#they should keep this character design when they start up s17
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toaarcan · 6 years ago
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RvB 15-17 Condensed
The working title for this was “RvB 15-17 but not crap”.
Now, this might seem a little presumptuous to include Season 17 in this, which, at time of writing, has yet to be released, buuuut I’m basically mashing S15 and S16 into a single block which would make S17 actually the sixteenth season in this version. So the rewrite is that Season 17 happens a year earlier.
Now, I have my problems with RvB 15-16.
I don’t want to start off on such a negative tone, but I feel like I need to establish that before we go ahead.
While Season 15 was at worst, a mediocre RvB Season with tonal problems and inconsistent characterisation for our leads, Season 16 is all of those problems made worse. Like, it’s not Season 9 bad, but it’s still bad, and while I’ve mostly covered those issues in past posts, I haven’t really covered how much the setup for the climax is just plain stupid.
Like the setup for the finale, and thus Season 17, is as follows:
Atlus: Don’t do the thing.
Wash: Don’t do the thing.
Huggins: Don’t do the thing.
Carolina: ... Alright guys let’s do the thing.
[Time breaks because they did the thing]
It’s a little more complex than that, but not by much.
Now, I ummed and ahhhed over how to make this work for a while, but ultimately, I came to the conclusion that this is how I would do it.
For starters, 90% of Season 16’s plot is getting dumped. If not all of it. Legitimately all I’m keeping is the ending. Sorry, it’s not exactly a big loss.
Second off, I’m not heavily altering Season 15. While there’s definitely a good Season 5-13 tier plot that could be told with a fake BGC, this isn’t it, and attempting to alter that leads into a completely different set of stories. So Season 15 is mostly unchanged, just assume Temple is actually a competent villain and the plot isn’t driven entirely by the BGC being dumber than usual for a week.
So the timeline is now Season 15 -> Paradox -> Season 17.
We’re also scrubbing Wash’s injury from Season 15. It’s going to be an unnecessary complication for the lead-in to the next season anyway. If we’re going straight for the time paradox, then having Wash be injured is kinda pointless. Given that Season 16 ended on a warped Blood Gulch way before Wash ever showed up, there’s nothing to gain by having him out of action. He’s already imperilled enough by time being fucked.
“But wait,” I hear you say. “If Wash and Locus are with the heroes when they take on the Blues and Reds, surely they catch up to Temple quickly enough that the time machine doesn’t get turned on!”
Ah, but that’s the beauty of it. Whether the time machine is turned on or not is not the focus of the paradox here. And because that’s not a vital plot point, we’re free to have the characters just Travel At The Speed Of Plot, and arrive precisely in time for the actual climax.
You see, rather than changing history around Wash’s injury and thus fucking the timeline up, the key to the paradox is Church. Specifically, what happens when Church is removed from their history because someone pulled him into the present before the events of Blood Gulch really happened.
In the actual show, when Church appears in the portal, Tucker tells Caboose to pull him through, and Caboose refuses, instead bidding farewell to an extremely confused Alpha and allowing the portal to close. It’s a big moment for Caboose’s character, and it’s one of the parts of Season 15 which is pretty well-executed.
Obviously, I’m not going to overturn that and have him not have the growth. So, how does Church end up being pulled through?
“Tucker did it!”
Now, I’m not a big fan of Joe’s Tucker. In fact, that’s an understatement. I hate the way Joe writes Tucker, and I’d rather not fall into that same trap, so I’m going to explain in detail why Tucker would make this mistake.
 1) Tucker just had Epsilon die on him. Inside his head. And at the same time, the other remaining pieces of Epsilon all faded away too. And Tucker didn’t even notice it was happening, by the time he realised what was going in, the fragments were gone and he was left in a very empty and very non-functioning suit of power armour. Given how heavy this armour is, with it non-functioning, Tucker was probably unable to move until his friends removed most of the suit, so he was trapped in a coffin that was emptier than it should’ve been.
2) Struggling to cope with his grief, Tucker does something frankly stupid and activates the Temple of Procreation.
3) A while later, Tucker is starting to recover from his friend’s death, when Dylan shows up and he finds out in short order that A) Someone is committing terrorist acts while disguised as him and his friends, B) The planet he sacrificed so much, and Church gave his life for, is being blamed and might be invaded, and C) Church might be alive. This effectively halts Tucker’s recovery.
4) The consequences of his fuckup with the Temple of Procreation come back to haunt him, and suddenly, something Tucker has always been proud of- that he’s a great father to Junior- is called into question because he’s now an absentee dad to a fuckton of Chorus babies, which deals a blow to the poor man’s ego.
5) Shortly after that, the fiasco where Temple manages to manipulate him happens, and it makes things even worse for him. He should’ve seen through it after Felix, but he didn’t. And now, Wash and Carolina are hurt because of him, and the message from Church was a fake.
6) Finally, after all of this, he’s face to face with Church, and he has the chance to save him, and while maybe he could follow Caboose’s example… there’s one key problem. This isn’t Epsilon, it’s Alpha.
Y’see, there’s a big difference between those two. As has been pointed out before, Epsilon was always kind of a total prick to Tucker. A lot of this can be chalked up to Epsilon’s knowledge of the BGC coming entirely from Caboose, who purposefully left Tucker out of his recounts of their many adventures.
But this isn’t Epsilon. It’s Alpha. Tucker’s best friend, Alpha. Alpha, who went off and died without Tucker being there. Without Tucker ever getting a chance to see him once again. They got separated and one year later, Alpha died, in denial about a fact that Tucker had figured out long ago. Maybe Tucker could’ve helped save Alpha if he’d been there. Maybe Alpha wouldn’t have had to leave the safety of Wash’s suit and end up vulnerable to the emp if someone else had been there to hold the Meta’s attention.
 Tucker decides to save his friend. He’s at the end of his rope and after all the crap he’s been through on this journey, which he set out on because he wanted to save Church, he’s going to damn well save Church.
Additionally, by tying Tucker into the portal scene properly, there’s now a proper narrative throughline from the characters receiving Church’s message to the portal. Caboose has been covered, but Tucker hasn’t.
 Time paradox.
Despite his best intentions and hopefully understandable motives, Tucker has just pulled Alpha-Church out of their history before it even got started. And given how much of Seasons 1-13 was motivated by Church in some form or another… well, they’ve just unmade themselves.
The final twist is that time isn’t rewound to Season 1. We don’t need to see that. Season 1 retreads aren’t needed. If they want to remake Season 1, they should just bite the bullet and do a full remaster of the early Seasons to clean up the audio, rather than forcing new Seasons of the show to ape it.
Instead, we see a Blood Gulch wherein the same amount of time has passed since S1E01, but with none of the elements that Church brought in having happened.
Tex never goes to Blood Gulch. She spends her time hiding from Freelancer and desperately trying to find her other half, whom she was ripped away from and now will never be able to reunite with.
Tucker loses his friend, and is left with Caboose, who already doesn’t like him.
Caboose, for his part, doesn’t get brain damaged by Omega, but he still has his air shut off and Church still convinces him to drink Scorpion fuel, so he’s not doing much better.
Kai probably gets deployed to Blood Gulch faster, since Blue team is undermanned. She’s stuck in an empty box canyon with the rest of them.
York lives on, not getting recruited by Tex, until the Meta comes for him. The Meta takes Delta and leaves York to die alone.
Wyoming is not sent after Tucker, and doesn’t get the chance to formulate the plan with Omega.
Junior is never born.
Because Wyoming’s plan doesn’t happen, Wash is left to try and combat the Meta without the aid of the Reds and Blues. He fails.
The Meta remains free to hunt down and murder its former comrades. Like Tex, it ends up searching endlessly for the Alpha, which it will not find.
Without the Project’s downfall, and without Epsilon’s activation, Carolina remains in hiding.
The Director remains in hiding, endlessly repeating his attempts to perfect his remake of Allison. He never finds the answer.
Chorus is destroyed by perpetual civil war, all according to Hargrove’s design.
And as the galaxy darkens, people who would’ve been friends die or are left alone to rot, and the Project that put them there tears itself apart until only Tex, the Meta, Carolina, and the Director remain, scattered to the winds and pursuing impossible tasks, Blood Gulch remains. Its purpose is lost without Alpha, and the Project is gone, but with no new orders, VIC perpetuates the “war” between Red and Blue teams, and so it goes on. Static. Unchanging.
Cue the ending, and the setup for the next season. A Blood Gulch without Church.
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poipoi1912 · 7 years ago
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Carisi-centric thoughts on Ep 19x03
Yet another solid episode! This season is going to be a winner. Also, THE BARISI CORNER IS OFFICIALLY BACK :D
But first:
Overall Thoughts
OK, this wasn’t much to write home about, but it was more than serviceable. All three actresses were very good so they kept me engaged, the case was pleasantly twisty but not convoluted, Sonny had significant input as a lawyer (and I loved how Liv was all “we’ll follow Carisi’s suggestion!”) and Barba delivered a heated and eloquent closing argument. I enjoyed it.
Squad Thoughts
More sharing of personal information! I swear, Sonny and Fin have talked to each other more in these last two episodes than they did in the previous 3 2 seasons! And they didn’t need some random case-related segue, either. This week, they were just driving to a crime scene, and they were shooting the breeze on the way there. You know, like normal colleagues do. Like real people do. Not cardboard cutouts. Something small like that, something as silly as stealing candy as a little boy, it can breathe life into a scene which would otherwise be mundane.
The thing is, even when an episode is not as exciting, it’s still worth watching just to see our characters interacting and being friends. That’s what SVU seemed to have forgotten, and it’s also the key to making a watchable procedural. Let’s face it, all the cases have been done before (often by SVU itself, because it’s been on for a hundred years), but the team interactions can )and should) be enough to maintain the viewers’ interest. This season, it’s clear the team dynamics are being cultivated, instead of being ignored, and that makes me happy.
The Barisi Corner
WE'RE BACK.
Just like I hoped, it's like S18 never happened. We're back to the S17 Barisi dynamic of friendly teasing and inside jokes. In the deleted scene from the premiere, we got the classic "booyah, Fordham law" type of interaction, except in its advanced S17 form. Where in S16 Barba would be biting with his remarks, in S17 and in the 19x01 deleted scene he was just making a joke for the sake of a joke, because that's what they do. Sonny tries to impress Barba, Barba is totally impressed, and then he makes a joke to pretend he's not actually appreciative of Sonny's input.
In this episode, we got an even more advanced interaction. We got Sonny making a smart legal observation not just to impress Barba, but because he wanted to contribute to the case. And, just like in S17, Barba was impressed, and then he used a joke not to diss Sonny, but to praise him.
See, there are two kinds of humorous Barisi interactions.
There's "Sassy Sonny Tries to Impress Barba" which comes complete with Sonny's dimples, and Sonny's smirks, and Sonny's cocky remarks like, "Oh, Rafael, are you mad you didn't think about it first?" This type of Barisi interaction always ends with a Barba side-eye and a snarky comeback. When Barba knows that Sonny is flaunting, he's always quick to shut it down. That's the joke. Sonny starts blathering on about a hypothetical argument, just to show off his legal skillz, and Barba is amused, but he also acknowledges the alterior motive, i.e. Sonny's desire to get Barba's approval.
But then there's "Dedicated Sonny Tries to Crack the Case" which comes with Sonny's frown and Sonny's desire to get justice, and Sonny's casual use of legal terminology like "obfuscated." This type of Barisi interaction always ends with Barba subtly praising Sonny, using a joke to cover up a genuine compliment. When Barba knows that Sonny is trying to be helpful, he's always quick to encourage it. That's Barba's favorite thing. Seeing Sonny creatively solving a legal problem with no ulterior motive. Sure, their games are fun, and they've been fun for 3 2 seasons now, but at the end of the day they're both trying to get justice, and Barba loves it when Sonny focuses on their work.
That's the thing. Both Sonny and Barba have evolved. Sonny used to thirst for Barba's approval, early on, in S16, but soon after that he found his confidence, and his footing, and his place on the team. He still tries to show off for Barba, because it's fun, but that's no longer his main motivator when he speaks legalese. Sonny isn't a law student looking to get that A, he's a lawyer looking to get that D. And his actions and words have come to reflect that. Now he doesn't just state the obvious as Barba jokes "save it for night school." Now, Sonny has original ideas which can actually help SVU.
And Barba, who treated Sonny so condescendingly at first, Barba has come to see the change in Sonny as well. The humorous element of their interactions persists, because Barba is a snarky bastard, but now those same interactions are loaded with respect. With friendship. With flirtation. Barba is no longer dismissive of Sonny, and hasn't been for a long while. Barba sees Sonny as a useful presence in the squad, with legal knowledge the other cops don't possess, and it's clear he welcomes Sonny’s observations. It’s right there in his smile smirk. Barba is willing to listen, and he’s even willing to entertain the notion that Sonny just might think of something he didn't, which is beautiful to see :')
Barisi Hopes
Now all I want is that other type of S17 interaction, the quiet support. Sonny always supported Barba in tougher moments, like the death threats (what death threats lol?), or a trial gone wrong, but Barba also supported Sonny, especially during that Catholic Church case, as we all remember. I'm loving the new showrunner's tendency to use humor to display the bonds between our characters, it's just the perfect thing to balance out the grim nature of the cases, but I'd love to see some more muted, more emotional moments between them (between all of them, but Barba/Carisi especially, lol). We have an entire season ahead, so there's still plenty of time. I'll be waiting.
For now, I'm just happy the classic Barisi dynamic is back.
I've said it time and time again, and I don't even mean romantically (that's what fic is for). Those two characters, Barba and Carisi, they have a dynamic that's gold. Clashing personalities (Sonny is dorkier, Barba is more sarcastic), contrasting temperaments (Sonny is sunnier, Barba is a little more bitter), common interests (the law), a reluctant mentor-mentee relationship (which has evolved now that the student is no longer a student, though he's far from being a master), a constant willingness to joke back-and-forth (which keeps building up their relationship and strengthens their bond), fundamental differences which breed a potential for unexpectedly emotional moments ("I admire your...", because Sonny is an openly affectionate person, and Barba and his wide eyes tend to shy away from affection), it's all there.
Good writing, plus a willingness to explore that bond, plus the natural ease Peter and Raul have with each other as actors, plus Sonny’s sweetness and Barba’s sass = television gold. And Barisi gold :’)
Yummy Thoughts
Barba was flirting. End of story. Textbook “there is no heterosexual explanation for this.” And I’m grateful.
Barba Thoughts
I’ve always said it, I prefer seeing “shrewd legal mind” Barba instead of “slave to his emotions” Barba, but the latter sure is fun to watch. That closing was intense, and you could see that Raul really dug his teeth into those lines.  I mean, damn. It’s not every week that he gets to really show off, with more than an eyebrow raise or a smirk, but when he does, wow.  I was just thinking, they rarely let Raul have a legitimate monologue, even though he’s a lawyer and theoretically we could be watching his opening and/or closing arguments every week. This episode tells me that the writers might be saving those moments, and using them sparingly, so they’ll have more of an impact. And I think they’re right.
That said, I wonder if we’ll be seeing a focus on Barba’s more emotional side, to better juxtapose him to the upcoming ADA, who’ll be more black-and-white and (I’m assuming) less emotional. If so, this was a smart way to start doing that. In this episode, we still saw how smart Barba was, but we also saw a passion we don’t often see from him. I’m assuming Barba and Peter Stone will clash on more than their positions, they’ll clash on philosophy, as well, and I hope this was an example of that. We have to see the “new” (but old) Barba, he has to be established first, under the new showrunner’s reign, and then we can be introduced to Stone, and see what they have in common and what they’ll never agree on.
Stray Thoughts
Just like I thought, last week's dramatic ending (and Sonny’s potential subsequent trauma) was not directly referenced. It may come up again in the future, but again, as I said in last week's post, this is classic Original L&O stuff, a self-contained dramatic episode which ends and is never mentioned again. L&O in its earlier seasons was much less serialized, and I think the new showrunner is bringing that back. I don't mind it.
Another thing I didn’t mind? Flirty Sonny using his masculine wiles to cozy up to that witness and get her to help. Now that’s how you use your assets :D
“CONFIRMED.” I love Fin.
That old high school pic? I love that NBC employs people who have a passion for graphic design :’)
More background on Sonny’s family! The show remembers he has a niece! His mom used to cover for him for childhood shenanigans! He went to confession for stealing candy! Classic Carisi material. And continuity galore. This is the Sonny we know and love.
Amanda dismissively saying “pills, booze” to judge a woman who was on prescribed anxiety meds and enjoyed, like, a beer? Never change, Amanda. actually, please change (that said, yay for continuity!)
What a waste of Annabeth Gish.
So Brooke Shields is the grandma? Wasn’t that what everyone guessed? I was trying to come up with other guesses because I actually believed them when they said “no one has guessed who she’ll play”. Oh well. That said, she looked amazing, and I’ve always liked her. It’ll be nice to have someone with a (seemingly) kinder demeanor fighting against Liv. Not a criminal or a lawyer, you know? We haven’t seen that before.
Amanda and Liv’s jackets keep slaying my existence every week.
WHY DIDN’T WEE SONNY’S REACTION TO “YUMMY”???? HUH???? WHERE IS THAT CLOSE-UP OF HIS SMIRKY DIMPLY LIL’ FACE???
Did I write more than 900 words of this post about a 5-second Barisi interaction? HELL YEAH I DID :D
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