#this is entirely my own take on this but i do still think it's undeniable that a lot of people fail to give depth to 'blasé dylan' | Explore Tumblr posts and blogs

stllmnstr · 8 days ago

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sacred monsters: part four

pairing: lee heeseung x f reader

genre: academic rivals to lovers, vampire au, slow burn

part four word count: 15.8k

part four warnings: swearing, more blood and other vampire-y things, dark themes, descriptions of past abuse (non-explicit), even MORE tragic backstories, a little sexiness

soundtrack: still monster / moonstruck / lucifer - enhypen / everybody wants to rule the world - tears for fears / immortal - marina / supermassive black hole - muse / saturn - sleeping at last / everybody’s watching me (uh oh) - the neighbourhood

note/disclaimer: EVERYONE DOUBTED ME. I DOUBTED MYSELF. BUT DESPITE IT ALLLLLLL HERE IS PART FOUR!!!!!!! Enjoy my friends, and then tell me about it! As always, happy reading ♡

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

A literature student in your third year of university, you’ve been dreaming of having your writing published for as long as you can remember. With a perfect opportunity dangling at your fingertips, the only obstacle that stands in your way comes in the form of a ridiculously tall, stupidly handsome, and unfortunately, very talented writer by the name of Lee Heeseung. Unwilling to let your dream slip out of reach, you commit to being better than the aforementioned pain in your ass at absolutely everything.

But when a string of vampire attacks strikes close to your city for the first time in nearly two hundred years, publishing is suddenly the last thing on your mind. And, as you soon begin to discover, Heeseung may not quite be the person you thought he was.

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

When you wake up, it’s with a pounding headache and a deep wave of something that almost tastes like regret.

Through the jumble of your sleep-addled mind, it takes you a few moments to locate the source of that uneasy feeling. But as soon as you do, it washes over you in a sweeping tide of sensation.

Images, sounds, tastes. Feelings.

You’re lying in your bed. Alone. But your mind isn’t convinced of it.

For long, heavy moments, if you screw your eyes shut tightly enough, you’re somewhere else entirely.

Notches of your spine pressed against the expanse of a wall. Long fingers, ones that don’t belong to you, toying with the hem of your shirt. Tracing the skin beneath your ribs.

Sighs that you swallow. Lips pressed against your own. Teeth.

Desperate, heady, sordid.

A brief stinging sensation. The faint, metallic taste of blood.

The breathy pleas that follow.

All at once, all over again, you’re lost in it. Drowning in it. Consumed by it.

It’s a ghost of the real thing, a mere shadow in comparison. But you’re aching with it just the same.

Through the muddle in your mind, you barely remember getting home.

Footsteps and movement and other mundane details are lost to memories of a much headier nature.

Lips against yours in the cover of darkness outside your apartment door. Fervent whispers of words that sound like “Bad idea” and “Not tonight.”

But still. He followed you in. Or at least you think he did. There’s far too much room for error in the recesses of your clouded memory.

It feels real, though. The recollection of gentle fingers in your hair. Soothing this time. With the intent to calm, subdue. Creating distance from desperation instead of adding to it.

The slow press of lips that you wish you had more time to become familiar with. Against your temple this time, the bridge of your nose, the swell of your cheekbone.

And a final, quiet command.

“Sleep,” he’d insisted.

And you hadn’t wanted to, not really. But no matter how many encounters you’ve had with immortality, you’re still woefully confined to the constraints of your humanity. And exhaustion still has clutches you can’t escape.

Eyelids flickering, unconsciousness sang to you like a siren song until you were unable to resist its lull any longer.

And there had been no promises between the two of you, but waking up alone was not what you expected.

It’s undeniable though, even as you sit up, sheets tangling around your hips. You’re still wearing the same clothes as yesterday. They’re wrinkled – a result of fervent ministrations and a long night of sleep disturbed only by strikingly vivid dreams.

But even though small remnants of his presence remain, your room is empty, save for you.

Rolling your neck in a slow circle, you wince at the stiffness, the tinge of pain you feel as it crosses above your left shoulder.

The rest of your body carries a similar heaviness. As you ease your way out of bed, your limbs feel tight, stiff, overworked.

Still, you force your feet to carry you to the space outside your bedroom. If you’re honest, part of you is hoping that you’ll find him waiting for you there. But as your eyes trace over the expanse of your apartment, your stomach sinks with disappointment.

Empty. Just like your bedroom.

It’s not enough to make you panic. Not yet. There are a thousand possible explanations for his absence. Before you start to decide which one is most likely, a knock echoes against your front door.

And it’s almost embarrassing, the speed at which you cross your living room.

But you can’t swallow the immediate sense of relief you feel. Coupled with a sudden swoop that reaches all the way to the pit of your stomach.

Because he’s here. He’s here and it’s real and the surge of butterflies is enough to have you forgetting any potential complications.

You know he can hear your footsteps, can certainly tell that your heart has just begun to beat unnaturally fast, but you don’t care. Can’t find it in yourself to be embarrassed.

You wonder if he feels it too, this magnetic pull. It clutches at your heart with a soft touch and pulls at your mind like nostalgia. As if you’re a girl with a crush, writing the details of your affection in the secrecy of a diary and doodling hearts along the border.

You pause, hand on the doorknob. With your other hand, you flatten the top of your hair, self-consciously tucking a strand behind your ear.

It defies logic. After all, any remaining mussing is of his doing. But still, you can’t suppress the desire to have him see you at your best.

After one last deep breath, you twist the knob. A smile is already tugging at your lips, widening along with the door.

But when it opens fully, your lips fall flat. It’s not Heeseung that stands on the other side.

From where he lingers in the doorframe, Jake scratches at the back of his neck rather awkwardly, avoiding eye contact.

“Jake?” Disappointment colors your voice in obvious strokes. You might feel bad about it if you weren’t so confused.

“Hey, ___,” he returns. His exhale almost sounds like an apology and it has your stomach swooping again. This time in trepidation. Anxiety. “Can I come in?”

“Is he okay?” It’s probably rude, the way you ignore his question entirely. But suddenly, it’s all you can think of. Why is Jake here? Avoiding your gaze and already sounding regretful.

“Heeseung’s fine,” Jake assures. Your brow furrows. He’s fine, but he’s not here. You can’t decide if that inspires relief or something far more unpleasant.

The silence extends for a moment. Jake doesn’t offer any additional explanation. Instead, he requests again, “I have something to ask you, but it would probably be better in private.”

“Right,” you nod, forcing the unease in your gut away. “Would you like to come in?”

Jake smiles, a tight thing, before stepping inside wordlessly. When you shut the door behind him, you keep your back turned for a moment. Inhaling deeply, you try to regain a bit of control over your mounting emotions before turning to face him.

Jake has already made his way to your couch. Instantly, you're reminded of when another guest of yours did the same. It’s almost enough to send you spiraling again.

Jake, unaware of your inner thoughts, doesn’t let you linger in them for long. Instead he motions to the seat opposite of him. “Come sit.”

You frown, still fraught with nerves. Jake sounds far too serious for this conversation to be anything but unpleasant. Following his request, you slide down into the chair across from him.

Once you’re seated, he doesn’t waste any time. “If you’re feeling up to it, I’ve got an errand for us today.”

Raising your brow, you wordlessly urge him to elaborate.

Jake reaches into his pocket, pulling out a small, metal object. It takes a moment for you to recognize it, but once you do, your stomach only sinks further.

It’s a key. The key. The same one you found last night. Along with someone whose absence is still very much unexplained.

Jake looks at you, but your gaze is still trained on the object in his hand. “How do you feel about a return trip to New Haven?”

New Haven. You can hardly process his question, much less answer it.

Because they were together. Heeseung gave the key to Jake. Intentionally passed it along to him. And despite all of the possible explanations, you can only fixate on one.

He’s avoiding you.

You don't say anything, but Jake reads your expression all the same. Gently, he sets the key on the table between the two of you. Again, he sighs. It’s an apologetic sound, and you hate it.

A beat passes. Two. He doesn’t beat around the bush. “Something happened between you two, didn’t it?”

You don’t answer. At least not with words. But the way your eyes widen is confirmation enough.

“I—” You can’t decide if lying would serve you any good here. Ultimately, you decide to stick with the truth. You have too many unanswered questions to play any games. “How did you know?”

Jake smiles, but it doesn’t reach his eyes. “After five hundred years, you kind of just… know.” He pauses for a moment, weighing his words. And then he adds, “You don’t have to tell me, of course. But you can. If you want to.”

You can’t think of anything you’d rather do less. It’s illogical and frivolous and entirely human, but you’re embarrassed. The things that passed between the two of you hold weight in your mind. Significance. Importance.

And now he’s deliberately avoiding you. You can’t help but feel slighted. Played. Used, even. Your voice is small when you ask, “Did he say anything?”

Jake shakes his head. “He’s been pretty silent. Even more so than usual.”

You don’t want to tell him. You don’t. But answers are still lingering far beyond your reach. Jake might not be privy to the details of your affection, but he does know Heeseung like the back of his hand.

With a deep exhale, you push your pride to the side.

“We…” you trail off, searching for the right words. Something that won’t feel too invasive, too intimate to share. “We had a… moment. And I thought— well,” you frown, suddenly unaware of your own expectations, “I guess I didn't know what I thought. But I didn’t expect him to avoid me.”

“Ah,” Jake enunciates carefully. “That would explain why he’s been so moody today.” He nods to himself, pausing briefly before adding, “It’s not because of you.”

You just give him a look, obviously disbelieving.

“I mean, it’s not because of you specifically,” Jake clarifies. “It’s… a bit difficult to explain. Heeseung is…” he trails off, searching for the right words. “guarded, as I’m sure you can tell. He’s quiet, reserved. He keeps a lot of himself locked up in his own head, and he ruminates on everything. Predicts a million terrible outcomes of every situation and fixates on them until he’s convinced himself that everything will end in flames.”

“So a raging pessimist, essentially.”

“Maybe,” Jake pauses. “But I think that you have to consider his perspective, too. That’s the thing about immortality. It’s… lonely. Often unbearably so. We all deal with that in our own ways. Sunghoon and his bed are one extreme end of that. Heeseung’s the other.”

You frown. He’s skirting around the edges. Hinting at something without fully saying it and you’re tired of guessing.

Jake sighs. “I won’t pretend to know everything that’s happened between you, but Heeseung’s not just acting irrationally.”

Your brow furrows. “What does that mean?”

“I…” This time it’s Jake that hesitates. A struggle plays out across his features, as if he can’t decide whether this story is one he should share. Finally, he exhales. “It’s not really my story to tell. But Jungwon had a similar situation, I guess you could say. We had only been changed for around twenty years when he met this girl. It was purely by chance. And it was completely innocent at first. She was an apprentice at the tailor shop in the town we were living in. A human one.”

Your stomach is sinking with every word. The story has barely begun, but you call tell from the tension in Jake’s expression that it doesn’t have a happy ending.

“He never intended for anything to happen, but he met her once and then he kept going back. It wasn’t intentional, but things spiraled from there. Until he was in far too deep.”

Jake is sparing plenty of details, but even the vague picture he paints is enough to have the unpleasant feeling solidifying in your gut.

“And there was nothing dramatic, really. No big fight or fall out.” Jake sighs. “But she got older. And he didn’t. For the time they had, they made each other happy. In a lot of ways, they were perfect for each other. Except for in the one way that mattered.”

His immortality. Her humanity. Jake doesn’t say it, but the truth is there all the same.

“Their love fell apart in a quiet way. Slowly, steadily. Five years had passed, and Jungwon looked the same. She started getting suspicious. He was running out of excuses and had to cut contact just to keep us all safe.”

A part of your heart breaks for him, for the love that he lost, for the circumstances that were always going to dangle just outside of his reach.

“He couldn’t help it, though. He kept tabs on her. And she did what every human does. She nursed her broken heart, and then she moved on. She fell in love and found a family. Including a daughter.

“But for Jungwon… It broke him. For almost two hundred years, he felt like a shell of himself. And we all watched it happen, but I think it hit Heeseung the hardest. Out of all of us, he was always the romantic, although you’d never guess that now.”

Jake smiles wryly and the dread in your stomach hardens into a rock.

“He might not have to hide what he is from you, but that will only buy you so much time.” Jake meets your eye, imploring you to understand. “No matter what happens between the two of you, you’ll always have something he doesn’t: the ability to move on. To forget. To find someone that fits into your life in all the right ways. He’ll never have that, no matter what he wants. No matter what he feels.”

Jake’s gaze settles on the side of your neck. The bite has already begun to fade, scar tissue covering what was once an angry red wound.

“And he’s already led to you getting injured once. I can’t imagine the kind of guilt he’s probably feeling over that.”

You’re quick to protest. “But that wasn’t his fault—”

“It doesn’t matter.” Jake shakes his head. “That’s how he sees it.”

Lips tightening, you search for holes to poke in his logic. “Isn’t it better to take that risk? You can’t avoid a chance at happiness just because you’re worried it will lead to sorrow in the future.”

“That’s a nice perspective,” Jake agrees. “But it’s a human one. If you want to understand him, you have to consider what it’s like for him. His regrets and sorrows aren’t like yours. They don’t have an end date. They’ll live forever, just like him.”

“But so will the good memories—”

“No.” Jake shakes his head. “They won’t. Time will warp them, eat at them, until the good memories hurt just as bad as the awful ones. Maybe even worse.”

You flinch as if you’ve been scolded. Jake’s features soften. “I don’t expect you to understand. And I know he doesn’t either. He doesn’t expect your understanding or patience or forgiveness. He wouldn’t ask that of you, because he knows it’s not fair. Because he knows that it’s different for you.”

It’s selfless. It’s considerate.

You hate it regardless.

Carefully, Jake adds a final suggestion, “For you and him, for the sake of your own peace, it might be best for you to do the same.”

His words settle heavily into the air.

Do the same. It’s vague enough to be open to interpretation, but no matter how you warp it, there’s always one striking similarity.

Jake is encouraging you to move on, to forget about last night and everything that led to it. To let memories fade and moments die before they can grow into anything stronger.

And in the grand scheme of things, even in your limited mortal lifespan, it really hasn’t been that long. The first time you saw Heeseung was only a handful of months ago, and the taste of his name was bitter on your tongue for the majority of it.

There have been so many versions of him. A rival classmate. A pesky annoyance. A savior. A guardian. A lover.

A vampire.

You don’t know him. Not really. You’ve seen parts of him, and the remaining pieces feel like something that would be all too easy to want. To love, even.

And maybe Jake is right. He has the advantage of perspective. He’s seen history unfold and recognizes the patterns. He’s terrified that tragedy will repeat itself.

But it doesn’t make it any easier – the thought of letting him go.

Your feelings might be mortal. Your days may be limited, but that doesn’t make them any less significant.

Amidst all the uncertainty, you know one thing for sure. It’s not a conversation with Jake that will give you any kind of closure, that will lead to any final decision.

You need to talk to him. To Heeseung. Need to hear his thoughts and fears and desires in his own words. Need him to listen to yours.

You’re not sure how to go about it. If he’s hellbent on avoiding you, there’s little you can do.

But there must be something. Some way of getting to him.

Before you have long to linger on it, another knock sounds against your door. It’s much sharper, more urgent than Jake’s was.

Immediately, your eyes flicker to the vampire across from you, widening in surprise.

Jake just sighs, shaking his head slightly. “I apologize in advance.”

Although slightly cryptic, it’s confirmation that whoever is on the other side poses no threat. Slowly, you stand, making your way back to your front door.

Opening it, you find five overeager faces crowded in your doorframe.

“Morning, ___,” Sunoo beams. “Hope you slept well.”

“I don’t know,” Niki whispers, “Those look like some pretty serious dark circles.”

“Dude,” Sunghoon elbows him. “You can’t just say that.”

“Yeah,” Jay nods. “That’s super rude.” Turning to you, he gives you a wide smile. “You look great, ___. Not tired at all.”

In the center of them all, Jungwon just sighs. “Sorry to intrude like this.” Sheepishly, he rubs the back of his neck. “Is there any chance you could invite us in?”

Two minutes later, the sight that greets you would be enough to make you laugh out loud if the surrounding circumstances weren’t so dire.

Your couch is far too small for the five vampires crowded onto it, elbows flying into ribs every time someone adjusts too far in one direction. Next to the chaos, Jungwon leans against the arm of the couch, eyes trained on you.

His gaze feels assessing, almost. As if he’s trying to decipher the events of the previous day. Under his scrutiny, you do your best not to flush.

From his seat at the far end on the couch, Jake’s lips pull into a flat line as another scooch sends him squished up even further against the armrest. “What are you all doing here?”

Jay smiles, nodding at you. “We came to check on our favorite human, of course.”

“We heard you even snuck into your evil professor’s secret lair.” Sunghoon adds, nodding appreciatively. “Badass.”

“Plus we had to get out of the house.” Niki grimaces. “Heeseung is still in one of his moods.”

Despite yourself, you can’t quite help the expression that crosses your features as soon as his name is mentioned.

As if that weren’t mortifying enough on its own, of course all six of them pick up on it.

“Don’t worry about him,” Sunghoon waves his hand dismissively, entirely unaware of why you’re so affected by the sound of his name. “Being in a mood is just a regular Tuesday for Heeseung.”

“Speak for yourself,” Jay shudders, clutching at his neck. “When I mentioned that Jake was planning to go with ___ to New Haven so she could go back into the secret evil jail, I thought he was actually gonna throttle me. I don’t think I’ve ever seen him so–”

“Anyway,” Jungwon interjects. He might not have been privy to your conversation with Jake, but he is a bit better at picking up on the subtleties. “We did want to form a plan for your return to New Haven. I apologize for the sudden intrusion, but since you and Jake were already here, we thought this might be the best place for all of us to talk.”

Jungwon’s words barely register. He’s there. Heeseung is at their shared home. Of course he is. It makes sense. It’s the most likely place for him to be.

But he’s there. They’ve all seen him. Talked to him. And now they’ve come here without him.

“Right,” you nod, forcing a tight smile. “Well, we have the key from the professor’s university office now. And we don’t know for sure, but it just might open the chest I found last time at New Haven. As soon as we know that the professor is away from the building, I think we need to return and try to open it as soon as possible.”

The thought of going back into that place fills you with a distinct sort of dread, but you need answers. You all do.

Jungwon nods thoughtfully. “We can do that. We’ll get eyes on him first and establish a warning system for you and Jake.” Reaching into his back, he pulls out a pair of walkie talkies. “Heeseung also mentioned that there’s no cell service down there. The two of you can use these so that you’re not going in blind.”

Reaching forward, you take them from his outstretched hand. “These will be perfect,” you agree.

“And ___,” Jungwon adds, suddenly serious. “Thank you. Truly. We know that none of this has been easy.” Five heads nod in near perfect unison. “But what you’re doing will save lives. There was another attack last night–”

“What?” You can’t mask your shock.

“A few miles outside of the city,” Jungwon confirms, lips pulled in a tight line. “In an area we hadn’t been patrolling. There were two victims.” Jungwon pauses, his words weighing heavy in the air. “High school students.”

High school students. In recent weeks, death has become a familiar theme. But youth has it feeling brand new. You suddenly feel like crying.

High school students. Kids. Children with their whole lives ahead of them. Dreams and plans and goals for the future. All lost in one tragic, horrific moment.

Your heart hurts for their families, their classmates, their teachers. So many lives affected, changed, darkened.

Teenagers whose worries should have extended only to homework and exams and finding a date for the prom. Not becoming headline news in an ongoing series of tragedies.

Wait –

Headlines. News.

Frantically, your eyes flick towards the clock on your counter. Last night really did do a number on you. You slept well past mid morning. If your clock is accurate, it’s dangerous close to one in the afternoon. Ignoring the fact that you can’t remember the last time you slept so late, you return to the more urgent matter at hand.

Panicked, you turn to Jungwon. “We might have another problem. I’m supposed to have my first article for Professor Kim written in the next two hours. I don’t know if I–”

Jungwon shakes his head. “It’s already done.”

“What?” A confused frown pulls at your lips. “What do you mean? I haven’t written anything yet.”

Reaching for the bag he set down by his feet, Jungwon pulls out a small stack of papers. “He gave these to me this morning before we left,” he explains before handing them to you.

Wordlessly, you reach out, accepting them.

Fingers shaking slightly, your eyes trace the first handful of lines.

It’s jarring – there’s no other way to describe it.

You have no idea how he’s done it, but reading Heeseung’s writing feels a bit like looking into a mirror. It’s unsettling, just how easily he seems to be able to emulate you in his writing. If you didn’t know any better, you would have thought you wrote this yourself.

Everything is perfect, down to the last detail. Words you’ve been scolded by past professors for overusing are scattered throughout. Unique turns of phrases that are hallmarks of your style are intricately weaved between paragraphs.

And it only solidifies your determination.

You have to see him. You have to.

Writing has always felt like an extension of your soul, a physical manifestation of your very being. And anyone that can capture you this intimately, this intricately, is not someone you can just forget.

Jungwon, unaware of your inner turmoil, must mistake your silence for scrutiny. “Is it okay?” He asks, an edge of concern in his voice. “We still have some time, so if there’s anything you need to change–”

“No, it’s…” you trail off, unsure how to describe the writing in front of you. “It’s exactly what I would have written.

“Oh,” Jungwon nods. “Okay. Well… Good, then. I have the digital copy too. I’ll send it to you and you can pass it along to the professor.”

You nod, a bit numbly, still shaken by what you’ve just read, still brimming with the urge to confront Heeseung about it.

Logically, you know that your visit to New Haven can’t be delayed for something as selfish as this. People, lives, an entire city, are hinging on answers you might find hidden there, after all. But as soon as you’ve finished, you know what you’ll do next.

You decide, in your living room, surrounded by a group of six immortal beings, that it doesn’t matter if Heeseung has senses and skills for evasion that far outmatch yours. You will find a way to see him, to talk to him. You have to.

But then your gaze shifts, lands back on Jungwon. There’s a slight frown that pulls at his lips as he talks to the others, assigning patrol duties and discussing potential complications for your upcoming mission.

The longer your gaze lingers, the more you see it. The unmistakable weariness. Telltale signs of exhaustion. Jungwon might have lost the physical need for sleep, but the exhaustion that clings to him comes from a different source. And it runs deep.

All at once, you can’t help but wonder what Jungwon was like, all those centuries ago. Before he met her. The human girl Jake told you about less than an hour ago. You wonder if he still thinks of her now. You know he must.

You wonder if it hurts just as bad, if the sting is just as sharp every time. And that sends your thoughts spinning to a different, far more dangerous place.

In five hundred years, when the only memories of you that remain are left in these seven boys, you want them to remember you with fondness. The kind that aches with affection instead of regret.

If Heeseung wants to prevent an inevitable heartbreak, then you suppose you can’t blame him for it. But to you, his avoidance is cowardice. Distance won’t undo what’s already passed between you.

If he wants space, then so be it. You have a key in your hands and pressing matters to attend to. Heeseung will only stay hidden so long, and it’s best to do what you can in the meantime.

You owe it to them, to him, to everyone whose lives have been touched by recent tragedies, to do everything in your power to change the trajectory of current events.

So, with a new determination, you push Heeseung a little more firmly into the back corner of your mind, tucking all of the loose edges and pressing thoughts into a neat, tidy box to be revisited later.

Pulling out your phone, you open the digital version of the article Heeseung has written under your name. You give it one more once over, and it’s just as uncannily you as before.

Tucking away every feeling that inspires for later, you turn back to Jake.

“So,” you venture, eyeing him as he turns the key over between his fingers. “Are you ready to do this?”

…..

New Haven feels only slightly less ominous in full daylight. Although the remnants of winter still cling to the air like a bad omen you can’t quite shake, sunlight streams through the clouds with the steadiness of a sure thing.

At your side, Jake appears equally uncertain.

“Your professor has interesting taste.” It’s a joke, something meant to lighten the mood, but you hear the wariness all the same.

“Wait until you see the inside.”

Jake picks the lock with nearly as much ease as Heeseung had the night prior, and then the two of you are inside.

Despite his initial uncertainties, Jake handles the looming hallways and odd shadows of the publishing house rather well. Knowing that the other boys have eyes on your professor and are protecting you from afar helps to abate some of the anxiety, even if you still have to force away a handful of unpleasant memories that threaten to rise.

When the two of you reach Professor Kim’s office, you don’t bother to hesitate. By now, you know what you’ll find on the other side of the door.

Jake, however, does give a double take at the massive painting you and Heeseung put back into place just one short night ago.

Gauging his reaction in your periphery, you decide to play dumb.

“Is something wrong?”

Jake just takes another long look at the painting of the open field, filled with flowers. He tilts his head to the side, and for a moment, you think he rather resembles a curious puppy.

“No.” Jake shakes his head. “Sorry, I just…” He takes one final look at the painting. “That painting just looked weirdly familiar for a minute.”

“Celedis, right?” You turn to face the vampire. “I thought the same thing, but Heeseung said it’s slightly different. Something about the flowers.”

At that, Jake doesn’t bother to mask his shock. “He told you about Celedis?”

“Showed me, actually. You know,” you reach your arm out towards him. “With the whole physical contact astral projection thing.”

You’re about to ask Jake to help you move the painting, but he’s still stuck in the details you’ve just revealed.

Jaw nearly slack, he asks, “He showed you Celedis?”

“Yeah,” you frown. You didn’t realize this was new information. “I thought you knew. Back at your house, after I was attacked. He told me – er, showed me – about you guys.”

Remembering the water tower, you add, “And he’s used it, his ability, I mean, to show me other things about his past.” A memory surfaces, one of a young boy sneaking pastries from a medieval kitchen. Your heart gives a sudden lurch. “About Celedis.”

“Fuck, Heeseung.” Jake swears under his breath, but you hear it all the same.

“Was he not supposed to?” Despite your current feelings of frustration towards Heeseung, your intentions aren’t to get him in trouble or create any sort of rift between him and the others. Suddenly, you’re scrambling to backtrack. “It was really only a couple of things to help me understand, I promise. He would never compromise your safety or–”

“It’s not that.” Jake shakes his head, interrupting. “Heeseung just… his ability isn’t one he uses often.”

At that, your brow furrows. That strikes you as odd. All things considered, it seems like a rather useful gift that should have found several practical applications over the past five hundred odd years. “Why not?” you ask.

“It’s not…” Jake trails off, hesitating. Trying to decide how much he should share. “It’s not exactly something he takes pleasure in doing.”

Your brow creases further. That only leaves you with more questions than answers. You can’t remember him being particularly bothered either of the times he exercised his ability with you. “What do you mean?”

Again, Jake hesitates. His teeth worry at his bottom lip like that will prevent words from spilling out. “It’s not really my story to tell.”

“What story?” The corners of your lips pull downwards. “I don’t understand.”

For a moment, Jake just takes a long look at you. And then he sighs. “Heeseung explained Celedis to you?”

You nod.

“Including our origin story?” Jake pauses. “Our families?”

Again, you nod. “You were all nobles.”

Jake hums in agreement. “Yeah, we were. After peace was forged, the kingdom had to reorganize itself a bit. Our families were allies now, partners instead of enemies. Eventually, it was decided that each of our families would spearhead one sector of rulership, if you will.” Pausing for a moment, Jake gauges your reaction from his periphery. He asks, “Did he tell you about this?”

Deciding honesty will serve you best here, you shake your head.

Much to your gratefulness, Jake just sighs again. “My family primarily dealt with the management of food resources. My father tracked annual crop production, rainfall, resources allocation, things like that.”

“Okay…” you nod, trailing off. The picture he paints is a logical one, but you don’t see a connection to Heeseung’s strange supernatural ability yet.

Jake continues, “Heeseung’s father, on the other hand, always had a knack for strategy. It was decided that his family would be the de facto head of defense and protection of the kingdom. We were allies, but there was still worry that enemies from outside Celedis’ borders might arise. Although, his father’s methods were always a bit more… aggressive than you’d expect in peacetime.”

Frowning, it's hard to imagine. You suppose that hter may be sides to Heeseung you haven’t yet seen, but it’s difficult to think of him as anything but patient. Gentle. Hearing that his father was the complete opposite doesn’t sit well with you. Quietly, you wait for Jake to continue.

“Even though we kept aging until we were twenty-one, our abilities manifested when we were just kids. And Heeseung, at ten years old, did what any child would do when he suddenly realized he could project his consciousness through touch.” Jake sighs again. “He told his mother.”

The memory comes rushing back unbidden. Heeseung isn’t here to project any visions, but all of a sudden, you feel like you’re back in that field anyway. Watching silently, helpless, as a tiny version of Heeseung accidentally makes his friend ill after his ability manifests for the first time. All over again, your heart hurts for him. Too small to understand what was happening, too frightened to do anything but seek consultation from his mother.

“His father, of course,” Jake says, “eventually found out, too. And like any great strategist, he saw this newfound ability first and foremost as a tool. Heeseung wasn’t just a heir anymore. He was a weapon. And he was brought along to things no ten-year-old should have to see. War meetings, strategy sessions. Prisoner interrogations.” Jake’s eyes drop to the floor. “Torture, mutilation, executions. He was made to watch all of it.”

The small gasp you let out is involuntary.

Jake’s eyes find you again. “And then, afterwards, he was forced to relive it, over and over and over. His hand on top of his father’s, so that the kingdom’s leader of defense could analyze every detail. Construct the perfect strategies, devise the best methods for extracting information, for making others bend to his iron will.”

Your stomach rolls with a fresh wave of nausea.

Jake finishes with, “I’ve known Heeseung for five hundred years, and I can count on one hand the number of times he’s ever utilized his ability with me. Every single one of them has been out of sheer necessity.”

And explaining Celedis to you, sharing pieces of his long lost childhood, are decidedly not. The gravity of it all sinks in with full force, and you suddenly feel as if your knees might buckle under the weight of it all.

You have to see him. You ache with it now, the overwhelming urge to just say fuck it and run until your feet have carried you all the way to their shared home. Until your fist connects with the outside of his bedroom door and the only barriers that exist between the two of you are easily breakable.

But Jake has a key in his pocket, and you have the fate of a city resting in the liminal space between you. Selfish desires, no matter how strong, will have to wait.

“I…” you hesitate for a moment, searching for the right words. “Thank you. For telling me, I mean. For trusting me.”

Jake nods. “For what it’s worth, we all do. Trust you, that is. Even Jungwon, although he might never admit it out loud. It’s been a while since we’ve spent so much time around a human. They’re all really fond of you, you know.” Jake grins, something just a bit devious entering his eyes. “It drives Heeseung insane.”

“Well,” you return, “For what it’s worth, I’m quite fond of you all, too. Definitely my seven favorite vampires.”

“Aw,” Jake brings a hand to his heart. “You’re too kind. I’m honored, truly.”

Turning back towards the painting, it’s a sobering reminder of why you’re here, what you still need to do. Looking towards Jake at your side, you request, “Help me move this?”

Nodding, a refound sense of determination enters his gaze. “Let’s do it.”

Painting aside and key in your hand, you find yourself once again face to face with the small opening that separates Professor Kim’s office from that horrifying dungeon of a room that sits just below it.

Jake hands you a walkie talkie, and you eye it warily for a moment. “We’re sure these things work?’

“Positive,” Jake nods. “We tested them this morning. Oh, and I brought you this, too.” Reaching out, he hands you a headlamp. “He mentioned that it’s pretty dark down there.”

“Good thinking. Thank you.” Clipping the walkie talkie onto your belt loop, you take the light from Jake, securing the headband around your temple. Even though the gravity of the situation isn’t lost on you, you can’t help but feel a bit ridiculous. Giving your front pocket a final tap, you confirm that the key is tucked away safely. “Well,” you turn back to Jake, “see you on the other side.”

“Good luck,” he nods. “And if anything, and I do mean anything, feels off, use that to talk to me, okay?” He just his chin at the walkie talkie at your waist.

“I will,” you promise.

And then, with just one final glance over your shoulder, you’re suspended into darkness just as surely as the previous night. For a moment, you consider igniting your headlamp. But you decide against it rather quickly. It’s probably best that you don’t see just how far beneath you the ground is.

This time, thankfully, your decent feels much shorter. With some of the uncertainty stripped away, your feet are touching solid ground before you know it.

Once you’re firmly planted, you reach for the light on your forehead.

It ignites, shooting a strong beam of light straight out in front of you.

Again, you fight the shiver that traces the length of your spine. It is quite cold down here, with a certain dampness that permeates into your bones, but that’s not why you shudder.

WIth light revealing their secrets, the cells that line the passage are even more ominous. Dark, rusted iron lies in wait on either side of you.

Handcuffs, chains, spare pieces of metal you’re sure you don’t want to know the purpose for, line your path as you force your feet forward. Even if you wanted to take a closer look, that’s not why you’re here today. Mission in mind, you continue down the long, dark path towards the opening where you know you’ll find the chest.

Finally, after a few long minutes, you’re face-to-face with the locked chest again. The desk is still there, too, undisturbed.

Taking a deep breath, you reach into your pocket, retrieving the key from Professor Kim’s university office. Forcing away any other lingering memories of the previous night that threaten to rise, you bring the key to the lock.

Your hands are shaking. The cold, the fear, the anticipation. They all settle heavy in your bones and leave you with tremors you can’t quite stop.

“C’mon,” you whisper out loud to the darkness, with no one but you and the faint sound of dripping water to hear. “Come on.”

Finally, the key aligns just right.

Despite the tremble in your fingers, despite the improbability that this key even matches this lock, it slides in with ease.

And when you turn it to the right, you hear a telltale click.

In your shaking grip, the lock falls open. Sliding the key back into your pocket, you pull the lock out of the loop of the front of the chest. Setting it down at your feet, you take one deep inhale.

And then, with hands that still tremble, you push the heavy lid of the chest open.

You’re not sure what you expect. Something horrific, maybe. Some damning evidence of evildoing. Something soaked in blood, something so explicitly terrible that there’s no guesswork to be done.

But the chest contains only two things.

The first is a massive stash of what you assume must be distilled moonflower. Organized neatly into rows upon rows of tiny small vials that look terribly similar to the contraption he used to shoot you in the neck the first time you came to the publishing house.

This, in and of itself, feels like a revelation. According to Heeseung, moonflower is rare. And knowledge on proper distillation processes is even more obsolete. To have this much of it distilled and on hand… it must mean something.

The chest is nearly overflowing with the small vials, save for a small space, just in the middle, where a book sits nestled amongst the moonflower.

A book that looks nearly identical to one you’ve seen before. To one that still sits forgotten in the bottom drawer of the dresser next to your bed.

Hands still unsteady, you reach for it.

At first glance, it’s an exact copy of the strange book you found in the university library all those weeks ago. But as you lean closer, you notice one key difference. The title.

The one you found tucked away on a library shelf was called Sacred Monsters: The Origins of Immortality.

But it must be part of a set, an anthology of sorts.

Because the book between your shaking fingers stares back at you with the title Sacred Monsters: Cures for the Affliction.

Book in your hands, you realize you have a dilemma. The volume is far too thick to take pictures of every page, but removing it from the chest to bring with you feels risky.

At least this time, you think as you reach for the walkie talkie at your waist, you don’t have to make all of your decisions alone.

Pressing the button on the side, you speak into the receiver. “Hey Jake, you there?”

A handful of seconds pass before his response filters through. It’s crackly but perfectly audible. “I’m here. Everything okay?”

“Yeah,” you confirm. “I found something. A book. It’s pretty hefty. I won’t be able to take pictures of all of the pages. Do you think I should bring it with me or just take a few photos and leave it here?”

“It was in the chest?” Jake asks.

“Yeah,” you nod. “I think it might be too risky to bring with me.”

“I agree,” Jake confirms. “Just take a few pictures, and then get out of there.”

“Will do,” you agree. “See you soon.” You secure the walkie talkie back on your belt loop.

Setting the book down on the cold ground, you sink to your knees in front of it. Reaching for your phone, the first picture youtube is of the front cover.

Deciding that they’ll want evidence of the moonflower as well, you reach up to angle your camera towards the open chest.

And then you return to the book. Opening it to the first page, the similarities are uncanny to the one you found in the library before. The font, the slight discoloration, the ink smudges lost to time. It’s too overwhelming to just be a series of unlikely coincidences. It must be connected to the other Sacred Monsters.

Taking quick photos as you flip through the pages, you force yourself not to linger, no matter how much curiosity eats away at you. You’ll have time to review the pages later, you tell yourself. Right now, the best course of action is to get in and out as quickly as you can.

Still, a handful of phrases and words jump out at you as you photograph the pages.

Moonflower distillation…

Degeneration…

Test subjects…

Nightshade…

And finally, just as you’re drawing to the end of the book, a phrase catches your eye.

The Kingdom of Celedis.

Your heart drops into your stomach, body going cold.

He knows. You’re not sure how much. You're not sure exactly what. You have no idea why. But your professor has a book locked away in a secret underground prison beneath his publishing house. A book that mentions a kingdom lost to time, forgotten by everyone, preserved only in the minds of seven immortal beings.

Professor Kim knows. And somehow, that’s more terrifying than anything else contained in this dark, decrepit place.

Taking a photo of the final page in the book, you let it fall shut once again. Placing it back in the chest just as meticulously as you found it, you close the lid again and slide the padlock through the hold.

The key goes in just as easily this time, locks as easily as it opened. Despite the obvious age of everything else in this place, the lock has no signs of rust, no hint of disuse.

It’s been opened regularly, you assume. And likely by your professor.

As that realization begins to settle, the walkie talkie on your hip gives another disconcerting crackle. Immediately, your heart leaps into your throat, mind spinning with the worst possibilities.

You’re at the very end of the passage. It will take you at least ten minutes to be back in the office and another three to be out of the publishing house. More than that if you account for the potential of your professor’s heightened senses.

After a moment of extended silence, Jake’s voice filters through.

“Everything still okay down there?”

Your mind swims with relief, but your pulse doesn’t slow.

Bringing the device to your mouth, you press the button on the side. “Yeah, I’m fine. I just finished. I’ll be back up soon.”

Another beat of silence passes. And then, “Glad to hear it. I’ll be here.”

But you can’t help but confirm, “They still have eyes on Professor Kim?”

Jake answers quickly, “Yeah. Sunghoon and Niki have eyes on him. He hasn’t left his house.”

Tucking the key back into your pocket, you begin the journey back, your quick footsteps echoing against wet stone. “Good. See you soon.”

Down the narrow passageway, your phone feels leaden in your pocket, weighed down with evidence you’re not sure how to parse. You want to be out of here as quickly as you can, back in your apartment where you can compare the two books. Where you can show them to the others.

Thankfully, again, the way out feels shorter. Despite the ache in your muscles as you pull your body up the ladder, time passes quickly as you ascend back to the publishing house.

True to his word, Jake waits for you just outside of the narrow entrance. He reaches out a hand to help pull you back into the small room.

Giving you a quick once over, he frowns. “You okay? You look like you’ve seen a ghost.”

You practically have. Celedis. But this isn’t the place.

You shake your head and tell him as much. “Not here.”

Despite the brevity of your words, Jake understands. Instead of pressing you further, he helps you slide the mural back into position, once again covering the opening to the room below.

Giving the painting a final look, you’re sure of it now. It is Celedis. It has to be. Even if some of the details are slightly wrong.

But your head is spinning and your thoughts are jumbled and you can’t be the only one with the weight of so many revelations weighing on your mind.

As the two of you make your way back down the hallway towards the front door of New Haven, Jake tells you, “We’ll reconvene at our place. We can go over everything there.”

You shake your head. “Tell everyone to meet at my apartment instead.”

“What?” A flicker of confusion creases his brow as his head tilts to the side. “Why?”

“It’ll make sense soon, I promise,” you tell him. “There’s something there I need to show you. All of you.”

Jake glances at you, but he doesn’t question you further. His earlier words echo in your mind. “For what it’s worth, we all do. Trust you, that is.”

At your side, he pulls out his phone as you pull the door to New Haven shut behind you. “Jungwon,” you hear him say. “Change of plans. We’ll meet at her apartment instead.”

Again, the questions must be short lived, and Jake is ending the conversation just as quickly as it started.

…..

When you arrive back at your apartment, Jungwon, Jay, Sunoo, and Niki are waiting for you in the parking lot.

Stepping out of the driver’s seat, Jake nods at Jungwon. Then, after glancing around, he asks, “Where’s Sunghoon?”

“Keeping an eye on the professor,” Jungwon answers. “We thought it would be best to have at least one of us tailing him still.”

Jake nods.

Jungwon turns to you. “I take it you found something. And there’s something here at your apartment you want us to see?”

You nod. “Yeah. A… well, a book. Two books, actually,” you amend. “Let’s go up,” you nod at the staircase, “and I can show you.”

Jungwon hesitates for a moment. A meaningful glance that you can’t quite decipher passes between the five of them.

“Okay,” he finally acquiesces. “Lead the way.”

Phone heavy in your pocket, you climb the two flights of stairs with the five of them trailing behind you. The distance they put between you is slightly odd, but you don’t have much space left in your mind to think much of it.

That is, until you reach your doorstep. And find it already occupied.

“Heeseung,” you breathe. A force of habit more than anything.

He’s already looking at you. Heard your conversation in the parking lot and your footsteps on the stairs and your heartbeat in your chest. He knew the exact moment you would round the corner and the number of breaths it would take you to reach him.

His dark eyes reflect afternoon sunlight in a way that looks all too much like stars, and you have no idea what to do with any of it.

“I’m sorry,” he whispers, as if his words are anything more than a bandaid on a bullet wound, as if the five boys behind you can’t hear the words that pass between you.

And you’ve been stewing in it since this morning, thinking of all the ways you could beg him, plead with him, convince him to let whatever lies between the two of you to blossom, to grow wings.

But now, with his eyes on you and the fate of a city in the pocket of your jeans, words fail you.

Finally, your lips part. “I have something to show you.” And now you’re the one putting up walls, building barriers. For now, he’s not a boy that kissed you until your head was spinning and you couldn’t make right from left. He’s a vampire, and the two of you have a job to do.

Your hurt, your desires, your wounded pride still sit heavy in your gut.

But you owe it to him – this boy that was born a prince and sharpened into a weapon and cursed with a blessing he never asked for – to bring an end to this particular bout of suffering.

To let the tragic kingdom of his youth rest once and for all, even if you have to reopen wounds in the process.

Across from you, Heeseung only nods.

Stepping to the side, he lets you be the one to open the door. He doesn’t need to linger outside; he’s already been invited in, more than once. But he does anyway. He waits for your words, for your approval, and then he follows you inside. Behind him, the other five exchange long, sideways glances.

Just like this morning, the sight of the six of them crammed on your small couch is almost enough to inspire a smile. Under any other circumstances, you’d be laughing out loud. Now, however, you just give a long exhale.

“They key worked,” you begin. “It opened the chest.”

Five hundred years, and they all have yet to perfect their patience.

“And?” Jay is practically tripping over himself to get the question out.

“It was full of distilled moonflower,” you tell them. Vials like the one the professor used to inject me in the neck. Hundreds of them.”

“What?” Sunoo gasps.

“How?” Niki frowns.

“Moonflower is rare,” Jake shakes his head. “There’s no way he could have that much of it.”

“Well, he must know some secret place where it grows or something,” you suggest. “Because he does.”

“No,” Jungwon shakes his head. “You don’t understand. It’s not only a matter of knowing where it grows. Moonflower is a magical substance, and magic is finite. It simply doesn’t grow in abundance. In order for someone to have a stash that large…”

“He’s been collecting it,” Heeseung finishes. “For a long, long time.”

“He’s been a vampire for twenty years,” you remind them. “Maybe he’s been collecting it just as long.”

Again, Jungwon shakes his head. “Hundreds of vials isn’t something that can be achieved in twenty years. Hundreds of vials is hundreds of years.”

“But that doesn’t make any sense.” You frown, wheels in your brain beginning to spin.

“There are two possibilities,” Jake says. “Either your professor is lying about how old he is…”

“Or he’s not the only one that’s been collecting and distilling moonflower,” Jay finishes.

Sunoo shakes his head. “We haven’t seen any evidence of him working with others.”

“Either way,” Niki frowns, “Something's not quite right.”

“The moonflower.” Jungwon looks at you again. “Was it the only thing in the chest?”

You shake your head. “No. There was also a book.”

“Right.” Jake nods. “The one you took pictures of.”

“Yeah,” you nod. “I left it in the chest, obviously, but I took photos of the pages. I didn’t have a chance to look too closely while I was there, but I think it talks about…” you trail off for a moment, eyes flickering to Heeseung, despite yourself. “I think it talks about Celedis.”

“Celedis?” Jake balks.

“That’s impossible.” Jay shakes his head.

But Jungwon just looks at you. “Earlier in the parking lot, you said you had two books to show us.”

“Yeah,” you sigh. “I do. I was in the university library a few weeks ago, and I found this book. It was about vampires, but it was… I don’t know. It was strange. It wasn’t vitriolic or propaganda. It was almost like a diary. The reason I wanted you all to come here is because I checked it out. I have it here, in my bedroom. But the weirdest part is the title.”

“The title?” Sunoo prompts.

“It’s called Sacred Monsters: The Origins of Immortality. And the book I found in the chest today, it looked really similar. And it was called Sacred Monsters: Cures for the Affliction.”

A beat of silence passes. Another.

“That,” Niki finally says, “Doesn’t feel like a coincidence.”

Standing, you nod. “I don’t think so either.” Walking to your bedroom, you open the bottom drawer of your dresser. With the events of the past weeks, part of you expects the book to have vanished mysteriously. To have been nothing but a figment of your overactive imagination.

Despite your musings, Sacred Monsters: The Origins of Immortality lies undisturbed just as you left it. With careful hands, you pull it out of your dresser and bring it back to the living room, setting it on the coffee table in front of the boys.

“This is the book from the library?” Jungwon asks.

“Yeah,” you confirm. “And I don’t have a printer or anything, but I’ll send you the photos I took of the book from the chest today.”

Scrolling through the files you send him, Jungwon pauses on the cover, glancing between it and the book on the coffee table. “I see what you mean. These must be related.”

Reaching for the book, Jay flips open the front cover, frowning. “There’s no author or publication date.”

“I know,” you agree. “It’s all so odd. It wasn’t even in the library system,” you add, remembering that night at the library. “The librarian had to manually check it out to me.”

“Jesus,” Sunoo grimaces, glancing at some of the pages over Jay’s shoulder. “This is super depressing.”

“Yeah,” Jay nods. “I see what you mean. This is definitely about vampires, but it’s nothing like other human-written vampire literature.

Next to them, Jungwon scrolls through the images you’ve sent him, enlarging photos to read pieces of text. With each and every passing image, his frown grows deeper and deeper.

“We have a problem,” Jungwon finally says. Looking back at the photo, he amends, “Several, actually.”

You assume he must have drawn the same conclusion as you. “He must know about Celedis, right? The professor, I mean.”

“Yes,” Jungwon confirms. “I’m sure he does.”

“But how?” Jay presses.

“I don’t know.” Jungwon’s mouth pulls into a grim line. “But that’s not all.”

“This page,” He holds up his phone. “It’s a guide. Explaining in excruciating detail how to harvest, store, and distill moonflower. It also discusses its side effects. On humans and vampires.”

Scrolling to the next photo, he adds, “It looks like they studied these side effects. Through experimentation. Most of these pages are entries. Data. Experiments.” Looking at all of you, he lets the weight of that sink in for a moment. “Whoever wrote this book tested moonflower and its effects. On humans and vampires.”

“What?” Jake frowns. “The professor tested moonflower on vampires?”

“Not the professor, necessarily,” Jungwon shakes his head. “But yes, whoever wrote this book must have.”

“The cells,” you breathe, a sickening realization beginning to build in the pit of your stomach. “The cells beneath New Haven. It wasn’t just a jail.”

“It was a lab,” Heeseung finishes, locking eyes with you.

Jungwon holds up another photo. “I think you’re right. Look at this.” You all squint as he enlarges the photo. There’s a date at the top – September 13, 1942. And next to it, a number V029.

Beneath it are a series of notes too small to make out from where you sit. Jungwon reads them, “Dosage: 8 milliliters. Injection site: Lower throat, right side. Time of effect: 2 minutes, 19 seconds.

“V029 continues to exhibit strange behaviors under the influence of Moonflower. Although dosages have varied, the results remain consistent. Today, she spoke again about “Celedis.” When prompted with the addition of pain, she requested drawing paper. Upon refusal, she would not speak. A second dosage was administered (6ml) and further infliction of pain was utilized. V029 did not respond audibly to any given prompt or stimuli.”

“Celedis,” Jake echoes. “One of his… test subjects,” he spits with vitriol, “was the one to mention Celedis.”

“That still doesn’t make sense,” Jay points out. “It doesn’t matter if his test subjects were vampires. We’re the only ones that know about Celedis. Every other vampire in existence is a descendant of the eighth son. None of them should have any idea that Celedis ever existed.”

“And we don’t know that these were the Professor’s test subjects,” Niki points out, echoing Jungwon’s earlier words. The page is dated for 1942. If he is telling the truth about when he was turned, he wasn’t even alive yet.”

“There must be some way to corroborate that,” you frown. “He said that he was turned the same night his entire family was massacred. Obviously, it wouldn’t have been reported as a vampire attack, but there should be something about it. Some kind of public record of their deaths, at least.”

Heeseung nods, pulling out his phone. “I’ll see if I can find anything.”

“Um,” Sunoo interjects, holding up the original Sacred Monsters book, the one you brought home from the library. “We might have another problem.”

Six pairs of eyes turn to look at him.

“Most of these entries just seem like personal writing, like you said,” Sunoo nods at you. “But this section towards the end, here…” He trails off for a moment. “It’s called Blood Moon Ritual.”

“What?” Six voices echo in unison.

“ There’s only one entry,” Sunoo continues, frowning. “And it doesn't really make sense. It’s a poem, like the others,” Sunoo explains. “Here, I’ll read it.

“The Origins of Immortality

That which was lost can be gained.

The requirements are the same.

That which was gained can be lost.

The sacrifice goes unchanged.

Every life can end.

Every life can endure.

Fate is always determined

By what the wish is for.”

For a moment, your living room is silent.

Jay breaks it by asking, “What the fresh hell does that mean?”

“Literature majors,” Niki glances between you and Heeseung. “Either of you want to pipe in on this one?”

“I mean,” you start, “without context, it kind of just sounds like a bunch of nonsense.”

Before you can turn the words around in your mind again, Heeseung speaks up from where he sits. “I think I found something,” he says, holding up his phone.

“Really?” You ask, just at the same time as Jay presses, “What?”

“There is a record from,” he double checks the date, “almost exactly twenty years ago. It’s anonymous, but it gives ages. A nine-year-old child and her forty-three year-old mother. The official cause of death is listed as an animal mauling.”

“That matches, then. That’s exactly what the professor told me.”

“There’s more, though,” Heeseung frowns.

“More?” Your brow creases.

“Another death.” Heeseung matches your gaze. “The child’s great grandfather, age ninety-one. And the location of death… Didn’t Professor Kim tell you that he was visiting family outside of the city?”

You nod. “He said it happened in a remote cabin. A group of nomadic vampires attacked them there.”

Heeseung shakes his head. “The location listed here is the city. This city.”

Your frown deepens. Heeseung sticks the final nail in the coffin. “Their bodies were discovered near a row of abandoned buildings where there have been past instances of mountain lion activity. It’s on the far side of the city. Just a few blocks away from New Haven.”

You echo his words. “His family died near New Haven?” It’s odd, the way the truth seems to mingle with lies. The way your professor seems to have chosen strange pieces of the story to be dishonest about. “Why would he tell the truth about his family dying from a vampire attack twenty years ago but lie about where it happened? And not mention a grandfather?”

“I don’t know,” Heeseung says. The reality of just how much you have yet to uncover begins to settle uncomfortably in the air. Every discovery seems like it only leads to ten more mysteries to solve, another dozen dead ends.

“I’m still stuck on Celedis,” Jay says. “We need some way to figure out who this person was and how they knew Celedis. We need–”

“We need the whole book,” you finish.

It’s not a question or a matter of opinion. It’s the obvious conclusion to be drawn.

Jungwon nods. “Sunghoon should still have eyes on the Professor. I’ll confirm that he’s still home, and then we can–”

“Are you insane?” Heeseung isn’t looking at his phone anymore. His search for more information on the tragic deaths of Professor Kim’s family are forgotten for the moment. “She was just there twice, and you want her to go back again? Now?”

“Heeseung…” Jake warns, taking care to guard his tone.

“I know it’s not ideal,” Jungwon tries to placate him, “But that book has answers that we need. Right now, all we can do is speculate. If your professor has a massive stash of distilled moonflower and knows about Celedis, who knows what else he might have access to? What else he might know? People are still dying, and he’s connected to it all somehow. I’m sure of it.”

“I know that,” Heeseung bites, visibly frustrated. “But why does she have to be the one to–”

“And how exactly are you planning to get one of us down there?” Jungwon sighs, running an open palm over his features. “I don’t want to argue with you, but unless you have a plan for getting Professor Kim to invite you into his secret vampire torture chamber, ___ is the only one of us that can get this book.”

“It’s okay,” you finally interject. Something about the two of them arguing over your fate while you sit and watch doesn’t quite sit right with you. More than that, something about him always speaking over you, acting as if it’s all in your best interest, while also not bothering to give you the time of day, is all too reminiscent of the other decisions he’s made on his own.

Still, you choose to be gentle. “I debated with Jake, actually, about whether I should bring the whole book or not. We thought this would be safer for now, but I knew it was a possibility that I would have to go back for it. I was prepared for this.”

Heeseung looks like he wants to say more, like he wants to argue, but something in your expression has his words dying on his lips.

“I’ll get ready,” you nod. Retreating to your bedroom, you add, “Just give me a minute to grab my jacket.”

In all honesty, your jacket is the least of your concerns. Because despite your resolve, despite the will that you’ve forced yourself to steel, Heeseung is right.

Even at a distance, he can still read you like the back of his hand. Like an open book with nothing but pages for him to peruse at his pleasure.

The thought of going back to New Haven, of going back into that cold, dark, empty expanse of horror sends your mind spiraling. Walking into the bathroom adjoined to your bedroom, you place both hands on the counter on opposite sides of the sink. It’s an attempt, a feeble one, maybe, at grounding yourself.

Forcing your gaze upwards, you match your own eye in the mirror. A million emotions are reflected back at you. Determination, weariness, resolve, fear.

You’re scared. No matter what you tell them, no matter what you tell yourself, you feel it. Swimming in your mind, nestling in your bones. A terror rooted so deep you’re not sure you’ll ever get it out.

You don’t want to go to New Haven. You don’t want to descend down that ladder. You don’t want to risk your life or your comfort or your sanity. You don’t want to have feelings for an immortal being that needs blood to survive.

But reality doesn’t bend to the whims of frightened girls, and ignoring the things that scare you won’t make them go away.

Bravery, you think, as you watch your reflection in the mirror. It’s not just reserved for moments that feel grand in scale. It’s also here, in places like this. Where there’s nothing but you, your reflection, and all of the things you wish you could avoid waiting for you just outside the door.

So with a final inhale, you force your features into something neutral, something that at least five of the boys waiting for you outside will believe. And then you walk back to your bedroom, making sure to pull your jacket over your shoulders before stepping back out into the living room.

Jake stands from his seat on the couch when you enter the room again. Heeseung avoids your gaze.

“You ready?” Jake asks.

“As I’ll ever be,” you nod, forcing a false sense of cavalier lightness into your tone.

“Good thing I left the headlamp in the car,” Jake jokes, pulling on his shoes.

“And the walkie talkies,” you agree.

Despite yourself, you can’t quite stop your eyes from wandering back towards your living room one last time.

Jungwon is dictating new assignments while the others listen attentively. Well, three of them anyway.

Heeseung just sits there, his eyes still trained on the ground.

You’re sure he can feel it, the way your gaze settles on the side of his face, traces his profile and then does it again. But no matter how long your gaze lingers, he won’t return it.

And maybe this is it, you think. Maybe you’ll just have to make peace with the fact that all you’ll ever get from him are closed doors and avoided eye contact.

He’s had his teeth in your neck and your blood on his lips, and despite it all, the only thing he has for you now is a cold shoulder disguised as concern.

And if this self flagellation is some kind of atonement, an apology for a crime he’s convinced himself he’s committed, then that, you think, is where his true selfishness lies.

He can call it altruism and immortal wisdom all he wants. But caring for you from a distance will never be something you thank him for.

It’s not a declaration you can make in front of an audience, so with a final sigh, you turn towards your front door and follow Jake’s retreating figure from it.

As it so happens, you can be selfish too. You pretend you don’t feel Heeseung’s eyes on your back the entire way out.

However, you must not be as good at disguising your fear as you thought, because Jake is nothing but apologies while the two of you walk side by side down the stairs.

“I really am sorry,” he breathes into frigid air. The warmth of his breath creates a visible cloud. “I shouldn’t have told you to just leave the book there, but I was worried–”

“It’s not your fault.” You shake your head. “I thought it would be best to leave the book, too. And it’s okay, really. I’ll be just fine.”

“Still,” he reiterates. “I’m sorry that it has to be you. It can’t be fun going down there all alone. And especially since we know what it was used for now…”

Your lips flatten. “Are you trying to make me feel better or worse?”

“Sorry,” He laughs, apologizing again. “You’re right. No more gloomy talk. We’ll just get you in and out as fast as we can, and we can worry about the rest of it later.”

“Works for me.” You force a tight smile, reaching for the car door. If it’s any consolation, you’re glad that it’s Jake you’re with. His presence is steady, carries a certain kind of lightness that helps to chase away some of the lingering storm clouds, even if just for a moment.

But just as you move to slide into the passenger seat, you hear the telltale sound of footsteps on pavement over your shoulder. They’re rapid, loud. Whoever it is, they’re running.

Turning over your shoulder, your brow creases in confusion when your eyes land on Heeseung. Again, it’s not you he’s looking at.

Heesung is talking to Jake when he says, “Change of plans. Jungwon wants you down by the river.”

“What?” Jake frowns. “But what about–”

“I’ve got her.” Heeseung’s words cut through the air like an arrow, pierce through your uncertainties like a knife.

“I…” Jake trails off. He’s looking at you, not Heeseung when he asks, “You sure?”

“Go,” you nod. “I’m sure Jungwon has his reasons.” It’s flimsy reasoning, and between the three of you, no one is convinced that Jungwon is responsible for this change.

But they’re switching places all the same. Jake gives you one final glance over his shoulder, and you swear you see him shake his head before he heads back up the stairs to where the other boys still sit in your apartment.

And Heeseung still won’t look at you, even as he walks around to the other side of the car and slides into it, sitting only a handful of inches away from you.

It’s a reflection of this morning, an echo of earlier as the car turns out of your apartment parking lot and sets course for New Haven. Only this time, it’s Heeseung in the driver’s seat, not Jake.

The silence between the two of you extends for long minutes, nothing but the gentle hum of the car heater to fill the empty air.

Finally, with nothing but road ahead of you, Heeseung exhales a long sigh. “You don’t have to do this, you know. You say the word, and I’ll turn this car around. We can go back to your apartment or to my place or somewhere else entirely. I’ll get you on a plane out of the country, if that’s what you want.”

You raise a brow. His meager attempts at kindness have started to lose their shine. “And the book?”

Heeseung shakes his head. “Fuck that stupid book.”

Easy to say, maybe. But both of you know it’s not true. Besides, “I don’t want to leave the country.”

“Really?” You can’t tell if he’s serious when he adds, “I hear that Costa Rica is lovely this time of year.”

“I’m sure it is,” you concede. If he wants to skirt around admissions, you’ll run headfirst into them. “But I’d be worried about you.”

Heeseung only sighs. “I can take care of myself.”

“That’s not what I mean.” You’re sure he knows it, but being difficult on purpose isn’t new to either of you. “And we’ve had this argument before. My mind hasn’t changed, and clearly yours hasn’t either. If you get to decide how to live your life without any input from me, then I expect the same courtesy from you.”

“It’s different,” he insists. Now, at least, he’s talking. Even if it’s only to beg for a bit of your understanding. “I’ve already lived a life. Too many lives. Five hundred years worth of life with no sign of any end coming soon.”

You have to disagree. “Have you, though? You know, when people talk about having lived a life, they’re not just talking about years. They’re talking about family, friendships, community. Achievements, accomplishments.” The last word dangles from your lips. Oh, fuck it. “Love.”

Next to you, Heeseung is silent. You press on, “I understand that you’ve made up your mind. That with all your five hundred years of immortal wisdom, you’ve decided you get to make decisions for the both of us. But you know what else is a normal part of life? Kissing someone and regretting it. You can just avoid me at parties, you know. You don’t have to threaten to send me to Costa Rica.”

“It wasn’t a threat–”

But you’re not done. “I liked it, by the way. In case you were wondering. I don’t care if you regret it.” Your pride feels like something forgotten, discarded long ago. Maybe it’s a facade or false bravado, but you find it easy to bare your secrets here in the passenger seat. “I liked it when you kissed me. I liked the way it felt when you put your hands on me. I liked the way you lost control with my blood in your mouth. I went home and I laid in bed and I thought about it. All alone in my bedroom, with my hands on my skin everywhere you touched me while I pretended like it was you. I dreamed about you. I woke up thinking about you.”

Heeseung whispers your name. A warning, a plea. He might as well be shouting in your ear.

“You can avoid eye contact and pretend it never happened all that you want. I’m not going to. In fact, I’m probably going to think about it again tonight. Do what you want. I’m not going to pretend that I don’t have feelings for you, and I’m not going to avoid New Haven,” Your chest is heaving now. Between words, it’s easy to forget that you need to breathe, too. “And I’m not running away to fucking Costa Rica.”

“You think I enjoy this?” Heeseung’s knuckles are white against the steering wheel. “You think I like having this… this war in my brain? This constant struggle? You think I’m playing with you? Toying with your feelings because I can’t make up my mind?” He shakes his head and sends your thoughts scattering. “I’m not. You used to glare at me across the lecture hall, and it would be the highlight of my day. I looked forward to every assignment Professor Kim gave us, because it meant I’d have another chance to read something you’d written. I’ve been alive for five hundred years, and I don’t think I’ve ever found anything that makes me feel the way your words do. For the first time in my life, I felt like someone else could take what I was feeling and put it into words.”

That gives you pause. He… thought about you? Even then? He read your writing?

“And it didn’t stop there. I used to go home from class imagining, praying that I could be like every other person in that stupid class. That I could be just another kid in my twenties worried about disappointing their parents and picking the wrong major. That I could waste my afternoons staring at the pretty girl in my literature course that couldn’t be bothered to give me the time of day. Fantasizing about asking her to study with me at a coffee shop or share a workroom in the library.”

Your eyes are wide now, and they’re trained directly on him. Heeseung is still looking out at the road in front.

“You think I don’t think about you too? That I want to pretend none of it ever happened? You’re wrong. All I do is think about you, and all I do is want. But they’re things I can’t have, things I can’t be. I wish I could fall asleep dreaming about you. I wish I could wake up with you on my mind and know that I only have so many days to do something about it.”

He shakes his head, as if that will clear the errant thoughts that have clearly begun to consume him.

“But I can’t. I can’t sleep. I can’t shut off my brain, even for a second. All I do is think. All I do is remember. You think I didn't like it? You think I didn’t go home with the feeling of your skin on my hands and the taste of your blood in my mouth? You think I don’t spend every waking hour with the sound of you whimpering burned into my mind? I’ve wanted things before, but never like this. I made peace with myself a long time ago. I know what I am and I understand that ultimately, my existence is a burden to this world. I’ve learned to stop wishing for impossible things. But every time I look at you, I just… I just want.”

Your voice is small. You don’t know how to respond to any of it. “It’s okay to want things.”

“It’s not.” Heeseung shakes his head. “Not when they’re impossible. Not when it will only bring pain to the people I care about. I don’t want to be someone you avoid at a party. I don’t want to watch you move on with your life when this inevitably ends. But all of those things you talked about earlier, all of those parts that make up a life – friendship, family, community. I can’t give you any of that.”

It’s hard to hear. It hurts to see how visibly upset he is about all of it.

“It doesn’t matter if I live for another five hundred years or a thousand years or until the end of time itself. I already know I’ll spend all of it thinking about you. I’ve made peace with it before, and I’ll learn to do it again, but I can’t take your life from you. And even if I wanted to, I can’t watch you grow to resent me for it.”

In front of you, the road appears endless. With sunlight reflecting in the rearview mirror, the day is dying, and your hopes are going with it.

“When I tell you that I’ll send you to Costa Rica if that’s what you want, it’s not because I’m trying to get rid of you. It’s because I want you to make the choices that are best for you. Not for me, not for the boys, not even for this city. I don’t expect you to take me up on it. Your moral compass will be the death of me, I’m sure. But the offer will always be there.”

Your emotions feel frivolous. Your desires feel petulant. Still, you can’t help but counter, “And what if I resent you now? For not even giving this a chance?”

Heeseung smiles, a wry thing that doesn’t reach his eyes. “Then I’ll take comfort in knowing you have a whole life ahead of you to get over it.”

It’s a stalemate that has the car stumbling back into silence, even as your head spins. He noticed you, he thought about you, long before you ever thought you were even a blip on his radar.

He read your words and connected to them. As a writer, it feels as if he’s admitted to seeing your soul and finding it beautiful. As a human, it makes you want to fall in love, despite all of the ways he’s thoroughly and entirely erased that possibility.

You’re not sure how long you sit in the quiet, mind reeling. It can’t be more than a handful of minutes, though, before the scenery around you begins to take a familiar shape. You’re close.

Early evening has just begun to close in. Around you, shadows are growing longer, street lights flickering on as the last rays of sunlight fade from the day.

Still a few blocks away, Heeseung pulls into an empty parking lot.

You frown. “Surely we can get a little closer than this?” It’s seamless, how well the two of you slip into your roles. You have a job to do. In the face of that reality, it’s as if the past twenty minutes don’t exist at all. The only evidence is the lingering tension that simmers in the air.

“It’s not that.” Heeseung pulls his phone out, frowning at the screen. “Sunghoon’s not responding.”

“What?” Your eyes widen. “Do you think he’s okay?”

“I’m sure he’s fine,” Heeseung assures you. “He was responding to Jungwon just fifteen minutes ago. But that means we haven’t heard from anyone with eyes on the professor since then.” Weighing his options mentally, Heeseung finally suggests, “Why don’t we drive by New Haven first? We can make sure everything looks okay. If Sunghoon still hasn’t responded by then, we can make a decision.”

“Okay,” you nod.

Back on the road, it takes you less than five minutes to reach the publishing house. Immediately, you can tell that something is wrong.

“There’s a car,” you whisper, even though you’re still inside the safety of the car, still driving down the road. “There’s a car parked out front.”

“I see it.” Heeseung’s lips pull into a tight line.

“I think it’s his car.” Your eyes widen. “The professor’s.”

“Yeah,” Heeseung confirms. “I think so too.”

“Why is he here now?” You wonder. “Didn’t you say Sunghoon had eyes on him at his house just fifteen minutes ago?”

“Something’s not right,” Heeseung agrees. “I’m going to turn around. We’ll head to the house and figure things out there.” He maintains an even tone, but you can sense the hint of panic in his voice, the slight tremble as he turns the car around and starts to head in the opposite direction.

“Sunghoon…” You trail off.

“Try calling him.” Heeseung passes you his phone, jaw tight.

Taking Heeseung’s phone from his outstretched hand, you press the call button. The phone rings. In the quiet, each shrill ring sounds like thunder, burns like terror.

“He’s not answering.” Your voice is quiet as you state the obvious. The call drops from lack of response.

“Fuck,” Heeseung swears beneath his breath. But then he reasons, “I’m sure it’s fine. He’s probably just occupied at the moment or–”

The sound of a ringtone suddenly fills the car.

“Is that him?” A wave of relief washes over his features. But it’s premature.

“No,” you shake your head, frowning at the dark expanse of Heeseung’s screen. “It’s my phone. Hold on.” Digging it out of your pocket, the caller ID only makes the dread in the pit of your stomach intensify further.

Again, your phone rings, the sound cutting through the car like a knife.

“Who is it?” Heeseung asks. “Your heart just jumped like crazy.”

“It’s Professor Kim.” Your words are barely a whisper.

“What?” Despite the task at hand, Heeseung takes his eyes off of the road and turns to you.

“I should answer it, right?” You frown, fingers trembling. “He’s probably just following up on the draft I submitted earlier.” You’re not sure who you’re trying to convince – Heeseung or yourself.

“Fuck,” Heeseung repeats. “I… yeah, you should answer.”

“Okay, just,” you sit up a little straighter, as if your professor can somehow see you. “Just don’t make any sounds.”

Sliding your thumb across your screen, you accept the call.

“Hello? Professor Kim?”

“Hello,” he greets from the other end. Oily slick as always, but there’s something ragged in his voice, too. As if he’s recently exerted himself. At the very least, he doesn’t leave you wondering for long. “I had a chance to review your article.”

“Oh,” you reply, some of the tension easing from your shoulders. “What did you think?”

“Outstanding work,” he praises. “Truly. You are one of the most gifted students I’ve ever come across.”

Under any other circumstances, you’d beam with the praise. Now, your anxiety only heightens. Twists knots in the pit of your stomach. “I… I appreciate that, professor. It means a lot coming from you.”

“I’d like to discuss my suggestions for edits, of course.”

“Right,” you nod. “Could I call you back? I don’t have my computer at the moment, and–”

“I’d like to discuss with you in person, actually.”

“Oh,” you force neutrality into your voice, even as your heart gives a sudden lurch. “Okay. I’m available tomorrow, if there’s a time–”

Again, he interrupts you. “I would like to speak with you tonight. And I have something to show you. It’s quite urgent, I’m afraid.”

“Tonight?” You echo. And ‘something to show you’? At your side, Heeseung stiffens. “It’s a bit late. I’m not sure…”

“With the recent deaths in mind, I’m sure you understand that time is of the essence. The sooner we can publish your work, the sooner the victims can be avenged.”

You turn to Heeseung, a question in your eyes. Matching his gaze, you see the way his head begins to shake. His silent disapproval of the idea. But then he stops, sighs.

In the driver’s seat, next to you, Heeseung silently mouths three words.

It’s your choice.

It almost makes you want to cry. His small adjustment. His trust in your ability to choose for yourself.

Into the receiver, you ask, “Where should I meet you?”

“The publishing office,” your professor responds, approval in his voice. “How soon can you be here?”

Mentally constructing an alibi, you settle with, “I’m not too far away, actually. Probably twenty minutes. Maybe a little longer.”

“Excellent. I’ll see you shortly.”

The line clicks dead.

“I don’t like this,” Heeseung’s voice is dripping in unease.

Yours is no better. “I don’t either, but it’s all part of earning his trust, right?”

“He said he had something to show you. I don’t like all of the possibilities that could entail.”

“I’m sure it’s just something to do with the article,” you try to reason. “He’s probably prepared it as a mock publication or something and thinks I’ll be thrilled to see my writing in an official format.”

Under any other circumstances, you would be.

On the topic of your article, you’re reminded that the words in question aren’t actually yours at all. If this car is a place for revelations, you decide to add one more to the list.

“How did you do it, by the way?” Your gaze traces Heeseung’s side profile where he looks out at the road ahead. “How did you write that article just like I would have?”

Heeseung just sighs. “I told you,” his voice is low, quiet, “your writing means a lot to me. I’ve spent a lot of time with it. I suppose that made it easy to emulate.”

“Well, thank you.”

“For stalking your writing?” Heeseung teases.

“For reading it,” you correct. “For taking the time to understand it.” To understand me.

“You act like it was torture for me.”

“Well, I do remember you calling one of my pieces ‘nauseatingly vitriolic.’” It feels like a lifetime ago, that evening in the writing workshop.

“That was one piece,” Heeseung defends. “And it wasn’t really you.”

“No,” you agree, “it wasn’t.”

Heeseung glances at you, and for a moment, you let yourself imagine it too. A world where he’s just Heeseung and you’re just you.

Two humans that met by chance, worried about disappointing their parents and picking the wrong major. Arguing over semantics and vying for attention from their professor. Stealing glances across the lecture hall that start to linger just a little too long. Meeting outside of class and pretending it’s nothing more than a terrible coincidence every time, even if you never fail to slide down into the seat next to his.

Stealing kisses outside of your professor’s office. Sharing a cup of warm tea at a sporting event both of you are only pretending to understand. Falling in love.

Simple moments. Quiet moments. Human moments.

Heeseung reminds you just how far away that version of reality is when he asks, “Should I turn around, then? It’s already been five minutes.” His voice is quiet, like there’s a fantasy he doesn’t want to disturb, too.

You shake your head. “Take a right at the next light, and drop me off at the bus stop. There’s a group of cafes a couple stops down that are popular with students. If he asks, I’ll say I was at one of them when he called.”

Heeseung doesn’t bother to protest. He follows your directions until the two of you are parked on the curb of the bus stop. Bidding him goodbye, you step out from the passenger seat. “I’ll meet you back here,” you tell him. “I’ll take the bus this far, just to be safe.”

“Okay,” he agrees, “but message me before that. As soon as you can.”

“I will,” you promise. The moment lingers for seconds longer, a million words and promises and declarations dying on both of your lips. You sever them all with the shutting of the car door.

Heeseung doesn’t drive away, not until the bus arrives. And even then, you swear it’s his car you get fleeting glimpses of in the rearview mirror.

But a handful of minutes later, Heeseung and his car are nowhere to be seen as you exit at the stop closest to New Haven. With the absence of the sun, there’s a biting chill in the air. Grateful for your jacket, you pull it a bit tighter around your body, suppressing a shudder.

Glancing down at your phone, you send one final message before taking your last few steps towards the publishing house.

Going in now.

Heeseung responds in milliseconds.

Be safe.

Raising a fist, it feels a bit odd to knock on the same door you’ve broken into twice in the past twenty-four hours. The irony doesn’t have long to linger. Professor Kim is quick to answer the door and even quicker to usher you inside.

Tonight, he looks every bit the well-kept professor you grew used to in your classes. With a creaseless button down tucked into dress pants, he might as well be back at the front of the lecture hall.

“Thank you,” he reiterates as he leads you down the hallway. “I appreciate you coming on such short notice.”

“Of course,” you nod, trying to look as enthusiastic as he wants you to be. “The gravity of the situation is not lost on me. I’m excited to review your edits and get my article published as soon as possible.”

“Right,” he nods, a bit apologetically. “You’ll have to forgive me, then, but I have something rather important to show you first.”

That makes your brow crease in confusion. Is what he’s showing you not related to your writing?

“What is it?”

Your professor just shakes his head. “I’m afraid words won’t do this justice. Follow me.”

Beckoning you forward, he leads you to the same room you were poisoned in the first time you visited New Haven. Suppressing a shudder at the memory, you force your footsteps forward, even as your senses start to scream at you in protest.

Pausing at the door, he turns over his shoulder to look at you. “You’ll be pleased to know that I believe I may have been wrong about Lee Heeseung.”

That sends ice spinning through your veins. You don’t like the sound of Heeseung’s name in his mouth, hate the idea that he’s been so fixated on him. “What do you mean? Wrong in what way?”

“See for yourself,” your professor grins. And then, he opens the door.

The room is as dim as it was the last time you were here, but this time, your professor is quick to turn on the overhead light.

But the absence of darkness only reveals a horror much worse than anything you imagined the darkness concealing.

Because on the opposite side of the room, hunched in the corner, there is a figure illuminated under the harsh fluorescent overhead lighting.

His system is infused with so much moonflower essence that he can hardly do so much as lift his head. But when he finally finds the strength to do so, you make direct eye contact with Park Sunghoon.

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

note: Hello my loves! I am so happy to finally be able to share this with you all. I know I mentioned before that part of the reason it took so long was because of some recent changes in my life outside of tumblr, but if I'm honest, part of it too was that I was just having a really hard time continuing this story in a way that felt like it did justice to the first three parts.

There are so many moving pieces and things going on, and I really want to make this story come to life in the best way possible. Thank you for being patient with me while I agonized over that internally lol. I hope that this part was worth the wait. Love u all ♡♡♡

#heeseung fanfiction #heeseung fanfic #heeseung x reader #heeseung x you #enhypen fanfiction #enhypen fanfic #enhypen x reader #enhypen x you #heeseung scenarios #enhypen scenarios #heeseung angst #enhypen angst #heeseung imagines #enhypen imagines

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fairyhaos · 1 month ago

Text

yeoubi. // chwe hansol

여우비 (yeo-u-bi) : noun. literally “fox rain” — when sunlight filters through rainfall, creating a golden shower.

PAIRING : vernon x f!reader

INFO : east asian historical fantasy(ish. i kinda made up my own mythology), fox demon!vernon, silver!vernon, immortal!witch!yn, fluff, magic, strangers to lovers

WORD COUNT : 22.3k+

WARNINGS : blood mention, injuries, slight discrimination against yokai, cursing

NOTES : for the @camandemstudios winter with you collab! i had so so so much fun writing yeoubi and it's genuinely one of the best things ive done this year. writing a fantasy au soft vernon fic was never something that i thought i needed to write, but now i have, and i love him and i love this and i hope everyone loves yeoubi just as much as i do too <3

SYNOPSIS : living as a magic, immortal healer in a rural, human mountain village means most of your existence has been rather peaceful. that is, until one cold winter when an injured yokai stumbles into your life; and though everyone else is terrified of him, you take him in, nurse him back to health, and show the others that some demons aren’t that scary after all. (...and maybe, just maybe, you end up falling for the pretty fox yokai too.)

For the first time in years, the river freezes over.

During winter, it’s often a lot harder for you to notice things like this, as the cold dulls your senses and numbs your fingers, so you’re only informed of this fact when the village children come to your cottage in the morning, their high-pitched voices blending with the mismatched beats of their fists knocking against your door.

“Miss Witch! Miss Witch! There’s something wrong with the river!”

“The river is all solid, Miss Witch!”

“Miss Witch, we can’t play in the river! Can you fix it for us, Miss Witch?”

Blanket wrapped around your shoulders, you open the door with a groggy smile, squinting down at the children on your doorstep.

“Hello, little kids. What are you doing here?”

“Miss Witch!” one of the children chirps. “Good morning!”

Despite being half-asleep, you can’t help but laugh a little at their chipperness. The children are, undeniably, your favourite people in this entire village.

“Good morning,” you say, bemused. “How may I help you?”

Their voices rise in volume again, all of them clamouring to be heard over each other. It can’t be any later than five in the morning, and your fingertips prickle with the cold grey of the mist as you blink down at them, surprised at their energy.

A girl tugs at the end of your blanket, wide-eyed. “Miss Witch, the river is all hard. We don’t know what’s going on.”

“Ah,” you say gently. “I see.” Crouching down so you’re at eye level with the kids, you ask, “If the river is hard, solid, and cold, what do you think that means?”

The children blink at you.

“What else is hard, solid, and cold?”

One of them brightens. “Ice!”

“Exactly,” you say, smiling. “The river has turned into ice. It’s nothing to worry about, but it does mean it’s very, very cold right now, so why aren’t any of you wearing any hats or scarves, hm?”

You ruffle the hair of the nearest child, and she shakes her head, giggling. “We were helping the grown-ups, of course! Something happened at the river, an’ they told us to go away.”

“So we came to you,” another boy pipes up. “They said something’s wrong!”

You tilt your head. Whilst it’s certainly been several decades since the river last froze over, it’s no reason for the villagers to worry that much about it. It’s also not something that your magic can fix, or something that needs to be fixed, so—

“Y/N!”

You look up at the call, and see a man in the distance, jogging down the pathway towards your cottage. It’s still far too dark to see clearly, but you smile at the familiar voice.

“Soonyoung,” you call back. “Good morning! Are you here to tell me about the frozen river, too? Don’t worry, it’s completely normal and not dangerous at all.”

His reply, if he has any at all, goes unheard as one of the children suddenly cries out, as if he’s had an epiphany.

You look down at him, amused. “What’s wrong?”

“I just remembered, something else happened at the river,” he says brightly. His remark makes some of the other children perk up too, as if they also remembered this other thing that had happened.

The kids are all at the age where something like a leaf falling onto their heads would be remarkably significant, so as you wait for Soonyoung to come closer and deliver the actual news, you decide to humour them, smiling and tilting your head interestedly. “Oh, really? What was it?”

“There’s a man in the frozen river, Miss Witch!”

“A—” The smile turns to stone on your face. “A what?”

“Not a man,” Soonyoung says. He’s finally reached your doorstep now, and you notice that his usual easy smile is nowhere to be seen. He frowns down at the children, displeased. “What are you all doing here? We told you to go home, not to Y/N.”

“They thought I could help,” you say placatingly. “It’s okay. And if there’s a man stuck in the river, you might need my help after all.”

“Not a man,” Soonyoung repeats, his face darkening. “It’s not a man.”

You raise an eyebrow at the graveness in his tone. “Well, then you certainly do need my help, it seems. What is it?”

Soonyoung sighs. His exhale clouds the air, and your fingers prickle even more at his next words, like invisible icicles piercing through your skin.

“It’s a demon.”

───────────── ‘✽,

You are not exactly a human.

Certainly, you look and dress like one—and you have to eat and sleep like one too, otherwise terrible things happen to your energy levels—but that doesn’t mean you are human. There are some things which make you slightly different.

One of those things being that you live forever.

“What do you mean you don’t know if it’s hostile?” Soonyoung demands, struggling to match your strides as you hurry towards the river. “Of course it’s hostile. It’s a fucking demon!”

“When you’ve lived as long as I have, you come to realise that some yokai aren’t hostile,” you respond, frosted-over leaves crunching under your feet. Soonyoung squawks back something unintelligible, too out of breath to make an argument.

After encouraging the children to return back to their homes and sleep—since it really is five in the morning, and none of them should be awake—you and Soonyoung began making your way to where the rest of the villagers were.

The river flows down from the mountain that the village is located near. The further up you go, the more dangerous the terrain becomes, and you pause on a jagged rock to frown down at Soonyoung, who’s gasping as he tries to keep up.

“Did you really find the yokai over here? Why were any of you up here in the first place?”

“We didn’t,” Soonyoung said hoarsely. “I’ve been trying to tell you for ages. The demon was found near the edge of the woods.”

“Oh.” You blink. The two of you had marched past the woods a decent while ago. “Okay.” And then you float down from the rock, lightly hopping over frozen patches of land, past Soonyoung again. “Come on, let’s turn back, then.”

Soonyoung sighs, turns around, and begins his clumsy, human descent. “You could at least use your magic to help me down too, you know.”

And that’s the other different thing about you. Magic. It’s such a flimsy, weak word for what you can do, but it’s also the best way to describe it. There are certain things about you, certain things you’re capable of in the way that no human can ever truly be.

Without even looking back, you wave a hand, and a glowing stream of wind nudges Soonyoung’s feet towards the easiest path down. “I don’t know what you’re talking about. And hurry up before those villagers aggravate the yokai even more.”

Demons, or more traditionally, yokai, aren’t something you’ve encountered in countless decades. As technology and weapons developed, and the human population expanded, many yokai simply faded out of existence, unable to sustain themselves in the less wild, less natural environment that humans created. Others were smart enough to recognise they now had less of an advantage over humans, and tended to stay away from densely populated areas, preferring to target any lone travellers who ventured too far into their territory.

Yokai values and morals are vastly different to humans, and they are so incomprehensible to mortals that yokai gained a reputation for being vindictive, vicious, vile, and all other negative ‘v’ words. That doesn’t necessarily make them so, however, and over your lifetime, you’ve encountered some who don't quite fit the stereotype that humans are all too eager to place on them.

It takes you and Soonyoung long enough to get to the river that the sky has lightened ever so slightly, but the lacey edges of morning mist are still blurring the edges of your sight, and you can only barely see what the villagers are looking at, especially with them all crowding around and pushing against each other to get closer to the river.

You crane your neck, standing on tiptoe, before huffing. Scratch that, you can’t see anything.

“Move out of my way, please,” you say sharply, adding a little volume magic to your voice so that it carries over the whole crowd.

Most of them instantly look back at that and clock your presence, eyes widening. Some of them begin rushing towards you, looking almost like their children as they begin talking over each other all at once.

“Y/N, there’s a demon—”

“Absolutely vile creature, is there any way—”

“—river’s all frozen, how did it even get here—”

“Okay, okay, okay!” you interrupt, adding even more volume to your voice to be heard. “Minah, yes, I know there’s a demon. Soonyoung told me. And no, Joongseok, we don’t know if it’s truly vile yet. And Woongri, yokai often work with magic, so it could’ve gotten here in a variety of ways. But if you want me to do something, you have to let me through. Yes?”

You’re tired, and cold, and dealing with stressed adults is not the best way to start the day, so you're more blunt than is perhaps necessary, but it gets your point across. The villagers look sufficiently contrite and finally shuffle to the side, making way for you to get through. Seungcheol, the village leader, nudges his way through the crowd until he’s by your side, face solemn.

“Good morning,” he says. “Sorry about the chaos.”

“Good morning,” you say back, voice now normal volume once again. “It’s okay. Everyone’s scared. You don’t call me at ungodly hours unless it’s serious, so I don’t mind.”

Seungcheol nods, looking both grave and apologetic. “We only ever want you to use your magic for good.”

It’s a terribly human thing to say, and you smile dryly. “Of course. What can I help you with this time?”

“Well… You can help with that.” Seungcheol points to a mound of warped ice a little ways down the river. “How can we get rid of it?”

You squint in the direction Seungcheol’s pointing at, peering through the tendrils of mist, and then gasp. Half-buried into the ice of the river, you can make out a blurry, pale-coloured figure clothed in pale silk. Dark liquid pools in all directions surrounding the motionless body, and anyone can tell the yokai is very badly hurt.

“It’s already bleeding half to death, so it shouldn’t be too hard to finish— wait, Y/N!”

Ignoring Seungcheol’s shouts, you step onto the frozen surface of the river and rush towards the yokai, and your blood runs cold as you take in the sight before you.

The yokai is a fox demon, you notice, with white ears and soft silver hair and a gorgeous white tail, which is partially being crushed by a river’s worth of ice. He’s waist-deep in the frozen water, and a thick layer of more ice has begun to form around the yokai’s torso from where he’s slumped against the surface of the river at an almost unnatural angle, causing his poor tail to be twisted and buried both in the river and the new ice.

“Oh, darling,” you whisper, kneeling down beside him, tracing a finger across the yokai’s cheek. Your finger comes away stained dark with blood, and you swallow thickly, heart constricting.

The crushing ice isn’t the end of the damage: there’s blood pouring from seemingly unknown sources, matted into the fox demon’s hair and streaking down his neck. He must have been in some sort of fight before getting stuck in the river.

Gently, you thumb over the yokai’s cheek, taking in the pale skin and delicate eyelashes. This fox demon is devastatingly pretty, and seeing him so badly injured makes your heart hurt even more.

Something rustles near the riverbank, and you look back to see some of the children hiding amongst the leaves, peering curiously at you as you kneel next to the yokai. Further up the river, Seungcheol is approaching you, wanting to know your thoughts on the demon, and his eyes widen as he also notices the children in the bushes.

“What are you doing here?” he says in their direction, the disapproval clear in his tone. “It’s dangerous! You shouldn’t be looking at this. Where are your parents? Didn’t Soonyoung tell you to go home?”

“But we wanna see Miss Witch,” one boy says, eyes wide. “Please, can’t we stay?”

You frown and open your mouth, preparing to reprimand them, but then the yokai makes a soft, pained sound beside you, and you instantly return your attention to him, bending down even closer to his face.

Seungcheol cries out, this time in your direction as you lean towards the yokai. “Y/N, what are you doing? Stay back!”

You ignore him, reaching out a hand to brush matted hair out of the yokai’s eyes. “Hello? Hello, can you hear me?”

The yokai scrunches his eyes up, whimpering in pain. The moment he’d returned to consciousness, he’d started shivering intensely, struck by the cold of the river.

“Hello?” you repeat, gentle. You move your hand away from the yokai’s face, directing it towards the ice surrounding his back instead. Silently reciting an incantation, the ice begins to glow orange under your palm, slowly beginning to melt away. “Can you tell me your name?”

The yokai shivers, mumbles something unintelligible. Then he looks up at you, golden irises shuddering in fear, every movement of his face telling you it hurts, it hurts, it hurts.

One of the children lets out a shriek, and you whip your head up in alarm. They don’t look hurt, but the yokai notices the sound too, raising his head to look at them with wide, unsettling eyes, and the children shriek again, all of them frozen in fear. You can kind of understand why: the fox demon is covered in blood, and anyone unacquainted with the supernatural would find his slitted golden eyes petrifying.

But before you can say anything, do anything to reassure them, the ice around his back makes a cracking sound as it melts under your hand, and the yokai’s mouth drops open in pain. He coughs, splattering blood over the ice, more of the black liquid dripping from the corners of his lips as he starts writhing and scratching against the river, hauling himself up onto his elbows, eyes fixed on the children in the distance, and all hell breaks loose.

The children are screaming, ear-piercingly loud, and Seungcheol is screaming too, and the yokai starts writhing even harder, yipping and gasping like a distressed fox, his hands sticky with his own blood as he tries to push against the ice.

“No, it’s okay— don’t do that—Cheol, let me think!”

It’s obvious Seungcheol wants you to kill the demon, especially with the way he’s screeching at you right now, but the yokai looks so pitiful, ears shaking, eyes wide, still bleeding from gashes all over his body.

“Think about what?” Seungcheol yells, children cowering behind his legs, and he shields their eyes from the river. “Y/N, please, you have to get rid of it!”

You look at him, and then down at the helpless yokai beside you, and really, it takes you less than a second to decide what to do.

“I’m so sorry,” you say, getting to your feet. Seungcheol tenses, sensing something wrong in your tone as you look down at the yokai again, leaning down with your hand outstretched. “I’m so, so sorry.”

Your fingers come into contact with the yokai’s forehead, and there’s a golden glow before his eyes flutter shut and he freezes up, before collapsing against the ice.

Hidden safely behind the village leader, the children stop screaming. Seungcheol also doesn’t make a sound, still staring wide-eyed at you, and now the yokai is no longer moving, the early morning air is frozen still once more. You look back at Seungcheol, and he blinks, his face unreadable.

“Please tell me you killed that thing.”

You smile weakly, dried-up demon blood on your fingertips. At your feet, the yokai’s shoulders move up and down ever so slightly with every shallow breath he takes, unconscious.

───────────── ‘✽,

“Bad idea,” Seungcheol admonishes loudly from outside your window, and even though there’s a whole wall and a thick pane of glass separating him from you, his disapproval is crystal clear. “This is a bad idea. Y/N, let me in. We have to talk about this.”

You don’t look up from the boiling pot on the stove, simply lifting a hand and giving Seungcheol the finger.

“How dare— Y/N, you cannot let that thing live. It’s a danger to us. Especially the children! Y/N, think of the children, please, it could hurt the children.”

Seungcheol raps against the glass insistently, but you ignore him, humming to yourself as you ladle some of the boiling concoction into a wooden bowl. Gently, you blow on the steam, inspecting the lilac colour of the liquid before nodding, pleased, and heading over to the yokai asleep on your couch.

It’s been some hours since that moment on the frozen river, where you’d decided to save the yokai trapped in the ice rather than kill him. None of the humans agreed with your decision, however, so you’d had to make the tiring trek down the mountain yourself, a heavy, unconscious yokai in tow. That’s partly the reason you’re so tired right now, arms aching as you set the bowl down on the coffee table, where you’ve laid out bandages and various dried bags of poultices and face towels to help clean up the yokai.

Said yokai is still unconscious and bleeding all over the fabric of your sofa, the golden threads of magic you’d used to briefly staunch his wounds already beginning to fray open once more. You sigh, settling down beside him, and begin inspecting the more serious injuries on his forehead and down his arms.

“What happened to you, hm?” you say softly, ignoring Seungcheol still rapping against your window. “Why are you so hurt?”

Living as the only magic user-slash-competent doctor in a rural village means that you have plenty of experience in patching up the particularly nasty injuries that the villagers sustain, and your hands are careful and practised as you dip a towel into the warm, disinfectant potion you’d made, swiping it over the yokai’s skin. He’s injured practically everywhere: deep gashes are scored along his arms, his hands, and there’s one slashed across his chest. Not to mention his definitely-broken tail, the still-bleeding head wound and, judging by the way blood had been pouring from his mouth out on the lake, some internal injuries you can’t see.

You wince, taking a towel into your hands. “Sorry,” you say, heart twinging in sympathy for the yokai. “I’m so sorry this happened to you. But don’t worry, I’m here to help.”

Ideally, you’d run a bath first and scrub the yokai clean of all the grime and blood before getting to tending his wounds. But he’s a fox demon—ridiculously tall and with a fluffy tail and delicate ears, so he won’t fit in your tiny tub and it’ll end up being more troublesome than anything else.

So, you’ve resorted to magic, dipping a cloth in the potion you've made to melt and dissolve all the dirt into thin air.

The wounds are all worryingly deep, most notably the still-bleeding one on his forehead, and if he were human, you’d be concerned that he’ll suffer a serious concussion afterwards, along with an inability to use his hands for a long while. But as it is, the ancient demon-magic that he’s made of will mean that he’ll heal pretty quickly, and there should be no grave threat to his life.

Hopefully. As long as he doesn’t develop an infection from the open wounds.

You finish cleaning up the blood and then wipe down his face with a cool cloth, frowning slightly at how his skin still feels unusually hot. Infections will make his healing process much longer and much more arduous. The poor yokai looks like he’s already been through more than enough, so you really hope the fever dies down soon.

Seungcheol is still yelling at you from your window when you finish your preliminary clean-up, and you sigh heavily, beginning to develop a headache from how annoying he's being. So you walk over to the window, wrench it open, and jab a bloodstained finger in his direction.

“Seungcheol. Kindly, please, fuck off.”

Seungcheol blinks, both startled by your abrupt confrontation and a little affronted, but before he can say anything, you carry on.

“Currently, this yokai is injured, and it’s my job to take care of injured people, regardless of who they are, so you can take any thoughts of me killing him and shove them up your ass. It’s not happening, and it’s never happening, and you’re also disturbing my patient with the racket you’re creating, so please go away.”

If it were anyone else talking to him like this, Seungcheol would have blown up with anger a solid thirty seconds ago—as it is, he simply stares at you, still looking affronted, before he sighs, and all of the energy drains out of him. He knows how headstrong you are, and when you get like this, he knows there’s no way he can sway you. He’ll have to wait until you’re no longer brimming with obstinacy to get his thoughts across.

His gaze drops from yours to your bloody finger, and then he sighs again, folding his hands behind his back.

“Give the demon my wishes for his speedy recovery,” he says at last. “But we still have to talk about this later, Y/N. Okay?”

You huff, and lower your hands. “Fine. Later.” With a resolute swish of magic, you shut the window once again and turn your back on Seungcheol to return to your patient.

As village leader, you can understand why Seungcheol may have concerns regarding a yokai entering a human village, but that doesn’t mean you like how he has no qualms with telling you to just kill it in an instant. Discrimination against magical creatures is half the reason they’re so hostile to humans, anyway, and you’d know firsthand how painful it is to be targeted and attacked purely for being who you are.

It’s not like you ever asked to be magic. And yet, people end up hating you for it.

You look down at the unconscious yokai, with his silver-white fur and gentle eyelashes and those heart-wrenching injuries. Then, wordlessly, you pick up one of the poultices and get to work.

───────────── ‘✽,

Hansol wakes up to the strong, warm smell of chrysanthemum.

It’s an unusual scent to wake up to, and his ears prick up, alarmed—only for him to cry out a few seconds later, upon realising the action sends a sharp bolt of pain throughout his entire body.

“Oh!”

A voice sounds from somewhere above his head, and he startles even more, trying to open his eyes and locate the sound, before realising he can’t see.

He cries out again, panicking at the pitch black that surrounds him, flailing around before realising that that action also causes him debilitating pain, and he begins panicking even more. How did he end up here? What happened? All he remembers is being chased through the forest and then tripping and crashing into a river, and then hard ice and the cold water and the throbbing in his head and then— and then—

Something damp and heavy gets lifted from his eyes and he gasps, freezing up as bright white light almost blinds him.

“Sorry, sorry,” the voice from before says, sounding terribly apologetic. “I’m sorry. I should’ve warned you before doing that.”

Hansol scrunches his eyes, and then squints, vision all blurry from having been unconscious and now being blinded by bright light. He can’t see who’s speaking, but whoever they are, they carry on, the words steadily flowing out faster and faster as the person rambles. He can barely keep up with the onslaught of noise, twitching confusedly and trying to see what’s going on. The world feels like it’s spinning. He’s pretty sure the world isn’t meant to spin this fast.

“That was probably really scary when you woke up, huh? I’m so sorry. The towel slipped from your forehead and covered your eyes, and I’m sorry I didn’t notice. I didn’t expect you to wake up now, but I guess that’s a good thing, ‘cause you’ve been out for a whole day, and any longer and we’re veering into coma territory, which would mean that you were really, really hurt. Which is, like, definitely not good, you know? But you did wake up, thank goodness, so that means there’s a chance you’ll get better very soon. Plus, your fever isn’t that bad anymore, so it seems you really are on the road to recovery, which is all very—oh, wait. Sorry. It’s still too bright, isn’t it?”

Another wave of chrysanthemum hits Hansol’s senses and a hand comes up to his face, creating a shadow over his eyes so he’s no longer squinting furiously up at the disembodied voice.

“Sorry,” the voice says, apologising yet again. “Is that better?”

Hansol blinks, slowly opening his eyes fully to look up, and then, the whole world abruptly stops spinning as he finds himself looking at the most beautiful being in the entire history of the universe. He doesn’t say a word, mouth falling open in shock.

You smile down at him, made anxious by his silence. “Hello,” you say, hand still shielding his eyes from the brunt of the winter light. “My name is Y/N. What’s yours?”

Hansol squeaks, a small, high-pitched sound that instantly floods him with mortification when it accidentally slips past his lips, and he screws his eyes shut and curls into himself, knocking your hand away hurriedly in his rush to hide his face. He tries to bury himself into the couch, shaking.

“I’m not going to hurt you,” you say, gently, worried you've scared him. “I promise. I want to help.” Perched on the edge of the couch, you lean over and slowly lower the yokai’s hands from his face, coaxing him to look at you again. “Can you please tell me your name?”

You smile, again, and Hansol feels a little faint as he looks up at you. His vision is still slightly blurry from his eyes being shut for so long, and the way you’re backlit by the light makes you look like you’re glowing, a gentle halo of silver light surrounding your form. That, coupled with the way you have the prettiest smile he’s ever seen, is making him feel all dizzy. And a bit warm. The air feels like it’s suffocating him, actually, but all of that is made irrelevant by how pretty he thinks your smile is.

There’s a possibility he’s still in the process of getting rid of his fever, because he blinks slowly, focused, and when he opens his mouth to speak, the next words spill unbidden from his lips.

“My name is Hansol,” he says, “and I think you’re the prettiest person alive.”

Your eyes widen at his words, a flush rapidly creeping up your cheeks. Hansol looks at you, worried that you’ll suddenly hate him for what he’s just said, but you just laugh, flattered, and bring your hand up to his forehead. The touch is cool against his skin, like a soothing balm.

“Thank you, Hansol,” you say. “Your fever seems to still be pretty high, if you’re saying stuff like this, huh? I’m currently brewing some chrysanthemum tea, and I think it’ll be a good idea for you to have some too.”

Hansol blinks slowly again. “Chrysanthemum tea,” he muses. He looks up at you. “That must be why you smell so warm and pretty.”

You laugh again, flustered, subconsciously brushing his hair back from his forehead and cupping his cheek, your fingers feather-light. “Perhaps. So would you like some tea?”

“Yes, please,” Hansol says. “I’ll have anything… you… give m…” His eyelids and ears slowly droop, and before he can even finish his sentence, he drifts back off to unconsciousness once again, head leaning into your hand.

Open-mouthed, pink-cheeked, you look down at the one-more unconscious yokai in your hands.

“Wow,” you breathe out. And then you smile. “You’re adorable.”

───────────── ‘✽,

Over the next few days, the yokai—Hansol—constantly drifts in and out of consciousness, his fever fluctuating in intensity the entire time.

It’s difficult to pull coherent sentences out of him, and anything he says is a mixture of your name, his name, and also how pretty he thinks you are.

You chalk it up to his fever.

His demon-magic must have taken a serious blow from the extent of his injuries, as it takes him a lot longer than you’d like for him to finally shake off the infection. A whole excruciating week goes by, and you almost cry with relief when, as you get up to check his temperature in the middle of the night, you find that his fever has finally broken, and he’s able to breathe easily once more.

When the weak sun finally peeks out from over the horizon, you enter your spare room to check on Hansol. Sometime after his first bout of consciousness, you’d gathered enough energy to move him from your couch to the spare bedroom in your cottage. It had taken a lot of work, and a lot of magic—weakened by the stress of taking care of a dying fox demon and trying to fend off any curious and judgy villagers, it takes a lot of energy for you to do anything strenuous lately—but you managed. And it certainly seemed to help, as he slept a lot better in an actual bed.

Humming absentmindedly to yourself, you make your way over to the guest room, fingers dancing and causing golden threads of magic to tidy up the state of your house as you go along.

To your surprise, the yokai is wide awake when you enter the room, and he startles when you noisily open the door and step inside. The moment you make eye contact with Hansol, you freeze, the song dying off your lips at the same time as your magic drops a partially-fluffed up cushion in the living room.

“Um.” You blink, hanging off the door handle, staring at the yokai picking his bandages in bed in the middle of your guest room. “Good morning?”

Hansol doesn’t respond, continuing to stare at you, wide-eyed.

You cough, feeling terribly awkward, attempting to adjust your stance and take your hand off the doorknob in the most natural way possible. “Hello. I’m, uh, Y/N. How are you feeling?”

There’s another beat. Then Hansol finally opens his mouth, only to completely ignore your question to say, “You’re the one who smells like chrysanthemums.”

“I— Sorry, what?” You blink, taken aback by the abrupt and unrelated question, before nodding. “Oh, yeah. I guess you remember the chrysanthemum tea I made you?” You smile slightly. “I can’t believe you remember that. That was when you were the most unwell.”

“Oh.” Hansol’s ears twitch, and he continues to look at you with his golden eyes, somewhere between bewildered and amazed. (Amazed by what, you aren’t entirely sure.) “I do remember, though. I remember you.”

You blink rapidly, trying to push down the blush that threatens to rise up your face. Having a handsome yokai stare at you with such focus, saying that he remembers you even when he was deep in the throes of a fever is such a heart-fluttering thing to experience early in the morning. You aren’t nearly awake enough for this conversation. If you aren’t careful, you could accidentally fall in love right then and there.

“That’s nice,” you croak, and then shake yourself. You have a job to do. Hansol’s a patient under your care, and you need to check his condition. “Um. Sorry. But, uh, I do have to check if you can remember anything else,” you say, slipping into healer mode as you step further into the room, walking towards the bed. “Do you remember your name?”

Hansol nods, intently following your movements as you draw closer. “My name is Hansol,” he says.

You smile, relieved by the coherency of his answer. The fact that the yokai remembers his own name is a very good sign. “Yes, you are. Do you remember how you got here?”

“Yes,” Hansol says obediently. “I was in a river. Trapped in the ice. And you… saved me.”

That makes you smile a little wider. “I took care of your wounds, yes! It’s really good you’re finally awake and able to answer questions, ‘cause it’s a sure sign there’s no lasting internal damage. I do have to check your bandages, though, so… may I?”

You make a gesture towards Hansol’s bandaged arms, and the yokai obliges, raising his arms to let you see.

You take Hansol’s hand in your own, preparing to lift his arm up higher—but the moment your palms brush, you gasp, fingers tightening around the yokai’s at the sudden sensation. Hansol, too, lets out a small noise of surprise, looking up at you.

The yokai’s hands are firm, strong, and perfectly healthy, but they also thrum with magic. You can feel every spark and fizzle of the magic as it dances under his skin, spinning and zipping back and forth like a cloud of hyperactive fireflies. Like the magic can talk, and when it noticed the magic that lives inside you, it seems to yip with recognition, spinning itself around in excitement in the yokai’s hands.

“It’s so strong,” you say, amazed. “I didn’t realise magic could be this powerful.”

Hansol’s also staring up at you, similarly in awe. “You’re magic too?” he asks, looking like he’s never fathomed such a thing is possible. “You’re like me?”

You laugh slightly, made a little giddy by the feeling of how alive the magic is under Hansol’s skin. “Not exactly,” you say, releasing Hansol’s hand to finally reach for the bandages, feeling around to see whether his skin is still tender underneath. “I don’t have the ears or the tail, do I?”

Hansol’s ears flick. You’re decidedly focused solely on the yokai’s bandages, but you can feel Hansol looking at you intently as you work.

“But you’re very pretty,” Hansol says. “Are you sure?”

fuck. Hansol has to stop saying things like that, because they’re very bad for your poor heart. Very bad.

“I’m sure,” you say with a smile, straightening up once again. “I think all your wounds are healing nicely. Now your magic’s come back to its full strength, it’ll help you heal the rest of the way in no time.”

You can’t help but reach for Hansol’s hand again, once more feeling pleasantly surprised by the light zap of magic when your hands touch. Now you can feel the thrum of it under Hansol’s skin, it’s easy to realise how unwell the yokai was before, when his hands had been deathly cold with no fizz of magic in them at all. You’re just endlessly relieved that you can feel that fizz once again.

Hansol looks down at your intertwined hands, and then up at you, a smile lifting up the corners of his lips. “Thank you,” he says, so very sincere that it melts your heart. “Thank you for looking after me.”

You can’t help but smile back, squeezing Hansol’s hand once. “Of course. It’s my pleasure. Really.”

Hansol smiles even wider, ears twitching pleasedly, and you once again have to try and valiantly fight away your blush. fuck. This yokai really needs to stop making you blush so easily, and fast, else you’re going to start having problems.

───────────── ‘✽,

It turns out, the blushing thing ends up being the least of your problems, because later that day, Hansol tries to leave.

Sometime after bringing Hansol a breakfast of soup and chrysanthemum tea (since he really seemed to like the tea), you’re drying away the breakfast dishes when a blast of cold air slices through the cottage, and you look over to see Hansol holding open the front door, looking like he’s about to step out.

“H—wait! Hansol, what are you doing?”

The yokai looks over at you, still holding the front door, confused. The bottom half of his tail is still bandaged, making it difficult for him to move it around, but it still sways from side to side unsurely as he blinks at you.

“I’m leaving,” Hansol says, like it’s obvious. “You took care of me. And I’m now better. So I’m going to go.”

You gape, jaw almost dropping to the floor at the most ridiculous thing you’ve ever heard.

“Like hell you are,” you say, marching over to the front door and firmly shutting it with your still-soapy hands, and then ushering Hansol back to the guest room and into bed. “You are very far from being better, Hansol. Your tail is still all bandaged up! I’m not letting you leave until you’re back to full health, so don’t you dare think for a second that you get to go before then.”

Hansol makes a noise of confusion as you fussily tuck him back into bed, fluffing up the pillows behind his head and arranging the covers around him. “What? Why would you let me stay?”

“Why wouldn’t I let you stay?” you counter, patting down the duvet and absentmindedly brushing away the strands of hair that fall in his eyes. “I want to take care of you. I want you to get better. I can’t exactly do that if you go off into the woods all by yourself and get up to heaven knows what, can I?”

Perched on the edge of the bed, you smile and pat his head.

“I’m not letting you out of my sight for a long while yet, mister,” you say, the faux-scolding adding a light playfulness to your tone. “You’re going to stay with me and get better until I say so.”

Hansol looks up at you, tilts his head, and scrunches his nose just slightly as he smiles, shy. “So you’ll let me stay as long as I like?”

“Obviously,” you say, smiling back. “However long it takes you to heal, and then some, if you want. Of course, unless you have somewhere else to go.”

The yokai hesitates, ears flicking unsurely. “Not really,” he admits, lowering his gaze. “I’ve never actually had anywhere real to stay.” He looks back up at you again, golden eyes glinting hopefully. “So if it’s okay…”

“Oh, of course you can stay here,” you rush to reassure him. And then you pause, deflating a little. “Although…This is a human village, so they don’t really like… your kind. It might make life a bit difficult, but since you’re with me, they shouldn’t bother you too much. Though I understand if that makes you hesitant to stay.”

Hansol shakes his head, smiling slightly. “That’s okay. I like it here, so I don’t mind staying with just you.”

“I’m glad,” you say sincerely. “Seriously, you can stay here for however long you want.”

Hansol ducks his head shyly. “Thank you. Genuinely, thank you.”

You awkwardly pat his hand where it lays on the covers, a little embarrassed in the face of his obvious gratitude, and instruct him to rest up before exiting the room. You’re glad that the brief misunderstanding had been cleared up, because you don’t want Hansol to feel anything less than welcomed. Being a yokai, he won’t have received similar acts of kindness in the wild, and as a magical being yourself, you know how that can feel. No one deserves to feel unwanted, least of all an injured yokai who’d obviously been hurt intentionally before you found him.

Unfortunately, though, the trials of Hansol’s first weeks of consciousness do not end there. Some days later, at some point during the afternoon, Seungcheol comes knocking on your door.

You hadn’t intended on inviting Seungcheol in. But afternoons are always a miserable time during winter, when the sky darkens far too early for anyone’s liking, and it’s difficult to find one’s way through the cold, barely-lit paths. That’s why you often get people coming to your door during the late afternoon, lost or confused or panicked because they’ve lost their way, and your cottage, shimmering with gold magic and warm lights is the only beacon they recognise.

So that’s the only reason why, when Seungcheol turns up, you accidentally open the door for him. Not that you have anything against the village leader, but—Hansol’s only been awake for a week at this point, and you don’t have the mental capacity to deal with a talk about getting rid of him.

Unfortunately, when Seungcheol already has one foot in a door, he will not go. Literally.

“Get your foot out of my door,” you say exasperatedly, struggling to push the door shut as Seungcheol pushes back. His foot is still wedged in the doorway.

“Let me in,” Seungcheol says.

“No. You’re gonna tell me to hurt the yokai again.”

“I’m going to tell you to get him out of here.”

“No.”

“Yes.”

“No.”

“Yes,” Seungcheol says, finally giving up on the little game and pushing his way through the door like it’s no difficulty at all, making you let out an indignant hey!. “We need to talk about this, Y/N. You cannot harbour a demon in our village without discussing this with anyone. He needs to go.”

“He’s hurt,” you say. “He can’t go anywhere! And he won’t hurt anyone, I promise.”

“You can’t know that.” Seungcheol furrows his brow, his tone grave. “He’s a demon, Y/N. You don’t know what he’s capable of. You can’t keep him here.”

“Yes I can,” you insist, “because he’s a fucking real-life being with feelings, not this scary, evil harbinger of doom that you’re making him out to be, and I know this, because he’s been here with me, in my own home, and he’s quite possibly the nicest person I’ve ever met.”

Over the last several days, Hansol has been healing rapidly, so much so that most of his bandages have been removed and he practically glows with magic every time you see him. It’s incredibly relieving to see, and it’s also allowed you to get to know him better: sometimes unintentionally, as a natural side effect of living with him now, but also, sometimes quite on purpose. Because he’s pretty, and he’s interesting, and you want to know who he is.

Turns out, one of the key things about Hansol is he’s the most adorable being you’ve ever met.

He’s adorable, in an awkward sort of way, from the way he hovers hesitantly in doorways to the way his tail always fluffs up with contentment when he feels the tendrils of your magic brush across the room.

Unlike yokai, who simply have ancient magic embedded in them from birth, you are born of magic and made entirely of magic, so the stuff practically spills out of you wherever you go. The magic can’t only be felt from under your skin, but extends out and away from your being. You’re not used to having guests in the cottage, so you weren’t aware of the extent of how much you let your magic run free when in the safety of your home, until you noticed how Hansol reacted. He always blinks in surprise, lifting his hand palm-up, fingers curling inwards, as if your magic is some elusive silk strand that constantly evades his grasp. It’s as if he can truly feel it, and he always seems to like it.

“Can you actually feel my magic?” you ask one day, and he looks up from his hand, surprised. His tail is all fluffy and big, lazily waving from side to side and creating static against the decorative pillows on your couch. You’re sitting on an armchair next to him, smiling at him amusedly from over the book of hexes you’re reading. He doesn’t even seem to notice what his tail is doing, too occupied with the invisible tendrils between his fingers.

“Yeah,” Hansol says after a moment, closing his hand and resting them both back in his lap, a little awkward. “It feels warm. Nice.”

“Really?”

You can’t help but smile at that, oddly flattered. To you, your magic is just… yours. It doesn’t feel like anything in particular, nothing more than a familiar tingle in your hands and a weight against your skin. Though you like describing it as gold, in reality, your magic doesn’t have any colour or any real tangibility to it apart from a fleeting pressure. The idea of it being “gold” is just how you feel about it. It never occurred to you that others could feel it, let alone feel differently about it—living amongst humans, your magic has always subconsciously curled tighter around your arms when you interact with the villagers, not wanting to weird them out with your abnormality or make them feel intimidated by you.

Hansol nods, tail swishing once more. The static has caused all his white fur to stand on end, making him look even more fluffy and adorable. “Yeah,” he says again. “It’s so much calmer than the way my magic feels. It’s really cool.”

He’s looking at you earnestly, as if expecting you to totally agree that your magic is “calmer” than his. And even though you’ve only felt his magic twice before, you nod along in agreement anyway, and Hansol nods back, satisfied with your assent. Then he lowers his gaze back to his lap, opens his hand again, and goes back to playing with your magic.

An endeared laugh bubbles up into your throat, and you smile at the top of Hansol’s head before turning back to your book. Goodness, Hansol is so ridiculously cute.

That interaction only happened some days ago, and whenever Hansol smiles at you or stiltedly asks if he can help you around the house, the surge of affection comes back even harder. So you cannot stand Seungcheol standing here, right now, frowning at you like you’re being unreasonable in your decision to treat Hansol like a normal being.

Seungcheol continues to frown, and you simply stare defiantly back, arms crossed. You don’t let him walk further into the cottage, and a stare-off commences there in the front hallway, neither of you willing to back down.

That is, until there’s a loud crash from further inside the house, and both of you flinch in alarm.

“What was that?” Seungcheol asks, and you look back to where the sound had come from. Connected to the living room, behind a door disguised as an unassuming bookshelf is your own personal library, filled with all the tomes and books on magic and alchemy you’ve collected over the centuries. That’s where the sound’s originated from, which is definitely a cause for concern, but you don’t say so, lest Seungcheol uses this to fuel his argument against Hansol.

“Probably nothing,” you say, though you still glance over in the direction of the library. “You know my cottage. Everything’s old and falling apart.”

Seungcheol looks at you suspiciously. “That’s a lie. You always keep everything in perfect condition.” He begins to move past you. “I bet it’s that demon, isn’t it?”

“No, I—” You try to stop Seungcheol from investigating, but it’s a futile effort. “Cheol, come on, you shouldn’t go see him, he’s still unwell and you could end up distressing him—”

Hurriedly, you trot after Seungcheol through the bookshelf door and into the library, only to end up slamming face-first into his back when he stops abruptly, stunned at the sight before him.

You’re quite proud of your library. It’s an open secret that the bookshelf in your living room leads to it, which is cool all by itself, but your library is also made of magic. What appears as a normal, small study behind the bookshelf turns into a large and sprawling library with high ceilings and mahogany shelves and rows upon rows of books when you step inside.

You’d allowed Hansol access to the library when he’d asked what was behind the bookshelf, and as far as you know, he’s been peacefully situated there the entire day. But, as you peer over Seungcheol’s shoulder to see why he’s suddenly stopped, you realise you can’t see the yokai at all.

In the middle of the floor, there’s a large… fort of books. A book fort. With four walls built of books piled on top of each other, complete with battlements made of upright books and towers with open books as turrets, it’s actually quite amazing to see. The only drawback is how some of the walls are falling down, books tumbling from where they’re piled up.

Also the large spread of ice coming from under the fort, that’s very slowly continuing to pool further and further outwards.

Seungcheol blinks. “Uh… Y/N… you wouldn’t happen to be doing this, would you?”

You shake your head. “Weather magic is my weak point.”

Suddenly, two white ears and a head pop up from behind one of the crumbling walls, and Hansol’s eyes widen when he realises you’re here with a guest.

“Oh!” He ducks his head down, and then straightens once more so he can fully see over the walls of the fort. “Hello. I was just building a castle. One of the walls fell down, ‘cause I sneezed, but I can fix it.”

The tip of his nose is slightly dusted with glittering frost, but he doesn’t even seem to notice that or the ice that’s creeping across the wooden floor. His eyes are shining as he looks at you, infinitely more relaxed than when you’d first seen him, and he inclines his head respectfully in Seungcheol’s direction, looking as humble and polite as possible even when half his face is covered by his book fort.

“Hello to you too. It’s nice to meet you.”

You’re not sure what Seungcheol is most flabbergasted by: Hansol’s gentle manners, or the book fort he’s quite amiably making in your very respectable-looking, very grandiose library, or the circle of ice that’s very clearly coming from the yokai. Hansol is very close to giving the village leader a heart attack any time soon, it seems.

“I— This is— You’re using Y/N’s books to do this?” Seungcheol eventually manages to ask, looking both confused and horrified. “She let you?”

Hansol’s ears droop just slightly, but there’s no obvious change to his expression. “Well… no. But none of the books are damaged, and I’m going to put them back once I’m done with them.”

“It’s fine,” you interject. “I could probably fix a few ripped pages. You can do what you like.”

You couldn’t, probably, fix a few ripped pages, because each book is nearly as old as you. But you’re not going to say that, because you don’t want the confusion on Seungcheol’s face to turn into grim disapproval, and you also don’t want Hansol to feel guilty for what he’s doing.

“Although,” you say, looking down pointedly at the floor, “do you think you could stop the ice?”

Hansol peers over the wall, eyes widening when he realises what you’re talking about. “Oh, sorry. It just happened when I sneezed, I think. Everything is still going haywire… I think I’m still sick.”

The movement of the ice slows to a halt, until only a spattering of frost manages to creep over to where you and Seungcheol are standing. It covers the whole expanse of the floor, now, and there’s not a single patch of the warm brown that’s not frosted over, but it’s okay. That is definitely something you can fix.

Ignoring Seungcheol, who’s still standing there like he can’t believe he’s looking at a walking, talking yokai, you move forward and make your slippery way over to the fort. Hansol moves away a column of books, allowing him to step out of the fort and meet you.

“Is this one of the humans?” Hansol asks in a low voice before you even say anything. The sweetness in his face has disappeared, replaced with an icy look of anxiety. “He’s one of the mortals who don’t like me, isn’t he?”

You try not to wince. “Yes. He’s Seungcheol, the village leader here. He… wants me to get you out of here.”

Hansol regards you for a moment. “You make it sound a lot nicer than what he actually means,” he says. “He wants me killed, doesn’t he? At the very least, badly injured and banished from here.”

“Well… no,” you try to say, but yes, that’s actually exactly what Seungcheol wants. “He doesn’t want you badly injured. He’s just… scared. Of your kind.”

“Hm.” Hansol nods, expressionless. “Same thing, really. He wants me out.”

“Okay, Y/N, stop whispering with the… him,” Seungcheol says, and you look up to see the village leader making his slow way across the ice towards you. “We need to talk. Discuss what you’re going to do, because you are going to do it, for the safety of our village.”

You frown, frustrated. “Hansol’s not a threat to our safety,” you argue. Seungcheol continues to slide gingerly across the ice, and he sighs and shakes his head as you carry on. “He doesn’t have anything against humans. And if he did, he’d have been dead long before we found him at the river, because—Hansol. Tell him why you ended up there.”

Hansol hesitates, looking at you unsurely. The other day, you finally managed to ask him why he’d been so injured and how he’d gotten trapped in the river. It was nothing unexpected, but it still had broken your heart, and hopefully, hopefully, it’s enough for Seungcheol to feel a little bit of empathy towards the yokai. Seungcheol’s a good man, a kind man, and all he needs to do is realise Hansol’s not evil, and he’ll warm up to him faster than anyone could think possible.

“Some other yokai attacked me in the forest,” Hansol says slowly. “Really old yokai. Older than me. And… I got hurt.”

Seungcheol raises an eyebrow, looking at you like he doesn’t get the point of this. You simply glare at him, silently telling him to continue listening.

“It wasn’t bad. Just a broken tail and some scratches,” Hansol says, and Seungcheol blinks, surprised at Hansol’s nonchalance. “But then some demon hunters found me, and tried to get me to… attack them? I dunno. They were picking a fight, and when I didn’t give it to them, they also hurt me.”

Almost imperceptibly, Seungcheol’s face softens a fraction, and you feel a flicker of hope. You know he’s weak in the face of innocently victimised stories like this.

“And so I was trying to run away from them, but everything is kind of in pain at that point. So I end up tripping down the mountain and into your river. My magic goes haywire when I’m sick,” he adds, “so that’s how I end up accidentally freezing ice all over me, too. It kind of responds to my feelings I guess? So when I’m scared, it starts acting up even more, which is why the ice was so thick, too. Like it was trying to protect me, ‘cause it knew I was scared of someone hurting me.”

It’s the most that Hansol’s said in one go, uninterrupted, before. Seungcheol’s face softens even further, and he straightens slowly. He’s been standing still, a few metres away the entire time Hansol’s been talking, like he’s been frozen by his tale.

“And yeah,” Hansol finishes awkwardly, ears twitching. He’s sensed the change in atmosphere, Seungcheol’s empathy tangible in the air. “Then I ended up here.”

“After several, painful weeks of healing,” you add, and Hansol nods jerkily.

“Yeah.”

“Oh,” Seungcheol says gently. “I’m so sorry. I didn’t realise you were so scared. But…” And then he sighs, straightening up further, the softness melting away from his face. “That doesn’t mean you’re not a harm to the others, now you’re all better. Who knows how you might feel when you’re hungry, or angry. You said your magic acts up according to your feelings, and I can’t have it acting up and hurting people here.”

Hansol’s face scrunches up in confusion. “When I’m hungry?”

It’s a bit absurd that’s the thing he’s focusing on, so you feel indignation over Seungcheol’s whole speech on his behalf, crying out at the injustice.

“What do you mean?” you argue. “You’re saying that like he’s some mindless beast.”

“He may as well be, for all I know,” Seungcheol sighs. “He’s not human, Y/N. We don’t know how he’ll act. And I need to think about the villagers. They’re… they’re like family to me, you know that.”

“I’m not human either,” you point out angrily. “And yet I’m also a part of this village. What are you saying, Cheol? Do you not consider me family?”

Seungcheol’s eyes widen, and he shakes his head instantly. “No, you are. But still, you’re more human than he is. And… there are days where I’m a bit wary of you too, Y/N.” At your outraged look, he rushes to continue, “Because you’re so powerful! But you’ve been with us for so many years, during the time of my father and his father, and his father before that, so I know you’re good. You’ve saved their lives. Saved everyone’s lives. Hansol, on the other hand…”

You scoff, beyond furious. “That’s absurd. There’s no such thing as being ‘good’, just as there’s no such thing as being ‘evil’. We don’t live in a fucking fairytale, Seungcheol.”

“I know. Maybe if you’d made different choices, I’d think of you as less good, too, but…” Seungcheol trails off, shrugging helplessly.

You stare at him, eyes so impossibly wide that it’s actually hurting your eye sockets, astounded by what he’s just said. Seungcheol? Thinking of you as evil? Just because of your power?

Beside you, Hansol stiffens just slightly, and during the course of the conversation, he’s somehow ended up so close to you that you can feel his magic simmering frantically under his skin. You don’t know why he’s so worked up, and distantly, you wonder whether it’s on your behalf.

Seungcheol, noticing how irate you’re getting, takes a step forward to try and placate you. But he misjudges his balance on the ice surrounding the fort, leg twisting and his eyes widen and he yelps as he falls forward, on course to crashing face-first onto the hard, frozen ground. Your eyes widen, and you reach out to him, before then—

There’s a blur of white fur and Hansol catches him before he falls over and breaks all the bones in his knees, gripping him loosely around the torso, getting to Seungcheol before you can even blink. He gingerly helps him back into an upright position, and you wave a hand to whisk away the rest of the ice with streams of gold before another accident like that happens again. Hansol’s still holding Seungcheol when you’re finished, but by the shoulders now, looking the village leader right in the eye, golden irises soft and determined at the same time.

“I get you have a responsibility,” Hansol says. “I used to have one too, in the wild. To keep myself alive. But my rule, and this should be yours too, is to not hurt anything that doesn’t hurt you first. I haven’t hurt you. You shouldn’t hurt me. And Y/N—” He looks over at you, eyes flashing, before looking back at Seungcheol. “Y/N has never hurt you. So don’t act like you’re preparing for the day she one day will.”

Seungcheol’s face doesn’t change, but you’ve known him long enough to detect the minute shifts in the air around him as he digests Hansol’s words and, grudgingly, accepts it.

“I apologise,” he finally says, reluctant but sincere in the way only Seungcheol can be. “That was cruel of me. To you and Y/N.”

He looks at you, and Hansol’s hands fall away, allowing him to walk towards you.

“Sorry. But you have to understand where I’m coming from,” Seungcheol says, almost pleading, and you realise that, whilst his stance on Hansol’s existence has wavered, his overall reluctance over him being here hasn’t changed. “At least don’t let others see him, if he’s going to stay. They’ll be terrified.”

“That doesn’t sound like Hansol’s problem,” you retort. “I know these villagers, Cheol, and they’ll warm up to him, they really will.”

You look over at Hansol as you say your next words.

“Hansol is sweet and kind and really rather funny, and it breaks my heart to hide him from others because he might be seen as scary. That’s just people’s prejudice talking.” You smile. Hansol’s eyes are wide, lips parted slightly, and a fluttering warmth unfurls up inside you as you continue to smile at him. “Because I’ve seen Hansol, and he’s the sweetest person I’ve ever met.”

Hansol’s entire face goes pink, and he looks away.

“Maybe so,” Seungcheol says heavily, and you look back at him. The warmth in your chest fades at his tone, dropping to the depths of your stomach. “But I can’t risk them being near him. Don’t let him out.”

You sigh, disappointed. “No. He can leave the house if he wants to, Seungcheol. He’s not some kind of housepet you can impose rules on just like that and expect me to follow through with them.”

“Y/N—”

“Get out of my home,” you say, evenly. “Go. You can take your rules and go piss off out of my sight.”

───────────── ‘✽,

You stew in your anger towards Seungcheol for several days.

He comes to your door every so often, either with a letter or a plea to talk through this, but you refuse to let him in and instead tell him to, not so kindly, fuck off.

Hansol looks at you with a mixture of affection and disappointment each time you do so. You don’t really understand why he looks at you like that—neither the affection nor disappointment—but he doesn’t say anything and goes back to what he was doing soon after, either playing with your magic, or his own, or reading your books.

Having him around the house is quite like having a very adorable, very shy, fox. You might’ve gotten furious at Seungcheol for treating Hansol like a pet, but you don’t mean it like having a pet fox: it’s just like having an inquisitive, cute being around the house who quite likes following you around as you go about your day.

It’s cute. He’s cute, with his swishing tail and his sudden bursts of frost when he’s fiddling with his fingers, and the way he stays perfectly still whenever you gain the courage to slowly inch closer to him on the sofa until you’re laying on his shoulder, at the perfect angle to peer down at the book in his hands so you can read it with him. They’re all your books, of course, so you know what they’re all about, but it’s quite nice leaning against Hansol, feeling his warmth through the silk of his clothing, and the pleasant hum of his magic under your ear.

He never initiates physical contact, but he seems to like having you near. He’s never protested when you’ve held his hand or laid on his shoulder or (very, very gently) touched his ears, so.

He’s quite like a fox, in that way. But he’s like a fox in other ways, too: namely, how it appears that he’s a bit nocturnal.

Sometimes, you’ll awaken at three, four, five o’clock in the morning to someone clattering around in your house. It always turns out to be Hansol, trying to occupy himself without waking you up, but always failing to do so.

“Hansol?” you murmur blearily, shuffling into the kitchen where the flurry of clatters had emitted from earlier. It’s dark, and all the curtains are drawn; nevertheless, his dim silhouette looks distinctly guilty as he whirls around to face you, pots and pans in his hands. “What’re you doing?”

“Sorry,” he says apologetically. “I read some potion in your book, and I wanted to try it out.”

“At three in the morning?”

“Five,” Hansol corrects. You fix him with a look, and he winces, demon magic-enhanced night vision meaning he can see you perfectly clearly. “Sorry. I didn’t mean to wake you.”

You shake your head, rubbing the sleep out of your eyes. It’s cold in the kitchen, and being exposed to the chilly night temperature is gradually waking you up. “It’s okay. I guess you don’t sleep a lot, huh? You’re wide awake, even though it’s so early in the morning.”

Hansol shrugs. “Dunno. But I always just feel like I have so much energy. Like it doesn’t have anywhere to go, and I can’t sleep for too long before it tells me to do something.”

“I see.” You purse your lips thoughtfully, pondering why Hansol’s feeling like this and what could cause it. And then, a realisation strikes you and your eyes widen. “Oh. Oh, I get it. I understand why you’re feeling that way.”

The yokai tilts his head. “Really?”

“Yeah, and it’s totally okay,” you reassure, nodding your head. “Totally understandable, too. But don’t worry, it’s easily fixed.”

You wave a hand and turn all the light fixtures on so you can see Hansol properly. The yokai literally does look like he’s vibrating with extra energy, holding your cooking utensils in his hands, ears perked upright and tail fluffed up to the max. Yeah, he’s definitely understimulated and frustrated with it right now, even if he doesn’t realise that’s what it is.

You smile. This is a good way to help him and piss off Seungcheol at the same time.

“Come on, Hansol. Let’s go outside.”

───────────── ‘✽,

Not even an hour later, you’re making a trek up the mountains in your warmest clothes, lagging behind Hansol even with your magic-aided agility helping you up the hardest of the steps. The yokai is bounding on ahead, nimble and quick-footed even in the darkness of the early winter morning, and you can hear the light crunch of snow under his footsteps as he moves.

This is what Hansol needed. Some time outside, where he can finally breathe.

Some minutes later, as you’re sitting on a log on the path to catch your breath, Hansol comes back down the mountain to meet you, settling down by your side.

“It’s so quiet,” he whispers. The air around you is lit with a faint glow, courtesy of a visibility spell you conjured so you wouldn’t fall flat on your face as you walked. It makes Hansol’s face look golden as he smiles at you, eyes shining. “Everything is so quiet out here. I can hear the animals.”

You smile back, finding joy in how relaxed he looks. “Doesn’t that make it noisy?”

Hansol shakes his head, and then looks away from you, ears cocked to the side, listening. “No. This is like a familiar buzz of noise, so familiar that it becomes silent.” He looks back at you again, smiling. “Down in the village, it’s so noisy because of all the people, but up here, it’s all gone.”

“It feels good, doesn’t it?” you say with a smile, and Hansol nods so quickly that you laugh, endeared. “I’m glad. You can go off for a bit, if you want, and I’ll wait for you here.”

Hansol beams. “Okay.”

And like that, he’s off, nothing more than a faint swish of a silver tail before he disappears once more.

He doesn’t come back to you for some time, which gives you a chance to sit there and breathe in the cool air. It’s so cold that it feels like inhaling clouds of peppermint, but it’s… relaxing.

You haven’t had a chance to properly rest this winter. Winter’s a tricky time for you: the cold numbs your senses and makes your magic more sluggish. This year feels much colder than usual, and now the prolonged adrenaline that came with bringing Hansol back from the brink of death is fading, you’re beginning to anticipate feeling more worn out more often, the warm fizz in the tips of your fingers not as present as it ought to be.

Strangely, though. It hasn’t happened yet. Maybe being around Hansol and his frost-related magic has built up your resistance to the cold.

Or, he’s just so lovely and comforting that you don’t feel the effects of the winter.

That’s always a possibility. You look down at your hands, still glowing slightly with the visibility light you’ve put on yourself. It hasn’t faltered even once, a brilliant gold, and when you think of the colour of Hansol’s eyes, the light seems to glow even more.

You breathe in, and then exhale, kicking your feet out in front of you, looking down the dim mountain. You’ve been up here, thinking, for so long that the weak sunrise is beginning to peek its head above the horizon. Hansol still hasn’t come back. Though, you find you’re not too worried about that: somehow, you know that he will come back to you, though you can’t find ears nor tail of him while he’s gone.

It’s incredible how much you’ve come to trust and believe in Hansol, though he’s only been with you for several weeks. He’s been so reserved, anxious and afraid at times, especially during the early days, when he’d been bandaged up and newly healing in an unfamiliar environment, but now it’s clear how earnest and gentle he is. Something in your chest tightens and then relaxes with happiness whenever you see him smile. He’s just so—genuine, and you really like that about him.

You like him. A lot. He’s certainly an unexpected new part of your life, but now he’s here, and you can’t imagine living without the silver-furred fox yokai by your side.

There’s a rustle in the evergreen bushes to your left, and, as if he’s here answering your summons, a familiar silver head of hair pops out, golden eyes shining when he sees you.

He blinks at you, ears flicking curiously, twigs in his hair like he’s been rolling around on the forest floor. His tail is out of sight, but you can imagine how it’s waving from side to side in contentment, the morning dew slowly turning into frozen crystals in his fur. You smile.

“Hey,” you greet, the moment you see Hansol’s face. “Are you gonna come over?”

Instantly, he stands up, hops over the bush and makes his way to you. His footfalls are light, looking like he’s dancing over the rocks before he settles next to you once more, looking like he never left your side.

“Hey,” he says. “There are so many rabbits in these mountains, you know? Like I’ve never seen so many rabbits gathered in one place before, because normally they get killed by hunters or there’s just not enough food in that area to sustain so many. It’s actually insane how many rabbits you have up here.” When you just smile, his eyes widen, ears pricking upright. “Oh, is it you? Do you do something to help them stay alive? With your magic and all that?”

Hansol then launches into a flurry of questions for you, so eager and animated that it surprises you a little, before melting your heart.

At the sight of sunrise, you’d taken down your visibility spell, but Hansol is still glowing, looking so alive with his cold-dusted cheeks, shining eyes, wind-fluffed hair and the frost dusting the tip of his nose, which must have accidentally happened when he’d gotten too excited and lost control of his magic.

Hansol’s positively lit up, now he’s surrounded by all this nature. He must’ve been so cooped up and nervous before, when he was just in your house, barely anything to do. Now he’s healed, and outside, and you can tell that being out of the house is where he’s meant to be.

“It’s not me,” you admit after Hansol’s finished conjuring up crazy theories. “Well, kind of. I messed around with the mountains about eighty years ago and did something by accident so we get a lot more winter flowers than normal. The rabbits love eating them, so we get a lot of them too.”

“Oh,” Hansol says, amazed. “That makes so much sense. I saw so many flowers. I thought that was a little bit weird, but I just chalked it up to Mother Nature having fun, or something.”

You laugh. “Yeah. I guess Mother Nature was having fun,” you say, gesturing to yourself, and Hansol grins too. His eyes crinkle as he does so, the corners of his lips spread wide so his pearly whites are fully visible, the tips of his yokai fangs slightly on display. Even his big, bright smile is as cute as he is. You’ve never seen him smile this widely before. It’s… pretty.

Even though he’s all warmed up to you now, even though it’s clear he trusts you, it’s obvious he’ll always be most at peace out here in the big, wide world.

His gaze slides away from yours, looking at something behind you, and he gasps.

“What is it?” You turn to look back, trying to find what had caught his eye, but Hansol doesn’t respond. He jumps up, diving into the bushes without a word.

A moment later he emerges, and in his hands is…

“A daffodil?” you say, amazed. “What’s this doing here? Spring is very, very far off.”

“I guess it’s because of you,” Hansol says, handing you the flower.

You accept it gratefully, tracing the edges of its buttery yellow petals, such a warm, golden colour in your hands, in stark contrast to the cold white of the snow around you. It’s so pretty, so pristine, and it’s amazing it managed to survive in the freezing winter temperatures. Must be due to your magic, like Hansol said.

“It looks like you,” Hansol says suddenly, and you look at him in surprise.

“Really? How?”

“You look like spring, to me,” he says. The frosted tip of his nose looks pink, as do his cheeks. A decidedly warmer, blushier pink than they’d looked before. “All warm and gold and pretty. Like the daffodil. And I…” He pauses, and then seems to change his mind, shutting his mouth and blinking at you like he wasn’t about to say anything else.

You smile, so endeared that you’re practically glowing with it. “Thank you,” you say, touched, and look back down at the daffodil in your hands before raising your eyes to the definitely-blushing yokai once more. “That’s so sweet.”

Hansol shrugs, a little bashful, before standing up abruptly.

“I’m gonna go find the rabbits again,” he says, and before you can even reply, he’s disappeared.

You laugh, breathing in the crisp air and then releasing it in a sigh, feeling warm all over despite the cold. You shake your head, fond. Hansol is just so…

That’s it, you decide. You’re not going to let Seungcheol dictate where Hansol can and can’t be. You’ll let Hansol do whatever he wants, and encourage him to do whatever he wants.

Whatever makes him smile.

───────────── ‘✽,

From that day on, you make it a point to take Hansol to the mountains as often as you can.

He loves it—he’ll never say it in so many words, extremely shy when it comes to voicing his preferences for reasons you cannot discern, but it’s so obvious that those few hours he gets to spend with you, in the fresh air, away from all the people, are his favourite hours in the day.

It’s another one of those mornings when you’re up in the mountains with him. You can’t come here every day: you’d collapse from exhaustion if you had to wake up at four in the morning every day, but today, it’s a particularly clear-skied day, and you wanted to watch the sunrise with Hansol.

He’s sitting shoulder to shoulder with you, looking silently down at the village below. It’s still not sunrise yet, but the sky’s beginning to lighten gradually, and you can see some of the windows beginning to light up with orange lights, everyone slowly waking. Hansol hasn’t said a word for a while, so you haven’t either, content to just look down at everything in silence.

The entire experience is rather humbling. From the mountain, the village looks so small, like it’s merely a miniscule dot in existence, something that could be missed in a single blink. Like each mortal is worth next to nothing. Like each could be destroyed in a second.

That’s what a lesser immortal would think, anyway. For you, however, rather than how fragile life is, being this high up makes you marvel at the intricacy of it. Every person, every soul, despite being so small, is filled to the brim with so many unique experiences that no one else can ever live through as that person did. They live, and they die, but almost magnificently so. Like a one-of-a-kind snowflake that melts as soon as it lies in your hands.

You look at Hansol next to you. His eyelashes flutter thoughtfully as he looks down at the village, delicate against his pale skin.

Every life should be cherished, you think. Because if even the fleetings lives of humans are that complex, then what of the immortal creatures, who live forever? No one should tell them to hide themselves away.

“I can hear you cursing Seungcheol in your head,” Hansol says abruptly, pulling you out of your thoughts. He’s staring at you, now, no longer focused on the village, and he tilts his head bemusedly when you meet his gaze. “You’re still mad at him, aren’t you?”

You blink, and then smile. You were kind of cursing out Cheol in your head, you admit, and it’s kind of funny that Hansol picked up on it.

“I am,” you sigh, looking down. “Well, now I’m more annoyed, really. I know I should be glad that he’s not going to extremes, like some other people in the world, but…”

Hansol nods slowly. “I get where he’s coming from, though,” he admits, and you look up. “What? Seungcheol cares for his village. These people… they all mean a lot to him, and he doesn’t know me, so I guess it’s natural for him to be cautious.”

You roll your eyes. “That’s no excuse. These people all mean a lot to me, too. I watched them all grow up! And Cheol should know I wouldn’t suggest anything that puts them in danger.” You frown. “It’s frustrating. It feels like he doesn’t trust my judgement, even though he’s literally known me his entire life.”

The yokai hums, and reaches over to pat your hand placatingly where it rests in your lap.

“Also, it pisses me off that he’s saying all this without ever making an effort to get to know you, and see if his judgement is right,” you say, looking at Hansol, catching his hand in your own when he begins to move away. “You’re just—you’re just so lovely, and how dare Seungcheol try to hide you away, like you’re something taboo, or something to be ashamed of?”

Hansol’s eyes widen, and he blinks rapidly, before averting his gaze to your intertwined hands. “Oh,” he says, after a moment, clearly embarrassed by your sincere compliments. “That’s… nice.”

You laugh, fond, squeezing his hand comfortingly. “I’m always nice,” you tease. “I’m the nicest person in the entire world, actually.”

To your surprise, Hansol doesn’t smile back at your joke, and simply ducks his head shyly. “You are.”

And then he keeps lowering himself down until he’s laying in your lap, the tips of his flickering slightly at the contact as he adjusts himself until he's practically lying down in the log, head in your lap. You stiffen in surprise, and Hansol slowly shifts so he can blink up at you with innocent, gold eyes.

“Can I lie here?” he asks, even though he's clearly very much lying there already, and you smile, relaxing.

“Yeah, I guess,” you say, and Hansol smiles, closing his eyes as your hand goes to his hair and begins to gently run through the strands with the tips of your fingers.

You stay like that for some time, running your fingers through Hansol’s hair and over the soft fur of his ears. Abruptly, he playfully flicks his ears as you trace a finger through the fur at the base of them, making you yelp in surprise, and he smiles, pleased at having made you jump. You lightly tug at a few strands of hair, teasing, and he smiles wider, eyes still shut, the slight points of his canines visible.

Too distracted with Hansol’s face, you end up completely missing the full sunrise, and eventually it becomes late enough in the morning that the village fully awakens, bustling with noise as people go about their day. But curiously, you can’t hear a single thing. It’s like your world has narrowed down to you, your hands, and the yokai laid comfortably in your lap.

He really is very pretty. You notice the small spattering of snowflake-like freckles on his cheeks, and smile. He’s so pretty that it isn’t even fair.

You trace a thumb over his cheekbones, opening your mouth to comment on them before Hansol’s eyes snap open, and his ears suddenly tilt towards something down the mountain, listening. Your hand freezes, and you let him turn his head, alert.

“What’s wrong?”

Then, you hear it: the crunching of twigs underfoot, and the telltale huffing and puffing of a human making their way up the mountain. Your hand falls, and you get ready to stand up before—

“Y/N?”

Soonyoung, clad in winter furs and holding a woven basket in his hands, blinks at you in confusion, and then he glances to the yokai in your lap, and shakes his head, his expression becoming even more mystified than before.

“What are you doing here?”

“What are you doing here?” you ask back, equally confused as Soonyoung. “You literally hate climbing the mountains. What are you doing?”

Soonyoung looks at you oddly, lifting up the empty basket. “I’m here to collect wildflowers for you,” he says. “I asked you the other day if you could make some of that non-dangerous magic fire you did last year. You said you needed wildflowers harvested at sunrise to make that potion, so I’m here to get those.”

“Oh. Did you really ask me that?”

“Yes,” Soonyoung says. “You said you’d make them for me. And also complained for like five minutes because I tried to pay you, and you wanted to refuse ‘cause you said I was paying you too much. As if there’s such a thing as being paid too much money.” He rolls his eyes for emphasis, and you laugh.

The conversation comes back to you now, and you shrug sheepishly. “Yeah. Sorry. I forgot about that.”

Soonyoung makes a disgruntled sound, feigning annoyance before his eyes crinkle as he smiles. “Don’t worry about it, boo. Just as long as you remember to make the potion, it’s all fine. The children’ll love it for the bonfire tonight.”

Your eyes widen. “You want me to make it for tonight? There’s a bonfire tonight?”

“Yes,” Soonyoung says. “I specifically told you when I asked, as well. Goodness, you’re forgetting everything today, huh?” Then he gestures casually to Hansol, who’s still lying in your lap, looking unsurely at the villager. “Don’t tell me, you also forgot you have the injured demon in your lap, too?”

He points to Hansol so naturally, so calmly that you look down in surprise, as if you really had forgotten the yokai was there. Soonyoung laughs, shaking his head as he bends down near a bush, poking through the dirt to see if there are any flowers. He turns his back on you and Hansol, craning down towards the ground to see better as he continues to talk.

“Cheol told me all about the demon and how he disapproves of you keeping him alive,” Soonyoung says. He manages to find a few wildflowers, and lets out an aha! of pride, putting them away in his basket. “Not gonna lie, I agreed with him a bit. But then I come up here and find him in your lap as you pet him like a cat, and now I’m thinking, maybe not so much.”

Soonyoung turns back to face you once again, and somehow, during those thirty seconds, he’s managed to get dirt all over his nose.

“Plus, you seem to like him,” he carries on. “So he can’t be bad, can you? Because you’d kick his ass if he was.”

You quirk a grin at that, proud. Then you nod down at Hansol. “He has a name, though, you know. And he can hear you.”

Soonyoung’s eyes widen in realisation, and he stands up quickly, brushing down his clothes. “Oh, sorry, you’re right. Sorry. Hi, I’m Soonyoung, one of the villagers who live here. It’s nice to meet you.”

He extends a gloved hand towards Hansol, and Hansol looks at the hand for a long moment. Then he slowly sits upright again, and grasps Soonyoung’s hand in a firm handshake, the corners of his mouth relaxing slightly.

“Hansol,” he says. “It’s nice to meet you.”

And then he must do something, because Soonyoung lets out a small yip in surprise, withdrawing his hand quickly as Hansol observes him amusedly, eyes glinting.

“Did you…” Soonyoung starts, wide-eyed. “Did you just. Give me an electric shock? On purpose?”

Hansol cracks the slightest smile, evidently pleased with Soonyoung’s reaction. He’s in a playful mood today, you muse, smiling as Soonyoung stutters, clearly not sure what to do when a yokai plays a prank on him like this. It makes you smile too, amused.

“You have to show me how to do that,” Soonyoung eventually says, going from surprised to confused to full of amazement. “Can you show me? Is that something which can be taught?”

That makes Hansol smile properly, lips curving upwards. “You’re funny.”

“I’m being serious!” Soonyoung says, but something about Hansol’s smile must make him smile too, because eventually he laughs, shaking his head. “Goodness, you magic people need to stop messing with me. One day, I’ll accidentally set myself on fire, and it’ll be your fault.”

“You’d do that anyway,” you tease, and Soonyoung rolls his eyes. “Anyway, I have to get going, I think. Jeonghan’s coming over for a poultice for his back pain, and I need to get to my cottage before he does.”

“Okay,” Soonyoung says. “This is a hell of a way up the mountain, by the way. I might go down with you as well, and see if I’ve missed any flowers.”

“Cool.” This is definitely not that far up the mountain, and even though Soonyoung hates climbing, it shouldn’t have taken him more than twenty minutes to reach where you are. It’s clear he wants to walk with you for a moment to tell you something, so you look at Hansol, and offer him the chance to stay up in the mountains by himself for a bit.

He agrees, so you and Soonyoung begin your slow descent.

“What do you want?” you ask, when you’re out of Hansol’s hearing range.

Soonyoung just smiles, shaking his head. “Nothing bad,” he says. “I meant it when I said Hansol seems like a cool guy. I just…” He pauses, thinks over his words, and then leans in closer. “Bring him to the bonfire tonight.”

You reel back. “What? Are you crazy?”

“Hey, if you’re worried about him getting hurt, you shouldn’t be,” Soonyoung says placatingly. “Hansol’s a demon. He can hold his own. Plus, the people aren’t as against yokai as you might think. Cheol’s just overly cautious, and the elderly might have traditional views about it, but it won’t be hard to make them like him. He’s cute.”

You raise an eyebrow.

“He is!” Soonyoung argues. “I saw him in your lap, Y/N. He’s adorable. And very… docile? Like, he’s so quiet. But also very silly. The kids would love him, you know. So would everyone else.”

“Even Seungcheol?”

Soonyoung thinks about it for a second. The cold air has made his cheeks all ruddy red, and he looks like a very earnest, very red-cheeked schoolboy as he nods firmly. “Yes. Even Seungcheol.”

You hum, still incredibly sceptical. “Well. I’ll think about it. We’ll have to see.”

───────────── ‘✽,

Unfortunately, even though you were slightly swayed by Soonyoung’s words and his instant kindness and all-round chillness in Hansol’s presence, you ultimately end up not bringing Hansol to the bonfire night. It’s not your decision, though: it’s Hansol’s.

“Are you worried about the humans?” you ask, when Hansol tells you that, respectfully, he doesn’t want to go. “You don’t have to worry about that. I could blast them all to pieces for insulting you, if that makes you feel better.”

Hansol smiles a little, before shaking his head. “No. It’s actually just… I’m not really a big fan of all the noise and stuff. And how hot bonfires are.”

“Oh.” You soften, concerned. “Have you been… hurt by fire before?”

“Huh? Oh, no,” Hansol says. He shrugs. “I just don’t like being too warm. Makes me uncomfortable.”

You raise an eyebrow, amused. Because even as he says this, he’s cuddling up into your side, head on your shoulder, his tail curled comfortably around him. “Really?” you say. “You don’t like being too warm?”

Hansol’s ears flick. “Yeah. My magic originates from winter, as you might have noticed, so…”

“Oh, I hadn’t realised,” you say teasingly, tapping the tip of his nose lightly. “I thought the white fur and random bursts of frost on your skin meant you were a summery fox.”

Hansol scrunches his nose, and you laugh. “Yeah, yeah. Anyway, it does mean I don’t like being all warm, so fires are a no-go for me. Especially bonfires, where there are many people. That’s way too much warmth for me, for sure.”

“I see,” you say, reaching a hand up to tuck some of his silver hair out of his face as he nestles closer into your side. “That’s cool. But I am going to have to go, even if you aren’t. Will you be okay if I leave you here by yourself in the evening?”

“Yeah. Can you make me dinner before you go, though? Last time I tried, I almost destroyed your kitchen.”

“What? When was that?”

“Oops. Did I not tell you?”

Anyway, the bonfire night ends up being a bit of a disappointment. Several of the villagers have cottoned on to the fact you’re housing the yokai, and express their concerns to you over the matter several times over the course of the night. You love these people, you really do, but hearing so many of them advise you to send him back off into the woods for your own safety really wears you down after a while.

“I think Y/N understands what you’re saying now, imo,” a gentle voice butts in, right when you’re in the middle of having a particularly exhausting conversation. This tricky older woman’s insisting you let the yokai go… only, she’s using much more unkind words.

You were very, very close to losing your cool with her—respect the elders be damned because hell, you’re way older than she is—before she’s interrupted mid-sentence by a villager appearing over his shoulder, and you smile in relief as you recognise him.

At the call of “auntie”, she looks up and comes face-to-face with your saviour, Joshua, and all it takes is another gentle smile and some sweet words before he successfully convinces her to leave your side and rejoin her friends on the other side of the bonfire.

“Don’t worry about it,” Joshua says when you thank him for his help. “You know how they are. Once they latch on to you, it’s impossible to get them to leave without using some sort of witchcraft to pry them away.”

You laugh at that. “And yet, it seemed to be you who helped get them off me. Maybe you’re the real witchcraft user out of the two of us.”

Joshua laughs, light and melodious, magical fire reflecting in his eyes. He doesn’t say anything to your joke, however, and nods into the distance behind you, down the darkened paths that lead to your cottage. “You need to bring him out, though,” he says. “Whilst he’s still unknown, they’ll continue conjuring theories that become wilder by the day. They need to see the yokai so their suspicions can be wiped away once and for all.”

“Wh—Hansol?” You blink. “It’s dangerous, Shua. They might hurt him.”

“They’re hurting him now,” Joshua says. “They’re hurting you and hurting him by making stuff up. Just introduce him to them, okay? He can’t become part of our village if he never meets our villagers.”

At your stunned look, Joshua smiles.

“What? I know you, Y/N. You’re attached. You want him to stay. And honestly…” His smile turns a little more secretive, a little more knowing. “I think he wants to, too. The yokai will stay for you, but to truly bring him in, you have to bring him out to us.”

Joshua smiles again, the colours of his irises swirling together, before he pats you on the shoulder and gets up, leaving you there speechless.

He isn’t… wrong. But hearing it like that sounds insane.

You shake your head. Hansol will have to meet everyone sooner or later, you suppose. You very much do not want to go ahead with Seungcheol’s idea to let him be hidden, like a secret, so of course, you need to bring him out into the open.

You shake your head again, mystified. Joshua’s correct, but how does he know so much?

Honestly, you really do think he’s more of a witchcraft user out of the two of you. His incredible timing, his knowledge of all your thoughts, the fact he’d called Hansol a yokai rather than demon…

Also. How old even is he, anyway?

Too confused and befuddled by all the thoughts in your head, you end up playing with the children and run through the fire all night instead. It’s a lot safer than having to deal with all the grown-up stuff of thinking about things.

───────────── ‘✽,

Both Soonyoung’s and Joshua’s words linger in the back of your mind for days after that, and you contemplate how to get Hansol out of the house. Hansol had never really shown signs of wanting to be part of the village, which had made you reconsider this whole thing, wanting to brush away the villager’s words, before you actually asked the yokai, and—

Hansol shrugs. “Yeah. I’d like to get to know everyone. I want to be part of the village.”

“You do?”

“Yeah,” he says again, smiling at you. “This village is your village, and I want to be with you.”

Oh. You smile back, touched. Hansol smiles wider, brightening at the eye contact, all sweet and lovely and really quite cute, before ducking his head and disappearing back through the shelves of your library once again.

So Hansol turns out to be not as against the idea as you thought, which makes you feel a lot better about thinking of how to get the villagers to trust him and how to get Seungcheol off your back for taking care of Hansol in the first place.

However, it ends up not being you who makes the first steps into getting him known. Oh, no.

Instead, Hansol does that all by himself.

It happens during the first snowfall of the year. You’d woken up to the beautiful sight of the white crystals floating down and covering the entire village with a soft, muffled coat, and the equally beautiful sight of Hansol, who had already woken up, practically pressing his nose against the window to look at the snow in awe.

He’d clearly wanted to go out and be in the snow—as a winter yokai, that made sense—but you’d had some errands to run that day, so you’d told him he could stay only in the front yard of the cottage and go no further.

Hansol had smiled at you, an amused quirk of his lips that acted as all the reassurance you needed.

So he’s sitting in the snow in front of your cottage, legs out in front of him, the silk of his clothes getting damper the longer he sits on the cold ground, but he hardly notices, more focused with tracing a finger through the soft white that is steadily building up.

Snowfall is Hansol’s most favourite wintry thing. It’s a perfect, wondrous phenomenon: the intersection of the perfect time and the perfect weather and the perfect temperature that makes the sky release soft handfuls of the white stuff down on Earth. Even nature falls silent when the snow falls. In Hansol’s opinion, that’s proof enough that it’s something to be appreciated beyond belief.

His robes, his old robes, used to have silver snowflakes embroidered into them, intricate and sprawling patterns that he could run his fingers over and almost feel the cold gust of wind that accompanied the snow. They’re not on the robes he’s wearing now—he’s wearing ones you’ve given him, after his old ones were ruined by his own blood—but he traces his fingers gently over the sleeves, letting frost spread out from his fingers like the feathery patterns that used to adorn the cloth he wore.

He quickly grows bored of that, though, and turns to the real snow in front of him, ears flicking absentmindedly to get rid of the small pile-up gathering on his head. He absentmindedly gathers the stuff in his hands, patting it into shapes and then leaving them out on the lawn.

This carries on for some time, and eventually there is an army of misshapen snow clumps in your front yard, all frosted over with a touch of his magic, and he grins, satisfied. And then his ears twitch again, and he feels… eyes. Watching him.

Hansol turns around, and some houses away, peeking from over a well-trimmed, leafless hedge, he sees three children clad in fluffy winter clothes staring at him, curious.

He doesn’t have much experience with human children. Or any children, for that matter. But he’s pretty sure that, when a yokai makes eye contact with them, they’re not meant to light up with glee and come running over with absolutely no regard for the icy paths or the danger that said yokai could present.

Surprised, Hansol jumps up to his feet, reaching out hands to steady the little kids as they skid over the snow and come to a stop right in front of him, eyes shining, expectant. He doesn’t know what they’re expecting, and being so close to these mini humans is a very awkward experience for him. He’s not sure what to do.

So he lifts a hand, and waves. “Hello?”

The three children beam, and one of them, the girl, practically vibrates with happiness when he speaks.

“Hello!” she chirps, and waves back. “I’m Yeowon! What’s your name?”

Hansol blinks, taken aback by her enthusiasm. “I’m Hansol.”

“Hansol!” Yeowon keeps speaking in exclamation marks, and it’s honestly kind of amusing. “It’s nice to meet you! This is Junghoon, and this is Minjun!” she says, gesturing to the boys on either side of him, who also give Hansol equally enthusiastic waves.

“Hello,” he says unsurely. How old are these kids? He doesn’t know much about human years, but they look… very young. Where are their parents?

He doesn’t get to voice his concerns before Yeowon starts speaking again, going a mile a minute and he can hardly get a word in edgeways.

“We were watching you from Minjun’s house,” she says, and picks up one of the snow balls that Hansol was making, lifting it up so he can look at his own handiwork. “These are so pretty! We wanted to come over and play with you, ‘cause we’ve never seen you before, but you live with Miss Witch, right?”

Hansol opens his mouth, but it’s apparent that wasn’t an actual question when Yeowon barrels on.

“So you must be a good guy! So we wanted to come say hello and play.”

She blinks big, innocent eyes up at him, as do the two boys, evidently begging him to play with them, or something. He doesn’t know what play entails, but… there’s no harm in entertaining these fun-sized humans, right?

So Hansol nods, says they can play with him, and sits down in the snow again. And then, before he knows it, they’re all shrieking and climbing over him and asking him to make figurines out of ice and snow and patting his hair in amazement and asking if his ears are actually real.

Children are very overwhelming, Hansol quickly learns. But he also kind of likes them: likes the way their eyes light up when he makes them the little ice characters they want, likes their fascinated smiles and the way they very gently touch his ears and accidentally get damp suede of their gloves in his mouth in their excitement. They’re bubbly, full of life, and so friendly with him that it honestly makes him so delighted that it surprises him.

“Make me one too! Make me one too!”

“Your ears look super fluffy! Can I touch your tail?”

“Why are your eyes yellow?”

“Can you make me something out of magic too, Mister Fox?”

“Mister Fox! Mister Fox!”

Hansol doesn’t know how it happens, but he blinks and suddenly he’s surrounded by what seems to be every child in the village, clamouring around him and asking if he could play, Please, Mister Fox, won’t you?

Your front lawn is quickly becoming a gathering place for the little humans who had swarmed towards him so quickly that Hansol’s starting to think they were waiting in the background for his very opportunity, and he makes more ice figures and listens interestedly to their babbling as they conjure stories for the figurines on the spot. They’re all so very noisy, but Hansol smiles, brimming with a similar sort of energy as his magic fizzes and pops with glitters of snow and makes the children laugh.

There’s no other way to describe it. He’s feeling happiness, pure and simple.

Unbeknownst to Hansol, there’s one human who’d been watching the entire scene right from the beginning. Coming down the path, on his way to visit the village’s magic-user, Soonyoung had noticed Hansol sitting by himself and had prepared to go over, extend a hand and a friendly word before Yeowon, Junghoon and Minjun had run over.

As a result, Soonyoung retreated a little ways round the bend to watch from a distance, which is where he is now, smiling at the innocent joy of both the children and Hansol.

From the opposite end of the path, he spots you walking back to your cottage, and clocks the exact moment you realise what’s happening in your front yard. Your eyes widen, and you stop in your tracks, before your eyes slowly lift further and you notice Soonyoung standing there too, smiling.

See? he seems to say with your eyes, meeting your gaze. They love him.

One of the children shrieks with laughter as she grabs Hansol’s tail and he playfully gasps in shock, scooping her up and lifting her into the air until she’s giggling and burbling for him to put her down. At his feet, one child is patting snow into the hem of his robes, and another is playing with a fox-eared figurine that Hansol had made him.

It looks so natural, and you watch them for a moment before looking at Soonyoung again. Soonyoung smiles even wider. You have nothing to worry about.

You laugh, a little bit in disbelief, warmth spreading across your face as you smile back, looking fondly at the sight in your front yard. Finally, you really do believe that that’s the truth.

───────────── ‘✽,

“Let’s go out,” you say, and Hansol looks up from his book, tilting his head inquisitively.

“Hm,” he says in reply. “Are you sure?”

It’s been a few days since the first snowfall, but the wintry precipitation has not let up, and it continues to softly drift down from the sky even as you speak. The blanket of snow covering the earth has also blanketed your senses, and your magic is nothing more than a gentle hum beneath your skin. A month ago, this would have stressed you greatly, but with Hansol and his winter-attuned magic singing happily around the entire room, you feel nothing but peace.

Nodding in reassurance, you smile at Hansol. “Very sure. Let’s go out today.”

Hansol blinks, once, and then smiles back, closing the book and getting up from the couch. “Okay. Where are we going?”

You smile wider. “To make you some friends.”

That was the plan, anyway. Ever since the first snow, when Hansol had been accosted by the children and ended up playing with them for a good part of the day, you’ve had several villagers come to your door, either complaining about the yokai or wanting to know more about him. So, you figure, today you should get him out to the village square so he can finally meet everyone. Regardless of their opinion of him.

Because you have trust in Hansol. Now, you have confidence he can turn their opinion around.

Hansol, despite having all the appearances and mannerisms of an introvert, doesn't seem to mind leaving the house for so many days in a row, and eagerly agrees as you urge him to get dressed and head out to the village square. There's the daily market taking place, and most people will be there, so it'll be a good opportunity to introduce him.

But, like you said, that was the plan.

Unfortunately, you're whisked away by some of the villagers who need help with their sick relative, leaving Hansol stranded in the village square.

“You don't have to stay,” you insist to him, as you're rushed off to deal with the medical emergency. “Seriously, Hansol, you can go home. Especially if anyone starts throwing insults, then just go, okay? I'll be with you as soon as I finish.”

Hansol watches you go, head tilted, slightly amused. It's kind of cute that you think he needs protecting. You know, since he's an ancient demon, and all. But before he can say as such, there's a small voice near his knee, and he looks down to see a small child, piping up in favour of him.

“Don't worry about Mister Fox!” the small boy chirps brightly. “We will look after him!”

And as if out of nowhere (seriously, where do these kids come from?) several children come up to him and cling to his robes, waving at you as you leave the market square. Hansol waves too, mystified by the miniature support latching onto him, but also a bit touched by their loyalty. They're really sweet.

“So what do you wanna do, Mister Fox?” the first little boy says, and Hansol recognises him as one of the first children to come up to him a few days ago. Minjun. “Are you hungry?”

Without even waiting for Hansol's answer, Minjun and the rest of the children start ushering him to the food stalls, fiercely advocating for their choice of what Mister Fox should eat first.

“Wait,” Hansol says, interrupting the particularly fierce fight over having hotteok or bungeoppang first. “Kids. Do you have any money?”

There's a short silence, and all the children look down, which is how he learns that they don't, and so they don't end up buying anything at all. Except, Yeowon, who joined the discussion partway through, manages to wheedle some of the stall-owners to give her free food with her big puppy eyes and innocent pout.

It’s like a magic trick, Hansol has to give her that. And when she happily tells the vendors that she’s sharing the food with Hansol, the villagers do nothing other than blink in surprise and then smile, polite and awkward, well. That’s also an incredible magic trick too.

They sit on the outskirts of the village market, pillowed by the mounds of snow all around them as they eat their steaming hot snacks. They’re delicious, and sticky, and very sweet, so it’s not too long before Hansol has several super-hyper, sticky-fingered children on his hands, who are all practically launching themselves into the snow with the bounding amounts of energy they have.

It becomes very noisy very fast, and Hansol starts panicking slightly, before he loudly suggests they ought to go and make some snowmen, and all the children whip their heads around to look at him, wide-eyed, and then—

“That’s such a good idea!”

“Yes! Let’s do that!”

“I’m gonna make the best snowman!”

“No, me!”

“No! Me!”

And then they go tumbling off into the snow, and Hansol slumps back down, relieved. He can still see them, and he can still sense them, too, so there’s no worry in any of them getting lost. At least he can now have some peace and quiet.

Twisting his lips thoughtfully, he gathers handfuls of the white snow, turning it over. He turns it over again, and then begins patting and shaping it in his hands until he has something that resembles a little snow duck.

It’s terribly misshapen, and the beak is a bit too long to be a duck, but it’s cute, and Hansol’s pleased. He swirls his fingers in the air, and uses some magic to add finishing touches, trying to rectify the wonkiness. It doesn’t work, but he still thinks it’s cute. You’d probably find it cute, too. Right?

Probably. Hansol hums to himself contemplatively. You like everything he does. It’s very sweet, he thinks, that you’re always so receptive to him, and it’s even sweeter that you genuinely enjoy his company. You brighten like a blooming chrysanthemum, spring-like in your warmth whenever he says something to you, and it makes him feel all warm too. Ever since the first time he woke up on your couch, out of his mind with a fever, and he’d noticed your floral chrysanthemum tea scent and accidentally called you the prettiest person ever, you’ve always been so gentle and kind and oh, Hansol likes you so much.

You’re just—lovely. You’re the loveliest being he’s ever met in his entire life, and that’s saying something, because Hansol’s been alive for a really fucking long time.

“Hello.”

He’s startled out of his thoughts by a light, melodic voice coming from over his shoulder, and Hansol looks up in surprise to see a villager bent over him, warm brown eyes glinting and the corners of his lips curving upwards in a seemingly permanent smile.

“Sorry, I didn’t mean to make you jump. I just saw you, and thought I’d say hi,” the villager says, smiling properly, extending a hand. “I’m Joshua. You’re the yokai, right?”

Hansol manoeuvres his body around awkwardly and shakes Joshua’s gloved hand. “I’m Hansol, and yeah, I am the yokai. How could you tell?” His ears flick pointedly as he talks, and Joshua’s eyes immediately go to them before he smiles wider.

“Yeah, I guess it was a silly question,” Joshua says, and his fur boots crunch in the snow as he climbs over a mound and crouches down next to Hansol. “But I don’t wanna seem impolite, you know?”

Hansol shrugs, but he understands. “Yeah. I get it.”

Joshua smiles.

They say nothing for a moment, and Hansol lifts his head up briefly to check on the children. He can still see all of them, actually, dotted about the edges of the market as they build their snowmen. He watches them thoughtfully, and then down at the snow at his feet.

It only takes a moment for a snowman of his own to begin to form, aided by his magic as the snowballs roll themselves to become bigger and more round.

“That’s really cool,” Joshua comments, and Hansol had almost forgotten he was there. He’s so quiet, feather-silent, but when he catches Hansol’s eye and smiles, there’s a twinkle to his presence that makes him wonder how he could have ever forgotten him. “I’ve never seen anyone other than Y/N be able to do that.”

“Hm?” Hansol looks at the snowman that’s slowly being built. “Oh, well, it’s nothing, really.”

Even as he says so, his tail fluffs up in pride at Joshua’s words, and he begins adding more and more intricate frost details to the snowman. The feathery patterns wind through the body of his creation, like embroidery, and Joshua whistles, amazed.

“It’s very cool. Your magic is very cool.”

Hansol shrugs, bashful. “Thank you. But really, it’s nothing.” As the snowman continues to construct itself, he leans over to Joshua as if confiding a secret. “In the wild, there are yokai who can create literal monsters out of ice. In about five seconds flat. But I mostly just deal with frost and snow, so it’s a lot more difficult for me.”

Joshua tilts his head, genuine interest written all over his face. “Oh. I didn’t know there were differences in yokai magic.”

“Of course there are,” Hansol says, like it’s obvious. “Like there are differences in humans’ skills, there are differences for yokai, too. We are not unlike you, you know.”

“I suppose that’s true,” Joshua says thoughtfully. And then he looks Hansol in the eye again, smiling. Joshua is honestly so friendly, and even though they only met two minutes ago, he feels like he’s known him for years. “So you won’t object to being friends with a human, right?”

Hansol blinks, surprised, and Joshua’s smile just widens. It’s obvious what he’s asking, and Hansol feels… touched, that he’d even suggest such a thing.

“Yeah,” Hansol says, and his magic finishes off the snowman with an intricate flourish of frost. “I’d love to be your friend.”

“Joshua!”

The calling of the human’s name makes both Joshua and Hansol turn around, and they see one of the elder villagers coming over to them, the skirts of her robes swishing as she walks. She’s terribly intimidating, greying hair pulled back into a bun with a pointy hair stick, marching over with incredible grace even through the ankle-deep snow that has gathered. She squints at the yokai and how close Joshua is sitting to him.

“Mrs Choi,” Joshua greets, apparently oblivious to the sharpness of the woman’s gaze. “Hello. It’s very cold today, isn’t it?”

She eyeballs Hansol for a moment before nodding at Joshua. “Very. Frightful weather, but at least the children are enjoying the snow.” Mrs Choi lifts her gaze and squints into the distance, where the children are playing. “I hope someone is supervising them.”

“Oh, well, Hansol is, so don’t worry about it,” Joshua says with a smile.

Mrs Choi snaps her gaze back to them. “Is he really?” Hansol nods, doing his best to look as earnest and trustworthy as possible, and she hums. “I see.”

“He has them doing a snowman competition, actually,” Joshua says. “He’s very good at making them himself, too. Look. Don’t you think his creation looks amazing?”

He points to the snowman in front of them, glistening with frost and embroidered with thin ice, clearly a work of his magic. Hansol swallows, expecting Mrs Choi to fly into a tizzy over the presence of such witchcraft, but she just scrutinises the snowman, and then—

She smiles.

“It’s very pretty,” she says, and in the blink of an eye, her expression has turned warm. She’s smiling so nicely at Hansol, and then she leans down and brushes a hand over the top of his head, gently dusting away the snow that had landed in his hair. “Just like you, my dear.”

Hansol blinks up at her, open-mouthed. “I— thank you, ma’am.”

She chuckles, straightens, adjusts the skirt of her robes. “No need to thank me. I’m simply telling the truth.” Mrs Choi nods in the direction of the children, before turning away. “Thank you for taking care of the children, also. Keep up the good work.”

Hansol watches her go, feeling a little dazed. She had looked so sharp and stern at first, but something about him sitting there harmlessly and making a harmless snowman with harmless snow gathered in his hair must have done something to convince her that he’s, well, harmless. Which is good. Very good. Hopefully she’ll let everyone else know, too.

“Yeah, she looks scary, but Mrs Choi is anything but,” Joshua says with a laugh, when Hansol directs his wide-eyed gaze to him.

“She’s terrifying.”

“Her son takes after her,” Joshua chuckles. “Choi Seungcheol. He looks scary, but he’s a right softie on the inside, trust me.”

Hansol’s eyes widen further. “She’s Seungcheol’s mother? The village leader?”

“The one and only,” Joshua affirms. He laughs. “Don’t worry about him. His own mother found you cute. I’m sure he’ll be won over by you in no time. Especially if you keep making snowmen that rival Y/N’s in their intricacy. Seriously, I think yours are the best I’ve ever seen.”

“Shua, I hope I didn't just hear you dissing my amazing snowman building skills.”

Hansol looks up at your voice, and sees you slowly treading over to them, a drawstring bag dangling over your shoulder as you pick your way through the snow. The tip of your nose is red from the cold, cheeks a pretty pink with an amused smile on your face, and the moment he sees you, it’s like you’ve stolen his breath away.

Whilst Hansol’s too busy being starstruck, Joshua laughs, leaning back on his hands.

“So what if I was?” he teases, and nods to Hansol’s snowman. “Doesn’t it look amazing?”

You look away, directing your gaze to the snowman. Humming thoughtfully, you eye Hansol’s creation, and he begins to grow a little nervous under your critical silence, fiddling with his fingers and digging them into the snow, wisps of cold air seeping from his skin.

And then you smile, a lopsided smirk that makes Hansol feel a little dizzy.

“I can certainly do better.”

Before he can say anything, you set down your bag, and with a flick of your wrist the snow begins to swirl and gather itself before you. Under your command, golden streaks of magic begin to press the snow together, creating larger shapes that you obviously plan to sculpt into a showstopping piece.

You look almost relaxed in your movements, the entire process taking nothing more than a slight twitch of your fingers as magic sparks zip around the sculpture that’s gradually beginning to form. Hansol can only watch in awe, amazed at the fluidity and effortlessness of your power. By his side, he thinks he hears Joshua chuckle softly.

After a few short moments, the three of you are staring at a large, smoothly finished sculpture of a winter fox, and you smile and cross your arms, satisfied.

“What do you think?” you say, smug, confident in your belief that you’ve proved yourself.

Hansol’s jaw is on the floor. Delicate pointy ears, a fluffy-looking tail all made out of snow, and wow, are those whiskers? Did you really make whiskers?

“Wow,” is all he can say, staring at this lifelike fox that’s made entirely out of snow. “Wow.”

Just then, there are high-pitched exclamations from somewhere in the distance, and the children that Hansol’s been supervising come bounding over, shouting in amazement at the fox that you’ve made.

“Hi, kids,” you say when they’re close enough, laughing when Yeowon barrels into your legs to give you a hug. “Quick question, which snow sculpture do you think is better? The fox, or the Frosty the Snowman?”

They all look very thoughtfully at the two snow pieces in front of them, before unanimously pointing to your creation, and you grin triumphantly at Joshua and Hansol. Hansol just smiles back, totally expecting such an outcome. You’d beat him any day when it comes to stuff like this, and he’s totally fine with that.

“That’s not even a snowman,” Joshua protests, but it’s clear he’s arguing just for the fun of it. “Y/N, that’s not a fair competition.”

You shrug flippantly. “I’d win anyway.” And then you wink, pleased, and Hansol feels like burying himself in the snow just to try and get rid of his red cheeks.

“Mister Fox, we wanna play with you now,” Minjun says, and he looks up to see the children standing around him, red-cheeked and damp-haired but still eager to play more. “Can we play a game with you?”

“It’s getting late,” Hansol tries to say, but apparently, that had been a rhetorical question, because they’re hauling him up to his feet so they can play with him. “The market’s already closing. Shouldn’t you all go back to your parents now? Joshua? Y/N?” He looks back pleadingly as he gets dragged away, and you and Joshua just laugh, waving him goodbye.

“Have a nice time!” Joshua calls, standing up from the snow and brushing down his clothes. He stands closer to you, smiling as you both watch him begin to play. “He’s good with them, isn’t he?”

You smile too. “He really is.”

“The best,” another voice adds, and you look over your shoulder to see some of the villagers also watching Hansol. They’re all the parents, and yet they seem perfectly content to let their children play around with the yokai, any trace of hostility gone from their faces.

That makes you smile wider. “I’m glad you think so, Mrs Lee,” you say, and the woman smiles back. “Don’t worry. He’ll keep your children safe.”

Mrs Lee bows her head in acknowledgement, eyes turning soft as you all watch Hansol let the children punt tiny clumps of snow at him. “We know.”

They stay with you for a little longer, chatting about Hansol’s gentle nature and how wonderfully he gets along with the children, before eventually they disperse and begin packing up the market for the day. Next to you, Joshua is also smiling, looking fond, which is really weird because he barely knows Hansol but there’s definitely a clear look of admiration and affection in his face. Before you can comment on it, though, he pats you on the shoulder, and begins to step away.

“I better go,” he says. “Cheol’s coming your way. I think he wants a talk.”

He bids you goodbye then trudges back through the snow, and you look over your shoulder to see that Seungcheol really is coming your way. Instead of greeting him, however, you look back out at Hansol, and wait until the village leader is by your side.

“Hello, Y/N.”

“Hello, Seungcheol.”

You don’t offer him anything else, and so the two of you stand there in silence, continuing to watch Hansol play with the children. It is an adorable sight, though, and makes the corners of your lips twitch upwards the longer the silence goes on. He’s totally lenient with them, letting them pull his tail and ambush him with damp gloves and shrieking laughter. His head whips back and forth constantly between the two sides of kids that have inexplicably formed, somehow finding himself in the crossfire as snowballs get flung around him.

It’s cute, and it makes you laugh, heart warming with fondness. You can feel Seungcheol watching you out of the corner of your eye, and when it’s clear he’s not going to say anything until you do, you sigh and turn your back on Hansol at last, raising an eyebrow.

“Well?” you prompt. “What’s up? You didn’t come find me just to say hello.”

Seungcheol pauses, and looks down. “No. I didn’t.” A beat. “My mother actually told me you were here.”

“Okay. And?”

“She talked to Hansol,” he says, and both your eyebrows raise this time, in surprise. “She said to me that she liked him, and she wanted me to open my eyes and finally realise how much of a good person he is.”

Seungcheol clasps his hands behind his back, rocking on his heels. He looks over your shoulder, at where Hansol is undoubtedly doing something silly to entertain the children, and his eyes go gentle. They don’t soften, and they certainly don’t melt, but his gaze becomes a little more mellow, like a layer of hardness has finally given way.

“And he is a good person,” Seungcheol says, looking at you again. “I’ve been watching him all day. All week, in fact, and even if my mother hadn’t said anything, I would’ve sought you out to tell you this, because I think I owe you an apology.”

You breathe a laugh. “You certainly do,” you say, but there’s no real bite. Seungcheol’s actions were understandable. You’ve already forgiven him.

Seungcheol seems to know that too, because his lips quirk up into a half-smile. Nevertheless, his words are genuine when he says, “I’m sorry. I was too rash, and too harsh. Any worries I had over yokai did not excuse the way I talked about Hansol. Do you think you can also tell him how sorry I am?”

You draw in a long breath, cross your arms and lean back, staring down your nose at Seungcheol. His smile wavers, a little, but then you relax, breaking out into a grin.

“You can tell him yourself. He’d love to talk to you,” you say, and Seungcheol smiles too. “I’m sorry, too. I shouldn’t have reacted like that. You’re just looking out for the village, like you always do. But…” You shrug. “I was looking out for my kind, also. I was frustrated that you were treating Hansol like that just because he was a yokai.”

Seungcheol breathes out, wisps of white spilling from his lips. “I get that. It makes sense that you felt that way.” His eyes lighten with mischief suddenly, his smile taking on a teasing edge. “Especially considering the fact you’re in love with him, too.”

The world grinds to a halt. You stumble, taken aback by Seungcheol’s words. “I’m sorry, what?”

Nothing else gets to be said about the matter, though, because a small child goes zooming past you right at that moment, brushing against your side. And then, half a millisecond later, a fat clump of snow hits you square in the back.

The child continues running off, bubbling laughter fading into the market square. Slowly, very slowly, you spin on your heel and come face-to-face with the culprit.

Hansol’s still frozen in his throw position, one hand incriminatingly covered with snow. The moment he sees your face, his face breaks into a wide grin, that beautiful, big grin that shows the slight point of his yokai fangs. His eyes are glowing, alight with amusement and another, warmer emotion you can’t quite name.

He tilts his head to the side, eyeing the snow gently tumbling down your back. “Whoops?”

“Whoops?” you echo, breathing a laugh. You look at Seungcheol, as if saying Can you believe this guy? before turning back to Hansol, a handful of snow magically making its way into your hands. “Oh, you’re going to be saying a lot more than ‘Whoops’ in a minute.”

Hansol laughs, holding his hands up placatingly. “Now hold on a minute—”

Abruptly, his head jerks back, and he gets knocked off his center of balance by the force of the snowball you’d just lobbed at him.

You burst into laughter as Hansol, sitting on the ground and with snow in his hair and up his nose, wipes his eyes with a grin. “Now you’re just asking for it, I think.”

Still laughing, you snap your fingers, and several more balls of snow float up around you. “Oh, it’s on.”

Cut to several minutes later, and somehow, the snowball fight between the two of you has devolved into a village-wide thing, children slipping and sliding in the snow alongside their parents as Seungcheol yells at his team to close ranks and you yell at yours to focus their sights on Hansol. The icy air stings your cheeks, and at some point it begins to snow again, hard, blurring your sight, but the whole thing still continues, the square filled with the laughter of the villagers.

And throughout it all, Hansol manages to find your gaze no matter where he is, gold eyes seeking your gold magic, and the beautiful sound of his laughter leaves you breathless every time.

───────────── ‘✽,

All things considered, perhaps it’s totally expected that you end up falling for Hansol.

You don’t get to truly mull over Seungcheol’s last words until much later, when you and Hansol have both changed out of your sopping wet clothes and are sitting curled up together on the sofa, both of you blinking sleepily at the fire you’ve lit in the fireplace.

The snowball fight ended incredibly amiably, with everyone agreeing that Seungcheol’s team had obliterated everyone else’s, despite the lack of magic users in his group. You’d helped some of the villagers dust themselves off, and used magic to dry off the people who had gotten the most wet. Soonyoung, inexplicably, looked like he’d been dunked five times in a swimming pool, rather than emerging victorious from a snowball fight.

Finishing with Soonyoung, you’d looked back, and of course—Hansol was playing with the children, again, as if he had endless reserves of energy to spare. But in between letting the kids climb his legs and play with his swishing tail, he was chatting with the rest of the villagers, helping them tidy away their things.

It made you smile.

And then Hansol had looked back at you, as if sensing your gaze, and his entire face had lit up, brighter than the brightest summer’s day, and he’d quickly said goodbye to the villagers before coming bounding over to you, face so open and comfortable and warm and—

Yeah. You like him a lot. And you’re sure that he likes you a lot too.

Hansol yawns, big and wide and content, his tail flicking lazily as he rests on your shoulder. Outside, the snowfall has increased to a snowstorm, complete with howling winds and dark, looming clouds, but inside, your cottage is warm, and you have a sleepy yokai pressed against your side, and life is, admittedly, kind of perfect.

There’s just one thing, though.

You need to tell him.

Lost in thought, you shift around absentmindedly, and Hansol looks up questioningly at the movement. The warmth of your magic prickles softly in the air around you, and when he takes your hand, you can feel his own magic murmuring softly in tandem with your own.

He continues to look at you, and then smiles, eyes glowing. Goodness, he really is so pretty.

“I like you,” you whisper, the words falling from your lips as if he’s enchanted you, bewitched you into saying how you truly feel for all to see. “I like you, Hansol.”

Hansol blinks, slow, cat-like. He lifts his head up, pulls away slightly from your shoulder so he can sit up and look at you properly. His eyes are shining, slitted pupils widening and rounding in adoration.

“That’s good,” he says. “Because I think you’re the prettiest person alive.”

It’s almost a direct copy of the first words he’d said to you, almost a lifetime ago, when he had been out of his mind with a fever, red-cheeked and hazy-eyed and fixated on the way you smelled like chrysanthemums. The memory makes you laugh, heart squeezing with fondness, and you reach forward to cup Hansol’s cheeks, smiling wider when his eyes flutter shut briefly and he leans trustingly into your touch.

“That’s funny,” you say. “Because I think you’re the prettiest person alive.”

Hansol’s eyes crinkle as he smiles, showing those yokai fangs that you adore so much. His ears twitch with happiness, light speckles of frost covering his cheeks as he blushes. He’s so pretty, and you love him so much.

Slowly, you inch closer until the tip of his nose brushes against yours. So close that you can count the snowflake-shaped freckles on his cheeks.

“You forgot to say it back, though,” you murmur. “Hansol, you didn’t say you like me back.”

Hansol breathes a soft laugh. “I thought it was obvious.” His smile widens, so enamoured that it warms your heart. “Y/N, I like you too. In fact, I think I’m in love with you.”

You beam. “You know what? I think I’m in love with you too.”

And then you lean forward, and Hansol leans in too, and your lips meet in the softest, sweetest kiss. He tastes like magic, like love, like soft snow that numbs your senses but leaves your heart alive and alight and oh, this is everything you never knew you needed and more.

Hansol’s silver-white hair is falling into his eyes when you pull away, his golden irises shining brightly through them like dazzling, gorgeous sunlight peeking through the translucent colours of snowfall. The sight makes you instantly lean in to kiss him again, dizzy with adoration because goodness, this happiness is for you. He looks like this because he loves you.

And you love him too.

fics tags: @jeonginssa @weird-bookworm @minhui896 @slytherinshua @haowrld @belladaises @moonlitskiiies @mirxzii @zozojella @kawennote09 @a-wandering-stay @abibliolife @doublasting @wonranghaeee @icyminghao @sweet-like-caramel @your-yxnnie @odxrilove @kyeomyun @crackedpumpkin @jeonride @kellesvt @eightlightstar @onlyyjeonghan @aaniag @starshuas @raevyng @isabellah29 @hrts4hanniehae @mcu-incorrect @dokyeomkyeom @suraandsugar @haodore @tulsa24 @melodicrabbit

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saerins · 1 year ago

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°୨୧ INEVICABLY, UNDENIABLY

+ gojo satoru x f!reader | wc 3.3k | content: fluff, modern au, friends to roommates to lovers, timeskip thing; from high school -> adulthood, alcohol, implied sex, children, marriage, gojo is mostly clingy and annoying and we love him for it, the years and age correspond to his actual birthdate, take this as my birthday fic for him <3

summary: despite seemingly having it all, gojo satoru’s goal has always been the same all these years you’ve known him—all he wants in life is you, and only you. during his birthday this year, gojo counts his blessings.

2006; seventeen.

the day you agreed to be satoru’s partner in homeroom class is the day you signed away your sanity. not because satoru’s hard to get along with or that he’s rude or slacks off, but because it’s hard not to fall for a boy with such pretty eyes and even prettier lips who likes to say the most beautiful things.

getting to know satoru is like taking a deep in the clearest, coldest ocean after an entire lifetime of being dipped in molten lava. he’s annoying, refreshing and eye-opening all in one.

satoru shows promise in the first lesson, doing fairly well at cooking and sowing, although afterwards he just falls off because you end up having to teach him how to properly use alcohol in his cooking so he doesn’t burn himself or that you’d end up patching his fingers up since he accidentally pokes himself a lot more than the average human would.

still, it’s not his fault he isn’t naturally talented in the home economics department. he is in sports, you find out, after a few months of being in the same class as him.

“hey, y/n.” he’s leaning back on his chair, depending on its hind two legs for support. it’s become his habit during class to bother you whenever the teachers aren’t in.

you were assigned the seat diagonally behind him, and it’s become a habit for you to ignore him—mostly because most of the time, it’s nonsense that falls out of those lips, especially after you’d gotten close. it’s his sign of affection, you realise.

“hey y/n, i’m being serious this time, i need to talk to you,” satoru whines, pouting and sighing in that over dramatic way that only he can.

that’s also not the first time he’s tricked you into acknowledging him so all you do is look at him, a smile appearing that you failed to suppress, and bring a finger to your lips, signalling for him to hush.

unperturbed, satoru smirks and gets to scribbling on a piece of paper, folding it (annoyingly and quickly) into a swan before handing it to you. he winks at you, and you’re immediately driven not to give him satisfaction by reading it. instead, you bow slightly and stuff it in your pencil case, making satoru pout again and giving yourself the sweet taste of victory.

the rest of your sophomore year in high school, you find yourself growing closer to satoru, an unfamiliar feeling growing inside of you. you find that you like knowing what makes him tick, and even the way he says your name, or even watching him ace every kind of sport and then having him blow a teasing kiss to you after each win.

“y/n, i’m so jealous of you, how’d you manage to get gojo satoru of all people?” one of your classmates whine, swooning endlessly over him.

you only laugh it off, deigning to think too much of it.

it’s weird; he’s most of the schoolgirls’ crushes, but you’ve never considered him to be yours. maybe it’s just a fleeting feeling that will go away with the test of time.

yeah, that should be all that is.

2007; eighteen.

“why not? we’re practically going to the same college.”

with time, you thought that maybe satoru would become a little more sane. like how growing into adults, you slowly shed the ridiculous dreams you had as a child. but he’s not, if not—he’s even more insane.

“we haven’t got the results yet, satoru.”

“i’m pretty sure we’ll get in though.”

“and what’s your basis for that?”

“i’m never wrong about these.”

as always, satoru lives in his own little bubble and you can’t help but to sigh. in his head, both of you will get into that same college you applied for and he has it all planned out: “we get into college, sign up for whatever classes, and then rent an apartment together—genius right?”

that was satoru just moments ago, elbows leaned over the grocery cart as he grins at you, beaming like a dog waiting for their owner’s approval. now he’s still doing the same, except you’ve flicked him on the forehead before turning your attention to the aisles because apparently, he says he hates the food at home and would rather have what you’re cooking.

he’s made it his life mission to invade your meals over the weekend, squeezing himself into your family, bonding with your sibling and your parents and only then did you realise what you forgot in the first place: satoru is one of the most charming people to ever walk the earth. your siblings constantly ask about the next time he’s coming over, and your parents are just waiting for you to announce that he’s your boyfriend—which he’s not, but he sure likes to make it seem that way.

another thing you notice about satoru thanks to your now-weekly grocery runs: he likes to wander around way too much, and complains afterwards when he finds you after losing you.

“y/n!”

it’s like routine by now; the way satoru rushes over to you, putting his arm around your shoulder and sticking his cheek against yours, telling you how he almost died because he thought he lost you—like the drama queen he is. by now, all you can offer him is a ruffle of his hair before you carry on like normal, as though your heart isn’t beating right out of your chest from that simple proximity.

because satoru, despite his generally icy look, is always warm; his body heat, his cheeks, the way he looks into your eyes all the time, even his fingertips when they brush against you.

you think he’s especially warm when he falls asleep beside you after watching a late night movie, his head nuzzled in your neck, hands somehow rested over your own. your favourite thing about the friendship, though, try as you might to deny it, is how satoru’s hands always find yours when he walks you home, fingers lacing around your own as if it’s second nature.

ever since then, these routines have become a staple, and perhaps even does your growing feelings. the inexplicable one.

2008; nineteen.

satoru was right.

both of you did get into the same university, and the same course, with different minors so at least there’s some differences. so of course, satoru did not let the shared apartment idea go. though, of course, thanks to your initial hesitance on the matter, the only available apartment is a 4-bedroom, entirely too big and hence you’d convinced satoru to just rent the other bedrooms out for extra change.

and no, satoru does not need extra change because his family’s loaded (which you realised you didn’t even know before this) but at least this would allow you to not dwell on whatever you’re feeling too much. university is going to be stressful enough without the added consideration of your possible feelings towards satoru.

then enters geto suguru—your new roommate who, thankfully, steals enough of satoru’s attention so you have some breathing room. turns out, they’re like two peas in a pod. but while you and satoru major in business, suguru majors in psych. so that still means satoru’s around just you most of the time.

some routines change; like how movie nights are shared amongst the three of you in the living room instead of just you and satoru in your room. or how during grocery runs satoru still runs up to you when he finds you again except this time, an exasperated suguru is beside you sighing at him, always a “how do you stand this guy?” rolling off his tongue. the most surprising one for you might be how meals include suguru now and satoru’s the one who does the cooking now, and funnily enough, he’s absolutely great at it. no ounce of hesitation as he flips the pancakes, or stirs the fried rice—no whining about how it’s too hard because he’ll get burns on his fingertips and has to ask you to tend to his wounds.

but some change in a different way. they leave no room for someone else, like how satoru always finds your hands to hold on to, keeping you within a reach too close to pass as just friends but both of you refusing to label it anything else anyways. it leaves no room for other people to butt in and whisk either of you away.

and for now, at least, both of you are okay with just that.

2009; twenty.

participating in different activities and clubs inevitably mean that you and satoru wouldn’t be attached at the hip most of the time. and of course, while that leads to satoru becoming even clingier when you’re both home (not that you’re complaining when it’s nice to feel wanted from the very guy you’re completely not having a crush on), both of you are in separate social circles.

satoru occasionally has his friends over, the ones you don’t really know that well. the one where you can only remember names like haibara because he’s extra friendly and yuki because she’s one of the prettiest people you’d ever seen and nori because she’s a mix of the two. you’re nice, and cordial to all of them, although you can’t really say the same for satoru.

occasionally you and suguru invite your friends over, because nicely enough, you both have the same interests. it’s mostly shoko and nanami, a med student and law student respectively, but both of which satoru loves to annoy to no end. lucky for you, shoko is strangely naturally tolerant of his antics and nanami shrugs it off as white noise.

“y/n, surely you’d rather spend time with me rather than that blondie?” satoru always asks, pouting as he looks at you over his shoulder during breakfast—a constant whenever you have plans that involve nanami.

it’s kind of cute.

“mmm, that’s a secret,” you’d always tell him, knowing that satoru’s pouts won’t last all day anyway. it’ll relegate to an excited grin whenever you’re back after that.

you’d never really had to face your feelings, then, until all of you gather one night, before the holidays officially start. you should’ve known that something would be different this time, especially when there’s alcohol involved. naturally, in the circle you sit in, satoru asks people to scoot over, purposely sitting beside you, as close as he can, close enough that your arms and knees practically brush.

it’s just for a simple game of truth or dare, and it’s innocent enough until someone asks nanami and he says truth, and his truth is that out of everyone he knows, he’d most likely date you. beside you, while everyone else is whooping at the declaration, satoru clicks his tongue in annoyance, though he says nothing about it. and you’re not really emphatic about it until someone dares nori to kiss the guy she wants to date the most and she kisses satoru, deep and slow, in front of you, haibara letting slip that she’s had a crush on satoru for a while now.

satoru’s five shots in and tipsy and he was imagining that was you and maybe that’s why it lasted for five seconds before he pulls away.

and when it comes to satoru?

as though noticing his dilemma, suguru gives an amused smile as he states his dare, “kiss the girl you most wanna marry.”

he doesn’t waste a single second in pulling you close and kissing you, his alcohol-tainted lips pressing against yours, daring tongue teasingly prying open your lips, chuckling as he feels you kiss him back.

“not most,” satoru corrects right as the both of you pull away, his forehead still pressed against yours and both of your half-lidded pair of eyes still staring at each other.

“what?” you’re almost breathless, forgetting that everyone else is watching.

“the only girl i wanna marry.” and you think he’s never looked more handsome, genuine smile plastered on his face and pretty blue eyes threatening to pull you in.

while everyone moves on, satoru doesn’t—he keeps you there with him, telling you for the first time in four years since he’s known you, “i love you.”

the next week, after you get home for the holidays, the first time being away from satoru in a while, you manage to find your old pencil case, the folded paper swan satoru folded for you all those years ago still inside, somehow forgotten.

curious, you finally open it, finding his message enclosed inside, bringing a smile to your face.

i’m gonna marry you one day.

2010; twenty-one.

dating satoru is like finding a new hobby that you’re effortlessly good at.

despite living under the same roof, instead of finding out the ugly, you find the good in each other. even with suguru in the mix, you all live harmoniously like you have been since the start. except now, satoru likes to sleep in your room, both of you fooling around and occasionally forcing suguru to tell you to pipe down.

satoru is still full of surprises, sometimes pulling up with his car as though both of you don’t sleep under the same roof, telling you that he planned a date and to dress nice. he buys you flowers even if you’re not particularly fancy of them and surprises you by buying things that simply reminded him of you.

dating satoru is like finding out that the right person for you will always think of you and your feelings, no matter the circumstance. the way he makes sure to tell you if he has to hang around nori, or the way he asks if you need anything when he passes by the grocery store alone, or going so far as to memorise your cycle so he knows exactly what to show up back home with.

by the time it’s your one-year anniversary and his birthday comes and you ask him what he wants, all he can answer is “you” and for the first time, you can tell he isn’t trying to be annoying or cheeky or flirty—satoru is surprisingly simple and his answer always has been and somehow always will be just you.

2013; twenty-four.

you still remember the day satoru got down on one knee, his handsome smile even more radiant under the golden hour glow, those still-beautiful blue eyes gleaming even from beneath his bangs.

just an intimate proposal with your closest friends, both shoko and suguru helping to distract you in order to create a successful surprise, while nanami and haibara helped with the decorations and photography.

thanks to them, you’re laughing now, at your wedding reception, looking at all the ways you nearly found them out that day, exactly one year ago, in the form of pictures. and thanks to the best man’s toast, you find out that suguru’s always known about satoru’s feelings, and just how deep his emotions for you ran.

“i won’t forget how much he whined about y/n getting close to nanami. that was probably the one time his whining got so out of control that i wanted to stuff a pillow over his face,” suguru divulges, garnering laughs around the hall, including from you, as your new husband pouts and squeezes your hand.

thanks to that, nanami finds the need to disclose during his speech, “i have never intended to date nor had such thoughts about y/n. my truth during that game of truth or dare was simply the result of a process of elimination—” and haibara cuts him off to give a more fitting speech, fits of laughter all across the room.

that day, you steal glances at satoru, wondering how you got so lucky to be with someone who loves you so much and continuously proves so with every passing day.

“satoru?” you call to him softly that night, as you both find yourselves completely bare in the bedroom of your new apartment, one to yourselves.

his piercing blue eyes flick up to meet yours, relishing how it feels like inside of you, every time as though it’s the first. “yeah?” it’s breathy, because he’s about to lose himself.

“i love you, satoru, and only you, forever and ever,” you tell him, finally knowing that in this life, it will always be gojo satoru for you, and that it’s the same for him too.

he only chuckles, pulling you close, “forever me and you, baby, only us.”

2023; present day.

“wow, more than ten years, i think i need to give you a trophy for that, y/n.”

satoru groans, rolling his eyes. “what’s that supposed to mean?”

beside him, suguru laughs at shoko’s comment. this time, the six of you find yourselves at a round table in a seafood restaurant during satoru’s birthday, talking about how it’s you and satoru’s tenth year together too.

“i’m not too much, am i?” satoru teasingly asks you, although you only shrug in amusement before drinking your glass of water as an excuse not to answer.

you’ve always been like that, but it’s part of what satoru likes about you. scratch that, he’s loved every part of you since he met you. it’s like it was meant to be; or so he likes to think. there’s an undeniable pull that always lulls him back to you. to satoru, there’s never been question that you’re the only one for him, maybe that’s why it’s so clear-cut.

“you’re just so head over heels for me, huh?” you ask him, a smug grin on your face, the conversational context something he’s missing since he’s been zoning out in his thoughts.

since the first time he saw you, he’s been drawn to you every second of every day. maybe that’s why he did all those stupid stuff like pretending not to be able to cook and ‘accidentally’ burning himself to get you to tend to him, or purposely pricking himself with the needle and asking you to put a plaster over it just to feel you close. even those times at the supermarket when he purposely loses you so he can find you again and see your helpless smile and feel the way you rub his head affectionately afterwards.

maybe it’s stupid too, how he had to silently admit he knows how to cook all too well because he didn’t want suguru to taste your cooking when he first moved in. it was something satoru felt he wanted to himself, something he wanted to keep between him and his future wife. or how a wordless stare between him and suguru during that game of truth or dare was all suguru needed to know that satoru wanted to make you his at that very second, afraid that kiss between him and nori would make you hesitant.

he shouldn’t have underestimated you though, because you know him better than most people do. there were never any pointless arguments or unrecoverable friction.

as they sing happy birthday annoyingly loud like best friends do, chanting for him to make a wish—his hands find yours again as they always did, he can honestly say that there’s no other way he’d rather live his life. you’re made for him and he has you and the little mini yous at home so really, there’s nothing that he has to wish for.

except, maybe, one thing, if he could be selfish.

in this life, and every other life, he’ll want to be with you and only you, forever.

#jjk x reader #gojo satoru x reader #satoru x reader #gojo x reader #jujutsu kaisen x reader #gojo satoru #jjk fluff #gojo satoru fluff #gojo fluff #gojo x you #gojo x y/n #gojo satoru x you #gojo satoru x y/n #jjk x you #jjk x y/n #jujutsu kaisen x you #jujutsu kaisen x y/n #૪ aeri’s fics !

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renshengs · 9 months ago

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beyond evil (2021) occupies a very interesting space in the larger expanse of crime shows. like, it is a Cop Show. it is undeniably a Cop Show even if the two main characters, who are both cops for very different reasons, are handled with significantly greater awareness and intention than usual.

it is also, impressively, a show that pierces the real ugly rot of 1) police corruption and its overlap with capitalism 2) atrocious real-life lawmaking 3) the poor handling of femicide in stories. i cannot express how abruptly shocked i was to discover that i did not hate the way this show was carrying itself, despite its crime drama genre, narrative about two homoerotic cops, and its murder mystery premise featuring a plot about a serial killer with solely female victims. here is a story that understands its purpose and is so clear-eyed about it that i did in fact tentatively suspend all my wariness about Cop Shows to watch it—and what i got was a scathing response to every serial killer and true crime documentary out there. a narrative that said: enough. enough. look at the way grief rots people from the inside out. look at the way loss ruins lives. do not forget the sufferings of the innocent.

far too many crime dramas possess an incredibly dehumanizing analytical tone to them that goes, “what if these poor women died in brutal gruesome tragic ways? anyway, look at these men and their heroic journey for justice!” it’s why i can’t fucking stand to watch them for the sake of my blood pressure. while beyond evil is not exempt from using such gruesomeness as a part of its horror aspect, the women in this show, particularly the women who were murdered, occupy such a heavy weight over the narrative that it is impossible to reduce them to what they’re usually reduced to: numbers in files, or cold cases. and because the purpose of beyond evil is to examine the ways grief and loss bring about destruction to people’s lives and communities, these women cannot be seen as numbers. they need to be vivid and real; the audience needs to feel their loss as deeply and gnawingly as the townspeople do. as we would in real life.

personally i’m still surprised at myself for liking a Cop Show this much—because the law enforcement sympathy is unavoidable in a cop show—but then i’m also shocked at how immediately this show establishes its awareness of police power. i don’t mean it gives a passing nod, like a brief disclaimer. i mean that you watch until the end and you’re like: oh! the entire fucking show is about police power and its consequences! this entire goddamn show is about cops’ potential for harm and how it destroys lives! the main character only ever became a cop out of desperation because he realized it would protect him from suffering further at the hands of the police. because he realized it was the only way for him to get access to both the information and the legal power needed to take his own steps to solve his sister’s murder. it’s not radical—it’s a cop show. but it is novel. a cop whose relationship with his own occupation is bitterly resigned at best and traumatic at worst.

this is far from an original thought, but truly i think what makes beyond evil worth watching is that it is so incredibly careful with itself. its meta awareness of its own genre heightens it to a tier above other crime dramas—it knows and rejects voyeuristic perspectives into the lives of people who’ve suffered real loss and tragedy, and so it makes the loss inescapable. every direction you look, someone’s life has been irrevocably altered by the murders you learn about in the story. it gives you no space to push away the murder—no, you need to sit directly in its field of impact. all the fucking time. you are not watching the town suffer, you’re suffering with the town. the story sucks you in and makes you live alongside the rest of them; it's why the first watch hurts so raw. because the story refuses to let you take a true-crime approach. because it refuses to prioritize the narratives of perpetrators over human lives. you are there, and you are hurting.

man. really, if you're going to watch anything, watch this.

#really the homoeroticism is a bonus. but it's also not so much a bonus because it's not half-assed #the show does not run on its homoeroticism bc that is not what it wants to do. but the show DOES emphasize the degree #to which these two men mean something to each other. emotionally and thematically. their relationship development is woven in beautifully #beyond evil #kdrama #lee dongsik #han juwon #sheng says stuff

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insidekatmind · 2 months ago

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Between Two Brothers~Jobe Bellingham and Jude Bellingham (love triangle)

The situation had started almost by chance, as often happens with things that later become complicated. You had met Jobe first, at an event where some mutual friends had invited you. He was charming, charismatic, with that slightly shy but captivating smile that seemed to promise laughter and adventures. By the end of the evening, you had exchanged numbers, and a few days later, he invited you out.

Your evening with Jobe had been perfect: a quiet dinner, strolling under the city lights, and, at the end, a sweet and gentle kiss. You liked Jobe, truly. But then, something unexpected happened.

Just a few days later, at another social gathering, you met Jude. Older, more self-assured, with an entirely different energy than his younger brother. Jude had a magnetic aura, and it didn’t take long before he, too, asked you out. You hadn’t found the courage to say no, perhaps out of curiosity, perhaps because you hadn’t yet realized how complicated things would get.

With Jude, the atmosphere was entirely different. There was nothing sweet or delicate about your time together: your date was full of sparks, passionate conversations, and intense, lingering gazes. When you kissed, the chemistry was undeniable.

You didn’t know what to do. It wasn’t your intention to create a conflict between them, but the truth wouldn’t stay hidden for long. And indeed, the day after your date with Jude, the two brothers found themselves alone at home, and the tension was palpable.

“So, explain this to me,” Jobe said, crossing his arms and glaring at Jude accusingly.

“What’s there to explain?” Jude replied, seemingly calm, but with a hint of irritation in his voice.

“Don’t play dumb. You know exactly what I’m talking about. You went out with her, didn’t you?”

Jude sank onto the couch, leaning his head back. “And what if I did? You went out with her too. It’s not like you own her, Jobe.”

“This isn’t about ‘owning’ anyone!” Jobe raised his voice, his fists clenched at his sides. “But you knew I liked her. I told you about her!”

Jude stood up, facing his brother directly. “And? Was I supposed to step aside just because you decided she’s ‘yours’? That’s not how it works, Jobe. She’s free to choose.”

“Oh, really? And you think kissing her made things easier for her?”

At that, Jude fell silent for a moment. He ran a hand through his hair, visibly frustrated. “Look, I don’t want to fight with you over a girl. But I can’t ignore how I feel.”

“Oh, because you think it’s any different for me?” Jobe shot back. “I can’t believe you did this. You betrayed me, Jude.”

The silence that followed was heavy. Jobe turned away, heading toward the window. Jude stayed where he was, staring at the floor. Eventually, Jude broke the silence.

“I didn’t mean to hurt you, okay? I didn’t do it to… to steal something from you. But when I’m with her… it’s like nothing else matters. I can’t just pretend.”

Jobe turned slowly. “And you think it’s any different for me? Jude, you’re my brother. You’re the person I’ve always trusted. And now, this…”

Jude sighed, the weight of his emotions evident in his eyes. “Maybe we should talk to her. Let her decide. I don’t want this to ruin us.”

Jobe looked at him, the pain and anger still present, but a flicker of understanding beginning to show. “Maybe you’re right. But don’t think I’ll give up without a fight.”

Jude offered a faint, sad smile. “Neither will I.”

---

The situation was far from resolved, and you knew it. That evening, when you received two separate messages—one from Jobe and one from Jude—you realized that you could no longer avoid addressing the issue. You had to make a choice. But which brother would win your heart?

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tangents-within-tangents · 6 months ago

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Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

#this fandom has been SLEEPING on Emerie's arc yall!#like look at her I LOVE her #I was kinda neutral about her on the first watch but now i'm realizing just how sad and scary her story is #she's honestly pretty cool and interesting as a character and i do hope we get to see more of her at some point #also the outpost is such good writing ahhh if only the whole show had the same quality #sorry crosshair girlies your blorbo is kinda a fascist?#like we don't judge a character based off who they were/what they said at the BEGINNING of their arc #they have to start somewhere to end up somewhere else #it's how well the writing executes that transition that matters #but also where did he end up? really :/#star wars #the bad batch #tbb analysis #tbb critical #those rants may come we'll see #star wars finn #emerie karr #tbb crosshair #arc trooper echo #captain howzer #commander cody #commander mayday #tbb cx 2 #writing #writing pet peeves #character analysis #redemption arcs

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lixies-favorite-cookie · 4 months ago

Text

𝐲𝐨𝐮𝐫 𝐥𝐢𝐤𝐞 𝐫𝐞𝐚𝐥?・l.f.

— You never once thought you would meet Lee Felix, especially not while watching an edit of his abs

𝐩𝐚𝐢𝐫𝐢𝐧𝐠・lee felix x fem!reader // 𝐠𝐞𝐧𝐫𝐞𝐬・fluff, crack, first meetings // 𝐰𝐨𝐫𝐝𝐬・723 // 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬・an obscene amount of the word fuck, felix is lowkey really flirty, felix is described as being your "teenage crush" and I didn't even know they existed when I was a teenager but shhhh.

𝐚/𝐧・I wrote this on the bus, lmaoo when I was watching an edit of Felix's abs and thought, What if he saw me doing this? Then, poof, a fic was born.

"You know, it's a lot better in person."

See, out of all the silly little fantasies you had conjured up in your delulu teenage years, you had never once imagined you would meet Lee Fucking Felix while staring at an edit of his abs, hence the humiliating screech that flies from your mouth as you jump about 10 feet off the bench.

Your first reaction is, what the fuck, your second is, why are you here, and the third comes out a little like, "What the—why are you—what the actual fuck?"

It takes a solid 20 mortifying seconds for you to realize that your phone is still playing Lah Pat and Flo Milli's Rodeo during the awkward standoff—between you, the park bench, and this architectural phenomenon of a man. Cue your clamor of limbs desperately trying to shut the damn thing off. Felix’s mirth is transparent, bleeding through his splayed fingers as he uselessly tries to stifle his shocked laughter.

Words are unattainable at that moment; any sense of coherent vocabulary flies out of your gaping jaw as your expression performs facial gymnastics, trying to calculate what the hell is happening right now.

"So wait, you're like real?" you blurt, eyes narrowed like a crazy lady genuinely questioning all planes of existence.

In her defense, your honor, she just met Lee Felix. Look at the man—there's no way he exists on the same planet as us!

He blinks, utterly dumbfounded by your sudden inquiry. "Well, yeah?"

"Wow." That's all you say. Wow. What else can you say? You're still convinced this is all a simulation created by some sadistic scientist.

"What, did you just think I didn’t exist or something?" he chuckles, amber eyes crinkled in amusement.

"Well, I don’t know," you shrug. "I didn’t think I’d ever see you in real life, let alone talk to you."

"Well, I never thought I’d catch such a pretty girl watching edits of my abs in real life, but hey, here we are." His lips form an absolutely perfect smirk, and there's a moment, where his irises catch the light just right; that you can almost make out a flirtatious glint in them—

You pinch yourself—really pinch yourself. Hard. In the thigh. So hard you flinch, and it’s such a big flinch that he notices. He notices so much that he laughs—not warm chuckles, not soft giggles, but a rib-splitting, belly-doubling guffaw that makes you want to crawl into the ground and engrave on your own epigraph: "Death by Hot Guy."

"I—I’m sorry, I—I can’t—" he wheezes. "D-Did you actually just pinch yourself?" The question is purely rhetorical, but that doesn't stop your entire face from flushing about as red as Hyunjin's hair during the Maniac tour.

"Yes!! Lee Fucking Felix just called me pretty! What do you want me to do?? You’re lucky I’m even standing on my own two feet right now!!" You’re sputtering so much nonsense that even you don’t know what you’re talking about. He doesn’t seem to mind—quite the contrary, really. He gazes at you through his brow, strands of golden hair falling over his ears. His laughter fizzles out into a grin—flattered, bashful, and undeniably tender.

Is it too early to start thinking about vows?

Felix clears his throat, and you’re caught off guard by his expression: nervous yet contemplative, as if he’s battling with his next statement. With an anxious titter, he asks, "What’s your name?"

It takes a solid couple of pounding heartbeats to dislodge the answer from your throat, but when you do—“Y/N. My name is Y/N”—my, does heaven sing.

He takes a single step forward before averting his eyes in silent consideration. Whatever was stopping him isn’t anymore, because it takes him about two more steps to close the gap between you, placing a gentle hand on the slope of your shoulder. Your entire body bursts into flames.

Is this real? Is this planet Earth? Have you ever noticed that on his left cheek, if you observe long enough, you can almost make out the Little Dipper in his freckles?

"That’s a pretty name," he smiles, and you swear you see the sun. "Y/N, I was just on my way to the café. Would you like to accompany me on said adventure?"

And that, kids, is how I met your father.

haha this was so silly to write I hope you liked it even though it was a little really caotic

Wanna read something longer? read rewrite the ending in every lifetime a tale of trauma, healing, and felix finding your soul in every lifetime.

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inklore · 2 years ago

Note

I took this concept from your inpso tag and adapted it but:

Roman Godfrey + choking you and whispering "you're mine." in your ear as he pounds you into the mattress. bonus points if there's blood.

LOVE YOUUU

playful poison

— roman godfrey x (f)reader

word count: 628

warnings: eighteen+ content, rough-ish p in v, choking, jealousy, dirty talk, mentions of creampie and blood.

note: me writing roman godfrey smut in 2023? embarrassing but hello i cannot be responsible for my actions when men are as beautiful as him ok.

Maybe it was childish of you to love the thrill of the game. No matter how one sided and deliberately rigged it was. The threat of the outcome ending in something gruesome or with your lungs burning from a fight that you started the minute you decided to bat your eyes at some sorry sucker at the bar. The thrill that shot through you when Roman’s eyes would scan the room with neutrality, his entire body growing stiff, an undeniable tick in his jaw, when his eyes fell upon you.

Upon the little scheme you had devised.

A scheme he knew all too well—a game he only allowed you to play on nights when he was in a good mood.

And thankfully for you, he was in a good mood tonight. A giving mood.

A mood that wouldn’t end in a screaming match but rather the reason you kept the game going. The outcome of a move you already had planned and hoped for even before your chess pieces had been put on the table.

“You’re mine.” His teeth graze your ear as he whispers the words with harsh restraint. The hot breath from his mouth heats your already hot body to something sweltering. Something that has you gripping his sides harder. “You know that, right? Your constant need for a reminder has my patience wearing thin,” he whispers, barely holding the bite meant to be within them. His thumb rubs the skin on your neck before he tightens his grip around your throat.

A gasp pulls from your lungs before he closes them completely. His hips languid and slow as he fucks you. As he takes his time to drive his cock into your aching pussy.

His teeth nip into your neck, “do I need to repeat myself?” Your body arches into his when you feel the light nick of a fang. “Do I need to drain you of everything until you’re begging for the life only I can give you? Do you need that reminder?” The swivel of your head is barely able to make the same impact as the whimper you let out does. “You do look so fucking pretty covered in your own blood, though,” he grunts.

The heat of his other palm grips the back of your thigh as he pulls your leg further up his body, driving his cock deeper into you. The head of his cock pushing against that part of your walls that makes you cry out until your throat is hoarse and you’re not sure if it’s pain or pleasure—or the lack of air getting to your lungs from the hand around your throat—that has you spineless and weak beneath him.

If there are two things you know for certain about Roman, it’s that he uses fucking as a tactic to get what he wants and to punish.

And with the harsh rut of his pelvis, the relentless pounding, you know that he’s getting off on your pain. Of your oversensitivity, of the need that he’s giving on the same stroke he withholds from touching and hitting the spots that would have you coming on his cock.

You haven’t earned it yet.

You know he’s thinking. That he’s testing you. That he’s playing a game with your pleasure, the same game you played with him earlier. The same game both of you are used to, but your body still has yet to not ache and mewl from the torment of it all.

“I can feel your cunt gripping my dick. You know what to say to get what you want. Or should we keep playing games, and I fill your hole and leave it dripping, and wanting for something you don’t deserve because you don’t know how to behave?”

#roman godfrey x reader #roman godfrey smut #roman godfrey #bill skarsgard x reader #roman godfrey imagine #bill skarsgard fanfiction #roman godfrey x you #roman godfrey fic #hemlock grove #bill skarsgard smut

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thoughtsfromlayla · 10 months ago

Text

26 Ways of Taking You: C for Cockwarming

Summary: You and Dream come to a compromise after you asked for some "space." It never ends well for you, does it?

Notes: ~770 words, I kinda gave up after a while. Well maybe didn't give up but like "Well that's about it" and then called it good. Not my longest work but, still hot.

Warnings: MDNI - 18+, public intercourse (no one bats an eye though), slight humiliation, GN! reader, penetrative intercourse

⠄･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠄･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠄･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄

Masterlist | Series Masterlist

B for Breeding ⇆ D for Doggy

You conceal your face further as another voice follows, your hands clutched desperately onto Dream’s jacket lapel. Your face was thoroughly red, from embarrassment or greedy pleasure, you’re not entirely sure. Beneath you, Dream is going about his business as he addresses the audience for the day. All while completely ignoring your shaking form sitting on him, cock deep and pulsing within your walls.

Ever since he escaped from the Burgess Manor a few months ago, he has not been able to keep his hands off of you. At first, it was a welcomed touch. You had missed him for those 106 years just as he missed you. But, after a while, it got a bit ridiculous.

He followed you around like a lost puppy, hands never leaving your waist, lips wandering from lips to neck to chest. And like teenagers in love, sneaking you between crevices and aisles to have a few fast minutes of “fun time” just to satiate his touch. You had your own responsibilities to tend to, especially after the heart of the Dreaming came back. You feel as if you would have gotten a lot more done if he hadn’t always pulled you back into bed after the first few rounds of passionate lovemaking during the waking hours.

In a desperate conversation, you asked for space so you could get a few things done. Morpheus wasn’t at all pleased with it, as he isn’t with most things that aren’t in his control. But, for his lover? He will permit it, after one more act.

Which is how you got here, scandally clad, arms tucked between your two chests as he talks to the Dreaming residents and your arousal soaking his pants. You felt like a top teetering on top of a highly sprung string, suspended from undeniably perfect pleasure and something not quite. What made it even more unbearable is how you could feel Dream’s smugness radiating off him.

He had a possessive hand on your lower back, something like insurance so you couldn’t easily get off him when you thought it would be too much. The other was resting on the arm of his throne as he keeps his kingly appearance.

“Yes, that sounds like a plausible idea,” He agrees to something you weren’t paying attention to. “What do you think, darling?”

When he asks, he shifts in his seat and his cock moves within you, just slightly. It had the promise of pleasure but was stopped short by how little he moved in you. A mixture of a whine and whimper escapes despite your bitten lip. You only respond by nodding once, barely a tick of the head. A chuckle from Dream bounces you, barely, and just like before, barely gives you the pleasure you seek.

“If my equal agrees then you have my permission.” His free hand shoos away the resident.

When they turn, he runs a finger down your spine and asks you another question.

“Had enough yet, my love? Or can you go for more?” It was completely condescending, to speak to you in an “I told you so” kind of tone. And even though you were practically begging at the seams of your body for some sort of friction or release of any kind, you are just as stubborn as your King.

“No, you can keep… going!” Your last word came out as a small squeal as he suddenly thrusts up into your weeping cunt. Your eyes roll to the back as you throw your head back with a moan that flows through the air. The open air ceiling seems to taunt you and you’re sure every dream and nightmare of the realm can hear the lewd noise you just made. The statues that were carved along the column of the room seem to turn their eyes towards the two of you, making you feel all the more exposed to Morpheus’ actions.

“Very well, let us keep going.” He lays back in his chair and his legs spread further, in turn spreading you further for him as well.

You unceremoniously sink further down on him and you’re left panting into his neck. You’re close to tears at the teasing and under stimulation you were receiving. Oh, what wouldn’t you do to have your king’s full attention on you instead of living off the scraps of his shifting movements and lazy fingers stroking circles on your hip.

“Bring the next audience in,” Dream commands, and the doors open again.

“You are cruel, my king,” You barely sob into his body.

“Not as cruel as you might think,” He quips with a pinch to the supple of your hip.

B for Breeding ⇆ D for Doggy

Main Masterlist || Series Masterlist

At the peak hours of 1:47 AM, Layla bought the entire 3,000 page series of The Sandman but said that it was free cause her tax refunds came back.

Good thing her major is not in finances.

♡ Yours, Layla

#the sandman #dream of the endless #morpheus #morpheus x reader #dream x reader #the sandman fanfic #dream of the endless x reader #the sandman x reader #sandman x reader #dream x reader smut #the sandman x reader smut #morpheus x reader smut #morpheus smut #26 ways of taking you

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frenchkisstheabyss · 1 year ago

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🖤 𝖙𝖍𝖎𝖘 𝖈𝖍𝖆𝖗𝖒𝖎𝖓𝖌 𝖒𝖆𝖓 🖤

🖤 Pairing: ex boyfriend!choi san x chubby!fem!reader (mingi's spoken about but doesn't appear)

🖤 Genre: angst/fluff/smut

🖤 Summary: You make a living stepping on men's necks, literally and metaphorically speaking. Men spend every dime they have for the chance to be your lapdog. You are their weakness. Your dirty little secret? You have a weakness of your own, one you've tried your hardest to leave in the past, but you've managed to make him jealous and, oh, I think he's knocking on your door right now.

🖤 Word Count: 2.3k-ish

🖤 Warnings: reader works as a dom so she does qualify as a ✨sex worker✨ & it's treated as a positive cause slay queen, jealous /possessive San, unprotected sex, fingering, nibbling, scratching, reader for sure has a lil praise kink, this man does not pull out, San's giving dom vibes & reader's quite subby for him, pet names (baby, my girl, good girl) & that's all darlings

🖤 A/N: My chubby girl smut agenda continues with this fic as it will with all others and the best part is, no one can stop me. Mwahahahaha. No, but really, I hope you lovelies enjoy reading it.

Also a big thanks to @anyamaris for test reading everything my brain throws out all of the time. Love of my life, truly.

Your night routine is sacred. Never more so than on nights like tonight when you take extra steps to make it particularly romantic for yourself. You treat yourself like a lover, running a nice warm bubble bath and preparing your favorite fruits to snack on while you soak in it. You don’t rush to cover your body afterward, instead taking the time to find pleasure in every stretch mark and every curve as you massage rich tropical oils into your skin.

The rain is your companion, singing to you in the form of raindrops patting at your window. Candles burn on your windowsill, tiny lanterns reflecting shadows in the darkness of this place you call home. Crawling into your bed, you slip beneath your freshly washed sheets and scroll through your phone to find the right song. It doesn’t take long to find it. You hit “play” and close your eyes, ready to be swept away by the sweet notes emanating from your phone.

This is serenity. This is heaven. This is—

“What the actual fuck?” you shout, shaken by an unexpected knock at your door. The knocking is impatient, the agitation of the person on the other end undeniable. You jump from your bed, the sheet still clinging to your figure, and cautiously approach the door. You specifically didn’t schedule any sessions for tonight and your clients know better than to pop up unannounced.

“Whoever you are, go away! I have a gun!” You do. You have to. In your line of business being able to protect yourself is a necessity. It’d be silly not to have one and if ever there were an example why, this has to be it. The knocking stops. A brief moment of silence passes and then—

“You have a gun?” San asks, more confused than he is threatened. You don’t notice until now that you’ve been holding your breath this entire time but at the sound of his voice, you can miraculously breathe again. “San? What are you doing here?” you frown, cracking the door enough to get a good look at your ex.

The look is, in fact, good. Better than good, it’s wonderful. For all of this mysterious frustration he seems to be carrying, he still manages to be the most handsome thing you can imagine finding in your hallway near midnight.

San pushes past you, marching into your cozy studio apartment as if it were his own. “We need to talk. Now.” You roll your eyes, holding back laughter as you close the door behind him. “Someone’s sassy tonight” you tease, watching as he removes his wet boots and coat. He places them exactly where they’re meant to go.

You smile to yourself, finding it sweet that he still remembers how things go after nearly a year apart. “Don’t patronize me.” “I’m not patronizing you,” you say, approaching him with a hand outstretched to stroke his cheek, “Sannie—”

San takes a step back, the darkness in his eyes intensified by your attempt at affection. “And don’t call me that!” “Lower your voice! This is my home. You can respect me in it or get out.” Seeing you upset cools him down a bit. Enough to question the emotions that led him to drive over here to begin with.

He shouldn’t be here. He has no right to confront you. To care what you do or who you do it with. But it’s been eating him up inside for days, plaguing his every waking thought. Some part of him is still tethered to you and that’s why, against his better judgment, he’s here.

“Are you…” he stutters, the anger bubbling up once more at the thought of what he’s about to ask, “How long has Mingi been coming to you?” “Ah,” you gasp, fully realizing the awkwardness of the situation. Dodging eye contact, you head for the kitchen, busying yourself with the tea kettle. “You want some tea? We should have tea.”

Raking his fingers through delicate strands of pitch black hair, he approaches the kitchen and lets himself, for the most fleeting of moments, enjoy seeing you like this again. He’s missed you making him tea late at night. This would be everything he ever wanted under any other circumstance than this. “I don’t want tea. I want you to answer my question. How long?”

“A few weeks” you sigh, abandoning the kettle on the counter, “We ran into each other at the club one night and we started talking then, I mean, I don’t know, it just sorta happened.” In an instant, he’s on you, fingers squeezing your wrists as he presses you against the counter. “Things like this don’t sorta happen!” “Oh, come on, San. I have bills to pay. If I don’t take on clients, who’s gonna pay them? You?” “Haven’t I before?” Something about being reminded of before makes you as breathless as he is. “That was a long time ago.”

A long time ago but why does it feel like yesterday when he last had your body pressed against every wall in this apartment? So many hours were spent using your fingertips to traverse every exquisite muscle on his body. There are new ones now, you see them flex when he readjusts his grip on you. How good they must feel to touch. God bless the gym.

Shaking yourself free of your lust fueled daze, you break your wrists loose from him. “If that’s all you can go.” Why are you doing this? Why are you so stubborn? You don’t want him to go. Your body—your heart—begs him to stay even if it’s just to argue for the rest of the night.

“Fine, I’ll leave, but not until you tell me one more thing. Does he touch you? Like I did?” he asks, his expression cold as he tries to contain his jealousy. “Touch me like you did?” you giggle, reaching to stroke his cheek again. This time he doesn’t step away. He lets you touch him, your soft hand warming the cool raindrops on his cheek. A fire ignites in his eyes, not unlike the flames dancing atop the candle wicks. It’s distant, buried somewhere deep, but you see it and it makes you smile.

“I never let anyone touch me like you did” you whisper, “Mingi just wants someone to boss him around. I happen to be good at that. There’s nothing sexual. I could…” San tugs the sheet tightly around your body, gathering the two loose ends at your hip where his knuckles just barely graze the plush of your thigh. You let out a sound that’s almost a moan but not quite. He smirks, bringing his other hand to your side to massage the softness of your love handles. You're so cute when you’re flustered.

“I, uh, I…” you stutter, watching as his lips grow nearer to yours, “I could stop seeing him if you want.” “You’d do that for me?” San asks, teasing your lower lip with his. “I would do anything for you. You know that.” This is what he does to you and this is why you broke things off with him. San’s love brings you to your knees. You fold for him in a millisecond. You’re supposed to have every man in the palm of your hand yet you find yourself, delicate and fragile, nestled in his.

“Will you do something else for me?” “Like what?” “Kiss me.” And you do. No hesitation. No time for second guesses. Anything for him. A rush hits you, threatening to knock you off of your feet. San only holds you closer, his tongue tangling with yours, indulging in the taste of you. A craving much overdue to be satisfied.

“Do I still have to leave?” he pants, his voice a low rasp as he kisses his way down your chin. He buries his face in your neck, his kisses growing more passionate with each passing second. You smell good enough to eat and he almost does, nibbling at your neck sharply enough to send chills down your spine. You shake your head, wrapping a leg around his waist to grind against him. The simple act of kissing you has him hard enough that not even the few layers of fabric between you can suppress his need.

“Fuck, baby” he groans, his eyes nearly rolling back from the rhythm of your hips. You run your fingers through his hair, pulling him back up for another kiss. “Don’t leave me, Sannie. Please.” You’re prepared to beg more, as much as he wants you to, but your words turn incoherent at the sensation of his thumb stroking your clit. His other fingers dance dangerously close to your entrance, happily collecting the juices dripping from your core.

You look down to find that the sheet barely clings to your body, except for a small corner stuck between you and the counter. Everything has fallen away leaving you completely exposed. San’s favorite way to have you. “You’re so wet for me. My girl” he coos, easing two fingers deep into you, “Still my girl? Hmm?” You’re trembling, gripping his shirt as you ride his fingers in time with the flicking of his wrist.

Only he could do this. Make you feel this unbelievably good with just his fingers. "Always your girl. Always—ah” you moan into his mouth before he’s kissing his way down your neck again. The way your back is arched makes your breasts sit so deliciously that he has to taste them. San needs to feel the weight of them in his hands as he captures your perked nipples between his lips, circling them with his tongue.

His mouth is so full of you that every moan that leaves him vibrates through your chest making sure that you never once underestimate the intensity of his longing. Your thighs are soaked, your pussy dripping—pulsing—clenching around his fingers. Your little squeaks and moans are too pretty. Too addictive. San picks up speed, his only mission to make a complete mess of you or to make you make a complete mess of yourself. Either or both. Definitely both.

“Sannie. You’re gonna make me—fuck, I’m gonna cum!” you cry, feeling the pressure build within you. “Mmm,” he hums, releasing your nipple but not without taking one last lick of your overstimulated bud. You didn’t need to tell him. You never do. He knows when you're close, down to the second, which is why his timing is perfect when he pulls his fingers away leaving you hanging on the edge of oblivion.

You whine at the unexpected loss, your clit twitching and your walls greedy for something to hold onto. San moves out of reach, taking his time to shed his clothing. “Not on my fingers, baby,” he says, flashing that devilishly handsome smile of his, “On me.” He disappears around the corner and you trail behind him like a bright eyed puppy who wants more than anything to be the object of its owner's affection.

San sits on the edge of the bed, admiring the way your body jiggles as you skip over to him. He takes you by the hand, lowering you onto his lap, and the skin to skin contact sends a shot of adrenaline coursing through both of you. “I could just look at you all night. So beautiful” he muses, palms slapping your ass. His fingers dig in, keeping your hips raised enough that the tip of his cock almost presses at your slit.

You drape your arms over his shoulders, kissing him on the bridge of his nose, “You can look at me all you want.” One of San’s hands disappears beneath you, stroking his length as he lowers you down onto him. He stops at the tip, letting your arousal run down his shaft. “All I want because you belong to me?” You bite down on your bottom lip, eager to take him. “Yes,” you mewl and he feeds you another inch. A reward for being his good girl.

“No more Mingi?”

“No more. I swear.”

Another inch and your heart skips a beat. This is evil. “No more anyone else” he demands, taunting you with one more inch before taking it back, “I’ll take care of you, my sweet girl. Only me.” “Only you” you promise, unintentionally batting your eyelashes in the most innocent way. San grabs your hips, slamming you down onto him, “Good now cum for me.”

Being stretched by him, full of every thick rigid inch of his cock, is intoxicating enough. But the feeling of handing over control, of letting him have you completely, has you buzzing. San bounces you in his lap, kissing you everywhere his lips can access, whispering every praise he’s saved up for you over time.

Precious. Perfect. Never letting go. Love you. My everything. My world. Mine. Mine. Mine.

“Sannie—” you draw a breath in. A flash of heat hits you and you’re lost to pleasure. Your body explodes and implodes. Heavy and weightless all at once. You gush down his length, every inch of him drenched with your juices. San doesn’t stop, not even when your nails dig deep into the skin of his shoulder. He only goes faster and harder, wanting to break you, his precious girl, and put you back together then do it again.

But his body’s as sensitive as yours and he can’t hold back, spilling into you to the point of overflow. There’s so much warmth and fullness. It’s comforting, soothing you as you gradually float back down. Lying back on the bed, San cradles you in his arms, not wanting to be anywhere else than right here with you.

You rest your head on his chest, feeling his love for you in every breath he takes. How you ever pushed him away you can’t understand but you know, as he softly kisses your forehead, that you never will again.

#choi san x reader #choi san x you #choi san angst #choi san smut #ateez x chubby reader #ateez x female reader #ateez x you #ateez x reader #ateez smut #ateez angst #chubby reader #plus size reader

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urds-lover · 4 months ago

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˚୨୧⊹Yandere Childe x S/O⊹୨୧˚

The rain poured down in heavy sheets outside, casting dark shadows across the bedroom. The air was thick, oppressive, almost as if the storm itself had seeped into the room with you. Childe stood across from you, his eyes burning with something darker than the jealousy that had been simmering in him all night.

The low light flickered across his sharp features, giving him an almost predatory edge. His wet hair clung to his forehead, and his clothes were still soaked from the rain, but none of that seemed to matter to him. His gaze was fixed entirely on you.

"You know what kills me?" he muttered, voice rough, low. "Everywhere we go, it’s the same. They’re all drawn to you like moths to a flame." His words were laced with bitterness, his usual teasing tone replaced with something far more dangerous. "And you… you just let it happen."

You swallowed, feeling the weight of his gaze on you, the intensity in his eyes. “Childe, it’s not like that. I don’t—"

His eyes darkened, cutting you off as he took a step closer. “No, you don’t see it, do you? How every single one of them watches you, wanting to get close to you. And I’m just supposed to stand by, pretending it doesn’t tear me apart.”

The air between you crackled with tension, the storm outside a mere whisper compared to the tempest building inside the room. You could feel it, the darkness, the possessiveness in his voice, wrapping itself around you like a tight noose. And yet, it was intoxicating, the way his jealousy burned so fiercely for you.

Before you could respond, his hand slipped behind his back, and when he brought it forward again, there it was — a sleek, black pistol. It gleamed ominously in the dim light as he placed it in your hands, his fingers brushing over yours as if grounding you in the moment.

“What you’ve forgotten is that the heart beating inside your chest is not yours,” he snarled, his voice low, dangerous, yet undeniably tender in its own twisted way. His grip on your hand tightened as his eyes locked onto yours. “It’s mine.”

You stared at him, breath catching in your throat, the weight of the gun and his words settling deep in your chest. “Childe…”

He leaned in closer, his face mere inches from yours, and his voice dropped to a whisper, filled with dark promise. “And if my heart has stopped working, then pull that trigger, sweetheart. Kill the rest of me. I’m nothing if I’m not the reason you breathe.”

The storm inside the room swirled even faster, and your pulse raced, not from fear, but from the sheer intensity of his words. The gun in your hand felt like a symbol, something far darker and more twisted than just a simple gift. It was his way of binding you to him, of showing you that you were his, completely, undeniably.

“Childe…” you whispered, voice soft but steady. “I love you. You know that, right? I don’t care about anyone else.”

He stared at you, his eyes wild, like a man on the edge of a cliff, one step away from losing himself completely. “I know,” he murmured, but his voice was thick with something darker. “But I can’t help it. I can’t help being jealous. It’s like a fire inside me, every time I see them looking at you, thinking they could ever take you away from me.”

You took a slow, steadying breath, trying to calm the pounding in your chest. “You don’t have to be jealous, Childe. You have me. No one else matters.”

He let out a bitter laugh, shaking his head as he stepped closer, his fingers trailing along your jawline, the touch feather-light but possessive all the same. “You say that, but it doesn’t change how I feel. You’re mine. Mine.” His voice dropped lower, darker, as if he was speaking to the very core of you. “And no one else will ever have you.”

Your heart raced at his words, at the intensity in his eyes, but you couldn’t deny the pull between you. His possessiveness, his jealousy, it was dark, consuming, but it was also intoxicating, like a poison you couldn’t help but drink. “You won’t lose me,” you whispered, your fingers curling around his, the gun still resting between your hands. “I’m yours, Childe. Always.”

His grip tightened on your hand, pulling you closer until your bodies were flush against each other. The heat of him seeped into you, his breath warm against your skin as he leaned down, his lips ghosting over your ear. “I love you so much it scares me. It consumes me,” he whispered, voice rough with emotion. “The thought of losing you to someone else... I can’t bear it.”

You tilted your head, meeting his gaze, your fingers trailing up to brush through his wet hair. “You won’t lose me,” you repeated, your voice stronger now. “No one else could ever have me. I love you, and only you.”

For a moment, he just stared at you, his expression hard to read, but then he let out a low, shuddering breath, his forehead pressing against yours. “I believe you,” he murmured, though the possessiveness in his voice remained. “But you have no idea what you do to me. Every time I see you, every time you’re near me, it’s like you’re all I can think about. You’re everything to me. I don’t care if it’s obsessive or selfish. I need you.”

His words, dark and filled with raw need, sent a shiver down your spine. You wrapped your arms around his neck, pulling him even closer. “I want you just as much,” you whispered, your voice barely above a breath. “You’re the only one I see, the only one I want. You own me just as much as I own you.”

Childe’s lips brushed yours in a brief, searing kiss before pulling back, his eyes blazing with that dangerous, possessive fire you’d come to know so well. “Good. Because I don’t plan on letting anyone else even think they have a chance.”

You smirked, leaning up to kiss him again, slower this time, savoring the darkness that bound the two of you together. “I wouldn’t have it any other way.”

The storm outside raged on, but in the dim light of your bedroom, the two of you were caught in your own storm — a tempest of dark love, jealousy, and obsession that tied your hearts together in a way no one else could ever understand.

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s0lemnhypn0s · 6 months ago

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(Warning for this post I'm half asleep so I might be incoherent or have disjointed topics. Bare with me, I'm trying to express my thoughts the best I can.)

(and WARNING! i discuss personal paranoias at one point during this, which include the topic of bugs and self harm)

"Billford is ironic we're shipping them ironically" "We don't actually want to see them together" "We don't think theyre a good pair" "its irreconciliably abusive" "its one sided"

ok I'm gonna put forward a take that might be poorly recieved: I think you all are misunderstanding Billford (And each character individually) and just reducing it to "bill abused ford" takes away so much of what makes their dynamic fascinating. And also claiming "Erm its a bit" while engaging in something you "recognize" as abuse only does a disservice to the topic of abuse and how it relates to the mentally ill (I will get into that later). You are treating the relationship as a joke and only acknowledging the abusive aspects when people come at you is just pretty scummy of you. Speaking as someone who experienced a near identical abusive relationship, where my paranoia was preyed upon, causing me to still suffer from the paranoia of being watched by them or that my abuser will eventually send someone after me.

In general, the existence of abuse is a complicated one and abuse is not a catch all, end all term. Not all abuse is built the same. Billford is undeniably abusive, but there is not a period after "abusive", are you picking up what I'm putting down. It's not just "Bill was exerting power over Ford and thats it"

Lets start with: We all recognize Ford is paranoid, but we don't seem to recognize Bill as paranoid in the exact same way, dare I say - Even more paranoid than Ford. I mean, ford got his "Trust no one" quote from Bill directly saying his rule of thumb for trusting people is to just trust no one. He doesn't trust others - He simply doesn't. And this is part of where Bill Cipher's manipulation of SPECIFICALLY Ford comes in.

Now I am going to speak from a personal anecdote of my experience with paranoia and delusions - Me, I will try to "safeguard" against my every little fear and belief that something will, undoubtedly, undeniably, be out to hurt me, and these safeguards are often extreme in nature. They don't make sense to the people around me, but they make sense to me. Sometimes they hurt the people around me. Sometimes, they hurt me. I believe this is the same with Bill Cipher himself. He is taking measures to make sure his worst fears do not come to pass. And because Bill is decidedly not human, only interacts with humans when he deems neccesary, those measures often take the form of something even more extreme than, idk, me shaving my head because I thought bug eggs were in my hair or trying to cut open my skin because I thought something was living in it. They take the form of something abusive (Which is also just... Something that happens with the mentally ill sometimes. I see you guys trying to separate our mental illness from our actions and claim "thats not making you do that". I see you.). Him trying to guard himself from something so terrible(facetious) as Ford's percieved betrayal ultimately becomes a self fufilling prophecy.

Not to mention, if you guys didn't notice. Bill without a doubt projects his own insecurities onto Ford. "I make you feel important" Ford makes Bill feel important. "No one loves you" He was ostracized in his dimension. "Who will miss you" He destroyed his entire home, nobody would mourn Bill, because they were all gone, long gone. "I'm sending someone to steal your eyes" Might be a stretch, but I look towards the silly straw poem "A different kind of eye doctor, who wants to make his patient blind" Obviously the use of "blind" here is metaphorical, but I feel its still in some ways applicable.

Bill very evidently experienced medical abuse and ostracization in Euclydia, something exceedingly common for those labeled as mad. (Which also brings me to the topic of people saying "I'm so glad they didn't make Bill a sympathetic villain in the book of bill" bc. Hi. I'm a guy thats experienced ostracization and medical staff forcibly medicating me in order to fix me. I think he is sympathetic actually). Not only that, Bill Cipher had a trillion years to fester in his resentment and his guilt, and you think that like. Didn't effect him at all. I really and truly beg to disagree.

Not only that: I think Bill felt a kinship with Ford. Ford was ostracized, he was betrayed by the world (and "betrayed" by his brother), he was regarded as a freak for what he was born with, just as Bill was regarded as a freak for his mutation in Euclydia. Bill thought Ford was just like him. Bill thought Ford would understand him, and furthermore would jump at the opportunity to burn the world down with him. And. to his credit. Ford does, in some capacity, understand him. As much as Ford could understand, with Bills lies within lies. Bill craves the intimacy and fears the touch. He uses fear to get Ford to love him, not only because he thinks it will safeguard him from what he fears most, but likely because it is all he knows, all he was taught. Love through fear. Our love is painful, but we only want to help. Pain in love is natural. It's right. It will only hurt a little. This is how you know we love you. He was shocked when Ford rejected him. He thought he did everything right. He had everything planned, for them to be together for eternity.

And bare in mind also that - Bill. Most evidently. Views himself as a monster. When Ford asks about what happened to his dimension, who destroyed it - Bill responds "A monster.", he says "Sixer, it would eat you alive" when Ford offers to help hunt it down. He lets his mask of jovial, mysterious mischief drop just slightly, and we understand just a little bit more of how he feels about the euclidean massacre, how he understands himself through his actions. And what he understands, is that this is just his nature. "I liberated my dimension, Stanford", a lie but not in the way you'd think. He lies, acting like what he did was intentional, as its the only way he could ascribe "reason" to what he did. It couldn't have been an accident. That is just how I am. It wasn't an accident, and I liberated them. (I wish I could go back.) And I come back to the idea of a self fufilling prophecy, because its again- That exactly. Bill decided this was all he could be, he did everything that would make him a "monster" after the accident that caused the euclidean massacre - And so, he was. A sick prognosis that he created and fufilled with his own two hands, he became the monster he and his home dimension envisioned him as.

Abuse is a complicated subject. What Bill did was abuse, yes, but I also distinctly believe it to be a case of abuse between two mentally ill people, one of which is so old, his hate his anger and his regrets, all are ancient and yet so fresh.

I feel another part of the problem is people are taking Bill at face value. Which is exactly what he wants to do because then you dont get at what hes doing all this for and why. You don't get past the exoskeleton to the tender flesh beneath. But stop taking what he says at face value. Read into it more. Analyze the triangle.

Also it might be controversial (hyperbole.) , but I do thing it means /something/ that during Ford's part of the book of bill, where Bill and Ford's relationship is recounted from his perspective, Bill is notably absent, whereas in the rest of the book, he is guiding us through it and constantly maintains a loud presence in it. You could interpret this in a lot of different ways I think, but the way I've chosen to interpret it is as a mix of shame, regret, and an unwillingness to revisit their past together. Perhaps even Bill having enough respect for Ford to not interject his telling of their story together, if you want to get real complicated about it. Paradoxal, if you will.

(Also I find the theraprism to be a most fucked "end" for Bill Cipher due to the medical abuse he experienced as a child. Something something, mad people can never escape the institutions which seek to "fix" them.)

anyway if you read through my mad sleep addled ramblings CONGRATS! i'm probably going to make edits and add to this when I wake up in the morning but i needed to get this out or id forget. billford is abusive but its way more complex than just... abuse. Abuse is a complex subject and it exists on a spectrum, for a lack of better words. and dont twist my words - That isn't saying "this is less bad abuse", this is saying "its complicated and just leaving it at abusive does their relationship a disservice"

#gravity falls #book of bill #bill cipher #stanford pines #gravity falls stanford #billford #rambles

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save-the-villainous-cat · 1 year ago

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Dearest Cat, I am on my knees and begging for your consideration regarding my idea. Villain fainting into heros arms. You are awesome and I do not know how to write asks. Have a good day queens

"No, it's..." The villain put a hand against their forehead, taking a deep breath. It felt a little too hot in here. "It's not like that."

The hero still stared at them as if they were about to murder them which - considering the circumstances - wasn't even that far from possible. Breaking promises wasn't the villain's style and getting on the hero's bad side was something they tried to avoid. Most of the time.

"It's a misunderstanding," they tried to explain. They bit their lip and contorted their face when a new wave of pain hit them. It was their stomach, their head...the villain wasn't sure. They took in another deep breath.

"We had an agreement," the hero said. They weren't someone to lose many words but they were clearly and undeniably pissed.

"We did and I...I kept my promise." The villain swallowed. They looked around the hero's office in a panic. No cameras, but guards outside, the villain saw them when the hero had walked in. Fleeing wasn't a smart move anyway. The hero was faster and stronger. "I'm not spying on you."

"And yet, you're here," the hero said, eyeing them.

"I know I promised to stay away but I...god, it's hot in here..." The villain gasped for air as cold sweat ran down their back and chest.

"Is that supposed to be a pick-up line?"

"No, I..." Breathe. "I found information on the project and...I did some digging."

The villain's eyes jumped from place to place, trying to focus on something but they could barely concentrate. What was the project about again? Weapons? Illegal trading? Bribery?

"Someone is working here and using information - your information - to work on the project." The villain felt like they were about to throw up any second now. "I know I am not allowed to be here but...the guards, I couldn't just walk in here..."

"Sit down," the hero said. Their shoulders relaxed and their eyes were big, as if curiosity had gotten the better of them.

"No, it's okay..." The hero walked up to them and pushed them gently into the hero's own chair. Although the villain knew the hero could be hard to understand at times, they felt weirdly safe. The hero wasn't irrational. It was reasonable to be upset about the villain's appearance, since they had agreed on staying out of each other's business.

"Have you eaten anything today?"

"They have been selling your information," the villain said. Their headache got worse, spreading across their scalp.

"What did you eat today?"

"A bagel...I drank some coffee."

"From home or did you buy it?" the hero asked, strangely serious, as they sat down on another chair in front of the villain.

"I bought the coffee on my way here," the villain said. The hero sighed. They hadn't seen each other for an entire week. That was long, wasn't it?

"Well, count yourself lucky that you've trained your body to become drug resistent. Mostly," the hero said as they stood up again. They offered the villain a hand and even though they didn't understand, they took it.

"What do you..."

"Think about it, honey. Someone who has access to my data. All my data. Everything. A big amount of that data is about villains. And someone who has access to that knows when they're spotted." The hero exhaled dramatically. "We're dealing with a professional here. Someone who figured out you came to warn me. Someone who tried to poison you this morning."

"That's a reach..." The villain hissed as sharp pain cut through their stomach and through gritted teeth they continued, "but not entirely improbable. That coffee tasted funky."

They pulled themselves up and fell into the hero's arms. They apologised but the hero's arms were already supporting them, pulling them close.

"You're very calm about this," the villain mumbled. Their knees weakened but the hero held them close, making sure they didn't fall.

"You're very hard to kill, speaking from experience." At that, the villain smirked. The tip of their nose nudged against the hero's neck. "Nevertheless, you need a medic."

"I'm fine..." the villain lied. The hero slowly walked with them towards the door and the villain was pretty sure they would die any second now. "This was important."

"You're very sweet for warning me," the hero said. "But I hope you know that I have to get the situation under control. You're not gonna leave this building for a very long time, I'm afraid."

The villain couldn't have cared less about that.

#they care about each other so much ;-;#writing snippet #heroxvillain snippet #heroxvillain prompt #heroes and villains #hero #villain #heroxvillain #hero x villain #request #an answer for an ask

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pollyanna-nana · 1 year ago

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“I can’t help anyone…”

An analysis of Kieran and how it relates to his most controversial scene.

Warning for Indigo Disk DLC spoilers ahead

——————

Greetings! I’ve made it no secret that, despite what some people think of him, I am very fond of Kieran Pokémon’s little emo ass. As a result, when perusing the tags I’ve been bombarded with a lot of very… questionable takes regarding his personality and character, which I simply do not agree with. In particular, I’ve seen a lot of interpretations of a specific scene that I don’t think get at the heart of the story and have some fundamental misunderstandings of the subtextual clues we’re given about how Kieran and Carmine were raised, and I wanted to take the opportunity to present my own interpretations and how I have come to understand this young boy’s complex journey to self acceptance.

This scene, right here, has been the source of many specific complaints I’ve seen regarding Kieran’s character. I’ve seen people saying that his actions here make him a bully, that he’s shaming a fellow student for having troubles at home, and generally is an unpleasant, entitled person. And while I think there’s definitely some truth to those points (and they make him all the more interesting…) I don’t think a lot of these people are thinking about what this scene is really trying to tell us.

Yes, it’s showing the player that Kieran has changed since we last saw him. That his shy, kind demeanor has been supplanted by a stark cruelty that was hinted at in the end of Teal Mask, and that we have reason to fear and fear for him. However. I would argue that it also serves to tell us more about what Kieran himself has dealt with as a student at Blueberry academy. Specifically...

Kieran’s struggle with identity and self worth.

From the earliest segments of Teal Mask, we get strong indications that Kieran has quite the inferiority complex. Worse still, said feelings are reinforced by the people around him, knowingly or not. Here, when Carmine tells us that Kieran's "nearly as strong as she is", we know she simply means to compliment us in her own Carmine-ish way. However, purposefully or not, it reinforces Kieran's idea as someone who is always, at best, almost good enough. Almost as strong as his sister. Never as or more.

He tells the player that he'll hang back, not wanting to get in our way. With no prior prompting, either. How many times has he been made to feel that he was a burden? I adore Carmine, but one of her most pressing flaws is her struggle to make Kieran feel loved and wanted. Which, is actually pretty normal between siblings as she herself is a child. But still, given how much Kieran clearly loves and respects her, her words hold a lot of weight. And it's only Carmine who we get to see treat Kieran this way. While it's possible it's coming almost entirely from her, I'll discuss later why I think it may be more complicated than that. For now, though, it's clear that Kieran himself thinks very lowly of his abilities and would rather stay out of people's way, lest they berate him for perceived inadequacies.

He's had problematic behavior modeled for him by Carmine.

Here, too, we see how Carmine's treatment of him reinforced some very negative ideas of interpersonal conflict and resolution. All throughout Teal Mask, Carmine is telling him to shut up and be quiet, and does what she thinks is best for him without consideration for how it may make him feel. No physical violence, but emotional abuse is abuse all the same. While we know that she was ultimately trying to do what was best for him, and had very good reasons for keeping secrets, its undeniable that the words she used only further reinforced the idea that the strong will push around the weak, and that they have no need for anyone who falls behind in some way.

This scene in particular is fascinating, as we get to see first hand the kind of dynamic that pushed his feelings of inadequacy towards the breaking point. Here, after the player and Carmine run into Ogerpon for the first time, he thinks her weird behavior is because they were making fun of him. It's already sad that he would jump to that conclusion, but then Carmine smiles through his entire dialogue and says nothing. No reassurance, no denial, nothing. Kieran walked away from this conversation thinking that his sister and his new friend were talking about how much they dislike him. Speaking from personal experience, constantly feeling like people are talking about you behind your back at a young age can lead to you becoming brutally honest in a maladaptive way, and it can lead to people thinking you're cruel and unkind because you refuse to keep your thoughts to yourself.

Generational trauma, neurodivergence and cycles of abuse.

Here is where we leave screenshot land for a bit and I talk more about things that I suspect to be true, but cannot ultimately prove. However, I ask that you bear with me here and consider what may be going on above the heads of the child protagonists in a children's video game. (After all, if some people can write whole essays comparing Kieran's behavior to some very serious real-world events... I think I am within my right here!)

Kieran and Carmine, to me, match very strongly with the idea that they came from a bad home life. I don't necessarily mean their grandparents, as they seem nice enough (though flawed), but instead that their parents, whoever they were, contributed substantially to their strained relationship and problematic behavior. This post may seem very Carmine-negative, but I actually do not blame her for what she's done, not really. I do think that she has the agency and experience to take responsibility for how she's treated her brother, but I also think that it is something that was modeled for her by her parents, caretakers and teachers. I think it's very important to keep in mind in all conversations about these two that negative behaviors like these rarely manifest out of the ether. When I see child characters acting this way, I think less "wow, what horrible people!" and more "who in your life is modeling this kind of behavior for you?"

Full disclosure: I am an older sister myself, and my younger sister is very close to me in age in the same way that I see Carmine and Kieran as being. I see a lot of myself in her, which is why I deeply understand her frame of mind in everything here. Being expected to be the emotionally mature one in a sibling dynamic is difficult when you're so close in age, and it can lead to a lot of frustration as you feel like you're made to grow up too fast while your younger sibling is shielded from responsibility. It also doesn't help if the adults in your life model a lot of negative behavior, especially power dynamics, and if you have any sort of neurodivergency.

Speaking of... I wholeheartedly agree with the interpretations of the siblings having some combination of autism, ADHD, BPD or several other potential conditions. I won't go into depth, but without question there's something going on with them that's both untreated and misunderstood by those around them. Which, makes a lot of sense considering where they come from. Kitakami is a small nation, mostly agriculture based, and Carmine in particular is very resistant to the idea of it becoming a tourist destination for wealthier countries. They may not have the resources and infrastructure, along with cultural awareness, to properly diagnose and treat certain mental health conditions. Kieran doesn't even have a phone!

Something I don't see mentioned often is how Kieran and Carmine being at Blueberry is more than likely a very isolating experience for both. Being at a prestigious school in Poke-America, when coming from rural Poke-Japan, must've been a very difficult transition. Given that it doesn't seem like ANY of the adults in their lives are interested in their mental and physical well-being, I can only imagine that exacerbated their already existing issues. Not to mention that the culture of BB seems to be overly concerned with strength in battles, it's no wonder that both children's worst traits were made to fester over time.

Entitlement and disenfranchisement

Okay, enough of that. Back to screenshots. Here I want to talk about how some people interpret Kieran as being bratty and entitled, and while I don't necessarily disagree, I think with the context of everything previously laid out in this post that it's a lot deeper than simple entitlement. We know, from his own words, that all he wants is acceptance, independence, and meaningful human connections. To him, that comes in the form of strong pokemon (acceptance at the academy), going anywhere he wants (feeling empowered and self-confident), and being able to make friends with "anyone". Any friends at all, really.

While his "I worked so hard, and for what?! I STILL lost in the end!" can feel petulant and whiny, it also cuts deep for anyone who has grown up without. I think it's very important to note that Kieran is at precisely the age when systemic inequalities really start to weigh on someone, and before the brain and life experiences are developed enough to handle it in a healthy way. While some cope better than others, for many around this age the weight of knowing that there are people out there who simply have more than you ever will not by any sort of effort or triumph, but rather than the dumb luck of birth into a wealthy, privileged setting... well, it can be crushing.

It's something most grow out of, but for a kid like Kieran, who was so obsessed with the story of a genuine injustice (Ogerpon vs. the 'loyal' three), is it any wonder that he would react this way? The player is a particularly extreme example, of course, as protagonist powers are some real bullshit. Coming to terms with the fact that the system has failed him, but he can still achieve great things and become a person he can be proud of, is something that will probably only come with time and wisdom as it does for most of us. In the interim, though, petty teenage tantrums are to be more or less expected.

Feeling powerless.

In case you think I'm extrapolating far too much, I think it's important to note that, after the severe shock that was Terapagos breaking out of its own ball, Kieran reinforces all of these ideas himself. Here, when Carmine is begging him to help you, he refuses not because of hatred of you but rather his own self-doubt and loathing. Which, ultimately, has always been the core of everything Kieran has done up to this point in Indigo Disk's plot. He believed so strongly that if only he could become stronger, then he could prove to everyone, and more importantly himself, that he was worthy of taking up space and achieving his own dreams. But it's here, when everything truly comes crashing down around him, that the facade slips and shows Kieran as he truly is- a little boy who feels helpless in his current circumstances.

I've seen people say that when he cries after becoming determined to help you defeat Terapagos, it's out of jealousy or anger. However, I couldn't disagree more. The light returning to his eyes shows, in my view, that Kieran feels hope for the first time since he had his dreams crushed back in Teal Mask. That, even though he feels powerless, even though he's hurt people and hurt himself, he's still wanted. That he can do something meaningful, even if it's just cleaning up the mess he helped to make. (Briar don't think I've forgotten about you. You're the most culpable in this situation given you're the only adult- but I digress.)

In conclusion.

He bapy.

No but really, what does all of this even mean? I think going back and reading the conversation at the start of the post, especially if you were initially put off by it, with the context outlined here changes a lot about how one can interpret Kieran's behavior. Note that I am not trying to justify anything he said or did, but rather point out that this fictional child has some serious, unresolved issues that deserve time and thought turned towards them, especially in the way that they reflect real-world individuals and systems. Ultimately, if you want my opinion I think Kieran would be a pretty nasty person to know in real life if I was in school still, but you know what? So was I at his age. And so were most people, if I'm being honest. But that doesn't tarnish a person forever. All of life isn't high school, even though Kieran- or you, reading this right now- may feel like it is. He has a lot of growing up to do, but that's life. And in the meantime, he sure is one hell of an interesting character to follow.

#polly speaks #polly writes #pokemon #pokemon scarlet and violet #indigo disk #indigo disk spoilers #teal mask #pokemon kieran #rival kieran #pokemon carmine #kieran posting #character analysis #tw bullying #tw abuse #ask to tag #im tired. anyway im going grocy shopping anyone want anything from tjs

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calliecopper · 17 days ago

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Ian Gallagher Being His Own Person, and Why That's Controversial

A meta about Ian's story during his time away from Mickey, and the hate his character receives for it. Inspired by @dazzle02 :)

How many times have you heard somebody say that they skipped season 8 of Shameless because Mickey wasn't in it? How many times have you heard somebody say that season 7 is only good during Mickey's episodes, or that the story is boring without Mickey in it, or that Ian's S6-8 arc was boring without Mickey? How many times have you heard somebody proclaim that Ian wasn't a good partner to Mickey?

Mickey is undeniably THE fan favorite character of the show, and with that comes a tendency for fans to defend him tooth and nail, even when he is in the wrong, and refuse to see any other points of view. Characters who go against Mickey in any way receive a harsh amount of criticism that sometimes is not fully justified. This applies even to Mickey's main connection to the story: Ian.

During season 5 and onward, some fans hold Ian's actions against him very harshly when I feel he deserves a bit more empathy. Of these, there are three main things people criticize his character for during seasons 5, 6, and 7 that I feel are not given proper analysis and thought by fandom.

Disclaimer before we get in because people feel very passionately about these two: Every interpretation of a character is entirely unique to each individual viewer, and these are just my opinions. This is in no way an anti-Mickey post, so as you read, keep in mind that any criticism toward him is not meant to make him out to be a bad character. Don't bite me.

Season Five: The Breakup of All Time

I think a large part of why people get so upset with Ian for the breakup is because of the growth Mickey experienced in seasons 4-5 leading up to it.

Mickey in seasons 1-3 is in extreme denial of being gay, and when he grows feelings for Ian, he lashes out and treats Ian like shit. Seeing Mickey's slow growth starting in season 3 brought interest to his character, and in season 4 with his major growth during his coming out, he becomes very compelling to a viewer. After all the angst that it took to get Mickey to finally open up, there's a natural desire to see that positive growth and relationship development continue. When Ian throws a wrench in that by breaking up with Mickey in season 5, people get upset, and they're going to direct that toward Ian because he is the easiest to blame.

There's the sentiment of, "Mickey came out for Ian, took care of Ian, and supported Ian when he needed him most despite his faults. Why is Ian leaving Mickey in the dust when he now needs him most?"

This is honestly not an unreasonable thing to feel when looking at things from Mickey's perspective.

But, when you take a look at Ian's character, and you really think of his motivations in that moment, his decision to break up is actually very understandable. Ian didn't break up with Mickey because he thinks Mickey is a bad partner or because he doesn't love Mickey enough. He broke up with Mickey because he thought that's what was best FOR Mickey.

I think comparing the breakup to their fight over marriage in season 10 to be an effective way to understand Ian better.

In season 10:

"How do you know you love me? Huh? How do you really know? I'm bipolar, right? I don't know who I am from one day to the next, and I can't guarantee shit. So why do you wanna spend the rest of your life with me?"

- Ian to Mickey, S10E9

Compare this to this conversation during the breakup:

"You used to love me. Now you don't even know who I am. Shit, I don't know who I am half the time... You don't owe me anything."

"I love you."

"The Hell does that even mean?"

- Ian and Mickey, S5E12

I feel that Ian's mindset is pretty similar in these two moments. In season 5, he is still grappling with his diagnosis, and he has no frame of reference of how a healthy life with bipolar can look. Everybody has been comparing him to Monica, and he himself seems to oscillate between thinking he is like her and not like her, so in his mind, he has nothing to offer anymore.

Then, in season 10, in his mind he proved himself right. He tried to get his shit in order, lived happily and found peace with his diagnosis, and then he fucked it up. He had an episode, and he lost everything he fought so hard to have. He has practically ruined his life because he DID what he FEARED he would:

"I hate the meds. You gonna make me take 'em?"

"You get fucking nuts when you don't."

"Are you gonna want to be with me even if I don't?"

- Ian and Mickey, S5E12

That conversation isn't Ian saying he isn't going to take his meds, given how in season six, he IS taking his meds. I interpret his above statement to be a warning to Mickey. Because Monica has tried to get on her meds before, has tried to get better, and has failed many times. IAN has gone off his meds willingly twice now. This is him telling Mickey, straightforward, "I do not like the meds, and there will always be a risk of me deciding not to take them."

And in seasons 8-9, he does exactly that. He goes off his meds, and he destroys everything he built for himself. That's part of the reason why he hesitates to marry Mickey in season 10, and part of the reason he breaks up with Mickey in season 5.

Ian views himself and his disorder to be a burden on the people he loves. He believes that Mickey will be better off without him.

"I don't want you sitting around, worrying, watching me, waiting for me to do my next crazy shit."

- Ian to Mickey, S5E12

Because Mickey HAS been doing that. Ever since he was diagnosed, Mickey has been watching Ian like a hawk, acting like a nurse, which frustrates Ian.

"Fuckin' nurse now?"

[...]

"I'm sick of your whiny, pussy crap. I don't need a fucking caretaker, alright? I need the shit-talking, bitch-slapping piece of Southside trash I fell for. Where is he? The fuck is he, Mickey?"

- Ian to Mickey, S5E10

But, of course, Mickey doesn't see it that way. To Mickey, Ian is anything but a burden he wants to unload.

"It means we take care of each other. [...] It means thick and thin, good times, bad, sickness, health, all that shit."

- Mickey to Ian, S5E12.

Mickey would do anything for Ian. He confronted his worst fear by coming out, stayed with Ian even after the infidelity, defended Ian after he kidnapped his son, and tried his best to understand a mental illness he had no prior knowledge about. Yet, Ian still won't commit to him. After everything, he still isn't good enough.

"I'm not saying never!"

"No, you're just saying you don't love me enough now."

- Ian and Mickey, S10E9

And Ian, meanwhile, thinks that HE isn't good enough for MICKEY. He has been diagnosed with a lifelong condition, one that he has seen ruin lives firsthand, something that will be a part of him for the rest of his life, and he doesn't wanna tie Mickey down to that life.

It's all one massive miscommunication.

Finally, I think the part that is the most confusing to fans regarding Ian's mindset during the breakup stems from his moments with Monica in S5E11 and S5E12.

Specifically, the parallels between these two conversations.

"Ian, there's always gonna be people that are gonna try and fix us. And you can never make those people happy. Like it breaks their heart just to look at you."

"Yeah, um, even Mickey now."

"He's your boyfriend, right? [...] I'm sure he means well, but you need to be with people who accept you for who you are. And they're out there. You should never apologize for being you."

- Monica and Ian, S5E11.

Vs.

"What the hell is wrong with you?"

"Too much! Too much is wrong with me. That's the problem, isn't it? Too much is wrong with me, and you can't do anything about that. You can't change it. You can't fix me, 'cause I'm not broken. I don't need to be fixed, okay? I'm me!"

- Ian and Mickey, S5E12.

Monica's interpretation of the relationship seems to paint Mickey in a negative light. "He means well, but he doesn't get it," or something along those lines. Based on her previous experiences with the diagnosis, she has come to the conclusion that people like Mickey or Fiona, who try to get them to take medication and are saddened by the diagnosis, are being controlling, and do not love them for who they really are. That's why she always went back to Frank; he actively tried to get her to NOT take her meds or get better, and did not encourage her when she DID try to get better. So, to her, being off her meds IS the TRUE version of herself, and the people who can not accept that do not accept her.

But I think, while Ian's lines parallel Monica's, that he does not think the same way that she does.

Toward the end of season 5, Ian seems to do a complete 180 from his previous statements on his similarities with Monica.

"You flushed your pills? You get thats a full-on Monica move, right?"

"I'm not Monica."

- Ian and Fiona, S5E8

Vs.

" [...] Cause they all say how alike we are."

"That's probably not a compliment."

"Uh... No, I think it is."

- Ian and Monica, S5E11

This happens in the wake of his arrest, after Ian's siblings talk about him to the military police. Many of their comments seem to hit Ian in a way that makes him feel misunderstood or like a burden.

Debbie: But he's been acting crazier for longer than that.

Lip: Yeah, at least this past year.

Officer: How would you characterize his behavior?

Debbie: Compared to how he used to be... He's different.

Lip: He'll go back and forth from, you know, being depressed, to, you know, incredibly wound up. I mean, he ran off with a baby for no reason.

Debbie: He almost hit me in the head with a baseball bat.

Fiona: Our mother was bipolar, so we know what it looks like. She put us through Hell, and- I'm not saying you put us through Hell, but when they're manic they can be destructive.

Officer: In your opinion, does he require medication?

Fiona: Yes.

Officer: Is he unable to care for himself?

Fiona: Sometimes, yes.

So, when Ian talks to Monica when they reconnect, Ian expresses loneliness and a feeling of isolation.

"I'm really glad you came, yknow? I just... I needed someone to talk to who... gets it."

- Ian to Monica, S5E11

When Monica tells Ian to not be ashamed and that she loves him for him, she is kind of acting like his Frank. The meds have been taking a toll, and recovery is so difficult that running with her and getting validation from the only other person who could "get it" is an easy choice to make. I think the combined factors of Mickey treating him so delicately, his siblings laying out his flaws so plainly, and his mother's open acceptance creates a feeling of bitterness or shame, and Ian is hoping to find comfort in his mother.

But it doesn't go the way he expects it to.

At the diner, he thinks that Monica is going to prostitute herself for money, and is relieved when she doesn't. It's likely he was thinking of his own stint at the Fairytale in this moment.

Then, he recalls a moment from his childhood that he does not look upon fondly, only for Monica to refer to it as "good times."

He meets Monica's partner and discovers he is an aggressive teenage meth dealer that she is helping to sell the meth.

I think Ian has a true moment of clarity during this. He had thought that he was vindicated, that everybody else was wrong, that they didn't understand, that Monica was right, and that he was perfectly fine just the way he was. But then he sees what Monica considers to be "a happy life."

"Ian, I'm finally happy. People like us, we can be happy. I love him, and that's the most important thing, to find somebody to love, right? Who loves you back for who you are. I want that for you. I love you. We're gonna be okay. We're gonna be okay."

- Monica to Ian, S5E12.

Monica's perception of life is warped. What she considers a good life is living in a trailer selling meth. Good memories are traumatic memories for those around her. True love and support is an aggressive teenage dealer, or Frank Gallagher.

A simple drive to Ian was a horrifying kidnapping to Svetlana. Doing a porn that was no big deal to Ian was a betrayal of trust to Mickey. Joining Monica and ignoring the calls of his well-meaning but ignorant family to Ian was a painful and worrisome disappearance to them. Ian's perception HAS been warped, and he's crashing back to reality, realizing that he has run off with MONICA, realizing that he can't continue down the same path as her, and needs to go home.

He's come to accept that he is bipolar. He's internalized what his family has kept repeating, that he is just like Monica, and looking at her living like this, believing that she is living well, is terrifying to him.

So he goes home, believing that he is just like his mother, and he's doomed to be a piece of shit. He goes back, and he breaks up with Mickey. Because he doesn't think that people like him can be happy, and he doesn't think he'll be okay. And that isn't something that Mickey can change. Too much is wrong with him, and Mickey can't do anything about it.

Really, it's just a matter of Ian operating under the "if you love them, let them go" mindset, and Mickey interpreting it as a rejection. It's the two of them both believing they are not good enough for the other and internalizing it instead of properly communicating.

TL;DR: Ian's breakup with Mickey in S5E12 is not done in a healthy OR selfish mindset. To him, he will do nothing but drag Mickey down, and in his unmedicated and clearly altered state of mind, he thinks the best thing is to let him go.

Season Six: Dating Caleb and Other Blasphemy

The first time we see Mickey in season six, it's behind a pane of glass in an orange jumpsuit.

Mickey had tried to murder Sammi, Ian's half-sister, and had been sentenced to prison for 15 years. It's established that Ian has not been to visit Mickey much and is trying to move on past that time in his life. But, upon being bribed by Svetlana, Ian visits, and during this visit Mickey asks Ian a question:

"You gonna wait for me?" - Mickey to Ian, S6E1.

And when Ian shows hesitation:

"Fuckin' lie if you have to, man, eight years is a long time." - Mickey to Ian, S6E1.

So, Ian replies:

"Yeah. Yeah, Mick, I'll wait." - Ian to Mickey, S6E1.

Before even meeting Caleb, fans absolutely tear into Ian for his decision to not commit to Mickey in this moment. They call it selfish, or out of character, or unfair to ice Mickey out when he is going through this difficult time.

But, let's look at it from Ian's position.

Ian has dealt with abandonment issues his entire life, with both Monica and Frank being unstable and infrequent providers during his adolescence. Throughout his relationship with Mickey, they had been separated on three separate occasions, one of which was entirely voluntary on Mickey's part. Now, due to committing a major crime, Mickey has been sent away for up to fifteen years. They would both be in their thirties by the time Mickey would be released, or close to it if he got out early, and that's not even considering that he was actively taking part in jobs / activities that could extend his sentence, like stabbing people.

Ian has dealt with recurring disappointment and abandonment his entire life, and throughout their time together, Mickey hasn't really established himself as stable.

Now, before you bring out the pitchforks;

"But Mickey was there for Ian and supported him through seasons 4-5. He grew as a person and proved he IS reliable."

Yes, that's true. He did undergo massive development that allowed him to be a better partner and more reliable person to Ian. But, canonically that period of time only takes place over a few months.

Mickey, for the better part of 2-3 years, was NOT a good partner to Ian. Multiple years of an unsteady situationship is not so easily forgotten. Yes, Mickey 1000% had valid reasons for acting the way he did. It's made very clear in S3E6 and S4E11 why Mickey hides his sexuality and lashes out when forced to confront it. But that isn't an excuse. His reasons for acting in a negative way towards Ian the first three seasons is understandable, but he went about it in a bad way.

Not to mention that, despite his growth, Mickey has just been sent to PRISON. No matter how you spin it, his decision to go after Sammi was NOT justified and does not necessarily bring forth confidence in his reliability and stability.

It's not unreasonable for Ian to not want to wait for over a decade for a man who has not always been the best for him. It sucks as a viewer who is invested in them, but Ian was not in the wrong.

Beyond (justifiably) selfish reasons, Ian also already thought that he was bad for Mickey, was worried that he would ruin his life, and with Mickey's justification for his torture attempt being that he did it FOR Ian, that Sammi had it coming because of what she did TO Ian, Ian probably felt responsible for that as well. There was probably a level of guilt in Ian from the whole situation, both for Mickey being in prison and for leaving him there.

But from his point of view, it's better for everybody to try and move on.

What really bothers me about this criticism toward Ian is the sense that he OWED Mickey his time and loyalty. Because Mickey had given and sacrificed so much for Ian during seasons 4-5, it's like people think Ian is then obligated to return that for Mickey, no matter what Mickey did. It's a very transactional way to view the situation, and it just leaves me with an icky taste in my mouth. Nobody owes anybody anything in that situation. Ian does not owe Mickey companionship, and Mickey did not owe Ian support when he got put in prison in season 9. Returning to Ian was Mickey's decision to make, and not a decision Ian was obligated to make in season 6.

Now, onto the actual "dating other people" part of the conversation.

For months, Ian has done nothing but get his meds on track while working at Patsy's, then at the janitors job on Lip's campus. During this time, Ian expresses having a very low sense of self-worth.

"He as smart as you?"

"No."

"Yeah, he's smart."

"Lip is the genuis of the family."

"So that gives you an excuse for not finishing [high school]? You seem plenty smart, and Dav's uniform doesn't really suit you."

- Ian, Lip, and Professor Youens, S6E3

And:

"This is it for me, Lip. This job. This is where I land."

- Ian to Lip, S6E3

Which Lip comments on in a very concise way:

"Yknow, he thinks... Being bipolar means he's doomed to be a piece of shit like our mother."

- Lip about Ian, S6E3

Ian feels no sense of purpose during these months. He feels he has no worth and that he is doomed to work a dead-end job and have no happiness. He thinks he is just like Monica.

That only changes when he witnesses an accident on the highway, and he saves a woman's life by pulling her out of a burning car.

This leads us to Caleb.

Now I'll admit, this is where I take issue with the storytelling, because this would've been a PERFECT way to segue into Ian's EMT arc, but regardless of what I personally think would've been better, the way it plays out in canon does actually still make sense for Ian's character.

After saving the woman from the burning car, Ian collapses due to smoke inhalation and exhaustion. A firefighter on the scene provides Ian with oxygen, thus saving his life. Ian immediately fixates on this particular firefighter.

Now, Ian has a very complicated relationship with feeling his emotions post his diagnosis. In season five, when he is numbed by his meds, the only way for him to feel again is through pain, via self-harm or starting physical fights, and sex. In fact, sex plays a major part in many aspects of Ian's life.

From the age of fifteen, Ian had been consistently subject to sexual abuse. He's been used for his body by countless men throughout his teenage years and has been oftentimes reduced merely to his sexuality and what he can provide to his partner. Even Mickey, in season 2, tells Ian as such in a panicked rage.

"You think we're boyfriend and girlfriend here? You're nothing but a warm mouth to me."

- Mickey to Ian, S2E8.

(No, I'm not saying Mickey sexually abused Ian. But he did contribute to the way we see Ian default so heavily to objectifying and sexualizing himself.)

So, due to this recurring trauma, Ian has a tendency to default to sex as the primary way of getting satisfaction, be it emotional or physical.

So, when Ian gets a rush of adrenaline from the crash, after months of that numbness, he chases the emotions in the most effective way he knows how.

Ian goes to the firehouse with cookies to give as thanks to the firefighter who saved him, but with a clear ulterior motive of getting laid. When he finds out that the particular firefighter (who happens to be part of the "gay shift" which is an odd writing choice) he saw on the highway is married, Ian meets Caleb. In this scene, they speak all of one line to each other when Caleb invites Ian to a firehouse softball game. The next time we see them on screen together, Ian acts very flirtatious toward Caleb, which sets forth their relationship.

"You ever pitch?"

"... Usually, but I'm open depending on what you're into. Where we doing this?"

"Follow me."

[...]

"Wait, we're actually playing softball?"

- Ian and Caleb, S6E5

I think Ian receives hate for this simply because he's expressing interest in a guy that isn't Mickey. Fans get the impression that Ian is moving on too fast or that his interest in Caleb is sudden or rushed. However, I think the rushed nature actually works to show Ian's intentions. In this moment, Ian is not really looking for a full-on relationship. Given how little they interacted thus far, the fact that Caleb wasn't even who Ian was originally interested in, and how Ian's comments consistently err on the side of sexual, its safe to say Ian was just looking for a hookup. In fact, it's Caleb who pushes so hard FOR the relationship.

Mickey, in a deleted scene, hooks up with an inmate right after talking with Ian. If Ian's relationship with Caleb had only been a fling or hookup, I don't think Ian would've been as heavily criticized. As it is, fans get upset at this relationship because it IS a relationship. They go on dates, Ian starts staying with Caleb, and really they seem to be very domestic.

But I don't think Ian was as dedicated to the relationship with Caleb as fans make him out to be.

From the jump, Ian seems uncomfortable with the quick-moving pace of it. At first he only seems interested in sex with Caleb, but upon the negative reaction that provokes, Ian conceded to going on a date with Caleb (which is a bit of a slap in the face to Mickey fans after Gallavich's ruined date.)

"[...] I was hoping to get my hands on your hose."

"Is that what this is to you? A fuck?"

"You say it like it's a bad thing. Come on, let's get out of here."

"No. I knew you were younger than me, but I thought you were a grown-up."

"Fuck. Okay. Okay. Hey, I'm into you, alright? I thought you were into me."

"I am."

"Then what's the problem?"

"I don't stick my dick in just any guy."

"What do you want, then?"

"Seriously? Do I have to spell it out for you?"

"Yeah."

"A date."

"With, like, flowers and chocolate and shit?"

"No, we could skip the flowers."

"Okay. You're on."

- Ian and Caleb, S6E5

(Side note, pulling a "is that all this is to you" after two non-romantic interactions is not just quick in terms of hookup culture, which Ian is more attuned to, but is quick in any terms. More on that later.)

During this date, Ian is visibly very uncomfortable. Some would chalk this up to him having never been on a date before, and the writing even seems to imply that,

"Okay, look, I have no idea what I'm doing. My last boyfriend wasn't much of a talker, his idea of a conversation was to insult me a bunch and then punch me right before we banged."

- Ian to Caleb, S6E6

but that's actually not true, DESPITE the writers forgetting that.

"You know, Mickey and I never went out on dates. Ned never took me out, Kash and I fucked in the back of a convenience store, and I don't think jerking off strangers in a nightclub counts, so..."

- Ian to Lip, S6E6.

He actually HAD gone out on a "date" with Ned in season three, where he was visibly less uncomfortable than on his date with Caleb. He also went to many loft parties during his time dancing at the club, wherein he blended in very well and was able to sorta chameleon himself with the northside crowd. I think the show wants us to believe his discomfort is from him "never having been on a date before" or being unfamiliar with a "slower" pace, but I think his discomfort actually would stem from him just genuinely not being interested in Caleb in a romantic way, and thus feeling awkward on a date that's in a more romantic setting (compared to his one with Ned, which was undoubtedly more sexual.)

I also think his discomfort stems from being completely out of his element. Ian has taken a massive hit to his confidence since his diagnosis, so his Southside roots bring about a bit more hesitancy in him than it might have before, and he may be less confident in his ability to chameleon. That's why, during the date, Ian shows discomfort with Caleb when he shows more "class" than Ian.

"Usually, I get a bunch of apps to share. You good with that?"

"[Uncertain hum] ... Appetizers! Sure, yeah, big- big fan of apps."

[...]

"You seem like a very pensive kinda guy. You an only child?"

"Uh, no."

"Brothers and sisters?"

"A bunch, yeah."

"Older or younger?"

"Both."

"What about your parents? Both still alive?"

"... Yeah."

"... Fantastic. I'm learning so much."

[...]

"Where I'm from, people communicate with their fists."

"Where's that?"

"Southside."

"Mmm. Hands of steel. Okay, so you're a street rat. A brawler."

"Is that a problem?"

"Only if you make it one."

- Ian and Caleb, S6E6.

Then, beyond their first date, we have the actual relationship to dive into.

Throughout his scenes with Caleb, Ian seems to oscillate between neutrality, discomfort, or mild enjoyment in the situations he finds himself in.

There's this interaction, for example, where Ian lets Caleb take charge in defining their relationship:

"So what are we doing?"

"Whatever you want, I guess."

- Ian and Caleb, S6E7.

Or this moment:

"What are you smiling at?"

"I like having you over here. What are you smiling at?"

"I like having a purpose."

- Ian and Caleb, S6E8.

Or when Caleb invites Ian out with his friends, and we see Ian slip into his chameleon persona, mirroring the petty mannerisms of the most vocal participant of the conversation, as well as avoiding diving too much into his personal history.

"You haven't told me which one is your ex."

"Guess."

"Old guy, pink sweater."

"How'd you know?"

"Ooh, a redhead, Caleb? Does his carpet match his drapes?"

"You're a good sport."

- Ian and Caleb, S6E8.

[...]

"If we had known you were bringing a middle school student, Caleb, we wouldn't have come to a place that cards."

"Oh, no, it's cool, I don't drink. I hear it makes your skin old and leathery."

"That's-that's how we're playing this?"

"Hey, you threw down first."

"Where you from, kid?"

"Back of the Yards."

"Local boy. What's your story?"

"Story?"

"Who you are, what you do, how did you meet this chocolate bundt cake?"

"Met him at the firehouse."

- Ian and Gregory, S6E8

[...]

"We like this one, Caleb. Don't we, Gregory?"

"I mean, If young, beautiful, and kind of a smartass is something to like, sure, fine, I guess we do."

- Caleb's friends about Ian, S6E8.

OR, in a deleted scene where Caleb expresses frustration at Ian keeping the distance between him and Ian's family, as well as Ian's lack of communication, while Ian seems unbothered or even perplexed by Caleb's frustration.

"So, where'd you sleep last night?"

"Home. Got done at three, told you I'd be late."

"Yeah, like nighttime late, not next day late."

"Well, I didn't wanna wake you, and I had to go back there to grab some stuff: clothes, towels..."

"Where's there?"

"Home, you mean?"

"Yeah."

"Back of the Yards."

"Right. You did mention that once. I still don't know where it is or who I'd call if there was an emergency?"

"Uh... my brother, I guess? Or my sister."

"Brother or sister. Okay. I'll just track down Ian Gallagher's brother or sister on the internet."

"I'll... put their numbers in your phone."

"Great."

- Ian and Caleb, S6E11 deleted scene.

OR any of the follwing:

When they go to get Ian tested for STDs, he is visibly uncomfortable having Caleb in the room with him.

He is only comfortable revealing his bipolar disorder if it is done in exchange for another secret from Caleb.

He isn't very comfortable sharing his past, only references his previous relationship in a lighthearted manner, and he only reveals his sexual history upon feeling pressured to do so, which he purposefully presents in a callous way.

To me, the entirety of Ian and Caleb's relationship reads as Ian's desperation for validation through sex, which leads to him putting up with a relationship he isn't entirely comfortable in or commited to or ready for. To me, it seems like he's truly just looking for companionship in any way he can get it.

Out of everything, though, I think what really gets to fans most about this storyline is the constant comparison of Caleb to Mickey as a means of demonizing Mickey.

Throughout the entirety of Ian and Caleb's relationship, there is a constant comparison between the two relationships, seemingly with the intent of painting Mickey as a horrible partner.

When Ian tells Lip about his upcoming date with Caleb, he remarks that he never went on dates with Mickey, which comes off as an unnecessary jab.

During his date with Caleb, Ian talks about his lack of effective communication skills, which reflects negatively on Mickey, to the point Caleb brings forward the idea of domestic abuse.

During the wedding that Ian attends with Caleb, Ian mentions Mickey's marriage to Svetlana, and he uses a tone that comes off as belittling the situation and how difficult it was for Mickey.

There's this line, when Caleb asks Ian to kiss for the first time:

"Can I kiss you?"

"I thought kissing comes after you've had sex a bunch of times."

"Ian, kissing comes whenever you want it to. Even now."

- Ian and Caleb, S6E6.

Then, there's Mandy stating that Caleb was better than Mickey.

"A hot black fireman. Also an artist."

"Upgrade from my brother."

"I miss Mickey, but uh... This new guy's nice."

- Ian and Mandy, S6E9

These near constant comparisons to Mickey are frustrating to fans, because it can often feel like Ian, or even just the writers and the narrative, are trying to belittle Mickey's character and reduce him to a one-note toxic ex, which completely spits in the face of the development that he went through. THAT is what is most frustrating to fans.

Because it's true that Mickey was not always the best partner. In real life, Mickey would be a walking red flag, and Gallavich would be undeniably toxic. But that applies to EVERY SINGLE CHARACTER in Shameless. That is the entire point of the show. None of them are particularly good people. They all do shitty things, but they all have compelling reasons for doing it. That's why we can look at these characters and feel connected to them instead of just absolutely hating them.

It's a really odd writing choice for a show that focuses on morally gray characters, or the idea that nobody in the show is really a good person, to decide to play moral high ground in this particular instance, and have Ian suddenly turn his nose up at Mickey's behaviors.

But is this really how Ian feels?

Because, as established, Ian is VERY good at playing chameleon. He is good at shaping himself into whatever a partner wants him to be. He mirrors his partners mannerisms, beliefs, and attitudes.

And Caleb, for all that the story wants to make us believe he's better than Mickey, is actually not the best partner either. Not just for cheating on Ian in season seven and then gaslighting Ian about it; he shows some toxic behaviors in season six as well, including being lowkey judgmental about Ian's Southside roots.

Take, for example, Caleb implying that the Southside is trash, but that he can see the beauty in Ian despite being from the Southside:

"That's my latest. I love to find the treasure inside the trash. Trying to find the secret life in things. What it wants to be instead of what it is."

"Is that what you're doing with me?"

"Good question. Can I kiss you?"

- Ian and Caleb, S6E6

(Which, funnily enough, this line from Caleb goes pretty against the sentiment that Monica had in season five, of Ian finding somebody who loves Ian for who he already is, as Mickey did.)

Or, for another example, Caleb judging Ian pretty heavily during the softball game for being "not grown-up." Simply because Ian expresses sexual interest in him above romantic.

"Cmon, let's get out of here."

"No. I knew you were younger than me, but I thought you were a grown-up."

- Ian and Caleb, S6E5.

Which, as I pointed out before, is really strange behavior. Participating in hookup culture isn't something that Ian needs to be shamed over. There's a sentiment of "Hooking up is beneath me, it's immature," to Caleb's tone, which is unfair. Now, he has reasons for this, that being his experience with getting HIV from a hookup who lied to him, which draws a pretty interesting parallel to Ian.

"Don't worry, guy I did the scene with said he was clean."

"He didn't use a rubber? Are you out of your fucking mind?"

- Ian and Mickey, S5E5.

Vs.

"Guy in college. He lied to me."

- Caleb to Ian, S6E8.

(Which I actually find to be a very interesting plot point and is actually a pretty good scene.)

So, while Caleb was not wrong to put forth a boundary by not hooking up, he was wrong for acting as if IAN was the problem in the situation. Not to mention, his behavior at the game is very strange when taken into account how little they've interacted thus far. He had understandable reasons for his negative reaction, but he went about it the wrong way. Sounds familiar, doesn't it?

Anyways, I could talk about the relationship between Ian and Caleb more, but that's not what the point of this is.

The point I'm trying to make is that Caleb, however covertly, expresses a negative or biased view toward the Southside lifestyle. And Ian, being the type to mimic his partners, follows along in that.

Ian already fears that he is going to be left. He is afraid that showing Caleb who he really is and not being the idealized version of himself will lead to Caleb breaking up with him.

"I'm enjoying it while it lasts."

"You think he'll dump you?"

"Well, I've told him I'm bipolar, and my family's screwed up, and he took it pretty well. But it's one thing to hear it and another to live it, so... We shall see."

- Ian and Mandy, S6E9

So, he chameleons. He makes himself the treasure in the trash. He distances himself from the image of a brooding, Southside street rat.

Because, after so long of constant pain and numbness during and post his diagnosis, Caleb is the first good thing he's found.

"I haven't been this happy in a long time."

- Ian to Caleb, S6E8.

And really, everything that I just talked about doesn't matter when you think about it that way.

No matter how dedicated or invested Ian was in his relationship with Caleb, it still provided him with companionship and validation, which as we know, is something that Ian has an unhealthy dependence on to find self-worth.

And I don't think Ian was wrong in searching for that connection simply because that connection wasn't with Mickey. He could've been well and truly in love with Caleb, and he wouldn't deserve some of the hate he receives for his canon actions.

It's easy to look at Ian's relationship with Caleb and get frustrated because of all the time that was put into Ian and Mickey's relationship. But beyond the instinctual negative feeling that comes with seeing Ian with anybody other than Mickey, his relationships outside of Mickey deserve to be analyzed and observed for what they actually do for HIS character, and not just immediately cast aside as unnecessary or ooc.

So, to summarize:

Firstly, Ian wasn't selfish for not waiting 15 years for somebody in prison. Whether he was serious about Caleb or not, Ian was under no obligation to dedicate himself to Mickey. Ian did not owe Mickey anything simply because Mickey was there for Ian when shit got tough. If they had been together, sure, Ian would've been a lot shittier for leaving Mickey alone. But as it was, they were broken up, and even if they hadn't been, Ian would've had every right to not want to continue seeing Mickey after his decision to harm Sammi, just as Lip was justified in not wanting to be with Mandy anymore after she ran over Karen.

Secondly, Ian dating Caleb wasn't bad for his character. In fact, I think their relationship in season six was actually a very interesting way to progress Ian's character and get more insight into his mind and how he operates.

Thirdly, Ian and Caleb's relationship deserves to be analyzed for what it is, rather than what it isn't. Just because Ian is not with Mickey doesn't mean that he doesn't undergo some huge development in this season, both in and outside his relationship with Caleb. Furthermore, Ian entering a new relationship gives us the opportunity to see more sides of his character, and as such the relationship should be analyzed as it's own separate entity, and not just as a hurdle in the way of Gallavich.

Fourth, Ian was not just waiting to cast Mickey aside to jump on the next dick possible. I've seen this criticism before, and when looking at his actual arc at the beginning of S6 and analyzing his general character, that's just simply not true. Entering a new relationship is not equal to immediately disregarding Mickey.

TL;DR: The hate Ian gets from this season mainly stems from "Ian date somebody aside from Mickey, bad Ian" without any further thought behind why he enters the relationship and what the relationship actually means to him. There is no separation in the minds of fans between Ian and Mickey, and therefore, Ian having experiences and an identity outside of Mickey is negatively perceived.

Season Seven: Putting His Own Wellbeing First

This one will be less long winded than the previous one, because I have less to say on it, honestly.

During the entirety of Ian's bipolar arc, it is pretty clearly shown that to maintain mental wellness, Ian needs stability.

When Mickey shows up and asks Ian to run away with him to Mexico, that's threatening to uproot every amount of stability Ian has managed to secure the past two seasons of the show.

I honestly don't see as much hate directed toward Ian for his decision to leave Mickey at the border as I see for his previous decisions. I'd say the main thing I actually see directed toward this season is just that Ian's story is boring without Mickey in it. Mostly because he enters another new relationship with Trevor after his relationship with Caleb, which really just follows the cyclical Shameless cycle of, "Don't know what to do with a character? Give them a new love interest!" But because I talked about the judgement for non-Gallavich Ian relationships above, I don't particularly feel like doing a deep dive into the Ian and Trevor relationship in this meta.

What I want to talk about relates to the Mickey Mexico storyline, though, and that's the hate other characters recieve for trying to dissuade Ian from going.

After finding out that Mickey escaped from prison, Fiona and Ian have the following conversation:

"What are you doing up?"

"Couldn't sleep. You ever, uh, think about about what would've happened if you'd run off with Jimmy-Steve?"

"Lying sociopath Jimmy-Steve? My life would be a nonstop psycho-thriller. I definitely dodged a bullet with that one."

"What if nothing ever gives you that same thrill again? Still feel like you dodged a bullet?"

"I don't know. Probably. Where's this coming from?"

"Things have been weird between me and Trevor since Mickey got out."

"You mean since Mickey busted out of prison and has got half the Chicago Police Department circling the Southside looking for him."

"Can't get him out of my head. Just trying to stop myself from doing something I shouldn't."

"You turned your life around. Mickey would set a match to it. You've done really great without him, and I'm really fucking proud of you."

- Ian and Fiona, S7E10.

I've seen this conversation criticized many times because of how "unfairly" Mickey is treated in this scene. But I truly think that nothing said in this scene was wrong, and Fiona was 100% right.

In the past, Fiona has definitely shown a prejudice against the Milkovich family before. Specifically with Mandy, Fiona seems to look down upon her and disapproves of the relationship between her and Lip. This on its own is unfair treatment and is annoying to witness.

But in this particular case, absolutely nothing she is saying is wrong or biased simply because Mickey is a Milkovich.

People take the line, "Mickey would set a match to it," and compare it to his behavior in late Season 4 through season 5, where Mickey is taking care of Ian, and say that Fiona is being untruthful or hypocritical. If Mickey had never been sent to prison, or even if he had just been released legally, and Ian was simply thinking about cheating on Trevor and getting back with Mickey instead of running away with him, then the criticism toward Fiona would be more justified. But as it is, Mickey is a wanted fugitive, and Ian running away with him would make Ian a fugitive as well, and WOULD effectively set a match to the life Ian had spent the past two seasons working toward. He would be giving up a career he worked hard for and fought to have, he'd be living in stressful conditions on the run, he'd have no support system, and he would have less ease of access to his medication. Running with Mickey would have been the wrong decision for Ian's wellbeing, and honestly, Mickey should never have asked Ian to go with him.

I think that many people have rose colored glasses on when it comes to Gallavich, specifically with Mickey, and that makes it harder to view these moments unbiased. But, looking at it objectively, Mickey was so wrong for asking Ian to come with him to Mexico. He KNOWS that Ian needs stability with his bipolar diagnosis, and he KNOWS that this would be a stressful life he'd be forcing Ian into.

Simply put, he's acting selfishly in that moment. Having your own interests in mind is not always a bad thing, but in this specific case, Mickey would have thrown a huge wrench into Ian's life is Ian hadn't made decisions in HIS best interest.

Again, I have less to say on this as I did other subjects, because to me it feels much more cut and dry. Mickey was in the wrong here 100%, Fiona was not being wrongfully judgmental toward Mickey, and Ian was not in the wrong for not going with Mickey.

After so long of seeing them apart, it makes sense to want to see them together again. So when Ian, again, is the one making the decision to end their relationship, fans are going to lash out at him and those around him.

But it's important to put aside biases and allow your favorite character to be in the wrong occasionally. Mickey is not perfect, and criticism against him, both from characters in the show and fans, is not unfounded nor unjustified.

TL;DR: Mickey was wrong for asking Ian to uproot his life and run to Mexico, and calling that out isn't defamation of his character.

To End This Yap Session:

Ian is by no means a faultless character, and he is not exempt from criticism both inside and outside of his relationship with Mickey. However, I often feel that the criticism he faces is for the wrong reasons, and not much contemplation or exploration is done on him as much as it is for Mickey.

I love Mickey. He's an amazingly complex character, and his relationship with Ian is one of my favorite parts of the show. But in being a complex character, he is also an imperfect character.

I feel that many fans get very protective over their favorite characters, to the point that anything that goes against that character's interests is labeled as bad, and any criticism toward his character is disregarded immediately.

In this particular case of Gallavich, I feel that post season three, fans often see things from Mickey's point of view without looking at Ian's as much. This meta was simply to give my own thoughts on Ian's most "controversial" moments among fans. Obviously this is mostly condensed to season six and his relationship with Caleb, which I feel is the biggest example of jumping to conclusions and only seeing the surface level of his character.

However, I would like to acknowledge that Ian is also an insanely popular character in the Shameless fandom. While he is misunderstood in many instances, he is given much more sympathy and understanding than many other characters in the show, especially many of the female characters. This long-winded meta is only focused on the concerning tendency for fans to link Ian's identity to Mickey entirely without allowing him to be an individual, but a majority of the time he is still a beloved character who is treated favorably by fans. Compared to a character like Debbie, Ian sees much more support, and I feel that the energy I put toward this meta and trying to understand Ian should also be applied to (almost) EVERY character in the show.

Anyways feel free to leave thoughts.

#shameless #shameless meta #ian gallagher #mickey milkovich #monica gallagher #shameless caleb #shameless trevor #gallavich #does any of this really matter? no probably not cause at the end of the day its a silly tv show #but i find it personally interesting to think about so i made a long ass meta about it #but its seriously not that deep so fandom discussion is great #but if the stans take my post to twitter and grill me like my dbh meta i will get gen mad lol #also sorry to the ppl who follow me for dbh ive def fallen off that hyperfixation at this point in time #this could've been cleaned up a bit but ive had this in my drafts for like 3 weeks or more so

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