your arms after a particularly fussy day, Yoongi glances up from his laptop and leans back in his chair, a tired but grateful smile breaking through.

“He’s really taken to you,” he observes, sounding almost as if he’s admitting it to himself.

You smile, feeling a strange warmth at his words. “I think he’s just a really sweet kid, Yoongi. He’s easy to love.”

The smile he gives you after that is probably the gummiest one you’ve ever seen. 

A few weeks pass, and a subtle partnership has started forming between you, like you’re both slowly finding a rhythm in the chaos of caring for Haneul.

Bath time becomes a kind of unspoken relay: you gather the towel and clothes, while Yoongi preps the tub, testing the water with careful fingers. There’s a brief exchange of glances—no need for words, just a nod as you pass off Haneul, who’s already giggling happily.

Snack time turns into a ritualized watch party. You set out the applesauce and crackers for Haneul, and Yoongi brings a bag of chips and his laptop over to the living room, joining you and Haneul for yet another episode of Miss Rachel. Occasionally, he’ll mutter a sarcastic comment under his breath, trying (and failing) to disguise the fact that he’s memorized the songs, too. (And in English, no less!)

There was one particular afternoon that you walk in on the father and son having a heartwarming exchange.

Haneul, who’s wobbling on his unsteady little legs, is reaching eagerly for a stuffed tiger Yoongi is holding just out of reach.

“Oh, no, no, no—you gotta work for this,” Yoongi teases, eyebrows raised dramatically. He moves the tiger side to side, adding a low, exaggerated growl that makes Haneul squeal with laughter. Yoongi leans fully into the act, growling and making faces, finally swooping Haneul up with a playful roar, both of them dissolving into laughter.

You can’t help but laugh along with them, your heart catching slightly at the sight. The way his eyes crinkle in genuine amusement, his mouth relaxed into a wide gummy grin. And you’re startled by how… soft he looks, how fucking attractive he is when he’s like this. When his usual quiet intensity is replaced by this playfulness, by this open warmth. It hits you somewhere deep, a warm, fuzzy feeling in your chest that you can’t quite ignore.

Yoongi catches you watching, his smile faltering for a moment, but he holds your gaze. His expression shifts, something curious reflecting in his eyes as if he’s wondering what you’re thinking, but he doesn’t ask. Instead, he swallows a lump in his throat, cheeks dusting a faint pink as he looks down, bashful.

You force yourself to glance away, feeling warmth creep up your neck. For the first time, you’re struck by an awareness of him that wasn’t there before, and it lingers, even as you turn back to whatever it was you were supposed to be doing. The image of his smile, his laughter—it all stays with you, stirring something you can’t quite put a name to.

And just like that, you’re settling into this role in the life of the Min men—something you know is temporary, but is infinitely meaningful.

When you’re not in Yoongi’s apartment, your own place feels strangely foreign.

God, you hate it here. You can’t even bring yourself to call it home—it’s just a room with white walls, half-opened moving boxes, a stack of unread books Joonie gave you, a mattress on the floor, and a fridge with a single egg. It’s quiet. Too quiet. You could fix the place up—it’s not like you can’t afford a bed frame or groceries—but for some reason, you’re punishing yourself. Like this is the way someone like you—unwanted and rejected—ought to live.

Nothing in this flat tethers you to it, and maybe that’s why you prefer being out.

You’re afraid your heart is stuck somewhere in limbo, somewhere between Seoul and LA. Maybe it’s still floating above the clouds on that flight back. You don’t know when it’ll come down, but you hope it’s soon.

Tonight, you’re restless, tossing and turning in your makeshift bed, replaying fragments of your old life—a love that once felt solid, a future that had once felt certain. Your mind drifts to those last conversations with Jiyong, your ex, the ones where he shut down every hope you had for a family, making you wonder if wanting more was somehow wrong.

You probably deserve it, though. You want a family, but you can barely cook for yourself. What do you hope to feed a child—takeout? Junk food? It’s laughable. You can’t even make a home feel like one. Jiyong probably got tired of you because you’re useless at it.

Stop. You close your eyes, focus on your breathing, try to still your mind. 1, 2, 3…

Some nights, you especially hate yourself. Tonight is one of them.

You need to call Namjoon. He can usually talk you down, ease the self-loathing. You ring him three times, but each time, you get his voicemail. Fuck. Maybe he’s out, maybe he’s getting laid. Good for him, honestly.

But that might actually work. You rummage through one of your boxes and find the one purple bullet that’s gotten you through plenty of spirals. With a flick, the vibrator buzzes to life, and you slip it beneath your panties, pressing it right against your clit. You’re not in the mood to drag this out—you want release, quick and easy, something to take the edge off.

At first, your limbs relax as that familiar tingle begins, little sparks shooting from your core, teasing you with hints of pleasure. You keep at it, determined, but after a few minutes, the sensations stall. It’s like your body’s stuck, lingering on the edge without tipping over, leaving you stranded and more frustrated than when you started. You decide to cut your losses.

Maybe a shower. Maybe you can pop by the GS25 down the block for a bottle of soju.

But then your phone pings. It’s Yoongi.

Your tummy suddenly feels funny.

You immediately swipe up and read the string of messages that has popped on your Kakao.

Yoongi: Hey so I found this in Haneul’s crib Yoongi: image.jpg  Yoongi: u got this for him? he is lowkey obsessed. Yoongi: But WTF is it? 

You cackle. Loud and hearty. A sound you didn’t think you were capable of on a shitty night like this.

You: A capybara! Look it up! Yoongi: Oh Yoongi: never heard of it You: They’re cute Yoongi: ? You: Don't be mean You: Haneul and I love bora Yoongi: ?? You: thats her name Yoongi: noted

That night, the Kakao thread becomes your lifeline. Yoongi asks about your next visit, what you had for dinner, and when you say goodnight he sends back a grainy selca of him and a sleeping Haneul with Bora. The photo brings unexpected joy, something to remind you that you aren’t as alone as it sometimes feels. Finally, you succumb to slumber, clutching your phone to your chest, thoughts of Yoongi and Haneul floating in your dreams.

After that, you become more and more aware that Yoongi’s place has become a sanctuary. There’s Haneul’s bright laughter, the way his tiny fingers curl around yours, and the sound of Yoongi’s soft, steady voice, creating a background that somehow starts to feel comforting. With them, you’re too busy to dwell on the past or the ache left behind by someone else’s rejection. Instead, you’re present, stable.

And it’s in those moments—when you’re reading Haneul a story or soothing him to sleep—that you feel a glimmer of something you’d thought you’d lost: hope. The simple act of holding him, soothing him through his small struggles… It’s healing in a way you can’t quite put into words, as if this little boy is slowly fusing pieces of your heart you’d almost forgotten were broken.

And Yoongi—he’s part of it, too. His presence, his quiet strength, the way he’s trusted you with something so precious. 

You know this is just a phase, that this isn’t your life, but a part of you can’t help but imagine what it would be like if it were. To be here, day after day, with this little family that’s somehow found its way into your heart.

You’re still healing, still putting yourself back together, but this—this feels like the start of something you could believe in again.

What you couldn’t believe though was the email from your building administrator with an acknowledgment receipt for next quarter’s rent payment—all settled. You haven’t made the deposit yet, how come it’s saying it’s been paid for already?

You pace your room staring at the email from your phone as if it holds all the answers. 

What is happening? Who paid for this? You didn’t sign up for some sugar baby service… 

Wait. Something clicks in your brain. Suga. Baby.

Your first instinct is to call Namjoon, meddler extrordinaire. He picks up on the second ring, sounding annoyingly chipper.

“‘Sup, buttercup?” he asks.

“Don’t act cute, Joonie,” you warn. “Did you know about this?”

There’s a pause. “About what, exactly?”

“Yoongi,” you say, practically hissing his name. “He paid my rent, didn’t he? Three months’ worth. How did he even know where I live?”

Namjoon lets out a hum, his tone maddeningly calm. “Ah. That.”

“Yes. That. Care to explain?”

“Look,” Namjoon says, unbothered. “Yoongi asked, so I gave him your address. He said you refused his offer, but still he wanted to pay you back somehow.”

“But Joon! It’s too much—” You pause, scrambling for the right words. “How did he even get a hold of the landlord and settle all this without my knowledge?”

Namjoon chuckles, which only makes you more annoyed. “Yoongi hyung is an influential guy, you know. If he wants something, he’ll fuckin’ find a way. Just take it, okay? You’re helping him, he’s helping you. It’s fair.”

You huff, still not convinced. “It’s just… a lot, Joon. I don’t need anyone swooping in and paying my bills. And you could’ve at least warned me.”

“I get it. But you’re helping him with something really important. This is his way of saying thank you.”

You sink back into your chair, the irritation draining out of you. “Fine,” you mutter. “But if he pulls something like this again, I’m coming for your ass.”

Namjoon laughs. “Aishh. Why the hell is it my fault?”

“You’re a smart man. Figure it out.” You hang up.

You spend that afternoon at Yoongi's. He was in a rush, dashing out for some shoot as you arrive. You hear him return around seven, just as you're finishing putting Haneul to sleep. Once the baby is settled, you tiptoe out of the nursery with the baby monitor on hand, following the sounds of soft clinking and the rich aroma wafting from the kitchen.

“Hey, Yoongi,” you call out, stepping into view. “Haneul’s all tucked in. I was just gonna—”

“Stay for dinner?” Yoongi’s eyes light up, his voice gentle but hopeful as he turns, holding a pot in one hand and a wooden spoon in the other. It looks like he came straight from his shoot, his hair still styled in soft, precise waves that swoop perfectly across his cheekbones. He’s wearing the softest, oversized yellow sweater layered over a crisp white shirt, and his jeans hug him just right. But it’s his smile that really draws you in—light radiates from him, his face glowing not just from a bit of skincare, but from something more.

Goddamn. The man is looking fine as hell.

You’d planned to meet up with Namjoon tonight, but one look at Yoongi—whose eyes are too shy to hold yours as he ladles red sauce into a ceramic bowl—and you know you are absolutely staying put. Joon will understand.

“Ok, yeah, that looks really good,” you say.

“It is.” Yoongi smirks, just barely, and gestures to the fridge. “I’ll plate this up if you can grab some drinks?”

You procure a couple of beers from the chiller and set them on the dining table, shooting off a quick text to Joon afterwards.

You: Hey, raincheck? Yoongi made dinner and it looks good ngl

His response is instant.

Namjoon: You blowing me off to play house with hyung. K. I see how it is.

This asshole.

You’re about to call and give him a piece of your mind when Yoongi’s voice pulls you back. “Everything okay?”

Your gaze shifts to the plates of spaghetti he’s just set down, the aroma working wonders to sway your thoughts. “Yeah, just Joon being a pain in my ass as usual.”

“Sit.” Yoongi gestures to your chair as he settles into his.

“Wait.” You grab the baby monitor from the kitchen counter, setting it between you and Yoongi. The screen shows Haneul fast asleep, Bora tucked securely under his arm.

“There. Now we can eat.”

Yoongi nods, and the two of you dig in.

It hits you that this is actually the first time the two of you have shared a quiet dinner together like this. You were expecting Yoongi to let the silence linger, but he starts a conversation mid-way.

“I, uh, was surprised to see you back here,” he says casually, twirling a forkful of pasta.

“Me too. It was… kind of abrupt.”

He nods, not pressing, just listening. You don’t think you’re ready to talk about that so you try a joke.

“Didn’t think you’d ever see the girl who carried your performance of Stan?” you add, smirking. “I basically launched your career.”

“Carried?” He raises an eyebrow, clearly amused. “Nah, you were choking.”

“Hell no.”

“Uh-huh.” He laughs softly, shoulders bobbing. “Rewriting history….”

“Fine. I sucked. Joon totally went behind my back with that one. Not that he’s the only one who likes going behind my back,” you add pointedly, of course alluding to the matter of your paid-off rent.

Yoongi scratches the back of his neck, looking almost guilty. “Sorry for overstepping.”

“Just don’t start paying my utilities behind my back, too. Because—”

He shifts awkwardly, avoiding your gaze.

“Yoongi?”

He clears his throat. “Just your electricity. I… may have asked the landlord to include it this month.”

“Oh my god.”

“And water,” he adds quickly, eyes widening like a kid who just got caught.

“Add my Netflix subscription while you’re at it.”

“Done.”

“NO!!! You’re actually worse than Joonie,” you groan, though a smile quirks at your lips. “But, thank you:”

He nods, briefly pausing before he speaks up again, a little too flippantly. “So… you and Namjoonie—what’s the deal there?”

You blink, caught off guard. “What do you mean?”

He shrugs, looking somewhere over your shoulder. “You know what we all think? That he’s playing some kind of long game with you.”

You wrinkle your nose, laughing. “Oh god, no. Y’all are waayyy off. Namjoon’s like my brother, that’s it.”

Yoongi nods slowly, the smallest hint of a smile on his lips as he watches you.

“Everyone thinks that, huh?” you ask, leaning in, a little bolder than usual.

“Mhmm.” Yoongi gives a slow nod, as he nibbles his lower lip.

“All the members?”

“Yeah,” he says, watching you carefully.

“Including you?”

He shrugs, a small smile tugging at the corner of his lips, though something shifts in his expression, like he’s trying to piece together a puzzle he didn’t know existed.

“Interesting,” you murmur, swirling your glass.

“Why?” he narrows his eyes on you, wheels turning in his head.

Maybe it’s the beer loosening you up, bubbles lifting your usual filters. You’ve always been a lightweight.

“You never wondered why Joonie suddenly set you up for English tutoring with me—just you—even though your company had a professional hired to teach everyone?”

He blinks, eyes narrowing a bit more.

“Or why I ended up singing with you at that damn club?” You laugh, leaning back.

His lips mold into a small pout, processing, but you’re already laughing.

“Joonie’s been throwing me into your orbit, Yoongi,” you say, giggling, the alcohol hitting you hard now. “And you’re telling me you never noticed?”

He looks like he’s having a full conversation with himself, his mouth opening and closing like a stunned goldfish inside a gallon bottle. All he manages is an eloquent: “shit.”

“Well, for the record,” you pause, “I thought you were cute, but it was obvious you weren’t interested. Don’t worry, though,” you say lightly, glancing down on your almost empty plate. “I’m a big girl now. It’s all in the past.”

As you stab the last meatball, you miss the way Yoongi’s gaze softens.

You have no way of knowing what’s going through his head. But if you did, you would find that he’s thinking:

If he could go back in time, he’d kick his younger self straight in the balls for not noticing, and tell him to get his head out of his ass long enough to realize this one shocking truth: 

You were not Namjoon’s girl.

And he actually had a chance with you.

Because maybe you’re right. Back then everything was about the dream—y’know, big house, big cars, big rings, and all that shit. So yeah, maybe, he wasn’t ready then.

But that doesn’t mean he isn’t now.

Notes: Oh-KKKAYYY!! How are we feeling? Anything you liked in particular in this chapter? Where is the baby mama? Do we even care atp?!

Part 2 is where things get more flirty, spicy, and all that good stuff.

Tell me your thoughts and theories. See you in the comments! <333

Thank you for reading, you lovely, beautiful, human 💕🫶🏼

Taglist:

@yoongznme @nnybtitts08 @rinkud @nbjch05 @perfectiondazesworld

@marnz1990 @mxrauds @queenbloody @jadestonedaeho7 @futuristicenemychaos

@direnediane @glossdebut @maryhopemei @theresstardustinmyblood @mggv97

@wobblewobble822 @kam9404 @supernoonanyc @damn-u-min-yoongi @ot72025

@busanbby-jjk @granataepfelchen @jajabro @tarahardcore @marihoneywk

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@yronathaniel @as-hs-blog @amarssfanfic @mafersame @amarawayne

@eurydiceofterabithia

Sorry if I'm unable to tag you. Did my best to include everyone who commented and asked!

[kinardsevan]

i wrote a whole ass psychology breakdown (for the first time in FOREVER) about the break-up. enjoy (if you so choose):

so I've been reading a lot in relation to Tommy's speech during the break-up (and have actually gotten through the scene several times now, mostly as a creative reference for these fix-it fics. I think one of the first things that I've seen completely tossed aside (that bothers the shit out of me as someone with over a decade of therapy treatment and a psychology degree) is whatever trauma Tommy carries.

We know that there are issues with his dad. We know Lou's lore behind him is that he spent a lot of his childhood alone. We don't know anything in relation to his mom, but she may or may not be the cause of more trauma. We know that his way of dealing with abuse of authority is to shut down and follow the leader, which is likely a mix of his military time and growing up in his father's household (and when I say this, I mean from what we saw of him under Gerrard's command). This is a person who has put years into getting himself into some version of okay after all that he's endured, and we know he still generally does it on his own.

To that end, here, have my breakdown of the break up (roughly right about the time Buck says "I want you to move in with me"). (with pictures!)

Prior to the offer, we watch Tommy process through Evan's explanation about his relationship with Abby, things being transformative for him, etc. We have to bare in mind that this is where we also start to get what I've dubbed "starry-eyed Buck". He's so in the throes of what he's saying that I don't think he's really considering the connotation of his words. At the same time, Tommy doesn't know what lore Evan is about to drop him about this prior relationship. Remember that he now has to contend with the fact that they both have strong opinions on their relations toward Abby, and Tommy can't know if their feelings toward her as a person will be the same. I think Lou played this beautifully, appearing anxious and apprehensive as Tommy listened to Evan explain that Abby was transformative for him. Then he shifts into how Tommy has been transformative for him (which, he has, and we as the audience know this, but we understand it from a bigger POV than what Evan is saying with his words.)

There have been posts about Evan putting Tommy up on a pedestal throughout this speech (and really, possibly even sooner, but this is where we really get it expressed). Tommy tries to rectify this to a degree by countering "I wasn't always that way".

To that end, we then get Evan telling him "I know, and it just makes me admire you more." Tommy gives a bashful smile, clearly heartened by the statement, and even opening his mouth as though he's going to respond to it in some form. It would be interesting to know what was on Lou's mind of what (if anything) he thought would've been said there. Are there lines that were removed in this scene? Was 'I love you' actually going to come up? We can't really know. However, there's this part of me that thinks that Tommy thought that they were having a discussion on the depth of their relationship which would've possibly brought those 7 letters to the equation. Either way, this entire bit of facial acting is SO important, because it speaks volumes about how Tommy feels about how Evan feels about him.

From there we get the "I want you to move in with me, and this, THIS, THIS is such an important point for this ENTIRE scene. It's two seconds, but it holds SO much for the narrative. This man, who seems to be on the verge of ...something, clearly (who knows if I Love You was on his mind, or if it was just the fact that Evan was expressing how much he cares about him.) The reason this is all so important is THIS REACTION:

Now again, we don't know Tommy's trauma, but the joy literally drops out of his expression and shifts to panic. Now, speaking solely from the standpoint that these two haven't even said "I love you" yet, his boyfriend steamrolled over him from a possible declaration of love straight to moving in together without discussing semantics. Further, it's not even "I want to live together", it's "move in with me". We don't know much about Tommy's house (because these shitheads haven't built him a set yet), but we know that he has a HOUSE. With a GARAGE. Buck lives in a LOFT. Regardless of how much of an asshole this makes me sound like, it's crawling with red flags. It comes across as "fit more into my life" instead of "lets do this thing together". Further, if that's not bad enough, mention of getting engaged and married is thrown at Tommy as well, which holds two major bits of information: One, these are on Evan's mind. We've NEVER heard him talk about getting engaged or married to anyone. This speaks to the importance of their relationship to him, but the lack of I Love You also speaks on his own trauma. If we truly are getting the rom-com trope, at some point there's likely to be a conversation about why he lept over it (*cough* Taylor, his parents *cough cough*). Meanwhile, as he's continued in his starry-eyed speech, this is what Tommy is giving:

Now for those who don't know how to spot it, this my friends is a PANIC RESPONSE. The shift forward, the move to get up, the literal deep breath. He's having a panic attack. Now, obviously we don't know what brought this on, but god-willing, we WILL get the answers.

Now, to his own point, Tommy doesn't just straight up pop Evan's pink bubble. He does express that it's a sweet sentiment, but that it's a bad idea. To which point we get:

"Evan, that is so sweet. But I can't move in with you." "And why not?" Because. I know how this ends." "Uh, what-what's that supposed to mean?"

At which point, we clearly get the qualities about Evan that Tommy likes. "Incredible guy. Big-hearted. Hot as hell. Impulsive." I don't feel that the expression here matters as much as his tone of voice, because we can see on his face that he's expressing these qualities from a good place. The next point of reference isn't until Tommy's next line, when he says that Evan's reaction is out of things being "new and exciting".

To that end, the way Evan is talking to him makes this statement valid. He's not talking to Tommy like they've been together for six months and have built a relationship that should be moving in this direction. (For the tenth time I will repeat, he couldn't even dignify whether he was in love with Tommy when Josh asked).

Furthermore, I think when you consider this part of the scene, you also have to consider the strain in Tommy's voice. Something about those concepts (living together, getting engaged, married) is terrifying. It definitely gives the impression that Tommy has been faced with some version of this before and he got burned. Why is this important? Because of this:

"I'm saying no matter how bad I want it to be, I'm not your last." Those 9 words are important on their own, but when you couple them with the expression on Tommy's face and what we've just seen him go through, there's a clear point to the fact that he's been through this before. I also think that there can't be enough importance placed on the way he intonates "how bad". This is not a man saying no because he doesn't want to. He's backpedaling because he's sure that he's going to get burned. We get this point further driven home with this exchange:

"I'm your first." "But hey, they can be the same thing." "But, they usually aren't."

See this doesn't read to me as someone who's scared because he knows Evan has never been with another man. They're both fully grown adults who have had multiple relationships. What this speaks to me (now) as, is someone who has let someone convince him before that he would be their forever, that they were all in, and then broke him. When you include his childhood trauma and whatever abandonment issues it's left him with in correlation with all of this, yes, it's still an extremely biphobic set of lines. But in the context of what he's expressing and why, it's not about telling Evan he needs more experience, it's about telling him that he doesn't believe that he'll want to stay settled down with him six months, a year, etc., down the road. And THAT my friends, is abandonment issues 101. "Everyone else has left, so it doesn't matter that I'm in love with you, because you will leave too, and I need to protect myself from that."

Following that, we get this: "if I were to move in with you, you wouldn't mean to, you wouldn't plan for it, but you'd end up breaking my heart."

This line is SO important, right next to Evan's exchange with Josh about his relationship with Tommy. Why? Because even though neither of them have said it, it spells out that these two are in fact in love with each other, even if they haven't said it.

"I don't think I could deal with that." Tommy is fucking GONE on him. He's expressing that if he gave himself fully over to what Evan's referring to, losing him would break him. Again, we don't have the full picture on his trauma, but we know there's a mountain there. It's also worth noting again, that the intonation he uses in these statements clearly come across as someone trying to reign in their emotions and keep it together. That says to me that we're dangeously close to touching his trauma.

I don't feel like I have to include the final few bits of the scene in gifs because they're all over the site now, but the next line gives over the fact that he hasn't really been open about his trauma to Evan, given that his immediate response to expressing all of this is "I should go". This kind of reaction is generally brought on as not being accepted for having certain feelings. Now, obviously Evan is caught off guard by the entire interaction, the same way Tommy was (but for different reasons), so we have to take all of that into account when we think about the fact that instead of countering Tommy's logic, he asks instead if Tommy is breaking up with him.

Body language is also so important here for Tommy. His shoulders are hunched in, we see him wipe his face (meaning there are likely tears), and when he turns around, he's so caught up in whatever wave has taken him over that it takes Evan asking him for Tommy to state "yeah, I guess I did" about breaking up. Further, there's the fact that he states that he didn't see the break-up coming, which goes back to my point at the top of this post, that he clearly thought the conversation was going one direction, and instead it goes the other. From this point, we have Evan reeling, because he wants to create more of a life with Tommy, while Tommy is shutting down because of whatever is holding him back.

Finally, as I've referenced before, we get this line:

"Should've known that parking spot was too good to be true."

That line makes zero sense out of context, but in consideration of someone trying to lighten the weight they're carrying (which you can literally see by the way he has his hand on his neck, which you generally only see people do as a stress response). You can also double entendre this statement that getting to be with Evan was too good to be true. We get that little inhale with the smile, and I swear to God the only time I've seen that kind of reaction is right before someone cracks.

And then in closing, we get the "I'll see you 'round, Buck," our closing gut punch. Evan is still reeling, clearly. His face is very "what the hell just happened". Tommy is clearly not okay. This entire scene has opened an entire can of worms on them without a whole lot of answers.

Now, I've owned the fact that basically from the end of 806, I felt like this had to be a swerve, and that there has to be more to the story. I've also pretty much owned the fact that if the writers did actually just do this for kicks and don't have a resolution for it, I may not keep watching. However, in the context of the fact that, for the moment, I'm choosing to put hope in some kind of resolution, these lines make so much more sense. It is worth noting though, most people in the fandom, let alone the general audience, aren't going to psychologically break this shit down line-by-line. They're not going to lean into whatever trauma Tommy has that we don't know about yet. Its why the internet has been a mess since Thursday night. But it's also why I talk about how, when this situation gets resolved (because right now I refuse to say if), Buck has to give up the loft and give more of himself. Tommy, by the nature of the show, has fully immersed himself in Evan's life, but we haven't seen or heard mention of Evan doing so at all in Tommy's life. That doesn't mean he hasn't, but we haven't gotten any version of that. So when I say Evan needs to give things up... it's about matching what he's asking Tommy to give up. Because at the end of the day, when this circles back around, he's effectively going to be asking Tommy to trust that he won't break his heart like others have, and when you have a lifetime of abandonment issues and have learned to cope by being hyper-independent and alone, moving in the opposite direction is more terrifying than anything else. ESPECIALLY when you love that person, which we saw Tommy spell out. Evan has the ability to break him (and probably already is via this cut-off-at-the-quick break up.)

So, I'm really gonna need these shit heads to figure out that they'll be more miserable apart than they'd ever be together.

That's all. Thanks for coming to my TED talk.

[theemeraldwings]

Reblogging because my response has become too long to put in the replies:

I don't think many people view the traitor primarchs as irredeemable, and I think the number among people who are well-versed in Horus Heresy lore is even smaller. They are, from the beginning, tragic characters. They certainly have their damning characteristics (namely hypocrisy), but they aren't really presented as irredeemable--we even have explicit statements regarding redemption for two of them (Big E says Mortarion can be redeemed in Godblight, and he outright forgives Horus in The End and the Death Vol III). I don't entirely agree with your interpretations, however. I don't think any of them are irredeemable (at least, not due to their own actions), but I think they miss some key details.

For all Angron claimed to be standing against oppression, he spent over a century expanding the Emperor's (extremely oppressive) regime. There's no moral purity shit here, either--Angron is pretty open about how he hates serving the Emperor even as he reduces worlds to ash in his name. What you said about Mortarion also applies to Angron, because of the Butcher's Nails. He was denied the chance to die with his family on Nuceria, and for the remainder of his life before daemonhood, the one thing he wants to do is die. And then Lorgar takes that away from him.

Mortarion's fall is because, first and foremost, he cared about his sons. Typhus brought the legion to Nurgle's garden, and infected them with the Destroyer Plague. Mortarion fell to Nurgle because he wanted to end their pain. Mortion is also a hypocrite. Like Angron, for all his claims of hating tyranny, he still expanded a tyrant's domain for a century and a half. (Corvus Corax is also on this list, but this is about traitor primarchs, not loyalist)

Magnus' guilt is very hotly debated among the community, and both sides have a point. On the one hand, he did the best thing he could with the information he had available. On the other hand, he was incredibly cocky, and did not have a concept of restraint. He believed he was in control, and he was too confident in that belief. (Side note: I despise the troupe of super powers being a stand-in for being queer (or any minority of any kind, for that matter)).

Fulgrim never said "fuck it, I'll have fun". His fall to Slaanesh was driven by his belief that, after killing Ferrus Manus, he was irredeemable. He's an addict; he isn't trying to have fun, he's trying to forget reality.

Everybody agrees that Big E mishandled Lorgar, and that's the most favorable interpretation for him. His argument on why he isn't a god is literal abuser language ("If I was a god, I'd use my psychic powers to force you all to kneel before me, like this" before using his psychic powers to force all of the Word Bearers to kneel before him). And all this ignores the shit Kor Phaeron did to him.

Horus is the spoiled rich white boy of the primarchs. He didn't fall because he was lost because dad was doing everything for him beforehand, he fell because he saw a vision of the future where he wasn't given the credit he thought he deserved. And then, like anybody else who grew up being told the world would be at their feet, he lost it. There's other issues as well, such as taxes (Terra wanted to impose heavy tithes on newly conquered worlds, which Horus opposed because it would cause them to rebel), but "gee, maybe I'm not ready" was never an issue.

Alpharius and Omegon believed that they knew the Emperor's plans better than he did, and threw in their lot with the traitors because they thought that if the traitors won, it would mean the end for Chaos.

Perturabo is someone who chose to suffer in silence and hope things would magically change. He never complains, and then is shocked when things don't go his way. I'm fairly sure he's also the primarch that people find the most relatable.

Konrad Curze was certainly mentally ill, and he was certainly denied the help and support that he needed, but I don't think he was abused because of it. He's also the kind of person who thought that if you publicly lynched enough jaywalkers, crime would go down, and that the Emperor sending an assassin to kill him because he committed treason and genocide was vindication for his belief that any crime warrants being skinned alive as a punishment.

They may not be irredeemable, but their hands are fare from clean.

I love how much of warhammer 40k is clearly a bunch of white dudes sitting around, thinking up the worst shit imaginable and going "thank god that could never happen to me, the cishet white guy"

angron is a one for one depiction of slavery, yet is painted as the bad guy for wanting to stand against oppression

mortarion is disabled and constantly has his decisions taken away from him by able bodied people only to be seen as moody and uncooperative

magnus is gay or trans or both. literally a guy blamed for something he was born with that he cannot control and told you're bad if you explore this part of yourself. also you're illegal now

fulgrim was actively encouraged to pursue perfection, despite never being good enough for others. he pushed any personal pleasure aside for an uncaring crusade and then is demonized for saying "fuck it, I'll have fun"

lorgar. also known as "this is why you don't abuse your kids"

horus is the golden child who's sent out into the world by himself only to find out Gee, Maybe I'm Not Ready because good ol dad did everything for him then told him "figure it out lol"

alpharius omegon are the autistic kids who don't understand why pops is doing this, maybe we should do things a little different than "blood soaked crusade"

perturabo is the burnout middle kid who did everything to impress his father only to be told "that's what's expected of you" who then got mad since acting out was the only way he got attention

konrad curze has a mental disorder. and is abused because of it

all of these characters were so close to being some of the best representation for minorities we could get in media only for gw to eat shit right at the finish line because they can't commit to an actual story. and it's amazing just how little these writers understand that the things they depict are all real things that people suffer through every day, and are demonized for every single day, especially when we are told these characters are irredeemable and should be destroyed, no questions asked

[crimson-and-clover-1717]

When I watched OFMD this year, I literally knew three things:

It was called Our Flag Means Death

It was a pirate comedy

It had been cancelled

I didn’t know Rhys Darby (‘that Murray bloke from Conchords’) or Con O’Neill (‘the weird guy from Chernobyl’) were in it until they came on screen. And please don’t stab in me in the face, but I had never heard of Taika Waititi. I’m very much not the target market for this show. Although I will say I think it’s universal in its exploration of the human condition. So if you’re human, the show is for you.

I knew nothing about budget cuts, editing decisions, or even at this point any circumstances around why it had been cancelled. I had not an inkling it was a romance. I had no notion it was going to overtake my life to such an extent.

I watched one episode a night for 18 nights (I know, I know… I binge-watched it immediately afterwards over two days, and haven’t stopped since). I also had no-one to talk to about the show as I watched the 18 episodes. No-one I knew had ever heard of it. I really was a blank canvas.

And this is what I thought. Other than finding Calypso’s Birthday a little uncomfortable on first watch (and that’s largely because I find torture, even the OFMD variety, difficult to engage with - I always skip the opening of 206 now), I saw no difference between the seasons in terms of artistic merit. It’s possible that because I didn’t experience an 18-month hiatus, and build up my own version of what season 2 should be in my head, I didn’t have any expectations to be knocked down. I just engaged with what they asked me to watch.

I fell in love with this show at ‘My name’s Stede. I’ll be your robber here today.’ I fell in love with Stede Bonnet when he did his little Scrappy Doo air-punch in episode two.

With regard to season two, The Innkeeper affected me so much I honestly think it altered my brain at a structural level. More so than The Chain sequence which is when I think this show started affecting my brain chemistry.

I also loved the development of Stede and Ed outside of their personas. The couch scene in Fun and Games made me believe in them as a couple in ways I hadn’t quite in season one because they were growing and being real with each other. I thought their arguments were so well-written. Man on Fire has one of the most authentic representations of couple miscommunication I have ever seen on tv. And I think Mermen is really good in doing what it needed to do, and did it well. How do you end a tv series that gives a satisfactorily emotional ending, but doesn’t give away everything in case there’s another season?

Ed’s journey in particular just ripped my heart out and then glued it back together. And seeing Stede continue to develop his very nonlinear understanding of the power of his earnestness and gnc self, whilst still sometimes wrestling with notions of traditional masculinity… I needed to grow a second heart.

When I learned of the financial and time constraints later on, I was shocked they had achieved such a high standard of tv.

Imagine my shock when I discovered the Canyon…

It’s fine if you don’t like season 2, or season 1, or OFMD at all for that matter. But if you want me to say season 2 isn’t any good, or as good as season 1, then you want me to say something that I have never felt to be true. When you experience it holistically like I did, it all hangs together beautifully.

[gaywineauntsstuff]

I love the idea of Dick being all the Batkid's favourite sibling but in violently different fonts.

Jason: Dick and Jay canonically have a pretty solid relationship but i'm partial to the Jason was around for Dick's rebellion stage and so Dick doesn't think he has to worry about the pedestal thing bc Jason has absolutely seen him violently hungover before he was legally allowed to drink font of this

So by the time Jason comes back and is no longer trying to murder Tim (except psychologically) Dick decides... Well he's evil sometimes but also I can finally tell someone all the Titans drama. So him and Jason meet up like once month if they're in the same city and get progressively drunker while shit talking their teams and Bruce.

Also I hate the Dick and Robin!Jason didn't get along. They absolutely did, Dick was like 0.5 seconds away from taking Jason to live with the titans permanently.

Tim: 'Oh Jason is Tims Robin, Oh Dick betrayed Tims trust.' in the name of the orange dude y'all elected twice W R O N G. Tim Drake used to watch VHS tapes of the flying Graysons routine. He wasn't even a batman Stan first. That came after he saw Robin do a quadruple summersault. Tim is a Dick Grayson fanboy first Person second. Like Tim canonically saw Jason die and went lmao skill issue, imagine not being like Dick Grayson i'm better. When Dick first started training him, he'd consistently excuse himself go to the other room, hyperventilate over Dick Grayson teaching him how to train surf. Dick is not just his idol he's also a pretty substantial part of Tim's support system. He calls Dick when he's going through something or is stuck on a case. And he knows that Dick will always have his back. They have like the unrealistic adorable sibling relationships from Tv that don't exist irl. Tim also does that awkward shuffle thing after fights bc they're still siblings and Dick just pretends the fight didn't happen until Tims calm again

Damian: You have to understand Damian thought he'd have to basically do the league all over again. He lands with Bruce and those ideas are soundly rejected and he now has no trust or respect and he has to adjust. And Bruce is doing his holier than thou, you should know better 10yro who literally was brainwashed as a child act, like Tim didn't have to pull him away from straight up becoming a villain and Dick didn't have to put him in his place with his fists a couple times a year (we love Bruce really). Then Bruce gets Time-streamed, Tim runs away and now the circus freak is BATMAN. Except the circus freak is also a sadistic bastard to criminals, despite being made out of marshmallows to you. Dick hangs people upside down off high buildings for information and cackles as Nightwing. He also listens to Damians worries and helps him deconstruct his bias view of the world. Dick canonically set the standard for child heroes and is among one of the most beloved and trusted heroes despite being marshmallowy and refusing to murder people. Dick is kinda like Damians stand in non pretentious moral compass until he learns his own one later on. Hence why Damian adores Dick Grayson more than anyone really.

in summary support my agenda that Dick and Jason are gossipy drinking buddies, Tim absolutely had a Dick Grayson Shrine as a child and Damian calls Dick to double check that he still cannot kill Timothy (its now entirely a joke.... mostly)

[newtkelly]

Not to word vomit on you but I can't stop thinking about Oliver wanting a love story like Tarlos and how it all accidentally lined up.

Knowing that Carlos and TK were about to move in, and then Carlos made that romantic gesture and TK got scared because it was, "too good to be true."

Carlos is left, confused, puzzled and nursing a broken-heart but still just as in love. What do you mean that TK and Carlos saw a future together, one got scared at that prospect and left before Carlos was the one to leave??

What do you mean that happened after Oliver said he wanted Bucktommy to have a love story like Tarlos; where it was always going to be them?

Then you consider Oliver saying that we might see Tommy and Buck interact during a call and it'll be awkward and who can't help but think of TK and Carlos running into the furniture store and seeing each other for the first time in weeks.

Anyways, sorry to be delusional in your ask box. I'm deep within the Tarlos trenches so this is all starting to look eerily familiar lmao (it could also be Tim is out of ideas, which is most likely the case)

Please feel free to word vomit on me always, I live for it.

Receiving this ask has actually prompted me to share some thoughts that I’ve held back from sharing, just because I wasn’t sure if it was worth it to throw more speculation into the void. But this message is so lovely, and I agree with it so much and so… okay I will share some of my mixed bag of thoughts about this whole situation.

Firstly, I adore Tarlos and LS (even if I don’t post about either much), TK is my baby, and the interesting thing about them for me is that I wound up caring for them more AFTER they broke up and got back together. If Buck and Tommy’s story is formatted as a rom-com, TK and Carlos are a tragicomedy. TK, the heartbroken recovering addict thrust into an entirely new city, a new career, who doesn’t want to let himself get too close to something good because he is misery incarnate. Carlos, the hopeful hopeless romantic who sees TK and doesn’t see something that needs fixing, but someone who his love could help heal. It’s such a gorgeous story, and the symmetry of both characters shockingly losing a parent in a tragic way is painfully beautiful. I LOVE their love story.

That brings me to Oliver and Tim’s comments. Throughout the Buck and Tommy relationship, my belief that this would be Buck’s final relationship only ever wavered twice. The first time was in the immediate aftermath of their first date (I spent the whole episode thinking that Tommy was actually reintroduced to kick off the bi awakening plotline and Buck was not acquiring a boyfriend) and the second time was towards the tail end of the summer hiatus when I legitimately began to doubt Lou would want to come back given everything that transpired. Other than that, I had full faith that this was it, this was Buck getting off the “hamster wheel”—Tim’s words, not mine.

I had confidence for a few reasons. 1 – the story was always handled with care onscreen and gave us no reason to think they weren’t going to work out. 2 – the chemistry was insane, and I knew it couldn’t just be me because an entire fandom was born. Tim and tptb must have seen what we saw. 3 – the supplementary information funneled to us through articles and Tim’s social media, literally up until post-8x06 never seemed to indicate that their relationship was headed in this direction. A big part of that was the comparison to Tarlos.

In order to protect myself (should I name the list of shows, movies, couples that I’ve fixated on that wound up playing out in dissatisfying ways?), I am awfully pessimistic. The post-episode interviews, articles, + hearing a bit from LFJ and OS has me wondering if this was some mass hallucination. Did we truly cling to something good and blow it up, run with it? Was this always the plan? I’ve wondered if because S7 was so short and S8 required that other characters get the spotlight first/other stories needed to be told and wrapped, and if because of production and scheduling and whatever external reasons, did their relationship wind up having a longer life than was ever intended. Were they ever supposed to make it to six months? Were they ever supposed to make it past the fucking wedding? I have been asking myself this stuff a lot. Alternatively, did something happen that made them want to or have to part ways with LFJ? So many questions, and I’m not sure we’ll ever know.

But… then there’s the delusional side of me, and the reason I haven’t totally abandoned hope is because when I was watching 8x06 live, EVERYTHING in me told me that this is a necessary section of the rom-com formula. Even the call-backs throughout the episode made me feel like the writers are so painfully aware, and that the narrative wants these characters to be together (Miceli’s, Abby, basketball, going to the movies, calling an uber, the loft kitchen, “you’re not ready”)—the motifs were absolutely popping off. I did not think it was the end when the episode ended. I wondered when and how they would find their way back to each other to fulfill the rom-com genre, but what I did NOT expect was to open social media and see articles framing this as the end. I wasn’t surprised when I found out who wrote the articles, and listen—if they bait one side of the fandom, can’t they bait the other? I still have some hope, because at the end of the day, anything can happen with network television. Maybe this is all part of the plan, and the interviews should be taken with a grain of salt. I just don’t know.

Interviews with Tim and Oliver from day one positioned the Buck and Tommy relationship as a queer love story devoid of trauma. Okay, well… huh. From where I was sitting, there was A TON of explicitly queer trauma exposed in 8x06. Their “hurdle” is tied utterly and completely to queerness. Tommy runs because he is a gay man who doesn’t trust that his bisexual boyfriend should “settle” for him, and who would rather be alone than heartbroken, and if that truly is the last of Tommy, it has to be one of the coldest and cruelest exits we’ve ever seen on this show. Do they simply not realize how deeply traumatized both characters come off in that episode, or is it all part of the plan? If the interviews positioning this as the permanent end of bucktommy should be taken at face value, shouldn’t the other interviews that position them as a rom-com (with the formulaic third act breakup, boils and all) be taken as the truth as well? If there was some misinterpretation, why hasn’t Tim said anything—he clearly knows a lot of fans were hurt by what they watched. He must have seen the outrage—why radio silence? Did we truly blow this out of proportion? Are the wheels coming off behind the scenes? I need a tell-all at this point lol

Thank you for the lovely ask, I’ve been sitting with these thoughts all week so this was a good excuse to finally articulate them. <3

[vidavalor]

Hi @masnadies & friends! I don't really have a literal map, just an idea of where I think things are from what we've seen in S1 & S2. I love @mochacoffee's map & think that it makes sense that a ton of the space in the upstairs rotunda is shelves of books-- particularly, the bit visible from the main part of the shop downstairs-- but also that there are rooms up there, as we saw in S2. Aziraphale designed the shop as a space for him and Crowley so I think there's actually a lot of intentionality behind it. I've had some thoughts on this for awhile so I hope you all don't mind me sharing them here.

Some ideas on what rooms might exist and where they might be in the shop, how the threshold/invites work based on what we've seen, and what new room in the shop I would bet is going to be in The Finale. Also, what the story purpose in making the shop mysterious enough that we're having these conversations might be.

Design-wise, I think that the whole interior of the bookshop is built to look to any angels that might enter the front door like it's nothing but a bookshop that is a cover for the angelic embassy. Aziraphale only has the embassy so he can have the bookshop, which is really a cover for having as close to a house as Aziraphale had been able to manage while being a working angel. The way they are using the bookshop as a metaphor for Aziraphale (and for Crowley and Aziraphale) and its design tells us a lot about Aziraphale and his relationship with Crowley. What we have been allowed to glimpse of the bookshop-- and when, and in what order-- is very much intentional and part of both the design of the story and pf Aziraphale's design of the shop, imho.

In S1, the show uses the bookshop metaphor for Aziraphale by focusing more on Crowley's relationship with the bookshop than on Aziraphale's relationship with it. Each episode gives us more and more information regarding what level of access Crowley has to the shop that is symbolically Aziraphale as a way of slowly showing the audience the depth of the intimacy of his and Aziraphale's relationship.

In 1.01, we see Crowley feel safe for the first time in the episode when he and Aziraphale are in the bookshop. We see him on his couch, their familiar setup and being able to speak freely and have some privacy in the shop. Crowley's glasses come off for the first time in the minisode. It's the setting of the bookshop that helps to establish how close they are from the jump of the story. Each subsequent episode, though, begins to unfold that even more.

When the shop goes on fire, we find the doors will open for Crowley-- basically, that he has a key to Aziraphale's place. When Crowley goes back to the shop in Aziraphale's body during the body swap, we see him able to identify which books in the shop weren't there before Adam adjusted reality-- telling us that he spends so much time in the bookshop that he knows every detail of it. When he meets Aziraphale in the park afterwards, he tells Aziraphale that the bookshop is just as it was, with not a single smudge and everything in the same places that they always were.

While we just saw Crowley on the ground floor of the bookshop, this comment-- delivered while he's literally in Aziraphale's body, for fun symbolism-- is saying that Crowley has unfettered access to the entire bookshop and knows the whole place so well that he knows everything in it, everywhere, by heart, and could tell if anything was amiss in the shop. He knows his way around every room in the bookshop and has permission to go into any of them that he wants because they're basically his, too.

So... Crowley, while in the midst of the sexual metaphor that is the body swap, is seen telling Aziraphale that he went through their entire house and everything is fine, and this is not a conclusion that Crowley could have drawn without having gone into Aziraphale's bedroom-- and without being familiar enough with it to be able to tell if anything is amiss. This is the end of the steady progression of information about Crowley and the bookshop throughout S1 and it comes when they're in each other's bodies, ahead of the romantic Ritz finale.

In S2, we start to see a little more of the shop but what of it we see is reflective of the conflicts happening in the story, as it would be, right? First, we find out what's behind the door of the room behind Aziraphale's desk that remained closed in S1 and it's a subtle but potent reveal-- it's a room being used like a massive storage closet.

It's Aziraphale's actual backroom, not the office to which he brought Gabriel and Sandalphon in S1, which is built to be a place to which he can bring a visiting angel. This backroom is painted the color of Crowley's eyes and is a hodgepodge of random things that are being stored back here without a shred of the structure of the rest of the shop. While Aziraphale's bookshop is cluttered in a good way, that isn't what's happening in the backroom we see in S2. There's an open privacy screen in the corner that seems to be blocking off nothing. There's furniture and books just kind of pushed into the room-- random lamps. A chair just kinda stuck in there near the door. It's a storage unit, basically, and not a room that is in use, and it looks like it's holding things in limbo for a future that may or may not happen. It's stuff that belongs to he and Crowley that neither want to give away but that neither have room for in their lives at the moment. It's a total holding pattern of a room and Muriel bursting into it is literally the (literal) closet door being broken down by the supernatural cops, right?

In S1, the bookshop itself is essentially their closet but, as the supernatural characters like Gabriel and Muriel keep pushing further into the shop in S2, even as Crowley and Aziraphale wind up stopping hiding their relationship in S2, in the first half of it, we have this closet room representing them trying to try to find a space to talk openly in their own house during the chaotic week they're having.

Then, we see use of the home bar space in 1941 a bit, and this one is really interesting. While we saw this space in the present in S1 while Aziraphale was trying to figure out how to tell Gabriel about the antichrist kid mix up, now we see Crowley and Aziraphale using it and see that this table that Aziraphale keeps clutter on during the open hours is basically the dining room of the bookshop. It's positioned so that it's not in direct view from the front door of the bookshop-- just like how Crowley's couch is tucked away from immediate view of the door by the bookshelves.

If you look at the front of the shop-- everything between the front door and the cash register counter-- it actually does look like a little bookshop in its own right. The display tables and shelves and stacks of books along the wall. These are probably the books that Aziraphale can part with, if he absolutely must lol, and is really the only part of the shop that is truly the bookshop. Pretty much this bit below and the bookshelves where Crowley pulled the Jane Austen book that is on our right out of sight below:

Because the bookshop is metaphorically Aziraphale, I'm of the opinion that, technically, basically anyone can theoretically get through the front door. Humans are obviously kept away by locks and closed signs and restricted to business hours (whatever Aziraphale feels those are at any given moment lol.) The supernatural characters, though... The threshold, as Shax discovered in S2, is not actually the front door. Likely symbolic of how Aziraphale will give anyone a chance. The threshold is proven in both seasons to be the cash register counter-- the point at which what is meant to look entirely like a bookshop is really becoming Aziraphale's house, whether it seems that way to others or not. But, still, it means everyone can theoretically get into the entryway, right?

So, how do Crowley and Aziraphale have any privacy if the supernatural beings can all get through the front door?

Because they have found a way to exploit the angels and demons' dislikes of one another to get it.

Technically, the bookshop is an angelic space and an angel could demand entry to it and there's nothing Aziraphale could do but allow them to go wherever they wanted. This is the one weak spot because, while the demons won't want to deal with an angelic space and will just stay away, the angels are a different matter. Even if they cannot get past the cash register area without an invite, they need to believe like they have control over the space in order for Aziraphale to be able to keep it. So, why do the angels frequently turn up at the door asking to be let in, even if the vibes are very much that they feel it's sort of dumb that they have to ask and Aziraphale knows he has to say yes? Why don't they just go through the door?

Aziraphale out-psyched them, basically.

He told Heaven the truth-- the threshold to the shop is not the door but the cash register counter-- but he also told them that they were all going to make sure that the demons in Hell thinks the threshold is the front door. He told them that this is how they'll keep the embassy secure because, it being an embassy, they might have to allow a demon in during the daylight for spiritual counseling towards the light (the excuse for Crowley being seen sometimes entering the shop during business hours) but they can't just let a demon have unfettered access to a heavenly space-- that would be unseemly!

So, that's Aziraphale's argument for the threshold in the first place-- he needs control over the embassy space in order to protect it for Heaven and not just let these demons wander around in it unchecked. But he's made it so that Heaven thinks they're getting one over on Hell by making them think they're all in on the joke but that, for security purposes, they need to keep up the charade. They've all been told that they're supposed to go to the door for an invitation so that, if any demons are watching the place, they won't get suspicious that the door isn't really the threshold.

Crowley is keeping this going with the demons in S2, as well, when he leads Shax to think that the threshold is the door before she figures out he's lying during the bookshop attack. He also lies about his ability to invite people in, implying that only Aziraphale can, which we see later is untrue. Technically, anyone that Aziraphale has invited in can invite in other people behind them, which is how Maggie ended up inviting in all of the demons during the bookshop attack, and also why Crowley reminds Gabriel not to let anyone in when he rushes out of the shop after Shax while Aziraphale is in Edinburgh.

So, Aziraphale basically told Heaven that they all would know the truth, of course, that the threshold was the cash register but that they all wouldn't want the demons to find that out, right? That wouldn't be a very secure embassy. They need the demons to think that it's the same rules for everyone. Aziraphale's gotten them all to play along by making them go to the door and ask to be invited in, even though they could, technically, get in the front door and up to the cash register without an invitation. He's basically found a way to make them all ring the doorbell by exploiting their own prejudices against the demons.

This is shot now because, when Crowley and Aziraphale backed all the humans up into the living room, behind the cash wrap, Shax figured out that the door wasn't the threshold and tested her theory on poor Mr. Brown of Brown's World of Carpets, basically proving what we saw back in S1 when Gabriel and Sandalphon showed up.

They arrived when the shop was open and Aziraphale was busy inside with basically the only time in the series he has ever had customers lol and so there was no reason for Gabriel and Sandalphon to need to be invited in at the door because the shop was in normal business hours and it was Gabriel who was there. The rules of the other angels and demons wouldn't be seen as applying to him-- but they both did need an invitation to go any further than the cash wrap. Aziraphale brought them into his back office, which is a room he was willing to sacrifice to visiting angels as a way of seeming totally transparent and keeping them from wanting to search through the rest of the shop.

But, anyway, I think this is why the shop is built the way it is-- it's a house that is designed to pass as a bookshop so it can pass as an embassy-passing-as-a-bookshop, so that it can exist. Aziraphale has never really wanted to run a bookshop; he just wanted his books and a safer, home-like place he and Crowley could be together in. It's a bookshop just because Aziraphale has so many books and that made it the best cover for the fact that it's not really much of a shop at all-- just the front part of it is and Aziraphale has to fight to keep anyone from trying to buy any of the books that are in the other 95% of the shop, all of which are really his and/or Crowley's.

It's set up so that if the angels ever are just inside the front door before the cash wrap--or if they go only into the backroom where Aziraphale brings Gabriel and Sandalphon in S1-- that they're basically just seeing what looks like a bookshop. If they look up into the second-floor rotunda from near the door or most places on the ground floor, they just see a second floor of shelves of books that they can presume that Aziraphale is selling to the humans. It's not until we go up there with the characters in S2 that we see rooms exist up there... tucked out of sight from below. The further we press into the shop and the more we go around corners, the more we see that its design is intentionally attempting to hide what the real purpose of the bookshop is.

Aziraphale and Crowley cannot trust that there won't be some night when, idk, Sandalphon or Michael or somebody decides to just suddenly appear in the front part of the shop instead of knocking at the door. If they did, they wouldn't be able to physically go any further than the cash register counter-- but they could see into the shop from there. That seems factored into Aziraphale's design of the shop.

Aziraphale built it so that if he and Crowley were having dinner or wine at the table in the bar area like they were in 1941, Part 2 or if they were cuddled up on Crowley's couch, that they're around corners or otherwise obstructed from view enough that it gives them the opportunity to not get immediately caught should an angel blow past the established norms of entry and show up in the front part of the bookshop. The table in the home bar and Crowley's couch are both positioned so that a person cannot directly see them from the front door of the shop, which would buy them both time should someone show up in the shop. The place is built to make it so that no one can get past the cash register counter threshold and, even if they get past the door and into that space without Crowley or Aziraphale realizing it, they likely won't catch Crowley in the shop, no matter what time of day they show up.

So, the main floor bookshop space is visible to everyone but rooms that are more personal or that are hiding something from Heaven just by existing are buried a bit further into the shop or behind a door that has been right there the whole time but that the show is taking longer to open.

It wasn't until S2 that we saw into the private room in the back-- the closet, as the two of them were kind of trying to come out of it when it came to their relationship. It's also not until then that we get to go upstairs and, when we do, see that the spots that you cannot see directly from the door below have rooms. This is Aziraphale's private residence and even this? Is mostly set up to be able to deflect, should Heaven ever get up here. Have a real look at Gabriel's completely bizarre room here:

This is the unused bedroom of the bookshop, really-- not Aziraphale's actual one. It looks like a messy monk lives in here. One the size of a hobbit, apparently, because that bed could not get any smaller. This room exists basically in case Sandalphon ever shows up and demands a tour. Here's Aziraphale's room that he can claim he never really uses and just has for pretense or in case there's an emergency and someone needs to lie down. Nothing to see here, Stasi-a-Fond, just my tiny, dollhouse bed that I absolutely cannot fit in on my own, let alone with that six feet of legs demon! Jim's bedroom is as much of a closet as the back room downstairs is.

So, what lives down the little hallway on the ground floor, back out of sight? And, even better, what is the room at the top of the stairs to the left of Gabriel's bedroom? We were shown this door but it remained closed for all of S2. It is to S2 what the closed back room that we saw in S2 was to S1-- this door we saw a few times and then went into in the next bit of story.

Given its location in the shop-- conveniently at the top of the stairs and beside another bedroom-- it's likely that this is Aziraphale's bedroom. Unlike many, I think that Aziraphale does sleep. (I'm pretty sure Gabriel is wearing Aziraphale's pajamas in that "Jim's Mug" scene in S2.) Regardless of his sleep habits, though, he has other uses for a bedroom and I don't think it's collecting dust.

There are also some spaces in the vicinity of Jim's room that I think could be a bathroom, which Aziraphale could claim is necessary for customers, as you all have said above. Do his customers need the likely nice shower and that probable clawfoot tub? 😂 Not exactly, but Aziraphale likely would say fuck it and figure he'll come up with something if Heaven finds out. He can tell Michael he's baptizing people up there or something. I think that the lure of bath time with The Serpent is likely too strong to pass up.

We know there's a kitchen in there that Aziraphale was using for the literal portion of his baking in during Lockdown, which I think is probably what's located if you keep going past the private room and the home bar into that unseen space. See from where Aziraphale emerges in the bit below?

Nina, Maggie & Gabriel follow him into the room afterwards and they all seem to be coming from some place down the little corridor that leads further back into the shop. I'm pretty sure that's where the kitchen is. I think that's also the direction from which Aziraphale came when he brought Muriel tea in S2 as well. I'm sure it's very warm and cozy but I have a sneaking suspicion that it'd be a room we'd find surprising in its organization. It would be one of the rooms in the house that makes it pretty clear that Crowley spends a lot of time in the shop. I wouldn't be surprised if there are some-- gasp!-- plants in there-- potted culinary herbs, probably. He likes to cook for them sometimes.

I don't think it'd be super-necessary to show the kitchen but I actually think there's a chance we still might see it in The Finale largely because of the fact that I think we're going to flash back to the aftermath of Aziraphale blowing up his halo and briefly see some of what went down between then and the next morning-- namely, the convo with The Metatron that Aziraphale says the next morning took place, and the aftermath of that. If we go back to that night, we could see Aziraphale, Gabriel, Nina & Maggie talking in the kitchen. They also might cut that bit of it for the film but, either way, that's the area where it seems to me like the kitchen might be-- hidden pretty deep in the back of the shop, suggested to us but completely out of sight of Heaven.

If we consider that the bookshop is being rolled out to us slowly and in an intentionally incomplete way so far in support of a story that is doing the same... and if we then ask what big rooms remain that we haven't yet seen? There's really only the kitchen and Aziraphale's bedroom.

So, what haven't we seen in the bookshop yet ahead of The Finale?

The kitchen and Aziraphale's bedroom... food and sex. 😉 Not really terribly dissimilar things to these two...

It's been there all along but, as the story hits its end game, I think they'll likely reveal it a little more directly and, if they keep going with the way they've been using the bookshop to tell the story so far, they're going to use going into the previously unseen bedroom in the bookshop to do it. The one, new room we're getting for sure in The Finale is Aziraphale's bedroom-- likely circa 1941. It'll be clear that while it's the first time we're seeing it, it's a space with which Crowley is already plenty familiar.

Then, off to their South Downs Cottage where they can finally just have their own damn house without all of these shenanigans.

Speaking of the bookshop, theories on what could be upstairs?

ooooo the BIG QUESTION.

so we can see a bit of the second floor in all these pics:

basically all we know for sure is there are A LOT MORE BOOKS, both stacked around the railing and on the circle of shelves. neil has decided not to comment on what else might be there (YET 👀) but he’s confirmed that much.

apart from that, we can see from the outside that there are six windows on the second floor:

i’m going to assume they’re part of the shop because they’re Very On Fire when the rest of the shop is on fire. SO. taking all that into account, you end up with something like this:

where the thin grey circle is the railing and the brown one is the bookshelves (as you can see in the first pic, it doesn’t circle all the way around!)

the rest is a complete mystery. i mean i’m sure the actual set was empty because they didn’t need to fill it, but in theory there’s room for some interesting stuff! with the first floor for scale i can imagine a whole flat built around that circle of shelves — a bed aziraphale never sleeps in, comfy chairs, every other angel knick-knack he’s encountered in his life. in my personal headcanon it’s all books and hoarded items covered in dust, which he leaves for authenticity.

thank you for asking!! i’d love to hear other people’s thoughts if they want to share :)

[fanofstuff01]

Okay this post was originally supposed to be longer and going into more depths of the subject but I decided to separate it in parts. Because I cannot write that long of an essay in one day lmao

But anyway here's part one

Wohoo

Why Adam from Hazbin Hotel Not Coming Back In Future Seasons Doesn't Make Sense (To Me)

Part One: Logical Problems

Now this section, even though it is still my favorite in the parts, can be fixed easily if Vivienne just gives a logical answer to all of it. But it is just my perspective and what I saw from this show.

Let's get started yippie

-

A: Him not coming back contradicts the show in my opinion.

-You see, when Sir Pentious died to Adam's holy light, all the other characters react like they think he's one hundred percent gone. And it was previously stated by Vivziepop that sinners cannot die unless it's from an angelic weapon, otherwise they just respawn somewhere else in Pride hence why the exterminations exist.

So this implies that Sir Pentious died permanently here, from an angelic attack and then became a winner, in other words respawned in Heaven.

Then.. Why can’t Adam, someone who we know (for now) that died to a weapon designed to kill souls permanently, come back exactly Vivzie? This doesn't make any cucking sense for me. Why are you showing us that a soul can rise after being perma killed, but then treat as if the other Alex Brightman died permanently and now there's no way for him to come back?

-"But maybe they didn't know that Sir Pentious could come back, they just learnt that angels could be harmed. (Yes someone literally said this)"

Oh you mean these characters, who include the Princess of Hell and a literal ex exorcist, don't know about one of the core reasons why exterminations are held in the first place?

Suure.

-"You wouldn't be sad and attack the person who did it if someone killed your friend even though you knew they'd be back? Their reactions don't essentially translate to them not knowing about the permanent death thing."

I would and I can definitely understand them still being incredibly devastated and going feral about his death even though it’s temporary, but then why does the show treat Pentious' death like something these characters think is permanent? Why does Charlie refer to his death as “Ultimate sacrifice”? Hell, this entirely contradicts the sense of finality and sorrow his sacrifice had. 

And to add to both questions, why would Adam come to the exterminations with a weapon that doesn’t kill sinners permanently? Specifically one where he knows that there’ll be folks that will try to fight them and folks he would be more than pleased to wipe out permanently? 

-I know I sidetracked to talking about Sir Pentious more than Adam here, but since he is the only soul we know that changed the place he was in afterlife he is the most relevant character when it comes to this discussion about Adam in my opinion.-

-”We don’t know if angel souls are equal to sinner souls when it comes to this. Maybe the angels simply cannot be killed unless it is permanent, and the show actually hints at this given everyone thought that the angels were invincible.”

This is the only argument I can get behind actually. But it is not because it’s a valid one for the right reasons, it is the only one that makes sense to me because the writers were lazy on this too. 

Then what happens when an angel is harmed with a non-angelic weapon? -Also maybe off topic but what makes something an angelic weapon? We see Cherri Bomb throw bombs at them or okay maybe angelic bombs are a thing, but Charlie shoot-kills the exorcists with the fireworks that come out of her fingers?- Do they just.. Respawn? Or it just doesn’t hurt them? Then wouldn’t a character as smart as Vaggie would’ve figured out that they can very well be killed permanently if they are able to get hurt? 

Not answered. And it’s not helped by how the show openly portrays winners, which may I remind you Adam is one no matter how powerful he is, as the complete opposite of sinners, which would take you to assuming the angelic steel works like it does on sinners for demons. It just doesn't make sense to me.

And it wouldn’t make sense in the next section either.

B: Him not coming back doesn’t make sense in the story or the worldbuilding in my opinion

Just a little disclaimer, I’m not all means a professional media critic and do not say what I say here comes from that distinction. It's just me sharing myself lol.

Also I may use the terms incorrectly due to my broken English skills.

-Okay. So what is Hazbin about? Demons getting redeemed and therefore getting into Heaven for becoming better people, right? Also showing us that everyone can change and they shouldn't be seen as who they are at the moment and they all deserve a second chance.

At least that's what I get from the show. Now..

Why isn't the previously good now bad, being punished at the same level the previously bad now good is being rewarded? Why are you saying that becoming bad would give you an easy escape through death, while becoming good can get you to somewhere better?

Being on Hell is a PERFECT way to punish corrupted holy souls. Because you often become corrupted in the way of arrogance in Heaven, and now you're humored by the universe and by the people you used to mock and see yourself above as but this world's ways don't allow that.. Okay?

Speaking of, this also frustrates me on the world's mechanics and how they work. Sure, it can be that way, but.. Sorry if thinking about a "Divine Judgement" that makes you rise for being good but doesn't make you fall for being bad doesn't make sense in my book..

I can't express my point in this one quite well like I did with the other one but it just melts my brain dude. Like on one hand, on the positive hand, you're saying that if you're on the bad side you can change for the better and that's what matters, but you can't change from good to bad and have the same levels just negative and simply.. Die??

I just.. Can't. Sorry if this part is messier.

-

So this is it.

Will be multiple parts stay tuned ig

@things-arent-what-they-seem66 @beef-brisket

yea im delulu sue me

[actuallybridgetjones]

so long (worst!wolverine x reader)

warnings: +18 minors do not interact, smut, fluff, female!reader, worst!wolverine, change of events, after d&w.

a/n: hi! since d&w got on disney+ i just had to rewatch it and had this idea. please note that this is my first fic ever and that english isn’t my first language. also, i can’t write wade accurately so here is my messy attempt. sorry in advance for any mistake (or if this seems to messy) and feedback is much appreciated. love, carol ♡

you and logan had a life together, both teacher at charle's institute. your relationship with him blossomed through late sleepless nights in the kitchen, when you listened to the older man, appreciating the little he shared with you everyday.

it was evident that you two grew close as each day passed. after lingering touches and stares, stollen kisses in empty classrooms, you eventually got together and boy, were you happy.

you had it all, you knew each other like the palm of your hand. you were logan's harbor and he was your safe haven. you saw how he would get when the nightmares were too much, feeling the urge to drink his worries away. you saw his flaws and his sins and still you stood by.

that's what made logan wonder at first. it made him wonder how a girl sweet and kind like you wasn't terrified by the thought of him. he would often even wonder what kind of good thing he did to have you only listening to him in the first place.

so, when that tragic night came, logan got reminded of how he didn't deserve any good, how everything of his always had a way to be taken, ruined. he was coming home from the bar, a solo mission went wrong, he decided to stop to drink it away before collapsing in your arms. he knew you would be home, you were always home.

until you weren't.

he got to the mansion to find it filled with dead bodies, jean, scott, storm, hank... everyone, it was a blood bath. logan's first thought was you. running into your shared bedroom, he searched, spent days looking through the damn corpses but there were no traces of you, nothing for him to mourn over.

logan turned to alcohol and self hatred, his healing abilities now appearing as a curse, as if nothing was hard enough to numb him from the pain of it all.

the day wade (or whatever was his name) came in saying that he would take him out of there, logan didn’t even flinch. if he didn’t have you, there was nothing holding him back to his timeline.

here he was now, storming in to help deadpool, the guy who gave him a second chance, stoping cassandra with the time reaper. his mind was filled with memory of the journey he had gone through, but not only.

through his head flew images of you. your smile, your eyes, your small almost unnoticeable freckles, the way your nose scrunched when you laughed and the way your cheeks always seemed to turn a warm pink shade around him. images of you underneath and on top of him, holding him or sleeping tightly in his embrace. memories of slow mornings tangled on each other and late nights spent panting.

after all was safe and sound, after wade’s world was no longer endangered, logan gave himself a second chance too. he let himself be friends with wade, agreeing to live with him until he figured something out. he always did.

wade, cheery as ever, took logan to his building, wanting him to meet blind al, the so infamous roommate. after climbing up the stairs logan feels a perfume he hadn’t felt in years. he turned to see you shuffling through your keys, trying to enter the apartment. you didn’t even have to turn his way.

it was you.

logan stood frozen, trying to figure out if this was another one of life’s tricks to him.

“peanunt, that’s y/n, she’s a sweet girl, but you’re literally drooling you nasty dog” wade says, and that’s when you turn to the two men, hearing your name coming from the mouth of your chatty neighbor.

the sight in front of you made your heart stop. was it your logan? could it be? or was it just another nightmare about the love of your life, just for you to wake to an empty cold bed?

your brows furrow as you look at him. he was older, thinner even despite his still very defined muscles. you were sure this was your logan from the way he looked at you, his hazel eyes seeming worn over but with the same love inside of them.

“lo-logan?”

“y/n?”

your breath hitched on your throat as tears fall down your face. you run to logan, wrapping your arms tightly around him. if this was a dream, you wanted to hug him for one last time, to atleast try to feel his embrace, his touch.

logan hugged you back, bringing your smaller body to his chest as he crouched to whisper, crying too. “is this really you? y/n, oh god”

you pull your head back to look into his eyes, meeting his hazel orbs.

it was your logan.

“i-i can’t believe…” your voice comes out shaky, small even as you look at the man. dirty, rugged and with stains of blood everywhere, but he was your man.

“oh darling… god darling girl” his voice is small too, contrasting with his own appearance. you wrap your arms securely around his neck once again, crying in pure bliss as his large arms came to wrap around your waist.

“i missed you so much” you say between sobs against his neck. “how-how did you get here?” he asks, finally finding all of his worries dissipating in your embrace.

“on the night of the attack… a portal opened and I came here, I had no idea how to go back, how to go back to you lo-” you say almost out of breath, feeling his hand now softly combing through your hair.

logan pulls back to look at you in the eyes, his fingers brushing softly against your cheek as he whispered “beautiful” and brings his lips to yours.

there’s no point in denying the hurry of the kiss, the desperation and the longing cursing through your veins. of course there’s always someone to wreck the party.

“peanut? honey? am i missing something or are we starting to make out with greasy strangers in the hallways now?” deadpool’s voice interrupts.

logan grunts and turns back to him, giving him a glare. “she was, is, the one i told you about” the wolverine says surprinsingly soft.

you smile and add shyly “he’s the one i told you about”, logan looks at you tenderly, a reminder of the love still in him. the love that he had burried deep down after that night.

“honey? you had no will to tell me that THE MAN YOU WERE FUCKING NASTY BACK IN YOUR TIMELINE WAS THE WOLVERINE?” wade adds excitedly.

you and logan both roll your eyes, you blush and turn to your neighbor. “i don’t know if he was going up to meet blind al, but i’m going to keep him for the night”

“don’t make too much noise”

before you pull your long lost lover inside with you into your apartment he turns back. “hey, wade… thank you”.

after that he was on you, door closed as he pinned you against it, arms wrapping around you, your own traveling down the hoodie he was wearing. your lips meet in a searing kiss, his tongue not taking much time in entering your mouth, joining your own in a slow and long known dance.

this was home.

“my bedroom his down the hall” you say between kisses and logan pulls you to wrap your legs around his torso, bringing you to your own bedroom. once you’re there he lays you against the bed gently, taking off his hoodie and moving to remove the tank top you were wearing, nothing underneath.

“what a fucking sight” he whispers, the rough tone contrasting with the love his gaze held, his eyes turning a deep shade of forest greeen now. reaching down, he kisses your neck, bitting and nibbling on the tender skin under his mouth.

"i- i need you logan" you say gravely, voice filled with need and passion. you remove your jeans and panties, laying bare under him now. "what a sight, princess" he hums against your hear, letting out a soft groan as he feels your desperate hands fumbling with his pants.

not longer after that, logan was moving inside you, his movements desperate as your manicured nails dig into the flesh of his back. his hands travel sloppily down your body, massaging the soft skin.

"i love you logan, i love you" you manage to say between moans, head thrown back in pleasure as you feel your high approaching. his hips grew more erratic, your words making his need grow "you'll be the death of me darlin' " he says between pants.

you feel the familiar stretch of his large cock on you, the familiar pleasure his calloused hands bring you. but you also see the depth of his eyes. the love and longing they carry. he shifts, now kneeling as his hands grasp at your hips, tight enough to bruise.

from the new angle it all feels too much and you can't even begin to process it until it's happening. "oh logan..." you almost scream in pure bliss, your whole body convulsing as your eyes roll to the back of your head, your juices spilling all over him.

the sight is too much for logan as he cums inside of you, the feel of his warm seed filling you up, making you squirm. he collapses on top of you, his hands anchoring his body as he looks you in the eye, still inside of you. "i love you so much princess"

you can only smile, new tears threatening to roll down your cheeks as you looked at the man that was, is, everything to you. in that moment you know it'll be alright, and he knows, feels it too.

as long as you've got each other, it'll be alright.

[worstdisastermaster]

The books and the shows aren't the same thing and?? That's okay?? It doesn't have to be??

Some of the artists haven't even seen the show yet, and maybe won't 🤷‍♀️ I know I've seen like. The 1st episode and that's it lol. And I really enjoyed it and I think it's really fun

But people tend to separate book fandoms from in screen fandoms, to an extent, at least, bc there ARE differences, and THATS OKAY

They are very connected but they are not the same and I don't understand why people find that so hard to accept?? Like. Genuinely I'm so confused lol

Like if someone was being disrespectful, or trying to whitewash Leah or something horrid then like. Defend her!!! (Do try to be polite tho bc people can and often do change, and they know what they have been taught until they learn more- like for example, a few years ago I had no idea ab anything lgtbq and I peob would have gotten myself canceled bc I had. No idea. Ab any of it. And despite having best intentions in heart i totally would have offended someone, and that would have crushed me, because *i didnt know*. I never would have hurt anyone on purpose, i just didnt realize what COULD hurt others on that specific topic, much less why. But now I identify with it and am learning new things ab jt every day and etc. And that's a super touchy topic for a lot of people and for good reason too! Just try to be kind first, then if they are jerks u can be a jerk back lol. Just give peopke a chnace to get better- and then PLEASE dont hold the past against them ubless they very clearly havent changed mk please please please let people grow and change and get better dont crush them before they can) anti Leah trash is. That. Trash

But why would you attack book Annabeth, just for existing? She was my childhood, and I identified a lot with her as I grew up. And guess what! I also identified with Hazel, and I do so even more now! No matter what race she will be casted as, I'm still going to imagine BOOK Hazel the way I always did. Doesn't mean I won't adore her actress, or appreciate art of the girl playing her role! But would you call me racist for drawing her as African American if her actress, was, say, Asian American? Or drawing Leo as Latino instead of Somoan? Because to me, u less I am being a jerk about it, all I'm doing is drawing the book instead of the show. Idk I'm too sleep deprived to put my thoughts into coherent words lol

I love the posts, where it's like, book Annabeth and show Annabeth holding hands. Those posts are my favorite, both because they are freaking adorable, but also. Because it's equal

They are different aspects of the same person

And

Thats

Okay

You know???

I quite literally grew up reading pjo. I read it at least once every year since I learned HOW to read, *partially on pjo*, until late middle school. I was raised on book Annabeth.

Show Annabeth is new and exciting and adorable and I'm so happy for it and I am very excited for all the people being introduced to it!!!!!!!! However, when I'm writing book pjo, I'm not swaping it out for show scenes, bc they are, in fact, different. Which, again, NOT A BAD THING. And you know what? When people from the show fandom write their scenes, they aren't going to be thinking ab the book scenes, and THATS OKAY TOO!!! And I could care less how my readers saw my characters when the read the story. I write them the way I imagine them, but it's their job as the reader to say 'no, actually :P' and swap out the appearance for one they liked better.

I did that plenty often as a kid, and i donf regeret it.

Which, ironically enough, was why my book Percy was blond until ab 6th grads XD I mixed up Luke and Percy's hair description ONCE and just. Never questioned it, though all the rereads, or looking at the covers of the books 💀 you can imagine my shock when I joined the fandom and found out Percy had black hair, instead of sandy hair like, you know, S A N D, like poseidon!!! And now show Percy is blond XD

That just proves people can imagine things how they want and jts okay- especially bc maybe, in an au, they're rifht!!! (Au being show Percy to me)

Anyways I lost my train of thought and it's almost 12 here lolll I hope I didn't say anything ill be embarrassed by come tomorrow~

Good night world :3

Hi guys, wanted to discuss something going on for a while now. What the hell is wrong with pjotwt? Like...whats wrong with this people? Do you see what they say? What they are even trying to do?

First of all, let me start by speaking about the cast. They are all wonderful children, Leah especially! She is doing an amazing job as Annabeth. But book Annabeth still exists yk? She is and she is literally white. It is not racist. But denying about a character being white in the books, even spreading hate like this...is racist. There are people out there related with Annabeth for years. People love her, every version, maybe book more maybe even the movie. How can you disrespect her like this? And most importantly, how can they attack an artist like this, with an art being so beautiful. What they are trying to do is not protecting Leah, it is spreading hate. It is awful. Making this fandom toxic, so so much.

Them trying to erase book Annabeth because she is white, trying to cover her by painting on her, shaming artists, calling people that loves her racist...What do we do about this in pjo fandom? This fandom used to be so beautiful, but now. This people are not part of the fandom in my eyes, because real fans, would respect every version of the characters, love them with their anything, even flaws. They would protect this characters because they love them, so much. And not to mention this characters are the ones Rick wrote 20 years ago, they were with us for so long.

What do tumblr think about this I wonder? Since pjo fandom is pretty active here :3

[babybluebae-933]

I haven’t heard a word you’ve said, and… I’ll get you to Vulcan somehow.

One day I will write an entire essay about this moment but for now this is all I have in me.

This is the kindest thing Kirk could have said to Spock in this moment, and it shows how well Kirk knows him. He doesn’t try to convince him that he shouldn’t be embarrassed about it (well he does at first, Vulcans are not the birds and the bees captain) he doesn’t try to convince him to be logical about it. Being embarrassed is SO illogical and Spock fucking knows that and reminding him of that fact would only make it worse.

He literally begs to be locked away, he begs Kirk to basically take him out back and put him out of his misery old yeller style. SPARE him the indignity of explaining himself to anyone or being subjected to the will of his own deep dark desires and motives. Kirk orders him to explain and Spock says no that some things transcend even the discipline of the service (then Kirks like ok what if I pinky promise I won’t tell and Spocks like ok fine, which is also so cute but a whole other thing) either way it’s obvious he would literally rather die than tell anyone what’s going on, and he’s actively trying to run away from it.

I thought I would be spared the indignity… but the ancient drives are too strong, eventually it catches up.

This is why Kirk is so special, and this is why he understands Spock better than anyone else. Humans have pride, humans have ego. Spock decided to live the Vulcan way and swear off all that stuff but it’s still inside him. We can assume one of two things, either he truly never has any emotions, or he has them but won’t show them. And God damn if being that fucking stubborn isn’t the most human thing about him. I can’t remember which episode it is but some other time when a red shirt is laying into him for being so cold and insensitive Bones gets defensive, and Spock says it’s okay doctor-

Sometimes they forget I’m half human too.

You can be half human, but you can’t be half Vulcan, you can’t be “half” emotionless. He would be ashamed to let the mask slip, and he’s ashamed that he would feel shame for this. For showing his human nature, because that is the MOST un-Vulcan thing to do. What do they expect from him? To show his feelings would be humiliating, hiding them gets him ridiculed, they bully him for it, yet no one ever treats him as if he could have any feelings about the matter at hand, whatever it may be.

When Spock is insisting that he never feels such trivial emotions as anger or annoyance or fear he is convincing himself as much as anyone else, that is his comfort. It’s true as long as he and everyone else believes it. It’s his comfort and everyone else’s in some cases; if all else fails we can at least count on Spock being cold and logical.

It’s no use to convince him that he shouldn’t be embarrassed because it’s natural or because it happens to everyone or whatever the reason is; because

Spock knows that already. Biology and nature are factual and neutral

Spock knows that being embarrassed is totally illogical

He also knows that being embarrassed especially about something that IS so natural and normal is super-duper un-Vulcan like

The human side of him is what makes him defend his emotionality (non-emotionality?) with such fervor. Motherfucker is so stubborn and so prideful, so Vulcan, but distinctly human.

To assure Spock “aw it’s okay buddy don’t be embarrassed it happens to everyone!” would be a triple knife; acting like he doesn’t know that the facts of life are neutral, unavoidable, and imminent. Acknowledging that he is embarrassed which is so non-Vulcan. AND telling him how being embarrassed especially about this particular instance is extra illogical.

Kirk gets all that, he knows Spock gets all that, and he sees him for who he really is, not the human side or the Vulcan side, just Spock. So, he gives him a very specific brand of mercy, “None of this ever happened, I saw nothing. But now I at least know enough to help you.”

(If we want to take this further I could also remind you of the Edith Keeler conversation when Kirk basically tells her that “let me help” means more than “I love you”.)

I just love this moment so much and I love them.

[kitkatpancakestack]

DMV meetcute lesbians yay! I have been writing about them in an effort to break through this hellish writer's block bc they are fun and nothing hurts in this universe and I love them <3 Anywayyy it's been a bit since I shared some writing so here's a snippet, if you're so inclined:

“I appreciate the thought,” Chloe said, breaking Gabi from her spiral. “You driving me home from the hospital the other day was enough. You don’t—owe me anything.”

“It’s not—uh, whoa! What do you think you’re doing?” She more or less threw the food onto the kitchen table in order to intercept Chloe at the cabinets, where she had attempted to reach for the plates. “You had a pen literally lodged in your chest, and I thought you were gonna die on me, like, three days ago, so maybe let me get that?”

“I can do it.”

“Okay. Humor me then.”

Chloe blew a lock of hair that had escaped her ponytail out of her face. “Beer?”

Alcohol always had the potential to make this evening better or exponentially worse. A gamble she was willing to take. “Yeah, thanks.

Chloe moved to the fridge instead and Gabi grabbed two bowls from the cabinet and went about setting out the various containers of chinese food.

“Thanks,” Gabi said, as an open beer was set down in front of her. Chloe smiled and Gabi tried to ignore the weird flip in her stomach and the dryness in her mouth in favor of sticking to her new life plan, which was to not be a walking disaster. Thus far an utter failure but call her an optimist. “So, uh, feel free to take whatever you want. Looking at it all in front of me I think I went a little overboard. Eyes bigger than my stomach and all that.”

Chloe didn’t say anything, but her posture was loose and relaxed as she dragged the lo mein closer to her. They ate in silence, nothing but din of LA continuing on outside the walls. Objectively it was a fine moment, and for anybody else it may have even been content, but Gabi didn’t think she had ever been fine or content in her entire life. As it was, she sat chewing on her egg roll hoping her cool exterior did not give away the nervous breakdown simmering underneath.

You’re just . . . you’re too freaking much, Gabi! You’re too much, until I actually want to have a legitimate conversation with you, or I need you to tell me something real, and then it’s nothing! Two years together and I still just do not understand you. I think that’s what you really want, is for nobody to know you at all!

“Gabi?”

She jerked, swallowing the egg roll gone soft in her mouth, throat suddenly tight. “Sorry?”

“I asked if you wanted another beer.” Chloe’s mouth was soft and pink and her lips a little spit slick from licking them, and Gabi felt her face go hot. 

“Um.” Girl don’t do it. “Yeah, that would be—thanks.”

She fought the urge to bang her head on the table as Chloe returned to the kitchen. “Listen, Chloe—” she stopped when saw a letter tacked up on the fridge with "alumni" in big blocky letters at the top, the first thing she’d seen in the apartment that had any kind of individuality or hint that an actual person lived inside. “Whoa, are you a dancer?”

Chloe frowned in confusion, but then her gaze snapped to the fridge, and a weird stiffness settled over her features. There one moment and gone the next, though. She smoothed the edges out quickly and seamlessly and settled on a more neutral expression. “Yeah, I—” She laughed, a quick burst of air through her nose, shaking her head. “I graduated from Julliard, actually. No big deal.”

Gabi thought her eyes were about to pop out of her head. “No big— are you shitting me.”

Chloe set the beer down. “No.”

“I just—”

“What?” The word was defensive, biting. Gabi walked back her excitement and dug her nails into her palms to keep herself in check.

“I could see it,” was what she settled on. “Your poise handling me during that driving test was unparalleled.”

Chloe laughed for real and that was the biggest win Gabi had earned in a while. “Yeah, you were pretty bad.”

“Hey, I am aware of my many, many faults.”

“You’re human,” Chloe rebuked. “Is this about that breakup you told me before? I’m sure your ex-girlfriend wasn’t faultless. Anyway, you saved my life, so I’d put you on my team any day.”

Gabi laughed, the sound was hollow even to her own ears. “Thanks, I guess.” She fiddled with the paper label on the beer bottle. “She, uh . . .” Gabi cleared her throat. “I’d texted her, because she’d gone to the store, and we didn’t have any milk and I just wanted to make sure that she got some milk.” A stabbing pain ricocheted through her, anchoring her to that moment, a window of time she never felt like she would be able to leave. “She left her phone on the coffee table, and it lit up, and I just glanced over at it, but she’d changed my name in the phone. It just said, ‘Pandora’s Box.’”

She remembered confronting her ex about it. Still hopeful even during one of the worst moments of her life. Yeah, Gabs, it says Pandora's Box, you know, that thing you open and then it's just, fucking disaster after disaster. Sound familiar?

Chloe’s face was measured, and Gabi felt bad that each time they got together she ended up trauma dumping on her. Jesus, she really was a mess. “I’m sorry, that’s—I didn’t come here too bitch and complain—”

“Gabi, oh my god.” Chloe reached over with her good side and covered Gabi’s hand with her own. It was a little larger than Gabi expected, seeing it up close, but soft and warm, her nails well-manicured where Gabi’s were bitten down to anxious nubs and bleeding all the time. “Didn’t I tell you she was in your rearview now? I didn’t know you back then, I only know you now. It’s okay.” She smiled, a little bigger, genuine. “I like you plenty the way you are.”

If she had been one more beer in she might have started tearing up, but even as her eyes remained dry on the inside she felt soupy and warm and soothed. It would only last as long as the evening, but it had been a while since she felt anything close to this. She clinged to it. She clinged to the slide of Chloe’s hand off her own. She clinged to the freckle perfectly dotted under the jut of her jaw. 

“Thanks for dinner,” Chloe said, rising to her feet.

The buzzing under her skin made her restless, nervous, so she turned to her regular source of comfort, to the knowledge that she could leave, she could always leave, she could always disappear, if things imploded again. 

And so she clung to that, too.

[alchemicalwerewolf]

I’ve finally gotten ok enough to tell this story so time to break out the Jeremy tales.

So basically the first thing that happened when I got to dance on Friday morning was this girl’s boyfriend came in with her breakfast and then in front of everyone was like oh hey btw I’ve been cheating on you with a 15yo for six months and imma leave you for her now. He was like nineteen. So ofc we’re all like

And the girl is like

And so then he leaves and that girl is crying and so a bunch of people are consoling her and the people who aren’t are warming up for dance and they were messing around and doing a lift we do like all the time where you kinda stand on each other’s hand and then they throw one person up and catch them. Well whenever they went to catch the girl they threw they slipped and so the girl landed on her head and like blacked out and I saw it happen and she was like twitching and then one of the girls started screaming for the teacher. And ofc I’m like

And then the teacher runs over and after a few minutes the girl woke up but she was like I don’t feel good and we were all like no fr she has a concussion and so the teacher called her mom and she went home and we went through class. But everyone is like uhhhh this day isn’t weird at all.

And then in tap someone’s tap shoe broke and they got a nail through their foot. And I was like oh. Blood. Let me just pass out now.

So then it was hip hop and we’d done warmups and were on a break so me and one of my dance friends Dylan were messing around doing flips and he was like ok let me try my Ariel which is like a cartwheel with no hands and he gets it sometimes but not always he’s still working on it so I was like ok do it. So I’m watching and his head was like super close to the floor so he put his hand down instead of doing it right but he put it down weird and I watched his arm just snap and he stood up and was like

oh my god I broke my arm I think and I was like

no duh it’s at a 90 degree angle you idiot

And it was like bleeding and it was horrifying but the shock and adrenaline made it where we were both super like calm seeming so nobody like payed any attention to us so I was like ok we need the teacher so we go over there and I’m like uh Dylan broke his arm and she was like what and then Dylan stopped holding his arm in place and it just like fell and she was like omg that’s insane so she called his mom and she was like fifteen minutes away so we’re all just like omg did that actually just happen and I’m basically the only one that isn’t Dylan that actually knew what happened so everyone was like crowdin me and asking about it but I’m like lowkey about to throw up because of what I saw

And so finally his mom gets there

and takes him to the doctor and everyone’s like ok what do we even do now like is dance cancelled? And my teacher is like

If you run the dance really well

I’ll let you guys just chill until your parents pick you up.

so we all ran it straight up perfectly because like we have to and we’re all like omg there’s some weird vibes going on here so some kids went home early and then the rest of us are like flinging holy water and crap around because like what else do we do

And then I had to do contemporary and we had to do a big lift but for some reason the girl we were lifting twisted for no reason and so it made us impossible for any of us to catch her so then I managed to grab her shirt to slow her fall but she still hit the floor and got the wind knocked out of her.

And when I grabbed her shirt it yanked my arm, which I thought just made it sore for a moment

Yeah Jeremy I know, stupid thought. It dislocated my collarbone. And I was like ow but it’s ok I’ve done this before and it can’t possibly get any worse!

Another incorrect assumption. Found out today I partially tore a muscle in my back. Not enough that I need surgery but enough where I’m literally not allowed to dance for at least the next two weeks.

And also the only mildly comfortable position to be in looks something like this

Which for some reason people don’t appreciate it when you just randomly lay on your stomach in target.

So now I’ve taken unholy amounts of pain medicine

And this is how I feel.

@emmaspersonaldiary since you wanted me to do this lol

[beef-brisket]

Lucifer moved closer to Adam and hugged him.

He hated that he felt this way. And for what? Because a woman lost her baby one hundred or so years ago? Amd she was forcing innocent people to become hosts for her?

It was all a waste in the end. All of those people who got hurt or died weren't even close to being able to being a host for Eva.

Lucifer: I don't think you're a freak. Actually, you're one of the most normal people I've met in a long time.

Adam: ...Seriously?

Lucifer nodded: When I first got mixed up in this shit, I went to look for my wife, who had been missing. Turns out she's been held captive in some fucking house in Louisiana.

Adam: I've heard you mention that.

Lucifer: Yeah, well... you're more normal than those... that family. The mom was a bug nest. Literally. Right on the puss was a fuckimg wasps nest or some shit.

Adam: What the fuck?! That's disgusting!

Lucifer: Imagine being the one to fight her!? She was crawling on the ceiling! Shooting her puss bugs at me! And don't get me started on the dad. He wouldn't fucking die. I mangled his fucking brain and he still got up. The worst was their son. He was completely normal. He pretended to be under Eveline's control. But be wasn't. And... his dad... forced him to merge with him, to become something so... monstrous. Kid was an asshole, but I felt bad for him. Having to pretend he was one of them. Having to watch his family die and be replaced by what Eveline thought a family should be... it's sick. All of it.

Lucifer continued to talk about what he saw and killed those years ago. How it changed him. Changed Eve. Adam listened to all of it.

Adam: Do you think that's what's made Charlie different?

Lucifer: Hm? What do you mean?

Adam: Well... Eve was possessed by Eveline. That could affect Charlie's whole dna. And who knows what happened to you when you were knocked out on that boat. Besides, didn’t mom chop your hand off? And my sister and I stabbed you through the leg.

Lucifer: Wait- what? Do you think I've... got a parasite?

Adam laughed: No! No! There's two types of forms that the parasite can take. One looks like mine, a physical thing under the skin, affecting the nervous system and the brain. But then, there's the mold. It can't really survive here because it's too cold. But it's completely takes over the body. Till there's nothing left. It mimics everything. Blood, organs, the brain, memories- everything. Seems a bit weird that your hands fine after being cut off, don't you think?

Lucifer looked down at his hand. He's never thought about it. He just thought that the healing aid was just that good.

Lucifer: I... just thought that medical stuff was good?

Adam: Oh yeah. Really fucking good. I think Michael should do tests on you and Charlie. Especially you.

Lucifer rolled his eyes: He'd jump at that fucking chance...

Adam: Good. You're very interesting. So... he should test you. Like, for everything. Colonoscopy and everything!

Lucifer laughed and pushed Adam.

But this gave him something to think about. He never thought his healing was weird. He had a lot on his mind that he had never thought about it.

Lucifer: Yeah... maybe I'll get him to run some tests... I'm sure he'd love it... he's a real nerd for that shit...

Have you seen Resident Evil: Village? All I'm saying is Adam and Emily as two of the three sisters and Sera as Lady Dimitrescu.

Lucifer is Ethan trying to find Charlie.

At first, Adam was on his mother and sisters side- but because they have a weird thing against dudes, he eventually helps Lucifer.

Trust me, it feels illegal not to make Adam the stunning Lady Dimitrescu, but for story reasons, he'll be one of her kids.

I mean, their hot. What can I say? Adam would look great like this 🤷

Adam: Mmm- man flesh~.

Lucifer: ...Kinda gay, man.

Adam: It's not gay.

Lucifer: It is- man flesh? Really?

Adam: ...

Lucifer: ...

Adam: *stabs sickle into his leg and drags him away* Mother!

I have seen it! Ha I love this. ((Yes he'd rock being the Lady of the house 😩))

Lucifer: Ow!! What the fuck!?

Adam: It's not gay! Mother was right.

[deiastormborn]

Gale of Waterdeep; A much needed look beneath the surface 

Hey all. This is a script for the video I made in defense of Gale. I never had a place to put the text version of it anywhere else, but... if Tumblr isn't a good place for it, then what is?

Warning: Long Read!

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Hi, my name is Stormborn. I’ve been playing Baldur’s Gate for some time, enjoyed it quite a bit. As much as I can appreciate every companion that the game has introduced, Gale of Waterdeep, a charming lil’ wizard, has caught my attention the most. At glance, he is this sarcastic happy-to-go man, always joking around, trying to do the right thing. But, the more you get to know him, the more you slowly uncover his trauma, as much as he, himself, is trying to deny it.

Honestly, I thought that Gale would be liked by many people, I genuinely expected him to be one of the most chosen companions, and one of the most romanced ones. But, to my surprise, I’ve been seeing him getting more hate than I anticipated. Some people call his way of speaking way too annoying and complicated, some people call him clingy and creepy, mostly due to the glitch that would skyrocket his approval of you, probing him to romance you. Genuinely, it is okay to dislike some companion in favor of the other one. But I could not get rid of the feeling that people just despise his guts unjustifiably. 

One of the main reasons, besides the ones I covered earlier, is that people hate his ‘obsession’ with Mystra, the goddess of magic he happened to romance. I saw people complain that he just cannot stop talking about her, even while you romance him, and I can’t help but wonder if people were paying attention to his story at all. And I cannot blame them, as Gale always portrays his romance with Mystra as something so special, so unique, and as something to be proud of. But, let me explain to why you should be able to judge his story for yourself, rather than simply listen to what he is saying.

Gale is a talented wizard, so talented that he got attention from Mystra herself for his talent of channeling the weave. The story says that he is so powerful, that he could potentially destroy a whole village by basically sneezing in its direction. However, we all need to remember that he got attention from Mystra at the very, very young age. If I am not mistaken, the first time Mystra clawed onto him was when he turned 16. Ever since then, Mystra was feeding him all kinds of praise, prompting him to seek power, ensuring him that he can become Mystra’s chosen, and, mind you, *started romancing him ever since*. It is not a secret that Gale was not the first, however, if you really think of it, such revelation can seriously mess with a mind of a teenager. Not only it might boost the self-esteem, but also make him think that he is better than anyone else. And, I assure you, it is exactly what Mystra wanted. By giving him some form of attention, minimum affection, she had Gale on the hook. And Gale, as a boy obsessed with magic, who has been worshiping Mystra before he even met her, didn’t require much effort in getting hooked. But here comes the problem: as much as it is uplifting to get a praise from a literal Goddess of all magic, it is also as equally devastating to get any kind of critique or a cold shoulder.

Mystra was messing with his mind, making him feel like, no matter how well he does, he can always do better, as he has so much potential. With such authority, Gale would believe her. And it would make him always chase something more to impress her, rather than settle and appreciate what he has. It is also a reason to why the whole mess with the Orb began in the first place. People seem to call Gale power hungry, which, as any companion in the game, it is possible for him to go down that route. But they seem to forget one important detail: Gale thought that the Orb was a missing relic of Mystra’s magic, and he wanted to, yet again, impress her by bringing it back. Please remember that Gale was still a young adult, if not a teenager, when this happened. And it would all be resolved if Mystra would not shatter his self-esteem as much as she did. So, he made a mistake, and the Orb became his burden. And yet again, rather than explain this to her ‘chosen one’, she basically banished him, and left him with no answers for many years to come.

Gale isolated himself to keep people around him safe, with nothing but the books and the cat for the company. I think I do not need to mention on how that can play with your mind, too. But, in spite of all, Gale’s blind loyalty and obsession with Mystra kept him wanting for more attention, more answers, so he kept seeking more power, and more ways to get Mystra’s approval. At the day you first meet him, this is the first time he has been amongst people. Yet he still kept his jolly appearance, messing around with Tav, and appreciating everything that surrounds him.

I do not know if this is obvious just yet, but Mystra has basically groomed the kid. If we look at the very definition of grooming, Grooming is when someone builds a relationship, trust and emotional connection with a child or young person so they can manipulate, exploit and abuse them. And it is most prominent when it comes from the place of higher authority. I think I do not need to explain that, in the fantasy setting, there is no higher authority than the God or a Goddess. Yet, for one reason or another, this seems to not be taken serious. And I think I have an explanation as to why.

When you talk to Gale about Mystra, or when you let him talk about her first, he is still full of admiration, obsession, and the unending pride. There is still some bitterness lingering somewhere in him, yet it Is not as powerful as any other feeling he has towards her. I’ve noticed people basically hating him for saying something like ‘Yeah, I banged Mystra, that’s pretty cool, right?’. But think of it this way: wouldn’t Mystra *want* him to think that it’s ‘pretty cool’? And who are we to say that it was the real Mystra he had an intimate moment with? For all we know, she might have conjured an illusion, to satisfy him and feed into his ego. If the romance between them was as real as Gale thinks it was, do you really think Mystra would just abandon him with no answers for a mistake such as this? After all, Gale was young, and had barely any experience. All he had was wizards, such as him, or more powerful than him, and her. If she truly cared about putting him to a right path, rather than using him for her needs, the outcome would be ever so different. 

I would also like to address that people do not think of it as a simple coping mechanism. Even if you look at the society these days, most of the time, when a man comes with a confession of, say, a woman taking advantage of him, it is often met with ‘wow dude, you got lucky’, rather than with a serious concern. Who are we to say that Gale, rather than simply try to reflect and recognize his relationship with Mystra as an illusion, didn’t just decide to get along with it and be proud instead? Even then, when you romance him further, he is slowly realizing that it was not as real as he once thought. In Gale’s own words: ‘there is no love between us. I was not the first, and I certainly won’t be the last’. Gale finally, ever so slowly, starts to understand that he was simply used by Mystra for his talent. Being a deity means that you are only powered by the followers you still have. It is in the god’s interests to keep people interested in them, or they will loose power. Using Gale, knowing he was an extremely skillful wizard, was in Mystra’s interests. She does not give him answers, but keeps him interested in her enough to keep him in her claws, spreading more words of her, attracting more people to follow her godhood. There was no real romance, she was interested in his power more than himself. And you can help him realize that.

But, with such dynamic comes a price, which also becomes more prominent when you play the game further: Gale never feels good enough. With the first chance he can sacrifice himself for a greater good, he takes it. He has no real appreciation of his life, he does not take it as something valuable. He is deeply depressed and traumatized. When a person moves away from the environment that scarred them, it can become extremely overbearing, difficult, and overwhelming. People also seem to act as if it is weird that, with any kind of hurt, Gale’s first reaction is to ‘blow himself up’. It doesn’t take much to know that he won’t do it if it were to mean that someone can get hurt, but he is saying that because, maybe, partially, he *wanted* to die. He has finally found appreciation amongst other people, who are not wizards like him, people who do not know him well, and people who do not want him to constantly be the best version of himself. He falls in love with Tav, because Tav is showing him kindness, and proving to him that he does not have to be someone that he is not to be loved. In that very vulnerable state, any kind of hurt or rejection hits you more. Not to mention that, the only time he ever says it, was after the night he spent with you. After he opened up, shared his fears, more of his past, even said out loud that, in truth, he does not want to die. He let himself be vulnerable, the most vulnerable he has probably been in years, so it is not a question of his ego being hurt: it is a situation where a man, who always kept to himself, has finally let someone in, and got hurt. I am sure one of us, at one point in life, said something like ‘well guess I go die’ as a joke. This is the only way Gale knows how to respond: joking about his pain. He does not mean it, but says it anyway, because it is the first thing that came to his mind. He has been a very reserved companion through the whole time, always seemed to know what to say, and he acted on an emotion after a very emotional night. 

It is also a fact that, even while he is slowly realizing that Mystra used him, he does not mind dying because she asked him to do so. That does not only prove a point that Mystra does not have any real regards to him other than a tool, but also that she was using him for her own sake. With The Absolute getting more followers, her power also weakens. The Absolute is a threat, not only because of the infection and danger to mere humans, but also to her godhood. And who better to deal with it than the man she has so methodically conditioned to do as she wishes? You would think that, a goddess as powerful as Mystra, could try to take care of things on her own. And yet again, the only time Mystra ever gives him any answers, is when she needs him to be used. That is, yet again, a definition of the grooming.

Gale will do anything for a little bit of appreciation, anything to be noticed, and we cannot blame him. This is why you, a player, as a Tav, have a power in you to make him realize that he, as he is now, is valid. It is almost as if Gale forgot that he is such a talented wizard after all the stuff with Mystra. You, as a player, have it in you to remind him. And once you do, Gale slowly separated himself from Mystra as her ex-lover, and only answers to her as his deity. After all, she is a goddess of all magic, it will be hard to reject her entirely.

Victims of grooming or any kind of abuse often can’t let go of the person who harmed them. They will talk about them, they will mention them, they might even try to grasp onto good things, or make it seem like bad things that happened weren’t really all that bad. Combine that with a constant feeling of never being good enough, and not knowing a genuine kindness outside of his very small circle, and you have Gale. A charming, sarcastic, jolly Wizard, who is also as ever troubled. 

Moving on to other topic that people seem to judge Gale for, is that, once a chance arrives, he starts grasping onto Godhood, wishing to become a God himself. It is also in that situation where he starts to say that he would have the power to completely overthrow Mystra. People seem to criticize him for his hunger for power, and also, altogether, call him ungrateful. I would like to add another opinion on that: while Gale is slowly realizing that he was being used, he went through all 5 stages of grief. But here comes the other one, that is mentioned much less: revenge. He wants to show Mystra that she was wrong about him. He wants to prove to her that, after all this time, he *was* good, if not better than her. On top of that, he is still trying to fix his never-ending self-esteem issues. While he is seeking godhood, he still thinks that, him, as he is now, will never be enough, and only by becoming God he can truly become worthy… of anything. If you romance him, he later apologizes to you, but also asks to let him explain to why the Godhood would be good for him, and you, as a couple. Gale wants to give you everything. The entire world. He wants to be the very best version of himself, for you, his lover. He thinks that he can only achieve that by becoming a God. He doesn’t realize that, maybe, without it, he can still be a valuable partner. He even talks to you about it, openly, saying that you deserve better. It is, yet again, in your power to remind him that you do not need him to be anything more than he is now. And, rather than with anger, he answers to you with a surprise. He truly, genuinely, can’t believe that you would take him as he is now. This is how deeply his trauma runs in his mind. And, once he finally believes you, this is where he finally calms down. This is finally when he accepts himself, and lets it all go. He is not repaired, but he is on his path towards healing. All because you, a player, convinced him, and reminded him of his value.

I think Gale’s approach towards things have deeply changed the perception of the players. Because he is in so much denial, people seem to just go along with what he says. He is proud of sleeping with Mystra - so people take it for what it is. Gale might not be your type, or even the most interesting companion to you compared to others, but I truly, genuinely think, that the hate he has received has been a little too much. Every companion has a burden, everyone expresses it differently, on their own pace. Gale has chosen the approach that makes the most sense in his situation. He is just a guy who was thrown into a mess made by the Goddess he worshiped at the young age. He is just someone who is trying to do good. And I hope that a small essay such as this helped and shed some light on his story. 

Men can be groomed, they can be taken advantage of. I think it is our duty to also recognize it, and show a little patience. After all, Gale is not the first example of such abuse. And, sadly, won’t be the last.

Video: https://www.youtube.com/watch?v=HAnZHJtYkcg

[samk1tty]

I'm not a bad girl but I, do bad things with you (Pt.1)

Summary: Bjorn finds out what you do on the side for extra money. He plans to use this knowledge to his advantage.

contents: smut, cam girl reader, masturbation, not proofread, not accurate to alien universe

a/n: this is my first fic so ignore the bad writing (I suck at writing dialogue). Since I saw the movie in theaters i've thought about writing for Bjorn, but since i've always just been a reader for fics i've been hesitant to share anything with anyone else so this has been sitting in my drafts since early October. p.s. inspired by literally everyone who's already written for Bjorn/Spike

"Who's she then, you twat?" Bjorn scoffed, sitting in a group of other workers at lunch. "She's my girl. We've been messaging for a while now" smirking, the worker passes around his phone, one by one, the group of huddled workers taking bites of sandwiches or shoveling spoonfuls of food into their mouths, taking the phone and scrolling through the account for a few seconds. The phone lands in Bjorn's hands, and he looks through the content. "No way. She's jus' doing her job." There was a sense of familiarity with the pictures and videos. He'd thought maybe he'd used this girl's content to get himself off before, but he couldn't place the sense of recognition.

The phone, playing explicit sounds coming from the girl in the videos, gets handed back to its owner, though the conversation doesn't change, many shouting obscenities over each other about what they just saw. Soon after lunch is over and everyone gets back to their shift.

Bjorn is silent now, deep in thought. He can't get the girl out of his mind, though he has no idea what she looks like, as the girl's content never shows her face and only shows her from the neck down. However, upon seeing the moles and bits of hair that peeked down the girl's back in the videos, Bjorn felt a strange sense of closeness towards her. Despite only catching a brief glimpse of her, he had an inexplicable feeling that he knew everything about her, yet nothing at the same time. He memorized the account name, planning on visiting it later that night to investigate and pinpoint why she felt so familiar, of course, there was no other reason to go back to the account other than that.

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You walk to Kay's and Tyler's trailer later that night after work wearing the beat-up cargo pants handed down to you from Bjorn. Your belt is tight to keep the pants, which are two sizes too big for you, up. You sigh and adjust their hem, pulling it up to prevent the excess fabric from pooling around your ankles as you walk. 

You see Bjorn sitting at the entrance playing a video game with Navarro near him, fixing something like she always did. You greet them, saying hi loud enough for them to hear. Bjorn looks up for a second, then back down to his game. Navarro gives you a quick wave before you carefully step up the three steps to the trailer that are covered mainly by Bjorn. You pat his head softly, chuckling slightly when hearing the sound of him dying in the game and his slight cursing as he puts the device down. You plop down on the couch inside after greeting Kay, and then the rest of the group comes in to spend the rest of the night like you always did, as if it were routine now.

After a few hours, the laughter and conversation die as each friend vents about their rough day. The room is filled with understanding and camaraderie as everyone sips their drinks and passes around a lit cigarette. Soon after a second of silence, just when you thought there would be no arguing tonight, Bjorn brings up the pants you were wearing that belonged to him, saying they looked better on him, causing you both to disagree and leading to an argument that made your friends laugh due to the ridiculousness that the conversation has become as you all were in drunken states. 

Bjorn then shockingly says, "You gotta stop obsessing about my balls, man. It's unhealthy." You run an annoyed hand over your face in hearing his unimportant argument that had nothing to do with your last insult directed at him before spitting back, "Keep talking, and I'll chop 'em off." "Aw, you really want 'em for yourself, don't you? Hey, you want me to show you my balls or somethin'?"  Bjorn says pretentiously. You roll your eyes as a smile tugs at your lips. You down the rest of the liquid in your beer can before throwing it at him, the can bouncing off his head, making a bonk sound, leading everyone to laugh a bit more, everyone feeling hazy due to the smoke and drinks. "No one wants to see balls that tiny." Your friends can't help but laugh at the absurdity and humor of the situation while Bjorn wears a playful, sly grin in reaction to your words. "Oh, you're feeling brave, eh? Well, bring it on, princess." "Whatever, I should get home, it's getting late," you say after another dramatic roll of your eyes towards Bjorn. You bid farewell to your friends and headed home, ready to get online and continue working, although you had just finished working at the mines. Though it wasn't the type of work you desired, putting out content online to lonely men wasn't entirely unpleasant. You even found it somewhat arousing, imagining the countless individuals who had used your media in private moments. You speculate on the possibility of knowing these people personally if they could be people you know or interact with regularly.

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Later that night Bjorn rushes to his room once arriving at his trailer. He quickly goes to the account when he closes and locks his door. He plops down on his bed and lays back with a deep sigh, getting comfortable.  As he watched video after video, he lost his search for the familiarity of the girl and instead focused on his desires his hand went down, fiddling with the clasp of his belt and the zipper to his pants, and he eagerly pulled it off, leaving him bare. His hand went immediately down. He was already hard, his tip red and wet with precum. He skimmed several videos, each one of her doing heinous things to her own body. Thighs smothered with her juices. He throws his head back, his right hand pumping himself desperately, vividly imagining it was the girl whose touch he felt. Then suddenly he saw a notification drop down on the screen. A colorful circle surrounding your profile picture signifying you were live at that very moment, immediately he joined.

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You were for the most part, a shy girl so this type of work was something not even you yourself could believe doing, yet here you were... laid out on your freshly washed and changed sheets, just as you pressed live on your website. The maid costume you wore tonight consisting of a black dress that cut at your mid thighs, with frilled edges and a white bib-shaped front. The sheer black stockings accentuating your legs. As people joined your live all commenting different things they wanted you to perform on yourself, you open your legs to your laptop that sat at the end of your bed, showing the panties you wore. You teases the audience for a long while, hearing all the alerts coming for the laptop you suck in a breath and seductively pull off the moist material. Your own two fingers dip into your pussy, squeals of delight coming out of you. Turned on by your own movements and knowing that hundreds of people were watching you making you wetter.

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Bjorn listens and watches immensely, beads of sweat formed all over his body. He closed his eyes thinking of what he'd do to the faceless girl had she been in the room with him. How he'd grind his bulge onto her, desperate for stimulation. How her hand would slip down his chest to palm him through his boxers, pulling the hem down just enough for his cock to spring out. He'd imagine her looking up at him with her innocently lustful eyes as she crawls down, then as she hollows out her cheeks and takes his cock into her mouth, bobbing her head up and down. Her eyes water as it hits the back of her throat. He grunts at the squelching sounds coming from the phone in his hands. His hands would tangle in her hair to continuously fuck in and out at his pace, pushing her head down and holding it in that position as he groans and shoots his cum deep in her throat. The praises he'd whisper, like how good she did for him. Just then, he is taken back to his reality where it is just him alone, his hips jolting up, needing more than just his hand. He tries to stifle his pretty noises, being mindful of the other person in the trailer. His fluids spray out. Bjorn, pants , coming down from his high, laying limp, waiting for his breath to steady. He brings his phone back up and he sees something familiar behind the girl. On her bed, resting against the pillows, was a stuffed animal that he instantly recognized. He recognised it because he remembered gifting it to his childhood friend. Remembering the scene that unraveled years ago, you, a bratty young girl with messy hair basically crying to Bjorn who was three years older than you saying you wanted the what he thought was an ugly stuffed animal. You whined until he finally gave in out of annoyance. He took the remaining money he had and used it on you. He came out of the store and shoved it in your hands upset at the scene you created out of yourself as you hugged the animal to your chest happily. He immediately sat up his hand on his lap as he thought. He quickly scrolls through more content trying to find something to hopefully prove that this wasn't his friend. Surely this couldn't have been you. But glimpses of familiar clothing and jewelry makes him more and more doubtful. It must be a coincidence he was sure of it. In fact, he was so sure it was a coincidence he decided to go to your place and speak with you in person.

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