#thinking was it bad? i know I'm not at the artistic level that I'd like to be but i didn't think it was THAT bad

[moobloombea]

.

[dduane]

I just received a copy of a book I've been very much looking forward to by a favorite author, but the quality of the book itself is... not great. Cheap paper, weak binding, even a weird illustration of the main character on the cover that I'm having trouble believing the author approved. Obviously, I don't want to leave a bad review on Amazon or GoodReads or anywhere, as I'm 100% certain the content is as excellent as her other work. But how can I best let the publisher (Baen) know I'm disappointed without threatening to never buy her books again? Because, well, if this is the only option, I'm gonna keep buying them even in my disappointment.

Well, the first thing I thought when I read this was "Wow, I'm really glad I don't have anything in print from Baen at the moment except a couple of anthologized short stories." :)

As for the rest of it, let's take it point by point.

Adding a cut here, because this will run a bit long. Caution: contains auctorial bitching and moaning, painful illustrations of cases in point, and brief advice on how to complain most effectively. (Also links to paintings of cats.)

Cheap paper: This has been an accurate complaint since well before COVID—and it's often been worse since, with supply chain issues also being involved. That said: one way publishers routinely save money on printing books, especially the bigger ones, is by going for thinner/cheaper paper. I remember one of our UK editors going on at great length and with huge annoyance—during one of those late-night convention-bar bitch sessions—over how the only way they could get some really good books published (because Upstairs insisted on reducing the per-copy production costs) was by reducing the paper quality to the point where you could nearly read through it. Sacrificing decent text size(s) also became part of this. Nobody in editorial was happy about the result: but there wasn't much they could do.

Bad bindings: Similar problem. Sewn bindings used to be a thing in paperbacks... but not any more: not for a good while, now. These days, it's all glue. Even hardcovers are showing up glued rather than sewn. Don't get me started. :/ (This is why I so treasure some of the oldest paperbacks I've acquired, which are actually sewn.)

Crap covers: I've had my share of these—though my share of some really good ones, too. And one of the endless frustrations of traditional publishing is that the writer routinely has little or even no influence over what the cover will look like... let alone how much will be spent on it, or (an often-related issue) how good the execution will be.

There are of course exceptions. If you're working at the, well, @neil-gaiman -esque level or similar in publishing, a lot more attention is going to be paid to your thoughts. You may even be able to get "cover veto" written into your contracts, so that if you disapprove, changes will get made. But without actual contractual stipulations, the writer has zero legal recourse or way to withhold approval. (And I bet even Neil has some horror stories.)

The normal workflow looks like this. After a book's purchased, its editor and the art director discuss what it's about and what the cover should look like. The art director then hires an artist and tells them what to do. After that, the artist executes their vision and gets paid. It is incredibly rare for a writer to have any significant input into this process. And as to whether or not they approve of the final result, well... the publisher mostly just shrugs and goes back to eyeing the bottom line, muttering "Who told them they get a vote?"

Now, I've been seriously lucky to occasionally be an exception in this regard. In particular, my editors at Harcourt (when Jane Yolen and Michael Stearns were editing Harcourt's Magic Carpet YA imprint) would ask me what I thought would be a good idea for the next Young Wizards cover, and I'd think about it a bit and send them back a paragraph or so about some core scene. They'd then talk to their art director, and after that send their notes and mine to Cliff Nielsen (who started doing the covers for the hardcover and mass-market paperback editions of the series in the mid-90s) or to Greg Swearingen (who was the artist on the digest-format editions). And the results, by and large, were pretty good. ...I also think affectionately of the UK artist Mick Posen, who insisted on seeing pictures of our cats before painting the covers for the Hodder editions of The Book of Night with Moon and On Her Majesty's Wizardly Service (the UK title for To Visit The Queen).

But this kind of treatment is a courtesy—not even vaguely suggested in the books' contracts, and very much the exception to the rule. And for every writer who's midlist, there are times when the luck runs out. For example: one time I wrote a book that was an AU-Earth-near-future fantasy police procedural, thematically pretty dark—dealing with issues of abuse of megacorporate power, institutionalized bigotry, and (explicitly) attempted genocide. And the cover, done by an artist who's a good friend and some of whose fabulous art hangs in our house, came out looking like this. It was... let's just say "not ideally representative."

So I was glad, when my local workflow allowed it, to recover the current, revised version of the book with something at least a little more apropos. But the original cover's not the artist's fault. He did what the art director told him... as a cover artist must do to get paid, and (ideally) to get hired again. At present, that's how the system works.

...So. You've got a badly-built and -presented book on your hands. How best to make your feelings known in some way that might make a difference down the line? (As you make it plain that you'll keep buying this author's books this way if you must.)

First of all: when (as part of my psych nursing training) we were taught how to complain most effectively, we were told that the first and most basic rule of the art is this:

Only Complain To Someone Who Can Actually Do Something About Your Problem

So I salute your desire not to waste your time taking the issue to the reviews on Amazon, or the pages of Goodreads... because they can't do anything. The odds that anyone from production at Baen is reading the comments there strike me as... well, not infinitesimally small, not being hit-by-a-meteorite-while-in-the-shopping-center-parking-lot small... but really low.

So: write to corporate.

In your place I would go online and rummage around a bit to find out who's on record as the publisher at Baen. I would then write them a letter on paper. And I would lay out the problem pretty much as you laid it out up at the top.

The tone I think I'd choose would be the more-in-sorrow-than-in-anger approach. I'd say, "I write to comment about your recently published book by [X Writer], whose work I love. I have to say, though, that I don't think the cover on [X Book] is terribly representative of the quality of the prose inside. And also, the construction and production quality of the book itself was a disappointment to me because [here spell out why].

"I'd really like to see [X. Writer's] books succeed with you, and I'd like to buy more of them without wondering whether I was going to be disappointed again. But if this is typical of how they're being produced, I'd also be concerned that the state of these books is setting up a situation in which the author's sales will be damaged, and you would stop publishing them... which would really be a shame. Whereas on the other hand, better production quality could keep previous purchasers coming back and buying, not only more books by this author, but books by others whom you publish."

This phrasing, as you'll have seen, walks a bit wide around the issue of your further purchases, while directing attention toward the bottom line... which will routinely be what the publisher's looking at from day to day. And—being, one has to hope, in possession of the wider picture as regards what's going on with their production costs—maybe they can actually do something about it.

Anyway, nothing ventured, nothing gained, yeah? It's worth a try. All you can do is hope for the best.

And finally: please know that I admire your commitment to the author: whoever she is, she's lucky to have you. It's a terrific thing to have readers who'll willing to spend the time to hunt you down, and who're willing not to judge a book by its cover. :)

[the-bloody-sadist]

in case no one else has asked, please list your top 10 BL manga/manwha? 👀

i am. very interested in what other media you enjoy, especially BL

Combining these two bc I didn't wanna leave the second out!

(I wasn't a big fan of Blood Bank personally but I'm so glad it helped you with your world building Lil Whale!!)

I'm hoping some of these are unheard of for you guys because THERE ARE SO MANY BL/YAOI AND I READ THEM CONSTANTLY BUT NOT SO MANY ARE FANTASTIC AND MIND-BLOWING AND SPECTACULAR AND DEEPLY PSYCHOLOGICAL! I'm pretty sure I'll end up listing WAY more than 10, mainly because I want to highlight ones I feel like a lot of people haven't read. ALSO because I read so fucking many of them that I've collected a stash and NOW IS MY CHANCE TO YELL ABOUT THEM.

Just a disclaimer, these are not in any sort of order, as they're all about the same level in my head, just grouped. I'll list the "big name" BLs that I adore after these! First up are the ones that either have a quiet fandom or aren't well known! Since there'll be so many, I'm not going to say much about them, just know that usually no BL/Yaoi is perfect to me, since there are many bad psychology tropes here and there or unnecessary cruelties that aren't exactly realistic etc., but overall, I like the way that the story and characters are handled and/or love the art.

Here's the top five of my top ten that's not a top ten bc there are so many (I just said I wouldn't group them but I lied my ass off apparently):

Jealousy [Scarlet Beriko]: This is one of those that emotionally hits so hard that it will stick with me forever and I will usually tear up just a tiny bit when I think back to the moments that made this one so beautiful. A lot of times a story with major hurt, angst, and tragedy won't wrap up with enough to make me scream and cheer at the end. But THIS ONE DID. And I stopped reading for a while when a big event happened because I thought it would end horribly and I'd have to suffer three weeks of fiction-induced depression for a man who wasn't even real. BUT NAY. The themes you get in this one revolve around loneliness (huge draw for me, it always hits), mafia-connected characters and the rivalries from that, self-destructive prostitution, and characters who have difficulty receiving love without freaking out. Are those even themes idk. OH WELL. YOU GET THE POINT. I want this one on my shelf. You might've heard of it, but the fandom is silent so I never did. T_T OH ALSO THE ART ON THIS ONE IS GORGEOUS I FUCKING LOVE IT.

Hitori to Hitori no 3650nichi [Hitomi]: First of all, favorite manga artist. FAVORITE MANGA ARTIST. I'm never exactly sure if the artist is also the writer or if the writer is never the artist or...BUT IT DOESN'T MATTER. Anyway! I listed this particular title because it was the first that I found by this person - but then I discovered it was a part of a bigger series, and there are like I DON'T KNOW FIVE DIFFERENT MANGA?? OR SOMETHING??? Related to this one. I don't know which order, I just know that I read them all in a frenzy. THE CHARACTERS. OH! OH THE CHARACTERS! Oh my gods, it's so good. LMFAO. The arcs these characters have are fantastic, and I loved the fact that the abuser in one is shown to be the victim of abuse in a prequel story, and that his anger issues and other elements of his personality came about to affect him and destroy him. Just...I don't recall the details, READ IT. That's all. Spectacular depictions of nuanced trauma within abusive relationships.

The Beast Must Die [Lee Hyeon Sook]: This remains one of my favorite depictions IN ANY MEDIA of a psychopath, because it's SO accurate and I'm SO fucking proud of the author for doing their research and OH MY GODS YOU GUYS IT'S ABOUT TO GET A DRAMA CD LET'S FUCKING GO! This story is so good. It's so evil. It's so psycho-thriller. It's so WELL DONE. It features a dark academia-ish secret society within a college setting who hunt people for sport, sometimes. LIKE. Come on. And the psychopath (dark hair) IS THE MAIN LOVE INTEREST! You could literally hear the summary and go "oh this is for Sadist". And I don't get a lot of those that deliver this well. SOMETIMES the art makes me twist my head a little but YOU KNOW WHAT I DO NOT CARE OKAY? It's just SO good. There's murder, there's kidnapping, and - most importantly - a main character who doesn't just DEAL with whatever the psychopath does. He's smart, he fights back, he learns to understand psychopathy to determine if he should remain with the love interest...it's fantastic. That's all. I will stop. *BANGS THE WALL*

Aporia [Seontae]: ALL HAIL THE HEALTHY BDSM RELATIONSHIPS THAT STILL HOLD TENSION AND EMOTIONAL WEIGHT AND SPEAK TO ME!!!!!!! HELLO!!!!! This is my favorite BDSM-themed story. Everything is consensual, but is everything safe??? Not when it comes to the main character's emotions and tendency to sacrifice his wellbeing for a partner. BUT NOT TO WORRY, HIS SADISTIC LOVE INTEREST IS CONSIDERATE AND ATTENTIVE AND CARES ABOUT HIS FEELINGS!! This is, perhaps, one of my favorite depictions of a REAL sadist. A real one as in a realistic, irl BDSM-relationship sadist. Someone who is just as worried about taking care of his partner as he is about hurting him JUUUUST right. ANYWAY! THAT'S ALL! READ IT! HE'S LITERALLY ME!

Royal Servant [MasterGin, Chungnyun]: Okay, we were talking about healthy BDSM in the previous one, now let's talk about TOXIC BDSM-THEMES THAT I LOVE. Lmao. DO YOU LIKE MASTER/SLAVE DYNAMICS? DO YOU LIKE STORIES WHERE THE ARC LEADS TO THE ABUSIVE MASTER EVENTUALLY LEARNING TO NOT BE ABUSIVE AND LOVE THE SLAVE? YEAH ME TOO. I DON'T NEED TO DESCRIBE THIS ANY FURTHER. AUTHOR OF ANGEL BUDDY, THIS IS THE ONE THAT I KNEW HER FOR FIRST.

A bunch of other good ones you may or may not have heard of (I won't describe every one of these unless I have something particular to say, so enjoy the pictures from them that I snatched):

Love me in the Wilderness [Wang Tao]

Neon Sign Amber [Ogeretsu Tanaka]

Zetsubou ni Nake [Shinou Ryo]: Guys. This story is UNIQUE AS HELL. I had to say something about it. The premise is that a man who was raped turns around and goes back after his rapist and rapes him back, and then they fall in love. IT'S....the amount of times my jaw dropped was insane on this one. SOMEHOW IT'S WRITTEN SO WELL. SOMEHOW THEY NAILED THE STRANGE REALISM OF IT AND HAD ME TEARING UP OVER THE INTENSITY OF THE RAPE SCENES. VERY WELL-PACED, VERY TRAUMATIC IN A GOOD WAY. HIGHLY RECOMMEND. The way they come to love each other after this crazy foundation of mutual rape is IMPRESSIVE. Kudos to the writer.

Love or Hate [Yeongha]: This is a very well-known one but there's like zero fandom so I think it fits here. Also a lot of hate going around for it? Which I never understood, fuck those guys. This remains one of the most beautifully-written that I've ever read, and I mean that purely in like...the ACTUAL writing on the page. I'm talking poetry, purple prose. I just recall being blown away by that, and no manga before or since has ever reached its level. For once I felt like the writer was also a novelist because of the way that they put things, and had a clear voice in the style. Did the main boy end up with someone I didn't want him to end up with at the end? Yes. But I felt like it fit pretty well, and it was sort of a tragedy, and it was supposed to hit you painfully in the gut. A lot of people were mad at the main character for that and I don't really think it's fair. In any case! A beautiful story with complex characters and intriguing dilemmas. Highly recommend it.

Shangri La no Tori (Birds of Shangri La) [Ranmaru Zariya]

Two in Six Billion [Denzou]

The Pizza Delivery Man and The Gold Palace [Upi]: Great story and character-building so far! I will say that once it became porn, it dove a little too heavily into it for me. Like I only needed one scene of the porn, I was enjoying the panic attack scenes much more. BUT YEAH, IT'S ONGOING, SO WE'LL SEE WHERE IT GOES! But the panic attack scenes were the reason I read it and yes, I did tear up.

Sleeping Dead and Living Dead [Asada Nemui]: I RECENTLY FOUND THIS ONE AND ADOOOOOOREEE IT SO MUCH. I DO NOT CARE THAT IT'S AN OLD SCIENTIST AND HIS ZOMBIE PATIENT. NORMALLY THAT WOULD HOLD NO SWAY OVER ME, BUT OH GODS, THE ART IS SO PRETTY AND THE STORY IS SO GOOD. I LOVE THE LITTLE ZOMBIE MAN! I LOVE THE LITTLE ROMANCE THEY'VE GOT!

Private Lessons [ANCO, Mongya]: It's cuuuuute what can I saayyyyy it has BDSM and threesomes and I liked it. Very entertaining. Scratches the BDSM itch and the little SUB WAS SO CUTE. Anyway.

Kingyo no Ubugoe [Gontaku Nido]

From Points of Three [White Eared]: Threesome dynamics!!

Silent Lover [Qiang Tang, Bai Li Jun Xi]: I STOPPED THIS ONE AT A CERTAIN POINT BECAUSE IT DIPPED INTO WEIRD M-PREG AND STUFF I CANNOT READ. But BEFORE all that, I was deeply ingrained in this one. It has a main character who can't speak (a particular weakness of mine) and he's OH SO CUTE and he's given as a sex slave basically to the emperor (emperor? idk he's a kingly man, something like that), and the emperor is evil but learns to be soft and yet it takes a LONG TIME SO I WAS BAWLING HYSTERICALLY OVER SOME OF THE HEARTWRENCHINGLY PAINFUL SCENES IN THIS FOR THE POOR YUU-ER. A good read until it decided to go the omegaverse-by-magic-potions route. I didn't stay to figure out where it actually ended up.

Yoru wa Tomodachi [Ido Gihou]

Toumei na Ai no Utsuwa [Hitomi]

Re:Birth [Misuaki Asou]: The singular omegaverse story in existence that I actually liked. Hopefully that says a lot. Mostly because it's about the omegaverse elements NOT being present for the main character and him trying to fake it because he's lonely and afraid that his partner (an alpha *shakes off the disgusting label because who the fuck thought alpha was a cool word*) will leave him if he finds out he's just a regular guy (aka beta I guess? ABO is weird idc).

Sahara no Kuro Washi [Soutome Emu]: MASTER SLAVE MASTER SLAVE---

Haru ni Kaeru [Kunieda Saika]

Incorrigible [Bbong]

Well Done! [ANCO, Mongya]

Nemuri Otoko to Koi Otoko [Zariya Ranmaru]

Even If You Don't Love Me [Pando]: It dropped off SUPER hard (it's ongoing still) but damn was it good in the beginning. I am sick and tired of where it's at currently but the psychological manipulation and the horror of a certain twist in the storyline was CRUSHING to me. I only wish that it would have gone a better way after it happened, because it slowly destroyed itself and became like a lot of tropey rape stories. The asshole just keeps being an asshole and it's not really where the story seemed to want to go with that. But otherwise, it started off strong and I'll give it kudos for that.

Bigger titles I'm pretty sure everyone has heard of that I enjoy:

Saezuru Tori wa Habatakanai [Yoneda Kou]: Is it a little unrealistic that literally everyone in this story is gay apparently and wants to fuck one man apparently and/or rape him? Yes, absolutely. Does that matter once you're in the story and it's so good and all these unrealistic cruelties make a really strong bond between the main love interest and this self-destructive masochist who's probably not really a masochist but only interested in hurting himself because he doesn't know how else to handle his trauma from childhood? Ummmm yeah. Anyway! This one had a lot of inspiration and a lot of tears and a lot of obsession from me. I re-read it all the time, I watch the movie over and over, I listen to the audio drama and cry at my favorite scenes. Do I care in the end that it's a little unrealistic at times? No but I do laugh sometimes when I'm about to share it with a new person. Because BL is just like that generally and you've got to put up with a little of those tropes to find your favorite stories. THIS IS ONE OF THE TOP FAVORITES OF ALL TIME FOR ME BTW, IT'S ONLY SO LOW DOWN HERE BECAUSE PRETTY MUCH EVERYONE IN YAOI KNOWS ABOUT THIS ONE ALREADY, AND WE'RE ALL AWARE OF HOW GOOD IT IS.

ENNEAD [Mojito]: I will say that this is basically the best manga/comic/manhua...what's the Chinese word idk ANYTHING OF THIS MEDIA TYPE that I have ever read. It's not done, and people have been complaining that it's starting to fall into the common BL tropes but you know what I do NOT care. Mojito is a genius, Mojito is a master storyteller, Mojito is beautiful, Mojito is strong - I just love Mojito and this work. So much. The action, the horror of rape, the deep-set character conflicts and dilemmas and internal turmoils. Everything, nailed it. Nailed it. And not to mention it's set in FUCKING EGYPTIAN MYTHOLOGY AND THEY'RE ALL GODS AND THEY HAVE SUCH COOL BATTLES AND COSTUMES AND DUDE???? I'm so hooked. That's all.

Killing Stalking [Koogi]: OBVIOUSLY. I don't really need to say anything about this one except that yeah, some of the psychology is a little off and some of it is just super shallow. But I loved the characters and that's what mattered in the end. I fell in love with Sangwoo too and it ripped my heart out when I read the ending. I was depressed for like two weeks and it was the first story that had ever affected me that way, but I was also younger and this was one of my first yaoi/BLs and yeah. GREAT story though, fantastic storytelling, very lovable characters. Sangwoo was handled so much better than most "asshole/kidnapper/rapist" characters and I will never stop appreciating that, because a lot of writers tend to forget that your villains have to have redeeming qualities if you want us to like them (????). Jinx, I'm fucking coming for you. Suck my dick. KOOGI FTW.

Missing Love/A Married Man [In Hyerin]: Some of the DESCRIPTIONS of how trauma works especially of the sexual nature in this story are SO. SO. GOOD. However, I am beginning to grow VERY ANNOYED at where it decided to go with the most current updates of the story. The author did enough trauma to the main boy, now it's getting so incredibly excessive that it's overdoing it and the author's kinks are showing through. LIKE I GET IT. Okay? I do. But this one became too much and I need him to return to the actual story arc of going through that trauma so he can HEAL with the right person taking care of him.

MadK [Ryo Sumiyoshi]: I am into NONE of the kinks that would lead to me picking up this manga. I hate demons, I'm not a monsterfucker, I can't do extreme guro, and yet I SAW CANNIBALISM. THAT WAS THE ONE THING THAT I THOUGHT I'D GIVE IT A TRY FOR. And then accidentally I got obsessed because the plot is AMAZING and the writing is SO GOOD and who cares if I hate demons and monsters ALL OF THEM ARE BADASS AND HOT (??) AND IT CEASES TO MATTER. Good on the writer for making them appeal by personality alone and expressions and whatever else you signed a deal with the devil to make me like because it worked. Also the guro is beautiful, so it doesn't even matter. Hannibal levels.

Warehouse [Killerwhale]

Painter of the Night [Byeonduck]

Viewfinder/Finder [Yamane Ayano]

Given [Kizu Natsuki, Gusari]

Nii-Chan [Harada] (and basically every other work by Harada)

Sadistic Beauty Side Story [Geumsan Lee, Woo Yeonhui]

Dine With a Vampire [Pangin, Pinko]

Angel Buddy [Mastergin, Chungnyun]

My Partner's Tastes and Fetishes [Deok Hwa]

Interview with a Murderer [KJK]

On or Off [A1]

Steel Under Silk [Snob]

The Pawn's Revenge [Evy]: It was going to be SO GOOD! And then it dropped off harder than a boulder from a balcony and I have absolutely no idea why the author took it the way that they took it, but go off I guess. It's boring as hell now but it started off with promise and I enjoyed the art and character designs. Too bad, I suppose.

Caste Heaven [Ogawa Chise]: An old classic with all the sticky sometimes icky mostly ridiculous BL tropes but hey, it's cute. It's sexy. It's fun. I don't care.

Wet Sand [Doyak]: We're still in the beginning stage of this one but I'm excited to see where it goes! Plus the art SLAPS ASS like nobody's business.

19 Days [Old Xian]: I hate comedy, I hate fluff, I hate buddies that never become lovers, but none of that mattered when I picked this one up. The duality of man. Bite-sized chapters and ACTUALLY AN EVENTUAL ROMANCE that none of us thought we'd ever get.

Legs That Won't Walk [Black Apricot]: Although this one dropped off hard for me and I'm really just following it to see if it picks up again and does something interesting (it probably won't) I did enjoy it in the beginning. I just get tired of the "asshole just keeps being an asshole and nothing else but woobified slut keeps coming back to him??" without the strong and realistic undercurrent of Reasons Why Someone Would Come Back such as manipulation or threats or unhealthy attachment. Perhaps it was sorta there in the beginning with them but now I'm just like why are we still continuing this story.

Pearl Boy [Inking, Zoy]: *Awkwardly scratches neck* It's not the best okay? It's not. It's really not. I don't like half of the things that occur in this one, but the ART, bro. THE ART, BRO? That's what got me into it and what kept me into it, PLUS I do like little Jooha. I stayed for Jooha, too. Dooshik drives me a little batty most of the time and looks ugly for half the story to me, but when he's badass, he's pretty badass, so I can forgive him. I really don't know why he has such drastically changing appearances because I thought he was someone completely different for a bit LMAO. In any case, I have to admit I like the uhhhhh danger that Jooha gets himself into and the crazy things that make no sense but you know what he gets hurt and then there's comfort and rescue and they cry and I cease to care that it makes no sense. (Sorta, I don't actually cease to care I just laugh awkwardly and go okay sure that's how it works because it's so hard to find stories that don't do this LOL I'm beating a dead horse) BUT WHY DOES HE CUM PEARLS? WILL WE EVER KNOW? WHO THE HELL THOUGHT OF THAT AND WITHOUT A SUPPORTING MAGIC SYSTEM IN THE WORLD TO MAKE THAT MAKE SENSE? IT WENT DOWNHILL SO FAST AND THE ENDING IS TERRIBLE BTW. THE VILLAIN SUCKS.

That's it. I can't talk to much or I'll run out of words but HOPE YOU GUYS FIND SOME NEW READS!!

[factual-fantasy]

18 Asks! Thank you!! :}} 🎪

@pink088

Guuuuurl does it look like I missed the boops? XDD

(I DID miss the super boops and revenge boops tho. I was trashed on the couch and stuck on mobile all day so I wasn't able to send any back to anyone💔💔)

Uhhhmm... oh jeez lemme try to remember-- I'm assuming you mean the order I got everyone in the game..?? Cuz other than the goofy little comics I've been drawing there isn't much of a story beyond that-

Uhhh so I started with Midori(Sprigatito) obviously, thennn... I think I caught Grim(Gastly).. then I caught Gloria(Ralts). Thenn..... arrhrhhgh I thiiiink I went looking for eevees, but I found Anastasia(Shiny Kricketot) in the process and kept her. Then I picked one of the eevees I caught at random and kept him. Then lastly I found a Mareep(Bonnie) by surprise and kept her.

My memory is very poor but I thiiink that's mostly accurate <XDD If I misunderstood your question don't be afraid to send another ask! 😅

@pbjfox37147878

Sorry, I don't take requests.. But hey! You already got a solid concept going and some artistic talent, you can always make it yourself for free! :0

Not really.. I've had a surprising number of uncomfortable experiences with the fandom recently so I've decided to take a step back from Octonauts for a while..

@psype

:DD Thank you! I'm glad you like them! :}}

And yeah that's how I pictured her XDD its becuase I use her the most out of all my Pokémon-

Now she's not bossy and doesn't have a leader or "I'm better that you guys" complex, none of that! She's just very intelligent and usually very level headed and calm. I can imagine that she's gotten the team safely through a lot of complicated situations and her plans/advice have rarely led the group astray.

Plus since I use her so often, I like to think that she's one of the most powerful Pokémon on the team. If not the most powerful. So whenever the group was met with a great danger, Gloria was probably the one to rescue them <XD

So the whole group kind'a gravitates behind her and lets/wants her to take the lead most of the time. Especially when things get complicated or dangerous!

@nerdyskullcap (User in ask)

I took a peek at their blog, but I couldn't find any original art of the Conductor after quite a while of scrolling through that tag.. I only found reblogs of other peoples Conductor comics.. <:(

XD That description of Gloria is very fitting! I use her the most out of all my Pokémon and she rarely loses! XDD

This was a cool read, and hey! Some of my Pokémon have some of those attacks! :000 Gloria has draining kiss and Bonnie has discharge! :D

@cat7890

I'd like to think they've never fought before.. maybe some little bickering on a bad day, but never anything serious.

They have good communication and just generally get along really well and like a lot of the same things. So there's rarely conflict between them! :0

Thank you! I'm happy to hear that you like my artwork! :}}

As for your question.. I'm afraid I don't understand/cant explain it--

Lets say I wanna draw Mario. I imagine what the drawing might end up looking like in my head, what pose I'll draw him in and what colors I'll use.. And then I just.. draw it. It might not look exactly like what I pictured but its probably close enough.

If that doesn't answer your question, I'm afraid I either don't understand your question or this is just an art thing that I don't know how to explain. <:( Sorry, feel free to send another ask with more specifics if you have them!

@sleep-deprived-fr3ak

If Bill ever became a lawyer? All hope is lost XDD

@raven-bearden-the-interviewer42

I haven't really thought about the details of the crews travels and adventures.. but I'm sure that when Louis got cursed and became a crab monster? That was probably pretty memorable XD

Probably this one honestly <XD I cant think of anything more cursed off the top of my head-

@fawncr33k

I suppose that would be fine, but I wouldn't prefer it. As I've said many times,, just comments guys! Asks, reblogs, tags, how ever you type them. I just want comments.👍

@neo-metalscottic

No problem! Getting asks are usually a pick me up :}}

As for the Dry Bones thing, that's what I meant by "not sure how it fits into the AU yet" 😅 Who'd they fight? Why did they fight? When did this happen? No idea. Its all just a neat concept with no structure yet :// And beyond the awkward living situation with the Dry Bones today, I haven't really thought about how the Koopa culture has been changed by the war. That's just way too much thinking and I'm way too sick to bother trying to figure it out atm- 💀💔 But maybe someday I'll think it through!

Now Luigi, I had this idea that he had a bizarre encounter with a 1-UP and was later bitten by a Goomba. Over the span of say... 5 days or so..? Luigi slowly got weaker and weaker until eventually he became bedridden and actually died- He came back to life moments after but it still completely shook Mario and Luigi's worlds for a sec there-

I had intended to draw a comic about this, and I made a sketch about it in the past.. but around the time I thought of this idea my Mario phase was kind'a passing over so I didn't feel like making it- <XDD

As for a potential sequel, I would like to see Wario, Waluigi and Toadsworth. Not sure why Toadsworth wasn't in the first movie- he absolutely should have been. That deep voiced purple..? council..? toad guy?? Totally should have been Toadsworth :/

And my request for the Wario bros is that they are taken seriously. 😅🤣

@cherrycreamfairy

I'm doing okay so far today, thank you! :}

@littlelightfish

I haven't really figured out the details about how Tuna and Louis lost their limbs- 😅

But I'm considering that Louis lost his arm (I assume you meant his arm-) in some kind of work related accident a long time ago. It must have been a fishing accident somehow..

As for Tuna, either some kind of natural disaster/accident or.. someone "removed" them... O-O

I do not :/ I'm not even sure what homestuck is.. I thiiink its a webcomic-

@nemo-draco

Oooo! :00 It looks cool! :DD

And thank you, I'm hoping I get over this soon too 😅

[micahulrichdraws]

I don't think self-deprecation or concern for the person's well-being is ever going to come across well to someone saying they like what you do. Maybe I'm missing something, but there are reasons to like your art besides being miserable. Even if only the truly miserable liked your work, responding to them by pointing out how miserable they must be wouldn't feel great for them. Your art isn't giving them depression, and it's not like you're contributing to net suffering by making art with ~themes~, so it seems unnecessary to bring up. You suggested that if you struggle to enjoy life, and you make something, anyone who resonates will also struggle to enjoy life. I disagree. Some people will like it for completely shallow reasons. Some people have empathy for others' suffering. You can have a decent life and no mental illness and probably still appreciate a well-drawn skeleton. I don't know what kind of art a perfect world would produce, but any world where people are mortal is going to have sadness, and some art will reflect that. Yours isn't uniquely dark.

Sorry if you've gotten 100 asks saying this same thing. I wasn't sure based on the ones you responded to, and I just found your blog. I know it's sort of a joke, bc you do still sell art prints and stuff, so you clearly are okay with people liking your art. Tbh, I /had/ depression for a few years, so I'm not exactly proof against the theory that your art somolehow only appeals to depressed people. It seems unlikely, though. And the way you talk about your art as "garbage" kind of gave me flashbacks to the sort of self-deprecating humor I'd use when I hated myself. I don't know you or how you're doing, but that feeling made me want to say something.

You didn't just miss something, you missed like, everything I've ever said on my blog about like, everything to the point I'm not even sure this was intended for me? Like I'd break it down, point by point and be like 'no what are you smoking' but that'd be a waste of time after the 'why do you think my art gives people depression!?' part of whatever this is. Like, this is offensive levels of trying to make me be someone I'm not for the sake of a hypothetical argument against a strawman. So if, you want to take offense to who I am in case you misclick and end up here again here's an asshole enough of a response to give you a legitimate reason to find me intolerable:

Welcome to my page! I make art, jokes, and bullshit with folks to make people happy. I started doing this when I was big sad, because cheering people up cheers me up. Now, here's the crazy part: some people are very sad, and sometimes they tell me it makes them a small amount of happy, which gives me dopamine and makes me do it again. The word 'some' means 'not everyone', or even 'a fraction of a percentage'. For example, in this case, it means 'most people just like my drawings but some people get an extra lil bit out of it'. I don't take myself seriously because I know that the art world is insanely intimidating to those outside of it, and sometimes artists tend to be egotistical and condescending, a word that means 'having or showing a feeling of patronizing superiority'. Naturally, I do everything in my power to avoid that, because I'm a very 'gates open' kinda person.

So, here's the WILD part: in my perfect world I would've never had depression. Now, I know, that would have been inconvenient for you as someone who passed by my page one time, and I do apologize. I also apologize that I don't make 'dark art', because I like frogs and mice doing cool shit. Finally, I apologize for my art having -~*themes and concepts*~-, I know good art only comes from ChatGPT and that was my bad.

Sike, I didn't apologize, my fingers were crossed behind my back when I said that. Fuck you for thinking me not wanting to be around for a decade is 'worth' because I drew a mediocre skeleton, and because somehow sadness is necessary. That line of thinking is so awful, here's a video explaining it:

PS: the reason my friends and I in these parts call my art 'art garbage' is because that's what my professors called it back in school for like 4 years, back when I started this shitshow. Much love.

[fairuzfan]

I'm Falasteeni and I can't read/write Arabic, and I only speak it at a childish level. I think being in America, my focus went to learning English instead, and I forgot everything. Every time I try to learn Arabic, I struggle. I also can't dance at ALL, especially dabke. And I can't cook many of our cultural dishes... I feel bad about all of this. There are Arabic classes I'd like to take, but I can't afford them. There are dance classes I'd like to take, but same. I'm not really asking if I'm valid or not, because I don't feel like I am. I guess I just want to point out how fractured I feel from my community, despite having lived in it for my whole life. And I always remember I should've grown up with these things...

i feel you, im bad at arabic and dancing so i feel kinda like a fake and i kinda dont super like cooking lol but something i talked about with a friend of mine recently is that really, palestinian culture is palestinian culture if its done by ANY palestinian. there are palestinians who do not know much arabic in the world. there are some who dont partake in all the types of cultural heritage. but they do partake in other parts.

anything you do as a falestini IS palestinian. i guarentee you out of the literal MILLIONS of us around the world, there is a community that is just your type. i recently found my community despite being geographically far from them by taking a chance and messaging someone on twitter. so like there are niches and there are communities that you'll feel right at home with.

something that i try to do, personally, is reach out to falestini artists and writers online. if you're a writer, i would check out RAWI (radius of arab american writers) and see if you can join in. poetry is a really connective force for me personally. There's also Palestinian Feminist Collective.

also an aspect of falestini culture that i always fall back on: wanting, with our entire hearts and minds, to change the world for the better. resistance is in our very bones. love is in our blood. we grow with the knowledge that a better world IS possible as long as we live and fight for it. and that can happen in any way possible. so remember: you as a falestini are connected to the idea of justice and love because that's part of our culture.

i hope that one day you get to find your falestini community that you feel right at home with. and its difficult but it might be cool to investigate other ways you can contribute to arts and culture. anything you do as a palestinian IS palestinian art and we need it so dearly.

thank you for sending this message.

[jalenay]

Nothing's Wrong with Dale - Publishing Update May 4 2024

So my work work is starting to relax - it'll be 'normal' working hours after May 15, but i'm manifesting some early additional free time (by ignoring some of the things i still have left to do) and i thought i'd give an update on my current NWWD plan to fill you guys in (if anyone wants to know) and to motivate myself to, you know, do it.

let me know what you think and if you have any questions! or if there's anything else you want to know!

So the overall plan is as follows:

First Rough Edit - this is basically just changing the POV from 2nd POV to 3rd POV. This is very tedious and currently what I'm doing right now. I'm also making a list as I go for high level updates/changes i want to make. Just thinking about the story as a whole and what tweaks i want to make now that the whole thing is finally done (primarily moving exposition around, if there's anything extra i can remove, timing of when certain things are discussed, and so on).

My Main Edit - this will be more time consuming but probably more fun as i do my main revise and edit of the story as a whole. i'll likely print the entire story out, make edits on hard copy, and then type up all the edits. I will also probably be sending the updated chapters to my main beta, for her opinion. (this would be the person i first texted about Dale in Dec 2021, she deserves first look lol)

Editor - After I'm happy with what I've done, i'll send the entire thing over to my editors, the main ones who worked on DSM. This will likely take a good amount of time (DSM took one month) but in many ways involves less effort from me lol. Just nerves.

Cover, Self-publishing Details - while my editors have the manuscript, I'll be narrowing down what I want the cover to look like and hiring a cover artist. (i've got a short list of artists right now, but i'll probably continue to refine that). I'm bad a visualizing covers and so this will be hard for me, although i have some basic ideas. i'll need to gather reference photos too and then work with the artist. I also want to publish more widely than just Amazon and will hopefully get DSM out to other places as well as a test run before NWWD. Look into more marketing? This is the most miscellaneous of the steps.

Process Edits - actually go through all the edits and notes given to me by my editor. This takes a lot of time (and is mentally taxing - no one likes to read pages of people telling you what you need to fix about what you wrote even if its overall extremely helpful and necessary)

Finalizing - I'll send the edited version to my first beta and another ARC reader/friend. I'll work on the formatting for the book. Coordinating where it will be published and when.

Publishing!

This is a loose list of steps that I mostly defined right now, but are similar to what i did with DSM. As i said, I'm in step one, currently just finished Chapter 25 of 36 of that rough edit.

I'll try to provide some updates on the process at it moves along, if people are interested in hearing about that. I'll most likely keep those updates on this blog, along with any other publishing specific commentary. if any one has any questions or thoughts on the whole thing, please feel free to send them to this blog or comment on this post.

I'm very excited to really dig into publishing NWWD and looking forward to sharing it with you!

Thanks to everyone for all their support - I wouldn't even be considering this (i probably wouldn't have even had a finished draft) with you!

[reidsc0nverse]

A Rose by Any Other Name (Chapter Two)

Summary: Reader accompanies Emily to a club during a case where Spencer shows her one of his many talents with the help of the one and only Derek Morgan.

Warnings: Language (not much at all)

AN: This is based on episode 4x9 (obviously) and basically goes along with the story. Also let's pretend Courtney (the bartender) wasn't the object of Spencer's attention for his magic trick. K thanks.

Series Masterlist

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The other day when I walked through the doors of the BAU I was not expecting to be thrown into my job, but of course, it happened.��

I was in the technical analyst Penelope Garcia's office when all of a sudden JJ (as she now told me I can call her) went into labor. How wonderful.

I mean don't get me wrong I'm so happy for her, but I still had a good week of training that I could've used.

That was two weeks ago, so now I'm fully in my spot as Communications Liaison, and not to brag or anything.. I'm doing pretty well. 

Right now we've been working a case in Atlanta where a guy of the "Alpha Male" type would kill women that he would pick up from the local bars. The team came to the conclusion that he was getting his tips from a pick up artist that seems to be teaching his skills to other men. 

They call him "Viper" and, according to Emily, he's a real treat.

"He's a grade A asshole." she huffs walking into the room of the precinct I'm in. 

"That bad?" I ask and she slumps into the chair next to mine.

"He makes me wanna gauge my eyes out." She says, laughing, but clearly annoyed. So far while I've been on the team she and I have gotten pretty close and she's honestly one of my favorite people. 

"I'm so glad I wasn't there." I say, shaking my head. I've dealt with one too many narcissists on a personal level so if I had to listen to a guy go on for ages about how to play hard to get with a girl or blatantly insult them to get them attracted to him I'd probably lose my mind.

"Time to give the profile" Derek says as he sticks his head in the room. Emily sighs and walks out with me to the rest of the team. 

They go on giving out details to the local PD and I drone out until Spencer talks to me, or at me kind of. "I like those earrings, yeah my grandma has a lot of fake jewelry also." 

PARDON?

He smiles and waves it off as not serious, which I understood he was only exemplifying what our unsub does but it didn't diminish the fact that it was funny as hell. 

After the team finishes I get up and Spencer walks towards me, "Um, sorry about that. I just needed to show them what the unsub learned from Viper."

I laugh and wave him off, "No no don't apologize it's fine, it gave me a good laugh so I'm really not hurt by it."

He smiles and Hotch calls us over to where the rest of the team stands. 

They explain that we need to see about more of what the unsub may have learned back at the group discussions and they hint that Emily is gonna need to go back and talk to Viper.

"Oh. Oh god, this is really gonna suck." 

A little later, Emily comes to me after the team splits up with a cheeky look on her face and her hands behind her back.

"Y/NNNNN...." she drags.

"Oh god what do you want." I say playfully, already knowing what she's gonna say.

"You know, Derek is bringing Spencer as a wingman, so maybe you coulddd..."

"Fine fine, but if we're hitting the club I don't think my work attire is gonna cut it." I say, looking down at the blouse and black pair of pants I'm wearing. 

She shakes her head, "Ah, no worries, I have something you might fit in." She pulls out two dresses from behind her back and hands one to me.

"So you just happen to have party wear in your go bag?" I ask, looking at the black tight fit dress now in my hands.

"We go to some interesting places." She smirks and smacks my shoulder lightly, continuing, "Come on, I'll help you get ready." 

She takes my hand and we go to the PD locker room, getting changed and she gets her makeup out.

"I thought you hated this guy, now you're getting all dolled up." I tease her, she laughs and starts applying her eye makeup. 

"I take every opportunity I can get to look hot as shit with a job like this. Plus, we're still going to the club." She jokes back and after a couple minutes we're done getting ready and meet up with Derek and Spencer at the car.

"Heyy, looking good ladies." Derek says with a cocky smile and Spencer waves at me awkwardly. 

"How flattering." Emily says and then huffs, turning to me, "You better help me through dealing with this worm." 

"Of course" I say, hand on my heart and all.

Once we get to the club we decide to split up, Derek and Spencer asking girls in the club if they've seen anyone similar to our unsub, and Emily going up ahead of me while we face this nightmare of a man.

She tells me to stay back until the right time and I watch her play her game of flirting while continuing to intrigue the man. She looks back at me when he gets a little too confident and a little too close so I walk towards them, Viper's eyes following me carefully.

The conversation goes as usual, some mindless snarky remarks tossed around as he starts discussing eye contact, more specifically pupil dilation. 

"Okay fifteen seconds." Emily says in response to the eye contact that Viper has been making with me, and trying to prove a point.

"What do you see?" I ask.

"Nope, no dilation."

Viper comes quick with his response, "Ah, because you have someone else on the mind." 

Do I? Maybe. I don't know. No.

Emily eyes me teasingly and the conversation between us and Viper goes stale until he gives us just what we want for the case. He gives us that our unsub is going to go for his "queen bee," the focus on all his killing. 

Emily calls Hotch with our findings and I meet up with Derek and Spencer as they talk, or..bicker maybe.

"Come here pretty girl," Derek says to me, I comply, confused but still.

"Pretend she's someone you're showing the unsub to, use that magic." Derek says to Spencer, putting me in front of him, but he explains to me that apparently Spencer isn't having any luck giving the profile out to the girls at the club so now he's doing..magic?

I don't know how he's not having luck, he's an attractive guy. I would feel like girls would go crazy trying to talk to him but I guess not.

Spencer looks at me like he really doesn't wanna do this, but he goes with it anyway. "Don't worry I'll play along" I tell him and he seems comforted in that.

He begins by acting as though we've never met and asks me if I've seen the man in the drawing before, I nod no and he pulls out a pen.

"We have reason to believe he has a scar about right..here." He says, running the pen through the paper and moving it around, leaving no rips in the paper.

"Woah, woah. What? How did you do that?" I ask, inspecting the paper. 

He shrugs and smirks, "A magician never reveals his secrets." 

Derek laughs and pats his back, "That's what I'm talking about, pretty boy!" 

After the case ends smoothly we arrive at the BAU once again and settle everything down. I go to JJ's office which is mine temporarily and get some paperwork out of the way with Emily.

"So, don't mean to remind you of Viper, but, is there someone on your mind?" She asks teasingly.

"Oh god." I groan and put my face in my hands.

She snickers and responds, "Oh so there is!"

"Maybe." I say, dragging the word out. "But I don't know, he doesn't really know me that well."

She nods, I feel like she sees right through me.

"Seems like you and Spencer kind of had a good time earlier."

I choke on my own spit, "Um what?" I say, coughing. Covering my mouth as well as the slight pink coming onto my face.

She smiles and nods her head as a tall figure walks in the doorway. "Speak of the devil." She says and walks out, I look up and see Spencer, so now she's leaving me and him alone.

His eyebrows furrow, and I wave it off.

"Hello there, Houdini."  I say smiling up at him, he laughs and leans against the doorway.

"You know it's an easy trick, nothing up to Houdini's standard." 

I shrug. "Eh, still impressive." 

Things are quiet for a moment and there's a hint of tension in the air until he clears his throat and starts.

"You looked really nice today, by the way. Just thought I'd say." His face goes red and I smirk.

"You came all this well to compliment me?" I tease. He laughs sheepishly and shakes his head. 

"No, no. I was um, I was coming to ask you if maybe you wanted to grab a coffee or something. Maybe I could show you how I really do that trick?"

He was nervous, obviously. But that didn't help the grin on my face growing and trying to hold back the blush that's definitely growing on my face.

"I thought magicians couldn't tell anyone how they do their tricks." I reply, more calmly than I thought I would've, I mean I'm just trying to play it cool.

"I can make an exception. I'll let you know, I have your number right?"

I nod and he smiles again and sticks up an awkward thumbs up, "Cool. Well, I'll see you later." 

"Bye, Spencer" I say playfully and as we walks out to the hallway I peek out and see Derek standing by the doors that leave the office with a cheeky look. I can see the back of Spencer's head nod and Derek raise his arms, saying something but they're too far to hear. 

Guessing Derek convinced him to go for it. 

Good thing.

---------------------༺⚘༻---------------------

I'm gonna be real and say I kinda hate this chapter but I promise it gets good. ALSO TYSM ON THE SUPPORT FOR THE LAST PART IM SO GRATEFUL UGH.

taglist: @darkenwolfie @justlivinginadaydream @daddy-dotcom @itsametaphorbriansblog @rosesandlavendertea @4karaa

[euniexenoblade]

Ok so Apple released it's 100 Greatest Albums list a while ago and I scoffed at it, but after watching some youtubers whine about it in different ways, I realized I hadn't given it the fairest shake. I haven't listened to every album on it and a lot of stuff I have listened to I haven't listened to in a long while. So, I'm gonna listen to every album featured and decide how I feel about them. And for fun y'all get small quick reviews.

Starting off, here's part one of my reviews.

I decided to start with Adele's 21. Not for any special reason other than it seemed like it might be nice to listen to in the shower. Adele has a great, powerful voice, but the album has two song archetypes that just get repeated. The songs are mostly competent so individually they're fine, but together as an album they make a very boring experience. Also, I recognized Rumor Has It from a commercial or something, I fucking hate that song. Docked extra points for having that song. This album doesn't belong on the list at all to me, and even if we are throwing a bone to the modern 2010s-2020s artists, she definitely doesn't deserve number 15. A ridiculous placement.

I decided to take on Drake's Take Care and hey guys, does Drake make any other songs? Why do they all sound the same? Does he do anything other than sad boy shit? Of the three Drake releases I've now listened to, this one is easily the best one. I didn't hate the experience, for that Drake deserves some kudos. But, I don't think there's anyway to view Drake positively in 2024. Maybe in 2011 this seemed special, but in 2024 I can easily say that this does not deserve to be on this list, let alone at 47. Giving Drake a pity placement is fine, but not in the top 50.

I have never understood the love that Hotel California garners. Like, the song is good, but it's not earth shattering, and the rest of the album is pretty typical rock for the era. There is just so little content that I haven't got much to say, it's competent enough to not be laughably bad, but it's also so run of the mill there's no highlights. Picking it for a list like this is what I'd call a safe option, not a real option.

I'll be frank, I'm not very familiar with Robyn or Body Talk, so maybe I don't have context on how important this album was to the history of the genre or music at large. Though, to my ear, the album bounces between having wonderful dance pop tracks to having some really boring, repetitive tracks. Still, not the worst album here (not even the worst in this post), it's just hard for me to really gauge how deserving it is for this list.

Probably an album with an unfair advantage, I've been listening to RATM since I was a kid. My favorite Rage album is definitely The Battle of Las Angeles, but I'm not dumb enough to say that should be on the list. Still think Evil Empire had greater music and potentially greater reach than the self titled, but this being here isn't bad. Just a shame it's only at 97.

Did enjoy this a quite a bit. However, musically speaking it feels incredibly one note. This belongs in the top 100 albums ever? Did it really have that level of cultural inspiration? I'm not mad at it being included, not even mad it's at 96, but for it to be in a better spot than the self titled RATM album? Incredibly stupid.

Probably a dumb thing to say, but this is what I expected Drake's album to be like? Fun music and fun lyrics about being a sad boy, a lover boy, and being too playful with women. Honestly, the only reason it gets such low ratings is consistently Usher says shit like this

GET IT?! IT'S CONFESSION PART II, SO HE SAYS PART TWO OF MY CONFESSION!! SOOOO CLEVER come on man. Does it belong on the best 100 list? I don't know. Let someone else decide that.

I have no issue with either of this being on the list, being in the 90s, or any real thoughts to give. Burial isn't quite my vibe musically so I got nothing to say, and Solange is great so it's like. It's cool they're there, no thoughts.

I don't have an issue with George Michael being on this list, but this album? I vibe Faith far more.

Flower Boy by Tyler the Creator is absolutely one of my favorite albums. I'd have imagined that Apple would have chosen Igor, since it's the one people universally seem to adore, but I'm happy Flower Boy is getting love. Flower Boy is my favorite from Tyler and it has special meaning in my heart, so any praise the album can get.

Look, if you're picking AC/DC albums to put on a list, then this is probably the correct pick, but why would you put AC/DC on the top 100 Albums of all Time list? I don't even think they'd qualify for the Top 100 Hard Rock Albums from before the 2000s list! Is it cuz of the Iron Man soundtrack? It's gotta be right?

This is probably my most unpopular opinion: Lady Gaga is overrated as hell. I do not understand what people in 2009 saw in these songs and I still don't get it now. Maybe it belongs on this Top 100 Albums List cuz it had some kind of cultural impact, I mean her music was inescapable for a time. But, I don't get it, I wouldn't put it on my list, and Bad Romance is absolutely one of the most annoying pop songs the radio has ever played.

And, to conclude this long ass pointless post, I'll just jump ahead again to end this on an album I enjoy.

I don't get the weird revisionism that happens around Kid A. I do love it to death, but when it came out it was critically hated. It just feels like everyone treats this as the greatest triumph in music, when the only people that have heard it are Radiohead fans and the weird hipster that tries to act smarter than you in music. Oh well, it's Captain America's favorite album so I guess it works.

I guess more of the issue is Radiohead is one of like, three or four artists on this list that gets more than one spot. Why waste a spot on Kid A at 33 when you have Ok Computer at 12, let some other unnamed artist be on the list instead.

Neither Kid A or OK Computer are my favorite Radiohead albums, but hey, I like Kid A. It's one of four albums I listen to when trying to fall asleep at night, so it's nice to see mentioned I guess.

[just-s0me-stranger]

Statement

I wish to make a statement regarding what happened on the 14th of April, 2023

I, at first, wanted to move on from what happened and start again

But, seeing as some people aren't willing to let go of what happened, I feel I have no choice but to give my side of the story

I'll admit, I haven't been perfect in all this

I made mistakes

Many I wish I could take back, and would do if it was possible

But, whether I'm forgiven or not isn't up to me

That being said, however, the person who started all this in the first place isn't innocent either

I wish to address the accusations against me regarding, defending a transphobic person, racism, me fetishising trans men in my Perfectly Imperfect roadrat fanfic, and my conduct with minors, in that order

First, the accusations of me defending transphobic person

These accusations were first brought against me on the 14th of April, 2023, when user @sodapoptisms dug up a tweet from someone who said the following

Link

They then followed up with a quote tweet saying the following

Link

Now, I knew the person being screenshotted

I don't defend how they said what they said

Out of context, it's very poorly worded

What I DO defend is the fact that I took issue with Soda wanting the roadrat fandom to "band together and force the bigot out"

In other words, Soda wanted to rally a mob against this person for their political beliefs

I took issue for several reasons

The first one being like I said, I knew this person at the time

I knew they weren't anti trans rights

But forcing someone out for not agreeing with every aspect of the trans community can cause someone to become anti trans out of spite

Which brings me to my next point

I knew not speaking out against Soda could have a detrimental effect on the support for trans rights on the grassroots level

How?

Because this person had said they'd had many bad experiences with members of the trans community

Many people have sadly come out against the trans community for those reasons as well

Including many gays, lesbians, bisexuals, and even some transgender people

Clearly, bullying people for not holding your exact political views isn't working

And may actually be making things worse

That isn't to say that you win rights by coddling people's feelings

But you don't win people over by bullying and demonising them either

There is a balance that needs to be met, which isn't at the moment

You can't just demand people be your ally, then treat them like shit when they refuse, or don't live up to your standards

The second accusation I want to address is the one of racism

I was accused of this after writing an open letter to Soda shortly after what happened on the 14th of April, which no longer exists

But in it, I used the term Flying Monkeys to refer to the mob Soda had rallied against myselfand the other person

The term, Flying Monkeys, is commonly used as a nickname in pop psychology for the friends of narcissists

However, because Soda has many friends who are black, they twisted the words to accuse me of referring to them in a racially derogatory way

This was despite me pointing out the fact that I did not know Soda's friends were black, as even if they have that in their bios, I don't tend to read bios in detail, if at all. So, I was unaware unless I saw a photo of them

Thirdly, the fetishising of trans men in fanfiction

I never thought I'd have to bring this up

After all, no artist or writer should has to explain or justify why they made the choices they did in their works, but here we go.

Long story short, I tend to write stories with mpreg in it

You can think ill of me for it if you like, I don't care

But, I do not write these sorts of fanfiction for fetish fuel

I wrote Perfectly Imperfect for several reasons

The major one being that I have a lot of unresolved Daddy Issues

I won't get too much into my personal history, other than my father wasn't much in the picture when I was growing up

The few times he was in the picture, he was abusive

Not just to me, but to my mother, my sisters, & his previous two families, which he had left prior

I was estranged from him for eight years until I learned he had cancer, & I decided to reconnect with him two years before he died

I began writing Perfectly Imperfect a year prior to my father's death

Why use Mpreg to deal with Daddy Issues, you may ask?

The answer is twofold

I want to have my own family one day, & I tend to project that desire onto my favourite characters

I'm also fascinated with the father/child bond I guess

Particularly those that, while they may not be perfect, they at least are there for their child/ren, and don't abuse them

As for the fact that I've written Junkrat giving birth

That tends to be how a pregnancy concludes

But, I always focused on Junkrat himself, & what he's going through while giving birth

Such as his the pain he's in and how scared he is

How he looks to Roadhog for comfort

And how Roadhog helps him through it

It's about the emotion & vulnerability of the scene, in other words

Birth is messy, & can be gross, I can understand why many are squicked out by it

But it's a fact of life, much like death

Fourth, I'd like to discuss my supposedly inappropriate conduct with minors online

As many of you will know, I used to run Roadrat server. This server was an 18+ server, as I didn't feel I could, nor did I want the extra responsibility of, keeping minors safe within it

However, I would ask around to see if many people wanted to join, provided they were of age

As at the time, there was a content drought, & I wanted to keep the fandom as active as possible through it

Which I felt I could do through Discord

Unfortunately, not everyone has their age in their bios, which is fine

I understand not everyone feels safe showing people their age

But, it does sometimes mean I'm unsure, & have to ask about the person's age

This person there were a minor & then asked if they knew of any other Roadrat servers

I didn't really know of any that were as active as mine was a the time, so I made them an offer

They tell me when they come of age, & I'd let them into my server on the day

As you can see, nothing inappropriate took place, & the conversation pretty much ended after that

So, that is the context of everything that happened

Lastly, I want to address @sodapoptisms aka @sodapopblast directly

I'm sorry

I'm sorry I ever had the misfortune of knowing you and your friends

I'm sorry I ever thought of you as someone worth my time

I'm sorry I never saw how much you use your gender identity as a sheild to bully and harass people who step out of line

I'm sorry I never saw how much of a manipulative and cowardly bully you are

And I pity your friends who don't see you for the worm you truly are

It's because of you that I've had to endure being mischaracterised and demonised by your false & deliberately misleading accusations

For months

I've endured multiple accounts of abuse, and many death threats because of you

I lost my standing in the Overwatch community

All of this took a major toll on my mental health & general well-being

It not only affected my ability to perform my job as a care worker, which I was so scared I'd lose because of you

But also my self-confidence & and self-esteem, which I had painstakingly built up by writing my Roadrat series over five years

Only for you to tear it down in the span of one day

I used to hold such ill-will towards you for a long time

But that's only stooping to your level

You deserve to get better as much as I do

But the sad thing is, you probably won't

You're way too comfortable where you are right now, surrounded by your fandoms & your Yes Men

I doubt you'll find true happiness while you're where you're at

And that's enough for me

[criminal-sen]

Petition for artists to stop calling their art 'sketches' and 'doodles' unless it's actually a sketch (quick, unfinished pencil on paper or the digital equivalent). It probably sounds like I'm kidding but I'm genuinely not; as an artist who used to tag lots of stuff this way, I thought it was a humble way of saying 'eh it's not that great' but then I'd turn around and see some artist whose skill is WAY out of my league saying the same shit about their gorgeous, full color art. And whether or not the intent is self depreciating (which is bad in itself), the takeaway I'd always get is 'this was easy and I didn't spend very much time on it'. Cuz that's what a sketch IS, it's something low effort and unfinished. And not to sound salty but it's a bit of a 'fuck you' to people at lower skill levels who would probably chop off a limb to turn out something that good. It then slowly dawned on me that I must be the 'fuck you'-er to some people, cuz we're all our own worst critics and I know some people really do like my art, regardless of how I might feel about it.

Anyway I highly doubt anyone's intentions are really 'fuck you', I'm sure yr all doing it for similar reasons as mine were, but it's a bit hurtful and disheartening nonetheless. If you put effort into your piece, be proud of it! Otherwise ppl are gonna think 'wow if THIS is just a doodle, what the hell am I even doing?'

Edit: hi hello, idk if anyone's gonna see this edit bc that's not how rbing works on this hellsite but I uh.. don't really agree with this sentiment anymore lol. Like yes, I do find it annoying and I do think artists should take more pride in their work but like. Getting upset everytime you see 'sketch' etc is just a shitty way to live yr life. I've been trying to get over it with mixed results but my point is, don't get mad at artists for tagging their shit a certain way please and thank you😭🙏

[maximillien]

Dates with our three men.

Because I've seen @elychee 's tags a lot and honestly I'm thirsty too.

Here are my headcannons:

Cale Henituse:

- I'd really see him as an introverted date kinda guy

- like maybe cuddling and reading together (reading TOGETHER, like sharing a book, ugh imagine having a signal for him so he can turn the page, like tapping his arm, whilst you're both snuggled up in some big comfy throw)

- otherwise it would be at a festival or a comfy restaurant.

- he'd definitely have some type of magic on him to alter his appearance (and on you too if you've done stuff like him in public and are known for it)

- in either dates there'll be eating so snacks or food are a must

- he's rich asf so if you're at the festival or restaurant, he's paying (except if you have dirty money (*somehow steals a golden plate from alberu to pay for bae's meal*)

- a listener. Loves listening to you talk. He might look disinterested to others, but you can tell he is indeed listening.

- if you're out for a date and he sees you staring at something will offer to get it for u

- if you're at home you'll both fall asleep on each other, book long forgotten, as the kids surround you and whisper between themselves before snuggling in with you both.

Choi Han

- omg I love him

- come here boy

- anywho I definitely DEFINITELY hc a festival date.

- especially if it's similar to a Korean night market, for nostalgia, he's going.

- If there are plushies to win and you want one, you'd best bet you're getting them

- very good at physical games (cmon he's a swordsman)

- will win anything you want at the stands. People are staring and trying to hide their stands, whilst his clueless ass is walking around asking where you want to go next.

- has eyes only for you, my god. He's either getting nostalgic staring at the stands or he's staring at you (he's doing the latter like 90% of the time)

- hold his hand and he'll blush but he won't pull away, he'll just become tomato Han

- again, like a Cale a listener, except he'll perk up whenever you go quiet since you think he isn't listening, and ask for you to continue, or he'll squeeze your hand (and give you this excited puppy look. He has eyes only for you)

- very soft

- eating skewers together whilst walking around and enjoying the festival

- if there's fireworks after you bet your ass he's gonna try and find a nice place to see them from

- (very cheesy) kiss him whilst the fireworks go off

- you'll upgrade from tomato Han to tomato soup Han (since he'll have melted on the floor)

-overall an outdoor soft festival date

Alberu Crossman

- here he is

- ugh sexyman. Get over here. Get in my bed.

- honestly he's very busy so dates are few and far between

- but it'd probably be a calm picnic somewhere quiet, where people don't usually go

- you'd say that the both of you should cook together

- he's so up for it. He's waited his whole life to flaunt his cooking skil-

- an attempt at cooking was made. Some hc him to be good at cooking, but honestly I don't think he would totally get it.

- he's not as bad as Choi Han at cooking, but he's not on Cale's level.

- so yeah, you're mainly making the sandwhiches, but he is participating, wether it be trying to get stuff for you or making filling (per your instructions)

- (ugh imagine making cookies and he wipes some flour or batter on your nose and smiles so brightly whilst chuckling- no. I need to stop. I need to stop)

- putting all your stuff in a basket and setting off (please, him in a loose poet's shirt, you know THAT 'pathetic artist' shirt)

- I think you guys would talk about everything and anything (you're both bashing Cale bc of his chaos and the resulting workload.)

- it's a really relaxing and peaceful date

- if you'll allow him, he'll put his head on your lap (xtra bonus: you play with his hair and he guns appreciatively, completely relaxing into your lap) and he'll gently appreciate the wind and you.

- I think it'd be pretty quiet, but if you're talkative go for it, he'll actively participate in Convo or he'll silently listen to you.

- if you stop taking he'll open one eye and nudge your thigh with his hand to continue

- husband material.

- very domestic and soft

- let's hope Cale doesn't overthrow another kingdom whilst y'all are out

a/n: Ely, this is for u I saw your tags and honestly your mutual thirst for Alberu is completely relatable

[khruschevshoe]

OFMD Critique: Bad Faith, Fandom, and Respect

All right. You know what? Screw it. I saw one post I just cannot ignore anymore that encapsulated all of my problems with the fandom right now. Personal rant incoming.

I understand that there's a nuance to the discussion of season 2 of Our Flag Means Death, and that there are people going a little too far with both their critiques and their support of the show. But oh my God, I'm tired of being straw-manned and made fun of for legitimate critiques of the show.

I just used the block button on someone in this fandom for the first time. Some of you might think I'm overreacting for this, but I saw a post that I could not on any level stand. This person, who I will not name names of, because I'd rather just block them and never deal with their level of bad faith again, took their one legitimate criticism of those of us who critique the show, the back and forth on whether or not Izzy's death was homophobic or not, and used it as the first in a literal list of straw man critiques that no one I've read in the OFMD Critical tag has made (and I check it like once a day bc I like reading meta, sorry), proceeding to absolutely make fun of the legitimate critiques that people have of the show, parodying them in the worst possible ways. They took our legitimate critiques about everything from the sexist handling Zheng Yi Sao's character, the absolute ableism of the finale, the questionable optics of the handling of trauma, etc. and stretched them into things that they very much were not (two examples were that we were crying ableism bc of something to do with seagulls and that we thought the problem in the Stede&Zheng dynamic was the "emotional labor" involved).

Now I'm pretty sure this post was a joke. I *think* it was a joke. But how in the world am I supposed to feel comfortable in the main section of a fandom like this when the comments and replies to this post were full of people agreeing sincerely that this is what the critical section of the fandom is like? How am I supposed to feel when I just see people making fun of me for my analysis of the show? I love this show. I adore season 1 and I'm clearly still making fan related content (moodboards) for season 2 along with my critiques.

Sure, I vibe way more with fanfiction than the actual canon at this point, but I still genuinely engage with the show. And to have the critiques that I made in good faith, regarding issues that I sincerely care about such as ableism, sexism, homophobia, and the handling of trauma, made fun of and taken out of context and straw-manned to their extreme, makes me feel so absolutely unwelcome in this fandom.

Other than keeping up with the couple of fan series that I'm currently still reading, I don't know if I can stay in this fandom any longer. I can't say that I'm excited for the new season if this is the kind of response that any good faith critique of the show is going to get. I can't say that I feel safe or comfortable when there are this many people ready to dog pile on me for a critique I made with ACTUAL TEXTUAL EVIDENCE to back it up.

I would like to thank all the people who have been making excellent critiques of the show. Their meta-analysis is what got me into making my own critiques, which I was nervous about making in any other fandom. I don't think I've in any way tagged them all, but just a few I can remember off the top of my head. Go read their critiques/meta- it's really good!

@sky-fire-forever @carrymelikeimcute @blue-b-bro @bougiebutchbinch @treesofgreen @sixstepsaway @alex51324

And from the bottom of my heart, thank you to everyone who has engaged with my mood boards or my critiques or anything else that I've made, as well as the amazing writers and artists in this fandom (such as @ruecrown, @aletterinthenameofsanity, @fool-for-luv, and @possumsmushroom). You guys have kept me going with my love for the show and engaging with it for a while now. Despite the stuff that is making me take a step back now, I really did love this while it lasted! I'm still planning on making a few more mood boards, but other than that, I'm going to take a step back from engaging.

Hope this post can spread enough support/joy your way to counteract the ache I'm currently feeling!

Sincerely,

Ashley (aka @khruschevshoe)

[autumnalfallingleaves]

I've been stewing this in my head ever since I laid eyes on the show's designs for Eva and Muthr, but, as a cartoon artist, I think there's two big things that are really bothering me about the designs on both a personal and a design level.

My personal grievances are probably obvious: they took away everything that made these character look really unique, and the nostalgic part of me doesn't like that-- these aren't the characters I grew up loving.

(On a different note, the fact that Eva is POC now doesn't bother me at all; in fact, I love that they're making it more diverse. I think that's wicked cool and I'd love to see more of that. I just don't think there should be a cost to that, but the apparent cost that came about was Eva and Muthr's originality. Fuckin boo.)

On a less personal, design-focused level... this ain't it. I'm no expert, not by a long shot, but I watch a lot of cartoons-- mostly 2D but with a distinct amount of 3D thrown in there-- and one thing I've really learned in that space is that a successful design, especially for a main cast, gives each character a distinct silhouette.

Something that comes to mind easily is Steven Universe. I don't care if you love it or hate it, but something it does really well is give each character a distinct design that both gives you a visual shortcut to understanding their personality and character and just knowing exactly who that is each time they come on screen. If you showed me silhouettes of the main cast of SU, no distinguishing features, just their outlines, I could tell you exactly who each character is. Same with something like The Owl House or, to name a 3D cartoon, Tales of Arcadia. Each of these shows has good and bad things, but what they really nail is distinct silhouettes for each character, and that is partially why they are successful. I try to do this myself when designing new characters; making them distinct helps myself and the audience really distinguish that character.

The new WondLa show... is not doing that. Eva and Muthr are bland. They retain nearly nothing from their original distinct designs, though I will say-- and I say this grudgingly-- show Muthr, at least, does have a distinct silhouette. However, what character can be distinguished from her silhouette is bland and soft, nothing like Muthr's original character. Maybe I'll be proven wrong, I don't know, but it doesn't sit well with me.

Eva, I think, is the worst. In her original design, she's got tons of braids and loose garments and a thin stature. She's a chaotic little girl, and you can tell from the design. If you gave me just a silhouette of her, I could tell it's Eva from the book no problem. I should, theoretically, be able to do the same with show Eva. If you'd just given me a silhouette of show Eva, I should have had a reaction along the lines of "this looks like Eva Nine, but not exactly? What's different here?" and the differences are that she's in 3D with a slightly different design, not a whole overhaul. There is nothing interesting about Eva's new design. It falls flat and bland. If I didn't know already that that was Eva Nine, I wouldn't be able to tell at all that she is Eva Nine, not just from the silhouette.

I can only hope they give her a more distinct character design once we're in the territory of Hero and Battle, especially the latter post-"purification," but I won't hold my breath. Will I still watch it? Of course; I've been waiting for this for around a decade. But will I judge Apple harshly for its design choices? Yeah. Yeah, I'm gonna.

[shiicheol]

silent conversations ~ 3

‣ pairing: jeon wonwoo x oc 

‣ summary: Maxine found comfort in regularly sending messages to the number of her deceased ex, seeing no harm in it—until she received a response from a persistent stranger named Wonwoo. What are the chances of forming a connection with this unexpected stranger? How will their story unfold?

‣ genre: strangers to lovers. angst.

‣ chapters:

one

two

‣ disclaimer: The ideas and personalities depicted in this Alternate Universe (AU) do not reflect the actual views or characteristics of the artists. Their names are used purely as placeholders. Please remember that these stories are fictional and do not represent reality. Thank you!

Wonwoo's POV

In a world where billions of people live, there is that unique shared characteristic or experience with someone you have never or will never meet.

This shows the undeniable interconnectedness of one another.

They say, one of the few ways to connect with people is to have a high level of empathy or to have lived a similar life as the other.

I'd typically be glad that in at least one in a billion, there stood a person who can understand me.

But here I am in that exact situation, nowhere close to feeling ecstatic.

How? How can you feel such positive emotions when you know someone is struggling?

How can I feel relief upon catching sight of a lonely, lost soul?

~ TEXT CONVERSATION ~

Texting Stranger

I'm sorry.

I was drunk out of my mind. I called you at such an inappropriate time, you should have not picked up. Sorry for the inconvenience.

Wonwoo

Will all our conversations play out like this?

Texting Stranger

What?

Wonwoo

You apologizing despite not doing anything wrong.

Texting Stranger

I called you. I'm a stranger.

Wonwoo

I don't mind.

Texting Stranger

It's still wrong. I'm sorry. I'll refrain myself next time. There's something about alcohol that alters my brain chemistry.

Wonwoo

If it helps you to message the number, then it will never be a bother.

~ A FEW DAYS LATER ~

Wonwoo's POV

It was 2 am and I was just about to go to bed when my phone suddenly rang.

"Texting Stranger," appeared on the screen.

I looked at it with wide eyes, expecting a call from her soon but definitely not this soon.

I cleared my throat before picking up, "Love..." said the other end with a drunken voice.

"P-please, come back. I'm sorry, love. I miss you, please."

In a situation like this, no amount of words can comfort a person. In fact, there were no right words.

So I did what I seemed to have been doing best.

I hummed her a lullaby.

It went on.. 

And on... 

And on...

Until slurred words turned into murmurs.

Until murmurs turned into quiet snores.

Similar to the other night, I waited.

I waited with the moon.

I waited until the quiet snores stabilized.

I waited until the sun rose.

I too was falling asleep but how could I leave?

When the person at the end of the line had put up with sleepless nights.

What was a little waiting, right?

~ TEXT CONVERSATION ~

Texting Stranger

Fuck.

I did it again.

I can't help myself.

The next time you see a call, please decline.

Or simply do not pick up.

Do both of us a favor.

Wonwoo

What?

No one is stopping you.

Call me if you need to.

Text if you need to.

As long as it brings you comfort, then keep doing it.

Texting Stranger

Why?

Wonwoo

What?

Texting Stranger

Why do you speak as if what I'm doing isn't a bad thing?

Wonwoo

Why do you speak as if what you're doing IS a bad thing?

Wonwoo's POV

And so the late-night call became a routine.

There were no words exchanged between the both of us.

Just the phrases she consistently slurred, calling out to the unknown.

And my humming echoed throughout my dark room, with the reflection of the moon being the only source of light.

Moments like these I think of being under the same moonlight.

With someone, I've been talking to for weeks.

With someone, I can somehow relate to.

But also with someone who I do not know.

A FEW DAYS LATER

I'm falling asleep. No call from you tonight? I thought to myself.

It's 3:30 am, I guess not.

However, my thoughts were interrupted when I suddenly heard the loud ringing from my tiny device. 

Incoming Call From "Texting Stranger" Words on my phone flashed.

Just when I was about to fall asleep, the call I've been waiting for is finally here.

"Hey! Love! Hello, love! Let's party like old times!" said the voice.

What? Is she out partying?

Based on the loud background and her voice, I was able to tell that she was not within the comforts of her home.

She was out.

In a club.

So as calmly as possible, I asked.

"Where are you?"

Just as expected, there was no response from her.

Nothing but slurred words.

"Please, help me out here. Where are you?" I said as slowly as I could in hopes of helping her understand it better.

"I don't know. I'm here." She said, followed by a giggle.

I sigh and waited for any sign.

I was losing hope until I heard a booming voice from the background.

"Are you feeling hot tonight? Well, the night in Xylo has just begun!" said who I assume to be the DJ of the bar.

Got it.

As I was on the way to Xylo, I thought about the odds of me doing this in the first place.

I shouldn't feel obligated to do this.

I was a stranger. 

She was a stranger.

But maybe for once, letting go of the infamous notion, of "Stranger, danger" wouldn't be too bad.

My thoughts were interrupted as soon as I saw that my ride had stopped in the club I promised I would never step foot on.

Yet here I am to save another lost soul.

But this time, it was no longer myself.

As soon as I entered, I let my eyes wander.

There, I locked eyes with people who drank in celebration, heartbreak, and simply to let loose.

But how can I possibly find someone who I do not know the appearance of?

How do I find someone who refuses to be found?

Thus, I let my eyes wander then as if everything had gone in slow motion.

Bingo.

I spotted her.

How?

Because she was shining.

Because she looked sad.

Because out of everyone there, one only had the ability to look dashing despite being in such a state.

Because there she stood with a glint in her eyes that held a thousand emotions.

Because there she stood silent, with hundreds of people that somehow made her look lonelier than ever.

[mitziholder]

I find your thoughts on fandom interesting, and in general, I'm really glad to see more discussion of the bad shit fandom can/is doing to young women in radblr spaces. But I mean this as an honest question: Why do you consider fandom not challenging writers/readers such a problem? These aren't professional writing spaces, and the vast majority of fanfic writers don't intend to go into them. Does an artistic hobby *need* to challenge its participants to be worthwhile? I mean this all really genuinely, especially as someone who *does* work in the arts and *does* actively want work that challenges me, and has traditionally prided herself on it -- are these inherent moral goods? Am I a reasonable standard to expect of other people? Is engaging with boundary-pushing art a requirement of healthy maturity? Why? Is, say, a human rights lawyer who spends her free time watching trashy reality shows blighted, somehow, by that fact? What about a cashier who watches the same stuff because she's genuinely not interested in anything else? And, given the vast majority of readers of actual books basically read the way fanfic-only readers read -- the same genres, which use well-worn tropes -- do we think fandom is actually keeping its participants from more worthwhile experiences? (I suspect you might argue this is dumbing down the publishing industry, which I would really disagree with, as someone in publishing -- I know we can all point to Ali Hazelwood or a million YA books that advertise with tropes, but I really can't emphasize enough that this has been the case since modern publishing began, and I think pinning "so-so prose that's The Same Old Shit" on the current young female writer cohort borders on sexism, tbh.) I've been thinking about these questions a lot lately, and I just don't know the answers. My gut wants to say yes, it's good to present challenging work to people, especially women, because art is a key part of the human experience, and can effect all sorts of societal things. But also ... I know very little about the environment, including my immediate natural environment, and if I'm honest, I'm not really inclined to learn. I'm sure learning about it would effect all sorts of change in my life and concept of self. But I'm probably not going to do it because I have a limited amount of time and I'd rather give it to other things. Is that better or worse than engaging with challenging art? Is it better or worse to be me than the woman reading the same old tropey fanfic in her free time? I think what I WOULD argue is that, specifically, fandom as it is reinforces patriarchy and induces a lot self-destruction and alienation in young women, with particularly vile effects on young lesbians, autistic women, etc. But if it didn't do that....would I still have a problem with it? I don't know. But it's interesting as hell to think about, and I'd love your thoughts on it.

hello nona :-) many interesting points, much to consider

>Does an artistic hobby need to challenge its participants to be worthwhile?

no. I’m sure there are plenty of people who enjoy crochet or knitting or something like that for the sake of it or to de-stress. I’m sure there are also plenty of people who write and draw for the sake of it with little interest in grinding for improvement. that’s fine. the problem is when you have people who replace reading and personal edification with endless fluff + pointless indulgence.

reading... things... that are above your level, that actually make you think, is how you increase your vocabulary, your linguistic competence, your critical thinking skills, your ability to express yourself. difficult and complex texts present you with opportunities to broaden your perspective. they stimulate your mind, present you with new ideas; they can help you grow as a person in ways that the Same Old Shit simply won’t/can’t. it would be like benching the bar every day for 10 years straight and expecting to get stronger... I presume. I don’t lift weights.

as I said previously, I don’t think fanfic is going to destroy your brain, but if you read nothing but fanfic, that is on the same level as (or maybe worse than) reading nothing at all. of course I’m going to be critical of a community of people who humblebrag about how they can’t bring themselves to read 25 pages of literature in an academic (non yaoitastic) context.

ya ya it’s a joke they’re joking very funny, but do you see people of other creative pursuits or hobbies joking about how they can’t bring themselves to focus on a piece of actual literature or nonfiction? how they have zero interest in anything outside of anime boys kissing each other? it’s a sign of intellectual stagnation (and eventual regression imo).

I watch a lot of shitty youtube videos, but I acknowledge that they are basically a waste of my time. meanwhile you have post after post singing the praises of how culturally important and worthy of respect Our Beloved Fic Writers are in spite of the fact that their work is, by and large, completely self-indulgent shit! there’s just so much potential that isn’t being tapped into & so much complacency... it’s very frustrating to me. I find it dishonest. red white and royal blue is not going to change the world... lol

for the record, yes, you are right, lots of Real book-readers also read mostly self-indulgent shit. genre fiction is far more popular than anything else... and I don’t care for booktok either. in fairness, literary fiction isn’t always good, and I’m sure there were many women who read nothing but terrible pulp novels 70 years ago too. that doesn’t make fandom any better! not to say this is all women’s fault - I just have zero frame of reference for how “cultured” men may or may not be, and I don’t really care either way. I focus on fandom girlies because they’re what I know, & I want women to be... better, or at least more interesting. this is, of course, sexist by definition. I hold myself and other women to higher standards. I will admit to that. I’ll also admit to the fact that I do not care about men or what they are writing or reading and would not give a shit if they all became illiterate thoughtless slugs. it is what it is.

truthfully, I have no interest in moralizing any of this. I just find it depressing! it’s resulting in more and more women who cannot relate to and have zero interest in anything outside of the narrowly defined fanfic bubble - so, more and more women who can’t relate to me or what I care about. I’m selfish, and I think it’s unfortunate that there are so many young female writers clearly capable of writing something interesting who nevertheless restrict themselves to lowest common denominator coombrained garbage because it’s what’s easy and popular.

do we have a responsibility to pester random strangers about their amateur fanfic? naw. who has the time? all I know is that conversations I’ve had with my female friends about our original works or other women’s writing have been vastly more substantial and enlightening than any argument about who tops or bottoms in supernatural... imo. in my opinion

re: the environment and social responsibility, I also have no interest in debating what matters are the most important and whether you have a personal, moral obligation to educate yourself about them. I recognize that we all have a limited amount of time and energy to dedicate to something which is admittedly fairly peripheral to most people’s everyday concerns (such as... paying the bills). then again, so is almost everything.

at the end of the day, I just think it is an awful shame that some women would - and they freely admit this - rather turn their brains off and do nothing, think about nothing, read the same shit over and over, watch the same shows over and over, draw and write the same things and dynamics over and over... than do anything else. anything different or thought-provoking or uncomfortable. it is a loss for the breadth and the depth of women’s contributions to culture as well as their empathy and intellectual curiosity.

obligatory food analogy: a little bit of junk food won’t kill you, but if that’s all you’re eating, you are probably not... doing... well

and that’s not even getting into the social contagion present within fandom re:mogai, relationships, and gender identity shit (which I would say probably has a lot to do with the underdeveloped critical thinking skills and worldviews of girls who read nothing but fanfiction). I would love to come back to that at some point, but I think this post is long enough, so I’ll just put a pin in it. there’s honestly an insane amount that I have to say about common talking points regarding the value of yaoi/fanfic (in terms of how they portray Marginalized Identities and Relationships and how it supposedly helps women navigate their own trauma through a proxy or some shit like that) oh god this is a horrible run-on .... that’s all for now! send post!