#they took all the subtext and made it all RELEVANT content so yeah I can get behind this

[demonslayedher]

I see now how Ufotable plans to make a full season out of this

[toonbly]

Oh please do give us the essay I would LOVE to hear your thoughts.. your Freemind content is like kisses directly to my brain 's all so good.

OKAY SO LIKE. quick tw for discussions about internalized transphobia and internalized homophobia

QUICK CLARIFICATIONS: I’m a queer transmasc nonbinary and some of this is projection. A LOT of this is cherry-picking from and overanalyzing little bits of FM canon.

im gonna put this under a readmore to save yalls dashboards

HERES WHY FREEMINDS NARRATIVE IS 10X MORE INTERESTING IF HE’S QUEER:

So some things to cover: We’re cherry picking from canon and MOST of this is based off of fanon interpretations of freemind’s character. i should also clarify that I myself am asexual and nonbinary transmasc (though i only use they/them pronouns), im not entirely sure of my romantic orientation but yknow, obviously im not cishet lol. Some of it’s self projection, some of it is character study, either way I think it’s important to clarify that some of this is my OWN experience and that what im outlining here obviously isn’t the universal queer experience.

SO COVERING CANON. like okay, most of us tend to go down the route of “Freemind is gay/bi/otherwise queer in terms of attraction and he’s just in denial of it” in our freemanverse content and like, if you pick apart the source material there’s canon backing for this! (ie: Freemind saying he can’t wear earrings cause sailors do that and sailors are “kinda gay”, then later going on and on about how he wants to be a pirate and how he should’ve done that instead of being a scientist.) LIKE OKAY, OBVIOUSLY THIS WAS JUST ROSS MAKING A HOMOPHOBIC JOKE AND PROBABLY DIDN’T THINK ABOUT THE IMPLICATIONS OF THIS AT ALL. obviously that is the case, but as most freemanverse content does we are casually Throwing That Out The Window and cherry-picking from canon because Freeman’s Mind is full of gross content and we are simply here to take whatever we want to and RUN AWAY AS FAR AWAY AS WE CAN WITH IT. What I’m saying is basically, yeah, there’s some canon backing for Freemind possibly being gay/bi/whatever and just in denial of it due to internalized homophobia and some toxic masculinity issues. In terms of toxic masculinity he constantly brags about how cool and tough he is, makes himself out to be an invincible genius, etc. He very much frames himself as the “Tough man who feels no emotions because ReAl MeN dOn’T cRy.”

That’s basically all we need from canon. Accidental subtext on Ross’s part implying internalized homophobia and Freemind’s constant attempts to frame himself as what a “real man” would typically be considered as resulting of toxic masculinity.

Now moving onto fanon: Many fanon narratives take Freemind’s character and try to give him a redemption or healing arc. Basically the guy learns that he’s allowed to show emotions and that this doesn’t make him pathetic or lesser than anyone else, and usually he does so with the help of those around him (typically the other Freemen, sometimes Eddie, hell sometimes h/lvrai characters like Tommy!) So here we have the narrative of “A man struggling with toxic masculinity and self worth issues learns to better himself, he lets others in and starts to be true to who he actually is strengthening both himself and the connections with the people he loves.” This is an arc I love and have incorporated into a LOT of my works involving Freemind! Hell I think it’s difficult not to take his character into that direction.

But, okay, what does this have to do with Freemind being queer? Obviously I’ve mentioned the internalized homophobia subtext and all that but up until now it seems like I’ve only really mentioned the more emotion-based aspects of Freemind’s arc. Well this is where we get into my own personal interpretation of Freemind’s story.

My version of Freemind is a gay trans man, he realized he was trans sometime in his teens but only came out and transitioned sometime during college. In my version of the story, I think Freemind grew up around a kind of rough crowd. He’d hang out with those sort of boys at school that were just the EMBODIMENT of toxic masculinity, and I think he kind of internalized a lot of what they told him? They told him things like “Boys don’t cry” and “Boys are tough” and “Boys can’t like girly things” and “Boys can’t like other boys, that’s weird.” etc etc etc. He hung out with a rough crowd and didn’t have the best support system at home, and a lot of this resulted in his more egotistical larger than life personality- He acted out a lot both because his peers told him to and because hey, at least it got him some form of attention. He was a smart kid, sure, but that was never really enough to impress anyone around him. He kinda developed this “I’m better than ALL OF YOU” attitude as a defense mechanism, and as he started coming into himself and actually accepting that he was trans he took those things that his peers told him “””real men””” do and don’t do and cranked it up tenfold, just to further prove that he was better than all of them and than he was even more of a “””real man””” than any of them could tell him. He took these toxic view points and internalized them, making them a key point of his personality just so he could prove himself and put himself above others. I don’t think he struggled too badly with internalized transphobia, at least in the “I can’t be trans cause that’d be bad” sense. I think he struggled with it more in the “I have to do all of this or I’m just lying to myself and doing this for attention” sense. Granted, he never held anyone else to this same standard, he’ll never admit it but to him things are always different when it’s him. Sure Freeman and Feetman can have their little boyfriends and do gender nonconforming things, but that’s different, they don’t have to prove themselves for anything, they’re not held on the same pedestal as he is, they’re not Gordon Freemind. It’s different whenever it’s him.

BUT, as he begins to grow and learn and not hold himself to such a high standard, Freemind begins to learn that all of these things aren’t true. He learns that showing emotion, being gender nonconforming, being attracted to men, etc. doesn’t make him any lesser than the others around him and there’s no “different standard” for him JUST BECAUSE it’s him. Hell there’s no different standard for him at all, there never has been, and the people who told him otherwise were just toxic assholes who he shouldn’t have to please in order to exist as himself. As he is, he’s good enough, he’s always been good enough, and allowing himself to be vulnerable and accepting who he is doesn’t make him lesser than those around him.

What I’m saying is this: Freemind’s narrative outlines the journey of a man learning vulnerability and learning to accept himself and allow others into his life. His character arc cannot be complete until he does these things, and in certain stories Freemind’s inability to be vulnerable and accept who he is might become a detriment to his goals and the goals of others around him. If he doesn’t learn to accept himself and open up to others he will fail to achieve his goals. Ultimately it is Freemind allowing himself to open up, accept himself, and be vulnerable that saves the day. Alone, this is already narratively interesting, but if you also mix in the ideas of him being queer in any fashion and learning to accept that and that there’s no “right way” to be himself, it adds a LOT of layers to the narrative. It becomes less a story about some dudebro learning that he’s allowed to feel emotion and more a story about a queer man learning to accept who he is, being proud of who he is, and how allowing himself to be vulnerable contributes to this acceptance. It becomes a narrative about how being open with yourself and others can lead to you discovering who you really are and accepting and loving yourself for it. Freemind’s identity as a queer man becomes DIRECTLY TIED into his character arc of learning vulnerability and allowing himself to make connections and I feel like that’s really important! Sure, not every narrative needs to be about a queer struggle and frankly I don’t like tackling it constantly myself, but Freemind’s story in particular becomes much more interesting under a queer lens especially considering how you could very easily tie the discovery and acceptance of his identity into his general character arc. It’s a story about a queer man learning to love himself and becoming a happier, better person for it.

TL;DR: As a queer transmasc nonbinary myself, I find the idea of Freemind’s narrative being queer incredibly interesting. It’s easy to tie in Freemind’s identity to his character arc of becoming more vulnerable and open about both who he truly is as a person and in an emotional sense, and I think it’s really interesting to make a character’s identity relevant to their arc somehow. Granted, this doesn’t always need to be made the case because queer struggle narratives can get tiring on some queer audiences, but in this specific case I think it’d be an interesting character study.