#this is why i think ppl are good

[mynnthia]

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

[datcravat]

It seems there's a new lawyer in town!!!

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[arcanegifs]

rewatch the show yall. it gets even better if you do.

[meli-mouse]

takin dumb photos at a sleepover or something

[choccy-milky]

another batch of MCs as thanks for drawing clora🥹💖💖 once i start working on something i cant rest until i get it done so ive legit been working on these nonstop for the past 2 days from when i wake up till i go to bed.......i can finally rest 🧎‍♀️........THANK YALL AGAIN💖💖💖🙏🙏🙏 MC's in order: @moonstruckmoony @syaolaurant @dwightschrute11 @boxdstars @versailles-black @ccelicaa @ethniee @wrongcog @ashiori-chan @tamayula-hl @celestinawarlock @serpensortiamaxima @silvyadrakkon @jadepalaceyaya @zorro-d-t

[hinamie]

Hi! I love your art!

Is there anything non-spoilery you can say about Choso in the atla au? 🥺

WAAAhh thank u !!! tbh as fond as I am of the design I came up with for him in this au there's.....really not much to say abt him either....he's a pretty minor character but because of the nature of the role he /does/ play there's not much non-spoiler material involving him that isn't just . the same as canon :'<

however in the interest of not leaving u high and dry here is a rare excerpt from the Lore Scroll and a quick draws of him looking menacing for u ! i hope that will suffice in lieu of Actual Information <3

jjk atla!au with @philosophiums

[broareweabouttoviberightnow]

"WHERE IS DARRY?" Soda is on his feet before the screen door slams, Steve jumpin' off the sofa beside him.

"What is it, Pony?" Pony rounds the corner with a wide, crazed grin 'n Darry comes barrelin' down the hall. "What's wrong?"

"Darry- they fuckin' broke up!" A brief wave of confusion passes across the panicked plains of Darry's face before his jaw drops open in delighted shock.

"No." He snatches Pony's arm, leads him back into the kitchen 'n plops down at the table. "Carrie-Ann? Are you sure?" Darry leans forwards, elbows on his knees, eagerly. Pony cackles at havin' got exactly the reaction he wanted.

Steve shoots Soda a glance 'n Soda rolls his eyes fondly, crashin' back down onto the sofa. Steve shuffles around the arm, clearly listenin' in but tryin' to be the nosy allegations. "What are they on about?"

Soda cranks the volume of the TV waves a hand dismissively. "Some couple at school. God, you would think their lives depended on it the way they talk about it."

"Hush, from the peanut gallery in there." Darry shushes him from the kitchen 'n Soda wiggles his eyebrows.

"Not our fault you don't got the attention span for a good story." Soda clutches his hand to his chest in mock offense 'n it's Pony's turn to roll his eyes.

"Wait, Carrie-Ann 'n Tommy? Ain't they been goin' together for a couple years now?" Steve stops pretendin' to be indifferent, drifts into the kitchen.

"Steve, not you too!" Darry splits into a grin and Soda sticks his tongue out.

"Yeah! But only 'cause she told him she was pregnant last year! He was gonna leave I swear! I heard Jerry tell Susan in my math class." Steve scrunches his face up and Pony shakes his head earnestly.

"Well, it would serve him right. Tommy was in my English and he'd bat those stupid eyes at anythin' that moved- even when he was pinned. That Carrie girl deserved better." Steve hops up onto the counter with a firm nod 'n Soda throws himself dramatically across the couch with a groan.

The back door swings open 'n Dallas appears in the living room, glancin' into the impromptu gatherin' around the table. "Woah woah woah, y'all talkin' about me? I'm sure it's all good shit."

He ducks over to Soda, jabbin' him in the ribs and slidin' out of the way when Soda kicks at him. He misses but rolls off the couch and dives for Dallas' knees. Dally goes down hard and Soda howls his laughter.

"Nah, one of the couples up at school broke it off." Steve leans dangerously far over Pony 'n snatches one of the grandma candies Darry loves so much from the bowl.

"Who?"

"Dallas!" But they all knew it was a lost cause. If Darry 'n Pony were drama fiends, Dallas was a hound for the stuff. He was always showin' up with some new juicy tidbit. Sometimes Soda would swear Pony loved Dallas more than him solely for the fact Dallas seemed to have his nose in everythin'.

"Carrie-Ann 'n-"

"Tommy? No fuckin' way." Dallas detangles himself from Soda, shoves Steve over, 'n climbs up onto the counter. Soda shoots him a glare he misses entirely. He flops flat onto the floor, tucks his hands under his head, and refocuses on the beach flick. Or tries to.

"I heard she cheated on him." Dallas leans forward conspiratorially and Pony 'n Darry's jaws fall open in twin shocked expressions.

"No way, really!"

"I'm sorry, you're sayin' Carrie cheated on him?" Dallas raises an eyebrow haughtily and leans back on his hands.

"Swear to God."

"Wait." All four heads swivel to Soda as he sits back up, somethin' prickin' at his memory. "Tommy. Tommy Dil- somethin' right? His daddy owns the car lot close to the river, yeah?"

"Dilon, yeah." Darry leans so he can better see Soda through the door at the same time Pony says,

"Yeah, the one that looks like a Soc 'n talks like a greaser but ain't either." And Steve leans traitorously far again and adds,

"The one that thinks he's a lady-killer but nobody wants him but Carrie." Dallas puts both hands on Steve's back 'n pushes him over so he can get a good look at Soda and hoots,

"Not even his mama wanted his busted ass. That's why he only lives with his dad." Steve shoves him off and Pony momentarily whips back around with wide eyes.

"Wait, really?" Darry bats him up the side of his head, the shit talkin' goin' a hair too far for him, apparently.

"What is it, Soda?" Steve quickly redirects the focus back to him before Pony can whine 'n Soda forgets what he was gonna say completely.

"I saw him at the Dingo with Cheryl last week. 'N they weren't just holdin' hands if I'm being delicate." He wiggles his eyebrows 'n the tips of Pony's ears go all red. Dallas howls and grabs Steve who is so bewildered he forgets to shake him off.

"Cheryl? Ain't no way! I never would have-"

"Ain't she goin' with Benny?"

"Man, I thought she was catholic-"

"I swore she didn't come to this side of town- didn't wanna dirty those damn gogo boots-"

"Soda." Darry fixes his middle brother with a look that could pin him straight to the wall. Soda blinks big, innocent eyes at him. "That true?"

"Hell no." He splits into a big mischievous grin and Pony lets out an indignant wail, launchin' himself out of his chair 'n onto Soda. Soda flips him onto his back easily but Steve is on top of him before he can blink, jabbin' him in the ticklish spot under his ribs so Pony can wriggle out.

"Since when are you 'n Pony on the same side?"

"Since now! Get 'em Pone!" Steve pins Soda's arms above his head and Pony goes to town ticklin' every place he knows will make Soda holler until he's red in the face. Soda rips one hand free and Dallas comes up behind Steve, liftin' him straight off the ground with the kind of wiry strength they all forgot Dallas had.

Darry instantly takes up Pony 'n Steve's side 'n it doesn't take long until there are no sides at all- just them all rollin' around and laughin' so hard their sides all ache.

"You know, I think I get it now- that drama shit is fun!"

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[raayllum]

I get that in general a lot of kids shows do utilize the protagonists ('good guys') in ways where they're supposed to be role models, particularly because some do have a "lesson of the week" where the character does bad things, then clearly learns and explains what they should've done instead by the end of the episode.

That has just... never been how TDP has operated, and I don't get how and why people think we're supposed to take what anyone does in the show as being unilaterally good or evil. Particularly in arc 2; any moral simplicity that was hanging on by a thread in arc 1 has been taken out back and shot numerous times by now.

TDP very rarely calls anything Evil or Good, and when it does, it's always filtered through the characters' biases, and rarely does more then 2-3 characters ever have the same opinion on something for the same reasons. Soren and Rayla, who have inverted character arcs, are some of the only characters to ever use the term villain / good guys or bad guys, and are two of the most staunchly black-and-white thinking characters, heavily to their detriment, I might add, in terms of coping with the increasing complexity of their lives. They have cognitive biases. They're not always right, and are frequently wrong. This is true for everyone in the show.

The show refuses to condemn murder, indirectly and directly condemns the expulsion of humans from Xadia routinely (Evrkynd being a city for everyone, Ezran arguing with Karim, who is the most wrong about the most things), and shows a variety of viewpoints on all things.

The show understands that the choices people make—whether the same character trait is a flaw or a strength—as well as 'moral' choices are all circumstantial.

Are you wrong to burn people alive? Mostly yes (2x07, 6x08) but also no (3x09). Are you wrong to kill people? Sometimes yes, sometimes no, sometimes whether it's 'wrong' or 'right' doesn't even factor in. Are you wrong to use dark magic, or use the dangerous Staff of Ziard, or coin someone and condemn them to a 'fate worse than death'? Sometimes yes, sometimes no. Is lying or hiding the truth to protect someone wrong? Sometimes yes (1x06, 2x03, 3x03, 5x01, 7x04, 7x06) sometimes no (1x02, 2x03, 6x06, 5x08, 7x08).

Are you doing the right thing?

Do you have no choice? Is that true, or is that just what you think, or how you rationalize it yourself?

When is it right or cowardly to leave (Viren, Lissa, Rayla, Callum, Ezran, the Cosmic Council, the offer made to Karim's troops)? When should you stay? When do you decide to share resources (2x05) to your potential detriment or withhold them in the name of protecting yourself and your own people (Xadia and magic)? At what point(s) do you prioritize your own pain and grief, or someone else's (i.e. the Keeper vs Callum vs Ezran)? At what point is someone too dangerous or 'too far gone' to keep alive (Runaan about Harrow, Ezran about Aaravos)? At what point do you decide someone cannot change? When do you refuse to change (Karim, Terry) who you are no matter what happens, and when do you decide that you must (Ezran, Soren)? When is it wrong to use illusions to trick someone (3x09 and 7x06) and when is it more reasonable (2x03)? When should you be willing to sacrifice others (Rayla with her family, Runaan and Rayla with Callum, Soren with Viren) and when should you refuse? When should you sacrifice yourself, and when it is wrong to? Did you betray them, or did they betray you, or both (usually both)? When should you betray or stay loyal to your family? What is the right thing to do?

The show, tbh, doesn't know, at least 90% of the time. It's not interested in knowing. It's interested in exploring. That's the whole point. At most, it says you should work towards harm reduction, but what constitutes harm, and what peace looks like, is also something that greatly differs for all the characters.

Rayla is willing to sacrifice the love of her life, Ezran is willing to create weapons of mass destruction and wield one, and Callum used a torture spell on someone when he absolutely did not have to. The idea that any of the protagonists are meant to be paragons of unblemished virtue who are always 100% right, or that any of the antagonists do not canonically have a good point of contention with anything that's happened and are always 100% wrong, is reductive to everything the show is and explores, because it is Quite Literally not what the show does, ever tbh.

They literally spelled it out this past season as a core theme; I don't think they needed to have a character directly point it out every time a main character did something that was Kinda Fucked Up or Complicated But Understandable to know that the show knows it was Canonically Fucked Up or Complicated But Understandable.

There is not a single character or action in TDP that is always right, and there is not a singular character or action in TDP that is always wrong. Hell, even narrowing it down to "this is 'right' or 'wrong'" feels counterintuitive because it's so subjective within the narrative.

Every choice the characters make is often well reasoned, aligns with their values and world views, and fits into how they work through problems. Every choice has benefits and consequences, for them or for others. That doesn't mean it's Right for everyone involved. That doesn't mean it's Wrong for everyone involved. That's what makes the show interesting. Everything has nuance. Everything has Complexity. I'm not interested in a simplified version of TDP. I'm interested in the show as is.

I hope you are, too.

[yellowocaballero]

Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)

Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.

Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.

Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.

But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?

Because he's Spider-Man.

Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.

That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.

That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.

Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.

I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.

Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.

TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.

[hannahhasafact]

Currently losing my goddamn mind regarding the new D20 season announcement

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[inkskinned]

"don't make it political!" .... what proportion of death and suffering must occur before politics are involved. if this isn't political, what is even the point of any politics, ever. of democracy. the words are "by the people for the people." if i am going to be left alone by my elected representatives to "figure it out" - to undergo damage, hardship, fear. what the fuck did i elect them for. what was their job. the entire point is that they handle this shit. this is why we were supposed to be electing leaders.

poverty is political. misogyny is political. gun control is political. climate change is political. how much aid a community gets is political. what the fuck are you talking about. it's been political this whole fucking time.

[t4tmetalsonic]

i think sonic would actually really like the phrase "live laugh love" but not bc he likes the aesthetic that it usually belongs to, or is anything like the people who would hang those signs in their house. he would just see it somewhere w no context and think wow live laugh love? that's what i do!! and he would unironically say it bc it DOES fit him. like he would graffiti tag it around the city

[maggotmoment]

transfem vyncent save me. save me transfem vyncent save me