#this episode has me feral howling at the moon like one of your French girls
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pagannatural · 3 months ago
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2.17 Heart
- this episode can’t really be called underrated but it makes me insane in a special and specific way that needs airing
-Dean is cleaning their guns and geeking out about how cool werewolves are, how they haven’t seen one since they were kids, and how good it is to know how to handle the situation, and Sam is teasing him. This callback to their shared childhood is important.
-Dean asks Sam their next step the way a teacher asks their student because Sam is still learning hunting from Dean. Sam answers correctly, looking like he’s trying not to smile and looks down and then up at Dean. He looks like he’s flirting. He loves seeing Dean happy.
- Madison tells the brothers that the victim was the kind of guy to hit on everyone in a five mile radius after a few scotches, you know the type, and Sam at first smiles knowingly. But then he looks over at Dean, who’s smiling his fuck-me smile at Madison, and his face falls. “Yeah, I do, actually,” he says.
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Dean’s interest in Madison (and other women in general) really bothers him in this moment.
- Dean tells Madison someone needs to stay with her in case the werewolf shows up. The moment she leaves the room Sam tells Dean “you go, I’ll stay” with this expression that seems very serious, not like he’s just wanting to be the one who spends time with the pretty woman.
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They decide to settle this the old fashioned way which is rock-paper-scissors (ro-sham-bo). Another callback to their childhood. Sam wins because Dean always chooses scissors which is honestly fascinating to me— I would have guessed Dean would pick rock because it’s the solid strong masculine option and because Sam would choose paper, but of course Dean chooses the tool, the blades. Sam grasps Dean’s arm after and his hand lingers. Again, he does not seem to have done this out of any interest in Madison, it seems like he just doesn’t want to witness Dean with her.
-This is not the face of a man who likes this woman
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It reminds me of how he acted around Sarah In Provenance. He has to perform liking her for Dean, but he never shows any signs of genuine interest. Madison even dumps a basket of delicates onto the table in front of him to fold and he scrunches up his face and moves to the couch.
- Sam observes that Madison is smart and independent and asks her why she was with a stalker, and she answers that it’s not like he introduced himself like Hi I’m possessive and controlling and I like to punch people. She also says he’s wanted by the police, and that she was too insecure to leave until she realized she could take control of her life.
Madison and Sam are set up as direct parallels. She ends up being a monster without even knowing and without intending any harm, which is what Sam fears. Also, the way she’s describing her ex-boyfriend sounds a lot like Dean: possessive, controlling, likes punching people, wanted by the police. I think Dean has a lot of very redeemable qualities and for the most part he treats Sam very kindly, but he is all those things. It’s also how Sam would describe John, who he got away from by taking control of his life. The difference is that Sam actually wants to be with Dean.
- Dean kills the first werewolf in this episode. The werewolf is dying in the street and Dean stands over him and watches him turn back into a scared and confused man right before he dies. Dean obviously doesn’t enjoy seeing a man lose his life, and it complicates his earlier excitement over hunting a werewolf. The grown-up version of this hunt isn’t fun any more.
- Dean can see how Sam cares about Madison because he relates to her, and the way he watches Sam is so tender and protective. When Madison hugs Sam, Dean watches them with such bittersweet understanding
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and then excuses himself very obviously so that Sam and Madison can fuck. Which they do. Which is just wild.
Because Sam decides to have sex with the first woman since Jessica because 1) Dean tells him to and 2) he sees this woman as the version of himself that gets to live without becoming a monster
- when Sam knocks frantically on his door, Dean opens up, knowing right away something is wrong and reassuring Sam that they’ll find her. The way that Sam runs straight to Dean’s door when he’s scared and needs help and Dean is right there without another thought is very romantic tropey.
-Sam yells at Dean because Dean’s willing to kill Madison without question but unwilling to kill Sam no matter what he does including murder. Dean looks a little jostled to be confronted by this, but I think to him it’s just so clear that Sam is a special and specific category from the rest of humanity and creation that he doesn’t see or doesn’t care about the hypocrisy. Sam is the center of his universe and his entire system of values. Everyone on earth or in hell is either Sam or Not Sam. It’s funny because Sam is like this about Dean too, but he just accepts it.
-Dean explains the situation to Madison calmly and honestly. It’s the decent thing to do, and also the difficult thing. He’s not cold or numb to the work, but he is able to handle it and keep his head as long as it’s not about Sam.
-Madison asks Sam to be the one to kill her and Dean watches Sam struggle. He’s been watching Sam carefully and protectively this entire episode.
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-She uses language so similar to the language Sam uses to beg Dean to kill him—asking for help, saying she wants it to be him who does it, “I’m asking you to save me.” She tries to hand Sam the gun.
Dean gets up at this point and stands behind Madison, his eyes on Sam as he moves, and slowly takes the gun out of her hands. This shifts the focus off Madison and solely onto the brothers for the remainder of the episode.
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His eyes stay on Sam’s as he does this, and Sam is somehow looking up at Dean pleadingly. His romantic interest is begging him for help with tears in her eyes in what will be the last moments of her life and Sam is staring at Dean behind her.
The sexual relationship between Sam and Madison is explicitly compared to Dean and Sam’s relationship. It wasn’t necessary for the werewolf character to be a woman who Sam sleeps with—the very first woman that he is with since Jessica. She’s the stand-in for Sam in this case, and Sam is put in Dean’s shoes.
The brothers go into the other room and Dean assures Sam he doesn’t have to do this, that he’ll handle it. He wants to take care of Sam and spare him this, just like he has since they were children, but he can’t this time. Sam feels he has to because she asked him, and asks Dean for the gun.
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It’s a very intentional choice that Sam won’t do this for Madison until he has to ask Dean, and that in the end it’s a conversation between the brothers that forms the emotional tension and climax of the episode. Dean did what Sam needed him to do by being the one to give him the choice: let me protect you from this or do it yourself. Before, the choice was more about Madison. Now it’s about Sam and Dean’s relationship.
- Sam looks back at Dean before he walks away, like a frightened child who needs help because he really doesn’t want to do this, but he knows it’s the right thing to do as a hunter. In doing this, Sam has played out the two things from Madison that he wants from Dean, that Dean can never give him— Dean will never let their relationship become physical, and he will never kill Sam.
The camera stays on Dean’s face as the gun goes off and the episode ends. Dean can’t save Sam from this, he can’t protect him from one of the responsibilities that comes with their lives as hunters. He’s terrified that he won’t be able to save Sam at all. The days when he could take care of Sam and shield him are over, and they both have to leave that part of their childhood behind. It’s not that Dean can’t save Sam in the end, because at the end of all of this their love for each other is what saves the world. It’s that their innocence can’t survive what’s coming. They have to grow up and face the realities of their lives. Their incestuous love for each other is one of those realities, but they aren’t there yet.
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