#this isn't my usual post but i write fantasy and horror in my free time
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jouxlskaard · 7 months ago
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Strap in, fuckers. This is a long one.
I've seen a lot of discourse and discussion recently about why TMAGP isn't resonating with listeners as much as TMA did, with a lot of people pointing towards the infrequent structure of each episode and the lack of subtlety that TMA had once excelled in. And while both of these are true, I think the main culprit that has caused these problems for listeners is one thing: the pacing.
TMAGP is only going to be 60 (Edit: 90) episodes long, compared with TMA's absolute behemoth of 200. When I'd found out about this, I'd assumed that it meant TMAGP would have a much smaller story - not having to establish as much information as TMA did, and allowing the story to have lower stakes as a result. This certainly wasn't a bad thing, as many sequels that have tried to one-up their predecessors have gone disastrously wrong, but I knew that the structure would be different to TMA as a result.
However, from the 12 episodes that we've seen so far, it appears that TMAGP is going to have similar levels of stakes to TMA - not the same stakes, of course, but they'll likely be on close to equal footing. This means that TMAGP has to establish the same amount of information to listeners with significantly less time to do it in, and the pacing has to speed up to adhere to that. In the first 12 episodes of TMA, we had established one possible recurring statement character (Gerry), a disturbing worm woman (Prentiss), and the fact that Jon doesn't like his assistant and refuses to believe any of the statements. In the first 12 episodes of TMAGP, we've established every important protagonist and what they sound like, two recurring statement characters (Bonzo and Ink5oul) with one that has already physically appeared, much of Sam's backstory and his ties to the Magnus Institute and the fact that something is deeply wrong with their workplace. That is a big difference.
This difference in pacing is what I believe is turning listeners away from what they'd originally enjoyed about TMA, because there's no longer that warm, comforting atmosphere when you listen to it. Its sound isn't designed to come from a tape recorder and a tape recorder only anymore; it's no longer a sit-down and listen to the Archivist tell you spooky stories for 20 minutes anymore; and, like I mentioned earlier, the structure is no longer the same throughout each episode. The horror anthology aspect, whilst still being there, has now taken a back-burner to the metanarrative because so much has to be established in so little time. To many, that's a bad thing. They listened to the original because they liked the statements, and the little things connecting them hinted to a much larger story at play. When this story was revealed, we got to see Jonny Sims and his brilliant prose at its best, because there was no longer anything to hide and the statements were in their purest forms - no longer having to establish information to the audience, and simply basking in the fear.
I'm sure we'll get to see the same thing in TMAGP once the narrative reaches that point, but the current pacing has uprooted a lot of listeners' expectations for the show. I'm going to listen to the entire thing, personally; yeah, it's different, and it doesn't deliver the same vibes and comfort as TMA did, and I probably won't be able to fall asleep whilst relistening to the more obscure episodes like I could before, but in a frankly disturbing way, I'm still fascinated with what Jonny, Alex and the other writers have created. This type of horror is the only kind that I genuinely enjoy, and I'm excited to see what direction Protocol goes in.
Edit: I feel like I should clarify that I don't see this comparison as something that takes away from TMAGP. Alex has said that it's going to be different from the get-go, and I do think that comparing it to TMA is an exercise in futility to an extent. I just wanted to talk about the shows together because I feel like they complement one another, and the narrative beats that I've talked about are less to do with TMA on its own and more to do with general narrative structure. We have buildup, payoff and pacing no matter what show it is, because that's what makes a story. I think TMAGP could be taken a little bit like Deltarune in terms of its relation to the original source material: separate entities with some overlap in character and themes. At the end of the day, it's still early days for the show and this entire spiel could just end up gathering dust - I just think it's a cool thing to think about, and it gives me an excuse to infodump about how pacing can affect a narrative and the audience's response to it.
I wrote this while my cat was laying on me. Have a picture as a reward for reading this whole thing.
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fxtalitygod · 22 days ago
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EPILOGUE. ~Survival~
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Genre: Historical AU, angst, mature, suggestive, arranged-marriage
Warnings: Dark themes, gore, graphic imagery, theme/depictions of horror, body horror, swearing/language, suggestive, pregnancy mentions, mentions and acts of suicide, arguments, mentions of adult murder, Pet name (Little Flower 1-2x) implied Stockholm Syndrome, grief imagery, images/depictions of dead bodies, murder, character death(s), slight misogynistic themes (if you squint), implied incest mentions
Word Count: 5.9k
A/N: Today marks the day I finish this series. Guys, I cannot believe it took me two years to finish this damned series. Do not get me wrong, I loved writing it, but boy, it was a major pain in my ass. As corny as it sounds, thank you all for sticking with me throughout this series. When I originally posted the first chapter, I did not expect ANY attention whatsoever; it was just a self-indulgent thing I wanted to write because I wanted a better representation of (Y/n) where, yeah, she may not be the strongest. However, she still knows how to make do with what she has and make that her strength. I also wanted to give a more realistic relationship with the pairing. As much as I love Sukuna's character, I did not believe him to be a character capable of "true love" but a character that values others but not in the way you might think. I'm talking literal value, currency value, and benefit value. I wanted a more realistic take on the story because I did not know how many more historical "Kuna," "Suku," or "Kunie" stories I could take. No hate for those who write it or those who enjoy it; it just isn't my personal cup of tea. I like true crime and dark stories (I have this serial killer project that I'm stoked about because I know I will get my group an A+), so I tend to enjoy those darker sides, which I believe is why I like Sukuna's character so much, he just feeds into that side of me. There are some of the fantasies I enjoy where Sukuna is non-canon, such as AUs and all that, but when it comes to JJK's storyline or his historical AUs, I tend to fall short of enjoyment of that type of fantasy.
Anywho, thank you all for sticking around and enjoy the epilogue. I hope it was worth the wait. I may or may not have written three times because my perfectionism kicked in every time I proofread it, and I found something I did not like and scraped half the chapter. I bet I'll find a little thing here and there when I post this. Still, it won't be anything noticeable, something along the lines of my tags and probably my TW, though Im usually very on point with those kinds of things. Still, it always seems that AFTER I make the post, I really start to notice things even after proofreading it 50x.
P.S. I plan to do a behind-the-scenes post on all my original ideas. I have worked on this little project for two years, so you bet I had alternatives. Feel free to send me asks or messages asking me about things you are curious about, and I will gladly answer.
JJK Mlist•Taglist Rules• • Pt.I • Pt. II • Pt. III • Pt. IV • Pt. V • Pt. VI • Pt.VII • Pt. VIII • Pt. IX • Pt. X • Epilogue
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The market was bustling at this time of day. Workers were heading home from a hard day of work, rushing through the roads as they grabbed ingredients and materials for their households to prepare their meals and homes; everything was so normal...and if she were being honest, it felt strange. The confined life of the temple had practically become a comfort, so when presented with a slice of normalcy, it was foreign and, if she were being honest, alarming as well.
Having so much freedom was intimidating and overwhelming– the fear of having something good and it being taken away was a looming thought that brought many anxieties.
Years have passed since that fated day, Sukuna Ryomen's downfall. Since the fire and the slaughter that had immersed, Sukuna's actions had remained silent. There were whispers of sightings and rumors that the curse user had met his demise, but she knew better. Sukuna Ryomen was unkillable, and if anybody had truly caught a glance of him, they would be dead before they could live and tell the tale.
"Mama."
The world seemed to stop as the word processed through her head. Blood ran cold, and breaths of air seemed to come in at a faster rate. The woman turned to the little girl holding her hand, causing her heart to shatter.
"Darling, I told you not to refer to me as your mother, remember?"
The question remained as a statement rather than an inquiry as if refamiliarizing the child with a rule she had been reacquainted with on multiple occasions.
"I-I know that, but why can I not? You care for me like a mother, so why can I not call you my mother?'
"We have discussed this before, child," the woman sighed, "I believe it unfair to be taking the title of your actual mother."
"Well, if my real mother had not given me away, it would not be like this..."
Pausing mid-step, the caretaker held her breath, controlling the emotions and memories that flashed through her mind. The girl's sentence rang through her head, eliciting a feeling she was not commonly met with... aggravation. With no hesitance, the woman's minimal steps turned into longer strides, her grip even firmer on the young girl's hand. Getting to their place of lodging was more vital than anything, as she wanted to avoid discussing such sensitive matters in a public setting. Prying ears were close enough in such a crowded setting.
Upon reaching the home, the stand-in mother pulled the child inside before shutting the door. She swiftly bent down to the young one's level and took the child's shoulders into her hands. The little girl was shocked by the woman's reaction, staying silent and still as if afraid of what was to come next.
"Child, I will not hear you speak such false claims of your mother. You do not know the sacrifices she made to get you here."
The girl's expression of fear shifted from dread to shame. Her face was red from embarrassment after she was caught for her prior statement. However, as children do, she made it her goal to justify herself.
"What is the point of her sacrifice if she left me. Did she not want to be around me?"
"She did not leave you; if she were still in this world, trust me, she would be right here with you!"
The caregiver's words came out with little thought; all she knew was that she would not tolerate the little girl's false assumptions. However, now that the words spilled out of her mouth, she began to regret them. Seeing the tears well up in the girl's eyes made her wish she had phrased it differently.
"What do you mean?"
The caretaker cursed under her breath before inhaling through her nose, exhaling softly before speaking.
"You deserve the truth, my dear, and the truth is that your mother sacrificed her life to ensure you had a good one. She loved you so much that she valued your life more than hers. You might not understand this now, but that is a mother's love." The woman's breath stuttered, "She loved you more than you could ever know. I will not claim the title as your mother for that reason."
The girl was overwhelmed with emotion, only knowing how to express it through tears. The woman could not bear it and brought the girl close to her chest, embracing her to give any form of comfort that might help– it broke her heart to hear the child's quiet sobs.
After calming down, the kid spoke, though with some light chokes.
"W-what s-should I call you then?"
The warden took a sigh as she thought over her charges question. In all honesty, she had no idea what to say. What answer could she even give her? She could not allow her real name to float between the child's tongue as it would expose her identity. What name could she let the child speak?
"Hmm," the woman loosened her embrace, looking the little girl in the eye with a soft smile, "What do you think you should call me?"
The girl tilted her head, wanting more elaboration.
The lady chuckled softly, "What do you think my name should be, child?"
The caregiver had expected the girl to take some time to come up with an answer; however, the kid took no hesitation when she blurted out...
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"Makato-san!"
Silenced engulfed the home as her caregiver failed to respond.
"Makato-san, I'm going to the market. Do you need anything?"
Another prolonged stillness as the young lady waited for a response.
The girl scrunched her brows in concern, extending her neck to look further into the room as if the individual she was looking for would appear. With the growing silence, the young adult searched the home for her guardian.
"Makato-san?"
She searched and examined the silent home with slight panic before finally stumbling upon the older woman, staring blankly at the floor she was kneeling on– unresponsive as she continued to stare.
With caution, Y/n's daughter reached her hand out to her caregiver's, placing it on the woman's shoulder. The response she got was one she had not expected.
The Makato turned suddenly, grabbing onto the young woman's wrist with an ungodly strength that even the girl was unaware of. This caused the girl to wince in pain as she tried to pull her arm away. Her arm was turning a light purple from the lack of circulation, proving the grip's vice.
Despite her fear, the charge could only feel concerned as her caregiver made eye contact, tears welling up in her eyes. It stayed like that for a couple more seconds before she snapped back into reality, gasping as she was presented with the image of her actions, quickly letting go of the young lady's arm.
"I'm so sorry, my Dear. I did not mean to...I was just..." The woman paused, swallowing her following words; however, her stutter did not disappear: "D-D-Did you need something, m-my, Dear?"
"I was preparing to leave and was going to ask if you needed anything from that market," the girl paused, choosing her next words carefully. Makato-san, you've been acting strange as of late. Is everything alright?"
The young woman was old enough to recognize the hesitance in her caretaker's features and the short lack of response.
"Whatever do you mean, Darling?"
"Please do not take me a fool," the youthful female voiced before sighing and looking at Makato in pity, "I'm worried for you, Makato-san. Ever since the refugees from the other village came, you have been behaving irregularly."
The refugees.
To say that their arrival was a shock was an understatement. At first, Makato thought nothing of it until the newcomers began to tell their stories. Their village was burned in a monstrous fire by a "crazed" sorcerer, and their home was now unsustainable to live in as it was left entirely in shambles. Despite this information, Makato thought little of it as there had been few stories of criminal sorcerers destroying homes, most being "inspired" by Sukuna's actions after his sudden hiatus. It was not until an elderly woman, who she happened to hear at random, described the appearance of the sorcerer.
"He was monstrous, the vile thing; he had four arms and two faces if you do not count that horrid mouth on his stomach. I watched both of them grin as it chewed on the remains of my eldest son." the elder choked and sobbed as the memory came back to taunt her.
Makato's heart dropped to her stomach. Rushing home in search of her charge, she found the girl working on her studies. Seeing the child she worked so hard to raise brought relief, but it was not long before the memories and visions began to haunt her. Sometimes, she would see you standing there, looking down at her, motionless and silent, with a pained, pitful look.
She hated it.
When you looked at her that way, she felt weak and vulnerable—as if she were failing. She was not as cool and calculating as you were, nor as confident or intimidating. Had you been here, you would have more than likely been able to disappear from society and find a nice, quiet life for yourself and your daughter. But you were not here; that was the problem– you were just a figment of her imagination.
Even then, she wanted you to stop looking at her that way.
Sometimes, she was left in her privacy and saw your vision appear to accompany her. It would drive her mad as she tried to convince you, even herself, that she was doing enough. She would speak into the silence of the room and get no response.
"What else could you want with me? I am doing everything I can!"
Silence.
"I am happy. She is happy. We are happy. Is that not enough for you?"
Silence.
"He thinks she is dead– he thinks I am dead! There is no possible way that..."
Silence.
"Please, stop looking at me that way. I am capable of doing this...please have faith in me."
"Makato-san?"
Pulling herself from her thoughts, Makato tracked what the girl had said earlier, not wanting to worry about her charge further.
"I apologize for my irregular behavior, my Dear. I can assure you that I am alright. I have had a lot of stress these days regarding the refugees. I want to do my part to assist them, but I have been running myself ragged and am just...tired."
The girl hesitated, not wanting to accept her caretaker's excuse, but she knew pushing the subject would not do her any good, so she nodded in understanding. The worst part is that Makato knew your daughter was aware of her white lie, but she would not admit it for some slim hope that the girl honestly did not know. Sometimes, she wished your daughter had not inherited your intelligence and perception.
"Do you need anything from the market, Makato-san? I plan on leaving soon to aid the refugees."
"No, I believe we have enough supplied for quite a while. All that I ask of you is to be safe, Darling."
Your daughter agreed, letting a soft smile slip onto her face before hugging Makato. The woman accepted the embrace before experiencing a wave of realization. Intelligence and perception were not the only things she inherited from you; she happened to be a real beauty as well.
"My Dear, if you plan on seeing that boy of yours, speak your peace now and know that I only want you to be safe and happy."
The girl struggled to find words before lowering her head in embarrassment, her face bright red with fluster.
"You are of age now, and I want you to know the responsibilities that rest on your shoulders."
"Makato-san, I never meant to keep it a secret. I just...I was afraid of your disapproval."
The more experienced woman could understand where she was coming from. Long ago, she was in the girl's position. However, she was never allowed to pursue her love due to the circumstances of her arrangement, but that does not mean she did not try. Despite her efforts to keep her relationship together, it was all for not in the end. She was given away as a sacrificial lamb to a monster.
Your daughter had a chance of love, and the caregiver would not squander it for her. She wanted your daughter to have a chance at a relationship she never had. Maybe it was questionable on her part due to the circumstances of her mission, but she did not entirely care. She just wanted your daughter to have a normal life.
She knew that was what you had wanted for your child.
"I do not disapprove, Darling. I just want you to be happy and to be careful."
"I promise that I will Makato-san."
There was a pause of awkward silence before the young woman embraced Makato once more.
"Thank you, I'll be back soon."
Makato smiled as she watched her ward leave the home. She had no problem admitting she was happy for the girl, but something deep within her told her it was a bad idea. It was hard for her to come to terms with, but she had an itching feeling that did not settle with her.
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The world was perfect at the moment. Your daughter had put smiles on faces from her charity and was now being rewarded with a proposal for her marriage. She hugged her lover, showing her love and adoration in any way appropriate for their stage in relationship. If you were here, you would be beaming with joy, giving consent to the marriage with no hesitation because this is all you could ever want for your girl, and it would have been all you wanted for your twins.
You never had a chance of love and a happy life; seeing your children be able to pursue their lives to the fullest, especially in romantics, would have been considered a blessing to you.
"This is the happiest day of my life, honestly, but have you received my guardian's blessing?"
The young man chuckled, caressing her cheek reassuringly, "I plan on coming over for dinner tonight to ask for your hand properly if you will have me."
The girl could only agree eagerly through her expressions, unable to speak in fear of shouting instead of politely inviting him. Hugging him one last time before parting to rush home and prepare their meal; however, a chill went up her spine the moment she left; everything felt cold, and she could not explain why. Maybe it was the lack of his embrace, but she had never felt that way. There was only one good reason she could name.
Her nerves were getting the best of her...
"What if Makato-san declines."
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The young woman's moods changed throughout the day as she prepared for the most significant evening of her life. One moment, she had the goofiest, filled with overwhelming joy, but there were other times when she would find herself chewing her nails from anxiety, and right now, she was having one of those times.
"Dear, stop that. This behavior is far from healthy. What has you behaving this way?"
"Nothing, everything is fine. I suppose I'm just hoping dinner will turn out acceptable tonight."
"Dear, please do not insult my intelligence with these excuses. What is going on that you are not telling me?"
"Well, I—" there was a pause. How was the ward supposed to say anything without giving anything away?
"You what? Spit it out, child, you are worrying me."
"I cannot say. I am sorry. But do not worry, please; something good is about to happen. Please trust me on this."
Makato chewed the inside of her cheek. She did trust her ward, but she had this gut feeling, this sickening feeling that she could not name. Maybe it was just her nerves getting the best of her, so she pushed it aside. She trusted your daughter, the only trustworthy person that Makato knew.
"Alright... is there anything you need help with?
The younger one smiled sweetly, taking her caretaker's hands in her own.
"No, I have it handled. You have been so stressed the past few days that you should just relax. Tonight, all your worries will be washed away." With that, she parted to continue her work for the big news. She was all but too excited.
She was also naive.
She was a sweet little girl, but she was naive. To think all of Makato's worries and problems would go away by simply relaxing, through sweet and simple gestures, was an innocent way to think. It was how Makato raised that girl because she wanted that sweet little girl to have that luxury. There were times she wondered if she had made the right choice, but then she would remember what pain looked like and what too much experience could do to a person.
No, she made the right decision. This is what you would have wanted.
Right?
Yes.
Makato went, and she sat as the young woman finished her final preparations for the meal. The girl looked more stressed than ever, rushing at the final threshold, but it seemed that preparations were finished and she was filling time. She found little things to do that held no significance. She was in her head, making Makato question if everything was truly fine.
Then, the footsteps could be heard. He was here, and everything was going to change. Life was going to change, and it was between her and that door. The biggest day of her life was only a dinner conversation away. So she opened the door and was presented with an image she thought she would never see or experience.
"We must leave. The village is under attack, and we do not have much time."
The smell of smoke was strong, and embers could be seen from a not-to0-far distance. The world came crashing down, and she could not say a thing. She could only stand there with an oblivious smile.
"What?"
Fear, confusion, anger, any negative emotion she could feel, she was feeling. This was not how it was supposed to go. She was supposed to get a blessing and marry the man of her dreams. Why now? Why this? This could not be real, there was no way.
If the world had crashed down for your daughter, the heavens collided into the earth, dissipating everything in its path in Makato's eyes. The older woman stood, no thoughts running in her head as she strided to the boy, grabbing him by his garments
"You tell me now, and you tell me true, boy! What did you see?!"
Her sudden actions left him too stunned to speak, but after some shaking and calling for his attention, he found himself capable of a response.
"Makato-san, what is happening?" It was like everything hit her at once, but she was still trying to understand why it was happening today– why it was happening now at the most crucial moment of her life.
"I do not know what it was, but it was a man of stature. He was disfigured; he had two faces and four arms. He came without warning, started flames, and began a massacre. His face was cold, as if he felt absolutely nothing."
There was no doubt in her mind that it was him, no doubt her former husband as reigning terror; however, based on the emotionless state of his ambush, bloodshed was beginning to lose its flavor. It was comical, but as much as it had some humor, this was no joke. This was all too real.
Makato grabbed your daughter's shoulder, pulling her out of her shock. Tears were in her eyes, looking at her caretaker pitifully.
"Makato-san, what is happening?"
She was naive, and being naive was safe, but being naive was also unrealistic. Makato gave the girl a sheltered life, eliminating the possibility of danger to the girl. That was no way to live.
"Your father, that is what is happening."
"What?"
And the shock returned. Makato made an effort to avoid mentioning Sukuna in conversation, only mentioning you in light memory. As far as your daughter was concerned, her father did not exist...until now.
"That so-called man is your father, Ryomen Sukuna. That is the man who drove your mother to eventually kill herself," A pause, licking her lip as she readied herself to elaborate, "Your mother sacrificed herself to protect you from him. He drained the life from her and left her no choice but to die, but she gave it purpose. She died to give you a life, a life away from him."
"I-" Your daughter was at a loss for words. Everything was hitting her too fast.
"I thought I was doing the right thing by keeping it from you. I wanted you to have an everyday life, but I should have noticed sooner or later that the truth would reveal itself and that he would present himself one day."
There was nothing to say, only to exchange expressions of fear and dismay.
"W-Well, what do we do now?"
"We run."
Taking the two charges, Makato grabbed whatever necessities they needed to start a new life. She had been planning this since the day she ran from the temple. She would admit that now, with a third party, it would be more complicated than she had intended, but they would make do.
They exited the home frantic. The smell of smoke became more potent, and the embers were closer than before. The flames became more evident as they spread. Any entrance to the main road would have been a route to death, but Makato had never planned to use that path. There was a back trail through the woods, one she had discovered when your little girl was merely five years of age.
They ran towards the thicket, avoiding as many obstacles as possible. Things were looking smooth, with hardly any disruptions. It was almost serene, but that was the issue. To have such tranquility was a nauseating notion for mayhem being at their backs.
It was too quiet to be safe.
And that is when she knew to push the girl and her lover aside, veiling their presence with her technique before everything went black.
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Ringing...
Ringing...
And more ringing...
The lights were brighter, and the smoke and ash came straight from the source. She woke up coughing and gasping for air. For a moment, she thought she had been dreaming, immersed in a life that was not hers. Maybe she was waking up, back to her village, back to her parents, back to the life before she got caught in that awful nightmare.
"I am surprised that it was you, of all the women she let live." Sukuna started, looking down at what he believed to be the scum of the earth.
No, it was all too real. His voice registered through her head instantly despite not hearing it in years– at least in person. She had repeated memories, but sometimes she wondered if she had deformed his voice from years of not hearing him speak down on her. Turns out she remembered it accurately. It still managed to send chills down her spine and make her wish to be six feet under the ground.
"I was probably too forgettable for her to ever really care about whether I lived or died." Makato spat.
"That is reasonable enough, but that would not serve her memory well and rather insult her intelligence. I will say that, if anything, my Little Flower was too clever to let such technicality slip from her. She probably pitied you and your fruitless womb, so she gifted you with a child for you to care for in her absence. And knowing your broken state, she probably knew you would be eager at the opportunity."
Makato scowled, turning her gaze to the ground. How dare he speak of you in such a way. He said that as if you were on his level, as devious and conniving as he was, and claimed your actions were selfish when they were the opposite. You did this for her daughter, not for yourself. If you had it your way, you would be there.
"How old is she now?"
She refused to answer, turning her gaze back to the dirt. She did not want to give him the satisfaction of belittling her more than he already had. It was humiliating, but she still had some dignity and a promise she wished to uphold.
"What does it matter? She is dead. (Y/n) told you herself that she was gone."
A sharp pain was felt at the back of her head as he pulled her hair to force the woman to look up at him.
"Do not picture me a fool! For a woman whose last words claimed her daughter was gone, she left me the most humorous smile. I know that age of the girl, but I would rather hear from you, bitch, how long you have been holding her captive."
No response.
"Answer me!" Sukuna snarled, pulling at her scalp once more.
"Nineteen years of age," Makato smiled. Why? Do you wish to act as a father now? Well, you are too LATE! While you were out throwing tantrums, I raised her child, which you would not know how to do without being given exact handwritten instructions."
"On the contrary, you let her potential slip, and now she is nothing but another womb to breed. Unfortunate, due to the heritage of her mother and myself. However, a womb is still useful regardless."
Out of anything Sukuna had done, out of anything he had said to threaten her, that was the most horrifying.
"You are a disgusting bastard."
"Do not speak as if you can fill her shoes as if you have her confidence. You would not be in this position if you were half the woman she was."
"You are right; if I were half the woman she was, I could have easily manipulated you and have you play the role of the arrogant man with an ego so big, he does not notice the knife pointing at his back," A pause as she licked her lips, swallowing to try and quench her dry throat, "Everything that woman did was out of fear, much like everyone else; however, she knew how to tick your interest and she used that to her advantage. Honestly, I am ashamed. I only noticed it when she told me about her plan."
A twitch in his eye, he was irritated. It was known through body language and the knowledge of his nature that he wanted to tear Makato apart, limb from limb, until her body was unrecognizable.
"What? Afraid to face the truth of her decision. She could have run away with ease; she could have killed you, but both of those options would have been considered a mercy for you. She took away the one thing that you valued: herself. That must eat at you a lot."
With a swift motion, he scooped the former wife from her neck, squeezing her throat as he raised her to face him eye-to-eye.
"You are a worthless bitch who cannot even reproduce, summing you up to nothing. What is your worth?"
Nothing but the struggling breaths of the woman attempting to pry herself from this monster's grip.
"Exactly, you are worth nothing."
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Darkness, wherever they were, was dark. The girl and her lover were still in the woods, alive as well as they could manage. She could only remember running into this place before being shoved into the dark area. She felt the ground around her and reached her arms out into the pitch black as she tried to navigate this strange place. It scared her.
"Makato-san? Where are you?"
No response, only silence.
It was dark and frightening, and she did not know what to do. What could she do? She could cry, so she did; she cried as she tried to find her way back. This had to be some kind of night terror. She would wake up, and she would be at that doorway, welcoming her lover into their home, eating their meal, and then sharing the news. Her lover would get her caretaker's blessing, get married, and live happily ever after, right?
Dreadfully wrong.
Instead, a hand reached out and pulled her out of the darkness. The world was still unlit, but moonlight and the flames dancing in the distance could be seen nearby; however, she was not a part of the conflict.
She was about to scream, cry for help, anything to get attention drawn to her location, but was stopped by a large palm to the mouth.
"Shhh, my love. It is only me. It will be alright."
For the first time that night, she felt genuine relief. Turning her head to see her man, she looked down at her disheveled features. She weakly smiled, moving herself to embrace him. It all lasted for a few seconds until she realized the missing member of their little group.
"Where is Makato-san?" she whispered.
The man looked down, not daring to respond. She attempted to make eye contact, but he would only look away.
"Where is she?" she insistently asked, but louder.
" I do not know; a couple curse users emerged from the woods. Makato shoved us into the ditch, and when I came out, she was gone."
"Well...Well, we must go look for her."
A grasp to the wrist effectively stopped the girl.
"No, I cannot risk losing you, and I know Makato-san would agree. She would not want you going out to risk your life to save her."
How could he say that? How dare he say that! What right did he have in this decision?
"Then you do not know her." she scowled, trying to withdraw from his hold, but his hand did not budge.
"Then why would she tell you everything had she not already predicted the possibility that she might die."
"Because... because...she needed me to know because if we were going to run away, I would need to put in my own weight by knowing our threat...yes, that was it! Now let me go!" She tried to reason, but not to him—herself.
Denial.
"It was a confession! As if she were lying on her deathbed, she confessed everything to you. She wants you to move on, knowing there are dangers like your father. She wants you to kno-"
"Well, she may not be dead yet, so we have to try!"
With whatever strength she had deep down, she broke free from his grasp, sprinting towards the village and the flame. She could hear him following her, but in her mind, she wanted to believe he was doing it because he could see her reason. He would help; she was sure of it.
She was almost there, and she swore she could see the silhouette of her caretaker, but then she found herself on the ground. It was only for a second before being lifted into the air, a hand covering her mouth as she got further from her destination.
Kicking, muffled screams, and the distant cackling of flames could be heard. She bit her partner’s hand in an attempt that he would let her go from the sudden pain, but he was resistant. He merely grunted and winced while continuing his journey back. But then there was a halt.
There she was, Makato, thrown onto the ground. She could see her in the distance. The woman looked weak but very much alive, and she was right there. The daughter kicked, shoved, jabbed, and bit even more, trying to get loose. However, her lover would not budge because although he could see Makato, he could also see the shadow hovering over the woman, the shadow your daughter was refusing to look at.
Then the shadow disappeared, and the dreadful monster emerged, Sukuna Ryomen, hovering over Makato with disdain. Watching as she tried to crawl away but failed miserably. She was fighting, doing her best, but her fate was inevitable.
Death was the only option, and death is what she got.
Ryomen Sukuna caved into his impulses, ripping her limb from limb until she was unrecognizable. The daughter watched, horrified, as the woman who raised her was mutilated to nothing but a pulp. What sort of sick joke was this? She remained silent as she tried to think of who would pull such a childish trick, watching as the image got smaller until nothing was left. Eventually, it was just a tiny yellow dot in the distance and nothing more; all she could do was look at it.
"Promise me you will live."
Breath in
Breathe out
Breath in
Breathe out
Breath in
Breathe out
Breath in
Breathe out
Breath in
Breathe out
Breath in
Breathe out
Breath in
Breathe o-
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"NOOOOOOOOOO!"
The scream echoed through the dark room, and you tried to comprehend where you were. The walls were closing in, and the air was too thick to breathe. It felt like like suffocation.
What was this?
Why now?
Where is this?
Why is this?
How is-
"Y/n!"
You snapped back into reality, frantically looking at your surroundings to notice you were in your bedroom.
"Y/n, what happened? Are you okay?"
The silence was tense as you sat there, trying to remember your nightmare. You thought long and hard, but in the end, you had nothing.
"I...I don't know."
You heard a sigh, a hand rubbing your back, and another reaching for your cheek, wiping the stray tears you were unaware of.
"Do you want me to stay with you tonight, again?"
Some of you wanted to say no, but the opposing side longed for it. You stared at the clock on the wall before you, reading the time. It was a little past midnight, and you had hardly gotten any rest. You had a big day tomorrow, and rest was crucial to get through your day. God knows the things you would do if you did not properly sleep.
Turning to your twin brother, you weakly nodded, "Okay."
He did not hesitate to tuck you under his arm as if in an attempt to protect you from any harm to come your way, to shield you from the nightmares. However, despite his presence, it was like a part of the dream appeared that you remembered but didn't at the same time.
"Do you think I'll be a good mother?"
"Why are you asking me that?"
"Please just answer me...for my sanity."
Your brother sighed, resting his cheek on your head as he rubbed your shoulder to comfort you.
"Y/n, I have no doubt you will make a great mother. Come on, let's go back to sleep. I'll stay here, and everything will be better in the morning."
"Promise me it will be better in the morning."
"What?"
"You don't have to hold up to it. I just...I just want to hear you say it."
"I promise it will be better in the morning."
"Okay..."
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New series?? Sequel???Maybe, but first, a little break ☆~ (˃̵ڡ‘˶ )
Taglist (Thank you all so much for being a part of this series):
@littlemochi @mistalli @youngbeansprout @bbylime @bangtan-forever1479 @idktbhloley @izayas-rings @o3o-aya @pyschopotatomeme @persephonehemingway @otomaniac @meforpr3sident
@fourcefulcupid @nezuscribe @my-simp-land @zukuphilia @niya729 @spiritofstatic @bbittersw33t @kashasenpai @decaysan @honeybaegle @ygslvr @outrofenty @esposadomd @ali2426 @anmath @yazzzmints @lovingnahida @sincerest-one @rosemaydone321 @j0dios @k-ki3rd @maki-zenin1944 @shadowywizardarcade @ae-mius @xiangping-28 @loaves4me @aloraaaxcrystalzx @chariotwaves 
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lcftyambiticns · 15 days ago
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MUNDAY
Name / Alias : Jey (they/them)
Are you over 18? : Yes / No
– W R I T I N G –
Are you selective about who you write with? : No (anyone) / Semi (most people) / Yes (some people) / Highly (few people) / Private (mutuals only).
Are you selective about who you follow? : No (anyone) / Semi (most people) / Yes (some people) / Highly (few people).
If your muse is canon, how much do you adhere to canon? : Not at all / A little / Some / Mostly / Strictly / Not Applicable.
What post lengths do you write? : One-Liners / Single-Para / Multi-Para / Novella / All of the aforementioned.
Do you use icons and/or GIFS? : No / Gifs / Icons / Yes / Sometimes
Do you write on other platforms? : No / Yes (discord)
What level of plots do you write? : Unplotted / Open-Ended Plots / Semi-Plotted / Fully Plotted Epics / All of the aforementioned
How quickly do you usually respond to threads? : Very Slow (more than a month) / Slow (3-4 weeks) / Average (1-2 weeks) / Fast (less than one week) / Very Fast (less than three days) / Depends on muse
What types of themes do you like? : Adventure / Romance / Fluff / Angst / Violence / Tragedy / Domestic / Family / All of the aforementioned
What genres do you like? : ( Feel free to add! ) High Fantasy / Supernatural / Science Fiction / Historical / Horror / Comedy / Romantic / Drama / Action / Smut / Adventure / Espionage / Dark / Emotional / All of the aforementioned
Are there any themes you’re uncomfortable writing on your blog? : (Not triggers) No / Yes / Sometimes
Do you have any triggers? Do you request it tagged? : No / Yes (very few that usually don't even come up & can be discussed in private)
– S H I P P I N G –
What types of relationships are you open to? : Romantic / Platonic / Familial / All of the aforementioned
What types of pre-established relationships are you open to? : Romantic / Platonic / Familial / All of the aforementioned (what about enemies??? Rivals?? Toxic exes???????? Huhhhh???)
Do you have OTPs? : No / Chemistry Only / Yes
Do you have NOTPS? : No / Yes (If the muns click, I'm sure we can make almost anything work. That said, Lorroakan does have a certain type, and he tends to despise those who think they're smarter or more powerful than him, try to boss him around, or display poor manners)
What is your muse’s sexual orientation? : Heterosexual / Heteroflexible / Bisexual / Pansexual / Homoflexible / Homosexual / Demisexual / Sapiosexual / Asexual / Still trying to figure it out / Depends on the muse you’re asking
What is your muse’s romantic orientation? : Heteroromantic / Heteroflexible / Biromantic / Homoflexible / Homoromantic / Panromantic / Demiromantic / Sapioromantic / Aromantic / Still trying to figure it out / Depends on the muse you’re asking
Are you comfortable writing smut? : No / Selectively / Yes (Sometimes muns and muses click right away, and we both feel comfortable writing the most raunchy, kinky smut right off the bat, which is *chef's kiss* amazing!! Other times, some easing in is required. Both is fine! I'm awkward af XD STILL, timid, "classy", vaguely descriptive smut doesn't hold my interest. I either go all in with the kinky, dirty overly descriptive henta! p0rn or fade to black - or keep it brief.)
How early in a relationship do you ship romantically? : Autoship / During plotting / After a couple IC interactions / Several IC interactions / Slow burn / Plot dependent / Never (depends on the muse & mun!)
Are you open to toxic ships? : No / Selectively / Yes / I am not sure
Are you open to problematic ships? : No / Selectively / Yes / I am not sure
Are you open to polyamory shipping? : No / Selectively / Yes / I am not sure (I am, Lorri probably isn't. The man won't share his tomes, and he sure as hell won't share his lovers----)
Are you an exclusive shipper? : Never / Sometimes / Yes
Does crack shipping ever happen? : Nope / Yes / Depends
Tagged by: @chaoticbard (thanks, DJ <3 )
Tagging: @relentlessgrief @dicethrow @dvilsdesire @shadovan @spiderwarden
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theroseempress · 2 years ago
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I got tagged by @gummybugg and possibly someone else, I feel like that happened but I couldn't find it in my notications so yeah. Thanks! Game's invented by @iloveyou-writers.
Rules: fill in the blanks with as much or little detail as you would like and tag some writer friends to play too.
Salutations! I'm Rose, you can call me whatever derivation of my account name you prefer. (or something else if you want. I'm not very picky)
I generally write some muddle of sci-fi and/or fantasy, and some of my favorite things to write are found family, very charming characters, earned happy endings, and apparently thieves and small children because they both keep slipping into my WIPs somehow. Probably my favorite part of writing is character interaction, followed by worldbuilding.
I'm assuredly SFW in the regard to smut, and I'm not entirely sure how that applies outside of that regard, so I'm probably SFW the rest of the way. I do wind up tackling heavier topics sometimes, and I try to put trigger warnings on anything I know of that applies as such. I wouldn't be caught dead putting any smut in my works, and I'm not much of a gore or horror fan. There's also very little focus on romance.
The best work I've posted... Well, admittedly, my two current favorite WIPs are The Golden City and The Fourth Wall, neither of which I've posted on here. TGC's in the scripting phase and I've talked a little about it, (tag's here) and written a few shorts, one of which is Autumn Leaves. It's a medieval-ish setting with my usual muddle of sci-fi and fantasy. While TFW's still in mental-rotisserie-chicken stage, I've been thinking about it a lot; it's more heavily fantasy in a somewhat meta manner. I like TGC because of how much work I've put into it, and I like TFW because it's a very interesting concept to me. Feel free to ask me about either of them, I will happily ramble for ages! Probably my favorite characters are Felix Rose (from TGC) and Holly Vardoter (from an older project).
Something I'd like people to know that isn't otherwise listed is; I have a Wordpress website! S'where I'm going to put my stories when I y'know, actually finish scripting them. There's a couple shorts for various WIPs on there if you're curious. I also really like tag games, though I may take a very long time to answer 'em so fair warning.
Thank y'all so much for reading! And now, @ettawritesnstudies @daisywords @elliottsbigstrongboyarms @hallwriteblr @j-1173 @ethaeriea @aalinaaaaaa I politely summon you and anyone else interested!
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brooklynislandgirl · 11 months ago
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Roleplaying Profile Meme:
PLEASE REPOST, DO NOT REBLOG!  Feel free to add to any of your answers!  The purpose is to tell your partners about the way you write!  For the multiple-choice ones, BOLD all that apply and, if you want, italicize if it’s a conditional answer!
– B A S I C S –
NAME :  Turtle, Turtlemun, Turtlemama, and some call me...D.
ARE YOU OVER 18? Yes / No
IS YOUR MUSE? Yes / No
ARE YOU SELECTIVE ABOUT WHO YOU WRITE WITH ON THIS BLOG? No (anyone) / Semi / Yes / Highly / Private
ARE YOU SELECTIVE ABOUT WHO YOU FOLLOW ON THIS BLOG? No (anyone) / Semi / Yes / Highly / private
IF YOUR MUSE IS CANON, HOW MUCH TO YOU ADHERE TO CANON? Not at all / A little / Somewhat / Mostly / Strictly / OC {although if my partner is a canon character, I will ask where in the canon our rp falls, and I will stick to YOUR canon/personal canon as much as possible}
WHAT POST LENGTHS DO YOU WRITE? One Liners / Single-Para / Multi-Para / Novella 
DO YOU USE ICONS AND/OR GIFS? No / Gifs /Icons/ Gifcons
DO YOU WRITE ON OTHER PLATFORMS? No / Yes {{I will write on discord if I am comfortable enough with my partner}}
WHAT LEVEL OF PLOTS DO YOU WRITE? Unplotted / Open-Ended Plots / Semi-Plotted / Fully Plotted Epics
HOW QUICKLY DO YOU USUALLY RESPOND TO THREADS? I am a Turtle /Slow / Fast  / Very Fast {{depends on my time/availability/level of capability that day, but my speed or lack thereof should never be taken as an indication of my desire to write with you, or be used to doubt my love for you, your muse, and our stories.}}
WHAT TYPES OF THEMES DO YOU LIKE? (feel free to add!) Fluff / Angst / Smut / Action / Tragedy / Domestic / Family / Conversational / Hurt-Comfort / Fantasy / Dark
WHAT GENRES DO YOU LIKE? (feel free to add!) Fantasy / Supernatural / Science Fiction / Historical / Horror / Comedy / Romance / Drama / Action / Adventure / Espionage / Everything
ARE THERE ANY THEMES YOU’RE UNCOMFORTABLE WRITING ON YOUR BLOG? No / Yes   {{Beth and I both generally loathe child abuse in any shape or form, and mentions of it are fine, but if your muse deliberately harms a child in front of us, please expect to be reacted to in the most honest way possible}}
DO YOU HAVE ANY TRIGGERS?  HOW DO YOU REQUEST IT TAGGED? No/ Yes {{I try to tag everything properly with Whatever Trigger tw, though specifically I use Here Brucie|Sharks and Lost In Translation || N F S W for those two subjects. I have a fear of spiders so a spider tw would be nice, though I am never going to be so freaked out that it will drive me away from the dash or your blog}}
– S H I P P I N G –
WHAT TYPES OF RELATIONSHIPS ARE YOU OPEN TO? Romantic / Platonic /Familial / Physical / Sexual / Enemies (Aaaaall the relationship types)
WHAT TYPES OF PRE-ESTABLISHED RELATIONSHIPS ARE YOU OPEN TO? Romantic / Platonic / Familial / Physical / Sexual
DO YOU HAVE OTPS? No / Chemistry only /Yes
WHAT IS YOUR MUSE’S SEXUAL ORIENTATION? - Heterosexual / Heteroflexible / Bisexual / Homoflexible / Homosexual / Pansexual / Demisexual / Asexual / Questioning {{Beth is demisexual. She doesn't experience sexual attraction until she feels deeply connected to someone. And even then, she isn't likely to act on it. She says she is heteroflexible because most of her attractions have been toward males/masculine folk, though in play she has had 2 attractions toward women, and 1 towards a bi-gendered person {leaning toward xer feminine presentation} and of course she would never be prejudice toward non-human/human-like individuals}}
WHAT IS YOUR MUSE’S ROMANTIC ORIENTATION? - Heteroromantic / Heteroflexible / Biromantic / Homoflexible / Homoromantic / Panromantic / Demiromantic / Grayromantic / Aromantic / Polyamorous / Questioning {{The best fitting attraction I could find for Beth is Quoiromantic. Meaning Beth doesn't understand/differentiate really distinguish levels of emotion. To her, love is love and the only difference is an abrupt and often confusing layer of personal rules that she just doesn't get. Which makes relationships complicated. I'm sorry.}}
ARE YOU COMFORTABLE WRITING SMUT? No / Selectively / Yes
ARE YOU AN EXCLUSIVE SHIPPER? No / Sometimes / Yes {{I don't force ships. The only expectation I have to to be allowed to let a relationship grow organically and allow it to be what it is. Sometimes she'll friend or family zone a person. Sometimes she will have a squish or legitimate feelings for someone who doesn't feel the same way. Sometimes you have to get out the squirt bottle and spray her in the face because she's so in love. But I promise it should never be an issue. If it is, please tell me and I will put a muzzle on her.}}
DOES CRACK SHIPPING EVER HAPPEN? No /Sometimes / Yes {{Maybe? I don't know what this is?}}
DOES CROSSOVER SHIPPING EVER HAPPEN? No / Yes/ Depends
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spxnglr · 2 years ago
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𝐏𝐋𝐄𝐀𝐒𝐄 𝐑𝐄𝐏𝐎𝐒𝐓, 𝐃𝐎𝐍'𝐓 𝐑𝐄𝐁𝐋𝐎𝐆! feel free to add any of your answers! the purpose is to tell your partners about the way you write! for multiple choice ones, 𝐁𝐎𝐋𝐃 all that apply and, if you want, 𝒊𝒕𝒂𝒍𝒊𝒄𝒊𝒛𝒆 if it's a conditional answer!
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~ 𝐁𝐀𝐒𝐈𝐂𝐒 ~
NAME : Pops
ARE YOU OVER 18? : yes / no .
IS YOUR MUSE? : yes / no .
ARE YOU SELECTIVE ABOUT WHO YOU WRITE WITH ON THIS BLOG? : no (anyone) / semi (most people) / yes / highly / private (mutuals only)
IF YOUR MUSE IS CANON, HOW MUCH DO YOU ADHERE TO CANON? : not at all / a little / some / mostly (i pick and choose from source material) / strictly / ( oc ) I write my own canon.
WHAT POST LENGTHS DO YOU WRITE? : one liners / single-para / multi-para / novella
DO YOU USE ICONS AND/OR GIFS? : no / gifs / icons / gif icons
DO YOU WRITE ON OTHER PLATFORMS? : no / yes (Discord too)
WHAT LEVEL OF PLOTS DO YOU WRITE? : unplotted / open ended plots / semi-plotted / fully-plotted epics (literally down to clown however)
HOW QUICKLY DO YOU USUALLY RESPOND TO THREADS? : very slow (more than a month) / slow (3-4 weeks) / average (1-2 weeks) / fast (less than one week) / very fast (less than three days) (dependent on time and the VibesTM)
WHAT TYPES OF THEMES DO YOU LIKE? (feel free to add ) : fluff / angst / smut  / action / tragedy / domestic / family / conversational  / hurt-comfort. (Give it all to me pls)
WHAT GENRES DO YOU LIKE? (feel free to add) : high fantasy / supernatural / science fiction / historical / horror / comedy / romantic / drama / action / adventure / espionage / everything (Egon is a v malleable muse and the multiverse canonically exists in GB lore so...go nuts)
ARE THERE ANY THEMES YOU'RE UNCOMFORTABLE WITH WRITING ON YOUR BLOG? (not triggers) : yes / no (read the rules my dudes)
DO YOU HAVE ANY TRIGGERS? : yes / no
HOW DO YOU REQUEST IT TAGGED? : N/A
~ 𝐒𝐇𝐈𝐏𝐏𝐈𝐍𝐆 ~
WHAT TYPES OF RELATIONSHIPS ARE YOU OPEN TO? : romantic  / platonic / familial  / physical / sexual (I'm very selective w romantic/sexual ships, he's not the easiest muse to ship w I can't lie)
WHAT TYPES OF PRE-ESTABLISHED RELATIONSHIPS ARE YOU OPEN TO? : romantic / platonic / familial / physical / sexual / depends on the partner & muse.
DO YOU HAVE OTPS? : no / chemistry only / yes
DO YOU HAVE NOTPS? no / yes / I don't know 
ARE YOU COMFORTABLE WRITING SMUT? : no / selectively / yes
HOW EARLY IN A RELATIONSHIP DO YOU SHIP ROMANTICALLY? : autoship / during plotting / after a couple ic interactions / several ic interactions / slow burn / depends on partner & muse
ARE YOU OPEN TO TOXIC SHIPS? : no / selectively / yes / never tried it
ARE YOU OPEN TO PROBLEMATIC SHIPS? (canon history, age difference, complicated, etc.) : no / selectively / yes (It really depends) 
ARE YOU OPEN TO POLYSHIPPING? : no / selectively / yes (Egon isn't poly, he'd barely handle a single ship lbr)
ARE YOU AN EXCLUSIVE SHIPPER? : no / sometimes / yes
DOES CRACK SHIPPING EVER HAPPEN? : no / sometimes / yes
DOES CROSSOVER SHIPPING EVER HAPPEN? : no / yes / depends (LMAO almost all my ships are crossover)
Tagged by: @hexsreality (ilu)
Tagging: Steal it.
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dahlialeef · 2 years ago
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This or That Tag
Thanks to @sam-glade for the tag! :D You can find their post here.
I'll be (lightly) tagging @sender-paulson, @alesseia, @oh-no-another-idea, and @wordswrittenbynight. Have fun everyone!
Historical or futuristic
I tend to lean more towards historical things because history is a personal interest of mine.
The opening or closing chapter
I tend to actually start my story from the end, because I like to know what I actually plan on leading up to, so I usually prefer the closing chapter.
Light+fluffy or dark+gritty
I'd say although I do enjoy some darker things, I mostly like to write things on the lighter side.
Animal companion or found family
Found family just makes my heart cry. I love it.
Horror or romance
I cannot write horror for the life of me😭 so I'd definitely say romance, even though I don't write that as much either.
Hard magic system or soft magic system
Most of my stories take place in a world which I've been building for about two years now, so the magic systems definitely have set sets of rules.
Standalone or series
I might make work on other projects that could count as a sequel, but both can stand on their own. This just has to do with my own personal lack of attention span.
One project at a time or always juggling 2+
I literally have to dig through my Google docs whenever I want to know how many drafts I have💀
One award winner or one best seller
Although I think it would be really cool to have an award winner, a best seller would probably generate enough money for me to live off of without taking on an office job, I might have to take on a side job, but that's better than something I find absolutely boring.
Fantasy or sci-fi
Fantasy is just a part of me at this point. I love everything to do with it and I don't think I've ever written anything that isn't fantasy.
Character description or setting description
I love describing settings because I feel like those help set the mood more, and I also find character descriptions a little hard.
First draft or final draft
Definitely first, because I feel like I'm more free in that one.
Love triangle in everything or no romantic arcs
I'd say I usually steer clear of romance, and I personally don't really like love triangles.
Constant sandstorm or rainstorm
I'd rather get wet than have sand in my eyes.
Well, that was fun! Have a lovely day everyone!
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grittyandglory · 1 year ago
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Sladick RP Request!
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𝗜𝗡𝗧𝗥𝗢𝗗𝗨𝗖𝗧𝗜𝗢𝗡.
Hey there, names Moon! I'm 18+ and I go by she/her pronouns for those curious.
So, I've been on the hunt everywhere, but no luck finding the perfect partner for a good ol' Sladick roleplay. It's like the ship isn't everyone's cup of tea, which is cool, but I'm seriously all about that pairing. I've been on the lookout for someone to be the Slade Wilson to my Dick Grayson. I'm just super obsessed with these two, and honestly, I'm itching to dive into the pairing with anyone who's game! Now, I get that Slade and Dick's dynamic can be a bit messy, but that's honestly what draws me in – the non-stop clash, the drama, the fights… It's my favorite. If you're thinking, "Hey, I might want to give this pairing a shot with them," there are a few ground rules I gotta lay down, so make sure to give 'em a read! And trust me, I'll know if you didn't.
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𝗟𝗜𝗧𝗘𝗥𝗔𝗖𝗬.
I consider myself literate to advanced when it comes to my writing abilities. Typically, my replies span around 10-20 lines, though the length can be influenced by the content I have to work with and my current level of motivation. Generally, I tend to mirror my partner's responses most of the time. I'm not overly demanding when it comes to my partner's responses. As long as there's effort, I'm content and won't complain. However, I do require some of the basics, such as reasonable grammar, accurate spelling, and a firm no to one-liners.
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𝗚𝗘𝗡𝗥𝗘𝗦.
Darker themes tend to captivate me – there's an allure to unsettling roleplays that keeps me engaged. I'm into subjects like gaslighting, blackmail, stalking, stockholm syndrome, lima syndrome, kidnapping, taboo, conflict, love/hate relationships, and more. Usually, I prefer being the victim, but sometimes I can switch things around if asked. I'm really into genres like horror, mystery, fantasy, drama, dark fantasy, steampunk, LGBT+, cyberpunk, romance, and more.
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There's more I'd like to discuss, but I'd rather take that to DM's. If you've read far and you're still interested, feel free to shoot me a message or simply like this post and I'll reach out to you. I'll only be accepting strictly 18+ partners and this will likely take place on Discord!
Thanks for reading!
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n1ghtcrwler · 3 years ago
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Tall Tales is a urban/paranormal fantasy webserial. It's currently on hiatus as I get a head start on Volume Three to (hopefully) avoid the medical hiatuses I've had to take in the past.
What is Urban/Paranormal Fantasy?
Paranormal Fantasy is usually listed as a form of Urban Fantasy, but that isn't strictly accurate. It has similar elements to UF (modern setting, real-world issues, etc), but it isn't built around an urban setting and tends to rely more on the paranormal (ghosts, psychics, the occult, etc) than on the mythological (elves, dwarves, the fae, etc). Tall Tales blends elements of both. Tall Tales also includes horror elements or, at times, outright horror stories.
What is a Webserial?
A webserial is a story told through regular updates available online. This can be done in any format, either free or behind a paywall. Tall Tales, when it isn't on hiatus, updates five days a week, once per week on five interconnected blogs. Every story necessary to follow the plot of Tall Tales is available in early draft form for free on the website.
What Are the Volumes?
The overall plot of Tall Tales has been broken into five volumes, each composed of a number of short stories. This usually has little impact on the website (except the short stories, which are used as the primary means of navigation); however, when I finish writing a volume, I then focus on putting it through final editing stages, adding additional stories, and then self-publishing the volume as a book. You can find Volumes One & Two on Amazon, I am currently writing Volume Three. I've taken this opportunity to go on a scheduled hiatus and build up my publishing queue in the hopes that my recurring migraines don't cause me to add unplanned breaks going forward. This means that now is an ideal time to catch up on the story, as there will be no new posts added to the website until August 1, 2022.
Five Blogs?
Yes, Tall Tales publishes as five blogs. Each follows a different story and is told by a different POV. The blogs cross over, and each is moving toward a shared fate. They are as follows:
Narrator: An unnamed narrator who tracks events that impact the story but happen beyond the POV of the other blogs. Updates on Mondays.
Benediction: A multi-POV collection of in-world files relating to the trial of Father Benedict de Monte, a Catholic priest tasked with hunting a global mystery cult called the Brood of Nachash. The Brood uses murder and the summoning of ancient elder gods to achieve its goals. Updates on Tuesdays.
Matteson, P.I.: A mostly in-world blog written by John Matteson, a human who can interact with the metaphysical realm and serves as a living source of anti-magic energy. Follows his various investigations into the supernatural and the problems this causes in his life. Updates on Wednesdays.
Over the Hedge: A mostly in-world blog written by Jackie Veracruz, a witch receiving training from Hecate. She is heavily focused on understanding the nature of magic and how she and her friends relate to it. Updates on Thursdays.
Wonderland: A mostly in-world blog written by Alice Templeton, a biology student in Greater Pittsburgh who finds herself connected to the world of magic. Updates on Fridays.
Is There Minority Representation?
Most of the stories take place in the United States or Europe after 2000, so this will assume a definition of 'minority' that fits that setting. I am a white male, and as such am always open to input on how to make the following characters more accurate.
John Matteson: African-American male. It has been speculated in-story that he's asexual, but he personally hasn't expressed interest in answering that question. His ancestry includes a spirit that took on human form and resembled a Native American; as such, he has physical traits that resemble that ancestry, but no actual or claimed ties to any tribe.
Jackie Veracruz: Hispanic (Honduran) bisexual woman. Entered the US as a refugee from Nicaraguan/Honduran fighting in the 1980s.
Akshainie: A naga who shares the spotlight in most of Benediction. Her human-looking half (and her human form) is that of a woman from the border region between Pakistan and India. Her sexuality has not been discussed.
Supporting Cast and Spirits: Other characters that appear at different points in the story include John's family, a nonbinary friend of Jackie's, a gay male couple, and various spirits whose forms resemble the culture from which they originate.
Is there a Taglist?
Yes. The taglist gets notified whenever my monthly newsletter is released and when a new blog post goes up on the website. This amounts to 5 posts per week when the website is updating, plus one additional post per month. It is very rare that I use the taglist to make announcements beyond the newsletter, but occasionally circumstances require that. Please ask to be added/removed/edited on the taglist. If you have been removed without requesting it, chances are tumblr no longer allowed me to tag you and I assumed you changed your url but don't know what you changed it to.
Newsletter and Other Points of Contact
When the blogs are updating, you can receive each post as an email by joining the Newsletter list. You can also hang out with me and a bunch of other people over on Discord, where we talk about gaming, writing, and general hanging out. The Discord has places for you to share your writing, is the hub for my livestreamed ttrpg campaigns, and hosts an RP section getting started for if you enjoy the world of Tall Tales and want to build characters in it.
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