#this is so complicated.... WKDBHWHDBD

[sodascribbles]

watch as my sly 2 rewrite spirals OUT OF MY HANDS. what started out as just a thievius raccoonus recording of the events of chapters 4, 5, 6, and possibly 7 has spiralled into a full on rewrite of pOSSIBLY THE ENTIRE GAME. and the breaks between episodes...

for now my goal is to start at the beginning of episode 3 to at least ease into the canon divergence (and it is heavy on the canon divergence) which'll start after the rajan fight. ok technically itll be canon compliant until they bust Murray out, but itll be a little more heavy on the missed scenes or whateva?? im in the beginning process of this wip here bear w me

who wants some lore/ooc spoilers!! i have some

5 and 6 have both been made into 'solo missions' a la bentleys stuff in e4 w sly and Murray respectively bc im gay your honor

as of rn only 4 of the betweens have names

the post Predator Awakens, which went from The Jail Interlude -> The Bentley Interlude -> The Cotton Candy Interlude

the post jailbreak: The Sly Interlude -> The Cosmo & Wanda Interlude

the post Tangled Web: The Murray Interlude -> The Mike & Sulley Interlude

originally the interludes were gonna be the getaway of sorts of the last episodes, with the 'main' characters on their own and how they were dealing w the loss of the others

and then i realized i wanted to explore what was happening w the other two more and the duo interludes were born

i think the Cosmo & Wanda interlude will be the shortest and the Cotton Candy Interlude will probably be the longest. and the whumpiest wink wonk

i think my plan is to assign each 'episode' a song bc again, im gay your honor. as of now jailbreak's is angle by emma harner; anatomy for disaster's is one little slip by barenaked ladies, because i think that's hilarious

i thiiink the breaks will get the song of the episode that comes after it? so the cotton candy interlude would get a line from Angle and the epilogue would be something from one little slip. but that's very WIP dont take that at face value