#this is a complete performance of the song from the concert pieced together from several clips
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fluffylord ¡ 14 days ago
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Peter Capaldi's gig on Dec 5th, 2024. Song: "Drive-In Saturday" by David Bowie.
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day6source ¡ 1 year ago
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Young K deals with change in new album 'Letters with notes' — a track-by-track guide
by Franchesca Judine Basbas
Young K is back home. 
Since completing his military service last April, the Korean singer and DAY6 member has wanted nothing more than to be make music again, to get back on stage and be with his fans. "As a musician, I believed that was the most important thing to do," he told Bandwagon.  So, in the last couple of months, Young K has been working endlessly piecing his comeback together and before he knew it, he had a full-length album in his hands. Letters with notes is a heartwarming record recounting all that's changed and everything he's wanted to share during his time away. "I didn't initially aim for a full-length album; I just tried to write good songs and explore new ideas," the singer shared. "Undoubtedly, time has passed. My voice has changed, and I'm sure my thought processes have changed too. These changes have probably influenced the results I’ve achieved in my music." Learning and growing from his debut album in 2021, Eternal, Young K wanted every track on Letter with notes to contain bits and pieces of his heart and soul, emedding all the experiences that has inspired and influenced him over the last couple of months.  "The thought of wanting to create an album came from the wish to come back as fast as possible. All the recordings started after I was discharged, but been having ideas coming up in my head, so I can't really define it exactly," said Young K.  Bandwagon caught up with Young K to learn about the stories on and behind Letters with notes, track by track. Check it out here. 
WAITED (오늘만을 너만을 이날을)
I imagined what it would be like to get back on stage. The song starts off with me saying I feel nervous and asking how all of you were. In the chorus, I sing about how much I waited for this moment.
NOTHING BUT (이것밖에는 없다)
Singing about how it's hard to let go of love even as it fades from view. The song underwent several adjustments, and the title of my first mini album, ‘Eternal’, became the very first lyric of this song.
LET IT BE SUMMER
Talks about how I never want the summer to end, symbolizing summer as youth and the most passionate season, and drawing a comparison to life. I was glad this song was released at the end of summer, just before autumn arrived.
DREAMER (꿈ꞟ)
I envisioned an image of a person who has been through tough times but still dreams and sees their reality becoming brighter. Stars being drawn, a story of a dreamer.
BUNGEE JUMPING
It was the very first song I performed at a festival before its official release. I wanted to put a refreshing vibe, so I imagined a first-time bungee jumping experience, something I still haven't tried.
NATURAL
The word 'natural' caught my attention for some reason. I thought of what's natural: breathing, having meals, and the flow of time. It’s a very upbeat track with a rhythmical melody, making it quite enjoyable to perform live.
STRANGE
After watching Dr. Strange, the word 'strange' resonated with me. I began thinking of what the norm is. If I'm surrounded by strange people, would I still be considered strange? This led me to the idea that a concert is a place where you can liberate yourself and be free, so I wanted to create a song that asks people to get strange with me. I then brought the melody and lyrics to Park Mun Chi, and I loved how the song took shape.
SOUL
Doesn’t everyone have moments where you have to put on a smile even when you don't feel like it? The track itself already had enough soul in it, so it started off with the word 'soul'. I thought of soulless smiles and made a song looking for the soul that's lost.
PLAYGROUND
When I was editing the song, I was actually sitting at a playground, watching kids play. I came up with the concept first, but seeing them with my eyes made me take a closer look into how we've grown but the life we live isn't so different.
BABO
An English song but has a title with a Korean word. The word was chosen due to pronunciation, but I was pretty satisfied with the result. ‘paulkyte’ who I worked with was introduced by another musician named Eldon, who I enjoy listening to and a good friend of mine.
WHAT IS..
One of the fastest tracks written out of the entire album, I was able to write up to the first chorus the day we started both melody and lyrics. I loved the line and the tone of the piano, so I guess that helped me come up with an idea quickly.
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everythingbap ¡ 6 months ago
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🎤 Kpop Concerts: [INTERVIEW] BANG YONGGUK on His Creative Evolution and Approach to Music
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For rapper, singer-songwriter, and producer BANG YONGGUK, his life revolves around music. His journey began after falling in love with hip-hop at a young age. While still in middle school, he joined the underground hip-hop group, Soul Collection, after receiving praise for his self-written rap verses that he shared on an online forum. Under the stage name Jepp Blackman, he honed his skills and expanded his industry network, eventually featuring on his first song “Cherry Flower” with the collective in 2008.  
He officially entered the public spotlight with his impressive rap delivery on Song Jieun’s 2011 chart-topping hit, “Going Crazy.” He continued to garner attention with his subsequent release “I Remember” featuring Beast’s Yoseob followed by the rap duet “Never Give Up” with his future bandmate, Zelo, under the sub-unit name, BANG&ZELO. Despite being a trainee until then, BANG YONGGUK was a hot topic, trending on search engines and attracting public interest as a promising new artist in the industry.
In 2012, BANG YONGGUK debuted as the leader and main rapper of the six-member boy group, B.A.P. Starting with their debut single, “Warrior,” he penned several of the group’s powerful and assertive lyrics that tackle themes such as empowerment, rebellion, social issues, and more. BANG YONGGUK pursued his solo career and began releasing more introspective music around mental health, self-reflection, and more as seen on his albums, BANGYONGGUK (2019), 2 (2022), and The Colors of Love(2023).
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Shortly after the album’s release, BANG YONGGUK embarked on his ‘III’ THE US TOUR 2024,just months after his successful 2023 summer tour, The Colors of Bang Yongguk.“The biggest goal of going on a tour is sharing my music, indeed, but I also feel like I embark on the tour every year for new challenges,” he shared in a press release. “I learned and felt so many things by meeting my fans during my last tour, and I look forward to learning even more new things during this tour as well.”
The ‘III’ tour kicked off on April 5, spanning across a total of 11 cities and wrapping up in Los Angeles on April 28. The tour was more intimate compared to the previous one. On stage, BANG YONGGUK explained that 3 was filled with things he had long wanted to share but hadn’t had a chance. He wrapped up the tour with the hope that everyone confidently face challenges in their own lives and learn to grow from them. Following the end of the tour, Kpopconcerts.com caught up with BANG YONGGUK to recap his U.S. tour experience, dive deeper into 3, and his creative approach to his music.
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KPC: Congratulations on completing your tour! After performing across 11 cities in the U.S., what are your final reflections on the experience? 
BANG YONGGUK: It was a precious experience that reminded me of how much love I receive from my fans. The endless warmth and support made me feel like those are the reasons why I am alive.
KPC: What is the best and the hardest part about touring?
BANG YONGGUK: Seeing the fans who enjoy my music gives my life a lot of drive. It gives me strong motivation to create music and a reason to be on stage. However, the tight touring schedule makes it difficult to take care of myself. The emptiness and loneliness that come after a performance are just part of touring. So, I need to stay strong and protect myself physically and mentally.
KPC: What factors did you take into consideration when arranging this tour’s setlist?
BANG YONGGUK: The new album, 3, made up the core of the setlist. I wanted to sing all the songs in the album live. I tried to find tracks that fit the new album well and piece them together like a puzzle to make a more dynamic, exciting performance.
KPC: In a previous interview, you described your creative process as a cycle of destruction, creation, death, and rebirth. With your album, 3, you boldly explored new genres and sounds that you’ve yet to try before.  Could you elaborate on what that journey was like for you?
BANG YONGGUK: This album is meaningful in a way that I challenged myself with the genres and tempo that I did not like before. I tried to get out of the existing BANG YONGGUK’s music. By trying things that I didn’t like, I was able to understand the genre characteristics of various music and study to change them to suit my style. I also feel that music has no end to learning.% buffered
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KPC: You released a music video for each of your tracks on your latest album. What was the inspiration behind each video’s concept? Any memorable moments while on set?
BANG YONGGUK: When I am planning out an album and choosing a concept, I start by including image-related elements. For this album, I pulled from various sources, so I decided that I needed visualizers for each song. From the moment I chose France as the location for the shooting, the preparation period was more memorable than the actual schedule when I was there. After scouting the location, I had a long meeting with the staff about how we would move forward with the concept. Sometimes, we shared our thoughts until the sun came up to create a work of art together. Even though it’s tiring, times like that make me feel alive.
KPC: You’re shown dancing throughout the “Movimiento” music video. How did you feel dancing again?
BANG YONGGUK: As the title suggests, the shoot focused more on movement than dance. My goal was to show how I naturally moved to the music without being locked into a specific choreography.
KPC: In “BAD,” you collaborated with YOUHA. How did this collaboration come about and what it was like working with her?
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KPC: Reflecting on your 13 years in the industry, what would you say has been the most significant change or evolution in your approach to creating music?
BANG YONGGUK: The diversity. I feel that the genre of music that I can make has grown. In addition to studying, I have to make an effort to accept and absorb it into my own style. It’s also important for me to learn from my experiences. I have produced many albums and have done a variety of performances, and I think these experiences have been very helpful for me.
KPC: How do you balance maintaining authenticity in your music while also evolving as an artist over time? 
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KPC: You’ve previously stated that one of your current goals is to support new artists who are chasing the same dreams that you once pursued early in your career. What advice would you offer to young artists aspiring to succeed in the music industry?
BANG YONGGUK: You have to keep dreaming and trying. Artists shouldn’t stop creating. I have to fight numerous worries and the urge to create even while lying in bed. And you have to constantly create something. I think that’s the destiny of artists. I dream of supporting their painstaking work and letting more people know about it.
Fan Question #1: What has been the best decision that you’ve ever made?
BANG YONGGUK:B.A.P
Fan Question #2: What artist have you been listening to on repeat?
BANG YONGGUK: Recently DUKE ELLINGTON’s LP gave me the most comfort.
Fan Question #3: Favorite meal from America?
BANG YONGGUK: I like In-N-Out’s strawberry shake the most.
Fan Question #4: Given your appreciation for Pinot Noir, have you discovered any new favorite wines or vineyards lately, and if so, what are they?
BANG YONGGUK: Lately, I’ve been into German and Austrian riesling. With global warming, the variety’s unique flavors and trends are gradually changing so I thought I should experience more riesling before that.
KPC: Thank you for your time. Do you have any words you would like to say to your fans?
BANG YONGGUK: I want to express my love and respect to the fans who have always shown me a lot of love. Please continue to watch me until the end. I will be back. Thank you.
Thank you to BANG YONGGUK and MyMusicTaste for this opportunity and Nahri and Lisa for the translations.
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lovethesagefan ¡ 1 year ago
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MUSIC = TIME MACHINE!!!
Last night, I ventured out of my abode to join the masses at the Earth Wind and Fire (EWF) and Lionel Richie Concert. Many of you may have noticed that my activities have increase of late, particularly my concert attendance. I mean, I have seen Elton John, Trans Siberian Orchestra, Patty LaBelle, the teacher comedian Eddie B (third time) and now this.
Of all of my adventures, this one is significant because of the music. I love music. I can't get enough of music. I get that that from my mama. We had a piano and we all were taught to play something on it. She always played it. I miss her playing. But I digress. Today's music is an acquired taste. There are some good songs and a lot that isn't for me. Tonight was completely for me. For I was transported back...back...back to being in school in Marietta.
Several of the songs placed me in the band. "In the Stone!" is a song I haven't heard since high school. I played clarinet that year and as part of the show, we did this "dance" on the field. I still remembered the dance and promptly did it in the stands. You see, these groups made music that was easily transported to the field for marching band.
Another song was "Still". That was our Homecoming Theme song from my Senior year. I can remember playing that song over and over and over until all the Homecoming Court paraded down the 50 yard line. The crowd is cheering for their candidate then it goes silent. The name of the Queen is announced. Tears flow. Pictures are taken. The Court is escorted off the field. We strike up the Fight Song and exit. I was on Student Council that year. Since I was Band President also, it was up to me to rely the Council request to the band.
Then there's "Endless Love". This was our exit my Senior year. For those of you who are "non-band" folk, an exit is the last song in the performance. Usually a ballad or a slow moving piece that builds up into a crescendo and levels of the end or a restatement of the opener. The music called for a mellophone - baritone duet. Well the chosen one happened to be sweethearts so when the kissed at the end of the song, it was something cause it came as two pieces floated together to form a heart. Man, I wished I could find my tape of that year. But the last game of the season, was an away game. I learned to play Marching Baritone over the Summer. I was functional enough to march. I thought I was good enough to perform the solo. I did get that chance at the South Cobb game. I was paired up with the Australian Exchange Student. We didn't kiss at the end, but I had the most subtle and graceful bow I could ever thing. And it is lost to history.
And there were countless other songs that took me back to a different time. A simpler time. Richie spoke about that from his heart. He sees what is going on. We speak about "those people." It turns out that WE are those people. We are not enemies he is trying to say. That arena was filled with Democrats, Republicans, Independents, Christians, Muslims, Jews, and non-believers. We were one. Music transported me back to that time where we weren't "those people". We were just people.
But the hour had come for us to return to 2023. A lot of people who were of a certain age, will be feeling it tomorrow. Some may call in sick. Some may have already planned to be out. But all can say they went back in time to have a Good Time. And what a time we had!
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kokiafans ¡ 2 years ago
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KOKIA blog: December 28, 2022
(Source: KOKIA.com/blog, December 28, 2022)
Christmas evening
With my health not yet fully recovered, Christmas this year was quiet with my son Leo, just the two of us.
‘I’ll make it romantic’
With those words, I set up the CD and turned on the music, but the choice for Christmas day was the song Hoshi ni natta inu (’The dog that became a star/Titti’).
The feelings flowing into the quiet room with small sounds really fit with Christmas evening, and suddenly the feelings from the time this song came to be were revived.  Though the night felt very lonely, it was also a night that wrapped me in warm feelings.
The digital single Kono yo ga owaru sono mae ni (’Before the world would end’) from my album PIECES 2, which I released ahead of the album, made it to the number 2 position on the iTunes Japanese chart in Turkey. Thank you for listening to it so much.
And while waiting for the arrival of the products after just opening the carts, the album PIECES 2 has started shipping from the KOKIA Jirushi web shop, which is the album that includes Kono yo ga owaru sono mae ni. Thank you for your patience! Copies will be shipped to customers who have pre-ordered it in order.
And this Friday, December 30th at 20:00 JST, I’ll have another free monthly viewing party on the official KOKIA YouTube channel.
The concert we’ll be watching this time is my 15th anniversary concert ‘COLOR OF LIFE’ from 2013.
Before this viewing party, I’d like to talk a bit about this concert, as you can no longer look at my old blog entries to read my thoughts about that period if you’re someone who came across my songs after 2013.
T/N: please note before you proceed: the remainder of this entry goes into depth discussing grief and death.
In 2013, several months before my 15th anniversary concert ‘COLOR OF LIFE’, my manager at the time, Mr. Hirano, passed away. It was a very unexpected event for me, and the reality of it hadn’t yet settled in both my heart and head. I stood on the large stage of my 15th anniversary very anxiously, and I remember considering cancelling the concert.
“I can’t sing at all in this state” I remember the countdown to this concert, which I would otherwise eagerly anticipate, feeling quite different, like I was just being swallowed by my anxiety.
It’s bound to get very long when I talk about it, and I don’t feel like I can talk about it well; but I do think that I’ve already communicated how this 15th anniversary performance was a concert that ended up having a very special meaning to me.
Even now 10 years have passed, I wanted my audience to know about the words and images that still remain in my heart when we watch the free viewing party together on the 30th, so even though it’s been a long time since I touched on these things, I wanted to try writing about it here.
In those 10 years, many fun things happened to me, but the hole in my heart after he passed has never once been filled. I never thought to forget about it because it was a painful event; rather, what has allowed me to take on many different challenges in those ten years, be it business or private, was feeling like making songs about newly seen sceneries, and finding meaning from those sceneries and feelings through the large empty hole in my heart... 10 years have passed since I was trying so frantically, but it feels close.
In the time that has gone by, the Mr. Hirano from my memories forever remains like he was in that time, never aging, and before I knew it, in those 10 years I surpassed the age he had been when he passed away.
I cried openly during my 15th anniversary concert, and though I completed the close to 2 hour long performance just thinking about what to talk about and in which way to sing, I actually barely remember it; I just remember a couple of fragmentary moments clearly.
After 10 years, I haven’t yet looked back on this performance. I just... couldn’t watch it for some reason.
I can’t find just the right words to clearly explain why I haven’t seen it in those 10 years, but somehow, I couldn’t open that door. I think that nuance is close to how I feel.
I wonder how a literary talented person would write about this feeling...?
Maybe my songs somehow convey these feelings that I can’t express in just words, aided by music.
I always think that feelings you can’t quite put into words work really well with music.
I don’t think I’ve touched on this topic before, but the reason why my farewell to Mr. Hirano feels different even from farewells to other friends and family, is that he drew his last breath in front of me. 
I remember how in that last moment, I was completely bewildered by such a heavy-loaded situation, with my own powerlessness unable to do anything; how my whole body was shaking; and how I was sobbing until I couldn’t breathe anymore, feeling like I was going half unconscious. I felt like I couldn’t catch up understanding what was happening right in front of me.
After that, I started thinking about death more than I used to, recalling that scene that came up every time I closed my eyes.
Sometimes, I get very scared or lost, wanting answers to this utterly difficult question.
But how do I spend the time I have left, with this always coming back around?
The people who passed away first, are people who lived first.
That is to say, they’re ‘teachers’ (t/n: sensei - ‘someone who came before’).
These were also the words left to me by my friend who also passed away earlier to encourage me after Mr. Hirano passed away.
Don’t just mourn; look back on the way this person lived, and what can you learn from them from now on, how do you live your life?
These were words that opened my eyes, as I was unable to feel positive no matter how much I was encouraged to.
In the 10 years since, every time I stand on a stage, I want to hold a concert that would make Mr. Hirano, who would always send me onto the stage from the wings, say ‘today’s performance was good too, wasn’t it’. I’ve always tried my best with that in mind.
I feel like the huge applause my audience gives me somehow also reaches Mr. Hirano, and when I bow my head and receive the applause, I’m often wrapped in this indescribable feeling of ‘can you hear this applause?’. This might be why my tear glands have noticeably weakened during these 10 years.
Almost swallowed by anxiety; wanting to give it my all; the weather on this sea of emotions, going up and down like waves, is very unstable.
Sometimes I get tired, continuing to sail across the ocean aiming for the moon that never comes closer even though I can see it.
However, when I imagine someone else somewhere is looking up to the moon in the same way and sails across the ocean, I too want to give it my all. I feel a surge of strength out of nowhere from this.
In my life, every time something unexpected happened, every time something made me feel irrational, it was music that helped me.
I want to send the magic of these gentle sounds to everyone else, too. I want to let you know.
I sing with these feelings in mind.
It turned into a really long story, but this 15th anniversary concert ‘COLOR OF LIFE’ which we’ll watch together on the 30th was a concert that was held at such a low point that I considered cancelling it altogether, but that made me feel ‘I’m glad I did it!’ after I finished. And actually, it was a really lovely concert.
Rather, as my experience back then was also the performance that made me decide ‘no matter what, I’ll keep singing from hereon’, I’m deeply moved that my feelings from that day connect to my milestone 25th anniversary this spring.
‘I can’t sing at all.’ It’s been ten years since the day I thought that.
I wanted everyone who has said they like my songs and who listen to me to know that this is one of the important ingredients in my songs.
I apologize if this was a heavy-handed KOKIA talk.
I didn’t plan for that.
Surely in life, all kinds of things take turns as they happen to all kinds of people, and we get taken by surprise every time.
In those moments, I think the shock will continue for a while if you don’t know how to deal with it, but drops of sounds work well for deep emotional wounds.
I wonder, what kind of sounds work on your wounds?
What kind of sounds echo in your heart?
I would be happy if any of my songs can help you.
In ten years, almost no-one has mentioned Mr. Hirano; of course not my fans, but not even my staff or family or the people around me.
I think that surely everyone was being kind and considerate of me, but I felt it was a bit lonely and unnatural. I dislike putting a lid on sad things.
So please, don’t worry about the 30th either!
Thank you for reading this long story.
Sometimes I want to talk about this.
Today, I wrote a song.
I’ll paste the lyrics here for no particular reason.
Koukai no umi de (’On the sea of regret’)
A small spot is spreading inside of me A small white spot is disappearing inside me This ship is floating, not yet reaching that moon 
The unending waves continue inside me The silent darkness swallows me and drowns me I wonder if I’d taken a different road if I’d known about this pain...
The ugly things of this world shine bright Both pain and stain are shaping me
This ship is floating, not yet reaching that moon This song connects in the sky to you, I believe in that There are regrets, there are lingering attachments, the drops of sounds buried the loneliness All of me turns into bubbles and dissolves
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strawb3rryw00 ¡ 3 years ago
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Late Night ♡ woo wonjae x female reader
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warnings -> swearing
synopsis -> y/n works hard in her studio day and night and begins to worry her boyfriend who works right next door.
fluff and some suggestive shit.
also there’s a little bit of jay park x reader in here too
~♡~
4:25 am.
You let out a long sigh, slamming your computer shut after listening to your track. You had recently joined AOMG as their youngest member. You were a prodigy, having only been rapping for a year when Jay saw you performing at a small show just two years ago. No one in the company had a doubt in your skill, all of them praising you highly on the single you released after joining.
But you were a perfectionist. And you were determined to prove to everyone that your talent was undeniable. You were labeled as the hidden ace of AOMG by a magazine company after a special performance at one of Simon D’s concerts.
Your lyrical abilities and flow were unmatched by most artists in the game. You had a unique musical and physical style which caused you to have a large fan base, doubling in size when AOMG confirmed your relationship with Woo Wonjae, another artist under the label.
You were featured on his album, his fans becoming yours after hearing your talent paired with his.
But that only made you put more pressure on yourself.
You’ve locked yourself in your studio for days on end. Wanting to get your first full length album utterly perfect for your fans, the company, and yourself. You’ve gone days without sleeping or eating, earning the worry of your label mates.
Just three hours ago Jay was in your space lecturing you. He made sure to take care of every artist under him, checking up on them despite his busy schedule. While having two companies and multiple rappers and vocalists under his labels, you were the one he was always most worried about.
“Y/N man,” He spoke to you casually in english. “I love your drive and effort, but you need to go home sometime tonight.”
You frowned, pausing your song you had played. “But Jay,” You rolled up your sleeves and exposed your tattooed arms. “I’m just trying-“
“I know what you’re trying to do.” Jay cut you off, his tone a little harsh. He hated talking to you like that, but it’s what you needed. “Your friends? They snitch on you. Especially your little boy next door,” He referred to Wonjae, who was probably working away in his studio as well.
Since your boyfriend was also an artist, he understood your mindset and left you alone due to your request. Of course you guys still talked and spent time together, yet it was minimal during this time.
“I should not have to hear that you’re in here day and night. I gave you the full fucking luxury studio as a gift, thinking you’d take care of yourself. But youre basically living here. The shower is for occasional late nights y/n,” Jay furrowed his eyebrows at you, standing up and sighing. “I’ll force you to move to a smaller one, don’t think I wont.”
Jay opened his arms for you to stand up and hug him, which you did. He held you tightly, resting his head on yours and sighing again. “You stress me out. I better hear that you’ve gone home by tomorrow afternoon.” He says sternly, pulling away and looking at you.
“And you better fucking eat babe,” He always spoke to you in a friendly manner but it was never flirty. He genuinely cared for you and the other artists. And it was normal for you both to use babe in a casual manner. Despite his lecturing and the wide age gap, you both were very good friends.
“I will,” You smiled at him, pulling your phone out to find something to order.
He exits your studio and you sigh, sitting down on the couch you added. Your studio felt more like home than your apartment. You decorated it as such, even adding a cat tower for when you have your feline roomie with you, which is usually always because you don’t like leaving the ginger cat alone all the time.
After he left you went back to working diligently. You had finished three songs in the five months you’ve been working on the album. You didn’t have an actual deadline but you knew your fans were waiting. You had several features you wanted on this album as well. Hoody has been waiting for you to finish your part of this song so she can add her magical vocals to it. But you hadn’t quite found what you were missing from it.
Your phone lit up, a message from Jay on it. ‘I have your location ma’am’ The message read, earning a laugh from you.
‘lol’ you respond, setting your phone back down. You look at your lock screen and smile. It’s a picture of you and Woo that a fan took of you both performing on stage together. It was the first time you performed with him after it being confirmed you both were dating. In the picture you’re rapping to the crowd, squatted down a little and Wonjae is looking at you with the happiest look plastered on his face.
At the thought of your lover you decide it’s time to take a break. You get up and stretch, hearing your back pop, slipping back on your slides. You tend to stay in your socks while working, it’s more comfortable to you.
You walk out the studio and next door, smiling as you read your boyfriends name on the door. You walk in without knocking, knowing he never minds.
He’s in the booth, rapping his verse to Kunst, who looks at you with tired eyes. You stand behind his chair, resting your hands on his shoulders and giving them a slight squeeze while listening to your boyfriend.
You could listen to him rap all day. His deep voice was so beautiful in your ears. “Are you about to leave?” Kunst asks you. “Jay told us to make sure you leave.”
You shake your head. “Not yet.” You say, earning a sigh from the taller male.
Wonjae exits the booth, his eyes lighting up when he sees you. “Ahh finally taking a break mm?” His arms wrap around your shoulders and pull you close. You inhale his scent, closing your eyes in comfort. He doesn’t let you go, and holds you while talking to his friend.
“Imma head out, you did good.” Kunst gets his things together and pats you on the head before wishing you both farewell and leaving.
Wonjae kisses the top of your head and yawns. “Let’s eat baby,” He says softly. You nod and slide your hands under his shirt and run your fingers along his back, his favorite thing.
“I missed you,” You say into his chest, still with your eyes closed. He chuckles, his hand resting on the back of your neck while his fingers play with the few pieces of hair that fall from your bun.
“I missed you too, you been busy huh?” He pulls away slightly to look down at you. You meet his eyes and give him a tired smile which he returns.
“Yea you could say that.” He laughs at your answer which is music to your ears.
Now having been in his arms you don’t want to return to your studio for the day. You really did miss him but work is very important to you.
Wonjae sits down in the chair his friend was occupying previously and pulls you into his lap. Your legs hang over one arm while your back rests against the other. You lean into him, his arms sliding around you once more and pulling you closer. You tuck your head into his neck and relax to the sound of his deep breaths.
“It’s almost 6 am,” Wonjae hums, his fingers tracing the outlines of the tattoos on your exposed arm. “I’m tired.” He sighs. You know he’s hinting that you guys should leave, especially after Jay having said something.
“Me too,” You admit, placing a gentle kiss on his jaw and yawning. “Let’s go.” You add, reluctantly leaving his lap.
He stares at you a little shocked. “You’re finally listening huh? I’m impressed.” He stands up as well, laughing when you hit his arm.
“Go get your things jagi,” He waves you off.
After getting your things and your kitty, you lock up your studio and meet by his while he locks up as well. He smiles at you, sliding his bag on his shoulders and wrapping his arm around your shoulders while you both make your way to the parking garage.
“Let’s go get some early food and then go to my place yea?” Wonjae offers, guiding you to his car. “Ron can come with us and play with my babies,” He refers to your cat that you named after the ginger wizard.
You nod, getting in the passenger seat in his car and setting Ron on your lap. You inhale the comforting smell of his car, not having been in his car nor outside for a week now.
Wonjae drives down the empty road to a restaurant near his apartment that’s open early on weekdays. His hand rests just above your knee, his index finger reaching out to pet the cat on your lap. “No work talk today.” He says, looking at you as he parks. “You’re taking a break.” You smile, loving how he already knows how you are.
After you fill your stomachs, you’re on the way to his home. Even more tired now that you’ve ate. Once parked, he grabs his bag as well as yours and leads you into the building and up to his apartment. Unlocking the door, he rests his hand on your back to usher you in where you set Ron down while slipping your feet out of your shoes.
Ron immediately mingles with Wonjae’s three cats who make their way over to the two of you, the four of them following you to Wonjae’s room.
“Do you want to shower with me?” Wonjae asks softly, cupping your cheek into his hand and rubbing the pad of his thumb along the bone. You lean into his touch, kissing his palm. “Yes please.”
“Okay, I’ll go start it.” He rushes to the bathroom and you hear the water being started. You undress yourself, throwing the clothes in the basket he has in the corner of his room. Once you’re completely stripped you push open the bathroom door where you see Wonjae beginning to take off his clothes as well.
After sliding off his shirt he looks at you and smirks. “Mmm,” He hums, pulling you closer to him by your hips. “I missed looking at this.” He leans down and places a kiss on your neck, licking a stripe to your ear and flicking your lobe with the tip of his tongue. It sends a shiver down your spine, your eyes closing in bliss.
He knows your body like the back of his hand, he cherishes every piece of you. He looks at you, smiling. “I’ll fuck you later,” He kisses your lips, lingering for a moment before pulling away.
He finishes undressing and you both get into the shower. He hugs you under the warm water much like he did while you were in his studio but this time it’s much more intimate due to the skin to skin contact. Your breasts press against him, head tucked into his neck. The warm water cascades down your body, causing you to grow tired.
After you both wash up, you find yourself clad in his hoodie and sweats that are just a little big. Wonjae waits for you on the bed, the four cats finding their way to join him. He lays on his back, scrolling through his phone.
You crawl into the bed, snuggling into his side with your head resting on his shoulder. He immediately puts his phone down and rolls over on his side to wrap his arms around you too pull you closer. You feel him breathing in your scent, his legs pushing to get in between yours.
“Jay isn’t letting you back into the studio until tomorrow and I’m forcing you to lay with me all day .” Wonjae mumbles.
You laugh a little, feeling grateful to have such caring people in your life. “Your album can wait for a day. I’ve missed you.” He adds, pulling you even closer to him.
You both fall silent, your eyes closing. You’ve never felt more content and comfortable than how you do now. You feel one of the cats snuggle into your back and purr against you.
“Wonjae,” You began, earning a hum from the half asleep man. “I love you,”
His hand slides under your shirt and gently scratches your back. “I love you.” He says, resting his hand on the small of your back.
You find yourself slowly falling asleep. You know you’re going to be asleep for the whole day and you’re honestly looking forward to it. Especially with Wonjae and the cats.
He’s right, your album can wait.
~♡~
lol i had to write another for wonjae. it’s so hard for me to find fics for him so i jus been writing my own.
253 notes ¡ View notes
awesome-llama01 ¡ 3 years ago
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ok so these have been in my head and i nearly cried on the bus. also have never done this before. heads-up i know absolutely nothing about pianos or actually playing music. i’m also not a writer so let’s hope this makes sense.
Neil, Andrew and a piano over time:
- Neil was allowed to play the piano when he was a kid, one of the few skills and hobbies his father allowed him to learn. it made neil more valuable as an asset
- he had to learn to become good quickly, or he would be punished by his father and by the age of 9 he could confidently play pieces from Mozart and Bach without looking at the sheets.
- this was useful to Nathan when he wanted to sell Nathaniel to the Moriyamas, it meant that nathaniel could entertain the moriyamas when necessary outside of exy
- but with years on the run, neil’s piano skills faded until he mostly forgot he had them
- it wasn’t until his third year at psu when he was cuddled up with his foxes watching a christmas film. a character in the film was playing the piano and it was so obviously fake that before neil knew what he was saying, he said “those hand movements are completely incorrect, he’s missing out on the melody. i bet he couldn’t even find middle C”
- multiple sets of eyes turned to neil, “what?” he said seemingly confused. “how the fuck would you know about that?” nicky asked, voicing the question that was in everyone’s eyes. “i played the piano when i was a kid, i like to think i was quite good at it” he said defensively.
-“of course you did” andrew muttered moving closer to him.
- this lead to nicky and allison ordering a keyboard for neil as a christmas gift
-from then on, neil got stuck back into playing his keyboard whenever he was in the dorm alone, andrew would smoke out on the roof, and come back to hear the last notes of a song, but neil would quickly put the keyboard away and try and hide the light blush on his cheeks.
- nicky and allison were constantly begging neil to play for them, and constantly trying to get him to join some of the music groups or concerts happening around campus. Wymack caught wind of this and used performing in a school concert as a punishment when neil blew his legs out for the umpteenth time when on his morning runs
- so a very sulky neil performed the one song he had learnt since receiving his keyboard (i see this song as i love you by Riopy check it out it’s great) all of the foxes (and katelyn) Bee, Abby and Wymack sat in the audience wondering whether this was just going to be humiliating for neil or if he was actually very good.
-but neil absolutely aced it, so much so he had a standing ovation, several foxes let out shouts of praise, whistles and cheers. an apathetic andrew just clapped along, but neil could tell the spark in his eyes were filled with pride. a warmth floated in neil’s chest.
- once neil and andrew go pro, neil still plays his keyboard (it’s one of his prized possessions) and eventually the cats love sitting with him as he tinkled away
- so when neil and andrew move into their first house together - a beautiful 4 bed house with plenty of space for entertaining when the foxes meet for christmas and holidays and a cosy library for andrew and his many books, perfectly befitting of professional exy players- andrew bought neil a baby grand piano, which sat pride of place in their living room.
- it was one of neil’s most favourite things in the world, aside from andrew and the cats. he loved it and would often be found tinkling away after his morning run, or after practice and tbh it was andrews favourite way to wake up, of course he would prefer waking up with neil in his arms but hearing him playing was a second favourite
- the night they got married, they went home from the courthouse, poured two glasses of whiskey and both of them sat at the piano, neil played and andrew rested his head on neil’s shoulder, his eyes drifting closed listening to the sweet sounds and relishing in the comfort of his husband
-but when neil was diagnosed with osteoarthritis at 38, it meant the end of his exy career. Andrew had retired at the same time to help look after his aching partner. both were worried about the moriyamas, who were surprisingly generous when neil told them he physically couldn’t play anymore, they entered into a deal where neil would become a coach and the moriyamas would accept 50% of his annual earnings, a much better deal than either neil or andrew could have hoped for.
- at first the arthritis hit him in the knees, making running almost impossible, it caused neil multiple panic attacks that andrew comforted him through and new restless behaviours to arise. andrew had become surprisingly good at giving massages when neil could barely move because of the pain
- but when the arthritis started to affected his fingers and his wrists he cried. he couldn’t play his piano anymore, because it hurt so much. andrew would often see neil just sat at his piano, looking forlorn. in those moments he vowed to himself that he would learn the piano, so when neil could barely move his hands, andrew would still play for him
- so when neil was out with his new team, andrew would sit and learn to ply the same song neil played for him and the foxes in his third year (i love you by Riopy)
- and for neil’s 45th birthday, andrew asked him to sit next to him at the piano, neil’s gloves hands wrapped around one of kevin’s icky smoothies, andrew began. it took for a few seconds for neil to recognise that andrew was playing and playing well but the realisation that he was playing the same song, after all these years, it earned a soft “oh my god” as the tears began to fill his eyes.
- when the song came to a close, neil had tear tracks down his face, “thank you, ‘drew” “happy birthday, darling” and a soft kiss was pressed into neil’s scarred cheek
- it was something that became common place in their home, andrew would play for neil on bad days and special occasions. eventually neil’s hands could barely function but he was grateful for all of hand and knee massages andrew gave him, all paid for in kisses and affection.
-they grew old together, and when they began to have difficulties with their memories, the piano brought them back together.
💗
62 notes ¡ View notes
hanoella ¡ 3 years ago
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Affettuoso- With Feeling (Part 8)
Pairing: Bucky x Pianist!Reader
Set after the events of TFATWS: In an effort to start over and make a home in Louisiana, Bucky meets a friend of Sam’s who ends up being his landlord. With only a driveway to separate them, he finds that he’s not the only one looking for a fresh start.
Series tags/warnings: Slow Burn, Eventual Bucky x Reader, Mentions of Domestic Abuse, Canon Level Violence, PTSD, PG-17 Romantic Content (oooooh), talk of sex
Part 8 Word Count: Just under 8k
A/N: It's starting to heat uppppppp👀. I always sort and curate the music so that you can listen to the music as you read the story and match the tone, starting from where I insert the song. Unfortunately, tumblr is being idiotic, and now I can't post the songs to play in-app for some reason. Sorry guys😭 If you haven't given it a try, I highly recommend!
Once again, thank you for all your support! Every heart and comment motivates me and is just so wonderful.
Taglist!: @vicmc624 @officiallykuute @undiadeestos @tailsoflightning @buckys2thicc @mischief-siriusly-managed
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Winter
Bucky looked in the mirror nervously, mussing his hair up. It was a bit longer than when he had first come to Louisiana, and he had been overwhelmed by the sheer number of choices when it came to men’s hair products. He thought it looked okay, using the man on the front of the packaging as reference. It was a good thing you two were taking your car. He wasn’t sure if his work would’ve survived the motorcycle helmet. Glancing over the rest of his ensemble, he gave himself a nod of assurance. It was concert weekend, and also the day you were going on your first date. After contemplating on when to go, you had suggested a late night dinner after that weeks second concert and Bucky had thought it was a fine idea at the time. Though, now, he realized that he would have to sit through the concert first.
He picked up the bouquet of flowers he had gotten with the hair product the other day and headed to the door. Before leaving, he bent down to pet a sleepy Alpine, who was currently dozing peacefully in the last rays of the sun for the day.
“Wish me luck.” He said to the cat, who purred in response.
He left and crossed the driveway to your house. Knocking on your screen door, he waited expectantly.
“Come in!” He heard you call from inside.
He opened the screen door and crossed the threshold. He’d done it plenty of times before, but this time felt different. Seeing that the living room and kitchen were empty, he headed down the hall to your bedroom, where the light was filtering out of. Cautiously opening the door, he saw you sitting at the vanity, dressed in your typical rehearsal outfit of a blouse and slacks, and putting on the final touches to your makeup. You blinked to adjust to the mascara and turned towards him, a smile spreading across your cheeks.
“Hey!” You stood up to hug him and then take him in. “You look great, Buck.”
“Thanks, you too.” He replied, still coming across rather stiff from the nervousness. You looked up at him, slightly amused but keeping it to yourself. After a moment of gazing at your features that were complemented by the makeup you had just put on, Bucky cleared his throat and gifted you the bouquet.
“Oh, these are beautiful. Thank you so much.” You said as you admired the large white peonies, accented by bundles of pink hydrangeas and various types of eucalyptus. A green satin bow held the stems together as you felt the velvety petals between your fingertips. You grabbed his hand afterwards and squeezed it as you held the bouquet to your chest. “Thank you,” you repeated as you looked up at him. Bucky felt slightly more at ease, giving you a small but genuine smile.
“Of course.”
You set the bundle down gently before going over to your bed and unzipping the garment bag and holding the dress out for him to see.
“Is this too much to wear for the concert and then dinner? I figured I’d dress a little simpler so I don’t stand out too much at the restaurant.”
Bucky stepped closer and touched the luxurious navy blue fabric. The dress was cut so that it had a slight halter neckline, exposing minimal shoulder. It wasn’t until he saw the bottom end of the dress that he caught a glimpse of what you normally liked to wear. Flowers and greenery adorned the bottom half of the skirt, detailed in such a way that it looked like they had been painted right on the dress. The soft pastel brushstrokes formed rounded petals and long wispy leaves.
“It’ll look great on you.” He said with affection in his tone. “But you don’t have to change anything for me. All the gowns that you wore before looked great too, but what really makes them is the fact that you’re wearing them.”
It was your turn to blush, turning slightly to try and hide the pink on your face. You thanked him softly before excusing yourself to the kitchen to get a vase for the flowers. As you were filling the vase with water, you held your hand to your cheek in an effort to cool down your face. Coming back to your room, you put the flowers in water and turned to Bucky, who had sat himself down on the edge of the bed.
“Ready to go?”
---
Bucky sat on the green velvet couch in your dressing room, reading something on his phone as he listened to the rustling behind the room divider behind him.
“How do I look?” You asked, coming out from behind the divider and into the room. You were dressed in the gown from earlier, now with black flats and earrings that mimicked flower petals falling in the wind. You had decided on a more romantic look for your hair, settling on large loose waves, one side pinned back with a dainty silver bar clip.
He couldn’t help but smile.
“Beautiful.”
Who knew one word could give you such a fluttering in your stomach.
“Thank you.”
You sat next to him, folding one leg underneath of you and leaning against the couch, facing him.
“Are you going to be okay up in that box all by your lonesome?” you teased, reaching across and grabbing the tips of his fingers with yours.
“I hope so. I’ve got a date tonight.” He replied playfully. He always felt so warm, so comforting. You looked at him with affection before your eyes flitted to the clock behind him.
“I should probably get to the stage.” You sighed while you said it, reluctantly starting to get up and pull your hand away. Before you could completely escape his grasp, he squeezed your hand slightly.
“You’ll do great. See you after?” His look was slightly reminiscent of a puppy. You smiled wistfully and squeezed his hand back.
“See you after.”
You separated in the hall, you going one way to the stage and him going the other way to the box. Before he stepped inside, he realized he didn’t have a program. He made his way to the front and found an usher with a stack of programs.
“Can I have one of those?” He asked, coming off slightly more gruffly than he meant to.
“Sure, sir.” The usher handed him one and Bucky thanked him before turning. Halfway down the hall, he picked up the whispering of another usher who had come up to the one that had the programs.
“Is that Ms. Novikov’s boyfriend?”
“No way, is that who that was?”
“He always sits in her own personal box. It has to be.”
Boyfriend. Such a funny word. Bucky hadn’t been anyone’s boyfriend in decades. It almost felt silly to be dating somebody. It was like someone blowing all of their money on something they couldn’t afford. It felt reckless to invest so much feeling and time and emotion when he had so little of those things on his own. Yet, what little he had, he gladly spent on you.
“He is so hot. I would just let him-“
Bucky’s eyes widened as he heard several terms he didn’t understand. Clearing his throat, he walked a little faster back to the box.
---
You had laughed so hard that you were crying as Bucky tried to repeat some of the stuff he had overheard. Deciding to check on him during intermission, you had popped up to the box for a minute. After complimenting you on your playing, having performed what Bucky thought to be amazingly, as you usually did, he couldn’t stop the face he had made as his mind thought back to the usher. Needing to sit down, you had sat in one of the seats in the box, doubled over in a combination of laughing and crying.
“It’s not that funny!” Bucky whisper-yelled at you, as you gasped for breath, face in hands. He turned around to see that the next several boxes were looking over to see what the commotion was. One particular look on an older woman’s shocked face made him turn around quickly and try not to laugh.
“It’s not funny!” He said again, though now he was obviously trying to hold back his own laugh, which just made you laugh even harder.
Starting to calm down, you leaned back onto the seat, still clutching your stomach. Letting out some deep breaths, a burst of giggles fell out of your mouth, evolving into full on laughter again.
“I’m sorry! I’m sorry!” You said, regaining some semblance and wiping your eyes carefully as to not ruin any makeup. “That is just hilarious. I love it.” You concluded as you sighed and closed your eyes.
“You are just… something else.” Bucky replied, a huge smile overcoming his face despite the fact that he was shaking his head. The lights flickered overhead to signal the end of the intermission. You got up, straightening out the skirt of your dress and giggling.
“You can meet me at the dressing room after.” You said, waving your fingers at him. He had the same smile on his face as he watched you sweep aside the curtains and disappear. As embarrassing as it was, Bucky was thankful that it had broken the ice, no longer leaving him feeling awkward, nervous in your presence. As he was turning back to face the front, Bucky made eye contact with the same old lady in the box next door. Quickly, he cleared his throat and settled in his seat, adjusting so that he was sitting up straighter.
Several minutes went by before the conductor came back out, followed by you. He gave his usual introduction of the piece, explaining the history and the background behind the melody they were about to hear. This one was another piano feature- this time by Chopin.
The opening note was long and forceful, followed by a back and forth of a set of notes on your left hand that quickly sped up into an impressive speed. Your right hand entered the melody, quickly flitting back and forth to the end of the keys. The quickening of the keys sounded desperate, like a hare running frantically to safety from the jaws of a predator.
Both of your hands ran down from the higher keys to the low ones, somehow managing to hit very precisely on each intended note on the way down. Once in the lower octaves, the melody slowed. Your hand movements were graceful, body language and tone changing to one of peace. You spent some time exploring the gentle melody, conveying a feeling similar to the quiet after the storm. Just as Bucky expected the end of the melody, what would’ve been a period in the phrase of the major key, turned into a comma. The minor key from before took control of the music once more, somehow more desperate than before. The pace of your breathing sped up as you put more force behind the fleeting notes. The minor key evolved into a more complex intertwining of notes before unraveling into a major key once again, saying its last words and taking its last breath before dissipating into the auditorium.
Applause burst forth from the crowd, conveying more than Bucky could ever put into words about how incredible your performance was. How incredible you were. Still catching your breath, you stood at the conductor’s prompting, stealing a glance at Bucky, who was standing as he clapped, before bowing in acceptance of the praise.
---
After the concert, he drove you to New Orleans. At the restaurant, you were sat at a table on the edge of the dining room behind a low privacy partition. It was dimly lit, the small candle in the middle of the table creating a very intimate atmosphere. You sat across from each other at the two-person table, browsing the menu. Yours was laid flat on the table as you leaned over it, resting your chin on your clasped hands. Bucky’s was held up, serving as a way for him to sneak glances at you. The candlelight gave your hair an ever-moving sheen. It was nothing compared to how it lit the color of your eyes as you met his eye and smiled.
The romantic piano music played softly in the background as he set the menu down and let a gentle smile overtake his features. Your eyelids slowly lowered. You loved the little crow’s feet that appear by his eyes when he genuinely smiled.
“How’d I do on the first date setting?” You asked. The cozy restaurant had been your pick.
“You hit it out of the park. It’s very nice.” Bucky replied, leaning in a little closer so that he could cross his arms slightly onto the table.
“Isn’t it? There’s a few of them across the country. I used to at the one in New York while I went to Julliard. Can you guess what I did?” You chuckled as you pointed your head in the direction of the live piano music coming from the stage.
“Hmm… Dishwasher? No wait, valet?”
Bucky lives for the smile that comes across your face when you try not to laugh at his antics.
“Absolutely. Always wanted to be a valet. It’s my dream job.” You joked back with a twinkle in your eye. The waiter came up to the table, causing you both to lean slightly back. After introducing themselves and setting two glasses of water down, they asked for your drink order. Bucky nodded for you to go first, ever the gentleman. You turned your head towards the waiter, your gaze lingering on Bucky before giving full attention towards them as you spoke.
“What are some of the best whiskeys you have to recommend?”
Bucky could’ve spit out his water. This place could not be cheap. His suspicions were confirmed as the waiter started listing off various whiskeys that were at least a decade old. About three whiskeys into the list, you saw Bucky tilt his head out of the corner of your eye. Glancing at him, you raised your eyebrows as if to ask if he was interested. He raised his eyebrows and gave a small nod.
“We’ll have that one please.” You said, stopping the waiter when he finished the description. You had selected the sixteen year old single malt with notes of plums, apricots, white truffles, honey, dark chocolate, and hazelnuts. As soon as the waiter turned around, Bucky leaned in and gave you a look of incredulousness.
“Doll, I am all for the finer things in life but that whiskey has got to be a pretty penny.”
You leaned in as well, with a dreamy look on your face.
“Well, if it gets you to call me ‘doll’ then I’ll buy the whole bottle.”
---
Bucky actually did end up liking it so much that you ordered a bottle to take home. He had tried to stop you from paying for it, but you insisted, saying this whole date was on you.
“Just pay for the next one. I picked the fancy place, so I should pay! Besides, you do so much for me all of the time.”
Eventually, he caved in and let you, the assurance of a second date placating him. Dinner had been equally as delicious and sprinkled with easy conversation. Dessert was set on the table with two spoons to share. The entire night was going wonderfully. At this point, with a few bites of dessert left, both of you were lounging while listening to the gentle music as he held your hand across the table.
A group was getting up from the table across the divider when one of them glanced over and recognized you.
“Irina Novikov!”
Your hand left Bucky’s instinctually as you looked in the direction of the voice. Easing when you realized it was a concert goer, you smiled as the group came over to your table.
“We just came from your performance, you did an excellent job. We’ve been coming all season and it’s wonderful to be able to talk to you in person.” A middle aged man said as the rest of his group nodded enthusiastically.
“The pleasure’s all mine. I’m so happy that you enjoy the music that we perform.” You said, shaking his hand.
“Would you, perhaps, be willing to sign our programs?”
“Absolutely.” You said, as you took the pen. You paused slightly before writing the signature. Bucky could tell that you hadn’t thought about it before- how to sign the new name. You signed everyone’s program, making sure to ask for their name and including a short thank you for their support.
“I look forward to seeing you in the audience the next time you’re able to visit.” You said as you handed back the last program and pen. They graciously thanked you and walked away, leaving you to look at Bucky, who was admiring you.
“What?” You asked, cheeks flushing.
“Nothing. You’re just so good to them. Does that happen often?”
“I try to be. I’m sure if I had more people always coming up to me I’d be less patient. To answer your question, it happens occasionally. It happened a lot in New York when I played with the symphony up there. But that was a long time ago.” You looked down wistfully, thinking of the past. Then, you looked up and grabbed his hand.
“But I’m pretty happy where I am now. Don’t doubt that.”
Bucky felt a fluttering in his chest.
After settling the bill and giving Bucky the bottle of whiskey, you put your coat on and held Bucky’s hand as you walked to out of the restaurant. On the way home, he drove as you hummed along to the radio, watching the road signs and the streetlights pass. Eventually the highway turned into main streets and main streets turned into side streets. Maybe if he drove slower, the night didn’t have to end.
Parking in the driveway, Bucky signaled for you to wait before he jogged around the front of the car, opening your door and holding out a hand.
“Oh, what a gentleman.” You laughed as you took his outstretched hand and stepped out of the car. Taking his arm, you let him walk you to your front door. You turned the key and opened the door, turning on the lights before facing him again.
“Well. This was wonderful. I had such a good time.” You said, hugging him around the neck. He wrapped his arms tightly around your waist.
“Me too.”
You pulled back, letting your hands run down his arms and holding his hands in yours.
“I think it’s safe to say that there will be a second date.” You stated teasingly, squeezing his hands.
“I would say you’re right.” He said, boyish charm coming through. You wondered if this is what he was like back before the war. Smiling, you looked into his eyes.
“Thank you for taking me out. You’re so lovely to be with, and it feels unreal to be with you. I think I’ve wanted this for a long time.” Affection was laced throughout your tone.
Bucky opened his mouth to say something and nothing came out. He squeezed your hands once, as if to make sure you were real, and shook his head.
“You took the words right out of my mouth. That’s exactly how I feel about you.”
There was a slight pause before Bucky closed the gap between you. Your bottom lip was between his and you closed your eyes as your hands held his face to yours. You felt your fingertips scrape across his stubble as he held you in his arms, hands supporting your back as he deepened the kiss. After a few moments, you pulled back, a flush over your face and the cold air exposing your breathlessness. He let out a quiet breathy laugh and you did the same.
“You have… no idea how long I’ve wanted to do that.” He said as he softly put his forehead to yours.
“You took the words right out of my mouth.” You repeated his phrase with amusement. Reluctantly, you took your arms from around his neck and trailed them down to his hands, grabbing both. You took a moment to appreciate how perfectly his hands felt in yours, vibranium and all.
“Goodnight, Buck.”
He squeezed your hands lightly before slowly letting go of your hands.
“Goodnight.”
Putting his hands in his pockets, he waited for you to exit the house, reciprocating your wave as you softly shut the door. Letting out a deep breath, he walked leisurely across the driveway and up to his apartment. He loosened his tie with one hand as he greeted Alpine with the other. She followed at his heels as he got ready for bed, hopping up onto his chest when he finally laid down. Curling up into a ball, she purred as he scratched her neck. Alpine fell asleep almost immediately, but Bucky lay awake, the image of you laughing at something he said across the candlelit table occupying the forefront of his thoughts.
---
The second date had to be rescheduled due to business that Sam and Bucky had to take care of, once again, in D.C. Reluctantly, he had texted you to reschedule.
Have to go to DC tonight with Sam… Go out when we come back?
Bucky watched the bubble type.
If you don’t want to go out again, just say so
He felt like vomiting.
KIDDING! Of course we can.
Taking a deep breath, he typed out a reply.
Not funny. Almost gave me a heart attack. You gonna be okay for a few days?
I’ll be fine, just take care of yourself and be safe, please.
Will do, doll.
A little heart emoji you sent back made Bucky smile before he tucked his phone away and boarded the plane.
---
After a few days of cut-and-dry investigation, they were done by Saturday night. Since they were flying commercially, they had one more evening to kill before the next flight. Bucky was standing idly outside of the crowded comic book store that Sam was currently in. AJ had called Uncle Sam, asking if he could check for a specific volume of a comic that he liked. Happy to oblige, Bucky had told Sam that they could make the stop. Though, once seeing how crowded it was, Bucky opted to stay outside. Feeling a buzz in his pocket, he took out his phone to see a text from you pop up on his home screen. You had sent him a picture of Alpine curled up on the bed next to the dress you were going to perform in.
Alpine has approved my dress selection this evening!
Smiling at his screen as he sauntered down the sidewalk, he typed out his reply.
I agree with Alpine. Very nice selection.
He sent the text and paused, standing in place for a moment before sending a short addendum.
Sorry that I can’t be there.
It’s okay, there’s plenty others :)
Bucky looked up and saw that he had wandered a few stores down from the comic book shop. Craning his head, he didn’t see Sam yet. Turning back to the store in front of him, he glanced at the window display. A set of earrings on the edge of the display caught his eye. The soft pearls and winding gold took him back to another time. It was very reminiscent of the fancy jewelry that adorned the movie stars during his youth.
Glancing back down to the comic store, he had yet to see Sam out front. He took the opportunity to slip into the jewelers. There was a well-dressed couple looking at specific pieces of jewelry but otherwise, the store was empty. An unoccupied salesman approached Bucky warily.
“Can I help you sir?”
“Yes, um… I was interested in getting something from the window display.” Bucky said in a low tone as he gestured to the front. He was overly aware of how ‘rough around the edges’ he looked.
“Which one?” The salesman asked as Bucky followed him to the front. After the earrings were pointed out, the salesman took them out of the case. He gave a little background as he handed Bucky the set.
“This is from our vintage-inspired collection. Modeled after jewelry from the post-art-deco era in the 1930’s, these earrings are the perfect modern gift with a vintage twist.” They dangled on the velvet earring holder as Bucky took a closer look. They were perfect.
“How much?” Bucky asked.
“They’re a bit expensive sir- four hundred dollars.” The salesman said uneasily.
“I’ll take them.”
He paid for the gift and stepped out onto the street, stuffing the earring box into his pocket. No sign of Sam yet. Making his way back up the street, he checked his phone to see that you had texted him a link. He sat on the bench and tapped on the link, which took him to a video that you had uploaded of the opening piece from the night before. He smiled as he saw that you had recorded it from his usual spot in Box One. You walked across the stage on screen, doing your usual bow and taking a seat at the bench. He put the speaker of the phone up to his ear and waited for the playing to start.
“What’re you listening to?”
Bucky almost dropped his phone as Sam cackled.
“Are you finally done?” Bucky said, annoyance seeping out his tone.
“Yeah, c’mon.” Sam said, smirk still on his face.
That night in the hotel room, as Bucky was settling into bed, he played the video once more, this time actually getting to listen. It was a soft melody, warm and deceivingly intricate, lulling him to sleep.
---
The second official date was up to Bucky to plan, since you had gotten to plan the first one. It wasn’t anything extravagant, but he wanted it to be a surprise.
Dress code? You had asked.
He texted back to wear something comfy and casual. He had gone back to his roots, opting for dinner and a drive-in movie. Remembering your favorite snacks from grocery shopping, he made sure to stock up beforehand, stealing your keys and tucking them into the trunk of the car along with a cozy blanket.
He straightened out the wrinkles in his light grey long-sleeve shirt and checked to make sure his jeans and sneakers didn’t have mud on them from the driveway earlier. Satisfied with his appearance, he snagged his leather jacket and went to warm up the car.
Several minutes after he had gotten in the drivers seat and started the car, you stepped out of the house. Your white headband kept the hair out of your face as you locked the door behind you. You had put your hair into two braids that fell against the fuzzy crème sweater. With your outfit completed with light-wash jeans, white sneakers, and a small cross-body bag, Bucky thought you looked absolutely adorable.
“Hey.” He greeted you with a huge smile.
“Hey!” You replied as you messed with the seatbelt. After it clicked, you looked up at him, allowing Bucky to get a better look at you. You had put on a more natural set of makeup that just enhanced your already present features- your eyelashes curling just at the tips, your lips glossy and tinted-pink.
“Where are we going?” You asked.
“You’ll see.”
A coy smile came upon his lips as he shifted the car into drive. It was a longer drive and you made easy conversation as the sun started to set. It always set so early in the winter, making it feel way later than it was. Bucky exited the highway and you perked up curiously, looking to see if you recognized anything. Eventually, he merged into the turn lane, waiting for the light so that he could turn onto the street with a huge sign that read Drive-In Movies, This Way.
“Are we going to a drive-in movie?” You questioned excitedly. Bucky laughed at your enthusiasm and nodded his head.
“Yup. We are.”
You looked forward excitedly as the light turned green and he turned onto the road. Bucky pulled up to a toll booth and rolled down the window. A man peered into the car momentarily before ringing up the register.
“Twenty four dollars please.”
Wordlessly, Bucky pulled out his wallet and handed the man the cash. Letting his left arm hang out of the window while he waited for the change, he took his right and cupped it against the side of his mouth in a dramatic fashion.
“I remember when these used to be a dime.”
Your mouth twisted in an effort to hold back your laughter as Bucky thanked the man for the change. As you pulled off, you couldn’t help but snort.
“Okay, that was cute.” Bucky teased, getting the crow’s feet in the corner of his eyes that you liked so much. You gave him a wide smile as he pulled into the last row. Your eyes grew wide at the trailers playing on the screen.
“Wow, this is amazing. I’ve never been the a drive-in before. The screen is huge!” You turned your head. “And there’s a snack bar!”
“Hold on,” Bucky said as he popped the trunk and exited the car. He lifted the bag out of the trunk and came back around to the door, ducking his head so that he could see you.
“I’ve got some of your favorite,” he said as he passed you the bag of snacks, “and a blanket to stay warm in.”
Your eyes lit up as you looked through the snack bag. He had gotten a variety of candy he’s seen you eat, as well as chips and a bucket of kettle corn.
“Of course, if you want anything else, you can still go to the snack stand.”
“No, Buck, this is great. You’re amazing.” You said as you shook your head, still ruffling through the bag. He laughed and got back into the car, throwing the blanket into the back seat and pushing his chair back. As you got situated, the sun set fully and the movie began playing.
---
There were about thirty minutes left in the movie, and you and Bucky had finished up with the snacks and settled into your seats. The action on the screen did little to distract you from the way Bucky’s thumb rubbed the top of your hand. You stole a glance at him and he met your gaze with an easygoing smile on his face.
“Do you like the movie?” He asked when you did not turn back.
“Oh, yeah, I like it. I’ve actually seen it before. I just really like being here with you.” You propped your elbow up on the center console and rested your chin against your palm, looking at Bucky with a dreamy look in your eyes. “Am I distracting you from the movie?”
Bucky leaned closer to you with an amused look on his face.
“Yes, but I have also seen this movie before.”
It only took a few moments before his lips met yours, parting slightly to taste your strawberry lip gloss. His hand came up to softly hold your face, his thumb brushing against your jawline. When you came apart, the expression on your face made him swallow thickly. Hooded eyes and slightly parted lips tempted him beyond his means. This time, you leaned in to meet him in the middle, no hesitancy behind your actions. You captured his bottom lip, giving it a little kitten lick before gently sucking on it. Bucky let out a small groan into your mouth unintentionally, making your breath hitch.
You kissed for a while, small noises escaping both of you as you tilted your head occasionally to deepen the kiss. Bucky felt something stir in him that hadn’t in a long, long time. It was absolutely intoxicating, being with you like this. All he wanted was a little more. Breaking the kiss, he pulled back just a little, slightly breathless, just as you were. You let out a breathy laugh, cheeks warm and lips swollen. A beat passed before Bucky said something that made you almost choke.
“If we’re going to keep kissing, you should come over here and sit on my lap.”
You turned your head, looking through the car windows. There was no one parked particularly close to you, and your windows were tinted anyway. With an excited grin on your face, you scooted backwards over the center console until your back was resting on the driver’s side door. You were angled slightly to face him, your outstretched legs over his lap and on the center console towards the backseat. You hooked your arms around his neck and giggled. You hadn’t done anything like this since you were in high school.
He chuckled with you before closing the gap. You felt each others smiles as you kissed. Slowly, the kiss deepened. His arms wrapped around your waist as he tilted forward, leaning over you and giving him better access as you opened your mouth to let his tongue in. His hands moved to support the back of your head and your lower back, causing you to groan slightly and shift in his lap.
Bucky opened his eyes in surprise, panicking silently. You hadn’t noticed, eyes still closed as you continued to kiss him. He cursed in his head, shifting you up slightly so that your leg wasn’t resting right on his crotch. Thankfully, he was wearing jeans and you hadn’t given any indication that you had noticed. He chastised himself in his head.
C’mon man, you’re not fifteen anymore. You can’t go around getting stiff every time you kiss a girl.
The bright lights cut back on, startling you and Bucky apart. You squinted your eyes and looked out towards the screen. The credits had just finished. Looking back to Bucky, you both laughed before kissing once more.
---
Afterwards, he took you to a classic diner, treating you to dinner and dessert. There was a jukebox in the corner that you and Bucky had looked at, racking up a few songs. You had danced slightly in your seat when your favorites came on, making him grin like a love-struck fool.
The diner had been close to the drive-in, so the drive home was still pretty long. Full and content, you had dozed off to the tune of the radio playing softly in the background. Choosing to let you sleep, he drove back silently, looking over at you with a smile every once and a while.
He pulled up to the driveway and parked the car, gently leaning over to rub your arm.
“Hey,” he said quietly, “We’re home.”
You hummed in acknowledgement as you yawned and let you eyes adjust to the lights in the car.
“Mmm. Sorry, I didn’t mean to fall asleep.”
“It’s okay, it’s late. Let’s get you inside.”
You slowly got up and out of the car, gravel crunching underneath of your shoes. Bucky walked with you up to the front door.
“Goodnight, Bucky.” You said groggily, leaning forward to kiss him. He met you halfway, pecking you on the lips.
“Goodnight.”
He watched you cross the threshold, giving you his usual three-fingered wave when you turned back to wave goodbye.
---
For the third date, you had told Bucky to wear his suit and tie. He had no idea what to expect. Hearing thunder outside, he took a peak through the blinds. The wind was really starting to pick up. Grabbing his phone and wallet, he gave Alpine a quick scratch before heading out. The wind was harsh, even for Bucky’s standards. He jogged across the driveway and up the porch, knocking on the door. A few seconds later, you answered, stepping out onto the porch.
“Hey, I wasn’t expecting the weather to be like this. I got us a reservation at the museum’s restaurant but I don’t think it’s a good idea to travel that far in the rain.”
You looked out at the sky as the wind whipped your hair around your face. Bucky took the moment to admire how attractive you were. You had on an emerald satin cowl-neck dress that had a slit up the side. Dainty gold earrings matched the shimmering tennis bracelet you on. Your heels gave you some height and made it look like you were showing off an ungodly amount of leg.
“I’m sorry Buck,” you started, looking back to him. “I think we’ll have to go out some other time.”
“I understand. You look beautiful, by the way.” He said as he grabbed both of your hands.
You thanked him with an affectionate smile before getting a thoughtful look on your face.
“Would you like to come in for a drink?”
---
You padded back to the living room with two glasses, heels discarded at the door. Bucky, sans coat and tie, had opened a bottle of whiskey. Tucking your leg under your knee, you sat close, facing him. You held out the glasses, letting him poured a small amount in each. He sat the bottle down and you held out your glass to clink it to his. You took a sip of liquid courage, trying to steel your nerves. You held your drink in your lap and put your arm up on the back of the couch, leaning your head on your hand.
“It’s strange how, once we started seeing each other, how much of a rush it feels. Does it feel like that to you?”
“I do. It feels like… I just can’t get enough.” He said with a chuckle.
“It’s quite nice.” You smiled softly. “To find someone you have an understanding with.”
Bucky nodded as he sipped on his drink. You’d only known each other for half of a year, but if he thought about it harder, you had spent a lot of that time together, especially during the last few months. Bonds are also strengthened during trials and tribulation- you were both people looking to start over, to live happily, to do what you love and have a sense of fulfilment.
“I just think you’re amazing. I think it’s amazing that you want to be with me. I went through so much for so long, and now I finally remember what it feels like to have a sliver of happiness. So thank you. It’s been a long time since I’ve wanted to be with anybody,” you started, looking down at your drink, “-and I would imagine it’s been the same for you.”
“Yeah. Since before the war.”
“There’s been nobody since?” Your face changed to one of empathy. Bucky took another sip of his drink.
“Nobody. Except you.” He glanced at you with a look of resolution and longing. Gently, you smiled back at him.
“I must be one lucky gal to catch you this late in the game.”
You looked at each other affectionately and kissed. It wasn’t rough, but still filled with passion. After a moment, you pulled apart. You looked up at him through your eyelashes and bit your lip. Bucky swallowed thickly.
“How… fast do you want to take things?”
He blinked in surprise at your words. He hadn’t expected a straight forward discussion about it, but then again, dating in this age was much different. It did make things refreshingly simpler.
“I, uh…”
You looked at him expectantly and he cleared his throat and apologized.
“Sorry. This is all new for me.”
You set a hand on his thigh encouragingly and offered to go first.
“I can start. I… haven’t been with anyone, physically, since my last relationship and you know how that ended. He could be a little… forceful, and that aspect of our relationship has proven to be one of the hardest things to heal from.”
At this point, you were looking down at your hand, tapping a soothing rhythm from muscle memory onto his thigh.
“… I’m sorry. That must be extremely painful to deal with. Nobody should have to go through that.” He put a hand onto your knee reassuringly, rubbing it with his thumb. You shook your head quickly.
“It’s in the past. I’m happy with where I am now. At the end of the day, that’s what matters. Or at least that’s what I keep telling myself… Either way, I guess what I’m trying to say is… I’m not completely sure what I’m ready for, and I might not know until the opportunity presents itself. Please, be patient with me as I figure this. It’s not because I don't trust you or think you'll hurt me, I just...” You trailed off.
“Of course. Whatever you need. Don’t be afraid to tell me if you’re uncomfortable,” he assured you. “If it makes you feel any better, I haven’t been with anyone… ever.”
“Really? Like, you’re not just saying that to make me feel better?” You looked at him in a way that implied that he better not be messing around.
“I mean, I’ve gotten a little handsy before,” he said in slight defense, lightening the tension. “but I’ve never been with anyone like that. We didn’t talk about stuff like this in the 40’s. It was expected that you… you know, wait until marriage. People still got together physically, but it was way less common back then. Believe it or not, Steve wasn’t the only gentleman out there.”
You nodded your head and looked at him, clearly impressed.
“No, I totally believe that. Wow. Playboy Sergeant Barnes, waiting for the right girl. You know they write about you like you basically invented premarital sex.”
“Pfft.” Bucky couldn’t hold back his laughter. You both fell apart into a round of giggles. You took another sip of your drink and tried to settle down, wiping your eyes and letting out a deep breath.
“So, are you waiting? To be married? It’s totally fine if you are, I’m just curious.”
Bucky shrugged his eyebrows, now bringing his arm to rest against the couch behind you.
“Not anymore. I think I might’ve then, but that was a lifetime ago. I think what matters most is how comfortable I feel with the person. Besides, it’s rude to keep a lady waiting.” His tone changed, wearing a teasing smile on his face. You rolled your eyes, though still smiling, and put a hand on his chest lightly.
“Very funny, Buck. I’m glad we got to talk about it.”
“Me too.”
The rest of the night was filled with cooking together and watching a movie, only to be distracted by each other. You had been making out with him for quite some time before you separated from him, yawning and stretching your arms over your head.
“Alright, I’m tired. Wanna sleepover?”
“What happened to taking things slow?” He half-teased.
“Well, I figured since you’ve already slept over here once, it wasn’t anything new. Plus you are so warm and it’s so cold.” You bantered. Changing to a more serious tone, you reiterated- “Only if you want to.” Bucky squinted his eyes as he thought and then mentally shrugged, getting up off of the couch.
“Sure.”
He followed you down the hall. You padded lightly to your room, pulling your hair to the front of your shoulder.
“Do you need clothes?” You asked as you started unzipping the top of the dress. Instinctively Bucky looked aside.
“No, I’m good, thanks.”
You responded “okay” as you stepped into the bathroom, shutting the door behind you to change in privacy. He looked around before unbuttoning his shirt and shrugging it off, leaving him in a plain white t-shirt. He did the same with his pants before getting in bed on the side you don’t sleep on. Bringing one arm up under the pillow to prop himself up slightly and resting the other on his midsection, he let out a deep breath, getting comfortable. The sheets were extremely soft, and they smelled like you. Hearing the door open, he watched as you came out in a loose long-sleeve t-shirt and soft flannel sleep pants.
“Comfy?” You asked with a smile, hanging up the dress on the door.
“Yeah.”
You got into bed on your usual side and laid on your stomach, propping yourself up on your forearms as you looked down at him. Your hair created a curtain, blocking the light from the lamp and creating your own little bubble.
“Goodnight.”  You smiled at him sleepily.
“Goodnight.”
He kissed you softly before settling back down. You turned off the lamp and scooched up next to him. He sighed in contentment and moved his arm so that he was holding you to him. With your head resting on his shoulder, he fell into the best sleep he had had in years.
---
The next morning, Bucky floated back up to consciousness to what felt like bliss. Stirring awake, he blinked his eyes open to find the source of the comfort- you. You were still asleep, curled up next to him, face against his arm. Carefully, he slid out of the bed so as to not disturb you, and went to the kitchen to put on a pot of coffee. He breathed in the morning as he looked out at the bare landscape. After experiencing cryofreeze and the depths of Siberia, the cold couldn’t phase him.
What did phase him, was the warmth he experienced with you. His entire life up until this point had been frigid. Losing his family, his friends, his life, his willpower. Everything around him was nothing but cold to the touch. Then, you came in with a burst of red warmth, thawing him out and letting him feel again. Feel something other than pain and confusion, anger and abandonment. The feeling of actually being happy, which was new and overwhelming.
He hadn’t noticed his breath growing heavier. Putting a hand to his chest, he tried to slow his breathing. Being happy also meant that it could now be taken away. He hadn’t had anything to lose in a long, long time.
The creaking of the floorboards caught Bucky’s attention, and he was able to calm himself down with the distraction. He poured another cup of coffee as you walked into the kitchen. Turning around, he saw you stretch your arms above your head before settling down on the barstool at the counter.
“Good morning.” You greeted him with a sleepy smile, slouching over the counter to watch him pour the exact amount of cream and sugar that you liked into the cup.
“Good morning.” He echoed, handing over the mug and leaning against the counter across from you. “I’m sorry if I woke you up.”
“You didn’t. The delicious smell of coffee did.” You took a sip and sighed. “And maybe the cold did too.”
You reached over the counter for his hand. The warmth of his palm brought much needed heat to the tips of your fingers. He squeezed your hand slightly tighter than normal and you thought nothing of it. You lifted the mug to your mouth by one hand and took a longer drink before settling back in your chair. Your unbrushed hair framing your face as the light of the winter morning lit up your eyes.
Bucky’s breath sped up slightly as he looked at you, completely enamored and terrified of the feeling that was swelling in his chest.
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tvandfilmconfessions ¡ 3 years ago
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If you’re like most pandemic-fatigued TV viewers who found unexpected joy in Apple TV Plus comedy original “Ted Lasso” in the last year, you’ll know that Sam Obisanya, the big-hearted player on the show’s fictional football club AFC Richmond, played by British-Nigerian actor Jimoh, stole the show in Season 2 with a scandalous storyline involving club owner Rebecca Welton (Emmy winner Hannah Waddingham). Raised in the U.K., the 24-year-old Jimoh won’t just be a key player in “Ted Lasso” next season: The charismatic Guildhall Drama School graduate can be seen in Wes Anderson’s “The French Dispatch” and will also star in Amazon’s keenly anticipated thriller adaptation of Naomi Alderman’s novel “The Power.” — Manori Ravindran.
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Arguably the brightest new star Hong Kong has seen in two decades, the 22-year-old Keung has already established himself as a charismatic singer and performer on stage, a talented actor and a sought-after target among advertisers for celebrity endorsement. Keung first caught the eyes of many when he was a contestant of ViuTV’s reality show “King Maker” in 2018. But he did not rise to superstardom in the city until he became the youngest person to win the coveted My Favourite Male Singer Award at Commercial Radio’s Ultimate Song Chart Awards in January 2021. The young star, together with his comrades of 12-piece boy band Mirror formed from the ViuTV show, rocketed to fame. Besides selling out their in-person concert series in May, Keung and Mirror have sparked new levels of fandom that now stretched to overseas markets. At a recent concert, Keung performed a medley of Cantonese pop classics, saying that he is determined to shoulder the responsibility of spreading Canto-pop to audiences outside of Hong Kong. In 2021, he appeared in TV series “Ink at Tai Ping” and “Sometimes When We Touch” and completed the filming of his big screen debut “Mama’s Affair,” in which he stars opposite Teresa Mo. — Vivienne Chow.
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Rotolo’s tour-de-force debut performance as the titular character in Jonas Carpignano’s “A Chiara,” in which she plays a 15-year-old who gradually discovers that her close-knit family has ties to organized crime, has been eliciting critical plaudits all year. Variety described the 17-year-old actor as “radiant” in its review. Most recently, Rotolo picked up the best actress award at the Cairo Film Festival, where Emir Kusturica presided over the jury. Carpignano, whose naturalistic style involves working with non-professional actors, wrote the film for Rotolo and inserted elements of her real life into the screenplay, which could raise doubts about her ability in a different context. But the range she displays as Chiara, and the depth of her performance, leave many wanting to see more. — Nick Vivarelli.
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Smit’s debut feature performance came just last year when she starred alongside Mario Casas, one of Spain’s most marketable leading men, in the award-winning thriller “Cross the Line.” She was quickly picked out with a Goya nomination for best new actress. This year, Smit’s talents went global as she starred with Penelope Cruz in Pedro Almodóvar’s “Parallel Mothers,” earning her another Goya nomination, this time for best supporting actress. In 2022, she will feature in Netflix’s sci-fi horror series “The Girl in the Mirror” before returning to the big screen in “Tin & Tina,” one of Spain’s most promising indies of the coming year. — Jamie Lang.
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Ma Dong Seok, better known as Don Lee in Hollywood, started his acting career late in his thirties. Ma told the media he’d originally wanted to be a boxer but took up several odd jobs to make ends meet after his move to America. Ma was successfully casted for Korean action-comedy film “Heaven Soldiers” and gradually grew interested in becoming an actor. His breakthrough came through a supporting role in Korean zombie film “Train to Busan,” which propelled him to leading roles in “Derailed,” “The Bros” and “The Outlaws.” This year, that trajectory has taken Lee back to the States, where he made his Hollywood debut in Marvel Studios’ “Eternals.” Ma calls the step a matter of “good timing,” but his die-hard fans credit him with laser focus, a larger than life persona and the tenacity to make it as an action movie star. — Rebecca Souw.
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By far the biggest breakout from the biggest TV show of the year, “Squid Game” star Jung began modeling way back in 2010. She strutted the runways of Seoul Fashion Week for two years before scoring runner-up position in Season 4 of Korea’s “Next Top Model.” She made an international debut in 2016 at the New York Fashion Week and became exclusive for Louis Vuitton. As a world-class model, Jung took up acting courses and landed her debut fiction role as the scratchy North Korean defector on Netflix’s “Squid Game.” Her success has had supernova qualities. She is seemingly on every billboard and magazine cover and has leapfrogged established stars to be the most followed Korean actor on Instagram. Jung says seems to thrive on keeping busy. Acting roles are piling up, but she tells the media that she worries when the workflow slows. — Rebecca Souw.
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After debuting as the young Shah Rukh Khan in Karan Johar’s “My Name is Khan” (2010), Indian actor Gourav was noticed in Anurag Kashyap’s 2016 short “Clean Shaven,” and then in “Mom” and later in Deepa Mehta’s 2019 Netflix series “Leila.” But it was Ramin Bahrani’s adaptation of Booker-winning novel “The White Tiger” that was Gourav’s international breakout role. His central performance as a scheming, social-climbing driver earned him BAFTA, AACTA and Independent Film Awards nominations. Gourav is now on his way to both Bollywood and international fame, signing plum roles in Farhan and Zoya Akhtar’s “Ho Gaye Hum Kahan” and Scott Z. Burns’ anthology “Extrapolations.” — Naman Ramachandran.
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Bangladeshi model and television actor Badhon broke through internationally this year with her first major role in a feature film, “Rehana Maryam Noor.” Formally trained in dental surgery, and a single mother who lives in Dhaka with her 10-year-old daughter, Badhon plays a single mother who teaches in a medical college, who speaks out against a sexual assault and, in doing so, challenges a wall of authority. The tough but rewarding “Rehana” was the first Bangladeshi film to be selected in the official competition at Cannes, and Badhon went on to win the best actress prize at the Asia Pacific Screen Awards. She is now playing one of the leads in Netflix’s spy thriller “Khufiya,” by Indian auteur Vishal Bhardwaj. — Naman Ramachandran.
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najatheangel ¡ 4 years ago
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a/n: apart of the Stray Kids Summer Collab hosted by @bangchan-fairy. My 2nd story for this collab so please show love and tell me what you think. This collab was so fun to participate in have a great summer everyone. genre: fluff, drama and angst. (Warning: Mentions of car accident and death.) pairing: bangchan x reader (ft. Felix, Changbin, and Lee Know.) word count: 2.2k summary: After years of making music at a young age, stray kids were facing their last night on the tour which ended in tragedy. They were involved in a horrible bus accident leading them to pass away, but only four survived. Months after the incident Bangchan, Felix, Lee Know, and Changbin lost their passion for music and performing as a band. The boys want to reunite and make music again, but they can’t accomplish that without another lead singer which is you.
taglist: @soleilsuhh @melonmochimoon @purplepsycho03 @kpopsnowball @neptunehobi @dundun-baby (Send me a message if you want to be added or removed from the tag list.)
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Bangchan’s Pov: 05/23/21.
The day of the audition and the day I’ve found myself loving music again. I hate that we have to start all over again. Ever since that night after our world tour with the boys, we lost everything including our four friends Jeongin, Hyunjin, Seungmin, and Han. I have nightmares every day about that night thinking if I could’ve done anything different or prevented any of my friends from getting hurt, but the devil cursed us with this tragic fate.
I remember we were going to celebrate years of hard work by going to our favorite ramen shop. We played over 30 states and 20 countries all across the globe. We even collaborated with big-name artists like The Weekend, Machine Gun Kelly, Drake, etc…
Our journey was just beginning but quickly came to an end when our tour bus crashed and rolled down the hill away from the expressway. We all almost died together that night, but only me, Changbin, Felix, and Lee Know survived. Lee Know suffered the most injuries out of the four of us when he couldn’t play the guitar for a whole year.
Felix had to be on crutches for a few months, Changbin wasn’t as happy as he normally was; he went completely dark and would never show his soft side to any. As for me, I suffered from severe PTSD after the accident.
We all had to go to therapy, but with me being the leader and having to handle the funeral arrangements with my manager, my depression and stress became much worse.
Our company wanted to force us to continue to perform with just the four of us, but we decided to take a hiatus before thinking about performing again.
That’s how we ended up here after 3 years of pain, grieving the death of my friends and reuniting with my old bandmates to search for a new lead singer.
…
Reader’s POV: 05/23/21
I was Stray Kids biggest fan ever since their debut. Every year, I’ve attended their concerts on my birthday and meet backstage with them thanking them for making music that changed my life. When I heard what happened the night after the tour just like everyone else in the world I cried about it and more than ever I want to take away their pain to turn it into something positive.
I’ve decided to do the unthinkable and audition for stray kid’s next lead singer.
They’ll only pick one out of 5,000 people and the winner gets to make a summer album with Stray Kids. This is my last chance to achieve my dream and give back to the boys for what their music has done for me.
“Number 201! You're up, please get ready to perform on stage.” As the crew backstage called out my number I was shaking in my boots, but I knew that I had to rock that stage. As I grabbed my guitar and walked on stage, I saw four of the amazingly talented men in front of me. After hours of hearing people perform all day, their faces still looked very bored and over this whole audition, but little did they know I had a surprise up their sleeve.
“Hello, I’m number 201. My name is y/n, I’m 22 years old. I’m born and raised in California and the song that I will be singing tonight is an original piece. This one’s for you guys.” As I spoke my last bit of words before performing the boys finally looked up and their eyes glow as I started to play my guitar.
…
Bangchan’s Pov: I was completely thrown off guard when I saw number 201 perform. I couldn’t describe what I was feeling at that exact moment, but her voice was pulling me into another planet. Her song almost moved me to tears it was like she was speaking to all four of us and was understanding how we felt at that exact moment. The lyrics that stood out to me the most were “No matter how tough life may get, it’s best to keep your head high otherwise it’s all downhill.” She’s very confident I can tell that she was born to be a performer so I don’t see why not, but she would be even stronger as a solo artist.
The boys were cheering and screaming immediately wanting to take her in, but I was still not down for this idea for a new lead singer in the first place.
Stray Kids was supposed to be irreplaceable, but then I remembered the reason why we needed someone like her in the first place which is to make music again and do it for our angels Seungmin, Han, Jeongin, and Hyunjin.
So I stood up on stage next to her clapping my hands and slapped my hand on her shoulder. I gave the boys a nod and smiled at her by saying “Congratulations number 201. From this day forward, you will be our new lead singer of Stray Kids. Are you in?” She flashed the prettiest smile and hugged me so tight and the rest of the members joined the big group hug.
“On three you guys, Stray Kids for Life!” Changbin expressed as I’ve finally heard his cute voice come out. “1...2..3...Stray Kids for Life!” Maybe this girl would change us for the better.
…
Our manager gave us until the end of August to perform at the summer bash festival in her hometown Orange County California which was one of the accomplishments of our life since we’ve debuted as a group. Practicing together all summer made me realize how much I enjoyed the process of making songs for our group and became ten times better when she came into the picture.
At first, I’ve felt bad for being cold around the first few weeks of practice. I would always ignore her presence and turn down eating lunch with her on breaks because I was still not used to having her around. She would cry after practice calling her older sister saying that “Bangchan doesn’t seem to like me and I don’t understand why when all I’m trying to do is help him make music again.”
I remember fighting one of my best friends Felix about pushing her away the night and she almost quit the band.
He just kept screaming at me and telling me that I’ve become worse than before after therapy which stung, but I also felt bad for letting him storm off and telling him that our friendship was over. We were fist fighting which never happened and it led us to sleep in separate rooms for a whole week since we were roommates. One night I couldn’t forget was when she came back after Felix left home to visit his family for the weekend. Changbin and Lee Know were out with their girlfriends which led me to be alone or so I thought.
…
Reader’s Pov: 06/04/21.
Bangchan I never understood him out of all the boys. Lee Know he was easy to talk to because we have the same personality and have a love for the same video games. Felix was like an older brother to me always making sure I was alright, well feed, and getting good sleep at night. Changbin was like my personal therapist I would talk to him about all my problems and concerns about anything that’s going on in my life. All three of them were you can say my new besties, but Bangchan on the other hand... was a tough cookie to crack. I would try to check on him if he’s messing up in practice or if he’s stayed up overnight to practice.
I can tell he blamed himself for every little thing ever since the bus accident and he’s hard on himself which makes sense, but I hate that he has to take it out on others especially his best friend. That week in July I’ve decided to come back and give Bangchan a piece of mind because I was fed up with the lack of improvement and bad energy as a group, but then I started to hear him sob from his room. The boys left him all alone and I was the only one that could save him out of his misery.
With no hesitation, I slammed the door open and ran to Bangchan gently embracing him. This man was putting up a fight to forget about the past, but with his PTSD it’s hard for him to get through the pain. So I calmed him down and simply asked him. “Have you ever thought about making a song for them?” I can tell he was hesitating to answer the question, but he responded by saying. “Honestly no. I’m still not in my right mind to do so. You’ve seen me in practice so I can’t do it alone.”
It all started to make sense he was planning the whole time to make this song on his own and not have anyone bother him. “You’re not alone. At least for tonight, since we have one month left, let’s try writing together you and me. Whadya say?” “Y/n...You would do that for me?”
“Of course your my role model and special friend after all.” The unexpected happened he suddenly pulled me next to him on his bed and softly kissed me on the lips. It was my first ever sweet interaction with him and I didn’t understand it, but I was happy at that moment that he finally opened up to me. He caressed my head and dragged me into the studio with him excited to get straight to work.
When the boys came back, we’ve shared the news about our new song they were very happy with our process and agreed to share the song with the world. Of course, Felix and Bangchan talked for hours when he came in the room last and made up instantly. It was a fight that they never wanted to affect their friendship and dynamic negatively, but it made us all happy when they finally became best friends again.
I remember our group becoming a lot closer we would play game night every Thursday, have chicken and beer on the weekends, threw the biggest for Changbin dressing up in wolf costumes, and Bangchan taking me on our first date at the amusement park which was the adventure of a lifetime.
I felt bad for leaving early because I have a weak stomach when it comes to roller coasters. These memories with the boys are something that I’ve always dreamed of being a part of ever since I’ve seen their debut. If I can simply describe everything the five of us have been through it would be...
…
Bangchan’s Pov: 07/26/21.
“Hello everyone. This is Stray Kids we’re back better than ever. This summer has been one crazy ride, but I’m glad I’ve got to share it alongside my bandmates. My forever brothers Felix, Lee Know, Changbin and my angel y/n will share the stage with me as we perform our new song Perfect Melody. This song not only represents our journey with our new lead singer but also our journey with our family Seungmin, Jeongin, Han, and Hyunjin. I hope stays enjoy.” I was very confident presenting this song to the world and didn’t want to bring shame to my angel’s hometown so I had to put a performance of a lifetime.
I’ve slowly started to panic when Lee Know started playing the drums and it took me back once again to the accident in my mind. Good thing I forgot about it completely once I’ve heard her voice starting off the song. With Changbin playing the keyboard and Felix bass blending in with her singing in the background it meshes perfectly which is when I come in singing with her in harmony.
The crowd seemed to go crazy over it and all I can see with her shining so brightly as she does carrying the whole song. Felix deep vocals come in and we scream the lyrics as stays sing together with us feeling what’s in our hearts. We performed like it was our last with no regrets, no hesitation just simply because we loved what we were bringing to the table. If it wasn’t for her I don’t think this ever would’ve happened.
She helped us reunite as a band, got me through my trauma, and best of all we’ve found love in the end. When the song finally cut off we all heard stays cheering and crying screaming “Stray Kids we love you!” Our manager and stage crew was jumping and smiling at us celebrating our successful performance.
Lee Know was shocked saying “We did it, you guys. We performed on this stage and we did it!” Changbin started tearing up but tried to play it off by acting tough. “Duh of course we did. I knew could do it.” Felix laughed motioning for us to group hug.
“Bring it in you guys, If it wasn’t for our wonder woman we wouldn’t have made it this far.” We all hugged each other chanting and spinning around in the confetti. “Bangchan see I told you, we’ve finally done it.” Gosh, she’s just the cutest flashing her sparkling eyes at me as she says that.
“Yeah, I guess we did. I’m sorry for ever doubting and treating you like a jerk. Thank you for everything. For now, on it’s five of us or nothing.” She gives me one last smile and links our pinkies together giving them a tiny kiss. “Of course! Five or nothing.”
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dweemeister ¡ 4 years ago
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The 5,000 Fingers of Dr. T (1953)
Theodore Geisel, better known as Dr. Seuss, remains best-known for his children’s books. The Cat in the Hat; Green Eggs and Ham; and Oh, the Places You’ll Go! are household names in English-language literature. Seuss’ bibliography overshadows his work in films, beginning with the adapted screenplay of his own book, The 500 Hats of Bartholomew Cubbins (1943) – directed by George Pal as part of the Puppetoons series. During WWII, Seuss was heavily involved in propaganda films and the Private Snafu (1943-1946) military training films. After the war’s end, Seuss returned to writing children’s books, but also continued to write for movies. The Academy Award-winning animated short film Gerald McBoing-Boing (1950) benefitted from Seuss’ story work, and Seuss’ success there inspired him to write a screenplay for a live-action fantasy film. That screenplay – the unwieldy rough draft coming in at over 1,200 pages – was The 5,000 Fingers of Dr. T. The eventual movie, produced by Stanley Kramer (1960’s Inherit the Wind, 1961’s Judgment at Nuremberg) and directed by Roy Rowland (1945’s Our Vines Have Tender Grapes, 1956’s Meet Me in Las Vegas) for Columbia Pictures, would be Seuss’ only involvement in a non-documentary feature film.
Like many who speak English as their first language, Dr. Seuss’ books graced my early childhood. So integral to numerous children’s youth is Seuss that his whimsy, wordplay, and authorial stamps are easily recognizable. In that spirit, the cinematic record of live-action Seuss adaptations consists of the scatological Jim Carrey in How the Grinch Stole Christmas (2000) and the visual nightmare that is Mike Myers as The Cat in the Hat (2003). Compared to the original works, both films are ungainly, casually cruel, and overcomplicated. Not promising company for Dr. T. But even taking into account the three animated feature adaptations of Seuss – Horton Hears a Who! (2008), The Lorax (2012), and The Grinch (2018) – and the fact that Columbia forced wholesale deletions from the rough draft script of Dr. T to achieve a feasible runtime, The 5,000 Fingers of Dr. T is arguably the most faithful feature adaptation to Dr. Seuss’ authorial intent and signature aesthetic.
In other words, this is one of the strangest films you may ever encounter. No synopsis I could write in one paragraph will ever capture the film’s bizarreries.
Little Bart Collins (Tommy Rettig) is asleep during piano practice and his teacher, Dr. Terwilliker (Hans Conried), is furious. His overworked, widowed mother Heloise (Mary Healey) intuits Terwilliker’s unrealistic expectations (Terwilliker wants to teach the next Paderewski) towards Bart’s piano skills and inability to concentrate. Heloise also appears to be quietly eyeing the plumber August Zabladowski (Peter Lind Hayes) and his wrench. With the lesson done for the day, Bart falls asleep again. This time, he dreams that Terwilliker is now the leader of the Terwilliker Institute, a pianist supremacy mini-state which is built upon five hundred young pianist slave boys (hence, 5,000 fingers) forcibly playing Terwilliker’s latest compositions. His mother is Terwilliker’s unwilling, hypnotized assistant and plumber August Zabladowski (Hayes is essentially playing the same character, but in a different world) is Bart’s only ally around. Together, Bart and Mr. Zabladowski must evade the Institute’s guards as they attempt to undermine Terwilliker’s plans for his next concert.
In its final form, The 5,000 Fingers of Dr. T is a muddled mess of a story. The analogues between Bart’s reality and his dreams are inconsistent, several would-be subplots never resolve (or at the very least develop beyond a basic idea), and the film’s initial lightness is subject to rapid mood swings that make this picture feel disjointed. Indeed, Seuss’ sprawling social commentary in his first draft – including allegories and themes of post-WWII totalitarianism, anti-communism, and atomic annihilation – is in tatters in this final product. The viewer will witness brief fragments of those ideas, remaining in this movie as the barest of hints of the contents of the original screenplay’s rough draft. Even now, Dr. T inspires psychiatric analyses and accusations that Bart’s relationship with his mother reveals signs of an Oedipal complex (to yours truly, the latter is too much of a reach). The grim nature of Terwilliker Institute renders Dr. T unsuitable for the youngest children. For older children and adults, try going into this movie without expectations of narrative logic and embrace the grotesque aspects that only Seuss could imagine.
If my attempts to describe this movie’s preposterousness through its narrative and screenwriting approach have failed, perhaps I can capture that for you by writing on its technical features.
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For its sheer narrative inventiveness – inconsistencies, abrupt tonal shifts, nonsense, and Rowland’s uninspired direction aside – The 5,000 Fingers of Dr. T is nevertheless an ambitious film, and Columbia bequeathed a hefty budget to match that ambition. Much of that budget went to the film’s visuals. This is an extravagantly-staged motion picture, as nothing could do Dr. Seuss’ illustrations justice without fully committing to his geometric impossibilities: skyward ladders and improbable connections between rooms, an eschewal of right angles and straight lines, and architecture bound to raise the ire of physics teachers. One could compare this to German Expressionism, but Dr. T’s sets tend not to dictate the film’s mood nor are they subject to high-contrast lighting. Seuss went uncredited as the concept artist on Dr. T, and it was up to Clem Beauchamp (1935’s The Lives of a Bengal Lancer, 1952’s High Noon) and the uncredited matte artists to commit those visuals to the real world. Outside of animated film, Beauchamp and the matte artists succeed in creating twisted sets that seem to leap off the pages of Seuss’ most artistically interesting books. Some of the sets appear too stagebound, but the production design accomplishes its need to resemble a world borne from a fever dream (or, at least, a young pianist’s nightmare).
This movie’s outrageous costume design (other than Jean Louis’ gowns for Mary Healey, the costume designer/s for this film are uncredited) comprises absurd uniforms and two of the most ludicrous hats – the “happy fingers” cap (see photo at the top of this write-up) and whatever the hell Terwilliker dons in the film’s climax – one might ever see in a film. Most of the costumes are laughably impractical and ridiculous to even those without fashion sense. In what might be the tamest example, while working under Terwilliker, Bart’s mother wears a suit that is all business formal on the left-hand side and bare-shouldered, sleeveless, and nightclub-y on the right. The delineation of real life – which barely features in the film’s eighty-nine minutes – and this world of Bart’s dreams could not be any more unambiguous thanks to the combination of the production and costume design work.
The disappointing musical score by Fredrich Hollaender (1930’s The Blue Angel, 1948’s A Foreign Affair) and song lyrics by Seuss rarely connects to the larger narrative unfolding. Seven songs make the final print, with nine (yikes!) Hollaender-Seuss songs ending up on the cutting room floor. Seuss’ wordplay is evident, as are Hollaender’s melodic flourishes. Columbia, a studio not known for its musicals, assembled a 98-piece orchestra – the largest musical ensemble to work on a Columbia film at the time – for The 5,000 Fingers of Dr. T alone. That lush sound is apparent throughout for the numerous nonsense songs that color the score in addition to the incidental score. It is unusual to listen to a collection of novelty songs orchestrated so fully. Listen to “Dressing Song: Do-Mi-Do Duds” and its complicated, seeming unsingable lines:
Come on and dress me, dress me, dress me In my peek-a-boo blouse With the lovely inner lining made of Chesapeake mouse! I want my polka-dotted dickie with the crinoline fringe For I'm going doe-me-doe-ing on a doe-me-doe binge!
The rich orchestration seems to hail from a more lavish film. But too many of these songs are scene-specific, and rarely does Hollaender utilize musical quotations from these songs into his score. “Get Together Weather” is delightful, but it seems so isolated from the rest of the film; elsewhere, “The Dungeon Song” exemplifies a macabre side to Seuss seldom appearing in his books. Nevertheless, Hollaender is able to demonstrate his playfulness across the entire film, none moreso during any scene with the bearded, roller-skating twins and the “Dungeon Ballet”, in which the music complements stunning choreography and fascinating props that recall the jingtinglers, floofloovers, tartookas, whohoopers, slooslunkas, and whowonkas from the Christmas television special How the Grinch Stole Christmas! (1966). Yet, Hollaender’s film score and the soundtrack with Seuss seems to demand something – anything – to tie the entire compositional effort together. Perhaps a song or some cue like that was cut from the film, which is ultimately to its detriment.
Hans Conried (who starred as Captain Hook in Disney’s Peter Pan several months prior to Dr. T’s release) stands out from a decidedly average Peter Lind Hayes and Mary Healey – Hayes and Healey, in a sort of in-joke, were married. Conried’s performance as the sadistic, torture- and imprisonment-happy music teacher can be considered camp, but this is anything but “bad” camp. He throws himself completely into this cartoonish role, sans shame, complete with mid-Atlantic accent, and topped off with exaggerated facial and physical acting that fits this fantasy. As Bart, child actor Tommy Rettig (best known as Jeff Miller on the CBS television series Lassie) seems more assured in his performance than most child performers his age during the 1950s. His fourth wall-breaking asides seem more appropriate in a Bugs Bunny cartoon, but Rettig makes it work, and inhabits Bart’s flaws wonderfully.
Columbia demanded numerous reworkings of Seuss’ script, leading to several reshoots – most notably the opening scene (Seuss opposed the conceit of Bart’s dream framing the film) – and a ballooning budget. Upon its release in the summer of 1953, The 5,000 Fingers of Dr. T bombed at the box office and was assailed by critics. A crestfallen Seuss, who could not stand the production difficulties that beset the film from the start of shooting, would never work in feature films again. He would dedicate himself almost entirely to writing and illustrating children’s books, with many of his most popular titles (including The Cat in the Hat, One Fish Two Fish Red Fish Blue Fish, and Green Eggs and Ham) published within a decade of Dr. T’s critical and commercial failure. His hesitance to participate in filmmaking informed his reluctance to allow Chuck Jones to adapt How the Grinch Stole Christmas! thirteen years later. Animation suited his books, Seuss thought, and he would never again pay any consideration to live-action filmmaking.
The reevaluation of The 5,000 Fingers of Dr. T has seen a rehabilitation of the film’s image in recent decades. Home media releases and television showings have introduced the film to viewers not influenced by the hyperbolic negativity of the film critics working in 1953. This is not a sterling example of Old Hollywood fantasy filmmaking, due to a heavily gutted screenplay, scattershot thematic development, and incongruent musical score. Yet, the movie’s surrealistic charms and Seussian chaos know no peers, even in the present day.
My rating: 7/10
^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).
For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.
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amythecinnabunny ¡ 4 years ago
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Space AU and Time Travel for Juke 👀 <33
Holy shit holy shit holy shit ok ok ok ok first of all AKDBJSJSJJEJE YES
Okay okay so let me try to iron out the mess in my head skxbjsjjd I hereby apologize if things get out of order or whatever but I am literally vibrating with excitement someone please write this I'll love you forever
Ok so I'm thinking also an aged up au for ✧・゚: *✧・゚:* reasons *:・゚✧*:・゚✧ sjsnnsn
Also, I've done this before and I'm gonna do it again, but Bobby and Trevor are two different people for the sake of the timeline here.
Time frame for this would be WAY into the future. Humanity has gone galactic. We also had our asses handed to us by several alien planets but we probably deserved it. Anyway, after we got rid of Elon Musk, we eventually made peace with the aliens and now roam the galaxy freely. 20-30yo generally try to get into a different fleet, just to learn about other races. Think all those alien ships adopts a human posts.
Julie, Carrie and Flynn are my three girl geniuses. They're like,,, the smartest people in every room. They've been like this since freshman year of college. Julie, Carrie and Flynn also all want to get into the student exchange program, which is exactly what you think it is. Alien races (and this now includes humanity) swaps out older students with each other so they get a feel of what the other race is like. It's fun, educational, and! You get to make super long distance pen pals!
I'd also have so much fun making up new memes???? It would be so fucking stupid tho but I love it.
Anyway, so after a few years of jumping through the exchange programme, hoping from planet to planet, unfortunately, without their bestfriends :<, the three of them qualify to board research ships!!!
So at like 23-25, my girls come back together on the same ship!! Its a massive thing and so they've hired so many interns from so many different races. It's like a landing hub for several smaller ships. They have like 10 interns per species and that's only because there are laws against having too many of one kind after they put 50 humans on a space station and the humans tried to take over. Also, humans multiply faster than the others. This terrifies some races.
Anyway, the ship's really just a bunch of college kids from different planets trying to avoid exam season by submitting research papers from their ship. They all bond over deadlines, breakups and coffee (or the alien equivalent thereof)
Flynn dated an alien girl for a while. They were cute. Flynn: as a lesbian, it's my duty to date all the women in space
This is also where they run into Willie!!! Yay, Willie!!!
Nick Danforth-Evans and Kayla Evans-McKessie are around ... somewhere ... in bunk beds like the little toddlers they wish they were, crying about the 15 page essay on why Xjsbsjdjd is a very intelligent race that we could learn a lot from (yes, that is a keysmash I'm too buzzed to be creating alien species names sjdjjdjd)
Carrie and Nick do date for a while but then Carrie hooked up with Kayla. Bisexual queen who?
Julie met Willie that time she didn't sleep for over 48 hours because she had a research paper due within a week and she hadn't started yet and it was 10 000 words on her experiences with the Psjxjjdkeiwj race. Luckily for her, the kid she bumped into and spilled an energy drink all over had the same paper and helped her finish it. Willie sometimes goes by the nickname Lifesaver, thanks to Julie. This confuses the metaphor-less people because Willie's never saved anyone's life?? So why is he a lifesaver??
ANYWAY ON TO THE TIME TRAVEL BIT
On their own, Julie, Carrie and Flynn are professional smart people who know what they're saying and are clever enough not to do things with too many risks. In the same room, however, they turn into dumb geniuses who can and possibly may blow up the entire ship. It's a good thing they have Willie, Nick and Kayla to babysit them, right? WRONG. Willie Kayla and Nick egg them on.
They decide there going to gather all the information there is on time travel and they're going to decipher it and make it work! Yay!
When they find stuff in alien languages they start calling up their alien pen pals "hello what's this word mean in this context? What, haha oh no, it's a research paper on why time travel projects were abandoned before completion. Okay, thank you!"
Before long, they have a working time machine. I mean,, they hope so. And so they enter a random date from the past and prepare to pop their heads through just to see what the world looked like approximately 200ish years ago
2020s, post covid because that exists for joke reasons later, Sunset Curve is performing live for one of their biggest audiences yet when mid-song, the floor just opens them up and swallows them whole before vanishing. The crowd things it's a stunt but Sunset Curve's managers are flipping their shit
Back on the ship, the machine starts sparking and with a soft boom and a hiss, the power in that quadrant goes out -- not before Willie's is pelted in the face with a pair of drumsticks and then a whole person.
It's a miracle the drums survived the trip, pet alone everything else.
So now these sleep deprived geniuses and co. have to hide three people and several musical artifacts, plus the smoking remains of a time machine, from their Supervising Officer, who is regrettably, a human too.
And none of them are very good at lying.
Luke and Bobby are though, and after piecing together bits and pieces from the frenzied rambling around them, Luke and Bobby save the group.
Shenanigans ensue as they try to rebuild the time machine under the watchful eye of the SO, while trying to mantainbfake credentials for the boys and trying to explain their very dated clothing. (Yes, Sunset Curve STILL rocks the 90s vibe. In the 2020s. It's their thing.)
Willex happens in the background -- and I mean that very literally. (Jukebox having a tension moment, Willex making out in the background.)
Honestly I'm not sure yet how theyd solve the problems, whether they'd send the boys back or not or what, but I do know that they will all cause a BUNCH of problems in between.
Sometimes they play music just because they still can. Sunset Curve becomes a house band for the ship. They get broadcasted to neighbouring or passing ships like "hey, losers, we have live music, SUCK IT!"
Focusing on the jukebox aspect of this whole fic, that's gonna be a fucking hilarious slow burn.
It will definitely contain the lines "Oh my god, I have a crush on Julie." "Congratulations, you're officially the last to know." "What? Even [SO's Name] knows??" "Dude. The ship's navigation crew knows." "Does ... Julie know?" "No, you're both morons."
Julie is having the exact same conversation four hallways away.
They'd talk a lot about sending the boys back home and it'd be really quiet conversations when everyone else is asleep.
Julie and Luke write music together and after a while, Julie performs a few of them too. Thanks to the concerts, they meet the other human interns that were on the other end of the ship and Carrie and Kayla form Dirty Candy.
The ship becomes known as the party bus.
A thing that will happen: Luke helps Julie write one of her history papers that she gets an A+ for and a comment about how dedicated she was to have delved so far back in the history records to get authentic insight.
Julie and Luke speak in memes but they don't speak the same memes and it drives them both up the wall.
Luke says yeet one day and Julie's soul leaves her body because she hasn't heard anyone say yeet since she was a toddler back on Earth.
Julie: odd display, but acceptable.
Luke, physically experiencing a record scratch: what the fuck did you just say
That is all I have to offer because I'm afraid of plotting further and causing angst somehow.
oh one more thing, someone gets to bang an alien and it's probably Flynn.
Oh oh oh another one more thing. Reggie says "this is just like in Star Wars" for literally anything. The band goes along with it for shits and giggles. The rest of them are very interested in this ancient tale called Star Wars. Reggie sees a picture of Flynn and her green gf and says "hey, you dated photoshopped Yoda" and Bobby just loses his shit.
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queenabstract ¡ 4 years ago
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Do this whenever. Might run long, shorten if like. Don’t think this character gets enough love. Trollzart x Reader: Reader is a Pop Troll with a secret passion and love for Classical. Like, ‘Will eat sheet of classic music if snuck up on’ secret. But while the tribes are visiting Symphonyville for an orchestra/ball, Reader sneaks off and (thinking is alone) starts playing one half of ‘Love Waltz’ (From Moonacre) on a piano. Let’s just say Trollzart surprises them. Love Waltz is a Love Duet.
AIGHT
Ever since you heard the sound of the keys on a piano for the first time as a baby, you fell in love with Classical. You loved it so much, you were caught eating sheet music for it a few times. At the time, you didn't know that music that was specifically just pianos, violins, violas, etc, was called classical, so you kept it to yourself your entire life. You taught yourself how to play each instrument and kept pushing yourself to your limits to learn how to play. Your true talent and passion was and always would be, the piano. The moment you felt the keys under your fingers and the music reached your ears, you were whisked away and became lost in each note that you played straight from your heart. It wasn't until Barb's world tour that you learned what Classical music was. That was when it all began to make sense to you. You obviously had a strong bond with Classical just like one of your ancestors had. You would've gone to Symphonyville instantly if it hadn't been for King Peppy encouraging everyone to run and hide and Barb showing up and caging everyone. Afterwards though, as you were doing your part to rebuild the village, OTHER GENRES INCLUDING CLASSICAL SHOWED UP TO HELP OUT!!! Some trolls from each genre brought their construction and architect skills where they were needed to help out. You met a few of the Classical trolls and created a strong bond with them very quickly. You fortunately found your piano still in one piece and showed off your skills. They asked you if you could play any other instruments, you showed off how well you could play all the string instruments. It was percussion and woodwind instruments that you hadn't had much experience with, but they were still very impressed. You all had your own mini-concerts a few times during breaks. Lets just say you were living in a luxury Classical + Pop themed treehouse after all the building was over. You built a bit of a reputation and it ended up with Trollzart himself sending an invitation to a ball. His best musicians would be performing for them. You'd met several Classical trolls already, but the LITTLE ADORABLE MARSHMALLOW CONDUCTOR HANDWROTE AN INVITATION HIMSELF OMG! You were ecstatic and Poppy and the rest of the Snack Pack knew there was no way they could leave without you. Some trolls from the other tribes came to the ball as well and recognized you. You talked with them for a short amount of time before they went back to doing something else. You ended up wandering off before the performance and found yourself in a room filled with Classical instruments. Then you saw a beautiful grand piano in the middle of the room. You walked over to it and gently brushed your fingers across the keys. Your piano at home was beautiful, but it couldn't compare to this. You looked around and realized the room wasn't that big. And you were the only one there....so you sat down and started playing a song. The first song you could think of from the top of your head was "Love Waltz". You realized it was a dumb idea after you started playing it. It was supposed to be a duet dammit! And now here you were, playing one half of it by yourself. You were so busy being angry at yourself, you didn't notice the marshmallow himself enter the room. He looked like he wanted to say something, but held back. He saw the frustration clear on your face and decided to join you. He easily picked up the other half of the duet you were missing and smoothly played the piano with you. To say you were surprised would be an understatement. You kept your cool and continued playing, the frustration completely melting away as both of you played in sync. You blushed a little when you realized how close Trollzart was. And the fact that he didn't hesitate to play a love duet with you made your heart flutter. You played beautifully together until the song was finally over.
"H-Hi. I'm (Y/N)." You stuttered nervously and held out your hand.
"Oh! So you're the pop troll I've heard so much about." Trollzart kissed your hand. "My people have said many great things about you. They do truly admire you."
"Well, I do truly admire Classical music. I always have since I was very young." You told him.
"Well, you have proven that all the things my people have said about you weren't all just talk, so will you perform for the ball tonight, with me?" He asked you.
"Oh my! Absolutely! I would be honoured." You gave a little curtsy. Trollzart chuckled.
"There's no need to be to formal. You can consider me as one of your friends. Oh my goodness! The show is about to start, we must hurry!" Trollzart still held your hand and led you back to the ball. You ended up playing the piano amonst the rest of the Classical trolls. There hadn't been anyone there before, so it was a last minute addition, and a good one at that. You could tell from the other Classical troll's faces that your additional piano playing made the performance even better than it had sounded during rehearsals. For the last performance of the night, instead of conducting, Trollzart sat down at the piano next to you.
"Would you like to play that duet again, (Y/N)?" Trollzart asked you. You nodded.
"Absolutely." You both played the duet again, becoming lost in the music as you two played in perfect sync. Your fingers flew across the keys and it felt like nobody else was there...except him. You always loved the feeling of nothing else but you and music when you played, but you loved it even more with him by your side. Once the song was finished, the crowd erupted and applauded you two. Trollzart thanked everyone for coming to the ball as they left and grabbed your hand right before you could leave.
"(Y/N), I had an absolutely wonderful time with you tonight. It was a truly beautiful experience. I hope you'll visit us again soon." Trollzart said and kissed your hand once more.
"Of course I'll be coming back. I played the piano my entire life, but tonight was by far the best time I have ever had." You blushed.
"I'm happy to here that." Trollzart said. You gathered up the courage to kiss him on the cheek.
"Until we meet again, sparkly marshmallow." You smiled and ran towards your friends, barely containing your squeals. Trollzart was frozen in place, blushing.
The next day, you received a letter.
"Dear (Y/N), I have been teaching the children here how to play all the different instruments of Classical in hopes that they'll find the right one for them, but a few struggle greatly to learn the piano. I was hoping you could maybe help to teach them, they really want to meet you.
Sincerely, Sparkly Marshmallow."
You laughed and gathered up some sheet music for basic songs and your favorite pieces. You wasted no time in deciding to visit every thursday to teach the kids, and spend the weekends with Sparkly Marshmallow.
Yes the Classical trolls are all fluffy marshmallows and nobody can make me think otherwise.
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amylillian22 ¡ 4 years ago
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What If I Never Get Over You (Part 1) - Chris Evans Imagine
Summary: Y/N’s performing with her band for the first after their long hiatus. It’s also the first time performing since her break up with long time boyfriend, Chris Evans. Everything goes smoothly until she sees Chris Evans in the crowd right before she sings a song she wrote about him.
Word Count: 1,807
Pairings: Chris Evans x Reader, Cody Christian x Reader
Warnings: Mentions of heartbreak
Author’s Note: Based on Lady A’s “What If I Never Get Over You” (Click on the title to listen to the song on YouTube.
Disclaimer: I do not own the lyrics to the song - which are in Bold & Italic - and belong to the song writers, Jon Green, Laura Veltz, Ryan Hurd, and Sam Ellis.
[Part 2] /// [Part 3]
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I pulled the curtain back a little bit, letting me catch a small glimpse of the small crowd tonight. People were sitting and talking amongst themselves as they waited for us to start the show. My eyes flickered to the table I had reserved for my boyfriend and two of my closest friends, who were all laughing. My boyfriend, Cody Christian, turned in my direction and his eyes immediately locked with mine. He smiled and mouthed, "good luck. I love you."
I smiled back at him. "Love you too," I mouthed back.
"Hey, we're about to go on stage," Dave said. "You ready?"
"Whoa! Are you okay?" Charles asked. "You look a bit nervous."
"I'm fine," I swallowed the tightness in my throat, hoping my nerves would also go away. "I mean this is the first time we perform together in a couple of years. Not to mention, we're doing an acoustic show for our new album. I'd say 'nervous' is an understatement," I slightly lied to my band mates.
All of that is true. Our band, Lady Antebellum, took a couple of years off due to weddings, children being born, and me dealing with the hardest heartbreak I'd had ever experienced.
Chris Evans was the love of my life. We dated for 7 years before he broke up with me 4 years ago. We were high school sweethearts. I saw his career explode once he became Captain America. He was there when Lady Antebellum started in Charles' garage and slowly turned into a platinum recording, award winning country band. We supported each other. I tried my best to attend most of his premiere events. I always left a concert ticket for him at Will Call when my band was playing in a city he was filming. We made it work. We fell in love and I swore he was the one.
"Hello, everybody!" The announcer spoke through the speakers, pulling me out of my thoughts. "Welcome to a very special night. Not only is this a one of a kind acoustic show, but Lady Antebellum has also decided to record tonight's show for an acoustic album, which will be released before the holidays."
The crowd cheered and clapped at the surprise announcement. I took a deep breath as Charles handed me my microphone. I plugged in my In-Ear monitor plugs and closed my eyes, taking it all in.
"Please welcome to the stage, Lady Antebellum!"
The curtains pulled up. I forced a smile as several spotlights hit us, not letting me see most of the crowd. I looked to the far left, my eyes immediately landed on Cody. He didn't like that I picked the furtherest table to the side. He wanted front row seats, but I needed to see him. I needed him there in case I got nervous. I needed to be able to see him, knowing he would put me at ease.
"Hello, Boston!" Charles said over his mic as he sat down on his bar stool.
"How are we doing tonight?" I asked and sat in my bar stool next to Charles. I made myself comfortable as the crowed hollered with excitement.
Dave's fingers started moving on the piano. "We hope you enjoy this piano and acoustic show tonight."
Over the next hour, we sang our new songs and talked in between almost every song. We either talked about how the song came about or talked to the crowd. We let some of them ask us a couple of questions. It went smooth sailing. I had forgotten how much I loved singing and performing in front of a crowd. I was ready to hit the road in a couple of weeks and get back to singing in sold-out arena shows.
"Y/N, do you kind of want to tell the crowd about our last song of the night?" Charles asked me. He grabbed my hand and gave it a gentle squeeze, knowing I would need some support.
I looked over at Cody, and he gave me a small nod. I knew he was telling me it was okay. Although he knows I love him, he also knew the story about this next painful song.
I took a deep breath. "We have all experienced heartbreak at some point. I thought I did until the last breakup I went through. It's no secret who I dated in the past and when that happened, I was in a very dark and miserable hole. I know some of y'all were devastated when we took a break from the band, but I needed that time to heal, mend, put the pieces back together to try and get back the person I used to be.
"So, after a few months, I grabbed a pen and some paper, and everything I felt, thought, and wanted to say came flowing out," I finished.
"When she showed us the lyrics..." Dave trailed, "I was blown away. I could feel the emotions and rawness with every line. Charles and I were there for Y/N, and we thought we knew what she was going through," he shook his head. "We didn't know to what extent until we read the song. You could feel what Y/N was going through. Its painful, yet relatable, even if you've never experienced a painful heartbreak."
"When I got home after Y/N showed us the lyrics, I hugged my wife. I was internally grateful she has never broke my heart and wanted to spend her life with me forever," Charles added.
"Heartbreak is never easy," I said. "But it doesn't last forever. Always remember there is a flicker of hope, even in the darkest places," I smiled looking at Cody.
Dave started playing "What If I Never Get Over You" on the piano. Charles pulled the microphone to his lips and sang the first verse.
It's supposed to hurt, it's a broken heart But the moving on is the hardest part It comes in waves, the letting go
My eyes flickered back to Cody, getting ready to sing the chorus. Except, my eyes landed on the man sitting alone at the table behind Cody. My heart dropped to my stomach as I hadn't seen him in years. Truthfully, I wasn't expecting him to come. I didn't tell him either, but old habits die hard. I had left 2 tickets at Will Call for him.
When did he get here? Has he been here since the beginning of the show? Did he purposely sit behind Cody, knowing I would see him? I thought to myself.
"But the memory fades, everybody knows, everybody knows," Charles must have known I was distracted, because he grabbed my hand once more and squeezed it, signaling me to sing the chorus with him.
What if I'm trying, but then I close my eyes and then I'm right back Lost in that last goodbye, what if time doesn't do what it's supposed to do? What if I never get over you?
I took a deep breath and fought against the tears that were starting to form in my eyes as I sang my verse.
Maybe months go by, maybe years from now And I meet someone and it's working out Every now and then, he can see right through 'Cause when I look at him, yeah, all I see is you
I closed my eyes, seeing flashbacks of my relationship with Chris. All happy memories of us laughing, traveling, stealing kisses, having fun together, and loving each other. I felt a tear drop sliding down my cheek as I sang the chorus again with the guys.
What if I'm trying, but then I close my eyes and then I'm right back Lost in that last goodbye, what if time doesn't do what it's supposed to do? What if I never get over you?
I finally opened my eyes, my vision completely blurry. I fought the tightness in my throat, hoping my voice wouldn't crack while singing. I looked at Charles as we took turns singing lines with the next verse, matching our harmonies together at the end.
What if I never get over? What if I never get closure? What if I never get back all the wasted words I told you? What if it never gets better? What if this lasts forever and ever and ever, I'm tryin'
Dave's fingers stopped moving along the piano when I stopped singing. The entire crowd was dead silent; you could hear a pin drop. I could see a couple of the fans with sad looks on their faces. I looked over and saw Chris' eyes filled with tears. I closed my eyes and I was right back to the moment that broke me.
"I can't do this anymore," Chris said. "You're an amazing person, but-"
He looked at me with tears in his eyes, unable to finish the sentence as if that would kill me and not his first sentence, 'I can't do this anymore'.
"I'm sorry," he said, leaving me in the pouring rain with no explanation and a broken heart.
I slowly opened my eyes and wiped away the fallen tears with the back of my hand. It hurts. Singing this song, especially with Chris in the crowd, it was like my wound had been reopened again and I hated it. I didn't want to feel this way. I don't want to be reminded of all the good and bad memories. How is it possible to still feel this way years later?
I bit my lip and nodded, signaling the boys I was ready to finish the last verse. I closed my eyes as I sang the first note.
But then I close my eyes and then I'm right back Lost in that last goodbye, what if time doesn't do what it's supposed to do? What if I never get over you?
What if I gave you everything I got What if your love was my one and only shot What if I end up with nothing to compare it to What if I never get over you?
I opened my eyes. I stood up from my bar stool and walked off the stage as the crowded clapped. I rushed passed the announcer, down the side stairs, and made it out to the floor. My eyes stayed focus on one person as I made my way through his table. Chris swallowed hard, noticing I was headed towards his direction.
I stopped in front of Cody, who immediately stood up. I wrapped my arms around his neck and hugged him tight. With my eyes never once leaving Chris', I whispered in Cody's ear, "please don't ever leave me. I can't go through this again."
Chris got up and left without looking back at me. I closed my eyes, letting more tears fall as I sniffled. Cody held me close, tight, yet so gentle; reassuring me he would never hurt me like Chris had in the past.
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jafreitag ¡ 3 years ago
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Grateful Dead Monthly: Gaelic Park – New York, NY 8/26/71
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Fifty years ago today, on Thursday, August 26, 1971, the Grateful Dead played a concert at Gaelic Park in New York City.
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Gaelic Park is located at West 240th Street and Broadway, five miles north and east of Yankee Stadium, in the Bronx. In 1926, the Gaelic Athletic Association purchased it to host the Gaelic Games. What are Gaelic Games? I’m a sliver Irish (just learned that a few years ago from a cousin who did some DNA stuff), but I didn’t know about such games until I asked the Google machine. Here you go, from the Wiki:
“Gaelic games (Irish: Cluichí Gaelacha) are sports played in Ireland under the auspices of the Gaelic Athletic Association (GAA). They include Gaelic football, hurling, Gaelic handball and rounders. Women’s versions of hurling and football are also played: camogie, organised by the Camogie Association of Ireland, and ladies’ Gaelic football, organised by the Ladies’ Gaelic Football Association. While women’s versions are not organised by the GAA (with the exception of handball, where men’s and women’s handball competitions are both organised by the GAA Handball organisation), they are closely associated with it.”
Some to unpack there. What’s Gaelic football? It’s basically rugby. (The rules are probably way different, but this is a music blog, so don’t judge.) And hurling? Rugby with a small ball and sticks that look like sporty pizza paddles. (Again, don’t judge.) Gaelic handball? Racquetball, except you use your hands and you’re outside, not in some bougie health club from the ’80s. Finally, rounders? It’s actually alot like baseball. Pretty cool.
Why were the Dead there? A 9/2/71 piece in the Village Voice by Carman Moore, now archived on the Grateful Dead Sources blog, said that Gotham promoter Howard Stein, a Bill Graham competitor who booked the Dead to play at the Cap Theater in Port Chester, NY and the Academy of Music in NYC, had turned “the drab little Riverdale soccer field … into a summer rock mini-festival.” (Check out the poster above.) Moore’s writing has an early-70s sizzle, and he refers to his colleague, now-legendary rock scribe Robert Christgau. Here’s an excerpt:
“Last week’s Grateful Dead concert up at Gaelic Park was a usual Dead session, meaning that the band-to-fan-to-band electro-chemical process for which rock music is famed was on like high mass at Easter. Although I think I know most of the time what they are doing musically (Christgau will like this notion); I don’t quite understand them electro-chemically. Like the New York Knicks of two seasons ago, they can do excellent things together though they are not a group of deathless superstars. Garcia gets his songs across, but he can’t sing, and Bob Weir’s voice rises to about average…maybe better when he gets to screaming and the music sweeps him along. I still find it difficult to recognize the Dead songs that aren’t “Truckin'” or “St. Stephen” one from the other. I am not one of their fans, but seem to be one of their admirers. Their music speaks in a special language to their live listeners, and that language has the vocabulary of everybody else, but a convoluted syntax all its own. The note sequences are not completely dependent upon musical factors but are also dictated by how involved the band feels and also upon what kind of heat the audience is giving off. I’m trying to get to some essences of this thing.
The drama of a Dead concert revolves around the fact that wherever the band plays they know that a certain number (several tons) of their partisans will be there and that their crowd knows the Dead potential to excite them, but they also know that the Dead may not get into gear until the crowd begins to apply some heat, and so forth. Both parties also know that the concert will be long enough and informal enough for anything to happen on either side of the footlights, and so audiences improvise (smoke, go to the hot dog stand, kiss and snuggle, cheer, dance, listen like star-struck fools) just like their musician friends on stage (who play light and funny for awhile, retire backstage awhile, stand around, or get lost in a piece and turn on the heavy jets). Like good lovers, the Grateful Dead know the secrets of good foreplay, taking your time, surprising the partner for awhile, and then just reacting for a spell.”
The timing of the show seems odd. The band was on the East Coast in July, but began August back in Cali – LA, SD, Berkeley – before a three-night run at Chicago’s historic Auditorium Theater. Then they trekked back to NYC. Our resident Deaditor ECM explains that aspect: “This show was supposed to be played the day before the Yale Bowl concert on July 30, but some issues with the equipment trucks and/or weather prevented it from happening from the scheduled date. There are a few stories on the web about people who didn’t get the message (no twitter back then!) and dropped some acid only to show up to an empty stadium. Haha!”
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Moore said that the show reminded him of “a high school stadium I used to know – low stands, unfulfilled infield grass, mud holes here and there, beer sold at one end in some quantity.” He continued:
“The formal shape of the concert was a general crescendo, light at the beginning and heavy-groovy at the end – not a shooting-star, call-the-law finale, just a heightened physical-emotional climate…the goods delivered as promised…sort of like good preaching in a church known to be a happy place. I did not enjoy their country-westernish opening tunes; maybe they didn’t either, because the pieces were awfully short. But by the three-quarter mark they had involved themselves, the crowd, and me too.
First they got the rhythm engaged and finally, courtesy of Jerry Garcia’s lead and interplays with Lesh and Weir, they went into the soloing and jamming which are the real magic music territory of this band. Much is made of the Dead soloists, but it became clear to me by last Thursday that bassist Phil Lesh plus those two drummers create the atmosphere that makes the Dead thing possible. The drummers were exceptionally understated, but Lesh kept bopping and thrumming away, heavily at all times, until his patterns were consistently getting the other players off. In the middle of “St. Stephen” there was a special coming together: Lesh had found a nice ambiguous but compelling set of licks; Garcia eased into a solo; Weir strummed a cross-time lick over all of it; it built; it quieted; Garcia started to play strange classical kind of lines; the drums dropped out; the audience got quiet; nothing at all could be predicted for a minute or so; then Lesh began to grope his way out with two chords and rhythms which began to regularize; audience began to jump and then to clap; guitars began to straighten out; the band came home to the cheers of the fans. Good music-making. The listener goes home without a little tune to whistle, but he hears music. As if they were finishing off some personal solos based over the last riffs heard, the fans went out of Gaelic Park without a thousand encores and without a lot of fuss on the streets outside.
It’s all very interesting, surprising, and I guess mystifying as before. All I know is that the Dead, or their fans, or the combination of both lure you into planning to return when they’re all assembled and back in town again.”
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Apparently, there was some grief about bootlegs at this show. The GD Sources blog has a post that archives a 10/6/71 piece by the excellently-handled Basho Katzenjammer (Basho, the 17th Century Japanese haiku master; Katzenjammer, the German word for hangover) that gripes about an army of 200# “muscle freaks” at the direction of tour manager Sam Cutler liberating a handful of tapes from 100# weakling Johnny Lee. It’s a truly fun read. An excerpt:
“The biggest piece of shit spewing from Cutler’s mouth is about the reasons the Dead have for being so pissed off: they don’t like the quality (remember Garcia’s line in “I Got No Chance of Losin”? He says, “I’m only in it for the gold.” Yeah, music has a way of being more honest than the artist intends it to be at times…) The “quality”? Anyone who has bought a bootleg recently will know and agree that the bootleg stereo album called “Grateful Dead” is one of the best underground products yet. The tape was taken from a concert the group did at Winterland, on the coast a few months back. Yeah, Garcia fucks up a bit on “Casey Jones,” and Pigpen’s ego may have been deflated a bit by his voice coming over poorly on “Good Loving” but that was a concert. You do a concert and you stand by your performance, good or bad. That’s show business.
This effete artistic bullshit doesn’t matter anyway … When you’re out to get all the money you can out of your gigs, like the Dead seem to be (like all the groups seem to be) you might be accused of being a bit piggish; when you use strong-arm shit to insure that you get every last penny that you deserve — by making Amerikan standards — you are a Pig. Jerry Garcia, is that you?
Nobody buys that anti-bootleg shit about the artistic integrity of the artist in saying what goes out. One, you stand by your performance; two, even if you don’t want to, Jerry, somewhat, and say “all your private property is fair game for your brothers (especially when they sell records of concerts that don’t compete with coming releases) and your brother (who’s gonna continue to dig you as we live off your comets we’re gonna keep ripping you off because it is possible. As simple as that.” If you and Cutler and Stein continue your shit, though, we’ll just have to sing the song the same old way, you guys being put in the position of being the same old reactionary establishment that we’re all ripping off. It’s all around. You break your back playing gigs for ten years and suddenly success is staring you in the face. Bread: lots and lots of bread. You turn your back on your poor, ripping ’em off roots and start to tighten up. You’re in the biggest rip-off industry around, but no one cares as long as they’re having fun.
Money. That’s the whole story, isn’t it? If these were other times, in another land under a different set of rules maybe you could justifiably complain about the people who want to give your recorded performances out free because you didn’t screen them and pick out the sections you didn’t like and do them over for the cat, ’cause no one charges for their music, and because the means of production belong to the people, and they can turn out all the good sounds they can, and you have a natural right to screen all releases. But we’re here. Now. You guys are making millions — or soon will be. Money is power, especially as the concept of money is crumbling nation-wide and power freaks like Stein are cornering the market on it. The channels that the green-power the Dead bring in travel aren’t the healthiest for the generations of revolution to come. Stein is one of these hopeful images of a freak with a chance to change things positively gone sour, who uses all his power to consolidate his power; who’ll go to any extremes to insure the natural expansion of that power. Fuck him. Fuck you.”
Speak, Basho! Quaint that the beef about bootlegs back then was sound quality, rather than copyright. Stuff got figured out at some point, I think. Like when Bobby shut down the LMA, lmao.
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Ed featured part of this show in the 2016 edition of his epcot 31 Days of Dead project. Here are his listening notes, which are typically spot-on (and better than than the not-quite-on-the-bus commentary from Mr. Moore): 
“Less than three weeks after Pigpen’s definitive performance of Hard To Handle at the Hollywood Palladium (8/6/71), the Grateful Dead play the final date of their summer tour in 1971 at Gaelic Park in the Bronx. It will be Pig’s last show until December and the last time the band will ever perform in their original quintet configuration of Jerry, Phil, Pig, Billy and Bobby. By September, Keith will be rehearsing with the band to assume a full-time role on the keys. Perhaps anticipating his absence, Pigpen leads the band through 6 of his songs including the rarely-played Empty Pages and the last Hard To Handle. It is also one of the last performances of Saint Stephen, until the band revived it in 1976 with a major facelift, never to be played the same way again. When you consider these historical milestones along with the departure of Mickey Hart and the closings of the legendary Fillmore East and West earlier in the year it makes you realize that this concert carried a little more weight than anyone could have ever foreseen at the time. It truly was the end of a chapter in the life of the Grateful Dead. As you listen to each song you can’t help but feel a certain degree of nostalgia.
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For me, the hidden gem of the show is the outstanding version of Uncle Johns Band. Jerry’s first guitar solo is an absolute joy to hear. His notes sing with irresistible melody and happy sunshine which perfectly capture the nostalgia of those carefree early years. If you listen closely you can hear Pigpen playing the wood claves.”
Speaking of Pig, this show features the second and final performance of Empty Pages. The NYS Music blog, which has a nice write-up of this show, describes it as a McKernan original that “pairs his traditional crooning style with a slow blues jam that’s nicely peppered with fiery guitar licks from Garcia. It’s a true rarity and a shame that the band wouldn’t be able to further develop this one.”
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I feel like this was a try-hard post. It might be tl;dr, idk. Here’s the true goodness…
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Transport to the Charlie Miller remaster of the soundboard recording HERE.
More soon.
JF
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larryfanficcatalog ¡ 4 years ago
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Non Au
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Summary: The start of Harry and Louis' relationship from the other boys' point of view.
Happy To Be Here (70k)
Summary: The weeks spanning October 2012 - January 2013 are a rollercoaster for Harry and Louis. There's shows to play, an album to promote, publicity stunts to be acted out...and several new tattoos to be inked. Throughout it all, the boys focus on the most important thing in their lives - their relationship.
Who Knew (130k)
Summary: Louis cheats on Harry and gets a girl pregnant
The Winner Takes It all (6k)
Summary: Harry wears only his purple boa, and Louis make good use of the other two.
Stop The World (‘Cause I Wanna Get Off With You) (12k)
Summary: Five times Louis and Harry get walked in on at the worst time, and one time Louis makes sure they don't.
The Dark And The Dentist (66k)
Summary: “I know this song,” Louis whispers, and Harry has to lean his ear toward him to pick up what he’s saying. “It was written for people to dance to it. We should be dancing.” We can’t, Harry almost spits, but it’d be stupid of him. Louis knows they can’t. Even if he looks like any regular Parisian in their twenties, and Harry looks like any hipster Parisian in their twenties, they can’t anyway. To be fair, they probably wouldn’t do it even if they were out. But if they were two uni students, both in Paris for an exchange, meeting over fallen books at the library, or because of mutual friends, or watching Monet’s Water Lilies? “How would we dance?” Harry murmurs, mouth almost pressed to Louis’ cheek, so close he can feel his warmth. What a picture they must make, two millionaires freezing in a park and dreaming of a different life.
An account of the events of November 2014. Canon-compliant.
Always Come Back To You (29k)
Summary: “I’ll do it,” Harry offers brightly. No one even blinks. “I’ll do it?”
Louis sighs irritably. “Shut up,” he orders, tossing a pillow in the general direction of Harry’s face. This is a terrible time for jokes, especially Harry’s lame, old people ones. Not that it was an old people joke. Just that most of the time Harry’s jokes consist of knock-knocks or terrible puns. The type of jokes old people like, Louis’ pretty sure. His nan always finds them hilarious when Harry tells her one.
Harry bats the pillow out of the air without even blinking. “Be reasonable, Lou,” he says in his most reasonable voice.
Louis is perfectly reasonable, thank you very much, and he’s also frustrated and upset and tired and he really wants to punch something. Maybe he should have held on to that pillow a little longer.
“You’re not gonna fucking do it,” he snaps. “That’s the last thing I need.”
Gravity Pulls On You And Me (4k)
Summary: Having to hide his relationship isn't easy. Harry knows it's the price he has to pay to be able to be in One Direction and still be with Louis. Keeping his love a secret is slowly starting to upset him more and more. One night, he reaches his breaking point.
Bigger Than Life (49k)
Summary: “Boybander Harry Styles spotted leaving West Hollywood joined hand in hand with new beau, Xander Ritz”
His heart drops in his chest as he scrolls down, ignoring the short irrelevant article and looking desperately for a picture. Sure enough, there’s pap shots of Harry and Xander, walking hand in hand, looking drunk and cheerful and together.
And that’s—that’s really not what Louis was expecting at all.
Perfect (8k)
Summary: Harry and Louis write Perfect.
If You Say Run (I’ll Run With You) (4k)
Summary: an interpretation of what happened behind the scenes of One Direction's final performance before the hiatus.
I Want To Be So Complete I Could Light A Whole City (3k)
Summary: Harry and Louis have a weekend together before Louis is back in the States and Harry is set to jet off to Jamaica to start recording his album. Harry's love for Louis runs so deep he might just suffocate.
Rainy Days In The Sun (5k)
Summary: It's not always perfect, but it's them. A collection of scenes.
A Few Of My Favorite Things (8k)
Summary: Harry and Louis do cat sitting.
The Ways We Fight (10k)
Summary: How Harry and Louis learn to disagree with each other.
Of Love And Ice Cream (2k)
Summary: A little look into a very hot day in LA. Harry and Louis are hot, eat ice cream and, as always, love each other.
Sugar Pie, Honey Punch (2k)
Summary: Harry is baking and Louis is not helping.
You’re My Light (2k)
Summary: Harry arrives at their home in LA a day after Louis and finds him smoking on the balcony.
Go And Ride With Me, Get High With Me (2k)
Summary: harry and louis smoke before the apple music festival
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