#this is my first time drawing most of them

[maaarine]

Why are British teenage girls so unhappy? Here’s the answer (Caitlin Moran, The Times, Sep 13 2024)

"The report, by the Children’s Society, found that British 15-year-old girls are the most unhappy in Europe.

British girls aged 10-15 are “significantly less happy” with their life, appearance, family and school than the average boy — and their happiness is still declining.

Boys’ life satisfaction, meanwhile, remains broadly stable. (…)

But I still didn’t have an “aha!” moment about why this so disproportionately affects girls until… I talked to some teenage girls.

It was at a party, and I went to vape with them on the patio. Because I take my nicotine like children do.

“Duh — it’s the boys,” one said when I brought it up, as all the others agreed.

“The boys?” I asked.

My last book, What About Men?, had been all about how much boys struggle these days: their loneliness; their suicide rates. I’d spent the past year feeling very sympathetic towards boys.

“Yeah, well, who do you think they’re taking out their unhappiness on? It’s us,” another girl said.

“One boy at school used to draw a picture every day of how ugly I was,” a third girl said. “Every day for two years.”

“They’ve all got ‘Rate The Girls’ polls on their WhatsApps,” the first said. “They mark you down for weight gain, haircuts, what you say.”

“But then, if you’re hot, it’s just as bad, in a different way, because they’ll be talking about how they want to f*** you.”

The girls discussed coping techniques. Bad news: none of them worked.

“The only way you can stop them is if you become ‘one of the boys’ and hang out with them. But then,” the second girl said with a sigh, “all the other girls call you a slut. Because you’ve gone over to the boys’ side.”

“Surely it’s not all the boys?” I said. “There must be some nice boys?”

“Oh, yeah,” one girl said. “But they keep their heads down. Because… well, look.”

She showed me the Instagram account of her friend. Under every picture she posted of herself — smiling in a new dress; with her dog — dozens of anonymous accounts had replied with the most rank abuse.

“Fat.” “Slut.” “You gonna try and kill yourself again, for attention?”

“They’re all boys from her school,” she said. “And look, this one boy tried to defend her.”

I saw a series of messages from a brave teenage boy, posting things like, “You’re all big men, leaving these replies under anonymous accounts.”

As I could see, this boy immediately became a target too. Mainly accusations that he was “white knighting” this girl: “You wanna f*** her, bro?”

“So,” I asked, “you don’t think it’s social media pressure to be beautiful, or the economy, that’s making girls so sad?”

“Well, yeah, them too,” the first girl said. “But, Monday-Friday, 9-3, I’m not on social media. I’m not… in the economy. I’m just with these boys. And no one talks about how horrible they are.”

I thought about another recent report, showing a 30 per cent ideological gap between Gen Z men, who are increasingly conservative, and Gen Z women, who are increasingly progressive.

I thought about Andrew Tate, who has nine million mostly young male followers — and faces human trafficking charges, which he denies.

And I thought: maybe these girls are on to something. Maybe more people need to vape with teenage girls and ask them for the school gossip."

[andhumanslovedstories]

I am not closely following the election results tonight, but I am occasionally seeing flashes of them out of the corner of my eye. The most obvious sign that things aren’t going well right now is the complete lack of celebrating on my dash. I know what tumblr looks like when it’s happy. Maybe I’ll go to bed tonight and see something different in the morning. I hope to god that is the case. But I’m thinking about the way I’m thinking right now, and I want to get some stuff down before the future kicks in.

In 2016 I was in a period of my life I affectionately refer to as as my fuckup era. I wasn’t even fucking up really. More just chilling out and falling short of the vague expectations I’d had about what I was supposed to be doing after I graduated college. While my friends from college rented apartments in the city and got jobs that didn’t supply you with a uniform shirt, I lived at home and worked as a barista at a fancy movie theater. That’s a real job you can do for almost five years. I didn’t have a clue what the back half of my twenties should look like. The only long term plan I had in my life was moving out west with my best friend, and my plan for finding a job once I was out there was basically to cross my fingers and hope.

Those days weren’t bad on the whole, but it felt like I was not actually living a life so much as I was goofing off in the waiting room. Sometimes that felt embarrassing, sometimes it felt fun, and sometimes it felt like I was completely pointless to the world.

On 2016’s Election Day, I went to bed early. After watching the votes come in, I needed the night to be over. I woke in a world that felt different than it had been the night before—not just in the actuality of who would be president but down to its foundations. I realized for the first time how much hope I’d had in human nature because now I didn’t feel it anymore. It’s almost silly when I think about it—so many horrible things had already happened that year, people had done horrible things as long as there have been people, and I didn’t think I was naive to that—but something clicked into place that morning.

It felt the same way my world had changed a year earlier, in 2015 during my last semester of college. My college victory lap felt like a prolonged downward spiral. Very early in the morning on a Monday, after pulling an all-nighter and overwhelmed by self-loathing that I could not just motivate myself to work on a paper that had been my only thought all weekend, I self-harmed for the first time in a way that was impossible to pretend it was anything else. Earlier that weekend, I’d tried staving off the urges drawing or writing on my arm, something that did (and does) usually work. I’d written this quote in silver sharpie on my forearm: “Good is not a thing you are. It's a thing you do.”

I picked that quote from the Ms. Marvel comics and liked the words so much, I thought that I wouldn’t be willing to purposefully mess it up by hurting myself there. Didn’t work. They just made me feel more ashamed of myself as I did it.

That was the worst I had ever felt. Then, on the Friday of that week, a friend of mine was senselessly, brutally murdered.

It doesn’t feel now like there was ever a time before her death. My memoir class is now where I wrote about her. My favorite professor is now the one who held me as I cried. My final thesis, the culmination of my history degree, never got finished and certainly never got polished. I turned it what I had and got an A minus. Sometimes I think of rereading that paper to see if that’s the grade it actually deserved. We hadn’t been the closest friends, but my name was still on the email admin sent to professors, listing students who might be emotionally affected by this tragic event. Grace’s murder hangs over every memory I have with her and everything she ever touched. It feels like its own type of obliteration to leave her reduced to her death.

Grace wanted to be a lawyer because she believed in justice and also liked arguing. She could be rude when she wasn’t interested in what you were saying. When you caught her attention, you felt like the most fascinating person in the room. She was so proud of being Jewish. I watched her become proud of being gay. She was so universally friendly that it took me a year to realize that she actually liked specifically me. She had a somewhat silly laugh and an astonishingly luminous smile.

I thought less of the world and the people in it because of how she died. Trump’s election in 2016 felt like that.

After he won, I left stasis. From November through December, I thought harder about my future than I ever had before. Who did I want to be? What did I most value? What did I think was worth protecting? What work wouldn’t kill me to do? At one point, in presumably a fit of madness, I thought, “what if I got into politics.” Epiphany eventually hit me. By the time of Trump’s inauguration, I was already enrolled at community college, getting my pre-reqs for nursing school.

Now it’s election night again, eight years later. I live on the west coast with my best friend, in a house that we bought together. I work as a nurse in a hospital in a city where there are homeless encampments off every highway and someone begging for change on every corner. Meanwhile, there’s Palestine. Meanwhile there’s Sudan. Meanwhile refugees drown in the sea and border patrol shoots jugs of water. Even hurricanes have human cruelty now.

I don’t think people are inherently good or the universe inherently kind. But I am very good at tricking myself into thinking it for a little while, and when I do, I can remember the a specific feeling from Friday of my senior year, from that morning in November— how fucking hard the disappointment hit me because I had expected people to be better than this. It makes me want to be better than that.

I believe, and hope that I always will, that we can make a better world. I don’t know what it looks like, but I think I will see it in my lifetime. Those of us who can believe such things owe a bit of that naïveté to the world—not to excuse atrocities or think them impossible but to believe that we can stop them at all. You have to have a couple people sprinkled around who are genuinely shocked when people do bad things. It’s not that the pessimists are wrong, but you need the occasional counterbalance. I want to be a reasonable cynic’s pleasant surprise.

Every shift, I interact with people at their lowest and worst. I see the direct pipeline from pain to anger to violence, and how fragile that pipeline can be. So many situations can be changed by things as small as a warm blanket or a kind word. Violence can be quite easy to avert. Crises can be quite simply to resolve. Even when I know that whatever I do that shift will not change the circumstances of a person’s life, I think that what I do that shift still matters.

I’m lying in bed, writing this post instead of looking at the news. I wonder how tonight will change me. Been thinking about what I’ll do if Trump wins. Been thinking about how whatever I think I need to do under Trump will still need to be done if Harris clutches out a victory. I guess this is a pessimist’s optimism: to a degree the election doesn’t matter. Good is not a thing you are. It is a thing you do. Our better world will always take a lot of work.

But please god please, why can’t it be just a little easier to do it?

[stychu-stych]

Could we have some of your Lamb head canons please?

I'm going with my modern au because it's my little obsession right now sijssj

I'm cutting the post so it wouldn't be so long. The whole description is below

So the whole thing with Old Faith as the most powerful religion and Bishops is mostly the same like in the game. The world looks similar to our in 1700s, sheep was hunted down over the decades and Lambert was in the group of the last ones. That group was caught and killed, Lamb was lucky enough to be outside the camp at this time but they didn't enjoy their freedom for so long. As a single sheep it was hard to survive on their own

Lamb seeing their wife for the first time sjsbsjsh

Lamber was caught some time later by bounty hunters. However, an accident happened when Lamb tried to escape one night - there were shot in the stomach badly enough that further travel was impossible without them bleeding out. So since Lamb was going to die anyway, the bounty hunters figured out they'd at least bring Old Faith their head. They didn't wait for Lamb to bleed out first, so that death wasn't fast or easy.

First years as a cult leader weren't easy. Taking care of the flock, learning how to fight, figuring out how rituals work, it was a lot for young Death's vessel. Lamb couldn't get used to their new role for some time. But Ratau was a huge help, beloved rat-dad was as much supportive as he could

After their first century as cult leader, Lamb began to feel comfortable in their role, perhaps a little to much I would say. Their grow their wool and started to pay more attention to their appearance and to the things that brought them pleasure. They started to fully enjoy their immortal life, to be too self-confident focused too much on themselves. They liked being in the center of attention, with the flock fully devoted to them. They even started to add a new tattoo with every kill of a Bishop or their the most devoted followers (as a trophy)

Beginning of XX century, Lamb become TOWW's little killing machine, no fear of death or pain. Ready to die, just to stand up and go killing again. They were fully devoted to Narinder in the most toxic way, ready to do absolutely everything just to make their god satisfied. Lamb didn't even realize how obsessed they were with Narinder at that time

Modern times, with Narinder already indoctrinated into the cult. Lamb as a selfish, egocentric, ready to do everything to achieve their goals bastard. Still unhealthy devoted to Narinder but this time in a different way - on one hand madly in love with him, on the other hating him with all their heart because of he did to them. Either way both of those strong feelings keep them close to him

Jeez this post took me more time to write than to draw djdbdjdj I'm soooo bad at writing

[woso-dreamzzz]

Pup's Halloween

Lucy Bronze x Ona Batlle x Child!Reader

Summary: The fourteenth of my Halloween-centric fics

Lucy loves her family.

Her parents. Her brother and sister. Her aunts and uncles and grandparents. All her cousins and everything in-between.

But she loves, most of all, this little family in Spain she has.

With Ona tucked under her arm in bed and the baby in their new bedroom just down the hall and the even more excitable child that she shares with Keira and Laura.

She loves Keira too, to an extent. Not that romantic love that surrounded them when you got adopted but still a deep love that comes with being co-parents to an excitable little girl that's up way too early to be healthy.

"Pup," Lucy groans, voice still thick with sleep and unbelievably groggy as she hears the familiar pitter-patter of feet on the carpeted floor," It's too early."

"No," You say," Mummy says when the clock says nine and five-zero. She says that's wakeup time."

"I'm not Mummy, Pup," Lucy reminds you," This isn't Mummy and Mama's house. It's Mum and Mami's house."

"With Baby Sibling, yes, I know. Still, wake up time. Pumpkin day."

Lucy's eyes crack open, lifting her head off the pillow and astounded by the way Ona's still fast asleep throughout this whole exchange.

"Why don't you just get into bed with us?" Lucy asks, weary and still heavy with sleep.

You point to the tv mounted on the wall. "Paw Patrol?"

"Mami's still asleep."

"I wake her."

Lucy fights back a groan. "No, Pup. We can watch Paw Patrol but it has to be low, alright? Mami deserves to sleep."

"Okay."

Lucy helps you into the middle of the bed, letting you drink from her water and turning on your favourite episode of Paw Patrol before you speak again.

"Baby Sibling awake too," You tell Lucy.

She screams into her pillow - her lay in well and truly forgotten.

By the time she gets back to the bedroom with the baby, you've successfully woken Ona who looks a little dazed and confused but happy nonetheless.

"And Mama take me climbing at rock wall with funny thing around my legs," You're telling Ona when Lucy comes back in.

"I told her not to wake you."

Ona laughs, bundling you closer as she raises her arms for the baby. "I have no problem being woken by Pup kisses."

You grin at her, showing off all your pearly whites before clambering over to Lucy to give her kisses too.

"Pumpkins now?"

"Later," Lucy corrects," Let's get through breakfast first."

The idea of pumpkin carving had originally been Keira's idea but it had only been in passing but you'd really taken to the idea, insisting that you actually get to do it with at least one of the couples.

At seeing the slight look of disgust on Laura's face at the idea of rummaging around in pumpkin guts, Ona offered up her and Lucy as the sacrifices.

Which is really the reason why Lucy's sat at her own kitchen table trying to dig a knife through the stubborn pumpkin sat in front of her.

The baby babbles happily in their highchair as Ona stands at the kitchen sink, supervising your hand washing.

"Do you need any help, Luce?" She asks.

"No!" Lucy insists," I've got this!"

She very much doesn't have this but Lucy isn't about to let a stupid pumpkin beat her.

Finally, after several desperate moments, she manages to cut through and breathes a sigh of relief as you come over, dressed in your puppy costume.

"Alright, Pup," Lucy says, hefting you up onto her lap," We're going to take this pen and draw what we want to cut out."

You take the pen, nodding seriously. "I draw puppy."

"No, Pup," Lucy says gently," It's Halloween. Remember those designs I showed you? Something like that."

Ona chuckles from her seat across the table with her own pumpkin.

"No," You say," I want puppy."

"I-"

"If she wants to draw a puppy then let her draw a puppy," Ona laughs," It'll make her happy."

"But I'm the one that has to cut it out."

"Then you'll make her happy," Ona says.

Lucy sighs again and you look up at her.

"Mum?"

"Alright, Pup," Lucy says," Let's find some pictures of a dogs on a pumpkin to get ideas, alright? Let's see if we can copy one down."

Ona, like Lucy predicted, finishes her pumpkin much quicker than you and her and you leave Lucy to cut out the picture in favour of watching Ona place a candle into her pumpkin, showing you the way it lights up the scary face she's cut out of it.

"Do you need any help?" Ona asks.

"No! I've got this!" Lucy insists as she gets through a particularly tricky curved area of your puppy drawing," I'm nearly done."

But it seems Lucy's version of nearly done is different to Ona's definition of nearly done because times passes and your baby sibling gets put to bed and you have your bath time.

"Mum," You call, toddling towards her in a different puppy onesie," Night-night."

"Night, Pup," Lucy says on autopilot, leaning down to drop a soft kiss to your crown," Sweet dreams."

"Sweet dreams!" You says back, slobbering all over Lucy's cheek in your own version of a night time kiss before hurrying back to Ona for your bedtime story and a glass of warm milk.

"Done!" Lucy announces, putting down her tools to triumphantly look around," I did it!"

"That's nice." Ona's head pops around the door frame. "But can you be a bit quieter? The kids are asleep."

[meanbossart]

Ask compilation: DU drow, Orin, Astarion, lore things and little fun facts.

Trying to make a dent in this dang inbox. As always, thank you so much everyone for your patience and curiosity! Sorry that it is straight up no longer possible for me to reply to everyone, but I will keep doing my best within reason. Enjoy!

Absolutely! I had a lot of requests for bottom Astarion on my patreon which is why I was kind of on a roll there for a minute.

Though, for the record - I am really not very invested in strict bedroom roles at all. Or clear and distinct dominant/submissive dynamics. So please don't overthink it whenever there's a switch, no pun intended.

You wanna know how often they smash? Man, I don't know, I guess fairly often considering their lifestyle post-game (very active, often on the road).

Assuming that everyone agrees that sex doesn't have to involve penetration, I'd say once every other day or less, really depends on the circumstances though. DU drow's libido is much higher than Astarion's, but he's not an animal and can hold off fine. Astarion is likely to be pickier in regards to location and how-recently-have-we-bathed status as well.

I keep meaning to draw him, but I have like... A million things I want to do 😂 so its rough!

BUT you will at least continue to see him in ANE! And I'm sure i'm bound to draw him again in the future.

[MORE UNDER THE CUT]

If you mean in his bhaalist "AU", where he has the red robe and the extra scars, I imagine he would have gotten it through killing Isobel.

I think as a changeling she probably has the ability to just... Transform her hair however she likes at will, right? And based on her attitude plus some lines we get from Sceleritas about her own former-butler, it sounds like she would be really opposed to being serviced in that way, to me at least.

I see her as pretty aggressively independent with the way she operates, which is another factor that sets her apart from DU drow, who really enjoyed lording over the other Bhaalists and making an errand boy out of Sceleritas, to the point where he practically depended on their help to function.

Neither! I wasn't willing to let anyone take either of my eyes in my first playthrough, LOL.

I have since always given the Volo eye to SOMEONE, usually Gale, but I don't consider that canonical. I don't think anyone was desperate enough to let mister frumpy-hat over there ice-pick their eyes out.

He did do them himself. It was a profoundly stupid display he got caught up in because of Gortash. Also, de-handment is kind of a theme in his life, at least inside his head.

I have a comic about it planned for the future ;)

What do you mean, that's canonical to the game and everything! He loves the cuck chair!

He is an angsty 29-year old in denial. Your interpretation is still perfectly accurate.

Hates the guy. Hates when Shadowheart Astarion people joke about him being the Drizzt of his generation. Hates the guy like literally any countercultural weirdo hates Taylor Swift or the Weeknd. If he saw him at the line in the grocery store DU drow would find a way to roll his eyes loudly just so he could notice being an asshole.

Stay tuned, I'm cooking 🧑‍🍳

If you're asking about game strats, badly, LOL. Pretty sure I died twice to her in my first run and it was a rough way of being thrown into "serious" DnD combat.

With the exception of a couple of encounters that just so happened to turn out SURPRISINGLY cinematic, I'm just realizing that I actually don't think too often about how most of the fights went in real-time! I imagine Autie Ethel's in particular wasn't one that DU drow went into of his own accord, probably rather at a companion's insistence. That's as deep as I've thought about that personally.

Now... Back to game strats. I personally try to get a surprise round on her however I can by sneaking and shooting an arrow or AOE in her general location, since she always stands on roughly the same spot while invisible. I have my companions spread about the arena so we can take her clones down as fast as possible, and as soon as I identify who the real Ethel is I just have the strongest martial characters wail on her until she begs to be let go. Hers is one of the few fights that is actually pretty dang easy at this point for me - and I SUCK at this game.

That would certainly take a while! But, Bhaalist DU drow does kind of have an end goal, actually.

That might also turn into a comic eventually, but it would a rough one.

He pretty swiftly disposed of her, DU drow doesn't like being talked down to, which Minthara very promptly does. Him (and I, by extension) had very limited exposure to her and she was just kind of a speck of dust in his story in particular. Though I have since grown to adore her character in my proceeding runs where I do recruit her!

I guess if he got an invitation and it wasn't particularly painful to arrive at the venue, sure! He would specially love to take Astarion to Gale's wedding ceremony and purposely upstage him at every at every opportunity, LOL.

Yes. He got pretty freaky with the pain-priest. This is gonna sound like a lie but I made him get naked for it without even knowing there was a buff to be gained (I didn't get it, unfortunately, I don't remember whether I failed a check or if I had camp clothes toggled on, so it didn't count as being truly nude). I wasn't taking the game very seriously and just doing dumb roleplay things to see what would happen, LOL.

And I consider that canonical. I think DU drow saw the opportunity to show off his physique And had a strange inkling that this was a practice he was... Somehow familiar with.

Imagine my joy when Astarion and Shadowheart start having a back-and-forth about my absurd display. That's when i knew those were my people, to be honest.

[hitlikehammers]

ignis obscura (dragon-sacrifice!Steve falls for random-man-in-the-woods(?)!Eddie before Steve goes to get eaten) (???)

feat. lots of love-at-first-sight, soul-deep devotion sorta shit

When a dragon arrives within telling-distance, the town nearest the lair it claims must send the sacrifice; their most valued possession. Everyone knows this.

It was just that no one in Hawkins had ever imagined—never really believed—that of all the villages, a dragon would come to them.

Steve had imagined it, though. As a boy, he’d thought it an adventure. As a teenager, he’d fancied it something of an escape.

Now, when it happens? As a young man, Steve Harrington mostly just thinks of course it goes like this.

Because he’s the disappointing-but-only son of the mayor, in a town where mayoral wealth rivals the coffers of the crown, and if the dragon wants value? Steve’s the gateway to whatever riches have been hoarded, whatever small power may be marshaled to command more, to rule, to gather up virgins if Steve himself proved insufficient to that fabled task—though he was renowned as the most comely of his people, having just dipped his toe into his prime while keeping the rosy flush to his cheeks alongside the strength in his arms: perfect timing, really. It helped pad the argument for him as the tribute.

As if maybe the dragon had waited, had watched. Had known what it wanted, and swooped in with intent.

Steve couldn’t give two rats’ asses what the dragon did or didn’t do, as he made his way through the woods and up the mountain. The stories of sacrifice always paired with the same end: no matter how you pleased the dragon, the tribute did not live to descend to their home again.

So really, at this point, it was merely a question of how Steve would meet his end. At the dragon’s mercy, of course, but: more like details.

Steve distracts himself with arguments for whether it’s wiser, or more efficient, to carve human flesh with claws or teeth, and it’s a job done so well that he not only finds himself wholly turned around on this trek, far too close to nightfall, and not nearly as near to the cave he’s aiming for as he need be, but more than that:

He fails to notice he’s no longer alone.

“Are you lost?”

There is a honey-smooth quality to the voice that rings out but…deeper. Darker even, though it doesn’t strike warning between Steve’s lungs. It’s…caramelized, and slow slip of thick…almost comfort. Steve fights to keep a clear head: not all dangers are apparent. Enchantment and faerie mischief, even, could have found him in his mindless wandering.

“Lost?” Steve tries to scoff at the right tone of haughty; “I’ve lived here my entire life—“

“In these deserted woods?” the voice, and now there’s a figure that draws nearer, closer in the growing claim of the moon for light but still more silhouette than anything as it—he, the voice is male, Steve is near-certain—turns and assesses their immediate surroundings before tutting thrice:

“Strange choice of domicile.”

And it’s mocking, of course it is: but the honey-caramel of the voice is a molten thing. It warms Steve deep and he cannot even be cross.

“I,” he starts, but sees not point to finishing before he sighs and admits, to himself as much as to the stranger:

“Yes, I am lost.”

“But you’ve lived here your whole life!” the stranger slaps a palm to his own cheek, mouth dropped in faux-horror but he looks so…earnest. And maybe adorable with it, so much so that Steve can’t help but chuckle a little helplessly for it all.

“Hush,” he chides, half-heartedly at best. “I was supposed to get to the caves by nightfall.”

“Ooo,” the stranger leans in, as if to prepare for a secret; Steve didn’t realize he was so close; “scintillating dinner date?”

Steve can’t help it but to snort.

“By a measure,” Steve deadpans, before clearing his throat; “I need to present myself to the dragon.” When the strange man stares at him unblinking Steve deflates a little.

“You know, hot, fire,” he gestures broadly; everyone knows what comes at the end of a sacrifice: “dinner…”

“Why are you looking for a dragon?” the other man asks, his lips pulling down a bit in just-shy-of-a-frown. Steve doesn’t like the look on him, so he tries to put on a bit of a show, match the stranger’s teasing energy from before as best he can in the given circumstances:

“I just so happen to be the village sacrifice,” Steve announces, chest puffed a bit, but he fails to do anything but deepen the frown he’d been aiming to wipe clean from the other man’s face; now Steve’s frowning, too, as he deflates a little, but hardens a little too, crossing his arms and leaning back where the other man’s not even bothered to stop leaning in, despite his apparently displeasure.

“What?” Steve challenges, but it’s brittle, he knows it. “It’s a,” he vacillates, unsure how exactly to describe the…ritual of it. The way it’s cast as a, as a…

“It is a high,” Steve’s voice wavers a bit, like finally saying it aloud makes it all the less believable: “honor.”

The other man eyes him silently until Steve feels it in his very skin, before finally he speaks:

“Hmm,” he tips his head, considering just a little before he seems less to come to a conclusion, and more to a conclusion on how to best voice the things he wanted to say already, at that:

“Well, I know these woods very well, better than any hailing from the village I suspect you’re speaking of,” his gaze flicks Steve top to toes, something warm in it, no, something hot in it, that simmers through Steve’s veins: “and so I can get you to the caves, at the very least for shelter before moonrise-full,” he glances skyward, seeming to doublecheck his words before he nods decisively and reaches out a hand:

“Think you can trust someone you only just stumbled upon in the forest to steer you straight?”

And Steve doesn’t know for sure what he’d have done, what his answer and actions may have been if death-by-some-draconic-means weren’t imminent. But it is, and so he takes the hand offered, and grasps more than shakes, holds more than strikes accord and lets himself notice and relish how smooth and warm it feels against his skin:

“Lead the way.”

He doesn’t know what he’d do in lesser circumstances.

But for the grin on the man’s face, the way it shines brighter than moonlight, than sunrays even, he suspects: for the way it makes of the man a star on his own somehow?

Steve wants very much to believe he’d trust the man anyway, regardless of sense, just for the breadth of that smile.

~~~~~~~~~~

“Looks like the dragon’s out for the night.”

Steve makes an extra survey of the den nestled a good bit into the cave when his mysterious guide comments on the undeniable silence of their surroundings, the telling echo of their footsteps in the empty space.

“Curses,” Steve huffs, both frustrated and dismayed because: “I’ll have angered him, what if he doesn’t think I’m enough for—“

“One,” Steve’s beguiling guide ticks the point off with a finger raised on a strangely elegant hand; “you think dragons to be too irritable.” Steve rolls his eyes to himself—this Man who knows so much of the temperaments of dragons, the ego to presume—

“They can be quite pleasant so long as they have sufficient treasure. And they’re long-lived, so they’re patient,” the man continues on, which: it seems his ego’s well-reasoned out at the very least, Steve supposes.

“Which brings us to point number two,” and of course there’s a number two, a pair of fingers now waving almost accusingly to the side of Steve’s face:

“You’re more than enough to be worth waiting for.”

Steve blushes furiously and thanks the sparse cracks of nearly enchanted—quite possibly enchanted, actually—light for very little chance to be seen for it.

His companion grins with a glimmer of that sparse glow catching his eyes, glittering in it like enchantment themselves, and Steve thinks both that yes, he’s likely been seen and caught so that likewise yes, he needs to move out of the shaft of light that betrays him and with haste, because to think such a thing about this strange and beguiling man—beguiling, good gods—says far to much about what Steve feels about him, and far too soon, even by his standards.

Which are lightning quick already on a day in which he knows restraint.

“Sparse for a horde,” Steve surprises himself for how steady his voice is, given how obvious his bid to change the subject lands, not matter his tone.

His companion is gracious enough to allow the shift without comment:

“You think mortal eyes can see such things without a dragon’s explicit permission?”

But not gracious enough to abandon that ego.

“How do you know so much of dragons?” Steve finally just asks; subtlety’s never been his strongest characteristic, and in honesty, it’s past time to have asked it.

The other man smirks, scoffs a little.

“This may be your village’s first encounter with them,” and it’s said not quite in censure, and not unkindly, but Steve is cowed a bit nonetheless—the man had never named but has more than once referenced where he thinks Steve’s from, and Steve suspects if his vestments and the crests embroidered to them weren’t enough, his lack of knowledge would be—his people have been blessed in many ways, and live privileged lives on the whole, most especially his family, in comparison to their neighbors.

“But here is the only perch for the span of tens of villages,” the man points out; “and they’ve not been left untouched for so long.”

Right. Of course.

“You’re from a neighboring town?”

“One word for it,” the man shrugs, in such a way now that it shivers through his unruly curls; “and you’re from Hawkins, I gather.”

Right. Unsubtle to the bone it seems, indeed.

“For the whole of my life I can say I know only one thing about your home,” the man takes Steve grimace as the confirmation that it is; “and it’s how they share notoriously little to know.”

Steve chews at his lip, knows the failings his family’s rule has had for the people without and without their borders. Has tried to find ways to help without power of his own in the order of things.

“I always wished to see other lands, even the nearest of them,” Steve finally lands on something to say; “I tried to convince my parents, but—”

“Parents?”

It might be the first time his new…friend? Looks properly halted.

“Son and heir,” Steve points to himself with a weary sort of smirk, the whole thing laughable, really; “the tribute has to be valuable, right? I thought upon seeing so little here, I could offer from our own troves before the end, as appeasement but,” Steve sighs, suddenly drained, only now realizing, now that the option eludes him, just how heavily he was counting on the option of at least trying to bargain with the dragon, appealing to its intellect and far more, its love of treasure.

“But if it’s as you say, I may have much less by way of offering at all.”

There’s an instant sort of chill that fills him as he starts to acclimate to the reality that he’s going to die, and soon, and there truly is not hope for an escape. He—

“Let me assure you,” the man’s hand startles Steve, battles and swiftly overcomes the chill in him as it wraps tight around Steve’s wrist, his voice following Steve’s own almost without break, a cutting finality to it, definitiveness in his tone and his eyes alike once Steve meets them—and once Steve meets them, the not-quite-stranger doesn’t let him look away.

Magnetic.

“Based on what I have seen?” and the words could be casual, but the low rumble they’re spoken with is anything but:

“You could walk here wholly empty handed, and no dragon worth their flame would turn you away as unworthy.”

Steve feels less his cheeks, and more his whole body, inside and out, flush bright and there’s no light to hide from, save from the one shimmering in the gaze locked into his own.

And Steve, for all his postures of pride: this time?

He has no desire to hide the way he flushes, never mind the way he shivers, if it means trying to evade those eyes.

~~~~~~~~~~

Incidentally, it’s too late for the other man to turn back, though he clearly knows these woods so well. Steve insists that he stays.

Not for any ulterior motives, of course.

The man argues, if almost for show alone, but agrees on one condition: they neither of them have bedding. The other man apparently hadn’t planned to be out past the hour for rest, is only stuck because of Steve and Steve—

Steve has a pack but he…he presumed he’d either be dead and his offerings deemed fitting, or the dragon would keep him as the dragon desired, bedding or clothing or neither, until the dragon was satisfied.

And then, again: he’d be dead.

It is unthinkable to take the meager blankets Steve can see in a corner, not without permission; not from a dragon, so. The other man is asking to…lie close.

And Steve is not opposed. The man is almost…surreally exquisite, especially in the passing moonlight. His angles are…particular. Alluring. They steal the breath in Steve’s chest a little, long before they’ve earned the right.

“It feels more than overdue now to ask your name,” Steve whispers, not that it’s necessary. Not that there’s anyone to hear.

“Eddie,” the man whispers back, his voice so warm and almost enveloping, like an embrace in itself and Steve feels less absurd for speaking so soft, so privately.

Nearly intimate.

Good gods, now Steve is being absurd and should feel it to his bones. He deserves to suffer the uncomfortable twist of embarrassment it leaves in stomach, at this rate.

“Steve,” he manages to say low enough that his mortification isn’t audible.

But then:

“That is a beautiful name, sweetheart,” Eddie breathes, and he’s shimmied closer somehow while Steve was stuck in his shame-spiral for being the too quick to show his cards, even to himself in his own head.

“Nothing special to it,” Steve mutters, demurs a little but in a coquettish way, doesn’t even mean to. Just…there’s an energy between them now, and Steve’s primed to match it.

“Isn’t there?” Eddie asks, heated and near in a way that dances up Steve’s spine:

“I would hesitate to be so sure.”

Again, Steve doesn’t mean to, or plan to, when he rolls further into Eddie’s frame where they’re laid together, already so close, now nearly in each other’s arms.

He doesn’t mean to, and yet: his arms are gathered close against the chest of a man he doesn’t know, and yet feels…more comfortable next to than any body he’s pressed against in his life.

And there have been fair few.

“You’re so warm,” Steve mouths more than anything, lips dragging on this half-stranger’s neck by accident, because it could be nothing save an accident that Steve now knows that Eddie’s skin tastes of salt and smoked cinnamon sticks and the air in the forrest at night: elemental, somehow. Necessary.

Only by accident would Steve torture himself this way.

“I’d keep you warm always,” Steve hears as the world blurs soft to black, the phantom sensation of arms curling around him, welcoming him to sleep—the whole of it odd in every way because he hadn’t spoken loud enough to be heard, really, even so close, and to read his words from the drag of his mouth to flesh was of course impossible.

“To the end of the Age and beyond if I could,” the words drift blissful, wistful like an invitation into sleep: “if you’d let me.”

So of course: it must have been a dream.

~~~~~~~~~~

Daybreak finds them entangled.

Steve…freezes, as if he didn’t feel snug and perfectly warm wrapped up so close. He weighs the merits of bolting, and making apologies after the fact, against trying to extricate himself without rousing his companion, versus—

“Good morning, sweetness.”

Steve stills somehow further, feels his face heat yet again and yet this time, despite the dark of the cave, he’s…crushed ever so pleasantly against the bare smooth planes of a chest that…shouldn’t be bare, should it, because they moved together close for heat against the chill and for certain it is past dawn but it is still nowhere near warm enough for—

“Did you sleep well?”

Steve groans, which only leads him to burrowing further into the unavoidably welcoming give of Eddie’s chest, lean but strong, Steve can tell, much like he can feel as much as hear the rumbling laughter that cascades through that chest: so much like an invitation to sink into the chest and the sound alike, to never be singular, to never be cold.

What a ridiculous notion.

But then lips are unmistakably pressed to the crown of Steve’s head, not even in passing, no: they linger. They…feel right.

Steve wants for them to be right until the day he dies—

Well. That might actually be possible, or close enough for what he’s earned in this world.

The irony.

Eddie takes to the hunt—the reason he was in the woods to find Steve in the first place, apparently; he says his bow and knives are just down toward the ravine, which Steve vaguely knows but not well, too close to the borders of other lands.

“Don’t fret, though,” and this time the lips press to the low half of Steve’s cheek, affection that does not press its advantage but makes it desires clear, too close to Steve mouth to be anything less.

Steve…is unsure what to make of that. Because he cannot make what he thinks of first; he cannot possibly follow that thread in his own mind—increasingly in his own chest.

“I’ll find you, if you get lost again.”

As if Steve will wander, would risk missing his dragon captor’s return, to even consider one misstep to unintentionally enrage his looming executioner, to even consider missing a single instant in the meantime with this man—

But the glinting smile that man shoots Steve’s way as he strides out the yawning opening in the rocks, its glinting like stardust and warm radiance that fills Steve’s veins then spills over and seeps into his marrow:

Steve doesn’t think that man actually meant getting lost that way.

And what on earth is he supposed to make of that, save everything that he can’t have; that cannot be?

Though, in fairness: it would be on brand. Steven Harrington of Hawkins.

Falling hard and fast and more real than ever before, mere hours before he leaves the mortal coil.

~~~~~~~~~~

“You’re anxious.”

Steve knows now that his dreams were realty, last night. The words, the arms.

He is awake in them now after they eat what Eddie’s secured for them, cooked over a fire perfectly pitched outside the mouth of the cave, its warmth not insufficient as they’d eaten in pleasant company together.

Not insufficient at all. Just not this chest; these arms.

And now they are both of them bare to the waist, knowingly and happily curled into one another, and Steve feels on one hand boneless, weightless, inexplicably held and kept beyond the physical in the embrace of a man he barely knows and yet feels…close to. Something-he-cannot-bring-himself-to-say-at-first sight, like in the fairy stories.

But that man’s palm is splayed across Steve’s chest; can feel the birds’ wings of his heartbeat at first stroke.

For the first time in Steve’s life, it doesn’t feel like a weakness he’s caught out on; with Eddie nuzzling at his hair, Steve doesn’t hesitate to speak his fear with a heavy sigh:

“You said you’ve dealt with dragons.”

“Time to time,” Eddie hums, presses his lips to Steve’s scalp like reassurance.

“How will it happen?” Steve whispers shakily, but for the first time in his entire life, he shakes into someone who seems to care, against all reason; who holds tighter to him for needing rather than casting him away.

“I mean, I know,” Steve licks his lips; “I know what will happen, just,” and he can’t quite finish, chokes around his words. Eddie moves closer against him, under the weight of Steve’s frame, maneuvers them so that he can tilt his head just so to kiss down Steve’s jaw while still holding him close; ever closer.

“Well,” Eddie pecks against the peak of Steve’s cheekbone before moving down, all the while massaging circles against Steve’s chest; “a town sends their most valued,” and he sucks a little the, against Steve’s jawline; “but some towns have less to pick from,” and then he finds Steve’s pulse point and suckles there with real feeling until Steve may be terrified, but he’s simultaneously soft clay in a beautiful man’s hands, under a beautiful man’s mouth.

“A dragon is not a mindless beast,” Eddie adds after Steve can feel he’s been well and thoroughly bruised.

“I’ve always heard they’re very smart,” Steve breathes, maybe nods, mostly just savors Eddie’s heat, his nearness, how he touches Steve like he has value; like Steve has value to him, and what a thing to feel, to want, to possibly hold, even for these stolen moments; “it’s how they tell if you send them less than they’re owed.”

Because of course Steve knows the stories. Steve can remember countless tales of horrific ends for villages, towns, whole kingdoms even, razed for being so haughty and foolish as to try and swindle a dragon—perhaps embellished to encourage children’s behavior, but. The bones of the narrative fit the oft-smoldering evidence often enough, so far as Steve could tell in the proper histories.

“Not owed,” Eddie corrects, firmly but somehow also gently, his capacity for dynamism an oddly comforting thing, so human and forgiving of overstepping boundaries so freely as to maybe not even draw any to begin with, at complete odds with Steve’s entire life; “not how most people think, at least.”

Eddie flip Steve over gently, firmly again, settles them chest to chest, one atop the other as Steve looks down at him, feels his heartbeat crash against Eddie’s own closer than ought to be felt, like their ribs clear way for the two of them, for whatever they could be, and Steve wonders if part of why his heart is racing so is for the loss of the possibility that rushes through him, that swells between them in every moment—something that grows in every moment, every look and touch and blink, that expands effervescent and filled with so much without any knowledge that there is not space to hold it, that what time they have is borrowed at best.

Steve thinks maybe; his sick heart for it could be railing where the rest of him is fixated on etching every one of those looks and blinks and touches into his bones so that they may be among the last parts of him to leave the earth.

“A dragon, above most things, has a particularly keen sense to know precisely where value lies,” Eddie’s explaining again, his hand now still, pressed against Steve’s heart akin to a shield, or a safe-hold. “And how.”

Steve ponder that for a moment before he meets Eddie’s eyes, having felt them heavy and molten upon him with new fire before taking them in for all that they are: brilliance.

Blinding.

Steve leans as Eddie arches and they meet in between to press their lips together after what feels an eternity and an instant of living in a world where they didn’t taste one another in such a way as to drink their fill. As to breathe each other’s breath.

So as to tease and cherish deep, to tongue against the very heart.

And there Steve makes certain, before he loses himself wholly to sensation:

Looks. Touches. Blinks. Carved into his bones, but first.

First he’ll gild them in every single kiss.

~~~~~~~~~~

They transition fully into lovers in a seamless fashion, insatiable like Steve’s never known it. Eddie never keeps him wanting, gives selflessly and Steve does all that he can to reciprocate and more, because Eddie is everything, of that Steve is certain, and therefore he deserves no less.

He also seems dead set on making sure that they are posed as equals. That to lavish one another with affections as much as to ravish each other endless never unbalances one way or the other. Wherever Steve seeks to give more where Eddie should have it, Eddie turns the tables to takes Steve apart so that all he knows is tingly euphoria. A happiness he’s never felt, didn’t quite believe could exist.

Yet here he is. Here they are.

Steve smiles more than he remembers, playful and ravenous and overflowing with feeling, and Eddie doesn’t rise to meet his enthusiasm: he’s already there, matched with him and ecstatic to entwine. It’s a heady thing, addictive and overwhelming and a gift, Steve thinks: maybe the universe forgive him for doing less to stop harm and deprivation in his home, for wishing to help more and acting where he could even if it wasn’t enough. Maybe he gets this sliver of heaven out of pity for what’s to come.

He will take it with open arms. He will welcome it. He will make himself of it until there is not Steve that exists outside of it.

But it cannot overcome the inevitable, in its impending, suffocating weight.

Come the sixth day like this—the sixth night like this—something in Steve gives way. Existing on the precipice of life and death with no telling of when the hammer with strike finally takes too much of a toll, and his nerves betray him.

“Likely they are hunting, it can take many days, weeks even I’m told,” Eddie tries to console him as he shakes, can’t even sob, like his body can’t coordinate even that much to work properly, too distraught are pieces of him he’s flooded with pleasure but finally could no longer be denied, fed on his wonderment and picked until it cracked enough for his fears to bleed through. “But if you are still so anxious we could, or, I could try and look for some clue as to where it’s gone?” Eddie offers carefully, holding Steve together as he does his utmost to shudder out of his skin. “And you can stay here, in case it returns?”

The only thing Steve can do then is shake his head until it hurts, until he’s dizzy with his own vehement denial: it’s the first things that’s properly matched, body to feeling.

It’s fitting that way.

“I,” Steve starts, just voice barely a scratch as Eddie reaches, tips his chin upward and cups his face so delicate:

“What, angel?”

Steve blinks at him—takes him in, presses down to pain as he draws it, brands it onto his skeleton to be remembered, all the tangled but powerfulfeelings he has for this man so fast, so strong.

For this man, for all he feels: Steve makes himself speak what’s heavy and true and real in his galloping heart:

“I have no intention of reneging my duties,” he rasps, holds on to Eddie as tightly as he can, as if maybe their bones could brand one’s another and fuse into one.

“But until no choice is left, I,” Steve chokes, and his eyes burn as he holds Eddie’s gaze, lifts Eddie’s hand away from his cheek and over to his lips to press all his hopeless hopes against Eddie’s palms:

“I don’t want to be out of your sight, nor you taken from mine.”

The tear that escapes him then is caught by Eddie’s thumb. Adoringly.

Each that follows is lost between Eddie’s lips; might belong to them both.

Steve thinks he can believe that much—in these fleeting, sacred moment—to be true.

~~~~~~~~~~

The dragon has still not appeared, and Steve has since collected himself for the most part, with Eddie ready to brace him steady when he starts to falter. It’s a wild novel thing, to be supported this way. To be cared for.

With such care, comes perception. For better or worse.

“What troubles you, beloved?” Eddie eyes him knowingly, a level of sight straight through to Steve’s soul that should not be fathomable in a lifetime, let alone a week’s time.

“My own mind,” Steve admits freely, unwilling any longer—if he ever had been—to hide from Eddie, unsure what the point would be even if he desired to: “it is cowardly, and selfish.”

“I doubt that,” Eddie catches Steve’s jawbone with a single finger, playful, endearing: but clear in its pointed redirection of Steve’s gaze, and his disparagement of his own thoughts:

“I would doubt that quite strongly, in fact.”

Steve lets Eddie touch prompt him to a kiss, as if he needs coaxing before he leans into the crook of Eddie’s neck and breathes him in: the best savours of the ground and sky.

“I would not run from my fate, here,” Steve says, not wholly to remind himself but, not without that purpose at hand; “save that it feels like my fate is…”

And he slides his hand to Eddie’s chest, hopes it speaks for him where he doesn’t know words for the depth and breadth and weight of these feelings; Eddie’s hand covers his, automatic, and he knows he’s understood.

“I wish not to be parted from you, now that I’ve found you,” Steve whispers, swallows hard, then looks Eddie in the eyes, speaks straight to the soul in them so that he is not misread, or underestimated in the weight of his own words, now:

“I think that I may be in love with you.”

And he’s never been before. He’s believed it may be love, but: no. No, it was never love before.

If ever it was love: it is this.

“Oh my precious one,” Eddie pets his hair and kisses after his own touch: “I don’t think that I’m in love with you,” and Steve stiffens only for the instant Eddie leaves between those words, and dipping down to Steve’s ear to exhale with feeling:

“I know it.”

How it is possible to die brokenhearted and happier than he’d ever dreamed, Steve doesn’t know.

But he’s about to serve as object lesson, in just days.

Maybe less.

~~~~~~~~~~

“Know that when,” Steve is speaking to the cracks in the rock that peek at the night sky as he speaks, Eddie on his chest like a blanket, save so much better; “when it happens,mwhen it devours me whole or takes me in pieces,” and his voice catches, but he remains resolute; “it will know you in every inch of me,” and he cups Eddie closer to him then, holds him against the thunderous roar of his pulse.

“My heart is full of you, and it will taste only of devotion,” Steve near-hisses for the fervor in him. “You’ll be the last bit of me known to the world.”

“Never.”

The growl that comes from the body that curls around him, protective, possessive, beloved in a way and to a magnitude Steve didn’t know he could feel before now: the venom in it makes it clear that it’s not a refutation of Steve’s declaration for the sentiment.

It’s a refutation to the cosmos itself.

“I would never allow it,” Eddie bites out, pressing closer to Steve, to his heart: “you will not be forfeit to some dragon,” and oh, but this man Steve loves is wild with his passion, foolhardy and yet all the more lovable for it.

“I would fight with all that I am to protect you,” he vows, presses his lips to Steve’s chest and speaks there like he means well and truly to means to tell Steve to the heart of him this sole, unshakeable truth: “and should somehow I lose the battle, it could only be because there is nothing of me left to fight.”

And for the first time, in all his life: Steve clings to something, someone, he’d happily rip his beating heart out to protect.

And that—he realizes in a single world-rewriting instant—he fears the loss of more than any other thing.

Any. Other. Thing.

~~~~~~~~~~

They don’t speak of it, or of a choice to be made when the time does come: Steve thinks maybe that’s the only way they manage at all, really, is to simply hold it between them in those last days. Known. Seen.

Loved.

And feared.

But always together. Always so close, in every way.

Until the stasis breaks.

“Steve,” Eddie breathes into the afternoon, innocuous. Steve’s stopped counting how many days they’ve stolen together.

“I must leave, my darling.”

Steve narrows his eyes, trying to understand him. He watches as Eddie hurries to gather both of Steve’s hands, to bring them to his lips.

“Only for a short while,” he murmurs between Steve’s fingers, kisses at his knuckles with apology, and with heartsickness thick between his breaths: “barely a moment,” and his breath is short, thin, like the thought of leaving hurts.

And Steve…Steve has been in love for the first time, with the perfect match to his very soul. Unthinkable, but undeniable.

But it hasn’t made him wholly blind.

He means to press, to see if the slight little inklings he’s had every so often hold any weight, point in any direction of significance, means to ask just a simple thing, but then Eddie’s expression breaks open, a miasma of emotion spilling forth as his breath catches, monumental on a sob and he takes the hands at his lips and instead uses them to bury his face.

“Oh, my Steve,” he breathes, and all Steve can really see are the heaving lifts of his shoulders, and the way his curls fall a little like a monsoon.

“I am sorry,” Eddie whispers into Steve hands and Steve feels dampness there, and oh. No.

Not from Eddie. Not for whatever this is. Steve can think of nothing, save Eddie leaving for good before the end, that he should be moved to apologize for. And even that Steve would forgive.

Because Steve loves him.

“Why?” Steve asks, incredulous, his own half-formed ideas to seek to know gone at the sight of his beloved in distress. “What reason on earth do you have to be sorry, you said,” and Steve halts, wonders if that’s the catch, and tries not to falter without reason, tries to stand tall: “only a moment,” and that is what Eddie said, he said only a—

“I lied.”

Steve does to falter.

He starts to fracture and fall entirely. Because what, what all was a lie, was it all a lie, he—

He doesn’t know if he can breathe. He’s never lost his heart before. But he imagines that if death is still waiting for him, and he’ll face it alone: it’s what he’d planed for. What he’s prepared for from the start.

He knows how to be alone. It has to hurt less, than losing his heart now.

It will have to hurt less, at the very end, if it comes to him without a heart in his breast.

“It was worth every second, no matter that it must end, in joy or heartbreak,” Steve finds himself saying, and if his tone rings hollow, it’s only because his heart’s already leaking from him, already half-gone: he means it with every bit he has left, nonetheless.

“You are the moon, pulling me close,” he turns his hands so his palms line to Eddie’s; “the sun wrapping me in warmth,” and he folds their fingers together, clutches tight one last time, greedy as anything:

“You have been the greatest gift at the end of all I’ll ever know.” And that is the truth, that is the last words and final rites written on his bones. “Because of you, I will die fulfilled in ways I didn’t realize I was lacking.”

And then there’s just one thing, because Steve, Steve needs to say this part, he doesn’t think he’s said this part yet:

“Thank you.”

He means it.

But Eddie only holds onto him harder, painfully but it’s perfection; only shakes his head over and over before he finally rasps, barely audible:

“You misunderstand.”

Steve leans closer to hear him, to feel him, to know his warmth in the lat moments that might be left. He wants to understand. He doesn’t want the end to be anything but clear.

Even if it hurts.

“I have lied,” Eddie swallows hard; “but you misunderstand for what.”

Steve…still misunderstands.

“You have been my moon,” Eddie nearly moans, his head nuzzling into Steve’s hands, his hold, with nothing short of desperation:“you have been the sun since the first revelation when I was taught as barely a hatchling that my kind were born of suns, made from fire.”

And that. It’s been those small things: some dragon. Not owed. No dragon would find him unworthy.

The ego to presume.

This is no longer a small thing, spoken now.

“You stole my heart straight away, and I gave it freely but,” Eddie hiccups the slightest bit; “I only grow in relishing that of all the souls in all the worlds, yours has welcomed mine,” and he sniffles, by every god and power in all the worlds—

“You are a privilege.”

And oh, oh, but by every god and power: Steve loves him.

“And you have a dragon’s heart now, no matter how you choose to use it, to keep or reject it,” foolish words Eddie speaks so messy, so rushed and ragged, so ripped out from him visceral and slick with feeling: “and your end will be my end,” and his lips brush Steve’s hands, kiss the pulse on both his wrists:

“And either that will be unmeasurable ages hence,” and his breath catches, and Steve only wants for him to look up, just look up, because he’s said it without saying now, hasn’t he, muddled and frantic and so human, to say he’s anything but as he admits to the thing he thinks he needs to offer apology for.

“Or,” he trips over the next words, but they’re so sodden with candor, the blood in his veins:

“Or my heart may turn ash if you leave but,” and he brings the heels of both Steve’s hands to his mouth and kisses, speaks into them worshipfully:

“Your life will go on as a mortal’s, once I’ve—”

“You’ve given your heart?”

Because Steve had suspicions. Of why Eddie said certain things, certain ways. How warm he was. How strong and even and…ancient the beating of his heart resonated beneath Steve’s ear, his touch, like it radiated heat as a sun in itself.

“Of course,” Eddie’s head snaps up, like he’s offended at any suggestion to the contrary; “almost immediately.”

He blinks; he forgets himself. There’s a lid to his starburst eyes that closes unlike Steve’s, the opposite direction, almost invisible.

But Steve’s watching. Steve doesn’t blink once, cannot miss this.

Cannot pause what he writes into his bones because even if he plans for nothing less than ages unmeasurable, now, he wants this written on the bones that come in the end.

Whenever the end stretches out to.

“And if it’s ill received,” Steve asks slowly, his brows pinching as he picks through the implications of this part: “you—”

“Wither, slowly,” Eddie says, far too matter-of-fact for Steve’s liking, or willingness to stand: “but the end comes, yes.”

“Eddie,” Steve scolds, and Eddie flinches, thinks he’s been caught, been known and revealed now and in so being is anything but wanted with all of Steve’s being.

There is a tiny part of Steve that’s grateful for his foolishness: it makes Steve feel less alone, to be swept so by a love this vast.

“You are the dearest treasure I’ve ever known,” Eddie whispers, but it’s a pleading thing, something even Steve can tell doesn’t feel as if it had a hope to grasp; “if you let me keep you I would hold you closer than all things. To give a dragon’s heart means to place whatever holds it closer than the heart itself ever learned to rest on its own,” and Eddie gathers Steve’s hands again to his chest, stacks them, presses so very hard.

The life in him is a sobering thing. The idea that Steve holds this power somehow in his hands, literally and otherwise, is…staggering.

No less then amazing.

“You are my single desire, but more,” Eddie breathes; “you are my single care, my sole concern,” “my only.”

“Why do you leave, then?”

And Eddie stills. Pulls back only so much as to weigh what he sees in Steve’s face, Steve’s eyes—what Steve sees in his is clear: Eddie didn’t think he’d get to this part. He thought Steve would balk at learning his lover was something more than mere human.

Specifics aside, Steve could have told anyone that from the night that they met.

And so Eddie, bowled over by the shock of the fact that Steve still holds to him, does not waver, seems to speak unvarnished when he answers:

“The things you have shared,” and Steve knows without expansion what Eddie means: tales of home, of his family, of his parents, of how he came to be here, pledged as sacrifice for the good of his town, whispered in the dark as they watched the stars move slow; “I can bear it no longer, my darling.”

And Eddie straightens further then, and Steve sees what he dismissed as the play of the light: the glow in Eddie’s eyes unmistakable as something other, something from within.

“I demand the most valued,” Eddie’s words come out in a hiss, shape even as he hesitates, leaves every moment for Steve to pull away should his touch be unwanted as he reaches to brush Steve’s hair from his face.

“You are that and more to me and yet,” and he shakes his head, and it’s so strange still to be marveled at this way: unbridled and unashamed.

“You said it yourself, valuable,” Eddie nearly spits the word, like a poison he seeks to eke out; “and yet I believe that I said something different.”

Steve frowns, tries to put together the pieces but then his face is framed in long fingers that span the whole of him, fittingly so, as Eddie looks deed in his eyes and says with force and feeling:

“Valued,” he emphasizes with a kiss; “beloved,” and another, and Steve cannot help but smile into it just the slightest bit, his heart soaring as the other pieces—borrowed time and impending ends and forevers in view all at once rearranging into what he thinks might be an always with this man who’s more than a man when he speaks against Steve’s mouth:

“Precious beyond all else and others.”

He pulls back, and marvels more, then narrows his eyes in a way Steve’s never seen, pupils contracting inward from the sides into slits.

“You are mine,” Eddie growls; “but the demands we make are not idle, and they did not value you as you deserved,” Eddie scowls, and Steve sees it now, where he’s going, what he’s doing:

“And they thought it acceptable to send you to me as their most valued, believing they sent you to your death?” Eddie seethes:

“It cannot go unpunished.”

Steve…sees it. Understands, now.

It does not hurt, the idea of losing people who were family only in name, especially not to the man before him, who is all that family should mean, could mean, will mean.

Always, now.

“The villagers are innocents, please,” Steve whispers, and Eddie cups his cheek, so lovingly it aches.

“Fret not,” he says with that warmth that Steve’s melted in from the very start; “I know who deserves my ire.” His expression sours, hardens:

“And they will know their hard-earned consequences.”

Eddie kisses Steve with a kind of devotion bigger than the sky somehow, and it’s only because Steve’s reeling to get his footing back that he trails behind Eddie and not at his side as he makes to depart.

“Please do not follow me, beloved,” he calls over his shoulder, not breaking his pace; “I do not wish you to see-“

“I will stay,” Steve answers, like the words were waiting on this tongue of this very moment: “if.”

Eddie stills; turns.

“If?”

“You promise to return with all haste,” Steve reaches him quick and is the one who kisses with all that he knows, all that he can imagine, all that he holds inside of himself and shares already with Eddie uninhibited; “I will be cold without you.”

And that makes Eddie soften; smile as he promises:

“Done.”

“And,” Steve adds, pulling away from Eddie’s lips to look him straight on as Eddie’s brow quirks in question:

“And?”

“Change for me.”

And Eddie, for once, is wholly dumbfounded. Speechless.

It’s quite a feat to behold.

“You,” he stammers; “you wish to see,” he shakes his head, disbelieving; “beloved, it is not, I am,” and oh, oh: Steve did not expect this part: “we are cast as fearsome creatures for good reason.”

He is wary. He is cautious. He thinks himself the monster. He wants to hide this part from Steve.

But Steve will have nothing hidden between them, least of all this: the whole of who his love is.

“I do not fear you, I could not,” Steve pledges in truth; “and any creature with your heart, who has captured my soul,” Steve grabs Eddie’s shoulders and draws him in, bows those foreheads into one another:

“You could never be anything short of exquisite. Breathtakingly so.”

Eddies breathing is hitched, stuttering. Steve wants to cry for the way he is surprised. Wants to mourn for whatever hurt him to make him this cautious, this stunned by Steve’s love: unconditional.

Undying, now that it’s possible to give as such, and in truth.

And Steve waits, watches him, stares patient until Eddie sighs deeply, steps back far and then closes his eyes and…becomes.

Larger, of course. The wings are a feat. The talons are less a surprise from his spindly fingers.

He’s, he is…

“You are,” Steve reaches, waits until Eddie comes to him, welcomes his touch this way and to feel him, smooth scale not so unlike the chest bare against him in the night—warmth and safety and all that is right:

“Magnificent. And I would know you,” Steve tells him, seeks his gaze as he speaks from the very core of his being: “even if I hadn’t seen it for myself.”

He steps closer, waits for Eddie to be curious enough to bow his head low so Steve can mimic how they’d stood, forehead pressed just moments before.

“These unfathomable eyes,” he whispers between them, and smiles at how those eyes fall closed in something like relief, like comfort after laying down a heavy burden as Steve reaches for the soft underbelly in lighter scales against the charcoal of the rest of his beloved’s form:

“The might of this heart,” and he presses, and yes, exactly as he knew he’d find: thunderous. Could part seas, reshape the globe, stir the stars.

And it’s Steve’s. So he doesn’t hesitate to press his lips above the breathing and breathe out:

“Unmistakable, my darling.”

When he pulls back those eyes truly are just the same: they wonder. They marvel.

At Steve. Just Steve.

It’s intoxicating.

“Do what must be done,” Steve nuzzles at the side of Eddie’s face, pulls his snout to his shoulder so he can kiss at what he supposes is something of a cheek, and then he pulls back, lets go.

But only their bodies. Nothing more. Never anything more. Not ever again.

“Then come home to me.”

Steve could be wrong, or just wishful, but he thinks Eddie glows from within through the whole of himself, and not just his eyes, as he takes flight and shoots like the star Steve always saw inside him, up into the night.

~~~~~~~~~~

It’s not long. It’s just as Eddie promised.

After everything, Steve hadn’t worried at all that it would be anything else.

“It was painless,” is what Eddie says as he walks back into the cave, a man again; “and it was for the sake of justice overdue,” as if he must explain. Or seek forgiveness.

Steve pulls him in and kisses him until he’s breathless as an answer for both concerns.

“What now?” he can’t help but ask. He is still more in love than he can breathe through. Will live and die exactly that way for time innumerable.

“You wish to be here, with me?” Eddie asks, almost hesitant; seeking.“You do not feel indebted, or, or coerced? Or tricked or held by force or—”

Steve grins at the babbling, the nervous rambles. To think they’re because of him.

It might just give him an absolutely unbearable ego of his own if it’s to be the norm forevermore.

“Love,” Steve presses a single raised finger to the missile of Eddie’s lips, watches as he adorable crosses his eyes to follow its trajectory.

“You are all that I have imagined and never thought to find.” And it really is as simple and as unthinkable as that, in the end. Or the beginning. “The only way I would be anywhere but your side is to be torn from it, or sent away.”

Eddie growls at the first suggestion, and huffs in pure offense at the suggestion of the second as he reaches and pulls Steve flush to his body: warm, warm, warm.

Steve’s heart flutters against him, reminding him that he owns it wholly.

Eddie’s drums in protective answer, welcoming as much as seeking to leap into Steve’s chest on the same promise, the same pledge as he murmurs into Steve’s lips:

“You still misestimate what it means to be loved by a dragon,” and drags his mouth against Steve’s bottom lips, a little wanton even as his words carry the weight of the universe entire:

“This,” and he clutches Steve’s closer still, so as to not be mistaken; “is for as much of eternity as is for us to grasp.”

It is not sacrifice at all to kiss the man, to love the dragon, in front of him, now.

And for the rest of time ahead.

For @a-little-unsteddie, who requested the quote 'Magic' at my HOBBIT-STYLE BIRTHDAY MONTH PROMPT FEST

✨permanent tag list: OPEN (lmk if you want to be added/removed): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson @estrellami-1 @bookworm0690 @imhereforthelolzdontyellatme @nerdyglassescheeseychick @swimmingbirdrunningrock @goodolefashionedloverboi @sanctumdemunson @theheadlessphilosopher

divider credit here

💫 ao3 link here

[aropride]

ok story before bed time. everyone gather around

you are me at age 13. you are an 8th grader who just realized he likes girls and recently had a gender crisis in the home depot lighting aisle. it is november of 2016, and trump has run for president for the first time. you are watching the map change over your dad's shoulder. you aren't really sure how it works yet but you are seeing a lot of red on there and you are very frightened. you just found out you have free will, like, last year, and you are only beginning to grasp the gravity of the situation- the situation being the united states of america in general- and it already is looking very bad.

when you wake up in the morning your dad tells you trump has won. he's too happy about it. you're skipping breakfast to make the bus in time. the sun's barely risen, btw, but you are 13 so you have little to no autonomy or rights, so you are in the fluorescent-light torment-nexus they call a "middle school" by 7:45am on the dot.

you see your friend as you're walking to your homeroom. he's a fellow gay emo middle schooler, he sucks, and he really likes to guilt-trip you into skipping class to hang out with him by telling you he's going to kill himself if you don't. you have other qualms with him, but this illustrates enough. he says hi, you say hi, there is a sort of thick dread in the air despite barely anyone in the building being old enough to vote and most everyone completely baffled by the concept of the "electoral college."

he asks how you're feeling. you say bad, and he agrees.

he looks you in the eyes and puts both his hands on your shoulders. he says, "don't worry about gay marriage. they can't get rid of it."

you don't say anything; he doesn't give you a chance to.

"i ran into the senate at subway yesterday and i asked them. and they said trump can't repeal gay marriage."

you do not know much about the government. you are not quite sure what a senator is. however, you know there are one hundred of them. you also know that the only subway in your little corner of maine is very small- there's, like, three booths to sit in. only a few people can even get in line to order at a time. you were born recently but you are able to draw some conclusions here:

1) there is absolutely no way that subway could fit 100 people inside of it at all,

2) there is no reason that the entire senate would be in a little town in maine the night after the election,

and 3) this guy is making shit up again, more than anyone's ever made shit up in their life.

you say, "okay. that's good." you are aware that gay marriage is not the only thing to be worried about, here. you are aware that this guy lies recreationally and it is not worth arguing the matter.

"isn't that great?" he asks. it is not great.

you go to homeroom and you do not stand for the pledge of allegiance (you never stand for it again). you go to pre-algebra. you listen to my chemical romance instead of paying attention. you go to english class, you go to study hall, you go to lunch. you go to social studies and your teacher lets you and your other gay friend (who doesn't suck and in fact you have crush-adjacent feelings for them) sit out in the hall to talk about the election, because you asked nicely. they do not try to tell you that they ran into the entire senate at subway.

you think about this interaction several times a month through the next two election seasons. you are a 21 year old man and you are still thinking about this. you are still imagining ways the entire senate could cram themselves into this tiny subway. you regularly share this story with new friends because you just cannot stop fucking thinking about it. he ran into the entire senate at a tiny little subway in maine at 7 in the morning. and they said gay rights were safe forever.

[spookythesillyfella]

hey guys . heres my fair share of doodles from the magma i drew on with my big bro @chamom1le-t3a

[usermischief]

♚ Pairing: Sterek ♚ Characters: Stiles Stilinski, Derek Hale ♚ Tags: canon divergence, getting together ♚ Words: 2883

ao3

---

Stiles narrows his eyes. “Satisfied? Or do you need my social security number too?”

Still, Derek stays silent as he looks at him. It’s not particularly comforting – that is, until his gaze drops to Stiles’ mouth then flicking back up again, a slow smile curling around his lips.

Stiles’ heart jolts in his chest, and he clears his throat. “Delighted my trauma amuses you,” he mutters, disregarding the fact that he continues to make jokes about it as well.

“Delighted I don’t have to kill you.”

---

Click.

Cursing softly under his breath, Stiles flicks the light switch up again. Down. Up. Down. Up. “Fucking hell.” Stiles massages the bridge of his nose. His stupid light. Everything else – even exorcising this damned place – worked out beautifully. Which is a miracle. Thanks to the residual demon, who infested this place after the previous owners fucked around – and found out – with a Ouija board in the late 50s, this house has been in a nightmarish state. Every inch of this place was a deathtrap. Rotten wood. Broken stairs. A ceiling, roof and second floor so unstable, a gust of wind could cause everything to collapse in a heartbeat.

Stiles spent more than one night in a tent in front of the house.

A bark cuts through the silence of the house, startling him out of his thoughts. Drawing his brows together, he looks past the stubborn ceiling light to the second-floor landing. The puppy he’s found under the house, white fur crusted with dirt and blood – aptly named Bobak, Bo for short – and who has refused to leave Stiles’ side ever since he fed him for the first time, is staring at him almost expectantly. Although some dog owners most likely won’t be happy about his lifestyle – flipping and clearing out haunted houses and constantly moving around – Stiles refuses to give Bobak away. Bo might not be the cuddliest or most social of dogs, he still makes Stiles’ life less, much less, lonely.

Bo barks again.

Stiles quirks a brow. “What? It’s not dinner time yet.”

Wagging his tail, Bo bounds down the stairs, nearly tumbling down the last two steps. He catches himself, jumps up the front door once before all but flying around Stiles’ legs then, finally, making a mad dash out of the backdoor and into the yard. There, he keeps zooming around, causing colored leaves to fly into the air, and barking his adorable little head off, too big ears fluttering in the wind. He’s going to miss Bo’s floppy ears once he’s grown into them.

Before Stiles can follow him, there’s a knock on the door. He glances up at the clock, narrowing his eyes once more as it passes the current bane of existence – maybe he should just get an electrician this once – and turns to the front door. It’s not late, per se, but darkness is setting in, and people are still keeping their distance to this place. So, he isn’t usually expecting anyone to swing by, even less since his closest neighbor lives around a mile away, but the person he never imagined to come over is Derek Hale.

Drawing his brows together, Stiles swings the door open.

“Hey.” Derek’s smile seems strained. To be honest, he looks like he’d rather be anywhere else – not unlike the first time they met at the only diner in town. Well, met might be stretching it. That day, Derek couldn’t finish his lunch fast enough, even Sally was surprised by his precipitate behavior. So much so, she commented on it while serving Stiles his food.

He had chalked it up to Derek sensing something about him the same way Stiles clocked him as a werewolf the second he laid eyes on him – aside from noticing that the guy is a walking and talking Calvin Klein advertisement. Instead of avoiding him, however, Derek kept showing up all over the place. It seemed accidental, but Stiles has dealt with enough supernatural creatures and grew up with a sheriff that he can recognize stalking behavior when he sees it.

Derek’s never been lurking around here, though.

Well, not until today, that is.

And Stiles’ heart is having a field day with it, which is rather unfortunate with Derek’s supernatural hearing and all.

Stiles manages to clear his throat about thirty seconds into the terribly awkward silence. “Hey.” He sounds like an idiot. He feels like one too. “Can I- do you-” Bo interrupts him with a slew of excited barks, zooming through the hallway and back out again, sending more leaves flying around; it gives Stiles a few seconds to gather himself. “You wanna come in?”

“I bought dinner,” Derek says at the same time.

They both stare at each other, and the silence makes Stiles’ neck grow uncomfortably warm.

Luckily, Derek cuts it short. “I’d love to.”

Stiles steps aside and gestures for Derek to come in. This is happening. He’s not entirely sure how or why, but it is, and Stiles is not about to complain. The last time a hot guy walked into his home was – when? Stiles doesn’t really remember. Which is sad, honestly. Sure, he’s been aware that both his social and love life have sailed off a cliff once he started dictating his life to ghost and demon hunting, but now, watching Derek stroll into his kitchen, he realized for the first time how bad it’s really gotten in the past four years.

“Looks good,” Derek remarks, almost curious in the way he’s taking everything in. “You did an excellent job keeping the old charm alive.”

Crossing his arms, Stiles leans against the large doorway leading to the kitchen. “You’ve been here before?”

Derek shrugs as he puts the bag with the takeout on the dinner table. “Teenagers and haunted houses.”

“Werewolves too?”

If Derek is surprised that Stiles knows, he doesn’t show it. Instead, an almost cheeky grin curls around his lips. “Werewolves especially.”

Stiles snorts and crosses the room. “I expected you to be smarter.” He glances at Derek, smirking briefly, and steps in front of the only cupboard he uses. The good thing about moving around so much is that he never collects any clutter. As a teen and college student, things looked very different. Two boxes, a couple of suitcases and his backpack fit into Roscoe anyway. Now that Bo is traveling with him, he’s got to figure out the new logistics.

“How’d you do it?” Derek asks as he takes the two plates from him.

Their fingers brush, either on purpose or entirely accidental. Stiles doesn’t know, but the touch sends a tingle through his whole body. A good tingle, great even, and Stiles hates to realize how touch starved he really is.

Stiles opens the fridge, scowling a little as he’s greeted with emptiness. He really needs to go grocery shopping. “Very carefully,” he replies and grabs two bottles of beer. “And lots of research." Once he's figured out where to look, finding pictures of old houses isn’t that much of a struggle. Often, he meets the previous owners, who either think he’s suicidal or are very happy to help.

Derek watches him, arms crossed, eyebrows raised. “The demon or the house flipping?”

“Ah.” Stiles sets the bottles on the table and leans against the edge. “That’s why you’re here.”

Derek merely watches him, eyebrows climbing higher as his expression turns more and more expectant. An alpha after all. He’s probably used to people jumping at his command.

It might be fun to let him stew for a little longer. “You know, you could’ve just asked.”

“I just did.”

Stiles snorts out a laugh, “I meant ask me about why those werewolf senses are tingling whenever you’re around me.” He cocks his head to the side and decides to put himself out there, for once, “unless, of course, there are other reasons for that.” He’s got Derek in his house already and considering that he leaves as soon as it is sold, there’s no harm done, no awkward darting around each other needed in case he’s rejected. Two months tops, and he’s out of this town, where everyone knows everybody, and nothing ever stays secret.

Derek’s lips twitch.

Good. So, Stiles didn’t exactly imagine the lingering looks whenever they, clearly not entirely accidentally, ran into each other absolutely everywhere. In a town with less than 100 people, it’s impossible to hide anyway.

“Tingling?” Derek echoes, more amused than in disbelief.

Stiles lets his head fall back, watching out of the corner of his eye as Derek’s gaze drops to his neck then back up again. “You’re a poor conversationalist.”

“And you’re dodging the question.”

Stiles clicks his tongue, rolling his head to the left to look at the werewolf again. “Geez, D, you can’t just ask people why they’re making you feel weird.”

A flicker of annoyance dances over his features, either at the nickname or his refusal to give him the desired reply. Still, Derek props his hands on the table and leans closer, one eyebrow raised. “I can if I consider them a danger to my pack and territory.”

Fair point.

However, “I literally exorcised this fucking demon.” Although nobody has died in this house in almost a decade, Stiles considers it future deaths prevented.

Derek taps a finger against the table, allows red to bleed into his eyes.

Rolling his eyes, Stiles pushes away from the table and faces the werewolf, arms crossed firmly in front of his chest. Although Derek didn’t outright threaten him, Stiles is fully aware that this evening could easily turn into his last if the big bad alpha considers him too dangerous, which would very much be the exact opposite of how he’d prefer this evening to go. He sighs. “I was possessed by a nogitsune when I was sixteen.” Stiles doesn't miss as Derek’s expression return to stoic, listening, waiting. He sees the way his shoulders tense, the way something in his eyes shift, ever so slightly. The moment of truth, always and forever. "It did some weird shit with my body, cracked my mind like an egg, hence the whole-” he waves his hand around. “Thought I could do something good if I can pierce the veil, you know?” It makes him feel less guilty about the shit the nogitsune did while using his body like a meatsuit.

But that’s something nobody else needs to know about.

Derek straightens.

Stiles narrows his eyes. “Satisfied? Or do you need my social security number too?”

Still, Derek stays silent as he looks at him. It’s not particularly comforting – that is, until his gaze drops to Stiles’ mouth then flicking back up again, a slow smile curling around his lips.

Stiles’ heart jolts in his chest, and he clears his throat. “Delighted my trauma amuses you,” he mutters, disregarding the fact that he continues to make jokes about it as well.

“Delighted I don’t have to kill you.”

“You think you can kill me?” Stiles chuckles, playing pretend. Dealing with demons is one thing. They’re very capable of murder, more so than ghosts, but depending on their strength and rank, they need time – time to get into your head, time to fuck with you. They have to chip away their target’s defenses. Knowing and being prepared for a demon makes dealing with them a lot easier. Plus, if he’s learned anything from his own possession, it’s how to keep things out of his mind. Werewolves are a different beast entirely. If they want someone dead, all they have to do is pin them down and rip their throat out.

Derek pushes away from the table and all but stalks closer to him, narrowing the small distance the table offers. “Of course, I could.” He runs his fingers along the edge of the table. It’s one of the few things Stiles could repair from the old furniture, so, luckily, Derek keeps his claws in check.

Stiles swallows drily and rips his gaze away from Derek’s hand, locking eyes with him again. “Awfully confident there, buddy.”

His words are met with a near predatory glint in the hazel eyes. Beautiful hazel eyes, at that. Easy to get lost in.

Focus.

“You don’t scare me.”

Derek stops directly in front of him. They’re nearly chest to chest, and although Derek isn’t necessarily taller than him, Stiles feels weirdly small. He can’t quite put his finger on it, but the way he is holding himself, the way he is looking at him – as if Stiles is a rabbit cornered by the big bad wolf. Red bleeding into his eyes accentuates the whole predator predicament.

Fucking werewolves, seriously.

“Cute,” Stiles comments anyway, uncrossing his arms and straightening his shoulders and spine. “Still not scared, though.” They’re probably both aware that’s not entirely true, but he’s never been someone to back down from a challenge. “You gotta do more than creeping around in the bushes and stare at me with your alpha eyes.” Especially since the latter is actually pretty damn hot, which isn’t exactly helping the situation.

“I’m not trying to scare you,” Derek informs him in a casual yet amused tone.

“Really? Could’ve fooled me, big guy.”

Derek chuckles, letting his head fall forward as he does so – and Stiles can’t help but watch his mouth move. It’s fascinating. Every time he’s seen Derek, the guy has been scowling. Stiles didn’t think he could chuckle, much less laugh.

Fuck, he’s pretty.

Beautiful even.

His heartbeat picks up when Derek locks eyes with him again. “You’re not very attentive.”

“Oh, really?” Now, that is just plain rude and so uncalled for. “How do you think I’m finding these demons? By paying very close attention to details. So, I am attentive. I’m actually the most at-”

Derek kisses him. No ifs. No buts. No hesitation. He just does, and his lips are so soft and warm, their touch makes Stiles’ stomach twist with anticipation. Derek moves his hands and cradles his cheeks, thumb tracing a slow, ever so gentle line along his skin. All of Derek’s hard edges are replaced by something tender and raw.

Stiles’ heart stutters in his too tight chest, and his mind blanks, every single thought swept away by the warm lips pressed to his own. He melts against Derek, pressing closer as he curls his fingers around Derek’s bicep and his eyes flutter shut. A soft, almost helpless sound escapes his throat as a warmth floods through him, followed by a kind of ache Stiles doesn’t quite have a name for. They both settle deep inside of him, spreading into every part of his body. His entire body lights up with a want he hasn’t felt in what feels like forever, a need for closeness more than just desire.

When Derek pulls back, Stiles moves with him, desperate to hold onto the kiss just a little bit longer.

Derek regards it with a soft chuckle, his warm breath ghosting over Stiles’ lips.  

The sound alone makes Stiles wants to kiss him again, but he doesn’t, clears his throat instead. No words come, which in itself is quite the curiosity, and Stiles is almost relieved at the sound of paws hitting the wood. Here to interrupt any possibility of an awkward silence. Stiles glances over his shoulder, watches as Bo enters the room and sniffs the air. It’s probably best to be upfront.

Once more, he clears his throat. “I’m not staying.” He crouches down and can’t help but smile when Bo bumps his head against his leg, demanding attention. “At least not forever. Until the house is sold, and I found the next… target, I guess.” He runs his fingers through Bo’s soft fur as he tries to ignore the way his heart aches at the thought of leaving.

For the first time in years.

Which is ridiculous. He doesn’t know Derek; not how he is as a person, that is. He only knows superficial stuff. What happened to his family, that he’s a werewolf and that he owns the only garage in town, and that he doesn’t need to crawl under cars or get car grime and oil all over himself because he’s loaded. So, he’s either doing it for fun or for the people living in this town… or both. Derek seems to be a good person, but so is Stiles, and Stiles won’t lie — he’s not only a handful, he’s also not particularly nice. Many people called him an asshole. They’re not entirely wrong.

“I’m not asking you to stay,” Derek says as he slides onto the chair at the head of the table, very clearly indicating that he’s not planning on leaving soon. “But maybe I can convince you to come back.” 

Stiles blinks up at him, scratching Bo behind his ears. “You don’t know me.”

“Yet,” Derek adds and looks down at him with a smile.

This fucking guy is going to give him a heart attack before Stiles has figured out his favorite color. Aside from that, it dawns on Stiles that he may have misjudged the guy. “So, you stalked me because you like me.”

The tips of Derek’s ears turn the slightest shade of pink. Adorable. “I never stalked you.”

Bo barks.

“He says you’re a liar.” Stiles raises to stand and pulls a chair out. “I think you followed me around, but didn’t know how to approach me.” Smirking, he sits down as Bo uses his chance to curl up under his chair.

Instead of replying, Derek opens the bag of takeout and pulls out only the best of Sally’s diner. His ears turn just a shade darker.

Stiles props his chin on his hand, not even bothering to hide the smile forming on his lips. He totally could get used to this.

[yakutarts]

Nightmare and Dream but feral, non-skeletal body!

For the love of god PLEASE click on the image for better quality + close ups and clothed version under the cut!!

Would you kiss them?

Video process:

I made these using a specific context

A while ages ago I drew and posted a drawing of Nightmare and Dream on their light ball form but with some alterations/personal headcanons.

On the post, I expressed my desire to draw the twins in a universe were Nim didn’t need to give them bodies, and just let them grow naturally. And specifically give them an animalistic appearance, instead of a humanoid one like most artist do.

You can see on the process video that it took me 1000 sketches to make something that looked good and I was happy with, the video is obviously sped up, the total time it took me to make this was 28 hours and 15 minutes.

Now explaining some things:

Why are they so big?

I read on a post made by Joku that Nim, before giving them skeleton bodies, tried to make them human ones, but the pure amount of magic and power the twins had made the human bodies explode or some shit. So she picked skeletons since the magic could flow freely through the bones without being confined by muscle and flesh. That made me think if their power had physical forms, it would be gigantic. So I gave them gigantic forms to better represent their status of strength and power, beings made from raw magic to serve as guardians of all emotions throughout the multiverse, of course I needed to make them big and intimidating!

Why the horns?

Artistic design choice, I gave them little horns and a chubby tail in their light ball form to purposefully make them more animalistic, wanted to keep it while making these. Also just giving them a smooth head with nothing much going on looked weird and boring.

Why the draconian look?

Dragons had been created and depicted as symbols of pure power above humanity and worshipped as deities throughout several cultures around the world, different depictions of dragons has been one of the only things present among almost all cultures, like a default folklore creature. While I tried to incorporate other mythical creatures in the design, the draconic body plan felt more right due to the influence of dragons on human beliefs, and their representation as magical and powerful beings beyond human comprehension. Plus I just really love drawing dragons.

Why the clothing choice? Also why is Dream half naked while Nightmare has everything covered?

While designing the clothes for Nightmare, I used as reference clothing that usually royalty would wear, Nightmare has a really big ego and sees himself as a king, so he uses fancy, expensive clothing and jewelry, adapted and designed for his anatomy. Not practical for battle, but his corruption can go through the fabric without damaging it, and most people and monsters just run when they see him, so he doesn’t worry about it getting dirty or tearing, Nightmare just expects every soul to instantly submit when they see him, so he never worries about getting into a battle and getting dirty he has that big of an ego.

Dream is the opposite, his style of clothing much more practical for running, jumping, flying, fighting and general exercise. He has 4 bags in total, 2 on each side, inside them he keeps several items, be it healing food, magical artifacts, first aid kit, gifts he receives, stuff he buys or random things he finds and wants to take home with him. Dream’s crown is now a colar couldn’t figure out how to make it work with the head shape and horns, his cape is from his official design, but changed to white, was planning to make it yellow but when I looked at it my eyes hurt because there was too much yellow everywhere. I made Dream’s clothes with the intent to match his official design, I didn’t to the same for nightmare because a turtle neck with a hoodie on a dragon would make him more huggable than intimidating. Plus I like to think that the leg warmers was a gift from Blue, and the ring on his horn a gift from Ink. Didn’t add more stuff on him because I couldn’t think of something that would look good and match Dream’s vibe, the rest of his clothes on his official design didn’t translate well here. Oh, while I was drawing this, I drew the colar and the leg warmers first, without the cape, Dream looked like a twink with a pet play kink.

Side note; neither Nightmare or Dream see the use of clothes as a necessity or as decency. For them clothes are nothing but pure decoration and to show off status for Nightmare, they can wear full body suits, partial clothing, just jewelry, or nothing at all, which is what they usually go for when at home, wearing or not wearing stuff doesn’t make that much of a difference to them at all.

Do they act as animals or do they have human intelligence?

Despite me using the word “feral” all the time to describe them, they do not actually act as animals. I’m only using “feral” to describe their body/anatomy, Nightmare and Dream are fully sentient and have human level intelligence/awareness. They are capable of speech and have opposable thumbs on their front paws, they can grab, write, hold… do anything a human can do with their hands with dexterity. But they do have to use only hand one at a time, and balance themselves with the other. To use both hands, they have to be sitting, or be supported by something, they can balance themselves on their wings if they have to.

And now contradicting what I just said, they have some animalistic behaviors. The twins can growl, purr and roar. Despite Nightmare being able to use his tentacles and Dream being able to shoot magic arrows out of his wings, they to also scratch and bite while fighting. Since they are big and heavy, they can easily crush bone under their weight and their bite force is strong enough to split someone in half. If you need a reference, just use Smaug from The Hobbit, he has more or less the balance of animal behavior and human intelligence I’m looking for.

Expanding more on this, the twins stretch just like felines, and often sleep in positions usually cats sleep in (they don’t actually need to sleep but do anyway). Dream likes to go fishing, and by fishing I mean jumping in a lake and chasing the fish underwater. He finds it more fun than sitting around and waiting for the fish to come to you instead.

I guess you count their lack of necessity to wear clothes as animal logic too?

_________________

If you have any more questions about them, I will be happy to answer!

And yes, I do plan on making more drawings of Nightmare and Dream on this form!

Dreamtale belongs to @jokublog

Feral concept/design by @yakutarts (me)

[capitalisticveins]

Lots of Headcanons #1

Due to recent events I'm writing lots of mini headcanons to liven the mood, starting with my very BESTEST FRIEND @cyc-chilla

Avior

Avior has a drawing tablet he uses whenever he gets stressed, which is a lot.

He specializes in backgrounds, landscapes, and designs/patterns.

He prefers digital art rather than traditional art since it’s more forgiving, but he still dabbles in watercolors a lot.

Avior doesn’t often eat human food since it’s not necessary but when Starlight speaks about their favorite foods, or cooks anything, he usually tries the food, whether it looks appetizing or not.

He played tic-tac-toe almost 100 times to entertain himself in “hell”, and he lost to himself more than half of that amount.

Sam

As a kid, Sam would usually hang out in the nearest park, away from home, and try bringing home critters from there. Whether it was a squirrel, bugs, rabbits, stray cats, didn’t matter. He liked picking them up and trying to take them home. It worked a few times but someone would always find the animal and toss it back out.

Sam was a cowboy for Halloween from the ages of 7-12, and he regrets telling Darlin’ about it every passing day.

He hasn’t bought a new iPhone since 2018.

The only holiday his family spent together was Christmas, and he missed it greatly when he moved to Dahlia. He didn’t celebrate with the House for a number of reasons, so the first one he spent with other people since moving was when he started dating Darlin’ and he felt emotional during the entire day.

Butter Pecan is not his favorite ice cream flavor, he just says it is to make people mad. He still likes it, though

He spent an entire summer when he was 11 selling lemonade and water in his local park to raise money to buy a SNES. He never did have enough to buy one but he had a shit ton of money for an 11 year old.

Him going to Six Flags in Cali was the first and only time he’s ever been to an amusement park.

Porter

When she was alive, Porter got his mother a bouquet of flowers every year for mothers day, with differing handwritten notes. Even after his presumed death, she’d get flowers sent to her home every mothers day, and to this day a bundle of flowers and notes are put on her grave.

He uses a flip phone when calling people he doesn’t like so he can hang up on them by slamming it shut.

He finger guns himself in the mirror

Porter cried when the Queen died

His love-language is gift-giving, so Treasure just has a bunch of real expensive jewelry in one of their drawers because Porter gives them so much of it.

Although he prefers physical touch, and Treasure always delivers it.

Porter wears eyeliner.

Caelum

Cannot color inside the lines of a coloring book

Caelum does not like feeling constricted, so whenever he’s on Elegy he makes his form wear flowy and loose clothes to give himself space

Whenever he drinks kool-aid he rushes to the nearest mirror to look at his tongue changing color

When using a coloring book, he usually draws with a single color crayon, no two colors unless he’s drawing it for his siblings, Freelancer, or Gavin.

He finds bunk beds adorable until it’s time for him to sleep on one

Caelum cannot sleep on a normal day. He can try, and he can pretend, but if he’s not doing it to help someone else, he can’t just “go to sleep”, he’s too excited for anything and everything.

Due to accelerated energy, Caelum (and most Empathy Daemons) flies faster and for longer than other demons.

He gave his physical form braces once, took them off almost immediately.

[reds-skull]

The frames of the video from the comic in the previous post. I experimented a lot with this, it was really fun to work with this chunky brush I found. Also the first time I draw the Reaper of Destruction as it was before Lumity!

More comments under the cut+a frame I ended up scrapping!

I'll go by order of appearance, because it's basically a chronological retelling of the events of part 1.

So the first frame is the least fancy because it was the first and I didn't nail down a style for this yet lol. It shows Ghost and Soap's first true meeting, in chapter 1, where Ghost helps Soap when he gets impaled by a rebar.

The second frame jumps to chapter 8, when Ghost first put Soap in Limbo. The triangle around them was a later addition, taken from the next frame. I love this scene, it's so fun to see it drawn out now :)

The third frame was the most important one to nail the style. I painted a whole frame, only to come back to it the next day and restart from almost 0.

This is the original third frame

They both show the same event - chapter 21, the second time Soap is thrown into Limbo. The difference is, one shows a more literal image of what happened, and the other is more symbolic.

And by now I think you know how much I love symbolism lol

What also bothered me with the scraped painting is that the composition isn't central, and the entire pose, while more dynamic, isn't fitting the mural feel the rest has.

There's an even earlier version of the scrapped painting, with Soap's face, but nowhere else there are faces in these series, so I went wild with it and covered it with flames. He had them behind him already, as the description of this scene in the fic says Soap had a helo of fire behind him.

(also hated how Limbo's victims looked in the scrapped version like... ew lol)

There wasn't a real reason to add the circles around Soap. I just wanted to lean more heavily into the mural style. But I took that circle motif to the end, after that, and added it to Ghost as well, hence the triangle.

Soap has one skeletal hand, and one palm. That one is on purpose, to show he's hanging in between life and death.

The fourth frame is pretty self-explanatory, it shows the part in chapter 21 where Soap gets the dark marks on his forearm. If the colors look weird in that one, it's because I messed with them so much I couldn't tell if they look good anymore on not

The fifth frame shows another favorite moment of mine, the moment Ghost gets his marks, the white tear tracks, when he finally notices Soap fighting in the void.

The sixth frame is my favorite of the bunch. Soap and Ghost, the triangle and circle combined. The moment they killed Graves, Ghost in full control of his subjects, Soap with his sword of white fire and army of burning moths. They look so scary in this one I love them

The seventh frame shows Void and Destruction. Void was straight forward, I've drawn it a few times before, but I had to make a more detailed design for Destruction, and I only had the very first sketches I made for Revenant AU to go off of, as well as Lumity's design. Idk why I designed Lumity before Destruction, but that's how it is. I wanted Destruction melting, like it can't handle its own heat.

The eighth frame is of Void and Destruction combining. In the fic they had in-between states, it didn't look like this, but for the sake of the video I thought it'd be nicer to have a clear frame of them combining.

The ninth and last frame is of our beloved Lumity. Their design is a little more detailed than the drawing I made a while back. This frame is also the only one that interacts with the foreground, aka Makarov. I think he was jump-scared, don't know how much that comes across.

Damn I had a lot to write. Well, when given the opportunity to ramble...

[soultiesmingi]

so many thoughts on riding ateez' thighs

hongjoong would happen in his studio. you would sit in there with him at times, getting needy after long sessions. he would let you grind on his thigh while he worked, paying little to no attention to you and your soft breaths.

"you're so cute, you know that? so worked up you couldn't wait? hm?"

seonghwa would be while he was building his damn legos. he would be confused at first but then would get it after he seen you enjoying yourself. he would wrap his arms around your body to keep you close, your needy whines in his ear.

"i'm almost done angel, keep using my thigh baby. you sound so pretty."

yunho would be playing his video game with his headset on so he doesn't hear you walk in the room until you're climbing in his lap. it was normal for you to sit on his lap while he gamed, so when you changed position to straddle his thigh, he didn't react much until you started grinding. his eyes glistening into yours as your moans filled the room when you realize... his mic is still on.

"careful dolly, you don't want them to hear how pathetic my pretty little girlfriend is, hm? is that what you want?"

yeosang & you would be waking up from a nap, both of you smothering each other in light kisses before things got heated. you would lazily grind on his thigh, wearing one of his shirts which he adored. he guiding your hips slowly to draw out his favorite sounds.

"so pretty baby, so so pretty. keep making those noises for me and i'll give you what you want."

san would be straight from the gym his muscles freshly pumped, a sheen layer of sweat on his face, you couldn't help yourself to start riding his thigh when he would get home and sit on the couch to relax, and instead of guiding your hips for you, san would keep a hand on your throat with a solid grip, just enough to keep you where he wants you. san would bounce the leg you're sitting on right before an orgasm just to amplify your pleasure.

"could barely wait for me to get home huh? maybe you can ride my abs next, my needy girl"

mingi would just be getting home from some sort of event and would head straight to your guys' room to see you. you would be so excited to see him until he walks in... wearing a suit.... he would lay back on the bed against the headboard, while you squirming and trying to keep contained. he would notice this and tell you to get on his thigh, pulling your panties to the side before guiding your hips.

"such a messy girl, look at my pants baby - you're making such a mess. you're so pathetic."

wooyoung would doing something so domestic like cooking or cleaning to get you worked up and when he was done you'd ask for attention which resulted in you squirming and grinding on his thigh. he would tease you and stop your movements each time you were close.

"since you like me so domesticated, maybe i should make you a mommy? you'd like that wouldn't you?"

jongho would look at you with the most shit-eating grin as you grind against his thigh, he wouldn't touch you because he'd rather see you struggle to get off without his help. a couple of times he would record you - solely for his own enjoyment.

"i haven't even touched you and you're trembling.. poor baby. should i send this to the guys? so they can see how much of a whore you are for me?"

[capquinn]

My Quinn daydreams are of him visiting me at work with lunch 😌 I teach third grade and seeing this man while dealing with a bunch of children would make my day 🫶

Your classroom hums with the quiet energy of twenty-five third graders finishing up their morning writing assignment. You’re making your way between desks, glancing at pages filled with sprawling words and doodles in the margins, offering quiet encouragement as the lunch bell inches closer. Most of the kids are already sneaking peeks at the clock, visibly itching to break free, but they’re holding their excitement in check — the way only third graders can when they know food is just around the corner.

You’re halfway back to the whiteboard, ready to announce it’s time to tidy up, when a soft knock on the door catches everyone’s attention. You’ve barely turned around when the door opens, and in steps Quinn, a familiar brown paper bag in his hand and a visitor’s lanyard around his neck, looking mildly sheepish.

He’s a little earlier than you expected, and he knows it, too, by the way he stops just inside the door, caught in the stares of your wide-eyed students.

“Hi, uh…” he starts, a shy smile breaking through as he glances around, taking in the rows of little faces all pointed his way as he realises he’s walked into a full classroom. He immediately backtracks, his voice low and apologetic. “Sorry — I didn’t mean to interrupt,” he says, looking from you to the curious faces of your third-graders, a hint of pink already creeping up his neck. “I, uh, can wait outside if that’s better?”

You laugh, waving his apology off. “No, you’re fine, really. Lunch is just a few minutes away.”

As you turn back to face your class, you find twenty-something pairs of eyes locked onto Quinn, wide with excitement, and a wave of whispers sweeps through the room. Of course, they recognise him — he’s the captain of their city’s beloved hockey team, after all, a real-life hero in their midst.

Owen, who sits right in the front, breaks the silence first, bouncing a little in his seat. He’s an avid Canucks fan. “That’s Captain Quinn! What’s he doing here?” he blurts out, looking up at you with barely contained excitement.

Before you can answer, Sophie, one of the quieter kids, leans forward with a look of pure wonder. “Miss, how do you know the captain of the Canucks?” she asks.

You glance at Quinn, who’s now shifting his weight from one foot to the other, clearly unsure where to direct his attention with all the eager little faces looking up at him.

“Well,” you say, feeling warmth bloom in your chest, “Quinn is actually my friend,” you answer, but before you can finish, Owen’s eyes light up with a mischievous glint.

“You mean your boyfriend,” he sings, drawing out the word with a cheeky grin, and your class erupts, laughter and a chorus of teasing “oooooh!”s filling the room. Voices start piling on top of each other with eager questions:

“Do you go to all his games?”

“Does he score all those goals just for you?”

“Can you go into the locker room?”

You can’t help but laugh, holding up your hands to calm the wave of excitement. “Alright, alright,” you say, giving them a playful smile. “Let’s take a breath, everyone.” The kids quiet down a little, though their faces are still lit with excitement.

Glancing over at Quinn, his expression caught between embarrassment and amusement, you feel a warmth settle in your chest. The sight of him surrounded by the wide-eyed wonder of your students is unexpectedly sweet, and you’re not quite sure who looks more bashful — him or you.

“Listen,” you say, redirecting your attention to the class, “Quinn can only stay for a few minutes, and you’re asking me questions?” You raise an eyebrow, the corner of your mouth twitching up. “If you want to make the most of his visit, I’d stick to questions just for our hockey superstar.”

The kids burst into giggles, and a few of the little hockey fans immediately take your advice. Owen, of course, can’t wait another second. “How many pucks can you juggle on your stick?”

You give Quinn a nod, letting him know he’s free to chat to them.

Quinn scratches the back of his head, clearly feeling a little out of place in this setting, but he offers a small grin. “Probably four or five, on a good day,” he answers, which makes Owen’s eyes go wide with awe. “What about you? You play hockey?”

Owen’s face lights up at Quinn’s question, and he nods so hard you’re sure he’ll hurt his neck. “Yeah! I play for the junior league! My coach says I’ve got a wicked slapshot.”

Quinn grins, clearly warming to the moment. “A wicked slapshot, huh? That’s awesome, keep it up,” he says, giving Owen an encouraging nod.

You can see Owen practically glowing from the praise, his chest puffed up with pride.

Another boy leans forward, eyes bright with curiosity. “What’s it like being captain?” he asks, his small voice filled with genuine wonder.

Quinn looks over, visibly surprised by the depth of the question from an eight year old, and his gaze softens as he focuses on him. “What’s your name, buddy?” he asks, stepping further into the classroom with a friendly smile.

“Tyler,” the boy replies, sitting up a little straighter.

“That’s a really great question, Tyler,” Quinn says, nodding thoughtfully.

You watch him shift, almost like he’s searching for words that’ll make sense to a roomful of eight-year-olds, a tenderness in his expression that makes your heart swell.

Quinn glances around the room, a thoughtful expression settling in as he finds the words. “Well… being captain means I get to look out for my team, kind of like how you all look out for your friends here,” he says, keeping his tone easy and open, trying to connect with his young audience. “I make sure everyone’s doing okay, and I try to encourage them to keep going, especially on the hard days.”

Your students are hanging onto every word, captivated by the way he’s sharing a glimpse of what it means to carry that kind of responsibility. “Some days, it’s tough,” he admits, glancing over at you with a soft, almost sheepish smile. “Sometimes I have to make decisions or give a little extra, even if I’m tired. But knowing my teammates trust me to lead them feels pretty special.”

You feel a warmth in your chest as he speaks, watching how he’s simplifying his experience for them without losing any of its meaning. It’s a sweet, genuine moment that makes you realise just how much you love this side of him — someone who truly cares about the people around him.

Tyler’s eyes go wide, and you notice a few of the other students nodding along, clearly trying to picture what that responsibility must feel like. Quinn glances back at you, a little bashfully, but you give him an encouraging nod, biting back a smile as he continues.

“You play hockey, too?” Quinn asks. As Tyler nods with admiration, Quinn grins and adds, “Who knows, maybe you’ll be a captain one day, Tyler.”

Your classroom is a sea of smiles, little faces alight with awe and excitement, and as you watch Quinn, your Quinn, surrounded by your students, patiently answering each question with that quiet, genuine charm, your heart swells. It’s a glimpse of him fitting perfectly into your world, and the sight fills you with a deep gratitude, a reminder of just how lucky you are to share your life with him in every way that matters.

Owen, still beaming from their exchange, can’t resist one last question. “Do you think you’ll win the Cup this year?” he blurts out.

Quinn chuckles, glancing at you as if for encouragement before leaning down slightly, meeting the kids’ enthusiasm head-on. “We’re sure gonna try,” he says, his tone earnest. “But we’ll need all of you cheering us on.”

And with that, the lunch bell rings, and your students start gathering their things, excitedly chattering among themselves as they scurry toward the front of the classroom.

Quinn suddenly finds himself surrounded by little hands eagerly holding out scraps of paper, notebooks, and even a few sticky notes. He laughs, balancing the pastry bag in one hand as he bends down to scrawl his name in messy, enthusiastic loops.

You watch as he gently tousles Owen’s hair after signing his notebook and offers Sophie a smile when she shyly holds out a piece of paper. There’s a tenderness in his every gesture, a soft warmth in his smile that makes your chest ache in the best way. Seeing him like this — so genuine, so at ease with the small hands reaching out to him — makes you fall for him all over again.

As the last few students file out, still buzzing with excitement and chatter about “the best lesson ever,” you finally find yourself alone with Quinn. He looks up at you, cheeks faintly pink, a soft chuckle escaping as he shakes his head.

“Didn’t mean to cause a scene,” he murmurs, holding out the bag with a gentle grin that’s all yours.

You take it, brushing your fingers against his, feeling warmth settle between you. “Pretty sure they loved it,” you say, unable to hide your own smile. “And so did I.”

⋆⋅☆⋅⋆

requests are open - let’s daydream!

[ranticore]

I've often seen people ask you for drawing advice(which yes absolutely!) but what kind of writing advice could you give someone who wants to start? (or just narratives as a whole)

Ok my biggest advice and the thing I always spend most time on when editing is that u should tell the audience way less than you think you should tell them. Provide information sure but don't draw connections and don't hold a reader's hand. Like for example one minute ago I was reading over a paragraph with the final two sentences (paraphrased): "The word 'faery' didn't quite make it out of his mouth [in reference to himself]. He'd never thought of himself in those terms" and my editing comment was to nix that last sentence entirely because it's just saying out loud what the previous sentence is telling us, like holding ur hand and pointing at it saying "hey this is what that last sentence meant btw". it's easy to end up with a lot of that but you need to go back and cut all of those out. think about a reader drawing their own judgements, how much more engaging it is

Other random stuff I've picked up over the years

Kerb your worldbuilders disease ur writing a story not an encyclopaedia

Read your paragraph aloud to identify repetitive or weirdly structured sentences

There should be a clear causal chain running the length of the narrative - x happened because of y, which happened because of z, and so on. No matter how many links in the chain you should know it start to finish

Written media gives you an unlimited time budget, a reader can take as long as they like with it. You don't have to make it quick and snappy. You get to show & explore things that visual media can't, so take advantage of it. Also ditch every piece of writing advice which is like "trim all the fat and also imagine camera angles and scene cuts like it's a movie" because it's not a movie and you aren't constrained into a short runtime.

First draft is rough it's supposed to be rough just write it

It's impossible to write dialogue that nobody would ever say.. easy to scoff and think "nobody talks like this" but they do

I can't in good conscience advise everybody do this but the slush draft (draft 0 as it were) of stbh was narrated entirely in first person by the pov character in each chapter, with the framing device that they were explaining their actions to a judgemental third party. This was just done for fun before any other world building or even plot it was just to get the characters right first & to sort out how they would attempt to justify their actions, when they'd try to make themselves sound better (or worse), and just their voice in general. It ended up being absolutely invaluable

[sicktrix]

To add to my last post something hits me about the fact that I think Tabby expresses care the best way he can; by trying to mirror the affection given to him.

Initially, Jammer is extremely confrontational towards him— his first action is to startle Tabby awake for no reason and then immediately starts spitting out accusations of being untrustworthy or out to get them. If all Tabby’s ever known of their relationship is “I don’t trust you, therefore I will not take the time to understand you, therefore I don’t like you” he’s obviously going to be extremely petty and childish back. (shoutout no jammer sign I miss his hater days). But then there’s a sudden shift, and both of them take the time to honestly understand each other down to their fundamental parts. That’s what matters to Tabby— true understanding. Because to understand is to connect, and to connect is to belong. Tabby’s nickname of TB2 later on only pushed him further into that place of belonging.

I think the little moment where Tabby draws K is also very sweet. K has been the most friendly to Tabby up to this point, constantly checking up on him and advocating for him in the group, and K is the first one to immediately humanize him (calling him “he” before anyone else). In the moment where K is kind to Tabby, it’s not necessarily the same as the experience him and Jammer went through, but it’s still important— the act of being seen. Not just as an object, but as a living thing. Of trying to connect to something even on a surface level. I think that’s why he drew K. Not just to better study them, but to convey a sense of reciprocity. “You see me, I see you”

Evan, on the other hand, got a (for better or worse) very emotional part of Tabby. The using of his own magic to repair something, to pour his hope for success and the joy of being with the people he loves into the act of fixing Tabby, immediately ricochets back at him. Tabby now gets the full “experience” of friendship and care past just initial connection. Is it good??? Eh. But it’s important to note that Tabby’s feelings on Weugan are a direct mirroring of Evan’s outlook at friendships amplified to the worst level given they’re on cocaine island where everything is pumped up to 11. He’s clingy and keeps cementing the fact that they are best friends and constantly tries to remind everyone that he is useful so there’s a reason to keep him around (He literally says Evan “taught him” that it’s only a matter of time before people leave) but is still bright and cheery and conversational. If an energy like this— if a kindness like this is given to him, he has no choice but to express a carbon copy of it back. And his personality shines! He’s playful and silly and so so curious, he find fascination in deep conversations and magical items and humour and people— it’s almost like he, for the first time, is genuinely alive.