#this man doesn't know how to people

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[cup-o-stars]

Last part for old GF sketches

(Actually, most of these aren't old at all, but their average is brought down by the last picture, which I drew back in August and kept forgetting to post)

[clairenatural]

okay but you see sam has ALSO fallen for dean's act. sam also believes dean to be the macho, daddy's soldier, beer boobs cars guy he presents himself as. this is why sam makes fun of dean whenever he even lightly steps out of that mold and thinks it's harmless banter instead of attacking an insecurity. it's why he laughs when john talks down to dean in the early seasons and it's why he seems surprised when dean is more comfortable with himself in the later seasons. it's why he just scoffs but doesn't push it when dean puts up a front and refuses to talk about his emotions and just accepts whatever excuse he makes at face value. it's why he offers dean a strip club to make him feel better when cas dies. and this isn't his fault!! dean has spent a very long time perfecting this image in front of everyone and ESPECIALLY to sam because along with it comes safety and security and stability and the only person. who has consistently been able to see through it. is castiel

[sciderman]

avenging spider-man #13

[dennisboobs]

:) i certainly have no issue dressing in drag :)

^guy who has no issue dressing in drag btw

glenn said that dennis' drag name is victoria von hemen btw

(Source)

[jestroer]

"You form the most interesting relationships with people, Cleo" I am thinking now, was an extremely bold thing of Etho to say, considering the way he interacts with his friends on daily basis

[literaryspinster]

I hear a lot of talk about how Hollywood isn't comfortable with showing romantic relationships, interracial or otherwise, without a white person involved. But I'm not sure that fans are actually comfortable with that either? And I don't think they're comfortable without a significant white (white male specifically) presence in their favorite genre shows.

[potionpeddlerpatchy]

Crowned Prince Shouto who is so very much in love with you, even if it did take a while to come around after the arranged marriage occurred.

Crowned Prince Shouto whose brow creases and eyes twitch every time people in high court mock how plain you are under hushed breaths.

Crowned Prince Shouto who gets absolutely sloshed at a royal banquet to try and drown his anger when he hears a rumor going around that his marriage is unconsummated due to finding you so repulsive before storming off to find you.

Royal Advisor Izuku who rushes off to try and follow, only to hear a shriek coming from your room. When scrambling to investigate if you're okay he finds his master on his knees absolutely devouring your cunt while your receiving chamber door remains open a crack.

[skippingthroughfields]

one thing that's missing from these convos about amc not submitting assad zaman for a golden globes nom that makes it 10x more malicious on amc's part is that a nomination isn't just like oh... ~simple appreciation for an actor's performance. even if there's no win, it results in a profile boost for these actors & them being able to command a higher salary when it comes to future projects. it's something that gets notice on their CV. these studios and networks love being able to market their shit with things like "starring golden globe nominee john doe" or "emmy winner jane doe." the emmys are more prestigious than the golden globes which are more prestigious than the critics choice awards (the one they submitted him for with two other actors lol). actors get nominated and have the opportunity to get attention from social media posts, article mentions, attending the red carpet, having their name announced and a little clip of their acting shown. that's not nothing! attention from possible new fans, publications, execs, peers, producers, directors, fashion houses & other industries which could lead to $$$ and sponsorships. I won't make any presumptions about the cast's finances but I do know amc is probably not paying them their worth, least of all the bangladeshi muslim who barely had any major roles in tv/film prior to the show.

there are fees and costs associated with submitting for awards consideration and FYC ads. the network basically took a look at assad's brown skin and name and said they don't think he's worth the money over the white actor who had less screentime and narrative importance (to the season ig) which is absolutely crazy lmao. it shouldn't be controversial to say that and you can't not discuss this without bringing up sam's name. this has nothing to do with whether he "deserved" to be submitted (and even if I said he doesn't deserve it over assad who's gonna beat my ass?). this white man isn't being persecuted by conversations about blatant racism. but I'd expect nothing less from this fanbase x.

[ravenlexis]

in every universe, veritas ratio will always be someone who cares for humanity. in some, he loves. in others, he pities. in a small handful, he hates that he loves it. in most, he strives to improve it.

in one, he sacrifices it. just as in one he dedicates himself to it.

but in every single one, he's captivated by one particular person, who had experienced the lowest, darkest parts and the highest, brightest parts of humanity.

veritas will always be veritas, but his person has many names.

in many, he's no. 35. in some, he's aventurine. in others, veritas never gets the chance to know his name.

in precious few, he's simply kakavasha.

when he is aventurine, they'll always cross paths through a collaborative mission. in half of it, they start their partnership with distrust and arguments. in those, only a handful of iterations fail and end with them going their separate ways. in several, they start off carefully, building a stable partnership since the beginning of their meeting. in precious others, they get along right away. in rare few, they meet and immediately refuse the other.

when he is a nameless stranger, the way they meet is never the same. once, they attend the same school and only catch glimpses of the other. once, they meet in a bar and clash for a singular night of passion. once, they share a journey and chat as they watch the sceneries pass them by. once, they exchange a glance and commiserate as they witness someone causing a scene in public. once, they work in the same building and share elevator rides without ever exchanging anything more than a wordless nod of acknowledgement. once, one is involved in a fatal accident while the other is a witness. once...

when he is no. 35, their meetings vary in quite some ways. perhaps veritas is the detective who unraveled the illegal trade of slavery. perhaps veritas is the one assigned to him as a therapist. perhaps veritas is the one chosen to represent the case in court. perhaps veritas is the doctor who treated the malnourished and mistreated slaves after they were freed. perhaps veritas is on an undercover mission to gather the evidence needed to prosecute the slavers. perhaps veritas is the one who bought him.

when he is kakavasha, they cross paths in a handful of different ways. curiously, no matter the ways they meet, every single one ends with them staying in each other's lives.

no matter his name or their circumstances, in every universe, veritas will always remember his person. always ends up thinking back on their meeting and their goodbye.

at points in his life, in every universe, he always remembers those vibrant eyes. and he always wonders,

"would i get the chance to know him in another life?"

[tritoch]

in general trying to write a fully canon-compliant wol, as i conceive it, is an interesting project because the wol's life involves such a staggering amount of direct interpersonal violence it is almost beyond comprehension. the only people in the real world who did anything comparable are like, certain executioners for totalitarian states, and that's obviously a very different form of violence.

and like obviously combat in FFXIV should not in any way be taken as a 1:1 with real world violence, not least because the game repeatedly points to the idea that combat can in some sense be a joyous and glorious form of personal expression (as with ravana, susano, zenos, etc.), which doesn't really square with the reality of doing violence. but to even begin to conceive of a character who's capable of doing what the WoL does from ARR on and trying to take it somewhat seriously means basically making an extremely detached killing machine, who's fine using those skills for any rando willing to call the hit they're hiring you for a "quest".

it ends up dovetailing really nicely with the games as written, though; you start ARR being like "i am an instrument of violence directed by others :)" and not talking much or ever registering your own thoughts on anything, because who cares? you're a violence-doing machine. and then one of your friends gets mind-controlled and you gotta fight a might-makes-right fascist and you meet multiple people who think you personally are a really cool person with inherent value in their own right just by being a person and it's like, hm. maybe there are other ways to live. and that parallels really nicely with DRK in HW, and then you and alphinaud deciding that you are tired of endless sacrifices in the name of progress and you are going to save estinien, and then the WoL getting to walk into stormblood having really consciously chosen this fight rather than letting someone else choose for them.

obviously there are a lot of stories you can tell with your WoL but to me this is a big part of why my approach to it necessarily revolves primarily around violence and regret. you spend the core game and two expansions becoming a terrible angel of death and then get teleported to another world where you learn that some people literally consider you a psychopomp who escorts the dead to their final rests. then in the next expansion you meet someone who was unfortunate enough to be on the other end of things during your implacable killing machine days. THEN you accidentally cause the flower that symbolizes grief to be invented. the wol's whole life is haunted by overwhelming grief (mostly that of other people) and terrible violence (mostly their own).

[puppetmaster13u]

Prompt 52

So I’ve seen several catboy Danny prompts, but hear me out: All of Amity becoming so ecto-contaminated that everyone becomes something akin to a mythological creature. And Danny? He becomes a Nekomata- a two-tailed cat that was said to be able to shapeshift into humans for mischief, including straight up haunting people and stealing corpses. Vlad ends up a kitsune- which is already associated with taking on human forms to seduce people and with things such as foxfire and possession. Tucker ends up a sphinx sort of creature- “It’s not fair you guys can just float around while I have to figure out how to use these stupid wings when I could be coding!”- and Sam ends up a dryad of some sort, they aren’t entirely sure what but that’s what they joke it is so…

The people sent to investigate this city are more than slightly freaking out.

[guardian-angle22]

Colson Baker (aka Machine Gun Kelly) | December 2021

[eightspringdays]

People who infantilize autistic coded characters are the weakest link in society's chain.

How are you gonna look at this mf

And then tell me he's too uwu to do anything. Open your eyes, expand your brain; he thinks of the MCnasty too. Let him say fuck !!!!

[caligvlasaqvarivm]

Serendipity should be required viewing material before anyone tries to analyze Homestuck; not only is John Cusack a universal constant, but the themes and vibes of Serendipity are so fundamentally woven into Homestuck's DNA that several of Serendipity's thesises and conversations could be lifted directly from one to the other.

In particular, the way Serendipity utilizes coincidence and circumstantially simultaneous events in order to suggest - nay, decree - that the two leads belong together, is highly reminiscent of the way Hussie uses foreshadowing, and not just for romantic couples. It's also a major window into the ultimate stance Homestuck takes with regard to romance, fate, and destiny, and also more specifically, a really good look at Karkat's own personal philosophies of romance. There's a running theme in his movies of meeting someone that perfectly matches your freak, someone you don't ever need to compromise yourself around, who brings out the best in you.

Also, some of yall need to watch a shitty romcom every once in a while and develop some emotions

[slymanner]

Look all I'm saying is if that a shadow game can work THAT well and be so well designed story wise and gameplay wise

HE can work