#this his situation isn't ideal
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fallingbyjuleecruise · 9 months ago
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every day i think about the ansur plot in act 3 could've actually had emotional weight if larian studios gave a shit about wyll. damn.
#like the whole gauntlet is about expressing the type of heroism that wyll has striven for his entire life.#the way the quest is so prototypical in it's fairy tale sensibility of the honest and true hero awaking a dragon under the city and -#saving the day and he goes through this whole gauntlet that's a test of how well he ascribes to the ideals of balduran and his father -#and everything he ever clung to to validate himself to himself after being coerced into mizora's deal as a 17 year old kid and then -#he succeeds! he passes the tests! only to find that ansur (literally named answer) is an undead abomination you have to put down#like it's SO SAD. and to me a big part of his story is accepting who HE is. seeing himself outside of his deal w mizora or what his father#wanted him to be and the fact that wyll isn't allowed to have a big emotional reaction to the ansur situation is so annoying#in fact wyll doesn't EVER get to have an emotional reaction to anything bc larian studios doesn't care enough to flesh his story out -#despite giving him one of the most interesting ideas for a character in the game! like act 3 should be WYLL'S act! he's so tied into -#everyone important in that act that it's actually a crime that he's sidelined the most there and he doesn't have enough vocal fans -#that larian studios will ever care enough to patch his story or add anything like they did for karlach or astarion. it's so dumb.#and it sucks that the writers don't recognize wyll's abuse bc his abuser is a hot devil lady. what she does to him is sick. god.#anyway. whatever.#baldur's gate 3#my posts#.txt
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ruvviks · 7 months ago
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toying with the idea of making yancey's friends not real. would that be too evil
#personal#hear me out. the diner is a mimic and it's toying with the entire town and making people oblivious and just. stuck in time metaphorically#it's known to make people hallucinate it's known to show things that aren't there. it can fuck with technology#yancey has. problems. he's sick with grief and pain and regret and sorrow from his past moving into a strange new town#and there's all these people there in the diner and they all remind him of some part of his life#stevie quite literally reminds him of his ex but stuck in the state before anything happened. stevie is a constant reminder of like#what could have been had they not crossed the line of getting together#his relationship with daphne (friendship mostly but he has a little crush on her at some point) is like#the romanticized version of the life he had in mind for him and his ex. yeah he gets a little bit insane with it but he loves very deeply#freddy is what he wished for his older brother to be like. their friendship is what he wishes he and his brother would be like#rafiq is basically yancey's ideal partner. yukiko reminds him of his younger sister#hell even teddy is connected to him because he and teddy are basically the same person. dealing with a situation very poorly#but teddy WOULD be real since he is part of CALAMITY so his connection to yancey if anything is like. on purpose#he is SUPPOSED to mirror yancey because that will make yancey realize things about himself#that only leaves morrigan as the only other real person in all of this. because she is the only one not connected to the diner#(freddy isn't either but since he's first introduced on the radio as radio host he is sort of connected to the town)#(in like a way the diner could influence that too. you know what i'm saying)#and morrigan's whole deal is that she's so so stuck in the past. trying to get back what is no more. and daphne is her sister#so daphne could even be a manifestation of yancey's and morrigan's shared grief#for yancey the romanticized relationship with his ex. for morrigan her sister who died in the wildfires#are you seeing my vision. the diner is defeated and it's just yancey morrigan and teddy. it's always been#no one else has been real the whole time. they've only interacted with one another or yancey. never with teddy or morrigan#(with exception of daphne who would have interacted with morrigan bc of shared manifestation)#and yancey acts like the others have never existed. because they haven't. and now that he's no longer#under the influence of the diner. he doesn't remember. haha#idk if i wanna go with this because some of them aren't as solidified as concepts as others but man. MANNNNN
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selfinflictedgunshotwound · 2 months ago
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having twin peaks thoughts & theories bc i just started watching the return (i know spoilers ofc) and i have literally nowhere else to put my thoughts so i'm just gonna dump them here.
obviously i don't every single thing about twin peaks was meant to just be like... One Thing and that's it. i think there's room for interpretation for a reason butttt the one thing i just keep going back to about the show is just that. like. it's about the corruption of innocence and the perversion of family. of cycles of violence and abuse. children being sexually taken advantage of by "trusted" adults. teenage prostitution rings. barely a single relationship in the town wherein people aren't cheating on someone/cheated in the past. bob being "the evil that men do" (tbf this is technically just albert's theory but i choose to believe it) and now this weird thing with judy/the experiment (are they the same thing? idk yet) being the thing that CREATED bob? there's this weird thing i get with the black lodge/waiting room like... good people can't survive there without disappearing completely (nonexistence) or being permanently changed (in the case of annie, ig)
and then ofc you have the tormented souls being trapped there (laura, maddy, caroline(tbh idk what was going on w her doppelganger being there?), leland(he was originally a victim too, i'm getting there)) because of the things that were done TO them. i was thinking like. in regards to the frogmoth that crawled into sarah's mouth (when she was a child) and everything that's going on w/ her in the return (watching insanely violent things on tv, "eating" men, etc.) ... compounded with leland's story about bob "I was just a boy. I saw him in my dreams. He said he - he wanted to play. He opened me and I invited him and he came inside me." ... mr. c's introduction song being a twisted version of "american woman" (i've heard this is also related to diane's doppelganger, as well. makes sense) w/ the stand-out lyrics (aka the backwards ones) being "all my headstrong women... don't let em put you in a corner. make em salute you like a flag on the fourth of july." and sarah palmer having a shortened and remixed version of "good man" blaring in her house that just repeats the lyrics "i'm a good man. i'm having fun." like. there's smth to this i'm not insane...
anyways to go even FURTHER... there being specific emphasis on being in the right time and the right place. opposites (giant and dwarf, young and old, black and white, etc.) and the planets jupiter and saturn.
the experiment violently killing that couple that was watching the glass box bc they were having sex? or because they were(n't) watching? or both? the experiment very obviously being the thing inside of sarah but it pulling off it's own face within sarah and revealing a smile that looks eerily similar to laura's (even if not exact... ppl are such pedants about things being exact in this show where literally everything is drenched in like 8 metaphors at any given time) AND the laura in the black lodge/waiting room removing her own face in the exact same way. it's weird that in this instance, laura's dialectical opposite or opposing force is her own mother who she claims she has so much in common with. but this goes even a step further because when the experiment spawned in the glass box, it has a gold orb (or smth like it) like the one laura's like... spirit? was born from? AND APPARENTLY there's a little clip of what sounds like sheryl lee's voice saying "gone" or "the one" or something like that while the experiment is flying towards them (not unlike an owl) to kill them... hm. not to mention the experiment has a proboscis-like knife that comes out of its mouth that it uses to kill the guy sexually harrassing sarah at the bar... and carrie page has a dead guy in her motel room that has a hole in his head... could obviously def just be a bullet-wound LMAO but idk let's have fun w it!
i do think there's a crazy connection between sarah, laura, and the experiment/judy/whatever. "the room seems different... and men are coming. something happened to me. i don't feel good..." obviously, i will be able to make more connections and add to this theory as i watch more but from what i've seen i think there's a huge connection to children and how easily it is for them to be taken advantage of (literally every member of the palmer family was taken advantage of as a child when an evil entity entered them. i mean. how more on the nose can you be!!) or for their innocence to get stolen (prostitution, drugs, murder, becoming child brides to abusive older men... the list goes on). and there's obvious themes of intense sexual violence and dreams and blahhhh. it's like 5:30am and i'm theorizing about a show that will never have an actual answer LMAO... to be fair though it's not ABOUT actually "solving" it for me. i think most media works well when you get what you want or need from it and just kind of make that The Point and, for me, twin peaks will always be about the tragedy of laura palmer before it's about anything else!
i really do like that theory that dale cooper is just like. an entity that laura dreamed up to save her originally but in the end, after she had finally escaped being laura palmer and that life and that house and her trauma, he ended up bringing her right back to it. it's like. how does that not make people insane?
#fwiw i know dale kinda CAN'T be made up considering his past but if you actually like. think about it it weirdly lines up#the fbi in the show is already like. insanely idealized in the fact that they actually care about stopping horrible things from happening#and not a single one of those fbi agents ever acts normal LMAO but that's lynch for you. still though i think there's smth to be said about#like. dale cooper IS the fbi. he is the quintessential fbi agent who lives and breathes laura palmer's case and when he solves it#he just goes on to (try) to live in her town and never leave#and laura hated her town and almost everyone in it and her life so it's like. i do see that it doesn't fit perfectly as a theory#but at the same time isn't dale cooper just kind of like an insanely idealized caricature of someone living a worthwhile life#he's outrageously positive he has an answer for everything he's free to love whoever he wants and yes he has a dark past but#it comes up as more of an afterthought than anything that necessarily haunts him (mid-s2 was just um. well. eheh. anyways.)#but like even his archnemesis windom earle and their rivalry is so picturesque. an fbi agent having an affair with his partner's wife#and that makes said partner go insane and kill his wife and disappear. like... is that not the most telegraphed cartoon-ass backstory#that an fbi agent could have? i mean this in a complimentary way btw. like windom earle's whole thing is chess and disguises. he dresses as#a horse. to kidnap bobby's dad. does this not sound like something a child would come up with. meanwhile the giant is a guy named 'the#fireman' who just so happens to live in (or behind the veil of ig) a place where bobby's dad used to take him as a kid#and this is the man who sent laura's spirit to the world as a force of ultimate good or something. because LAURA IS THE ONE.#idk there's smth there about twin peaks all being a child's dream about what being an adult is like and a way to characterize all the#bad things that happen to people (not even just adults) like wouldn't it be so great if you could blame your father sexually abusing you on#a guy named bob. wouldn't it be great if you could blame all the world's problem's on the creation of atomic bombs bc what's scarier than#living through the cold war and constantly waiting for nuclear destruction that never comes? what's scarier than the violent reality of any#given situation. it would be great if we could blame all the bad things we do on our evil doppelganger from another world#idk. just smth i think about when i watch the show. that's all
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a-wins-a-win · 1 year ago
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unpopular opinion?? maybe?
Matt & Ivy have a really interesting dynamic!! both pre- and post-canon!! with or without romantic undertones!! either reciprocal or one-sided!!
and obviously it has to be handled with a particular level of care/respect BUT I think if we allowed them enough grace there is space to explore a really interesting possibility for that relationship.
#obviously Matt is not ENTITLED to Ivy - im absolutely not saying that at all#and he definitely did a lot of things extremely wrong and Ivy doesn’t HAVE to forgive him - she doesn't even have to *like* him#and in many stagings she actually doesn’t at all! even pre-canon she isn't into him on a *platonic* level - which i love for her#but I also think that - misguided & clumsy about it though he was - Matt is genuinely trying his best to see her as a person.#an idealized version of a person yes. but a person nonetheless.#which is what Ivy wants from Jason (and tbf he sees her as a person also but it’s an obviously different situation)#and while you can't force romantic compatibility (that was like. the whole point.) in some versions of the show they're not-quite-dating#- in varying types of “situationship” with varying levels of commitment. so it's not insane to me to say hey#maybe they need time to stabilize themselves and figure out who they are again after the events of the show. but maybe a couple years -#- down the line they reconnect and they're both in a better place & maybe this time it can all work out.#idk I think I just see a lot of people write it off entirely - and they’re well within their rights to do so don’t get me wrong#but I don’t think it’s fair necessarily to put them in the ‘doomed to fail’ category#wow okay I care about them as a pair more than I realised#tldr; give Matt & Ivy and their relationship dynamic the grace + complexity they deserve#mouse talks bapo#bare a pop opera#Ivy Robinson#Matt Lloyd#[as a side note - sometimes I think about queer Matt & transmasc Ivy & the interesting concept of their potential boyfriendism]
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c0rpsedemon · 10 months ago
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the kuro anime has a fundamental misunderstanding about what equals a cathartic ending for ciel
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spring-lxcked · 1 year ago
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once again saying that i need to see william snap while he's in college just once. sorry that i want Sweet Studious Will to show up at your muse's dorm room covered in scratches and with bloody knuckles because some guy talked shit and shoved him and he responded by hitting him and then trying to strangle him until someone pulled him off
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peniscat · 2 years ago
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Im gonna feel so cheated if roman/matsson isnt a thing this season after all that tension last season and the trailers...like I can deal with it but if roman fucks that nazi dude Im out :(
i feel like we're in that unfortunate position where roman had tension with two separate guys at the end of the last season and now they're sort of having to focus on both of them. i think we'll see some of both, actually, but it is definitely looking like romencken will have its time to shine. i have no clue if they're gonna fuck, though, but if they are, it's going to be terrible and i think it would also be framed like that in the show. but we are going to get some juicy romelukas scenes too, so idk what is going to happen. i've seen some people suggest that maybe shivlukas is gonna be a thing, but imo that would just be lazy. honestly we'll just have to wait and see! that's the magic of it ✨
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arolesbianism · 5 days ago
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Oh and to be clear with my beastieball team building I have gone into the game basically completely blind so I am just working off of what I've seen within the game for hypothetical team building
#rat rambles#I Really need to look into the various ocean beasties more I know very little abt how they play#Im also starting to feel like what I rly need is a much more pure tank sort of unit#because while stalling can back me in a corner rn I also am sometimes able to stall enough to back back out of the corner#so if I could do that more consistently and with less need for constant pivots that could be something#and in situations in which youre underleveled stalling power is usually more valuable than firepower#since y'know. your firepower isn't very powerful and if you dont have stalling power then you just sort of instantly die#but firepower still is very important you just need to be able to stay alive while you chip#I think rly my favorite thing so far has been learning how the battle ais tick and trying to manipulate it through observation#which is again why my team has been a very pivot heavy team as its often about cycling through guys with different weaknesses to keep the#opponents attention off of my main chip damage in any given fight#so yknow thank god I haven't encountered another trap team yet#again this isnt ideal for me since my guys very much do not benefit from the conatant pivoting#well ok one of the weakness trio does but the other two very much do not like not being able to set up#in particular nikola my moth guy who is a valuable pivot tool and does ok damage but is definitely the standout as the most replaceable#mostly because he is basically completely incapable of utilizing any of his gimmicks since he spends so little time on the field#which the only reason I kept him on the team during the initial planning phase of the team was that I figured he could synergize with#gossmann (the dragonfly) and ideally be a decent set up dps#but he ultimately just never gets the room to set up so he ends up being the least interesting to use#because even though my other picky dps struggles a bit with the constant switching they at least get to use their gimmicks#they only need to get into the front row while nikola needs to have room to use set up moves#which he almost never does#I do like him tho dont get me wrong I just think if I need to bring someone new in to remedy some of my issues hes getting the boot#I think I mostly just rly need someone who doesn't need any set up and isnt position picky#just someone to bring some consistency that this team is desperately needing
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hylemorph · 9 days ago
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Spoilers: Eggers' Nosferatu
There's a lot of debate right now on if Count Orlok represents Ellen's shame/trauma/abuse, or if he represents her repressed erotic desires, and in turn there's debate on whether or not viewers who find the Ellen/Orlok dynamic alluring are "missing the point." Eggers and Lily-Rose Depp have both said in interviews that there's a mutual pull between Ellen and Orlok, and even that there's a love triangle element, but obviously the experience is terrifying for Ellen. How can we reconcile the sexual tension and the horror?
I think the broader theme is that Orlok represents everything in a woman's inner world that men refuse to acknowledge and accept - fear and shame and trauma, yes, but also our appetites . After the prologue, the story starts with Ellen begging Thomas to stay in bed with her; she says "the honeymoon was yet too short" and tries to pull him in and kiss him (obviously trying to start some nuptial bliss). But Thomas is anxious to meet with his boss and get his promotion, because he has a narrative he's going to fulfill: he's going to pay Friedrich back, buy a house, and then start having kids (he and Friedrich touch on this a bit later. Notably, Friedrich discloses Anna's pregnancy to Thomas before Anna has made it public.)
It's the start of Ellen and Thomas' married life and she just wants him to prioritize her sexual desire, but he chooses to focus on his ideal of success, which sets him on this path to confronting Orlok. We know Ellen doesn't care about having a house or fine things and she begs him not to go, but Thomas listens to Herr Knock and Friedrich, who tell him that as a husband he has to provide materially. He ignores Ellen's stated desires, and so fails to provide sexually and emotionally. When Thomas gaslights her about her nightmares and calls them childish fancies, he shuts down her vulnerability, which kills the intimacy she was enjoying in the literal honeymoon phase.
On a related note, there's a defence in here for Aaron Taylor Johnson's performance, which I've seen a few male critics call "over acting." In this story Friedrich represents the masculine ideal of the time, he's a rich business owner with a beautiful wife and kids. Thomas clearly looks up to him and wants to emulate him - he wants to give Ellen the life "she deserves." But Friedrich's elevated masculine status is why he refuses to listen to Ellen's "hysterical, sentimental" worries, he's too rational for all that of course. And his stubborn "rationality" leads to the death of his entire family. Friedrich IS the patriarchal ideal that crumbles when confronted with nuance and uncertainty. Some people see Friedrich and assume that a character like him is meant to come across as dignified, and that Aaron Taylor Johnson is messing up by making him look annoying, but really he is giving a great portrayal of a really common, annoying kind of guy. The kind of guy who melts down and has childish tantrums whenever they lose control of a situation, or their manly skills and values are shown to be irrelevant.
The men in the movie (excluding Professor von Franz) frame Ellen as childish for speaking about her dreams candidly, but their own childishness is revealed when her dreams manifest in the form of Orlok and become unavoidable. Ellen (partially? possessed in the moment by Orlok) tells Thomas how "foolish and like a child" he was in Orlok's castle. In the literal context that's cruel, and obviously that shit was scary as hell, but it hits on Thomas' failure in the metaphorical reading. He was a child playing house: 'I'll be the husband and make money, you be the wife and make babies.' When it came time to confront his wife's inner world and all the scary, traumatized, lustful complexity of it, he was completely inept. The message isn't that Orlok is what Ellen really needs, or that Thomas is a wimp, but he's not a perfect husband either. I think "the point" is that a real healthy marriage with sexual, emotional, and spiritual mutuality is impossible in that society with Thomas/Friedrich's ideals. In that kind of society, a spiritually and sexually potent woman like Ellen ("in heathen times you might have been a Priestess of Isis") will always be caught in a "love triangle" with her husband and her own inner world.
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aethersea · 6 months ago
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another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!
(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.
actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)
a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.
deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.
the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.
and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.
however.
you do have to know which one you're doing.
the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).
and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.
the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.
the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.
point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.
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isagispuzzle · 21 days ago
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it's so hilarious how yukimiya is canonically the unluckiest character, i imagine he would have such a hard time trying to impress his crush.
being a model, yukimiya knows his angles and how to carry himself, but somehow, you never catch him in the most flattering positions. the first time you meet, you see him trying to catch the snack his friend was going to throw into his mouth, but his friend sneezes right when the snack is launched and yukimiya gets hit in the eye (yes, the snack somehow gets past his glasses. how does that even happen?). on another day, he sees you stranded at a bus stop near the school because it's pouring and you didn't have an umbrella, but when he walks towards you in hopes of getting to share his umbrella with you, he slips on a puddle and lands on his butt with a splash.
while yukimiya always has a smile on his face, his close friends would know that it isn't always genuine, and behind his polite friendliness, he loved to gossip. the unfortunate thing is, you've caught him more than once in a less than ideal situation. for example, after politely rejecting a classmate's confession, he turned around to roll his eyes because she could barely give a good reason beyond his looks for why she had feelings for him, just for you to be right in front of him to see his scoff up close. ah, not to mention that one time you overheard yukimiya snickering with his friends about a teacher looking like a turtle. it still keeps him up at night sometimes.
yukimiya knows that it's impossible to keep up his smile all the time, but at the very least, he wants you to always see him smiling, so he makes sure to try extra hard whenever you're around. or at least whenever he thinks you're around.
it's one of those days when everything is just a little too much to bear, so yukimiya excuses himself from soccer training to catch a breath in a corner of the school compound, hidden from view behind a vending machine. but of course, it's just his luck that you happen to use the one next to him, out of all the vending machines in the school. he brushes off your concern when you ask why he's crouched on the ground, and he slaps on a smile as he tries to distract you with some small talk. yet, you seem unconvinced, so you buy him a drink and crouch next to him.
in your bid to comfort him, you recount the silly situations you've seen him in, not realising that he's burying his face deeper into his hands with every word you say. you let it slip that you think these sides of him are cute, and although many, including himself, think of yukimiya as calm and composed, he looks up at you with wide eyes and an uncontrollable blush.
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batsplat · 2 months ago
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bringing this back just. y'know
could you say that marc is the best flag to flag pilot, at least in modern motogp?
idk if it's recency bias or what but I just rewatched misano 2015 and brno 2017 and like beyond his actual skill in the wet (which I think is pretty up there) honda and him usually nailed the strategy i think
misano 2014 was obv not great bc he came in too late but I think on the whole
oh yeah, it's not particularly close. and 'modern motogp' is in this case a completely unnecessary caveat! f2f was only introduced in 2005 as a more tv-friendly format and the first f2f race was phillip island 2006. until 2015, there's not like... any real patterns amongst the winners - and generally they're rare enough that you can't draw that many conclusions from who's winning them. marc's first f2f is technically phillip island 2013, which wasn't a weather-related bike switch but did of course feature the notable team fuck up that got him disqualified and could have cost him the title. then it's aragon 2014 where he fucks it and crashes because he didn't switch bikes when he should have, yes. but after that, the record's flawless: wins misano 2015, argentina 2016 (also a tyre-related bike swap), sachsenring 2016, brno 2017 - the full set until 2021. I do have another ask sitting in my drafts sent well before misano, which requires a longer response because it's about what makes a rider good or bad at f2f... so I'll go into more detail there. for now, yes there's a little bit of luck involved in some of these wins, a gamble or two that paid off because his race wasn't actually going all that great until he swapped bikes, but it's a record that kinda speaks for itself. it also probably speaks for itself that I spent much of the season pre-aragon attempting to singlehandedly manifest rain clouds. representative sample included here of my dispassionate analysis of the situation:
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which made me initially quite irritable when the rain showed up at the race after aragon, but that's neither here nor there. anyway, I will go into this in a little more detail for that other ask, but I do think it's the f2f format specifically that suits marc. it's just those specific conditions where it's not wet wet but kinda slippery and gross where he really thrives - which of course you also see with stuff like his affinity for low grip conditions in general. plus, he developed a knack for picking the correct strategies in this genre of races. his record in proper wet races is significantly worse... if I had to make a list of the best wet weather riders this century, a few names would sneak ahead (dovi, casey and valentino being the obvious picks, and some of those riders were..... not so great at f2f). here's the comparison:
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so yup - he's not a bad wet weather rider by any stretch of the imagination, but it's the type of mess thrown up by f2f where he really thrives. neat skill to have
#//#brr brr#current tag#not like i particularly mind the marc prop but occasionally you want to shove spreadsheets at people#like i get the sense his wet weather record is seen solely in terms of his f2f brilliance. where he is unmatched!!#but it's also inarguable that his record in full wet races is substantially worse which is interesting in its own right#can't believe i'm making a 2015 comparison of my own volition but i was getting strong silverstone 2015 flashbacks#where marc was hounding valentino for much of the race and then crashed. which obviously wasn't ultimately ideal for the points situation#so when marc crashed today i went. right. yeah. fair enough i saw the script in advance#marc's at his best in changing conditions where the grip level is uncertain. NOT full wet where he is *good* but not a class apart#it's a little unfair to compare his raw numbers to valentino's given f2f was only introduced in '06. but casey + dovi low key have the edge#during the time period when both dovi and marc competed in the premier class dovi got four 'full' wet weather wins to marc's one#and marc's 2017 misano win was a last lap spite fuelled overtake!! he's never dominated a race in the wet#this really isn't to do marc down. the inaccuracy just bugs me b/c if anything it's more compelling that he's *specifically* goated at f2f#mind u since making this spreadsheet i did clock that if misano this year counts as f2f surely assen 2017 would too#which. groundbreaking! valentino managed to technically get his last victory in a format he was absolute ass at!#it'd be nice if motogp could just like. provide a list of what races are classified as what so i'm not going off memory and a dream but <3
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dunmeshistash · 7 months ago
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I'm gonna ramble a bit as I reread but I think Dungeon Meshi might be the first time I've seen a "The enemy cannot be reasoned with" "they are too far gone" that was actually true.
Usually when that's said that the protagonists proves them wrong by actually giving a chance to the villain or by believing in their friends but... Thistle really cannot be reasoned with. Not because he's cruel or evil, but because he's literally too far gone.
The demon's corrosion of his mind has happened for too long, he has been living in pure paranoia for hundreds of years, here he's incapable of properly thinking, a few nice words cannot undo a thousand year of damage. The demon's influence on his has destroyed this poor kid's mind.
He isn't being evil here, he THINKS he's actually fixing things
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This baby boy really cannot be reasoned with in a very realistic way I think
I really enjoy this part, I really enjoy that is a moment of "the protagonist trusted the villain and paid the price" but not in the usual "the villain betrayed their good faith" way. In the way that the villain actually didn't have the capacity to escape their spiral, even with a hand extended to them.
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He didn't mean to betray Laios' trust, he isn't manipulating or lying to him. By all accounts this is the ideal situation Laios wanted where the bad guy actually listens to him. And yet <3
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It's so tragic, I love it.
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technoturian · 9 months ago
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Regardless of my feelings about the BoS as a whole in the Fallout series, Maximus as a character exceeded all my expectations.
Maximus, honestly, to me, was the most nuanced and best acted character in the series. His situations were fantastical and yet the way he reacted to it all was so grounded. He was like a prestige drama character in a series full of cartoons. Don't get me wrong, I like the cartoons. Fallout leans heavily into parody and it's totally on brand. But Maximus' entire emotional arc was so understated and I really appreciated it.
He isn't a very vocal OR excessively emotive character because he knows being vulnerable hurts him. He shapes himself to that idealized memory of the knight in the armor even as he doesn't seem to really understand or care for the beliefs behind the armor. He's failing his classes as an aspirant. When talking of the BoS beliefs, he throws in a "or whatever". That part of it doesn't matter to him. The armor IS his belief system.
His whole story is about the cycle of violence and toxicity. The bullies who beat him. The abuse he endures. He wants power so that he can escape it but once he gets that chance he's doomed to perpetuate it, because that power is coming from the system. It's tainted. Deep down he doesn't want revenge, he doesn't even want power for power's sake, he wants safety. And he wants to be the hero from his memory, he wants the strength to save himself from this cycle.
And yet, he just keeps making he wrong choices. Over and over and over. He can't get out of it.
And then Lucy throws him a lifeline. And it takes someone from outside of the cycle to break through. And then he makes the choice to do the right thing even though it means making himself weaker, making himself less safe. He chooses to do the right thing for the first time in the show. And it means finally letting go of his dream, the armor.
And he sees a light at the end of the tunnel. He thinks his reward is going to be Vault 33, he's going to be safe and happy with someone who cares about him and makes him feel like a real, good person.
And by the end of the series, he's trapped in the cycle again.
There is just something so delicious about someone getting everything they wanted at the start and being miserable about it. There's something so REAL about wanting to be something but every instinct makes you sabotage yourself every step of the way.
And the thing is, he had all of these little moments of genuineness, selfishness, pettiness, virtue, I genuinely didn't know what he was going to do for most of the show. I thought he might turn on Lucy at some point. I honestly, truly thought he had sabotaged Dane even though Dane was his only friend. He is so morally hard to pin down because he's so full of life's little hypocrisies. His ideals and his feelings are in conflict so much and he doesn't have to look anguished for you to understand that. You just see it in his resigned stares, in his hesitance and his ultimate actions.
I just... I really loved Maximus. Bravo to Aaron Moten.
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yvesette · 8 months ago
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WE GOT MARRIED!
ִ ࣪𖤐 ۪ ݁ 𓈒 ── choi seungcheol
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SUMMARY: ── the premise of the popular reality show, "we got married," was simple: you and another celebrity would pretend to be married for two weeks, navigating various romantic and domestic challenges together. when your partner turns out to be choi seungcheol however, feelings complicate your perception of reality.
PAIRING: [choi seungcheol (s.coups) x f!reader] GENRE: [eventual smut, domestic fluff, angst, idol!au, fake dating, one bed, all the good shit]
CW: afab!reader, nicknames (angel, babygirl, baby, good girl), arguing (it’s sorted out), soft!dom ?? + pussydrunk cheol, big!dick cheol, fingering, penetration, safe sex (ofc), possessive!cheol, hair pulling, light choking
      ℘  ◌  ﹒ ⠀ ꢾ꣒⠀  ׅ⠀ㅤ ⑅
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── pre-show interview:
interviewer: "thank you for joining us today! can you tell us a little about yourself and what initially made you hesitant to join 'we got married'?"
you fiddle with your hands and compose yourself into a smile.
“of course. i’m y/n, and to be honest, when i was first approached about the show, i had a lot of reservations. being an idol, my life is already under constant scrutiny, and the idea of faking a marriage on national television was daunting. i was worried about how my fans would react and whether I'd be able to genuinely connect with my on-screen partner."
interviewer: "what eventually convinced you to participate?"
you think, “it was a mix of curiosity and encouragement from my friends and management. they believed it would be a good opportunity for me to show a different side of myself, one that isn't always visible on stage. plus, the idea of experiencing something as unique as a reality show marriage was too intriguing to pass up."
interviewer: "do you know who your partner will be yet?
you smile nervously, “no, i don't. it’s a complete surprise for me. all i know is that it's someone from a well-known group. i’m really curious to find out who it is!"
interviewer: "that must be exciting! can you share what your ideal type is for the camera?”
you grin thoughtfully, “my ideal type is someone who is kind-hearted and takes care of the people around them. they should have a strong sense of responsibility but also listen and understand. a good sense of humor is a must — oh and physically, i guess i find myself drawn to someone with a warm smile and expressive eyes. someone who can be both charismatic on stage and down-to-earth in everyday life."
interviewer: "finally, do you have any worries or concerns going into the show?"
you: "i’m a bit worried about how awkward it might be at first. there’s always that initial nervousness when meeting someone new, and this situation is quite intense. i hope we can get past that quickly and have a good time together.”
day 1:
you stood in front of the door to a luxurious townhome, hands fidgeting nervously at your sides. this would be your new home for the next two weeks. the camera crew gave you a nod, signaling it was time to head inside. taking a deep breath, you open the door and step into the living room, where a warm, cozy ambiance greets you. as you set your bag down, you hear the sound of the front door opening again. you turn, breath caught in your throat, and a man, looking slightly familiar to you, enters the room.
he was wearing a white button-down shirt with the sleeves rolled up to his elbows, paired with dark jeans that accentuated his tall, athletic frame. his broad shoulders and well-defined chest were subtly outlined by the fabric of his shirt, hinting at the strength beneath. the open collar revealed a glimpse of his collarbones, which added an effortlessly sexy touch to his appearance and you thanked god you’d been paired with someone this attractive, as selfish as it sounded. his face was a perfect blend of boyish charm and mature masculinity and his dark hair was styled in a slightly tousled manner.
the man in front of you carried a polite smile. for a moment, you both stood there, slightly taken aback by the reality of the situation.then, as if on cue, you both bowed to each other in polite, awkward unison. "hello!" you said at the same time, voices overlapping. realizing what happened, you both laughed nervously and bowed again, this time with even more formality.
“hi, i’m y/n," you said, smiling despite your nerves.
“i’m seungcheol. it’s nice to meet you,” he said, returning your smile.
there was a brief pause as you both sized each other up, trying to gauge the other's reaction. something about him seemed familiar, but you couldn't quite place it.
your heart skipped a beat as recognition dawned on you and you remembered his face from music and award shows. you were almost certain the man in front of you was a member of seventeen and your mind was almost more eased you were paired with another idol.
as you shook his hand, your mind raced with a million thoughts. should you mention that you know who he is? would it be weird? awkward?
before you could decide, seungcheol spoke again, his voice cheerful and inviting, “i know this is a bit of an odd situation, but let's make these two weeks memorable, okay?”
you nodded, unable to tear your gaze away from his face and your cheeks flushed slightly.
the first task was to explore the house together, finding little notes and hints left by the producers about upcoming challenges and activities. as you moved from room to room, seungcheol’s playful nature shined through. he made jokes about the odd decorations and even tried on an oversized apron in the kitchen, to which he realized how easily he could make you laugh.
in the living room, you found a note instructing you to cook your first meal together. seungcheol looked at you with genuine curiosity in his eyes. "do you cook often?"
you shook your head, “i try, but i’m not the best. how about you?”
he shrugged, “i can manage, could you hand me those eggs?”
working side by side in the kitchen, you both stumbled through the recipe, exchanging glances and giggles as you tried to make sense of the instructions. seungcheol’s presence was comforting; his easygoing demeanor made it feel less like a staged activity and you had to remind yourself of your situation every once in a while.
“careful!" you warned as he nearly knocked over a bowl of flour.
“oops," he laughed, catching it just in time. "oh my god, thanks for warning me.”
when the meal was finally ready, you both sat down at the coffee table, a sense of accomplishment and camaraderie settling in.
“you know," he says, his voice low and conspiratorial, "i have to admit, i was a bit of a fan of yours before this."
you almost spit out your food and your eyes widen in surprise, “you were?”
he nodded, a shy smirk playing on his lips. "yeah, i may or may not have listened to…a few, songs.”
you couldn't help but laugh, feeling a rush of disbelief, “well," you said, unable to hide the smile on your face, "i guess we both have some fangirling/fanboying to do then.”
seungcheol chuckled before taking a sip of his drink, “looks like we're off to a good start then."
later that evening, as you both settled on the couch to go over the day's events, you found yourself stealing glances at seungcheol when he wasn't looking. the cameras captured every moment, but by now, they had become background noise. seungcheol’s arm rested casually on the back of the couch, his presence reassuring.
"so what did you think of our first day together?" seungcheol asked, turning to you with a gentle smile.
you smiled back, feeling more at ease now. "honestly , it was fun. a bit overwhelming at first, but i think we handled it pretty well."
he nodded, his expression thoughtful. "yeah , i think so too. it’s all about getting comfortable with each other, right?"
you laughed softly, nodding in agreement. "exactly."
as the night continued, the two of you talked about your experiences in the industry, sharing stories and laughing over funny moments. the more you talked, the more you realized how much you had in common. it was easy to forget the cameras were even there.
day 5:
it had been a few days of filming and your arranged marriage with the charming seungcheol was off to an...interesting start. between the awkward getting-to-know-you interviews and staged "newlywed" activities for the cameras, you were still trying to find your footing in this bizarre situation.
one minute, you and seungcheol were bickering like an old married couple over whose turn it was to do the dishes, (it would always end with him insisting he did the chore.) the next, you'd catch him shooting you an ambiguous look from under those ridiculously long lashes, causing a fluttery feeling to erupt in your stomach. it was a constant back-and-forth of feeling flustered yet intrigued by your new husband.
today, the production crew had you and seungcheol participate in a silly pillow fight "challenge" meant to showcase your playful newlywed dynamic. what started off as an innocent, goofy bout of whacking each other with the plush objects quickly devolved into an all-out war.
giggling breathlessly, you launched another fluffy projectile at seungcheol’s head, who had now affectionately insisted you call him cheol.
he taunted with a roguish grin, deflecting your pillow attack.
you both scrambled for ammunition, whacking each other relentlessly. you shrieked as a particularly fierce blow sent you tumbling backwards onto the bed.
in a flash, seungcheol pounced - pinning your wrists above your head as he straddled your waist. his sculpted body pressed against yours, stealing your breath away.
"i win," he murmured huskily, drinking in your flushed, disheveled state. a few dark strands of hair had fallen over his forehead, making him look ridiculously pretty and you both froze as the heated tension reached a tipping point, chests heaving from the exertion of your pillow fight.
then, all at once, realization seemed to wash over both of you. this had crossed a line, strayed too far from the realm of pretend into something that felt a little too real for your comfort. seungcheol quickly released your wrists and rolled off you, running a flustered hand through his tousled hair as the cameras cut and the producers applaud your chemistry ‘played up’ for the show.
“i…sorry, i got a bit carried away there," he muttered gruffly, unable to meet your eyes.
you pushed yourself into a sitting position, clutching a pillow protectively to your chest. “no, it's...yeah, me too," you mumbled, cheeks burning.
as seungcheol swiftly excused himself, you couldn't shake the feeling that something deeper and more complicated had been irrevocably awakened on your end, you watched your fake husband’s broad back retreating towards the door, then he paused and glanced over his shoulder at you.
despite the flustered awkwardness of moments before, his gaze openly raked over your disheveled form in a way that made heat lick through your veins. you clutched the pillow tighter, suddenly feeling very exposed under his molten perusal.
as quickly as the blazing look had appeared, it faded to a neutral expression once more as he gave you a brisk nod. "i’ll...see you later," he murmured in a rough rasp before ducking out of the room, leaving you flushed and wondering what the hell had just happened.
day 9:
the sweltering summer heat had prompted the producers to film a scene with you and seungcheol enjoying some relaxation at the rooftop pool.
you tried not to stare too openly as seungcheol stripped off his shirt, revealing a toned, sculpted torso that made your mouth go dry. rivulets of glistening water trailed tantalizing paths down those firm abs as he sank into the cool pool with a contented sigh.
“you coming in or what, y/n?" he flashed you a lopsided grin, sending your pulse into an erratic stutter.
shaking yourself free of your momentary thirst, you made a big show of daintily dipping a toe in to test the temperature, “oh my god it’s freezing.” you step out of the water onto the poolside and shiver from the contact.
cheol arches an incredulous brow at your overly dramatic reaction. then without warning, he kicked up an arched wave that splashed you squarely in the face.
you sputtered in outraged shock as he cackled at your drenched, bedraggled state. you cursed at him and then tilted your head, “oh you’re gonna get it now…”
retaliating, you cannonballed directly towards him, prompting a yelp as he tried dodging the cascading wall of water.
what started as an innocent pool dip quickly devolved into an all-out splash fight, filled with laughter and shrieks, water spraying everywhere. at one point, seungcheol grabbed you around the waist from behind, holding you flush against his chest as you squealed and squirmed playfully...
as the sun dipped low on the horizon, it set the sky ablaze with vibrant shades of orange and red bled across the heavens, intermingling with streaks of brilliant pink and lavender. the surface of the rooftop pool shimmered like liquid amber, endlessly rippling and refracting the spectacular colors above.
as the playful battle subsided, you found yourselves standing chest-deep, catching your breath. seungcheol, hair plastered to his forehead, offered you a sheepish grin. his hand, reaching out to brush a stray strand from your eye, hesitated in mid-air.
the air crackled with a sudden tension, a shift from playful banter to something more intense. you held his gaze, unsure of where this unexpected touch might lead. the playful facade, for a moment, seemed to falter, revealing a vulnerability that sent a shiver down your spine.
as the camera crew wrapped their filming of the segment momentarily, cheol leaned against the pool deck, catching his breath, while you treaded water, a satisfied smile playing on your lips.
“you know," seungcheol said, his voice slightly breathless, "for someone who almost drowned me with pool water ten minutes ago - you’re pretty fun to do this whole fake marriage this with.”
his compliment caught you off guard, a blush creeping up your cheeks. you looked away, fiddling with the straps of your swimsuit and snorted, “you would have survived, trust.”
you bit your lip, “but you’re not…awful, to do this with. i’m glad it was you.”
his biceps flexed as he pushed himself off the wall, the water cascading down his toned arms. he smiled and ran a hand through his hair, which was now drying in messy waves.
you had to admit to yourself, in another situation, he was pretty close to your type. your mind took a sharp turn and a thrilling image of cheol, those big arms holding you close, pinning you down. he could easily manhandle you, and the thought sent a forbidden thrill through you.
taking a deep breath, you forced your gaze away from him, the delicious heat replaced by a cold wave of reality.
that evening, the producers insisted that as a "newly married couple," you and seungcheol needed to share the bedroom set for an authentic experience. your heart pounded as the camera crew ushered you both into the dimly lit bedroom, pulling the covers back invitingly.
"alright you two, get nice and cozy for us!" the director called out teasingly. "we’ll get some candid footage of your first night spent in the same room together as husband and wife."
you shot seungcheol an awkward look, but he just gave you a reassuring smile as he slipped an arm around your waist, pulling you close. the cameras rolled as you climbed stiffly into bed together, maintaining a prim distance at first.
however, as soon as the crew lights winked off and you were left in intimate shadows, cheol’s touch grew bolder. his arm snaked more fully around you, hand skimming along your curves as he tugged you flush against his solid frame and he watched your face for approval.
"just go with it for the cameras," he murmured in your ear, making you shiver at the feel of his warm breath fanning your neck.
you gave a shaky nod, trying to ignore the rampant spiraling spawning low in your belly from his nearness. but as the man next to you nuzzled his face into the crook of your neck, letting out a contented sigh, you felt yourself instinctively relaxing into his embrace.
before long, the camera crew was dismissing themselves, leaving you and seungcheol tangled together intimately. you started to pull away, murmuring about giving him some space, but his arms only tightened around you.
“stay," he rumbled in that deep velvety tone that made heat curl low in your belly. "please. just for tonight."
you couldn't help but overthink the situation as you lay cocooned in seungcheol’s strong arms later that night. his slow, even breathing tickled the nape of your neck as he slumbered peacefully behind you.
this whole scenario - cuddling intimately, sharing a bed, his persistent insistence that you stay - it was quickly becoming difficult for you to differentiate reality and the fake of your friendship, or whatever you could call it.
realistically, there was no way seungcheol actually had romantic feelings for you, right? you were just some virtual stranger he'd been assigned to act affectionate towards for the sake of entertainment.
no, you reasoned to yourself, cheol was simply an incredibly dedicated performer who happened to be devastatingly good-looking. he was merely playing the role of an infatuated newlywed husband exceptionally well. all those lingering looks, the electrifying touches, the way he'd pulled you insistently into his embrace - it was just him staying committed to the act. you were just a tolerable person for him to pretend to be married to for the cameras. that’s all this was. if you started projecting more meaning onto your partner’s actions, reading into lingering touches and heated glances, you'd only end up getting your hopes up and complicating things.
chewing your lip, you willed yourself not to dwell on the intimacy of your current position - pressed snugly back against his toned chest, legs tangled together, breaths mingling. it didn’t mean anything. he was just...really, really good at making this fake marriage feel real.
you lay there for a long while, keenly aware of every rise and fall of seungcheol’s chest against your back, the whisper of his warm breath fanning your nape. his arm was a solid, heated band around your waist, anchoring you to his slumbering form.
carefully, you began extracting yourself from his arms, trying not to rouse him. he made a soft grumbling sound of protest as you slipped out of bed, his arm reflexively tightening for a moment before falling away. you froze, watching him with bated breath, but he merely rolled onto his back with a gusty sigh, face relaxing back into peaceful slumber.
for a long moment, you simply stood there drinking in the sight of him - all tousled ebony hair, chiseled features, lips slightly parted as he slumbered. your heart gave a powerful thud, desperate longing temporarily overwhelming rationality.
then, you wrenched your gaze away, wrapping your arms around yourself as you crept towards the door on soft feet and went to your separate bedroom. this was for the best. putting some distance between you before things inevitably became more tangled and awkward.
day 12:
"you’re burning it!" seungcheol suddenly exclaimed, pointing at the pan on the stove where the sauce was starting to smoke.
by late afternoon, you were both working on preparing dinner in the kitchen. the producers had given you a complex recipe to follow, and the pressure was mounting. seungcheol was chopping vegetables while you tried to manage the stove, but things weren't going as planned.
you glanced over, feeling flustered. "i know, i know! i’m trying to fix it!"
"well, you need to do it faster! we can't serve burnt food," he retorted, his tone sharper than you expected.
you felt a surge of irritation. "why don't you come over here and do it then if you're so concerned?"
seungcheol put down the knife he was holding, his jaw tightening. "i’m just trying to help. there’s no need to get defensive."
you turn off the stove and face him, your frustration boiling over. "it feels like you're criticizing everything i’m doing. this is supposed to be fun but—“ you sigh.
seungcheol’s expression softened slightly, but he didn't back down. "i’m not trying to criticize you. i’m just stressed because i want this to turn out well. we’re both under a lot of pressure.”
his words hung in the air, heavy with unspoken meaning. you felt a warmth bloom in your cheeks, a prickling awareness that transcended the confines of the tiny kitchen. it wasn't just the heat from the stove anymore; it was the sudden, electrifying tension that crackled between you.
whatever this "show marriage" was quickly becoming, it was growing increasingly difficult to remember it wasn't real.
his gaze held yours, a storm brewing in his dark eyes. was it just the stress of the competition, or was there something more? maybe it was the way his thumb brushed against yours as he reached for a spatula, a touch that lingered a beat too long. maybe it was the way his voice seemed to drop an octave whenever he spoke directly to you.
the air grew thick, the playful banter of the morning replaced by a charged silence. you weren't talking simply about cooking anymore. this felt like something more, something simmering beneath the surface, threatening to boil over.
suddenly, a loud clang from the living room shattered the spell. the cameraman had accidentally knocked over a vase, the sound breaking the intimate bubble you'd somehow created. seungcheol offered a grin of reconciliation, the tension momentarily broken.
as you both cleaned up the broken vase, a playful jab exchanged here and there, you couldn't shake the feeling that cheol’s feelings for you mirrored your own. maybe it was just wishful thinking, fueled by the close proximity and manufactured intimacy of the show. but a tiny, hopeful spark ignited within you. perhaps, just perhaps, this fake marriage could be a gateway into something else.
the air crackled with an unspoken apology after your argument in the kitchen. the rest of the day was filmed in a tense silence, punctuated only by the polite pleasantries expected for the cameras. seungcheol stole glances at you every now and then, his gaze laced with regret, but you studiously avoided his eyes.
dinner was a quiet affair, the weight of the fight hanging heavy between you. as the last crew member packed up their equipment and said their goodbyes, a heavy sigh escaped seungcheol’s lips. you remembered you only had two more days left with him before you parted ways and continued your daily, busy lives.
you lean against the doorframe of cheol’s assigned bedroom. he’s reading something foreign and doesn’t notice your presence at first. "hey," you started hesitantly, the artificiality of your fabricated married life suddenly feeling suffocating. he looked up, his eyes filled with a vulnerability you hadn't seen before.
"i shouldn't have snapped at you," he said, his voice rough. "this whole thing... the pressure, the cameras... it just — you know, gets to me sometimes.”
you understood. the world only saw the polished, perfect idols on stage, not the stress and anxieties that gnawed at them behind the scenes. partially this show felt like a risk of balance between speculation and approval. “i know," you admitted softly, surprised at the tremor in your voice. "it gets to me too."
silence settled again, but this time it wasn't tense. it was a comfortable quiet, an unspoken understanding blooming between you.
you took a seat on the mattress and asked him what he was reading.
“amour,” he says, flipping the book over to show you the cover.
“amour?" you asked, raising an eyebrow. "isn’t that french for love?"
cheol rubbed the back of his neck sheepishly. "yeah, it is. found it at the airport bookstore. it’s about a journalist who travels around france asking people about love."
a playful glint sparked in your eyes. "funny," you said, tracing the title with your finger, “didn’t know you were such a romantic.”
a wry smile tugged at the corner of seungcheol's lips. "maybe i’m just curious," he said, his voice dropping to a low murmur that made you nervous. "especially after all this... 'pretend' marriage stuff." he paused, his gaze flickering from the book to your face. "maybe the line between pretending and feeling is a little more blurry than we thought."
he words hung in the air, heavy with unspoken meaning. the playful banter you'd used as a shield these past 2 weeks suddenly felt inadequate. you met his gaze, the air crackling with a new kind of tension.
"maybe it is," you admitted, your voice barely a whisper.
the glint in your eyes softened into something deeper, something that mirrored the sudden intensity in cheol’s gaze. he set his book down on the nightstand with a soft thud, the sound swallowed by the heavy silence that had descended upon the room.
he took a slow movement towards you across the bed, his eyes searching yours with a depth that made your breath catch. you could practically feel the unspoken question hanging in the air, a question your heart already knew the answer to. there was a palpable tension between you, an invisible thread pulling you closer.
without another word, seungcheol closed the remaining distance between you. his hand reached out to cup your cheek, his touch sending a jolt of electricity through you. his thumb brushed against your soft skin, a gentle caress that spoke volumes. it was as if he was trying to communicate everything he felt in that simple touch, the unspoken emotions and the growing connection between you.
his eyes flickered down to your lips before meeting your gaze again, asking for permission without uttering a single word. you gave a small, almost imperceptible nod, your heart pounding in your chest.
then, he leaned in. the kiss was hesitant at first, a soft exploration that tasted of unspoken longing and a newfound vulnerability. hips lips were warm and tender against yours, moving with a gentleness that made your heart ache and charged with the electricity of forbidden desire and the sweetness of a connection that transcended the cameras and the manufactured reality of your "marriage."
as the kiss deepened, seungcheol’s other hand found its way to your waist, pulling you closer. you responded instinctively, your hands sliding up to rest on his broad shoulders. the world outside seemed to fade away, leaving just the two of you in that moment. the kiss grew more passionate, an unspoken promise of the bond forming between you.
his fingers threaded through your hair, tilting your head slightly to deepen the kiss. the heat of his body pressed against yours, and you could feel the rapid beat of his heart mirroring your own. every touch, every movement was filled with a mix of tenderness and urgency, a dance of emotions that neither of you could deny any longer.
in one swift movement, seungcheol lifted you onto his lap, his strong arms wrapping around you securely. the sudden shift made you gasp, breaking the kiss momentarily. he took advantage of your parted lips, diving back in with a new intensity. his hand tangled in your hair, gripping it roughly as he deepened the kiss. the raw hunger in his actions satisfied a need you’d had since the moment you met him and ignited a new thirst in you for more than a kiss.
his lips left yours, trailing hot kisses down your jaw and neck. seungcheol’s breath was warm against your skin, each kiss sending shivers down your spine. "cheol-ie," you breathed out, your voice shaky with desire. "i’ve needed you so bad.”
he groaned against your neck, the sound vibrating through you and making your core tighten with need. "you have no idea how much I’ve wanted you babygirl,” he murmured, his voice rough with longing. the nickname makes you feel weak in his arms as they roam over your back, pulling you closer until there was no space left between you.
you began to move against him, grinding your hips down on his lap. the friction elicited a deep, guttural moan from his chest, his grip on your hair tightening. his lips continued their path along your neck, sucking and nibbling at the sensitive skin. each touch, each kiss, was driving you both closer to the edge.
your hands slid under his shirt, desperate to feel his skin against yours and see the body you’d thought about and fantasized about at the pool. his muscles tensed under your touch, and he let out another low groan. the sound sent a jolt of pleasure straight to your core, making you grind harder against him.
feeling the need for more, you reached for the hem of your top, and without hesitation, cheol’s hands followed suit, helping you remove the garment until it fell forgotten to the floor. his eyes drank in the sight before him, the intensity of his gaze sending a thrill through you. with a passion that matched your own, he leaned in to capture your lips in a feverish kiss, his movements urgent and commanding.
seungcheol’s hands moved to your breasts, his touch sending electric pulses of pleasure coursing through your body. his lips followed suit, trailing hot kisses down your neck and collarbone before finding their way to your exposed skin. the sensation of his warm mouth on your sensitive flesh made you gasp, a moan escaping your lips as you arched into his touch.
as he sucked and massaged your breasts with a hunger that bordered on desperation, you couldn't help but whine his name, the sound echoing in the room like a symphony of desire.
his only response was a deep, guttural groan, the sound vibrating through you.
cheol’s hands moved to your hips, guiding your movements and matching your rhythm. the sensation of his hardness pressing against you was intoxicating, heightening the desire coursing through your veins. “i need you," he whispered hoarsely against your neck, his breath hot and heavy.
you pulled back slightly, just enough to look into his eyes. the intensity you saw there took your breath away. "i need you too, cheol," you whispered back, your voice filled with the same raw need.
"show me," he commanded, his voice dropping to a low, authoritative tone. "show me how much you want me."
you bit your lip and your mind was urging you to shed the last remnants of clothing separating you from seungcheol’s touch. with a sense of urgency, you sat up, for just a moment to rid yourself of your pajama shorts and panties. he gently helped you slip out of the remainder of your clothes until you were completely bare in front of him.
as you returned to straddle him, seungcheol’s eyes darkened with possessiveness, his slightly dumbfounded gaze raking over your exposed form with undisguised lust. you reached for his hand, guiding it to where you needed him most.
his fingers moved in circles with a skill and reverence that bordered on worship. as he teased and caressed you with one hand, his other grabbed the back of your neck to pull you into his orbit.
"cheol," you gasped, your voice filled with need as his touch sent waves of pleasure crashing over you. "pl-please, want you inside of me..”
his response was a low, guttural growl, the sound sending shivers down your spine. he pressed his fingers against your throbbing center, the sensation driving you crazy, and leaned against your ear, “i know angel, i know, need to prep you.”
he slipped two long fingers inside you, his movements slow and deliberate. you couldn't help but arch impossibly back into his touch, a high pitched moan escaping your lips as he filled you completely. his fingers curled inside you and slipped in and out, stretching you and sending waves of pleasure over you that you could feel building closer and closer to your climax.
cheol pulled your face closer to his by your neck as he pumped his fingers in and out of you and whispered in his deep voice words of praise, “you’re so good for me.” his voice was rough in responsive to your obedience.
“such a good girl.”
the words sent a thrill through you, and your breathing that had gotten more quick by the second let all the air escape from your lungs as you completely gave in to the sensations in your body. you reached your peak screaming his name and collapsing onto the bed with your back. now on top of you, cheol guided you down from your high, and his movements became slower and more gentle until his fingers pulled out of you.
you felt his hand move to your lips, gently pressing against them. with a mix of hesitation and curiosity, you parted your lips, allowing cheol to guide his fingers inside your mouth so you could taste yourself.
“that’s it babygirl,” he said, a low groan escaping his lips. the sight of you, so willing and eager for his touch, only fueled the fire burning inside of him. he pulls his fingers from your mouth to press gentle kisses on your lips and your cheek - a sharp contrast from the intensity that had taken over him before.
as the passion of the moment continued to build, you couldn't help but notice the unmistakable hardness pressing against your thigh. seungcheol’s arousal was evident, his desire matching your own in its fervor. a surge of need washed over you, and you found yourself craving him in a way that was almost overwhelming.
desperation clawed at your insides, urging you to beg for him, to plead with him to take you in his arms and fuck you until you saw stars. but as you glanced into his eyes, you saw a flicker of uncertainty, a hint of fear lurking beneath the surface.
you reached for him, your fingers tracing the outline of his arousal through his pants. the intensity of his desire was palpable, sending a jolt of electricity coursing through you. you wanted him, needed him, in a way that bordered on obsession. but as you moved to undo his pants, you felt him hesitate, his hands shaking slightly. "i…i don’t know if i can," he whispered hoarsely, his voice filled with a sigh.
you whispered, your voice soft and filled with sincerity. "i want this, with you."
a flicker of relief flashed across his features, his shoulders relaxing slightly at your words. but the worry still lingered in his eyes, the fear of causing you pain evident in every line of his expression. he reached down to free his member from the confines of his sweatpants, discarding the clothing with a swift movement. as his length sprang free, you couldn't help but gasp at the sight before you. he was almost comically big, his arousal standing proudly against his abdomen, thick and pulsing with desire.
a mix of excitement and nervousness coursed through you as you watched him, desire pooling low in your belly. you couldn't help but wonder how he was going to fit inside of you, the thought sending a thrill of anticipation racing through you. seungcheol reached for his wallet on the nightstand, retrieving a condom with practiced ease and slipped it on.
cheol lifted your legs over his head, moving himself between them, a gasp escaped your lips at the sudden change in position. you felt him slowly enter you, his size stretching you in a way that was both exhilarating and slightly painful. the stretch stung, sending a jolt of sensation coursing through your body, but it was unlike anything you had ever felt before. he had to be the biggest you'd ever had, filling you completely and leaving you breathless with desire.
“‘s-so big,” was all you could breathe out with awe in your voice.
“you’re so fucking tight,” he murmured with both hands holding your legs over his shoulder so he could stretch you out as much as possible. bottoming out, he studied your face for signs of discomfort and deciding he could move. as seungcheol began to thrust gently at first, you felt his movements cautious and tender, as if he were testing the waters. each slow push and pull sent waves of pleasure rippling through you, his size stretching you in ways that ignited a fire deep within.
“feels so fucking good, your perfect pussy…” he groans into your neck.
you couldn't help but vocalize how good you felt as well, “don’t stop baby, please.”
something about that nickname makes his movements became more urgent, more desperate, as he surrendered himself to the pleasure of being inside you. with each thrust, you felt yourself being pushed closer and closer to the edge, the pleasure building to an almost unbearable crescendo. his thrusts became rougher, more dominant, as he took control of the rhythm. with a growl of desire, he reached for your throat, his grip firm but not constricting.
the sensation of his hand around your neck sent a shockwave of pleasure coursing through you, the combination of pleasure and pain driving you wild with desire. "who makes you feel this good?" he demanded, his voice rough with need.
you gasped at the sensation, the pleasure building to an almost unbearable peak. "you," you screamed, your voice filled with rawness. "It's you, cheol."
he flipped you over onto your hands and knees, positioning you perfectly for him to take you from behind. you gasped at the sudden change in position, the feeling of vulnerability and excitement coursing through you. but before you could react, seungcheol’s hands were on you, grabbing your ass possessively as he pulled you towards him. the sensation of his grip on your flesh sent a shiver of pleasure down your spine, curved for him to hit your perfect angle.
as you thought you couldn't take any more, you felt his hand tangle in your hair, pulling you back towards him with a force that left you breathless. “want you to be mine..” he choked out, his words claiming you.
“‘m yours," you gasped, your voice surrendering yourself completely. with a final, desperate thrust, cheol buried himself deep inside you, sending you both hurtling over the edge into ecstasy. pleasure exploded through every nerve ending in your body as you both reached the peak together, your cries of passion mingling in the air as you rode out the waves of bliss together.
seungcheol slowly withdrew from you and as you caught your breathe, he removed the condom, discarding it thoughtfully before turning his attention back to you. his demeanor shifted, his previous intensity giving way to a tender concern. leaning in, he pressed soft kisses to your tired face, his touch gentle and reassuring. "are you okay?" he whispered, his voice filled with genuine concern as he traced a soothing hand along your sweaty cheek.
you nodded, a contented smile gracing your lips as you bask in the warmth of his affection.
he tenderly cleaned you with a warm, damp cloth that he quickly fetched from the bathroom, his movements gentle and careful as he ensured tour comfort. once satisfied, he disposed of the cloth and returned to your side, pulling the covers over the both of your naked bodies.
you lay in each other's arms, the quiet of the room enveloping them like a comforting embrace. the air was filled with a sense of contentment but also questions rang through your mind. unable to contain your curiosity any longer, you spoke up. "cheol, earlier... did you mean what you said?" you asked, her voice tentative yet filled with hope.
seungcheol turned to you, his gaze soft yet filled with meaning. “every word," he replied, his voice steady and sure. “if you want — then you’re mine, and i’m yours.”
your mind buzzed with uncertainty and you sigh, snuggling closer to him. the realization that your time together on the show was fleeting weighed heavily on your heart, casting a shadow over the intimacy you had shared.
"seungcheol," you begin, switching from the nickname you’d been using. “i can’t help but wonder...after filming ends, what happens to us? we haven't known each other for long, and...” you gnawed at your lip, “what if we’re just caught in the moment?”
his expression faltered, a flicker of hurt flashing across his features at your words. he had been so certain of your connection, so confident in the depth of your feelings for each other, that your doubts came as a painful blow.
he reached out, his hand trembling slightly as he gently cupped your chin, guiding your gaze to meet his. "caught in the moment?" he repeated, his voice filled with an anxiety-ridden tone you had never heard before. "is that really what you think this is?"
your chest clenched at the anguish in seungcheol’s eyes, the weight of your words settling heavily between the two of you. you hadn't meant to hurt him, hadn't realized the impact your doubts would have on him.
"no, seungcheol, that's not what i meant," you hurried to explain, sitting up — your voice thick with regret. "i just... i’m scared. scared that what we have isn't enough to survive once the cameras stop rolling."
seungcheol sat up, shoulders slumped, the weight of your uncertainty pressing down on him like a boulder. "i need some time to think," he said, his voice strained. without another word, he stood up, dressed himself with the clothes he’d discarded on the floor as you protested, and left the room, the sound of the door closing behind him echoing through the silence.
you curled up under the covers, the emptiness of the room amplifying the loneliness you felt.
day 13:
the next morning dawned with a heavy sense of awkwardness hanging in the air. as you emerged from your room, the weight of last night’s conversation still pressed on your chest. cheol was already in the kitchen, his back turned to you as he prepared breakfast. the usual warmth and easy smiles were conspicuously absent.
"good morning," you said softly, trying to break the tension.
"morning," he replied flatly, not turning to face you. his tone was distant, a stark contrast to the intimate moments you had shared just hours before.
breakfast was a quiet affair, the silence between you filled with unspoken words and unresolved emotions. every clink of cutlery felt amplified, every glance avoided a reminder of the rift that had formed.
filming started shortly after, the crew bustling around to set up the day’s scenes. you and seungcheol went through the motions, but the chemistry that had once made your interactions effortless now felt forced. the cameras captured your strained smiles and awkward pauses, the tension between you palpable.
by the end of the day, the weight of the unspoken words and unresolved tension was nearly unbearable. as the crew packed up and the lights dimmed, you felt a deep sense of despair settle in. the connection that had once felt so strong now seemed fragile.
the newly familiar routine of brushing your teeth and changing into pajamas felt strangely hollow without seungcheol’s presence by your side. as you slipped under the covers, the cool sheets seemed to amplify the emptiness of the space beside you.
day 14:
the next day dawned with a sense of finality, the knowledge that it was the last day of filming adding a layer of bittersweet tension to the air. you went through your morning routine mechanically, each action feeling heavy with the weight of the unspoken words and unresolved emotions between you and your fake husband.
the filming started early, the crew bustling around to capture the last few scenes of your time together. you and seungcheol interacted politely, tension still lingering. you found yourself stealing glances at him, wishing for a moment alone to bridge the gap, but the demands of filming left little room for personal conversations. the day moved swiftly, and before you knew it, it was time for the post-show interview.
post-show interview:
you sat in the brightly lit room, the camera trained on you as the producer asked the final questions. the weight of the moment pressed on you, and you took a deep breath, trying to steady your nerves.
interviewer: "so, how do you feel now that the show is ending?”
her voice was gentle but probing.
you paused, considering your words carefully. "its been an amazing experience," you began, your voice trembling slightly. "i’ve learned so much about myself and about what i want in a relationship. and...i’ve come to care for seungcheol deeply. more than i expected."
the interviewer leaned in, sensing the depth of your emotions.
interviewer: “can you elaborate on that? how has your relationship with seungcheol evolved?"
you nodded, your heart pounding. "at first, it was just about getting to know each other, but as the days went by, i found myself feeling…a certain way about him. he’s kind, supportive, and has this way of making me feel seen and valued. i’ve realized that i fell for him and that my feelings were real.”
a pang of regret hit you, remembering your doubts and the hurt in cheol’s eyes. you wondered if you should share your feelings fully, fearing the consequences of the media. but then, you decided—if there was a chance that he would see this interview when the show aired, perhaps he would understand the depth of your feelings and know that you regretted your words.
“i’ve fallen for seungcheol," you confessed, your voice breaking slightly. "and i regret the doubts i voiced. i wish i could take them back. i hope... i hope he can see how much he means to me."
the interviewer smiled softly, sensing the raw emotion in your words and the scoop she had just gotten. “thank you for sharing that," she said gently. "it’s clear that this experience has been transformative for you."
the weeks after the show wrapped up were a whirlwind of activity as you dived back into your work. your agency had announced a comeback, and preparations were in full swing, leaving little time for anything else. yet, despite the hectic schedule, thoughts of seungcheol lingered in the back of your mind, a constant undercurrent to your busy days. you cherished the rare quiet moments in your dorm, where you could catch up with your girl friends or simply relax. even during these times, you found yourself checking your phone, hoping for a message from the person you longed for. as the days passed with no word, a sense of uncertainty grew, mingled with the hope that he would reach out once the show aired.
when the show finally did air, you watched your post-show interview with bated breath, wondering how seungcheol would react. the raw honesty of your confession, the vulnerability you had shown, left you feeling exposed but kept you waiting next to your phone.
then, the call came. hearing cheol’s voice, filled with emotion and understanding, was like a balm to your weary heart. his words of reconciliation and his desire to give your relationship a real chance were everything you had hoped for. the prospect of meeting him off-camera, to explore your connection without the pressures of the show, filled you with a renewed sense of excitement and somewhat worry.
the next day, you found yourself standing outside a small, cozy café, your heart racing with anticipation. the door opened, and there he was—your same old cheol, looking just as nervous and hopeful as you felt.
he smiled as he saw you, a genuine, heartfelt smile that made your heart flutter. "hey," he said softly, stepping closer.
"hey," you replied, your voice quiet and your eyes watery.
without another word, he pulled you into a hug, holding you close. the warmth of his embrace, the familiar scent of him, it all felt right.
you both sat down, ordering drinks and talking about everything and nothing. the conversation flowed easily, the tension from the show slowly melting away as you reconnected on a deeper, more personal level.
"i’ve been thinking about you every day," he confessed, his hand reaching out to cover yours. "i want to explore this, see where it leads. no cameras, no scripts—just us."
you nodded, tears of happiness glistening in your eyes. "i want that too, cheol. i want us to have a real chance."
as seungcheol and you left the café, a small crowd had gathered outside, eager to catch a glimpse of the two of you together. camera flashes illuminated the sidewalk as fan-sites and news networks alike snapped photos, their interest palpable in the air. reporters shouted questions, their voices blending into a cacophony of speculation about your relationship.
online, netizens dissected every detail, analyzing photos and videos from the show and your recent café outing. comments and posts flooded social media platforms, with hashtags trending worldwide. the public's curiosity and excitement seemed to know no bounds as they speculated about the nature of your relationship.
cheol took to his instagram, posting a photo of the two of you holding hands outside the café with a quote from “amour,” the novel he had read previously.
— “ there will come a time when you believe everything is finished; that will be the beginning. “
end.
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avelera · 19 days ago
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I don't think Jayce was ever the one who was against Hextech weapons. I think that was always Viktor's side of the partnership, and I think this for a few reasons:
1 ) Jayce comes from a family of tool makers. Weapons are tools. Jayce's earliest drawings of himself as a mage is him holding a magical hammer. I don't think Jayce set out to make magical weapons but I think he was always open to the idea as that drawing shows us.
2 ) Viktor comes from the undercity, which no matter how you look at when he would have left it for Piltover, was often damaged and harassed by armed Enforcers. Just based on his upbringing, Viktor would be very aware of the fact that any weapons made for Piltover will almost certainly be put in the hands of Enforcers and those will be used against people in the undercity. Jayce does not have this social awareness. I don't think Jayce was at all malicious, just naive,. According to Caitlyn, he had zero political interest before becoming a Councilor and really everything he knew or thought about the undercity came from his partnership and love for Viktor.
3 ) Jayce is genuinely torn on the need for Hextech weapons because again, this isn't a deeply held belief for him in S1, this is him being supportive of Viktor's vision for their shared dream.
Jayce let Viktor be the moral guide for something he didn't really have a strong feeling about one way or the other. This is why he's so torn in S1 when it seems like they might actually need Hextech weapons in Piltover to survive against a Shimmer-armed undercity (in a classic theme of arms race escalation and all it entails that permeates the show). The narrative demonstrates though that this is Jayce's naiveté at play to think the weapons could be used only against their intended targets. Weapons once made will always be used, including against children. Viktor already has this awareness that weapons will be used against the undercity, Jayce gains it through the attack on the Shimmer factory and the death of a child bystander who looks like Viktor. To Mel's credit, she also urges caution and backpedals on her own desire for Hextech weapons in a bid to deescalate the conflict.
4 ) In S2 Act 1, Jayce is all-in on Viktor's vision for Hextech, because he's mourning Viktor who is non-responsive in the Hex cocoon and close to death. Mel, who in 1.09 realized that Jayce and Piltover matter more to her than her mother's approval, also stands up against Hextech weapons.
5 ) But, and this is critical, Jayce has always fundamentally seen Hextech as a tool that can be used for many purposes. That's why when the situation escalates, he pushes back on Hextech weapons on a broader scale, but he is willing to bend enough to make weapons for Caitlyn and her strike team, because he loves Caitlyn and he sees this as a defensive tool to keep her safe, in my opinion, and as an alternative to a war that would be worse.
This is critical to note because Jayce doesn't have an iron spine when it comes to resisting Hextech weapons because it's not his deeply held philosophical belief the way it is for Viktor. It is a received belief that he holds to honor Viktor, out of love for him, and that can be swayed if the specter of protecting another loved one arises. Jayce is wildly conflicted about this, I believe, based on his expression in the forge after he makes Caitlyn's gun, but this is a man who cannot bear the thought of losing another loved one after everything he has gone through.
Hextech was always about love for Jayce, not philosophy, because he is not ideologically driven and never has been, it was always Viktor's ideals he was supporting and he would never fight as hard on that point as Viktor would as a result.
Thank you for coming to my TED talk ;P
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