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lost-act · 1 month ago

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An Informal Analysis of Metamorphosis That I Need for School but I Can't Write Anything so I Decided to do The Old Fashion Way of Writing It By Using Tumblr and Now I Hope Turnitin Doesn't Detect My Paper Being Plagiarized or Else I Have to Archive This Post or Something...Also Using ザムザ by Teniwoha as a Basis for Deeper Understanding and Analysis of the Story

Ok so we all know Franz Kafka's Metamorphosis, right? It's a pretty surreal story of Gregor Samsa turning into an insect (no, not a roach. You're being overrated at this point). What kind of insect? Varies from telling to telling and I'd rather imagine him being a beetle of sorts rather than a roach because dear god I am traumatized of roaches.

Well, in fairness the entire ordeal of "Samsa turned into a bug" is just surface level knowledge of WHAT Metamorphosis is. The bigger picture is beyond "turning into a bug" but rather the "isolation and alienation" from the "turning into a bug". Why did Gregor turn into a bug? Beats me. That's why I'm writing this, and why you're reading this.

Basic rundown is that, obviously, Gregor turned into a bug, his entire family tried to cope with it until his father started throwing apples at him, everyone started to ignore him, Insect!Gregor dies to starvation, and everyone has started to plan on moving on.

Easy right?

WELL THAT'S WHERE WE'RE WRONG!

You see, despite the glaring lack of sources because this is just my rambles for a more professional paper, we can dig a bit deeper to this analysis of what Metamorphosis really means because so far...I'm literally on the idea of "ah yes...this could definitely mean the sense of alienation and isolation coming from a change no one asked for".

And yes I am basing this off of Samsa by Teniwoha. Yes this falls under pop culture reference for Metamorphosis.

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(This is the OG Vocaloid ver.)

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(And this is the PJSK ver.)

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(Here's one with an EN Fanlation of the lyrics)

Yes it's very obvious as to WHY I picked this story for my analysis in college. ALL IN THE NAME OF VOCALOID- anyways.

I'll be sticking with the theme of "alienation and isolation from an abrupt change no one saw coming or asked for". Can I expound on this? I don't know because I am lowkey also basing this off of the Vocaloid song as well. Not gonna lie...this analysis might be heavily influenced by the song Samsa and the event that it was made for. Ifg the name of the event but it also references towards Metamorphosis in a way that Mafuyu's mom hates how Mafuyu changed from being an "ideal daughter" to a "delinquent child" (sounding familiar now?).

"I beg you, please don't throw those apples at me" (EN Fanlation of ザムザ)

So...where should we begin?

Right...The Author himself: Franz Kafka.

So Franz Kafka is an Austrian-Czech novelist famous for his novel "The Metamorphosis". Kafka has a strained relationship with his father, which is pretty evident as he referred to him as being "authoritarian and demanding" (Wikepedia, though this is a direct reference to Letter To His Father as well). On a professional standpoint, he worked in insurance companies which he dreaded because it took the time away from his writing (I don't blame him). It's also here that his father only sees Franz's job as a "bread job" (Wikepedia...again...trust me I'll get better sources guys) where it's basically all just for the bills. His personal life is interesting, to say the least, as it mirrors some characteristics seen in the story.

On another note, The Metamorphosis was published in 1915. What was going on in 1915? World War 1, obviously, fellow history nerds. Well...to be honest there's not a lot of context behind this because The Metamorphosis has heavy references that point towards Franz Kafka's personal life. The pressure of his father to how Gregor's job was basically to pay the debt of his father and the bills (aka being the breadwinner) mirrors to him having a "bread job". I'd like to confess I'm just reading stuff off the internet and Kafka writing The Metamorphosis in three weeks after writing The Judgement. (Sparknotes my beloved thank you). Metamorphosis took like- three years of persuasion for Kafka to get it published out and about.

Another note to take up on is Marx's theory of alienation which is basically more or less about estrangement of people from their human nature. How so? well it's a consequence due to labor division and social class...

So time for a deep dive towards Marx’s theory of alienation because this is something we need to understand rq.

Ok so basically, Marx’s theory of alienation is under ✨Marxism✨ (that’s not exaggeration because this is Karl Marx we’re talking about). The theory of alienation covers different forms of alienation (derived from this guy called Georg Wilhelm Friedrich Hegel) which is objective, subjective, and complete.

Objective: the social world they inhabit is not a home. Could be experienced as a metaphysical fact (extentialism)

Subjective: a) world they inhabit IS a home but they FAIL to understand it, and; b) world they inhabit is NOT a home, yet they BELIEVE it is.

Complete: basically both, seen in the condition of the contemporary world

By the way I just pulled all of this out of Wikipedia so feel free to do a deeper dive because that’s what I’ll do later.

So with this out of the way, how the fuck does Marx see this? Let’s just first off say CAPITALISM right off the bat and then things will start getting obvious.

It’s here that Marx distinguishes alienated labour, specifically the alienation of the worker because of alienated labour. It’s here that it’s identified into four dimensions of alienated labor:

From product of his labour

From worker’s own activity

From species-being

From other human beings

I know I should be explaining what each of these mean, but I’m on my wits end but yeah.

(Yes I’m still referencing Wikipedia)

But overall, Marx’s alienation theory (derived from Hegel and Feuerbach) primarily takes a jab towards the capitalistic cycle that everyone’s stuck in and that those who fall deeper into it slowly get consumed by it and suffer the consequences of alienation.

[Someone remind me to write on this later or maybe organize this cuz holy shit man…talking with someone rn and like- talked about a person’s value…which is pretty interesting and something I might talk on as well because that made me realize it as well which can tie with in the new theme that my group decided on]

It's time for us to confront the elephant in the room:

What could The Metamorphosis be possibly about?

I would like to give a nod to the vocaloid songs mentioned above for being a ground base that I started building this idea from (Yes, the vocaloid songs play heavy reference towards the story to the point it had taken lines that reference events in the book).

"The abrupt change Gregor Samsa underwent caused dissatisfaction within his family, leading towards a slow descent of alienation and soon...his isolation over his surreal metamorphosis."

[I apologize for the shitty thesis statement, these things are the death of me, ngl.]

[Update: my group changed the main theme again so now we have “questioning social constructs/roles and status quo regarding labor” or something…which can also tie in to what i discussed with someone because holy fuck how did i not see that now….]

Then again…it could also be something along the lines of:

“The “metamorphosis” of Gregor Samsa resulted into a slow descent of alienation and isolation, which itself brings out the questions of a person’s “value” as a “human being” and if they have any “value” as the persistence of such alienation deprives someone of their human nature.”

(Okay, looking at it now, I think that’s way better to look at but then again I feel like we’re still not hitting any points…EH THIS IS A RANDOM RAMBLE DRAFT FOR A REASON)

Samsa's abrupt change brought about...a mix of feelings within the family. His father's disdain on him, because Gregor was basically the source of income for the house hold. His mother crying because he's turned into a bug. And his sister, Grete, who still tries to help him in some way (spoiler: she got tired of Gregor’s bullshit towards the end).

I think the fact that it's just out of nowhere and out right supernatural for Gregor to turn into a giant insect. Why is there this transformation and whatnot. Why Gregor out of all unfortunate souls???

Yet I think the reason as to why could also be a mirror to the author's own feeling of alienation.

I'm not sure if it's of any importance but Gregor does have some hobbies (woodworking) that he does on the side. Then again it's too small of a pin to try and hook something to it.

Thing is...Gregor has not broken his routine in the 5-ish years of his job so it's pretty difficult to get a pinpoint somewhere to frame on. Then looking back again to what his “value” is to his family being the sole income earner…it could be inferred that this abrupt “uselessness” in Gregor’s value after transforming has been a form of possible alienation that stemmed from the capitalistic cycle he’s stuck in (this is a very big stretch because I have yet to fully analyze the theory of alienation).

Maybe breaking it down in three parts can help our scatter brain selves cuz holy fuck we got a lot to unpack here and I have no idea if anything I'll write will make any sense because this thing is due at 5pm on a weekend.

I would also like to note that I will be doing a LOT of cross-referencing here and there

Part 1

Gregor turns into a bug

Everyone is mortified

Accidentally hurts himself in trying to run away from his now furious father

This entire "turning into a bug" ordeal is a slap on the face on the symbolism and overall theme of "turning into something else abruptly". Gregor's now a "vermin" of sorts; not just a bug, but someone despicable. He's now a "problem" for the household to deal with (though it's still unknown to WHY he suddenly turned to being a "problem" when in fact he's been doing everything to bring food to the table...I'll probs write further on this because it's very interesting).

[WHY DID GREGOR TURN INTO A "VERMIN" WHEN HE'S BEEN WITHERING AWAY???]

I find the way Mr. Samsa acted to be somewhat a mirror to the strictness of Kafka's own father towards him.

(Ok I’m awake now do yeah)

How does this relate to the theory of alienation, you ask? Well…not entirely to be honest because I said that up there for reference if I do end up saying it here but I think it can connect in a way that it isolates him from his family. Now what I’m saying is pretty much a stretch to what it originally means of “alienated labor alienates the labor from other humans” (which is more or less alienating workers from one another in means of competitive socio-economic activity). Though Gregor’s transformation does bring this thought of the discussion of human worth while they are still considered “human”.

(Actually maybe if i just remember to reiterate my points then maybe I can be more consistent)

Gregor’s worth in his family here is being the main source of income. But when he became a bug, that worth is now at a loss and that coincides with the consideration if he’s still really “human”. Going back to my previous 3 am thought of Gregor “withering away”, Gregor WAS indeed withering away because of how cyclical his life has become. His days have become rather redundant that it could be seen to suck the human-ess out of him. I guess that’s where the other part, the humanity, that Gregor has that disappeared in an instant. I find that the metamorphosis that happened here, despite its absurdity, is the most evident form of metamorphosis that happened to Gregor. What it might possibly be is still vague so I’m probably gonna try to shoot some darts in the dark here.

The alienation that occurred to Gregor is the change of his “value” in “society” (in this case, his family). This alienation led to the perception of his family towards him as “less than human” now that he’s a bug (even though it can be of literal here). Then it leads to his “isolation” where they lock him away in his room.

Part 2

Everyone locked Gregor in his room

His sister, Grete, tries to tend to him

Gregor gives everyone a heart attack

Mr. Samsa starts throwing apples at Gregor for the mishap

Ok so this is where the "alienation" and "isolation" starts to come into play, chat. First the isolation...which already started in part 1 of The Metamorphosis by locking Gregor away in his room because of his...unsightly appearance (LOOK- HE'S A LARGE BUG ALRIGHT?!). So this is where the sense of alienation starts to settle in slowly.

Grete, Gregor’s sister, tries her best to tend to him by feeding him every now and then. This then went on to her moving his stuff in his room out after seeing that Gregor has decided on roaming around as a past time as a bug. His mother also comes in the picture, though with wishing to see Gregor again. This didn’t really end well especially when they were moving Gregor’s stuff out of his room. To Gregor, he refuses to have what reminded him of his “humanity” away. He then proceeded to cling on to the framed portrait, in hopes that his mother and sister doesn’t move it away from his room. From here, Mrs. Samsa gets shocked and faints which made Grete go out to get the smelling salts. Gregor goes down from where he was to see what happened but was met with his now furious father. Mr. Samsa started to hurl apples at him, one of which landed a hit on him and injured him.

With that summary out, this slow descent into Gregor’s further alienation is starting to stem from any hopes that Gregor is still with them even if he’s stuck as being an insect. Grete’s actions lean towards some hope in Gregor’s “humanness” is still there. Arguably so, her actions are perceived as seeing the loss of “human” of Gregor since he’s handicapped.

Mr. Samsa’s response, however, is the sealing point of this alienation. He has visible frustrations in having to go back to work to provide after 5 years of being retired because Gregor took upon the role of being the income source.

Ah…I should’ve mentioned the role of Gregor playing a role towards the slow demise…

Gregor’s role as the main income source meant all expectations being placed on him to be able to pay off the debts and keep the family afloat. His “value” in his family is placed high because he’s the one bringing in the money. Though ironically, his “value” in his company is “replaceable” (yippie, capitalism) as he’s literally at the brink due to his performance. And if not his performance, he is at most replaceable.

Now that he’s basically a handicapped (BUG), his value is literally gone. I mean— what can a bug even do?

I find it here that the role his sister had of being carefree is slowly being stripped away. Gregor had plans in helping her and enrolling her into a conservatory. But now that he’s nothing but a useless bug that everyone is disgusted at, Grete has no choice but to step up.

Part 3

Everyone started ignoring Gregor cuz they’re all working

Eventually they forgot about Gregor

The Charwoman they hired is the one who still recognizes Gregor to some extent

Grete’s violin playing leading to Gregor offending the hell out of the tenants

Family discussion on getting rid of him

Gregor just dying off to starvation instead

The Samsas moving on in a way (notably speaking on the ending as well)

This is the part where the alienation, isolation, and the decline of human value really shines. Why? Because it’s the third part and holy fuck this is where we get existential (not really).

So a lot is going on in the third part unlike the previous two parts.

Gregor’s isolation here is growing more and more since everyone started working to stay afloat. With that, they turned his room into a storage closet, which defeated the original purpose of Grete’s first initiative of giving her brother more space to roam around. It’s here as well that Gregor doesn’t eat all that much, either because everyone slowly forgot about him or him going on a hunger strike. I find it ironic that among everyone who remains in the household, the Charwoman (a widowed old lady who comes by every now and then to help with he chores) is the only one who still acknowledges Gregor (though as a silly little dung beetle) .

Actually I still wonder why the Charwoman is the one that still has some acknowledgement towards Gregor when everyone just slowly moved away from him. (Hmm maybe I should dissect that idea later.)

It’s in this chapter that Grete turns against Gregor after the mishap that happened after him making appearance in front of the tenants that rented a room in the apartment. She was the first one who offered on the idea of getting rid of that “vermin”.

Gregor’s value is literally gone at this point, not only just that but he’s completely alienated and seen as “inhuman” (in a way that is no longer human). His family no longer sees the human nature that he once had when he was human and had some use. It’s at this point where they see him as nothing more than a vermin and that itself led to him just proceeding to die off alone. (Update: I had a double check and apparently Gregor died because of the injury from the apple being yeeted at him... So his dad was the one who killed him ultimately... W H O O P S)

It’s with that the burden is released from the family after hearing word from the Charwoman that “it” has died and she is off to dispose of the corpse. The story closes off with the Samsas going to the countryside and planning on moving to a smaller place. Here, Mr. And Mrs. Samsa realized Grete’s growth to being a fine young woman.

So…

That’s that I guess…

Really this part confuses me a lot because I don’t really know what to say. On one hand this could be beyond just alienation and isolation stemming from the loss of value of one’s human nature. On the other, this is a cycle that continues to persist. The deprecating nature of what is considered valuable in a human is what can lead towards the alienation and soon, isolation, of a person. Mostly seen in the fourth dimension of Marx’s alienated labor is alienation from other humans which more or less describes alienating workers from one another through socio-economic means (think of pay difference or something similar to prevent them from banding together and whatnot). Though in this case, the alienation is more evident in the measure of the person’s worth. Since Gregor isn’t a person anymore, his worth is basically useless and thus he’s slowly being alienated.

Man…I think that’s as straightforward as it seems now…

“Gregor Samsa was alienated due to his lack of worth in his family’s eyes.”

Then again it can’t be THAT easy.

Can it?

To close things off because I ran out of ideas to write, I’d like to say that I might make a follow up analysis that’s more…formal to say the least. As well as an analysis that tackles both the vocaloid song and the novel. For now…my ideas have ran their run and it’s time for me to write my formal essay.

The Metamorphosis stands to me as an enigma as to what it truly means. A short three chaptered story that could cover topics such as the actual metamorphosis of certain characters to the alienation that is discussed here. Marx’s theory of alienation has heavy influence on many of Kafka’s works with The Metamorphosis being one of them. I was challenged at some point by another friend of mine to figure out why The Metamorphosis is considered “non-fiction”. I am not sure if I’ll ever get a proper answer for it.

The story of The Metamorphosis could also be some sentiment Kafka had as well in his actual life, especially with his relationship with his father. Having preference to write while being pressured to be more rational by one’s father could bring forth that feeling of alienation of not being understood. Just like how no one understood what Gregor said when he was turned into a bug. To be alienated is to also be isolated from society. Hegel’s identification of the different forms of alienation can be referenced by identifying that the form of alienation being seen here as the complete form of alienation.

Why haven’t I discussed this earlier? Well because I was too busy trying to figure shit out.

But yes…the complete form of alienation is both on the subjective and objective kind. The world Gregor is placed in (in a social context) is a repetitive cycle that eats itself over and over again. It’s the kind that is self-sabotaging in a way that either you leave it or it eats you alive. As for Gregor’s own home, at some point he failed to make sense of the home his family is trying to make way for him. But in part 3, the home Gregor once knew is no longer a home that welcomed him, it is one that saw him as a “vermin” that needed to be rid of.

All in all, it’s difficult to make sense of the weight of human value and any remnants of Gregor’s human nature post-transformation. His sister’s growing frustration against him bears this lack of empathy to understand Gregor anymore. Imagine that…being backstabbed by someone who first tried to be kind for you. Oh what alienation does to people… as well as the fact that the shift in the value their parents now hold for Greta seeing that she also metamorphosed into a young woman of “value” (married off). I think it’s here as well in seeing this shift in value fitting Marx’s forms of alienation aka “from humans”.

[Look, I’m lowkey rambling here and sound like I don’t know what I’m saying but that’s because I don’t know what I’m saying]

That’s all…I’ll also be archiving this tomorrow but I’ll put it back up in a few days after my essays’ been graded.

Wish me luck on my madness.

#metamorphosis #random literary analysis #franz kafka #i think i butchered my analysis again #i’m writing my college papers on tumblr instead of google docs and idk why #no one asked for this blog but here it is #hope i pass this paper tho

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