#this shit isn’t actually controversial no matter how much studios want to convince you otherwise

[novelconcepts]

I just. How are the studios not fucking embarrassed yet? How are they not just wallowing in awareness that they are the baddies? I understand wealth separates a man from his common sense and, uh, soul, but. How are you looking at a bunch of artists who are asking for basically the bare minimum, going “yeah, no, I need my yachts”, and you’re NOT aware how pathetic you look? The biggest loser energy in the world.

[stella-monstrum]

“Autopsy of Jane Doe”[ IFC MIDNIGHT, 2016] [Rated R]

(Review & My Parallel Film Theory)

(NSFW CONTENT AND POTENTIAL SPOILERS)

(Written by Stella, edited by Jacob J.)

No matter the genre, the independent film industry holds many hidden gems within it. Studio IFC has been in the game for close to twenty years now, but it wasn’t until 2010 that it unveiled its plans for their “Midnight” collection and genre.

“Many of our most successful VOD titles are those that might fall under the Midnight label – not just films that are straight up horror, erotic arthouse, or genre films, but also ones that shock audiences, push boundaries, and stir up controversy – so officially creating IFC Midnight was the logical next step,” President of IFC Entertainment Jonathan Sehring in a statement. (SOURCE: indiewire.com // HERE)

But the focus in this article will be solely on the horror genre, specifically the 2016 supernatural/horror/thriller standout The Autopsy of Jane Doe. My review, thoughts, and analysis will include some changes I would have made to change the story itself.  Now, full disclaimer, my changes and reimagining will not affect my rating on the film overall, per se.

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[REVIEW]

One thing that was honestly a surprise (albeit a pleasant one) was how small the cast actually was. Whilst there are ten actors and actresses listed on the IMDb page, the film focuses on only five of them, eventually whittling the action down to three. My honest thought? “With such a small amount of people only being focused on, this will get boring quickly.” But boy, I was 100% wrong in that assumption. If ANYTHING, it only intensified every moment on, Add in dramatic references, film scoring, and film aesthetics? It was just icing on the creep cake.

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Let’s begin with the cast and breakdown of the story:

Brian Cox and Emile Hersch as father-son coroner duo Tommy and Austin Tilden

Ophelia Lovibond as Emma, Austin’s girlfriend

Olwen Kelly as Jane Doe

Michael McElhatton as Sheriff Burke (an albeit brief focus)

Left to right: Austin, Emma and Tommy (Screencap, Autopsy of Jane Doe, 2016)

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From the beginning of the film, you are immediately immersed within a brutal crime scene. It seems fairly straightforward in what appears to be a triple homicide. I was taken by (delighted) surprise that it kicked off at such a fast pace, so much so that I physically felt that I’d lost my footing (while sitting). But as the police and forensic team further search the home for evidence, they wind up finding a pristinely preserved and very nude corpse, one only partially covered in dirt down in the basement. This new revelation doesn’t fit what they’ve pinned down to be a homicide.

Enter a quieter and uneventful small town setting. Here we are introduced to Austin and Tommy Tilden, running a very small coroner business out of the basement of their home (blasting rock and roll from the radio whilst they do their job—a very cool touch.) Austin comes off as a young adult who doesn’t want to be stuck in this small town, let alone in this profession. He feels bad since father Tommy is otherwise alone and widowed. 

The Tilden home/business (Screencap, Autopsy of Jane Doe, 2016)

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Austin’s girlfriend Emma comes in to pick him up after his shift for a date they had planned. (This part plays into my reimagining later.) Emma sneaks up to scare Austin, then begs and pleads with him to let her see a dead body and what they do for a living. Austin flat out refuses, but then his dad allows Emma to pick one to view. Tommy also explains that they keep bells around the ankles of some corpses (a practice with origins in an old wives’ tale: if the person isn’t dead, the bell will jingle). Austin gets back at Emma by ringing the bell on one of the bodies to scare her, and she threatens that he “won’t be getting laid.” (Emma comes off as a very strong type—and not in a flattering chemistry way)

Just as they’re about to leave for their date, Sheriff Burke comes in with an urgent request: they have 24hrs to perform the autopsy of the Jane Doe found in the opening scene. Austin decides that, with the urgency and his guilt, to stay behind and assist, asking Emma to come back later.

As they perform what they thought would be just another autopsy to find clues as to how or why Jane Doe met her end, things get very eerie and strange. These events elicit goosebumps: from a shift in music to a creepily upbeat version of the McGuire Sisters’ 1954 song “Let the Sunshine In,” to an awful storm coming in seemingly out of nowhere, knocking a tree into the cellar exit, trapping the Tildens inside. The family cat gets killed. The bodies in the morgue awaken. The power goes out. These usually run-of-the-mill supernatural tropes are 100 times more dramatic with the focus only on the two men.

While they examine Jane layer by layer, her fingerprints are nowhere to be found in their system, and her trauma and, injuries in total, do not seem to match up with the crime.

Peat soil from “up northeast” found under her fingernails

No outward visible signs of marking or bruising

Broken wrists and ankles

Ripped out tongue

Mutilated genitalia

Missing tooth (which was force fed to her in a cloth with a ritualistic sigil in it)

Flower with paralyzing properties (and not native to the area) in her stomach

Horribly burned lungs and internal organs covered in scar tissue. 

A very much active brain

Roman numerals and symbols carved into her skin

Markings on the cloth alluding to Leviticus 20:27 (which condemns witches) and the year 1693 (a reference to the Salem Witch Trials)

Austin and Tommy do not come out of this unscathed—or alive, for that matter. While trying to escape in the elevator when being chased by one of the belled-up corpses, Tommy hacks away at it in the dark. But, once the power comes back on, it is revealed to be Emma. Tommy gets attacked by unseen forces (since he is the one primarily performing the exam). They finally reveal that Jane Doe was likely thought to be a witch during the Trials, but the people who performed the ritual were horribly wrong—and ended up turning her into the very thing they sought to destroy. Tommy pleads with the witch to take him as long as she leaves Austin alone, and all of her horrific injuries get transferred to the elder Tilden, leaving Austin to put his father out of misery. Austin, however, gets spooked by a hallucination (provided by Jane) of his dead father on the stairs leading up to the exit. He falls and snaps his neck.

The next day, Jane Doe is in pristine form on the exam table. The Sheriff cannot understand what could have happened since he’d known the Tilden’s for so long, and decides to send Jane off to the next county. The ending features Jane being transferred into the van, a creepily upbeat song playing once again.

All in all, if I were nitpicking, the only real complaint I’d have is that some of the suspenseful moments were drawn out a few seconds too long. On top of that, they shouldn’t have killed off the family cat, Stanley. That said, if you’re into supernatural thrillers or just looking for a film for date night, this would certainly be one to consider. 

(7/10 stabs)  🔪 🔪 🔪 🔪 🔪 🔪 🔪

(Reimagining AHEAD)

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Now after watching the film, I got to thinking. This is my reimagining of sorts, and a theory that they could have used to cash in on a continuation:

Let us rewind a little bit. Remember Emma? Think back to this scene specifically: 

(I do NOT own the rights to this clip, simply sharing for viewing to set the scene)

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In this parallel theory there are a few points of change that come to mind initially:

1. Tommy has a more stubborn personality, absolutely and flat out refusing to let Emma see the cadavers

As he (Tommy) shoos Emma out, that is when the Sheriff urgently brings in Jane Doe. Austin convinces his father to let Emma stick around. Tommy then has the attitude of, “If she wants to see a dead body we’ll let her see the entire process.”

Jane’s body gets taken into the Tilden’s business. (Screencap, Autopsy of Jane Doe, 2016)

Whilst the Tilden’s are performing the examination, Emma begins to get bored (before shit gets weird and they essentially awaken Jane’s warnings)

2. When things slowly proceed to get horrific, the further that they get into things, Emma touches the ritual cloth that was used to force-feed Jane her molar, then Austin scolds her for touching evidence.

Progressively after touching the ritual cloth, Emma begins to get very sick. This not only adds an anxiety-inducing level of conflict on top of having to deal with Jane Doe’s unfolding evil, but also provides a deeper layer to the film.

Austin and Tommy examine the ritual cloth. (Screencap, Autopsy of Jane Doe, 2016)

The more that they poke, prod, and try to fight Jane, the worse Emma’s condition gets. Austin has to drag her along whilst also trying to protect his father from the witch’s attacks.

3. You get to the point of looming dread when it becomes clear that Austin cannot save his father, and seemingly Emma as well. (Also fuck it that the cat stays alive and alerts Austin of danger, cause why not?)

After Tommy begs Austin to kill him once all of Jane’s injuries transfer to the elder Tilden (VIEW HERE); Emma’s eyes become clouded like Jane’s.

While Austin tries everything that he can to keep Emma comfortable, he tries to perform a ritual himself to destroy the evil brought in. 

4. For Austin’s final attempt, he burns Jane in the incinerator. 

Jane Doe is far from done causing harm and suffering. When she is burned, Emma takes her place. Seemingly, her magic makes the sheriff believe that Emma was the one that was brought in.

Tommy’s death is made look like a suicide.

Since the Tildens only had 24 hours to solve this case, the Sheriff understands that Austin couldn’t get the job done due to the loss of his father. But rules are rules, and he’s forced to transfer Jane Doe’s (now Emma’s) cadaver to the next county. 

While she’s being taken out and Austin is being asked protocol police questions, the eerie song plays on the radio.

5. Austin knows that he has to hunt Emma’s cursed body into the next county. (And takes the cat with him, because the cat didn’t need to die.)

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Who would LOVE to see a sequel like this?!