#this isnt a big serious posti just like talking for fun

[felineevil]

TCM time, under the cut if you don't wanna see me ramble about my favourite chainsaw welding cannibal. Tldr i saw a silley article that i thought missed the point of Leatherface as more sympathetic slasher and i sat down and wrote for an hour because i’m like that i guess.

While many slashers fall under almost supernatural levels of inhuman and unstoppable, it is not true for the whole genre- there are characters with motives and reasoning, even if we may not understand them ourselves, because of course we do not operate under the rules and universe of horror movies.

I think it's not hard to place Leatherface under this category, both given subtext and the actual content of the movies.

For full clarity i am pulling only from texas chainsaw 1 for the most part, and at the end i'll chat a little about 2- i'm not particularly motivated to watch more than these two, so to me they are where my enjoyment of TCM is, so if my rambling is undone by later movies additions...so be it!

I don't have to be right, i just like writing about stuff!

Yippee!

In the original movie we meet Leatherface for the first time, a man who's big in every sense of the word and an intimidating figure indeed- a common trait for slashers.

But the first time we meet him is not him chasing down unsuspecting people, nor bursting through walls with a monstrous menace, it is a quiet scene at first.

Our first victims find his home and, when not receiving a response from the man inside, they enter- the first we hear of Leatherface is agitated, stressed pig-like noises, hardly an invitation to enter ones house, they sound very clearly like a noise to tell someone to not come in.

This isn't a sound to lure people, i think it'd be quite unsettling to most- it certainly wouldn't make me want to enter a house, i'd be getting the hell out of there in case there was some sort of angry hog.

But our victims enter anyway and, in ways very clearly meant to be the ways of dealing with meat, are dispatched.

There does not seem to be any glee in the act, it seems like work- everyday, normalcy.

This IS meat, the same as the cows down at the killing sheds- to Leatherface at least.

If you've been in the meat business along with your family all your life, and have never been taught that there's anything wrong with applying this approach to ALL meat, this seems logical

Later on we find another victim approaching the house and we hear Leatherface again, this time it's not an agitated sound- it's the light jangle of a bracelet, previously worn by one of the first victims, Pam, and a soft giggle.

We hear this big, powerful man gently making his new bracelet rattle and tittering with an innocent glee to himself- he likes this trinket, it makes him happy.

Of course any moment of reprise is broken as our next victim enters and is quickly dispatched, and what do we see next?

Panic.

We see panic, fear, Leatherface looks around after the third kill with a terrified sense of "how many more are there?" This is not a celebration of a kill well done, he checks the windows in a state and then sits, hitting his palms against his head in clear distress- he's afraid of this situation, he doesn't seem to know what to do.

These people, to him, are intruders in his home- a threat to him and his family.

We of course don't see this group of teens as a threat, they're framed as the innocent victims to us- but consider how sympathetic you'd feel to people wandering into your home while you were alone.

It is clear Leatherface decides he needs to find anyone left, perhaps he thinks he's being deliberately sought after by them, that they're after him and his family- or perhaps it's just what he's been taught to do, make sure there's nobody left to tell.

Another thing we can take from this moment of panic is that it is not hard to understand his reaction as comparable to something experienced by neurodivergent people- when panicked i tend to hit my hands against my legs and bite my tongue repeatedly, to calm myself down.

I flap my hands when excited, tap the back of my teeth with my tongue when nervous- stimming.

So it would not be unreasonable to consider Leatherface some form of neurodivergent, or something like that, and if i remember correctly Gunnar did mention at some point studying people who were to add to Leatherface's characterisation.

The next kill scene we see is the most frenzied, and the first full chainsaw kill- it is not hard to presume this is Leatherface in his most dangerous state, he's now fighting back, perhaps he thinks for his life of his family's.

This does not seem to be his default state, it is more brutal and aggressive than we've seen him before- it's also messier, he's not dispatching cleanly and quickly now, this feels like an embodiment of his fight response kicking in full force.

When i think about being afraid, i know my response is flight- and when i reach my panic limit i'll run and run and get myself as far away from anything that is frightening me as possible, even if it is irrational and illogical to do so, even if it means aggravating or upsetting people around me.

The reverse or opposite of this response is fight, and it is quite easy to see Leatherface in the absolute end state of that at this point- fighting as hard and as frantically as he can, pure instinct mode.

This is possibly the most frightening state i can think of seeing anyone in, never mind a tall, strong masked man with a chainsaw!

See, this is the important thing about Leatherface, throughout this movie we do not see a man motivated by bloodlust or the love of killing, we see a man motivated through terror- a mirror of the survival instinct of the final girl of many a horror movie, in texas chainsaw fear is not reserved only for our survivor, but instead permeates every inch of this movie and it's plot.

Texas chainsaw IS about fear, it is an object of panic, of terror, of desolate desperation- and Leatherface is himself an embodiment of that, both causing it and being caused BY it.

Many slashers are born evil and given no leeway into thoughts of wether they could have been steered in a different direction, but Leatherface is in many ways more tragic- given better circumstances and different situations he would not be a killer, it is quite clearly mentioned that the family has only turned to such ways of living because of pressure from economic collapse and desperation.

Leatherface is not a face of the devil nor an object of evil, he is a vulnerable man who has been shaped by circumstance and manipulation into doing terrible, terrible things- killing is his normality, just as all of us grow into our lives he has grown into his.

It is easy to be desensitised and become used to all manner of things if they are framed as normal and fine to us, it's not hard to see how if given a different start Leatherface might not have turned out this way.

It is easy to see glimpses of good in him, during the last house scenes- once he's calmed down and in his safe place- we see a very different side to him.

First comes Drayton's fury, berating Leatherface who, despite easily outmatching his brother, cowers and shies away like a frightened child- his high voice frantic as he tries  to explain that he's been good, that he's done good.

It is hard to match the cowering man with the one who ran through the night with a blaring chainsaw just moments ago, blood spattering him and his deadly weapon- and yet here he is, tending to the kitchen almost like a house wife.

He's subservient and does whatever is asked of him, no real sign of violent urges like one might expect.

Later as Drayton talks to Sally we see Leatherface enter the room holding food for the table, he stops for a moment to look at Sally- but it's almost curious now, rather than aggressive, eventually being shooed away and cowering once more from his older brother.

Later we see him in his 'pretty lady' mask, a mask he adorns with makeup himself, fussing over his grandpa and helping to feed him, care for him- gentleness shown towards his family member here that again, seems the polar opposite of his behaviour before.

While his advances towards Sally could be considered sexually menacing, i personally think it's more curious again- he seems to like the notion of 'pretty' whatever that means to him, wether he likes to look pretty or just like pretty things i don't know, but his interest is more towards her hair, gently playing with it for a moment.

It is not until the time for the killing blow comes that the violence returns, with Leatherface attempting to help his grandpa strike Sally down- and as this fails and she escapes we switch back to see him as we did before, hunting her down.

Now, all of this is not to say that Leatherface does not commit terrible, gruesome violence nor to excuse that- it is simply to look with a different gaze upon a character outside of what the tropes of horror movies expect of us.

It is clear that the sympathetic feelings towards Leatherface are not completely accidental either, as come the second movie we meet him again- a comical, kinder telling of the character with much more humanity given to him.

We see him show moral feelings, ones that conflict with his family's desires, and we see him capable of deciding to show mercy- he shows clear emotional responses and connections to other people through Stretch, and we are shown he's not some thoughtless monster at all.

It leads us to wonder if one (admittedly excellent and exceedingly brave) lady could get him to stand down just by talking to him, surely he can't be all bad- for all it's goofy silley nature TCM2 introduces an interesting telling of Leatherface that i think can compliment some of the sympathies towards him from the first.

Even more so he's a man ruled by his family, and when away from them he is more vulnerable and easy to persuade- Stretch quite easily manages to get him to drop his weapon and instead turn the other cheek when she's trapped in the Sawyer lair, with Leatherface dancing around with her (much to her dismay) and not harming her physically at all, though the upset caused by having a dead friends face slapped over your own probably is going to cause it's own set of troubles.

But is this what we expect from pure evil?

By Stretch's final capture by the Sawyer's we see Leatherface almost completely torn, smacking his head against a lamp as he tried to choose between letting her live snd his families wishes- he's experiencing a moral conflict, can pure evil do that?

Again we can see that if given different circumstances Leatherface could've been a good man, and if you think that reading takes away any of the frightening nature of the first movie and you wish to call me silly or chastise me for '"woobifying" Leatherface- i propose that this does in fact make the movie all the more tragic and frightening.

I don't believe true evil exists in real life, but i know fear does, and i think tragedy brought on by preventable events and terror is all the more frightening than killing just for killings sakes- a pure evil unstoppable force is fantasy, a fairy tale told to scare children, but the idea of being trapped in a situation with someone terrified enough to take your life frightens me more..

So wether you want or need Leatherface to be a sympathetic, well loved character for you, or a horrifying cold killer, i don't think this reading into his character should take away from either of those ideas of him- i think without trying to understand the reasoning of why the events of the first movie happen we could miss some of the real horror of the movie.

Anyways, this has been me rambling- i hope i was at least somewhat understandable, i just love texas chainsaw massacre and i love Leatherface and i like to talk, even if i'm not great at it.