#this is just a comparison of my characters eyes

[beckyninja]

The Maiden

Pairing: Salamander OC x FemReader

Warnings: None, just angst

Description: The survivor Nev'ran saved from a Drukhari raid grows closer to her rescuer... even though she shouldn't.

I'm back! And, just like I promised, here's a sequel to my first Salamander OC fic, The Dragon. I just had to write more for this character. (Feel free to check out the other fics on my Masterlist, as well.)

Warm.

Your dazed mind conjured images of hot springs and steam-filled caverns. Your parents’ tired but smiling faces. Home. Were you home?

No.

Home was far, far away. They’d taken you, forced you into a mold not of your choosing. Quiet. Aloof.

Cold.

You’d been cold for so very long.

“Miss?”

The voice rumbled like the rockslides in your family’s mines. Yet, you felt no fear. You tried to focus on it, but your mind felt like gelatin.

“Can you hear me, little diamond?”

That wasn’t your name. But you liked the way the voice said it. 

“Can you open your eyes for me?”

It felt like weights had been placed on your eyelids. Slowly, so slowly, they lifted. Soft, flickering light streamed into your skull and you heard yourself gasp.

“There you are.”

Red eyes in a dark face. You shied back, fear flickering in the pit of your stomach.

The face smiled. “Do not be afraid, little diamond. You are safe.”

That voice…! 

You felt your lips curve around a single word. “Dragon….”

***

Three Days Later

“The Lord Apothecary thinks it best you not be left alone.” The medica motioned you through the door. “So you will be quartering with me, for the time being.”

You stepped into the little room. It could have been any serf’s quarters. But the soft rugs covering the metal flooring and pillows stacked upon the cot surprised you.

“Such comfort for a-,” you caught yourself.

“For a mere serf?” The woman, Matia, pursed her lips. “Yet I know it must pale in comparison to what you’re accustomed to, my lady.”

You looked away. She knew nothing of what you were accustomed to.

“It will do.” 

Matia gestured to a simple dress laid out on the cot. “This is the best our tailors could do on such short notice.”

No itchy frills. No laces so tight they cut your skin. 

“It is adequate.” 

“I will leave you to change.” Matia turned her back. “Get settled. In an hour’s time, I will return to guide you to the refectory. Unless,” she sent a cool glance back over her shoulder, “you would prefer to take your meals alone.”

You imagined sitting alone in the flickering candlelight. Alone with your thoughts.

“I will go to the refectory.”

“Very well…my lady.”

The door slid shut behind her.

You lowered yourself onto the cot, yet could not force your muscles to relax.

The Apothecary said you’d been delirious for the past few days, tossing back and forth on the medical bed, mumbling nonsense. You remembered nightmares. Screams coming through locked doors…inhuman eyes leering down at you…vicious laughter….

“No!” You pressed your hands over your face.

Don’t think. Don’t feel!

Another memory calmed the rising panic. His voice. 

All the tales you’d ever been told had painted the Emperor’s Angels as fearsome, unknowable beings. But he… he spoke to you. He smiled at you. His gaze melted through the ice in your soul.

“Nev’ran.” My Dragon.

***

As soon as you stepped into the refectory, you wished you’d decided to remain in Matia’s quarters. Conversation ceased in the middle of a word. Dozens of hooded heads turned to regard you. 

Matia gestured to the steaming containers of food. “It’s probably not as fine as you’re used to, my lady.”

Your mouth watered. Stomach overriding your shyness, you quickly filled a tray with hearty stew and an odd, flat bread. Again, the comforts these serfs enjoyed astounded you.

When you turned around, the medica had already taken a seat with another group of women. 

Maybe she didn’t mean for you to hear what she said to them.

“...never even asked the fate of the rest of her crew…never cried...dead, cold eyes.”

You took a seat at an empty table in the far corner of the room, appetite gone.

Booming footsteps made you jolt upright. Your heart raced as two of the Emperor’s Angels strode into the refectory. Far from the silent giants you’d seen carved into the walls of your family’s chapel, these warriors jostled each other, laughed, and called out greetings to the serfs.

The younger-looking of the two made a beeline for the medica and laid a massive hand on her shoulder. She smiled up at him.

The other turned toward you.

Nev’ran.

You jerked your head away and stared down at your lap. Heavy footsteps approached.

“Diamond.”

“M-my Lord.”

The bench creaked as he settled his bulk across from you. “How are you feeling today?”

“I am well, my lord. Thank you.”

“You are not eating? Is the food not to your liking?”

In a panic, you reached for the bowl of stew, only to realize you’d forgotten utensils. “I…I don’t…”

He chuckled. And yet, it didn’t sound mocking.

“I will show you how it is done upon my homeworld.”

You raised your eyes enough to watch his massive, scarred hands tear his own flat bread and dip it into the stew. You followed suit.

“Brace yourself. Our spices can be-”

Heat exploded across your tongue. You dropped the bread as coughs wracked your body.

“Throne!” A warm hand covered your entire back, patting gently. “Forgive me, I should have warned you sooner.” His voice rose. “Hur’reth! Bring water!”

“I am,” you gasped, “I am all right.”

The heat faded, leaving a delightful aftertaste. You reached for another piece of bread and scooped again. By the time the younger Angel placed a cup of water at your elbow, you’d already scraped the last bits from your bowl. 

“Would you look at that, Hur’reth? She eats like a Nocturnean!” Your Dragon’s rumbling laugh sent a flicker of heat through your body. “Continue like this, Diamond, and you will have your strength back.”

Finally, you scraped together the courage to raise your eyes to his.

He smiled down at you. “Would you mind this old drake’s company?”

Another flicker. Your rational mind hissed a warning.

Don’t feel. Stay cold.

But you couldn’t resist the tiniest of smiles. “I would not, my lord.” 

***

The Apothecarion fast became your favorite place on the ship. 

As the weeks passed, Nev’ran still insisted on daily examinations. He grumbled about the thinness of your form, the pallor of your skin. You found yourself lingering longer and longer afterwards.

He didn’t seem to mind your silence, telling you stories of Nocturne, the Salamanders, and the Primarch Vulkan as you perched on the edge of the examination table. You loved the sound of his voice.

You craved his warmth even more.

It will end soon. And then where will you be? Better to be numb.

“What brings such a sour expression to your face, Diamond?”

You blinked. “My Lord?”

“That is not my name.”

Heat flooded your cheeks and you looked at the floor. A thick finger tilted your chin back up.

When had he gotten so close?

“Say my name, Diamond.”

Another flicker of heat, like a sputtering candle at your core. “Nev’ran.”

Somehow, his eyes seemed to burn brighter. His hand moved to cup your cheek.

“So fragile,” he seemed to say to himself, “and yet, I sense fire within.”

The blissful warmth of his skin against yours caused your eyelids to droop closed. A rich, heady smokiness overwhelmed the medicinal tang of the Apothecarion. Breath not your own brushed across your lips.

“Nev’ran….”

The door to the chamber hissed open.

Your eyes snapped wide and you flung yourself from the examination table. Pain lanced through your feet as you dropped nearly six feet to the hard floor.

The Apothecary’s hand on your shoulder steadied you. “Easy, there. What-?”

You pulled away, heart pounding.

“F-forgive me, my lord. I-I am in need of rest.” You bowed hurriedly and limped toward the door.

The younger Apothecary stood there, staring down at you. The look in his narrowed eyes churned your stomach. With another bow, you slipped past him and into the corridor.

You pressed yourself against the wall and brought your hands to your face.

Stop feeling. Stop! 

But the flickering candle within refused to go out.

***

You did not return the next day. Or the next. And after your third polite excuse, Nev’ran stopped sending requests. He said he would respect your wishes.

Your nights passed in fitful spurts as the nightmares returned with a vengeance. Less and less did they return to you the Drukhari attack, instead filling your mind with terror for the future. Matia often did not return to her quarters during the sleep cycle, so you found yourself facing the horrors alone, shivering with a chill no amount of blankets could remedy.

In these moments of weakness, you turned to other things for comfort.

A soft smile, so incongruous in that broad, scarred face.

No, don’t.

A rumbling chuckle, making you smile in spite of yourself.

This is madness! 

An impossibly deep voice that meant safety.

Better not to feel.

Fiery eyes that saw you, the you you’d thought safely locked away.

Be cold, you little fool. It’s the only way to survive what is to come-

“No!” You flung away the blankets and sat upright. 

I want this. Even if only for a moment, even if it hurts.

The mad rush to the Apthecarion was a blur in your mind. When you finally stood in front of its door, you thanked the Emperor you’d passed no one on your way. What would they think of you? Feet bare, in nothing but a sleeping robe.

All thoughts of embarrassment faded away as you reached for the access panel…

… only to pause at the boom of raised voices within.

“Are you mad, Nev’ran?!” 

You knew that voice. The younger Apothecary who never seemed too far from Matia.

“This does not concern you, boy.”

“This concerns the whole chapter! She is not one of us!”

“Hur’reth-”

“No. Listen to reason, Master. If not for yourself, then for her sake. She is frail. She would never survive life among Astartes.”

“She survived the Drukhari.”

“By the blood of her guards, only. And do you not see how it broke her? Throne, from what Matia tells me, she is little more than a walking corpse-”

“Hold your tongue!” You jumped at the rage in Nev’ran’s voice. “There is fire in her, Hur’reth. I have seen it!”

Warmth flickered through you.

“Perhaps you only see what you wish to see.”

“What?”

“I should have waited to tell you of my mate. I see now it opened old wounds.”

A deep, low growl.

“She is not Ruby, Master.”

A thunderous bang and the door bulged outward. You gasped and shied away, though not far enough to not hear your Dragon’s roar.

“YOU THINK I DO NOT KNOW THAT!”

A long pause.

“Either way, Master, it matters not.” You froze. “She belongs to another.”

The candle within you sputtered out.

***

“We have informed the Planetary Governor of your arrival, my lady. He is sending a transport.”

The words came automatically. “I thank you for your courtesy, Lord Captain. I hope I did not inconvenience you.”

Captain Xavus nodded, a kind look on his face. “This planet was not far out of our way, thank the Emperor.”

You bowed. “The Emperor protects.”

“Indeed.” With another nod, he returned to his command station.

Through the viewports, you watched the planet spin slowly below. Even from orbit you imagined you could feel a chill from the dead, white expanse. Ice. Ice as far as the eye could see.

How appropriate.

You ran your fingers over the bodice of your dress, the same heavy gown you’d been wearing when the xenos attacked your original ship. The memory no longer sent terror clawing through you.

You felt nothing.

The medica, Matia, escorted you to the hangar bay. You caught her sending concerned glances your way and almost laughed. She’d described you as a walking corpse before. What must you look like to her now that you were truly dead inside?

Good girl. It’s better this way.

“Wait.”

You jerked to a halt, but kept staring straight ahead.

“Leave us, Matia.”

You heard the medica retreat, felt the massive presence at your back. “My Lord, you need not have troubled yourself to see me off.”

“Stop.” The strain in his deep voice made your stomach quiver. “Diamond, look at me.”

“That is not my name, my lord.”

Great, armored gauntlets turned you to face him with an irresistible strength. You kept your eyes on the floor.

“You do not want this.” 

Was it heretical to hear desperation in his voice?

“One woman’s desires are irrelevant in the face of dynastic politics, my lord.”

“Would you rather stay?” Hands, warm even through the armor, cupped your face. “Answer me!”

At the snarl, your eyes finally met his. The look within them shattered you.

“Nev’ran, it’s no use.” For the first time, you touched him, fingers playing over the scars on his cheek. “Thank you for saving me. Thank you for the kindness you’ve shown me. I wish….”

He turned his face, pressing rough lips to your palm. You allowed your Dragon’s warmth to wash over you one last time.

Then you turned toward the frost-covered transport.

Cold.

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[moonshinesonic-moonstarslight]

Paper Plane's verse

Shared looks between Airplane and OG Shang Qinghua:

Dark brown hair

Dark brown eyes (look black unless the light hits them)

height

same body shape really

Sword nowhere to be seen, daggers tucked in every place they can put them (and somewhere it seems illogical to have a weapon)

Differences between Airplane's and OG Shang Qinghua's looks:

Airplane: hair is always put up in tight braids and in a bun usually neat and tidy unless you catch him on in the middle of tax season chasing down Liu Qingge for paperwork.

dark smears under his eyes (doesn't take as much rest as he should/workaholic millennial)

Sleeves tied close to the wrists, practical clothes at all times, all masculine cuts and styles

only really wears earrings and occasionally a pretty pin for his guan.

light makeup usually a bit of concealer for his eye bags and some eyeliner

OG Shang Qinghua: hair in a half up half down style - to show off the sausage curls more than it being a popular hairstyle among Peak Lords. (Loves his curls. They're the big sausage curls commonly found with Villainess characters. He takes very good care of them in comparison to Airplane who mostly grumbles about his character design choices as he fights the tangles)

healthy complexion (actually sleeps and takes breaks)

loose sleeves, feminine cuts and styles mixed with some masculine styles here and there, elaborate robes that are easily adjusted to become practical if needed (but easy to hide those modifications) [More room for weapons/equipment!]

decorative hair ornaments, dangly earrings, necklaces, and occasionally a ring or some bracelets (tends to have a season theme to match the current time of year)

more makeup than Airplane but still tasteful for an androgynous look: eyeliner, concealer (if needed), face powder, lipstick (usually blood red), ect.

Besides that the two hold themselves differently, Airplane is cold and aloof. Distant and untouchable unless he is playing pathetic and clingy for Mobei Jun (who finds the dichotomy amusing and arousing). Or letting himself be a little bit freer while talking to Cucumber-bro.

Og Shang Qinghua is warmer and seemingly more open. (You're actually safer standing next to Airplane, OG gets a little stab happy.) Dotting and overbearing to his disciples and comes off as a distant uncle you can 'of course' trust to the rest of the sect. More seductive and vicious than Airplane. (Mobei Jun doesn't try getting this version into his bed unless he is positive that there won't be an assassination attempt or that it would be a 'one in done' type of deal. But he does find the mystery of where are the weapons and how will the fool be killed fun and arousing to think about.)

Might add more later. But that's what I got so far~. Going to have to see about making one for my 'in general' differences between the two and not just for a story.

[stxneflxwers]

I saw your post and came running 👀 I've been thinking about this since the end of December bc I really did not get into the holiday spirit until after it was over lmao BUT for any characters you want to write for: what are they like during the holidays? What traditions do they like to do? What gifts do they give you?

(Extra ideas you can take or leave if it helps your inspiration at all — How does Aventurine feel when you tell him you don't need any of those expensive gifts, just time with him? How does Sunday react when you sit him down to tell him he's stressing himself out too hard trying to find a perfect gift for you and that all you want is for him to be happy? How does Dan Heng respond when you tell him that the only gift you want for the holidays is him?)

^ I've just been rotating the hsr boys in my head all day at work lol so I have a lot of Thoughts™

gift of love.

summary. the greatest gift of all is his love.

a/n. tysm for the request!!! i decided to settle with gift-giving ideas you offered, since it sounded interesting and cute!! im just gonna stick with aven and sunday for this tho... i wanna test how sunday writes for me.

characters. aventurine. sunday.

cw. first time writing for sunday (this is more of a test with how much i enjoy writing him, sry for any OOC-ness). gift-giving. all lowercase. established relationship(s). PLS NOTE THAT I HAVEN'T DONE THE NEW TRAILBLAZE MISSION STILL CUZ I'M A LAZY MFER...SORRY.

aventurine.

tries to be soooo sneaky about figuring out what you like as gifts. he wants all of his gifts to be a surprise, after all! it doesn't work. you see right through his game plan. he's a smidgen disappointed (with himself), and might be a bit surprised depending on the kind of person you are.

he still ends up showering you in expensive gifts of things you enjoy. he tries to find the most expensive edition of any of those things even though he, of all people, should know that expensive ≠ well-made. you have to tell him to chill out.

he immediately believes you're angry with him (why wouldn't you be?). but you're not, and you can see the panic flash in his eyes for the tiniest of moments. you sigh softly with a wary smile. you briefly give him some space before talking to him about it.

you tell him that all the most expensive gifts in the world are nothing in comparison to quality time together. you remain patient with an open-mind and a listening ear – you know he needs a wealth of both. you make sure to tell him you miss him.

his mouth hangs open in silence when you tell him that, for once he's at a loss for words. his mouth closes and he smiles. he takes you into a soft hug and whispers, "i miss you too."

he makes an evident effort to be around you more often when he does have the time. you know, instead of wasting half of it out in the casino.

and it makes all the difference.

sunday.

the most perfectionist to ever perfectionist. stop him before he literally keels over from stress.

thankfully, you notice how weary he's been. and you ask him what's wrong. because at this point – everyone knows, everyone notices how he's been stuck in his head (more than usual). he frets over little things, as usual. but now he seems almost snippy. birdie is cranky.

when he eventually gives in and confesses that he cannot find the "right" gift for you, you're smiling and shaking your head. you give him a very long moment of silence, testing him – seeing if he catches on what you'll say next.

he doesn't catch on "quick enough", much to his dismay. perhaps he hasn't adjusted to your praises and reassurances...yet.

you tell him that the greatest gift of all would be for him to be happy. to be relaxed. to be in the moment. you throw in a little whisper, "maybe by my side, too."

he's silent – his mind running amok with what to say next. he settles for an awkward yet genuinely affectionate, "thank you..."

and then he asks for your forgiveness once he collects himself. you laugh softly and forgive him, you've gotten used to him asking for your forgiveness rather often. only yours, though.

at some point, you're going to need to tell him that forgiving himself is far more important.

[valentine-cafe]

May I have a rhubarb and strawberry crumble please?!?

[Gn reader]

Just thinking about Talisen's cult finding out about you!! And they start to make sacrifices to appease you as well!! But you don't like it!! It makes you sick to your stomach to see all the blood!! And you'll have tears in your eyes and you're begging Talisen to take you back home!!:( And he does!! But you have to make sure that he doesn't hurt any of his followers though!!:( When Talisen is inviting you back the next day, saying they were very adamant on your coming back, one of them will give you a pretty rose!! And you'll be so happy!! The follower would be so smug about it too, a big smile on their face to rub it in the others! The next time you'll come back there will be too many bouquets to count!!

-🍄

˖⁺. ﹙ snake god bf  x gn reader. ﹚ .𖹭 ݁

. . . roses? don't steal my dearest from me now !! 🍒 :  corrupt god ˖ snake god character﹙ verse 164 talisen. ﹚

Talisen's cult finds out about you <3

who knew that cults derived of malice and blood could instead turn their attention to the red of roses? and all for you!

“wh - what is this!” your excited pipe ignites the light in their eyes brighter. each and every one of them eagerly shuffle forward to place their individual arrangement of bouquets at your feet. wide grins and even soft prayers emitting from the group.

the chatter and essence of liveliness, however, snuffs like a candle once the imposing presence of darkness and might takes its rightful stance beside you.

“thou art all a source of shame. higher than zenith’s heights.”

you bite on the smile threatening to slither onto your lips from the words that leave his. promptly, you are reminded of talisen’s anciency in comparison to you - to everyone else in this very room.

you cast glowing copper hues a glance from below. they falter at the sight of your smile. raise a brow to urge the obvious words on your tongue. “don’t be so mean to them.” you finish your croon with a small hook of your arms around one of his. a squeeze to follow as you trail your sight back to the band of puppy-eyed cultists that stare back at the display.

all but the chimes of wind bells ease through the room. until you feel the muscles in talisen’s arm relax and he exhales deeply. an action that seems to set the mood up once more as each cultist sprouts like flowers after the rain.

“very well.”

it takes only a small motion of his hand. you press a kiss to whatever part of his body you can muster before skipping over to the band of excited devotees. who are all the more eager to learn of your favourite flowers, treats, trinkets.

all while their god and divine observes from the sidelines. leaned against one of the pillars of his temple. with shadows to mask the hint of a smile.

[gabilina]

Can you explain how Manon Blackbeak is a ripoff of Visenya Targaryen (I love Visenya)

Hi, virtual-dragon-almond-bakery! How are you? Thank you so much for your question.

I'm going to answer this in the best way I can but I don't know if I will be able to since this is my first Tumblr ask and my hands are shacking with excitement, but anyway this post will contain some spoilers, so if you haven't read Throne of Glass (TOG) or A Song of Ice and Fire/Game of Thrones (ASOIAF/GOT) or just any other George RR Martin's book and you don't want to be spoiled than don't read this post, but if you don't mind being spoiled than feel free to keep reading!

Before we start with the Manon/Visenya comparison I feel like we need to talk about how similar Manon is to Targaryens in general. As I mentioned in my previous post Manon IS very Targaryen coded. Even though some tog fans might argue that Manon's long, moon-white hair, and eyes of the color of burnt gold make her look different from most of the Targaryens whose main features are: pale skin, long, silver/gold/silver-gold/platinum hair and eyes in a variety of shades of light-blue/purple, the similarities are still hard to ignore, especially if we compare Manon's arts with those of the members of House Targaryen.

Manon Blackbeak-Crochan

The Targaryen's

Now onto the similarities between Manon and Visenya:

Their personalities

Monon in the Throne of Glass books is depicted as a person who is cruel, heartless, ruthless, yet cunning and resourceful. She is also described to be cold, uncaring, and icy. Meanwhile Visenya in Asoiaf is stern, serious, and unforgiving.

2. Their connections to the iron

In the world of Throne of Glass, there are 3 clans of witches: the Blackbeak Clan, the Blueblood Clan and the Yellowlegs Clan. Each of these clans belong to the group known as Ironteeth Witches.

As Ironteeth Witch, Manon has a specific physiology such as iron teeth and claws.

In George RR Martin's books, iron is also very important. As a metal, iron is used in tools and armaments. We also have ironborns, we have iron islands, but most importantly we have The Iron Throne which is a seat of the Lord of Seven Kingdoms. The Iron Throne was constructed by Aegon I Targaryen, also known as Aegon the Conqueror, first king of the Seven Kingdoms and Visenya's husband (and brother). It was made from the swords surrendered by Aegon's enemies.

3. Their connections to magic/sorcery

As I've said previously Manon is a witch but she's also the last surviving Queen of Witches. Visenya apart from being a skillful and powerful warrior was also rummored to be doing some magic stuff, including dark sorcery and poisons:

“Some claimed that Visenya dabbled in dark sorceries and played with poisons.” (Martin, A Wiki of Ice and Fire)

4. Dragons and blades

Just like Manon, Visenya is also a dragonrider. Her wyverns name is Vhagar, while Manon's wyvern is named Abraxos. What's interesting in all of this is how they named their dragons. Both of these names were associated with Gods of their respective series.

Manon named Abraxos after the Three Headed Goddess' pet and Visenya named Vhagar for one of the gods of Old Valyria

Apart from that they own swords, Manon - Wind-Cleaver and Visenya - the Valyrian steel longsword Dark Sister.

If you want more examples of this then go to @1800naveen blog and @autolykus one.

If someone has much more information on Manon/Visenya similarities or other Throne of Glass characters being Asoiaf characters copycats fell free to reblog and write about it.

Anyway that's for now. Hope you have a wonderful evening ❤️

[otiksimr]

No color but whatever.

[gloomy-prince]

one regret about my art style is that this is the biggest I can make Eddie’s eyes before he starts looking like a cat with dilated pupils

[dw-flagler]

In this post, I will attempt to calmly, reasonably, and in-a-good-faith-manner argue all the points raised by tumblr user @library-bat-girl in the following posts. I am starting a new thread so as not to further destroy the original poster, @skitterenjoyer's, tumblr notifications. Worm (+MHA) spoilers ahead. This will be a long post.

Firstly, I would like to apologize on the worm fandom's behalf. We will not engage in ableism of any kind. I sincerely hope that this was a singular incident and @skittersdrippygirlcock will be better about this in the future.

"MHA has better characters,"

My Hero Academia's primary achievement, I think, is managing to make many decently well rounded characters in a fairly short time-span. It certainly has very good visual character design, with easily memorable character designs, like Mina Ashido or Tsuyu Asui. Most of Class 1A is shown to be more than single-note gimmick characters. For a story with such a tight schedule, and only so much page real-estate, that's impressive! For instance, a character decidedly outside of the main cast, Fumikage Tokoyami, is shown to have more to his personality than "is an edgelord," showing a humility and friendliness that is highly against-type. This is very different than a lot of its peers, especially in Shonen manga, where side characters (and sometimes even main characters) are never more than their tropes (see Fairy Tale, One Punch Man*, The Seven Deadly Sins, or Black Clover). My Hero Academia does clear that bar, by making side characters little more than their tropes. This is to say nothing of the primary cast, who, again, is largely defined by tropes and easily slotted into standardized interchangeable Shonen roles. Rival, Love Interest, Rival but Nice About It. Additionally, MHA has an uncomfortably sexualized main cast, for one composed primarily of minors.

This is compared to Worm, in which many characters are fully realized and could have been the protagonist (and often were in older drafts of the story, due to Worm's 10-year development hell). Every character that gets an interlude, and most that don't, all have fully realized interiority, traumas, and wants. In fact, this is one of the major themes of Worm. Every character, from the protagonist Taylor, to characters so minor they're seen only once (see Damsel of Distress, Dauntless), to major antagonists and monsters (see Jack Slash, Bonesaw) all have their own story, even if this is never shown on-screen. There are no "side characters" in the same manner as in My Hero Academia, because every character is a protagonist of their own story, and not in a trite "life is so beautiful" way.

Taylor isn't the center of the universe, there's an entire world outside of her 3-block bubble. The mechanism by which all characters get their superpowers means that the mere fact of having powers implies this about them. Even the seeming exceptions, aren't (see Alexandria, Garotte). Taylor is a good character. I don't even know how to elaborate on that. She just is. Worm does not have the character Minoru Mineta.

"a better plot,"

What... what is the plot of My Hero Academia? For the life of me, I can't seem to recall. I can tell you the general formula of most of the arcs for the first ~2/3rds of the story. Class 1A goes to do a hero high school thing, like do rescue training, or on-the-job training, or on-the-job-training, or on-the-job-training (they do it like 4 times for some reason), the League Of Villains shows up (even when it's seemingly not the league of villains it actually is the league of villains) they fight about it, the class beats all the villains, and Deku beats up strongest bad guy and also breaks his bones. Repeat step 1. But like. What's... the plot? The League of Villains is evil and wants to kill people and do bad stuff. They explicitly do not have greater motivations. There's generally themes of passing-on-to-the-new-generation, so there's Tomura Shigaraki as the arch nemesis to Izuku Midoriya, just as All Might's Nemesis is All For One. Eventually they fight a big fight about it and I stop reading because I find out about Worm. From what I understand (I have not read the conclusion) the series ends without addressing any long-running questions, wrapping up any character arcs, or concluding anything in a narratively satisfying manner. As if severely rushed.

Worm, there are maybe 15 main stories going on simultaneously, which are all tied into the final confrontation with Scion. The most obvious is Taylor's and the Undersiders' story, about taking over Brockton Bay and defeating Coil, which is a smaller part of Coil's story about taking over the bay, until their confrontation with him in arc 17, when it supersedes Coil's story, and then intersects with Cauldron's story, the Traveler's story, the Case 53s' stories, the Wards' story, all of it, in arcs 18-19. This is one example. A great deal of attention is spent making sure the reader knows that Taylor, the Undersiders, Coil, all of them, are bit players in a very large game. Despite this, it's never hard to follow, because Wildbow, while lacking some of the more flowery prose, manages extremely well at making his stories easy to understand.

"I feel like even people who like Worm can agree that Worm is not the most consistent piece of fiction ever written. The disjointed way it was written meant that emphasis was primarily put on 'What Wildbow thought was cool in the moment', [sic] and the story RADICALLY shifts gears every time a new arc starts."

What? Huh? Worm is extremely consistent. Like. 1.1 to E.x. It's, like. Not disjointed? Oh my god, are you talking about interludes? Is that what you mean? The interludes shift gears? Because that makes sense. It's one of the hardest things about worm, yeah. It's gripping! The interludes are a great idea to expand the world of worm, but the problem is that taylor's story is so intriguing that stepping away from it to focus on something else is hard, no matter how individually interesting. I want to read about taylor's escalation spiral, not the travelers! (As opposed to My Hero Academia having random escalation and de-escalation between arcs with no real explanation. We're reading about lives-on-the-line battles with child-slavers and then move to playing on a playground with little kids? Best I can think of is that this whiplash is intentional, but this is never communicated to the reader. Worm does not do this. Any de-escalation is met with the explicit understanding that this is merely a period of calm before things get even worse). Taylor's story wraps up in an extremely narratively satisfying fashion, following her story to its logical conclusion. There were so many ways it could have been avoided, but there was really only one way that it could have ended.

"better worldbuilding,"

This actually offends me. MHA could have had great world-building. It doesn't. Every potentially interesting bit of world-building is backpedaled out of or stopped before it could get anywhere. Or it's just never elaborated or expanded upon. Everyone having a superpower could have been cool, but the implications of this are nonexistent. The reasons for this having no real implications, that being the banning of quirks, also has implications that are also immediately backpedaled out of. It's been hundreds of years since our time, yet life is exactly the same. Nothing ever happens. Endeavor is a cool concept. I like Endeavor. his existence implies such interesting things about the world, how important hero ranking is to these people's lives, that he would create this horrific system of domestic abuse to try and get to the #1 spot. What does this say about this system of heroes that operates like a popularity contest? It could have said a lot. It says nothing. What does the League of Villains, a league of people who call themselves out-and-out villains, who base their ideology in opposing this system of heroes, say about society? Nothing. On purpose. Worm does something with this. One Punch Man does something with this. My Hero Academia puts it in the story, and lets it sit, unused, for a decade.

Worm has... unique world-building. Because it's both good and bad at the same time. Worm's #1 feature is its world. It's brilliant, full stop. Triggers, The Birdcage, the PRT, Exclusion Zones! Why does the status quo exist? what does it say about that society? What does it say about our society? Why hasn't society radically changed from how it is in our world? This is explained. This plays into the themes. The story wants to say something about this world, and so it does. There are characters whose stories explicitly delve into these themes that are set up in the worldbuilding, like Armsmaster, or Battery, or Bonesaw, or Coil, or Piggot or Alexandria or Taylor herself or Brian or Lisa or ANY OF THEM THEY ALL DO THIS. Sorry.

Anyway, the bad part is that the actual world is not well built (and is kind of racist). What's going on in Europe? There's a 3 blasphemies! a 3 what? never explained. What's going on in Asia, aside from Japan? China is a monarchy for some reason. Why? It's never elaborated on. India gets a little bit of elaboration, we're told its different but not how it's different. Wildbow uses machine translation wrong and names some guy caliph of dogs. This is like worm's #2 problem honestly (#1 is Amy). Wildbow tries to make the implication of a well thought out globe without actually making a well thought out globe.

"stronger themes,"

It really doesn't. As I said in the worldbuilding section, MHA makes a point out of not saying or doing anything. I don't know if editors made Horikoshi walk back the more ambitious story beats or what, but there are multiple points in the story where the author pretty much looks you directly in the eye and goes "This Story Isn't Saying Anything At All Even Though It Looked Like It Would. Lmao."

Worm has lots of themes. I think Armsmaster/Defiant's story is my favorite. His entire character arc (which is fully realized despite him being a background character for nearly the entire story) has a point to it. It says something. It's misanthropic and uplifting simultaneously, and manages to feel like it earns both. It's a shared theme with Bonesaw/Riley's story, explored in two different ways.

"Meanwhile MHA establishes an actual overall theme/message right from the start that expands and develops throughout the story. The worldbuilding is informed by the message, which informs the characters arcs and the people they become by the end of the story."

I notice that you never actually say what that message is. What is it? Like, for real. I'm not being confrontational or anything, like what is the message? Cuz' I can't think of one. My Hero Academia, at its very core, is a defense of the status quo. Much like its world-building, but much less forgivable, because it does do something new and unique with its world-building. MHA could have done some extremely interesting stuff with its early implicit critique of heroic society as shown with characters like Bakugo, or Shigaraki, or Endeavor, or Overhaul, or Midoriya himself! It just doesn't! It doesn't do stuff that Worm does do!

Worm does have a message. It has a lot of messages, actually, some that the author disagrees with somehow. Prison abolition, for one. We know Wildbow loves prison. Anyway, the big one is in the subtitle: doing the wrong things for the right reasons. Taylor's constant spiral of escalation, her dwindling attachments to her friends and greater focus on treating herself like a soldier is prevalent, and it is to be avoided. Taylor isn't a sin-eater. They don't exist. From what I remember, this is sort of explored in Deku's character arc for a short period of time, but much like everything else in MHA, it is backpedaled out of.

The funniest is "don't text and drive" though.

"Just on a basic level the way that the audience is meant to feel about Taylor oscillates wildly between being directed to think of her as a misunderstood victim of circumstance, or history's greatest monster."

That's kind of the point. Like. the audience isn't meant to look at Taylor the same way throughout the entire story. It's meant to change as she changes. Taylor's opinion of Taylor changes. The mistake here is saying it "oscillates wildly." it doesn't. It's a slow and steady change for the worse, as Taylor gets more violent and starts throwing away greater and greater parts of herself to become more like a robot and less like a person.

"But a bigger issue in general is tone. It's very focused on being dark and gritty and edgy, and it makes the mistake a lot of consciously edgy media does. IE: it thinks that all it has to do to be smart is be bleak and/or graphic. It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is."

Did you read the boys and think it was worm? What? It's not being smart when it's bleak or graphic? I actually personally like the endbringers or the slaughterhouse 9, and not because I like watching people suffer. These things exist for a reason. It's not being dark for the sake of being dark. The heroes could stop the slaughterhouse 9. We see that, when they almost stop the slaughterhouse 9 (it's explicitly shown that they are stopped from destroying the slaughterhouse 9). The question then becomes why don't they? It's a grim, brutal calculus, and one that wasn't worth it. That's the point. The Endbringers are different. It's not until arc 27 that they're really explained. You could either read them as a criticism of Eidolon or of ableism, honestly. I mean, it wasn't intentional, he didn't create them on purpose, he needed something to fight, because without that he's nothing. His powers are all he has.

"Worm spends so much time trying to be edgy that as with a lot of edgy media the edginess loses all impact quite quickly and becomes sort of cringe."

I don't really think so, but like. Okay. I don't think this is a reconcilable viewpoint (none of this is really but this especially), so like we're probably gonna have to agree to disagree. The only thing I can really think of as edgy for the sake of edginess is Amy's arc. But even that's not really true. It's meant to be an utterly avoidable tragedy that could never have been stopped because of the people involved. Much like Taylor, actually. Amy could have stepped back from the brink, but she didn't, because Amy could never have done that, and nobody else was willing/able to help. It's supposed to be a thing where you sit back and think of all the tiny ways this could have easily been avoided, but wasn't.

"When body horror happens it still has impact because it's not happening constantly."

I mean, I guess. But like. I never got desensitized to the body horror in Worm. It hit pretty consistently for me throughout. As opposed to MHA, where it was usually walked back by the end of every arc. I never felt much tension or suspense because it felt as if there weren't actual consequences. In Worm, when Brian was strung up on his nerves, it felt disgusting because I was fully aware Worm would explore the ripple effects of this. It felt entirely possible he would die there, or never recover, because Worm didn't pull its punches. MHA did. This is a matter of opinion. We'll just have to agree to disagree about it.

"But most importantly - you root for the heroes because the world actually seems like it's worth saving."

that's just, um. sorry. I'm really trying here. That's just. Uh. Dumb. Do you root for Batman cause Gotham is a nice city? Everything's worth saving, that's, like, at its most basic what the concept of a superhero is about.

"Not only that but MHA simply does villain protagonists objectively better than Worm."

um. No? There straight up aren't villain protagonists in MHA. The villains are the POV characters for, like, one arc? You know what, here's a good spot for it. It's stated throughout the story that Shigaraki and the League of Villains have a goal, beyond just death and destruction. They're here to stop the corrupt society of heroes (that MHA hints at the existence of before backpedaling away from), and bring about a fairer society. But then, and this part pissed me off, one of the characters, I think Bakugo, says: "you're just using that as cover! you just want to kill people, you have no noble goal!" and shigaraki's like "dang you caught me." and then it happens again with Deku! Because My Hero Academia is allergic to saying something. Nope! They're villains! No moral depth here! They're Villains, We're Heroes, Go Put Them In Jail.

This is opposed to Worm, where- "The characters of the villains and their origins are used to highlight the flaws in the Superhuman society"

"Most of the villains are only villains because society failed them in some way, and the specific ways in which that happened become big plot points that then play into the future arc of our heroic characters."

I had to walk away from my computer for this one. It's hard to be civil. It's really hard. Polite and reasonable.

So Worm is about this. To even say this without a shred of irony makes me thing you've never once read a single word of Worm and are doing this purely as bait. Or you've read all of Worm and are doing this purely as bait.

"They're actually extremely complex in a way that ends up being fundamentally important to the overall story - where in Worm the villains are either based heroes fighting a corrupt system or they're histories [sic] greatest monsters... until they're presented as heroes again."

I think I get it now. I really think I do. You're not supposed to agree with all the characters. Like. Worm is inconsistent, in that it follows the perspectives of inconsistent people. Of course Triumph and Armsmaster don't agree on what is right! They're different people, they have different perspectives!

"See. Worm fans keep saying "This is Bait." It's not Bait, you all are simply ridiculous and obsessed with this series to such a degree that you feel compelled to say "This is Bait" instead of just... ignoring it, because you have no actual counterargument."

Perhaps worm fans are inclined to believe you posted rage bait because you brazenly walked into another fandom's post and wholeheartedly proclaimed that the thing they liked was Stupid Idiot Bullshit For Fucking Morons, and refused to elaborate until prompted, at which point you said several things that are demonstrably false about Worm.

"Your only response to anything I've said is pedantry, bigotry, and deflection. If it was obviously just bait why are you engaging?"

Well, I'm engaging because I've been in a foul mood since I woke up this morning. Also because you, again, said some very rude and patently false statements about a story that I really enjoy and find narratively rich, even in its faults.

"MHA's characters do fall into archetypal shounen character roles - but they are all given a solid amount of focus explaining why they are like that and developing them into something bigger."

Again, as I said, it's a genuinely impressive feat to have an ensemble cast like what My Hero Academia has, and give so many of the characters a degree of depth, with such little manga to work with. I think worm does it better, but worm doesn't have to be economical about it. MHA does. The problem I have with this statement is that it becomes a question of scale. How much bigger? They're no longer defined by their tropes, instead defined by their opposition to their tropes. It's still a one-note character, you've merely changed the note from C to C sharp.

"so almost every member of the cast has an arc that either develops them past the person they initially seemed to be or explains why they're like that."

This is probably my favorite part about MHA. They do have arcs! I love ensemble casts! it does a much better job in this than all of its contemporaries, even One Piece. However, they are comparatively simplistic arcs that all follow a similar formula.

"I've heard people say MHA is neocon or pro-establishment but the story literally concludes by showing that society HAS TO FUNDAMENTALLY CHANGE or the same problems that created the villains in the first place will keep happening. The entire time skip specifically focuses on the fact that for eight years the main characters have been forcing change in the world and addressing the issues the villains brought up."

Now, I'm going to be clear. I stopped reading My Hero Academia around chapter 275. I don't know the exact number, but it was the latest chapter in ~mid 2020. I would occasionally attempt to reread, in an attempt to catch up, but give up around chapter 200 out of boredom. I don't know exactly how the story ends, but I have read ~2/3rds of the story. I feel this gives me a pretty good understanding of the general tone of the story, unless it wildly changes tone at the 3/4ths mark, which you have explicitly said it does not, as it is extremely coherent and consistent. Therefore, I believe I can state with some degree of confidence that MHA does not do that.

I would certainly believe that it tries (and fails) to SFP it, but SFP does not promote a fundamental societal change. That's the problem. Strong Female Protagonist was willing to come up and say that Alison lived in a fundamentally unjust world, even if it was never willing or able to offer real change. And hey. You do what you can. I sincerely doubt My Hero Academia is even willing to call its world fundamentally unjust, from the 200+ chapters that I did read.

"In the case of the actual main characters, they have extremely comprehensive character arcs."

Adding this behind the last point just so that I don't have to reiterate I haven't finished the book. I am, however, very much not inclined to believe the actual main characters had extremely comprehensive character arcs.

Which plays back into the initial theory that ANYONE CAN BE A HERO.

man, spider-man did that better (not a real argument, but like, spider-man totally did that better). Not least because midoriya specifically could not become a hero were it not for all might giving him a power.

No, the Villains don't get happy endings,

Why not? Why do they go to jail, even the ones who changed and wanted to redeem themselves? Endeavor never goes to jail. He did some horrible stuff. He's redeemed himself in the eyes of the story, right? Anyone can be a hero, right? So why not them? Why haven't they redeemed themselves in the eyes of the story?

You may wish to turn this back on me and ask why doesn't Armsmaster go to prison? Because he's similar in some respects. But worm never calls prison justice. (for some reason, even though wildbow totally loves prison). Prison is punitive, a tool for those in charge to control those it manages to capture. Maybe some deserve life in the birdcage. Many don't. It doesn't matter. Because the birdcage isn't a tool of justice. It's not meant to be. it's a box to put the uncontrollable capes in, until they can be used as meat shields. So Armsmaster doesn't go to prison because the story says explicitly there is no point to it. But MHA? MHA says there is a point to it. Endeavor needs to go to prison if he wants to atone. He's escaping justice every second he's outside.

I have actually read Worm, and for the first half to two thirds I loved it.

Weird. That's exactly how long I really enjoyed MHA. Not, like relevant, to anything. Just odd. I mean, I don't actually dislike MHA. I think it's fine, actually. It feels like Indiana Jones and the Last Crusade to me. Funny (when Mineta isn't around), bombastic, and a good time, even if I don't think it's super thematically rich.

I'm not coming at this from the perspective of someone who has never seen any of the merits of Worm, I'm coming at it from the perspective of someone who really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right.

See, this makes me more inclined to think it's bait, actually. since you said "Oh yeah. MHA is published. MHA's been an ongoing publication with a large following for ten years, in a notoriously competitive industry. Now this might seem kind of unimpressive, it's a very low bar to clear I know. But it's one Worm hasn't, so. I dunno, I'd say that's fairly objective. Now you may think "Yeah, but Trash fiction gets published all the time." And that's true but again - Worm hasn't. The worst piece of fiction you can think of got published and Worm didn't. You wanna be an asshole about this? The thing you love is so mid that it was self published in 2013, couldn't get picked up for professional publishing until 2019 and as far as I can see has stayed in development hell since then." in your previous post. Sure, perhaps we can say you were pissed at the time, but "the thing you love is worse than trash fiction, an altogether nothing piece of literature that isn't even worth the paper it would hypothetically be printed on" does not strike me as the words of someone who "really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right." In fact, going back through your other statements on the story, you seem to have genuinely disliked it from the very beginning, on grounds of being too edgy (which I can fully understand the logic of): "IE: it thinks that all it has to do to be smart is be bleak and/or graphic," thematically incoherent: "It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is," and utterly devoid of purpose or meaning. "When it does introduce new lore that new lore is almost always overly convoluted and acts as a catalyst for things happening, but not really things happening that play into a wider theme or message. It's just "Oh and here's this team of god-level serial killers who are gonna string a dude up by his nervous system." Like yeah, cool visual, but what is any of this actually saying?" This does not sound like a ringing endorsement of the first half of Worm to me. In fact, this sounds like you hated every second of it.

"And frankly given the number of comments that are just people saying "Bait" - I don't think any of y'all have engaged with this in a fair or honest way"

I'm going to reiterate on my previous statement. I like my hero academia. Capeshit is my favorite genre, it probably always will be. They're my favorite genre of story. While I find the themes—or lack thereof—extremely frustrating, I still think of it as fun. I gave it a fair shake. I would probably really enjoy the ending if I didn't have a reading list that was 300 books long.

[skitskatdacat63]

Why is Fernando giving Mustafar!Anakin in this pic

[the-star-and-the-smols]

All of a sudden wanting to write Sean's first time seeing my s/i sizeshift like. I know I would be like I'm so big and ugly I look horrible I'm a freak I hope you don't think any less of me :( and he would be like WHAT ARE YOU TALKING ABOUT GORGEOUS I LOVE YOU YOU'RE MAGNIFICENT HOLY SHIT CAN I GET A HUG????!!✨✨✨

(Actually part of me is thinking it's really the first Extremely Obvious sign there's something very strange about my s/i and another part wants it to be the fact that when I'm around him I just fucking... glow because I'm experiencing the love. He's thinking I might be avoiding him at some points and he wonders what's wrong, maybe he said something too crude and pushed my buttons too far? He sees me crying and follows me because he has to apologize and explain himself, stumbling over his words as he peers around the corner and suddenly I'm glowing and also slightly shorter?? But he's not sure??)

[fnibble]

BIG BRAIN MOMENT FOR ME im not going to ascend astarion because my tiefling is a bard and then I can imagine a post-game future of lvl 18 WISH BABEYY

[knaveofmogadore]

Your idea that a character has to self flagellate themselves and grovel and become meek to be redeemed and loved is very Christian coded and extremely boring

[apollos-boyfriend]

i think you guys can probably tell but i’m soso happy with where my cpurp design stands rn……. i think i perfected him. i need to redraw a full reference sheet for them to make a full comparison with the original

[sesshy380]

Hiii ❤️ I’ve seen you mention your fursona a few times now; do you more info on them and maybe a picture or more detailed description of how they look? (and tooooootally unrelated but would you mind if anyone possibly drew them? :D)

I should warn you that this is an extremely dangerous question to ask me...because OMG AHHHHHHHH!!!!! *FANGIRL SQUEAL HEARD AROUND THE WORLD*

I would in no way ABSOLUTELY FREAKING GO WILD if someone drew her lol

So my fursona is my OC's 'other' forms. You can read more detail about her here. This gives a run-down of her 'furry' appearances (she has 2, one is as a standard black cat w/blue eyes, the other is a black leapard with raven wings).

I picture her anthro form wearing this (old sketch by me from 2006? before hands went to hell)(I got lazy when it came to her hair lol). The cloth areas are black, while the rest is gold (I'm a very simple person, but she's meant to fit in the YGO-verse so maybe the gold should have been more elaborate lol). The 'collar' is gold as well (since it's kinda hard to tell based off the pic).

I've played around with the idea of the anthro form having her hair, but I never got around to drawing that version unfortunately. However, there was a webcomic I used to follow called 'Flycoren Kausim' by RetroDragon. Kat appeared as a cameo in the later chapters, and I even got a rough sketch of her as a bonus from them. (Not my art, credit goes to RetroDragon).

Here's her cameos:

[hxhhasmysoul]

the chainsaw man people are starting to really make me irritated. no i’m not going to reblog your jjk 212 fanart when you write under it that megumi just got treated like aki. sorry to break it to you but megumi’s fate was first hinted in may 2018, half a year before the first chapter of csm was published. i don’t care fujimoto got there first. what’s going on in juju rn isn’t some riding the coattails of csm. it’s very clearly been the plan all along.

[roobylavender]

one thought before i disappear again but i really fail to understand damian fans' logic or interaction with canon on any level like your entire engagement with him as a character relies on a bastardization of every person around him. i don't see what worth there is in comparing how dick and bruce are comparatively written as parental figures in damian's life when your primary basis for analysis is canon from a writer who believes (1) dick shouldn't be in a relationship with kory bc he's happy-go-lucky and hates drama; and (2) bruce's life as a hero naturally culminates in fascism. neither of these are good faith takes on the characters involved so how can you place any value in how either of them are portrayed to interact with damian by way of that. and obv this doesn't even get into the plethora of talia issues which i have essayed about to the point of exhaustion. like idk i get that i can't make people hate a character obv lol and for many damian fans that attachment is there bc they read about him when they were young but i still don't really understand what there is about damian to be invested in once you're an adult who realizes he is holistically built on character assassination and racist stereotypes that he is inseparable from. like you can't really analyze his interactions with anyone without the context for those interactions being shoddy writing of someone else and i know that can happen in comics a lot but it happening in isolation is different from it forming the entire basis for a character