#this time it is totally on wb jesus christ

[hobbitinthetardis]

oh fucking hell what did he do this time

[laetro]

David Edward Byrd: Inspiring “Wowie-Zowie” for Over 50 Years

With a career that spans over half a decade during the art, music and technological revolution, David Edward Byrd has developed iconic posters and illustrations associated with the best of the rock and theatre era.

David has been creating posters since his days at The Fillmore East in NYC where he created the famed 1968 Jimi Hendrix poster now in the collection of MOMA, NYC. As well, he created the poster for The Rolling Stones 1969 Tour, TOMMY by The Who, The Grateful Dead, & the legendary 1969 Woodstock Poster. He quickly moved on to Broadway, where he created images for Follies, Godspell, Jesus Christ Superstar, Hot L Baltimore, The Magic Show, & Little Shop of Horrors amongst many others. He was Sr. Illustrator at Warner Bros. Consumer Products for 12 years where he worked on everything from Bugs Bunny to Harry Potter. He has had Retrospective Shows in Los Angeles, New York & Seattle. He now lives in the Silver Lake area of Los Angeles with his husband of 39 years, Jolino Beserra, a renowned Mosaic Artist.

ORDER A CUSTOM ILLUSTRATION

Q. Any reason why you chose to illustrate for 60s rock bands in particular?

David Edward Byrd: I was the poster artist for the Fillmore East in NYC from its opening on 8 March 1968 to 27 June 1971 when it closed for good. At this same time, I was also creating posters for the Broadway Theatre (“Follies”, “Godspell”, etc.). As Rock Posters have a much higher profile than Theatre Cards, I chose that area to illustrate. Also, Theatre is about THIS play right NOW, while 60s Rock is about 60s Rock in general.

Q. What kind of changes do you see when you compare the posters that were created in the 60s to the ones that are created today?

David: The rock poster artist EMEK is a great example of the younger generation’s expertise in the art form (see “Coachella”). Whereas, David Singer is an example of the “Old Garde” moving on to create new imagery (see “Moon Alice”). I still create more East Coast imagery, I think . . .

Q. One of your Hendrix posters is ranked among Billboard’s Top 10 Rock Posters of all time. What was your thought process/ inspiration while you created the poster?

David: Before coming to Manhattan in 1967 I had worked as a freelance Architectural Draughtsman, so I was familiar with the tools of that trade, and thus I decided to apply this craft to the 1968 Jimi Hendrix Experience poster. I created Jimi’s & his band-mates hair using a hexagonal grid with small circles on the grid representing cosmogenic pixels that one might perceive after ingesting certain popular chemicals of the time (see “Acid”). Each small circle was drafted with a drop-bow compass on the center point of the hexagonal grid.

A laborious process, but worth the time . . .

Q. The poster you created for the Woodstock Festival was rejected because it was too risque in 1969. Do you think it would have received a different response if it was designed today?

David: Absolutely — an entire sexual revolution has occurred over the last 50+ years. Ironically, the nude female in the center of the poster was copied from the 1847 painting “La Source” by Jean Dominique Ingres, which seemed a perfect symbol for a poster representing “An Aquarian Exposition” (the “Water Bearer”). But the Wallkill City Council thought otherwise (exposed breasts & pudenda a no-no). I had a similar experience with the NY Times treatment of my “Tommy at the Metropolitan Opera” full-page ad in the Sunday Times, which featured a nude Tommy rising into Pinball Heaven — the Times editor chose to paint a crude Black Marker Jockstrap over his very modest genitalia, alas.

Q. What would you describe interacting with so many rock artists like? Any favorites whose company you enjoyed?

David: Manhattan & San Francisco are light-years apart both culturally & artistically. The West Coast artists created Psychedelia and Neo-Nouveau and are due to the many encomiums they have received for this. David Singer and I were friends and we traded posters. David created the most Fillmore West posters (60 total) of any artist on the planet. For me, his posters are the Apex of the West Coast work. Victor Moscoso influenced my design sense with his vibrant close-value posters (see “Sopwith Camel”) and continues to do so today.

Q. Can you describe your experience at Warner Bros. How were those 12 years different from working elsewhere?

In 1991, I took the position of Senior Illustrator at Warner Bros. Creative Services, which I held till 2002 • Besides creating illustrations, backgrounds and style guides for all the Looney Tunes & Hannah-Barbera characters, I got to create commemorative plates for The Franklin Mint, souvenir posters for the Batman series of films, style guides for feature films such as Space Jam, The Wizard of Oz, and television shows such as Friends, The Cartoon Network and Scooby-Doo • My department was responsible for the Bugs Bunny Postage Stamp, the first cartoon character on a U.S. Postage Stamp • I created special signed pieces for The WB Studio Stores Galleries based on The Masterpiece Series style guide art that I painted in 1999 • I also did a great deal of work on the style guides for two of the Harry Potter films: Harry Potter & The Chamber of Secrets and Harry Potter & the Prisoner of Azkaban.

One rarely sees the Graphic Collections of major museums on display, so being part of a museum collection as a poster artist does not put one on the creative map, so to speak. But it is a nice thing to tell one’s sweetheart.

Q. Your work is displayed in 23 museums at the moment, including the Louvre in Paris. Do you find it a rare accomplishment considering you are an illustrator and not a painter?

As I have often said if I had remained a painter I probably would not be in any Museum at all. But this is not for me to know. One rarely sees the Graphic Collections of major museums on display, so being part of a museum collection as a poster artist does not put one on the creative map, so to speak. But it is a nice thing to tell one’s sweetheart . . .

Q. From Fillmore East to Broadway to Warner Bros, how has your style evolved over the years?

My art-chops improved immensely in the last 20 years. I hope it is somewhat evident. My work was hit-or-miss in the beginning but things have gotten better of late.

Q. Can you name some of your favourite posters which you have worked on?

“FOLLIES” 1971

“HENDRIX EXPERIENCE” FE 1968

“BOWIE” Carnegie HALL 1972

“QUEEN” 1st Tour 1974

“PRINCE” DNA 2013

“TOM PETTY” 1980

“NY DECO EXPO” 1974

LED ZEPPELIN FE 1969

Q. What is your process like when coming up with an illustration or a poster?

1.) Collect Reference & inspiration in Folder. 2.) Create rough pencils for scanning. 3.) Collect possible Fonts. 4.) Build rough designs on Mac 5.) Choose 1 main color and build up from that 6.) Proof printing

Q. What software do you use to create your illustrations?

ADOBE SUITE (PhShop; Illustrator; InDesign) + Typestyler

Q. Lastly, what do you always aim to achieve through your illustrations?

Eye-Fun • Immediacy • Gotcha • Who-Is-This-Guy? • Wowie-Zowie

[davidmann95]

Hey David? Why is ours such a cruel and merciless God?

mirrorfalls said: (If you don't know what I'm talking about, your inbox should be filling up with more specific deets riiiiight about now.)

cheerfullynihilistic said: THE SNYDER CUT

Anonymous said: You don’t seem to think Superman’s public rep will take another beating from the Snyder Cut coming out. Honestly I thought you’d be way more upset than you seemed on Twitter.

Anonymous said: So uhh, against all thoughts and logic the Snyder cut is being released? Maybe as a mini series? Thoughts?

Anonymous said: SNYDER CUT!

Bullies. Jocks. Guys angrily asking if we know who their father is. Assorted dudebro nerd-oppressors of America:

You have failed us. You have failed us so hard. What else do we even keep you around for if not to head this shit off at the pass? Shame on you.

Okay, so seriously: I’m actually gonna put most bitching and moaning under a cut, because I know firsthand there are as many as several non-slavering maniacs out there who dug Man of Steel and Batman V Superman: Dawn of Justice and who are simply and entirely reasonably excited that they’re getting this movie after all. I don’t feel like throwing a wall of text at them shitting all over this, so I’ll lead off with I think some fairly even-handed commentary on the real-world circumstances here, rambling speculation regarding the production, and some cautious optimism about the actual movie/s. THEN I’ll get to what I imagine most of you are here to see.

So totally in a vacuum: this is a cool, good thing. I’m the notorious theatrical Justice League-liker, but at best it was a compromised product due to the original creator - who like it or not clearly had an incredibly ambitious personal vision for these characters and their world - suffering a horrific tragedy forcing him off the project, and leaving his final stamp on blockbuster culture and a world he’d devoted years of his life to a flop with his name on it when he couldn’t even truly call it his own anymore. At worst, said tragedy was taken advantage of by suits to ditch him in the home stretch so as to try and shove out something ostensibly more marketable. But now because of a...very loyal fanbase, the man’s getting the opportunity and resources to rise like a phoenix and see at least some of his vision through in a huge way. That’s pretty remarkable.

Not in a vacuum this is fucking horrifying. I’ve already seen folks poo-poohing the reflexive fears that this will ‘set a precedent’, and they were right enough that I deleted my initial tweet on the subject because I didn’t think I could express my own opinion with any nuance in the space of 280 characters. Yeah, nerd whining definitely shaped Rise of Skywalker (another movie I enjoyed in spite of the circumstances of its creation). Hell, Sonic the Hedgehog crunched its CGI team prior to unceremoniously firing them to redesign his model thanks to outcry. That’s already a market force, and just to be clear upfront, if we can’t agree the predominant mode of operation for #ReleaseTheSnyderCut has been a toxic nerd harassment campaign when they spammed posts memorializing deceased actors and chased Diane Nelson off Twitter, we’re not gonna be able to have this conversation. And director’s cuts are you may have noticed also already a thing. But this isn’t changing direction on a project that’s already going to exist no matter what, this is turning back 3 years later on a commercial flop and dumping tens of millions of dollars into it, explicitly in response to that harassment campaign. It’s not *actually* going back and, say, remaking The Last Jedi, but by god to the naked eye it’s gonna be as good as for plenty of fanboys, and probably to some shortsighted execs as well. This is a new thing, and in this context it is a very, very bad one. Hopefully one that won’t amount to anything.

As for the movie itself: what the hell is this thing going to end up being? I assume with this sort of cashola being pumped into it we’re not getting any slapdash greenscreen or storyboarded sequences, but four hours? Is it really just going to be an expanded and revised version of what we saw in theaters, or is this including content that would have been in the originally planned Justice Leagues 2 and 3? My understanding is that those were already compressed into a single Justice League 2 before plans collapsed altogether, were they maybe filming side-by-side and this’ll be the whole shebang? If not is Snyder going to hedge his bets and end this on a clean note, or keep it ending on a cliffhanger in hopes HBO will throw another $250 million his way to keep going? Does DC want to keep going? Would they give into fan pressure on releasing after all what was widely publicized as the first film of a duology or trilogy with dangling threads if they weren’t going to be at least watching the numbers to see the feasibility of returning to this in a bigger way? Not that I think WB execs would piss into Snyder’s mouth if he were dying of thirst at this point if he simply asked to be able to do Justice League 2, but if he floated that if they instead just give him a liiiiiiiitle more money he can finally deliver unto them their very own Avengers - one that they can work on even during quarantine since it’s mostly just VFX work left - and hey if it works out he’s got a sequel or two cued up and ready to go? Maybe they look at their scattered plans and say the hell with it and end up giving this a theatrical release and sequel with Snyder holding the reigns again if this ends up a killer app; stranger things have happened, if not many, and somehow this is already happening in the first place after all. Alternatively, if this succeeds, could they go “thanks and good on ya, totally do another, but it’s gonna be an HBO exclusive so you’re only getting a hundred million, figure it out”? Would Ben Affleck return? How much reshooting will he be willing to commit to even for this? And most importantly, since this is potentially going to be serialized as six ‘episodes’, will We Got This Covered count this as another ‘win’ since their bullshit rumor mill algorithm spit out “Justice League HBO TV show” recently?

As for the project itself: I ain’t subscribing to HBOMax for this bad boy, but once it becomes more widely available I can’t claim I won’t probably watch it. It’s basically a new movie about the Justice League, and if there’s anything I WOULD wanna see Zack Snyder do in the DCU, it’s the movie finally moving past pseudo-realism (aside from some of those dopey costumes) and leaning all the way into godlike superbeings bludgeoning each other through continents. I absolutely wanna see his aesthetic take on the Green Lantern Corps, and New Genesis, and time travel, and all the other weird promises of where his movies were going to go climaxing in a ridiculous super-war across all spacetime. It’s the same reason J.G. Jones was an exciting choice for Final Crisis before he had to leave, seeing a guy known for his work in an ultra-real grungy superhero style starting there and building up to seeing his version of absolutely wild cosmic spectacle. And no, to respond to one of the initial asks, I’m not worried about the impact on Superman. Everyone seems to have accepted this is its own distinct thing whether they like it or not, I think him getting to complete his ‘arc’ will quiet down many of the folks who like to yell at every other version as retro nonsense since now they’ll be able to be smug about having had the best take rather than pining for a lost finale, and I’m not interested in further Superman movies at the moment anyway with Superman & Lois in the pipe (which I was originally paranoid would be endangered by this when rumors first started floating, but if it’s been brewing since November then if they wanted to strike that down to ‘make room’ according to their Byzantine ever-shifting rules, they would have by now). Far as I’m concerned, as long as the other DC movies get to keep doing what they’re doing during and past this - even Pattinson in his corner, however that works - then totally let Snyder work out all his Wagnerian superhero bullshit for another flick or two. If nothing else, maybe we’ll learn what the hell that diagram up there is supposed to mean. And a plea I want to clarify upfront is wholeheartedly sincere: we’re already down the rabbit hole, so let Snyder to literally whatever he wants with his non-theatrically released Justice League. Zero input or veto power from outside parties. If he wants Flash to hang dong or Superman to say fuck or Batman to learn he’s Steppenwolf’s secret dad or Cyborg to learn he needs to eat babies to fuel his machine parts, let him go for it. Whole point is this is now his thing for people who want his thing.

Okay, beneath the cut the filter comes off, so go ahead if that’s your jam.

Hahahahahahaha this is gonna be such a fuckin’ shitshow you guys, Jesus Christ.

They’re giving the dude who did BvS and wants to make an Ayn Rand adaptation someday $30 million to take another crack at this monstrosity! 30 goddamn million smackaroos for four fucking hours of by many accounts roughly the same basic movie, except now presumably with what little coherency, fun, and clean character work the theatrical cut managed to pull off excised in return for weighty staring, ponderous pseudo-philosophical musings, hackneyed symbolism, aimless mythology teasing, and Steppenwolf I understand being decapitated by Wonder Woman at the end rather than taken back to Apokolips. I didn’t even spoiler mark that shit because don’t you dare pretend you care about the fate of Steppenwolf. I won’t have it.

I used to wonder if I was indeed missing the forest for the trees with these movies, that I was so inflexible in my personal image of these characters - even though I appreciate plenty of alternate takes on them and even some stories that bend or break what I consider their ‘rules’, just not these - that I was incapable of grasping or appreciating these films on their own merits as works of art using those archetypes in wildly different ways; even I could see there were good moments and interesting ideas on display despite seemingly failing to come together. No matter how much I personally deconstructed how and why it wasn’t working, I couldn’t do it to my own satisfaction to the point of stamping out that niggling little worry with how many folks whose opinions I respect love ‘em. Until I finally remembered that the Cadmus arc of Justice League Unlimited is totally the same basic story as BvS, centrally driven by an even worse take on Superman, and that’s still one of the best superhero stories of all time. These just stink by any merits, and while I think Justice League absolutely has the potential to be the most *entertaining* of the bunch, it’s not going to magically become *good* in the eleventh hour. Not to lift up Joss Whedon of all people as some kind of savior, I’m on the record that my love for Justice League as-is is some kind of inexplicable alchemical accident, but I promise that there is not going to be one single addition to this movie that’s going to make up for the removal of “Just save one person”.

Also I’m already not looking forward to dudes tweeting “whoa, he’s splitting it up into a serialized narrative, reflective of the sequential nature of the characters’ primitive native pictorial medium! Or mayhap in ode to the pulp film adventure serials which inspired those in turn! Even the Justice League children’s cartoon for dumb babies, which was itself...made up of episodes! That’s three references in the structure of the thing alone! The man’s operating on an entirely different level!” “God, isn’t it amazing how much better he understands the source material than you”, they shall say, about a man who I understand just very confidently referred to Doomsday in his livestream as having destroyed Krypton in the comics. Again, don’t you say they won’t, just the other day I saw folks tweeting they just realized that since Jor-El wears armor over his bodysuit that technically means Superman’s whole costume is underwear which means Snyder’s totally honoring that without putting him in ugly dumb red panties so checkmate, dorks.

(Okay, in fairness, I know Snyder was saying that’s his take on what happened to the moon in the past of the movies and maybe I only misheard that he thought that also happened in the comics, and it’s trivial information anyway. Still sucks though, that seeming out-of-nowhere Jax-Ur shoutout was like the one thing I liked about that otherwise interminable Krypton sequence. And why is there a second Doomsday? You did Death of Superman already!)

And further SPOILER thoughts below on the reported plots of 2 and 3:

It’s also an amazing, perfect sort of narrative synchronicity that the hypocrisy of Man of Steel in presenting Superman as a savior would (will?) be matched by the movies also rejecting that promise long-term. In there, Jor-El’s musings on the capacity of every living thing being capable of good, the closest the film has to a singular moral statement, are proven wrong when Zod has to be put down like a mad dog, and rather than the one who’ll bring us into the sun, Kal-El’s presence draws ruin from beyond the stars to our world. And again in BvS with Doomsday. And again in Justice League 1-3, where in spite of claims by Snydercutters that it’s okay for Superman to be a really lousy take on Superman because it’s totally supposed to take several movies after putting on the costume and calling himself Superman, including his own death and resurrection, for him to really, like, become Superman, man, he remains a liability to the end. His death lures in Steppenwolf, the Kryponian matrix in his genes is Darkseid’s goal, he becomes the villain of the first act of Justice League 3 - possibly of his own free will depending on which version you’ve heard about - and at the final showdown, it’s Batman who sacrifices himself to stop Darkseid and save the world and inspire the rise of superheroism, because Batman, you see, rules, whereas Superman, stay with me here, drools. A letdown given BvS was just about the one major story of the last 30 years to unambiguously conclude Superman is better than Batman, but not a shocker. None of what I understand goes down in these - iconography from the likes of Fourth World, Crisis on Infinite Earths, Death and Return of Superman, Rock of Ages, Final Crisis, and Injustice reused but stripped of all context and thematic weight that gives it meaning (even Injustice is built on the premise of having a ‘good’ Superman to contrast the dictator); Lois being the ‘key’ because of her connections to two men, one she married and one she bears; time travel that even by the very generous suspension of disbelief applied to it in a genre like this operates by two obviously completely different sets of rules in its only two uses, and is then used to write the entire second movie of the trilogy out of continuity in the first act of the third, making one and a half of these movies pointless - is shocking. It’s just more empty notions and unfulfilled promises offered up to a fanbase staking everything on the idea that all the tampering, all the wild swings, all the meandering, it’s all building UP to something, not possibly just a dude who doesn’t understand these characters but wanting to look very clever with them before building up to one more rad punch-up. So yes, make these movies. Let what can be gleaned from them as worthwhile be revealed, leave the rest of it up for examination to be judged as it deserves and let it, finally. Finally. Be done.

[ohshanksno]

Ace casually walking around the Moby Dick when Sabo crash lands onto the deck and everyone is ready for a fight when he smirks and just throws a bottle of sake at whitebeard and hits Ace in the head with his staff for scaring him at marineford (or the AU that’s in my head where Luffy manages to save Ace and the WBP leave unscathed and Sabo meets up with Ace after talking with Luffy)

we all need that AU, anon no joke

ughn sabo just pops in spontaneously (bet he makes a show about it, flying in on a hoard of CROWS) and everyone is like “hey uh, what’s that black mass in the sky??? the heck????? dude are those crows????? ravens?? what”

haruta and izo looks at marco

marco: oh god is that my distant cousin????? i thought he was dead

everyone just keeps looking and then the crows just hover over the ship, and next thing you know, someone just dropkicks from the fucking sky and kicks ace right in his face and just lands on top of him

(wb just got a huge ass bottle of sake out of nowhere and he’s getting giddy until the nurses give him that look, then he just frowns and hands it over to them)

“oh shit i’m so sorry” he kinda shuffles his foot over

(ace just groans from the bottom of sabo’s foot and “please get off my face, i can’t fucking breathe”

he looks up and everyone just stares

he just raises his hands and “okay so like, i am perfectly harmless–”

“GET HIM”

“WAIT I CAN EXPLAIN–”

an almost fight happens until luffy (who was in the lunchroom eating everyone’s lunch (the fourth division scolding him repeatedly, telling him luffy can have seconds IF he doesn’t eat everyone else’s food as he sets them out on the table (luffy doesn’t listen, just only heard he can get seconds))) bounces out and tackles the person just because and “oh??? who are you???”

a pause

“OH MY GOD ITS SABO????”

after 10 minutes of absolute screaming between the divisions and luffy (and ace trying to breathe again) everything finally gets sorted out and “THIS IS OUR BROTHER SABO, WE THOUGHT HE WAS DEAD BUT IT TURNS OUT HE’S OKAY also he can be a bit of a jerk sometimes so don’t always trust him”

“hey, it was just that one time”

luffy starts tearing up for no reason “he said mr pringles was dead”

“luffy he got accidentally stepped on–”

 “i looked for him for days”

“–and didn’t move for 15 minutes–”

“he buried him and everything, only to find out…..it wasn’t even him!!!!”

“oh my god luffy”

“IT WAS SOMEONE ELSE”

ace finally joins the conversation–”wow, late as ever, i see” “i don’t know, you ever been drop kicked from the sky, sabo??” “hmm. surely it can’t be that bad”– and ace swears he’s gonna get sabo back for revenge, but not now

“yeah, don’t trust sabo, he steps on your beetle and thinks it’s dead”

“he’s so mean” luffy wipes his snot on his arm

“IT WAS ONE TIME I DIDNT KNOW WHAT TO DO”

anyways after a long time of introductions and ace and sabo boasting each other, sabo finally sees how ace really looks (despite the scar in his chest, and how he seems perfectly healthy–he always had the chance to heal a bit faster than normal, so sabo assumed it was a will of d thing–he still looks tired and angry, especially after the events that played through marineford with teach and being known about his heritage) and luffy (sabo’s really sure he shouldn’t be bouncing around like that, with reports from iva saying he got the worst of the injuries, but it’s luffy and he’s alright, so no need to worry…but in the back of his head, he has an uneasy feeling from iva’s words, and he hasn’t stopped thinking about it since)

((but no matter, both of his brothers are here and alive, and it’s all he can ask for))

“so, i suppose we can eat right”

the fourth division FINALLY shows up and it looks like they ran from a bear or something, but they’re angry and one look at luffy has luffy shuffling behind ace

“YOU”

“who???”

“LUFFY”

“me??? oh, that’s me!”

“WE TOLD YOU NOT TO EAT EVERYONE’S FOOD”

“uhm”

“…..are you eating something”

luffy is in fact eating something behind ace and sabo, munching on a pie slice

ace turns around “what are you eating luffy”

“uhh. nothing?”

“jesus christ luffy we talked about this”

sabo just laughs and starts eating a pie slice 

“where did you get that sabo”

“oh.” he stops eating, and looks at everyone. “it’s mine. i bought it.” (he’s totally not hiding like five more in his bulging pockets, dripping blueberry juice down his jacket)

there’s more screaming involved and running, but whitebeard love his family nonetheless (and a couple new members, as well) so he just laughs because for the time being, everything is all right

[kellexplainsitall]

Friday

Per usual, Friday was spent at home with drinks and Brooklyn 99. It was such a beautiful evening, I insisted we go on the roof for a bit. We then stopped by our next door neighbors, so Tim could talk all things soccer. I was in bed before 9!

Saturday

We had a skeletal crew for the group run, just four of us ladies. It was a cool and crisp morning, so running was really delightful. I got in 12 miles, and felt great! I had to leave quickly after, I showered and Tim and I hit the market and Aldi, before heading home to get ready. Sean and Liz arrived around 11, and we left for the wedding around 12:15. I can't say it enough, it was an absolutely beautiful day! The ceremony was short and sweet and the reception was a total blast. Our new bff, Kirk the bartender, had a HEAVY pour, everyone was trashed, but a fun kind of trashed.

Since the wedding was over at 5, Alissa and Andrew had an after-party, but I was so hungry, I wanted to go home. Then I felt guilty about that, even though I know I made the right call. I was able to eat dinner, walk Miles and relax, which I appreciated. I was in bed by 8:30 and not hungover Sunday! Sean after-partied and did not feel nearly as great as I did!

Sunday

I woke up to pouring rain, but I was excited to run. I ran 3.5, then met Tim and Rebuck for 6.5. It was an enjoyable run, nice and sloppy. Post-run, we headed to the tavern (with Sean in tow) to watch soccer, where I just talked to Sarah and Sean the whole time. Post-soccer, we had lunch, I walked Miles one more time and then hit the road for WB. I was dragging my feet because I was tired and I miss Miles when I travel, but I eventually got out the door.

It poured rain the entire time, so I knew I made the right call not bringing him. I got to my parents around 3:30, of course, my dad, who had called me earlier and told me to 'hurry up,' was nowhere near ready. Oh well, we headed to a bar/restaurant and hung out for a while. My dad knew everyone, so we stayed for three hours! Lordy, we then stopped at Aldi and then had a drink at home, looking at old photos. I found some gems.

I wanted to stay up for GoT, but I was way too tired and was in bed by 9.

Monday

I slept in until nearly 7 a.m., which is INSANE! I then got outside for a run, I ran a few then picked up my mom for a few. After that, we showered and headed to my dad's office for my shadowing. It was so fun to see them in their work environment, even if I did have to rip down a pro-Trump thing my dad's secretary hung up. Jesus Christ.

It was still raining when I hit the road, it was treacherous at times during the ride, but I made it home unscathed. I unpacked, cleaned up and then walked Miles and watched GoT (this season is .............. not good). Then, our former neighbors, who own the problem property next door, came over again to talk about the tenants and tell us they are planning to evict them, so fingers crossed that happens sooner, rather than later. I was in bed early again!

Tuesday

I met the gang for a run, it was very enjoyable. This week should be quiet, most of the office is at a conference, so I can wear jeans! It's the little things.