#this dash can just be so negative like have we all truly descended into madness during this hiatus

[jinstronaut]

this is also why i stopped using my tracked tag for a while tbh

[michelles-garden-of-evil]

Episode 29 Review: The Missing Cyanide

{ YouTube: 1 | 2 }

{ Full Synopses/Recaps: Debby Graham | Bryan Gruszka }

{ Screencaps }

Welcome back to the isle of Maljardin, whose lush foliage and majestic château mask a deadly evil, one who has grown deadlier with the acquisition of a bottle of cyanide. SIx episodes ago, Jean Paul Desmond removed the bottle from the medicine poison cabinet in the former laboratory of the late Dr. Menkin, only for Jean Paul’s ancestor Jacques Eloi des Mondes to spirit it away shortly after and hide it the-Devil-knows-where. Now the inhabitants and detained guests of the island search for the bottle before its contents can spell their death.

We open with Alison searching for the vial of cyanide in the aforementioned poison cabinet. (Speaking of which, the fact that Dr. Menkin had a whole cabinet full of bottles labeled “POISON” makes him appear just as suspicious as Jean Paul. What kinds of experiments might he have performed that required the use of poison?) For those of you who love to make fun of YouTube’s automatic captions (I hope it’s not just yours truly), the opening scene is a treat, with a whole 30 seconds of subtitled background music:

The YouTube caption bots have officially gone mad.

She sees Quito and asks him if he has seen the bottle, even drawing a picture of it to make sure he knows which one she’s referring to. He tries to tell her using various gestures, but she doesn’t understand the meaning, and neither Raxl nor Jean Paul is around to interpret. During his first two attempts, he touches his head and then sweeps a hand either outward or upward: “Jacques possessed Jean Paul and swiped it,” perhaps? For his third attempt, he points at himself, then towards the doorway, then makes a “chatterbox” motion with his hand, then points below. I think that means, “I’m going to tell Raxl” (or “I,” “go,” “talk,” “down below”) if only because he goes to fetch her to interpret next.

THE DEVIL JACQUES ELOI DES MONDES, here playing the role of the Greek chorus. Colin Fox doesn’t appear in this episode[1], but he did record a voice-over for Jacques’ portrait in advance. Jacques is also looking especially rosy in this shot--very cute.

Back in the lab, Raxl interprets Quito’s signs, and it turns out I was close with my guess on the meaning of the first combination. According to Raxl, touching the forehead followed by the swiping motion means “the master took it.” Alison asks when he took the bottle, Quito signs some more, and Raxl translates: “Two days ago.” She adds that she doesn’t believe that Jean Paul intentionally took it, but that “I fear that he was under a spell of that accursed Jacques Eloi des Mondes.”

After Alison says that the bottle contained enough cyanide to kill everyone on the island, Raxl makes the Sign of the Great Serpent for the first time, albeit with only one hand instead of both.

This brings up the issue of who killed Dr. Menkin (obviously Jacques) and Erica (true cause of death still unknown), and is reminiscent of the mystery of where the conjure doll and silver pin was hidden. Alison begs her to search everywhere including Jean Paul’s room--which is normally off-limits to her--for the doll and pin, even though that will end her erotic dreams about dashing chevalier Jacques. I suppose we all need to make sacrifices.

In the Great Hall, Raxl tells Quito that she is going to contact the Conjure Woman aka Vangie Abbott. Quito shakes his head and grabs her as though pleading for her not to do it. This is reminiscent of the scene in Episode 13 when Quito freaked out over Raxl’s mention of Vangie’s father, the Conjure Man, and also begged her not to. Kurt Schiegl did an excellent job conveying Quito’s thoughts and feelings without speaking. He could have gone into silent films, if they were still a thing in the sixties.

Quito is undead. Does he even still have a heartbeat?

She descends to the crypt and then waits for Quito to join her before entering the Not-So-Hidden Temple (good, atmospheric scene).

Some favorite shots from the scene.

Meanwhile, Matt finds Alison calling for her in the Great Hall:

OK, Captain Obvious.

She tells him about the cyanide and convinces him to help her find it, but won’t tell him who she believes has it.

Meanwhile, Raxl lays out some Tarot cards in the Not-So-Hidden Temple. “The Tarot is as Evangeline Abbott said. Now with the help of the Great Serpent, I shall summon her.” She begins a ritual, bidding Quito beat the drums as she calls for the Conjure Woman to join her.

We cut back to the Great Hall and learn that Matt now considers Raxl’s beliefs superstition, because she believes in Jacques’ ghost and he does not. He doesn’t believe in witchcraft or possession either. Remember, this is a man who said nineteen episodes ago, “The Tarot is the soul’s way to God. Any path that leads to God should have a minister’s approval.” He’s far from anti-superstition when it comes to the Tarot--and besides, the Bible mentions witchcraft and possession, as Alison points out. But Matt denies that those two things exist and dismisses them as ancient, outdated beliefs. You know that his denial is making Jacques absolutely giddy and that somewhere in Hell (or wherever he goes when he’s not inside Jean Paul’s body) he is sitting on his throne grinning from ear to ear and polishing his ring.

Jacques, upon hearing that Reverend Dawson doesn’t believe in possession.

In the temple, Raxl lays some Tarot cards onto the altar. I have no idea if these cards were deliberately chosen to predict future events on Maljardin or if Cosette Lee just drew ten random cards, but I like writing these Tarot analyses, so I’m going to assume it’s the former. First, a photo of the cards, cropped, lightened, sharpened, flipped to show from Raxl’s perspective, and with the card names marked:

Because both the King of Swords and the Queen of Cups appear twice, these cards must be from two decks combined. (Normally, there is only one of each card in a Tarot deck, but some people choose to use multiple decks when doing readings. That's what I gather from a Googling "using multiple decks in tarot," anyway.)

Using  the meanings given to certain cards in previous episodes and the established interpretations on Tarot.com and The Tarot Guide for the others, here is my brief card-by-card interpretation:

Strikingly, two of these cards, the Ace of Swords and the World, have very positive meanings. The Ace of Swords can be about force (in the sense meaning power, not the sense of being forced to do things) or it can foretell a new beginning or the start of a new project, according to The Tarot Guide. The World denotes success and the fulfillment of dreams; some interpretations such as that on Tarot.com consider it to always be a positive card, even when reversed (although The Tarot Guide argues in favor of a negative interpretation of The World RX). The Tarot Guide says that the Four of Coins/Pentacles can mean "possessiveness,” but I'm thinking that it, if this spread of cards was intentional, Ian Martin may have meant for it to mean "possession" instead. I included both Elizabeth and Holly as posible Queens of Cups in my interpretation, because, although I am inclined to believe Raxl’s and Vangie’s interpretation of the Queen of Cups over Matt’s, either one may be correct.

When examined together, these cards suggest a “new beginning” for Jean Paul, Elizabeth and/or Holly, and Dan. Jacques will either possess them or have them become possessed, and this scheme of his will be a success. We know that Jacques foreshadows Elizabeth’s eventual possession (in his original outline for the plot) as early as Episode 12, and we also know from Episodes 6 and 19, respectively, that Dan and Holly both had counterparts on 17th century Maljardin. If Martin had been allowed to stick to his original outline, would Dan have ended up being possessed by d’Anton and Holly by the blonde girl in her dream? Was that his original intention?

But I digress. The Tarot is less significant to this scene than the fact that Raxl is trying to summon Vangie again to the island. Quito pounds on the ritual drum, Raxl prays in a trance while kneeling before the altar. Unbeknownst to them, the Reverend Matt Dawson sneaks into the temple to search for both the cyanide and Erica’s notes.

Raxl and Quito in the Temple of the Serpent.

Raxl: “COME, CONJURE WOMAN, TAKE YOUR PLACE ON THE ALTAR OF THE GREAT SERPENT...CONJURE WOMAN, TAKE WHAT STRENGTH IS LEFT FROM THE SOUL OF YOUR FATHER AND USE IT! USE HIS STRENGTH! USE HIM!”

Matt discovers that he’s not strong enough to force the door open and so gives up. “What doors are closed to me I suppose I have no right to open,” he tells Alison cryptically as the “sad Jean Paul” music plays in the background. (That’s what I call the cue at least, because it mostly plays during sad Jean Paul scenes.)

Raxl: “COME, CONJURE WOMAN!”

Vangie: “When I die, it will be here on Maljardin. Why did you call me?”

Vangie protests that “[she] must be brought [to Maljardin] some other way” instead of summoning, which is pretty pointless, because Raxl’s ability to summon her to Maljardin eliminates the need for an invite from Jean Paul or Jacques (or, in Holly’s case, skill with sneaking onto ships). She ends this episode with a cryptic line that could refer to one of several female characters on this show: “When the master of the house is no longer the master of his soul, the house needs a mistress."

Overall, a good but not very eventful episode--but then, at this point, you can’t really do much unless Jean Paul and Jacques are around to stir things up. They’re not the only interesting characters--I would be more than happy to watch this, too, if it were The Raxl Show--but Jean Paul and Jacques are the catalysts, the “movers and shakers” if you will. Fortunately, the handsome devil and his 20th-century descendant will be back next episode

Coming up next: Vangie tries to convince Jean Paul to bring her to Maljardin by boat and we try to determine if the Lost Episode summary for Episode 30 was truly for a lost episode.

{ <- Previous: Episode 28   ||   Next: Episode 30 -> }

Notes

[1] Steve (leafshimmer) sent me an article recently with behind-the-scenes information on the show, including the reason why Fox is absent from roughly one episode per week:

Last year [i. e. 1968], Fox broke his neck while taping the Stratford Festival company's Three Musketeers for CBC.  Although he doesn't have to wear a neck brace all the time, he still suffers pain. "Most of the early problems were cleared up, but it's much too exhausting doing this--working 12 hours a day," he said.  "My doctor has given me a letter which insists I get one working day off a week. I have less than 48 hours off, with rehearsals every night, including Sunday."

(Source: Sid Adilman, “TV’s Colin Fox and his Strange Paradise,” Toronto Telegram (Nov. 29 1969).)