#this is truly a sanders au lmasdlkghasldfkj

[imnotcameraready]

Enjambment (chivalry au)

A/N: it’s the first not-main-story story!!!! wrote this while tryna figure out how to get from point a to point b, and it doesn’t really fit in with the story’s Flow, so it’s gonna be its own lil part! it’s also got a little bit more character building for the Playwright and the Artist, if anyone wanted that lm a o — they’re good bois, they’re just. really bad at being good bois. 

also i kNOW chapter 11 came out like, last night, but  ,. ., ., .. . ive had this sitting ready for literally a week ., ,. ,..  sorry for bombarding y’all with this au :’’D

WARNINGS: self-deprecation, self-hate, touch starved, threats, cursing/swearing, destruction of property, destruction of art (ewe)

Words: 2085

AO3 link to this story; AO3 link to chivalry’s main plot

MASTERPOST! <-- i dont think this story is understandable without reading the other parts, hence im plugging it so much  ; v; i’m sorry y’all ilu <3 

chivalry taglist: @starlightvirgil​ @forrestwyrm​ @daflangstlairde​ @marshmallow-the-panda​ @askthesnake​ @k9cat​ @patromlogil​

general tag: @jemthebookworm​

hope you enjoy!! <3 <3 <3 

The Playwright didn’t like admitting he was wrong. He often wasn’t. Having the position of an omniscient narrator meant he got to be right a lot, which was one of Roman’s favorite things.

But his argument with the Artist may not have been one of those “right” things. The Playwright leaned on the table, twirling a pencil absentmindedly as he contemplated. He wasn’t entirely wrong, no. The Artist had to keep in mind the safety of the other Sides. If anything happened to any of them, Thomas would be hurt, and Roman would riot. Every bit of him, except for…. The Playwright winced. On the other hand, this in-fighting was exactly what they should be countering. Sure, everyone disagreed and that was the purpose of this dismantling, but the Playwright was above these squabbles. Should be above them, figuratively, because in physical space, he very much was above them.

Apologizing would be the logical thing to do.

He sighed, rubbing his forehead. He didn’t enjoy entering the medieval town, didn’t like going deeper into the Imagination, but it seemed he would traverse there more often.

The sound of a paper flipping caught his attention. His eyes shot open as he looked around the room. No one was there.

But he’d definitely heard movement. The Playwright swallowed down his fear. “Hello?” he called out.

Nothing. None of the costumes had moved, none of the shoes or benches or any of his paperwork.

Wait, no, there was something. The Playwright moved a few scraps to the side and picked up an envelope. This hadn’t been there before.

Cordial invitation of Roman ‘Playwright’ Sanders to the Entry Gala — in celebration of Morality, Logic, Anxiety, and Deceit’s welcome to the Imagination.

The Playwright’s eyes widened. Oh, fuck.

He tore the envelope open and read its contents.

The Artist wept.

He ran his hand along the ruined canvas — ruined by his hand, torn open with his own knife and dirtied with his tears — and pressed it fast to his chest.

Why was he so mean? Why did it hurt so much, for his creations to be picked at like vultures and a carcass? Wasn’t that the point, wasn’t that how artists improved?

Ah, who was he kidding. He wasn’t a real artist at all. Just a name he’d selected when they first started this game.

The Artist was so wrapped up in his lamentations that he didn’t hear the soft sound of paper falling onto the floor beside him.

He shouted again, cradling the broken mess of canvas and wooden frames. All good artists got second opinions. No one was safe from criticism, and there was always room for improvement! He should know this, he DID know that, it was reasonable. But hearing it from the others always made him so anxious—

He sniffed, wiping his face with the paw of his sweatshirt. If he was falling apart this bad, it must mean he was losing this challenge thing. But thinking of anxiety and then, well, Anxiety, Virgil…. the Artist wished he’d gotten to meet the two, too. Like every other bit, he did love them.

The sound of debris being scattered, then a surprised yelp. The Artist sighed, curling up tighter. God fucking damnit.

“What—I’ve—Artist?!” the Playwright asked.

The Artist was sat against the wall, cradling a bundle of broken paintings to his chest, previously white sweater dirtied with layers upon layers of paint. All around him, every painting that has previously been neatly stacked in the room was torn to shreds. Broken pieces of wood and canvases halved were strewn around the room in piles, or one thick pile, with only a small circle of ground around the Artist. Sketchbooks were torn, even the drawing tablet was — okay, the Playwright wasn’t going to look at that and think of the physical monetary price, because none of this was real. Holy shit, the Artist had put a hole into the wall of his house. There was a hole? He’d punched a hole into the wall? Good heavens.

The Playwright, in an effort to not damage any of his art, accidentally appeared on top of one of the piles. He fell over, landing on his butt amongst the shreds, and looked around wildly.

“What happened?” he asked once he caught sight of the Artist’s frozen figure in the corner, still since he arrived, “Did Dragon—”

“They weren’t good enough, so I tore them up,” the Artist whispered into his own folded arms.

The Playwright’s brow pinched in worry. That had happened only a few times before, where a single work had been so terrible that the Artist ripped it to shreds in anger, but he’d never done….this. And he especially wouldn’t have done this, since he had numerous pieces he wanted to show the other Sides.

He drew in a breath as his mind filled in the gap.

“Oh, Artist, what did they say?” the Playwright whispered, pushing himself up and slowly making his way closer.

“Nothing. Get away.”

He grit his teeth. The Artist was going to be difficult, wasn’t he? Now, now, it wasn’t a good time to lose his temper. He came with a job to do, and he wasn’t cruel enough to leave the Artist to be upset alone. And he needed his help. This was purely logical.

He wanted to laugh. Being logical was so taxing; how did Logan do it all the time?

“Artist. I’m not leaving,” the Playwright sat in front of him, “I take it that Logic and Morality didn’t take well to your paintings?”

He glanced up at the Playwright, quick enough to now show an expression but slow enough that the Playwright caught a glimpse of his tearstained eyes.

“They–They said my art’s unfinished. Logic did.”

The Playwright frowned. “Wait. That’s it?”

The Artist curled up more, and the Playwright gently put a hand on his forearm. “Wait, wait, I didn’t mean it  judgy. I just….that’s something you’ve complained about, too.”

To that, the Artist shot him a small glare. When the Playwright put it like that, then the Artist’s reaction seemed childish. “Yeah, but,” he sighed, “I didn’t want them to say anything about it.”

“Then why didn’t you warn them about it?” the Playwright asked, confused.

“Look, I don’t–I don’t know!” the Artist tossed the painting he was cradling aside and ran his hands through his hair, “It all happened so fast, and Padre was getting mad at me for not letting Child stay here. It—they both got upset at me, and they interrupted my painting, and Padre kept hugging me and it felt weird.”

The Playwright exhaled. He put a mental pin on the hugging thing — a similar thing had happened to him the other day, and he would have to talk to the others about what may be occurring — and then scooted closer again, sitting beside the Artist.

“Seeing as I wasn’t there, I cannot speak to what your argument may have been about. But I know that Logic and Morality wouldn’t have wanted to intentionally harm us.”

“How do you know, Pencil pusher?” the Artist hissed, though his words held an emptiness that betrayed his disbelief.

“Because they wouldn’t. They’re calloused, but they wouldn’t hurt us. Maybe Prince.”

The Artist snorted. “You really hate that guy.”

The Playwright smiled. Good. He cleared his throat and threw up his hands in the Prince’s signature style. “Hoo hoo, look at me, I’m a Disney Prince and I like singing songs and being an idiot!” he said, mockingly emphasizing a mispronunciation of “Disney.”

That got the Artist to laugh, shoving the Playwright gently. “Hey, hey, Disney’s cool! I’ll defend Disney to the death,” he rubbed the back of his neck.

The tension returned, but only slightly. The Playwright didn’t want to push him, but he was a little impatient for the Artist to pull himself together. His feet gently tapped against the ground in a small, familiar tune.

After what seemed like ages, the Artist let out a breath.

“....I did….overreact. A little,” he said. “The knife was too much.”

“A lot. Wait, did you say knife?”

“Yeah. I, um, I lost it a little.” He rubbed the back of his head again, looking up at the Playwright. “Thank you for sitting with me.”

The Playwright smiled. Wonderful. He patted the Artist’s arm comfortingly. “If I cannot comfort myself, then what am I doing?”

They both shared a small chuckle at that. It was easy to forget that they were two parts of a much more cohesive whole.

It was also easy to forget that the Playwright had something else he wanted to ask. He clapped, sitting upright and startling the Artist.

“Sorry,” he put his hands up, eyes blazing with new worry, “I actually came to ask something else — did you get invited to the party?”

The Artist’s brow furrowed. “The….party? No?”

“Oh, come, you must have,” the Playwright looked around.

The same envelope he’d received prior was sitting beside the Artist, on top of some of the ruined paintings. He picked it up and found two more envelopes beneath. “Great Ben Jonson, you got Logic and Morality’s invitations, too,” the Playwright flipped through the three cards and handed the one addressed to the Artist, to the Artist. “You must not have noticed it earlier. I got a letter similar, this morning. From Dragon.”

“From Dragon? Fuck, how’d he find us?” the Artist read the front and flipped it over again, tearing it open.

“I don’t know. Perhaps he just sent it to the location of whoever said Logic’s name last night. I also don’t know how he got backstage to deliver mine,” the Playwright read over his shoulder, “I honestly came here hoping to find the other Sides. We need to warn them.”

“We do? About what?” the Artist shot him a frown, but the Playwright just gestured to the paper, so he read the invitation.

His eyes scanned through it once. His body slowly tense as he realized what was being asked, and he flipped it over, checking all around the letter and the envelope that there wasn’t more.

“This,” the Artist reread the letter once more before lowering it and staring, stricken, at the Playwright, “This is a fucked up joke, right? Like, it’s gotta be a joke. Dragon’s Disney pranking us, without friends.”

“I don’t want to hazard that,” the Playwright stood up and motioned for the Artist to get up, “We need to find the others and warn them. If Logic and Morality’s invitations are here, then they must not know, and it’s a safe bet that if they don’t know, then Anxiety and Deceit don’t know, either.”

The Artist pushed himself up, rolling his sleeves up and wiping his face slowly. “He wouldn’t hurt them,” he mumbled. “Why’s he mentioning Prince, too?”

“I don’t know. And after what he did to Damsel?” The Artist rolled his eyes as the Playwright continued, “I don’t think Dragon would hesitate to hurt them, and he’s using the concept of Prince as bait.”

Goddamnit, he was probably right. The Artist rubbed his eyes and fixed his glasses. “Alright. I just,” God, he was hideous. “Should I change?”

The Playwright squinted. “Have you not left your house since this all started?”

“No,” the Artist looked at him like he was stupid, “Why would I?”

Alright. Alright, this was a predicament. The Playwright blew out a lot of air, eyebrows raising as he tried to figure out, in the most concise way, he could tell the Artist that he wanted to throttle him. His attire was absolutely not correct for the setting that they’d established, and he couldn’t fathom WHY the Artist wanted to parade around a medieval town looking like THAT.

No, you know what? It was fine. Sleep was walking around in a leather jacket, it’s FINE. Perhaps the Playwright was the only one who cared about the sanctity of the setting.

Meanwhile, the Artist looked around and waved his hand. The torn paintings all disappeared, leaving the room empty, looking larger than ever. The hole in the wall faded away, establishing itself as a solid wall once more. He looked down at his outfit and simply wiped it, the paint stains all disappearing as his hand passed over them, revealing a creamy-white color once more.

“That’s good enough,” the Playwright snapped, grabbing a fist of his shirt and tugging him forward, “Come on.”