#they say it's better to have loved and lost but i think anyone who's lost it all would tell you otherwise

[songbirdseung]

i did it first / park jongseong

where cute, playful, and innocent arguments with your boyfriend are welcomed and appreciate as they lead into the sweetest moments genre fluff, established relationship

as you and jay walk back to the car after your date, the cool evening air still carrying the warmth of your laughter and lingering touches, you can’t help but feel a little smug. tonight had been perfect—dinner at your favorite restaurant, a walk along the river, and now a comfortable car ride back home. but as soon as you both climb in and buckle up, jay’s signature teasing smirk reappears, and you already know what’s about to happen.

“you know you’re wrong, right?” jay starts, his voice playful, throwing a quick glance your way as he starts the engine. “i definitely loved you first.”

you roll your eyes, half-expecting this after a night like tonight. "oh, please. there is no way that’s true. i’m the one who fell for you first!"

jay laughs under his breath, pulling out onto the road. "y/n, you can tell yourself whatever makes you feel better, but we both know i fell first. you didn’t even realize i existed at first."

crossing your arms, you lean back in your seat, your competitive side already on high alert. "are you kidding me? i knew exactly who you were. remember that time i ‘accidentally’ bumped into you in the library? that was totally planned, just so i could talk to you.”

he gives you a side-eye, the corners of his mouth quirking up. "oh yeah? well, i noticed you way before that. i was already into you the first time you asked me what time class started. you literally already knew, but i could tell you just wanted to talk to me."

"and you think that means you fell first?" you ask, raising an eyebrow. "i strategically sat near you during every lunch period! i even switched friend groups just to get closer to you."

jay shakes his head, smiling as he recalls those moments. "okay, but who was the one who went out of his way to offer you help in chemistry? even though i was just as lost as you were?"

you can’t help but laugh at that memory, your attempts to look like you understood the periodic table just as hopeless as jay’s. "oh, please. that was nothing compared to when i pretended i needed help with my project just so i could come over to your place.”

jay glances over at you, raising his eyebrows. "you did know how to finish that project, didn’t you?"

“of course i did! but i wanted an excuse to spend time with you,” you admit with a playful smile, knowing that your antics back then were nothing short of ridiculous.

“remember the time i stayed up all night baking cookies for your birthday? that definitely means i was in love with you before you even had a clue.”

“those cookies were good, but come on, y/n,” jay says, grinning as he keeps his eyes on the road. “i was the one who found out your favorite drink at that coffee shop you went to every morning, and then i ‘just so happened’ to show up there at the same time.”

"oh please, anyone could’ve done that," you shoot back, laughing. “i took hours picking out your birthday gift that year. i went to three different stores to find something you’d like.”

jay's laugh bubbles up, shaking his head. "okay, fine. but do you remember when i walked you home in the rain after class, even though i didn’t have an umbrella and was soaked by the time we got to your place?"

you bite your lip, remembering that moment vividly. you had felt guilty for days afterward, thinking he’d catch a cold just because he didn’t want you to walk home alone. "alright, that was sweet, but it still doesn’t prove you loved me first."

jay rolls his eyes playfully. "yes, it does. i was the one who volunteered to carry your books every day even though you insisted you didn’t need help.”

"oh, so now you’re just gonna keep using the ‘nice guy’ routine?" you tease, unable to stop the grin spreading across your face. "because i waited for you outside your basketball practices just to see you for like five seconds."

“and i,” jay interjects, “started wearing cologne because you once told me that you liked how a guy smelled when he walked by in class. i literally changed my entire scent just for you.”

you burst out laughing at his confession. "are you serious? i had no idea! that’s actually kinda cute.”

“yeah, well, i was pretty obsessed with you,” jay admits, a sheepish grin on his face.

as you both make your way to the front door, the conversation picks right back up, neither of you ready to let the other win. the entire way up the stairs to your apartment, you continue to volley back and forth, trying to outdo each other’s arguments with more memories and playful jabs.

“i showed up to your first big presentation, remember? i even sat through two hours of boring speeches just to support you,” you say, sliding off your shoes by the door.

jay follows closely behind, grinning. "well, i drove two hours to surprise you at that concert you were dying to go to, even though i hate crowds."

you stop in the middle of the hallway, turning to face him. “oh, so now it’s a contest of who made the biggest sacrifice?”

jay laughs, leaning against the wall, arms crossed as he watches you. "well, if it is, then i’m winning. i literally skipped out on a game with my friends just to hang out with you at that café. and i never miss game night.”

you shake your head, feeling your heart swell at how much effort he had put in. "okay, fine. but remember the time i took care of you when you got sick? i stayed up all night just to make sure you were okay.”

jay smirks, stepping closer to you. "and who was the one who brought you soup when you had that horrible cold and couldn’t get out of bed?"

"you did," you admit with a smile. "but that still doesn’t mean you loved me first."

jay takes another step closer, his grin softening into something sweeter, more intimate. "you really want to keep this going, huh?”

you nod, crossing your arms and trying to look defiant, even though your heart is racing.

“fine,” jay says, his voice dropping to a teasing whisper as he stands right in front of you now, eyes locked with yours. “there’s only one way to settle this.”

before you can respond, he gently cups your face in his hands, his lips meeting yours in a soft, lingering kiss that melts away any lingering debate between you. his kiss is warm and sweet, like a silent reminder of how much he loves you, whether he fell first or not.

when he finally pulls away, you’re both smiling, breathless but content.

"now will you admit that i loved you first?" he asks, his forehead resting gently against yours.

you laugh, shaking your head slightly. "not a chance."

jay chuckles, pulling you into his arms as he hugs you tightly. "fine. as long as you know i love you now."

“that,” you whisper, snuggling into his chest, "i know for sure."

and with that, the playful argument fades away and whoever fell first be damned.

[d3stinyist1red]

GIRLIE, YANDERE OLDER MAFIA BOSS!!(TAKE YOUR TIME IF YOU HAVE OTHER REQUESTSSSS!!💗)

ʏᴀɴᴅᴇʀᴇ ᴍᴀғɪᴀ ʙᴏss x ʀᴇᴀᴅᴇʀ

yan mafia boss who you work under, with him being your boss and your his right hand woman

yan mafia boss who treats you like you own him, following with whatever you say

yan mafia boss who doesnt like any medics touching him, wanting you to be one treating him

The medic was standing in front of him, clearly fearful for her life bc the man in front of her could kill her if she did the slight mistake. She tried to pat and help the wounds of the Mafia boss who smacked her hand away and huffed.

"Bring me my n/n, now." He said glaring at her as she quickly nodded, basically running to you. She told you about how he refused to let her help and touch him as you sighed. You rubbed your temple before nodding and smiling at her.

"Don't worry, Ill deal with him." You said politely, nodding at her before walking past her, going to the room where he was at. You opened the door and you saw the way his eyes lit up, and a grin landed on his usually nonchalant face. "Love!" He said, as you walked up to him.

"Why are always acting so stubborn to the medics? You know that they're there to help you, idiot." You said clearly irritated, making him pout and tilt his head. "But, I want you to help me!!...and have your hands all over my body..." He whined, grabbing your hand and resting it on his cheek, looking up at you with hearts in his eyes.

yan mafia boss who has to always be in constant contact with you

ʏ/ɴsᴅ𝟷ᴅɪᴄᴋʀɪᴅᴇʀ!

n/nnn

where are uuuuu

n/nnnnn

n/nnnn

...?

...

...

no reply?

Have other hoes?

YOU DO DONT YOU?!!!?!?!!?

i hate u.

You getting blocked.

dont talk to me. I know you hate me.

Okay, im going to kill my self.

...?

....

...

This is (yans name, yall could make sum up) cat, he just shot himself

do you love him

...

...?

baby you know that was all a prank

i love u

pls let me eat ur ass

i wanna slurp ur kitty so good that the only thing i could taste is u mami

(seen 1 min ago)

ʏ/ɴsᴅ𝟷ᴅɪᴄᴋʀɪᴅᴇʀ!

ur rlly gonna leave me on seen?

ur lucky i dont come and cream all over ur face rn

pls touch me

yan mafia boss who has his bodyguards protect you no matter where you go

"Okat sigma 1, hawk tuah, ohio go protect n/n, you better fucking protect her with your life, ya hear?!" He said to his bodygaurds aggressively, scowling them down as they shook in fear,....i think one of them peed their pants...erm!

yan mafia boss who is madly jealous, putting a bullet into anyone's head he sees as threat for your love.

yan mafia boss who when you arent around, he struggles to sleep. He tosses and turns, his mind racing with scenarios about what they might be doing or who they’re with. "is she with that ugly bitch from work again?! Is she with one of my bodyguards?! Is she cheating on me?!" He hiccuped through his sobs, biting on his nails, hair all messy from tossing and turning throughout his sleep

He often wakes up in a cold sweat, feeling empty without them next to him. If you spends the night somewhere else, he'll start spamming you on everything even roblox.. If you dont answer within 5 mins, he immediately sends his men to try to find you, and paces around his house, restless waiting for your reply. bruh u were js buying sum takis...

yan mafia boss who is your boss who favors you a little too much!!! <333

IM PROB GONNA UPDATE SOME MORE ON TUMBLR BUT IM STILL ON BREAK ON WATTPAD CUZ I LOST MY GOD DAMN PHONEEE

SORRY IF THIS IS SHORT I DIDNT RLLY KNOW WHAT TO DO FOR MAFIA BOSS YAN

[eustassslut]

🌈~

Hi c': I saw that your requests were open! I was wondering if it's possible to request a Luffy, Law, Kid, and Zoro(separately)(if you can't add Zoro, that's fine!) with a s/o that's basically deemed a Nobody? They have no devil fruit, no special Haki skills or some super power hidden gift. The most they can do is doodle every now and then and that's it.

The main prompt is basically their "Nobody" s/o doodles their boyfriend(s) in their spare time, and gifts them the drawings c': They know that it may not do much, but their love language is showering them in drawn sketches of them(almost like a little kid aha)

Luffy is the biggest hype-man and supporter of any hobby you might have.

He regularly asks the other Strawhats for advice on what art supplies to buy you with his left over money.

He also keeps every sketch you've ever given him in a special box that he asked Usopp to make him so they're kept dafe. Will ask you to paint on the box so its extra special.

If you ever showed him any new sketches or doodles you've done, he'll beg you to let him keep them as well.

Whenever you draw him, he gets really happy and becomes even more hyper than normal. He'll be desperate shows everyone on the crew the doodles you've made of him.

Wants you to draw him doing literally everything, from going to the toilet and holding a bug to him as a bug and eating meat.

Repeatedly makes you promise you'll draw him reaching Laughtale and becoming King of the Pirates.

Luffy also boasts to everyone who will listen about you and randomly starts up conversations with strangers or his allies about you and your art supplies.

Frames everything...or he tries to before Nami tells him they have no space to store it all.

Carries some of drawings and doodles you've done of him everywhere so he can show off if he has a chance, he'll be fighting an old enemy and will pause to ask if they want to see something cool.

You have a fan in Crocodile now though who is quite invested in your art journey; but you're not sure if that's because of the rumours he's your boyfriend's parent or if it’s because the older man just enjoys art.

But if anyone was to interrupt or insult you by calling you a nobody or implying he deserves better, he'd go completely feral and has to be pulled away by you so he doesn't try to fight them.

Strong believer in earning the right to have dreams and earn a reputation for your skills so he doesn't really care if you're seen as a nobody (he still hates hearing it said to you or him though) because he used to be one as well when he started his journey.

Luffy is nothing but your biggest fan and he hopes everyone will one day see the same value and talent he sees in you.

Law acts like nothing you do effects him and that you don't get under his skin, but it's always obvious upon looking closely at him just how flustered he gets each time you hand him one of your drawings.

Will just say "thank you, it's lovely" or "thank you, you're so talented my love" and give you a kiss before putting it in his desk draw, showing he appreciates it but not on the same scale as Luffy or Kid.

However, you will later find your drawings pinned to his fridge or tucked away in medical textbooks as Law uses them for motivation to work hard so he can impress you in return.

Law struggles a little bit to show love for you, having lost so many loves ones so young but he tries his best to show through his actions that he thinks you're talented and that he really appreciates being given anything you do.

Gets drunk on one occasion and cries to you about how he's scared he'll forget what his family looked like overtime, then cries harder when you ask him to describe them so you can draw them for him.

Keeps the sketches of his family and Corazon on his desk, next to a drawing of you and him since he wants everyone he loves to be together in one place.

Very much a man who uses his actions to prove he loves you and sees your talent. He'll clear out some of his medical books for any books on art he can find and always makes sure he cares a sketchbook and materials for you in case you want to draw.

At the end of the day Law loves you for you, he doesn't care if you have no devil fruit or if you're perceived as a 'nobody'. He probably even prefers that you prefer quietly sitting nearby or on the Polar Tang because it means he always knows you're safe.

He's not like Luffy though and he will not try to fight anyone if they called you one to his face but he would threaten them and reassure you in private that you're not a nobody, instead you're the most important person in his life to him.

The king of insanely loud cringe worthy support and also gift giving back to support your hobby.

When you first show you like to draw, Kid would clear out some space in his workshop so you can have your own studio to quietly draw if need.

He sees quality time together as very important so he wants to quietly sit and do your respective hobbies together; pausing to show each other what you're both doing and exchange compliments.

Will try to copy any doodles you do and make metalwork versions out of them. Definitely makes you a necklace with a metal copy of a doodle you drew of you and him kissing.

Encourages you to paint on his bedroom walls if you want to and also to draw on tables.

Insists you sign all of your sketches and doodles so they're official.

Claims he needs to make sure he has the biggest art collection so that when you become famous he will be extra rich and he can add art collector to his long list of achievements (aka his crimes).

Definitely calls you the worst nicknames you've ever heard in your life, like his gorgeous talented artistic boopsie bear and the ball wrangler of all art. Genuinely means them as compliments to uplift you as well.

Loves giving you excuses to draw so he gives you awful prompts out of the blue and a time limit.

Kid will ask you to draw his crew so he can always have proof they sailed together and keeps those drawings in his bedroom.

Will try to frame everything he can like Luffy would, but he does have limits and eventually just invests in a big set of drawers designed for storing art.

Refuses to steal art supplies because he believes in supporting artists so he makes sure to take you art supply shopping and then leaves tips.

Casually has a very good reputation now in the art world and they all really admire you for winning him over with your art.

But thoughts and prayers for anyone who ever calls you a nobody, they're about to get beaten up almost to the brink of death. It's a bold decision to say anything about you in front of him.

Kid doesn't care if you're seen as weak or powerless and art is seen as the only thing you have going for you. He likes being able to keep you safe and protect you but recognising you're not strong (especially compared to him since he's literally a beast) is very different to seeing you as a nobody.

Zoro is probably such a mess when it comes to supporting your hobby but he's trying his best for you and at the end of the day you know he sees you as the most important person in his life.

I feel like the first time you draw something and give it to him, its a doodle of Chopper and him on a napkin at dinner and when you sheepishly give it to him as a way of showing your affection he'd accidentally use it.

Just so oblivious that he does not realise why everyone at the table is staring at him in horror and you look like you might laugh or cry. Eventually looks down and apologises so much when he notices, claiming the stains on it make it even more special because it adds to value??

Does not understand art at all.

Zoro can tell that you're talented though and recognises your passion so he tries his best to support you with verbal praises and his actions.

However, he's so emotionally constipated its insane; literally does not how to express his affection for you without either being a sassy little bitch or just coming across insane.

Like you could mention you like roses and he'll come back the next time you dock with a full rose bush he's torn out of someone's garden by its roots, but then say you can throw it away if you want. He's just a weird feral man.

He'd probably learn how to make paper so you could have drawing materials (he also has no money so he has to adapt to the obstacles ahead).

Commissions you to draw several new horrific wanted poster versions of Sanji to torment the blonde with. Sanji can't get mad at you though because he thinks you're talented and likes that you get to practise.

Is very similar to Kid and likes when you sit in the lookout nest and quietly draw whilst he trains beside you. He does pose a little because he knows sometimes you like to draw him and he wants you to get his best angles.

Tries to call you talented every time he talks about you or talks to you. Zoro is very verbal about how incredible you are.

Will not tolerate anyone calling you a nobody (he will beat them up if you want him too) and it hurts him the most if you call yourself one because he knows what its like to feel inferior to those stronger.

You don't need to fight anyways since you have him but if you want to learn he'll teach you in exchange for more horrific Sanji doodles.

Your talent is more then enough to eventually earn a reputation anyways so who cares if you can't fight or you're weaker.

King of pep talks and reminds you constantly you don't have to be strong to be important, you just need to believe in yourself.

No matter what he's always in your corner and supports you in his own silly weird ways.

buy me a coffee | ao3 | tiktok

[ddolbyong]

playlist. homesick - wave to earth, flower of life - the novembers, to us - apro(ft. wave to earth & wavy), plastic flowers - idlework, all i need to hear - the 1975

MAY 22ND

hey yn, its haechan. i know this is stupid... uh i just... i really miss you. um... i don't know what to say... i don't even know why i called... oh! um i heard this song recently, uh homesick...? by wave to earth. i know how much you love this band and i have to admit your taste might even be better than mine haha. uh. you know... listening to this song reminded me of you. yn, i... i feel so lost without you by my side. i miss having you around. i miss your warmth, i miss your comfort... i just miss you. you're... you're my home and i'm homesick.

MAY 25TH

hi yn. its haechan. again. uh jaemin recommended this song to me recently... um its called... flowers? no uh... flower of life. by the novembers. i... i think. my memory hasn't been very good recently haha... sorry. uh the song is about the uncertainty and curiosity of the future, as well as... the um desire to live life to the fullest. you always used to tell me how you were unsure on where the future would take us. well um i... i just want you to know that whereever it takes us, i just want to be by your side. i want to live life to the fullest with you. i miss you.

MAY 29TH

hey, its haechan. um doyoung played this song yesterday... he uh said it reminded him of you. i guess... everyone misses you too huh. uh... um.. what was i talking about? oh! right. the song. i think its called.. to us by uh.. apro. wave to earth also features in it so you would definitely enjoy it heh... anyways, the song is about embracing life's challenges and finding contentment in the present! doyoung said it reminded him of you because you always knew just how to handle your problems and not let them affect your life. i totally agree with him. you always carried gratitude and appreciation for the present... it makes me admire you more than i already do.

JUNE 1ST

its haechan. i miss you. i heard plastic flowers by idlework yesterday. made me think of you. i uh.. i can't think of anyone else who can connect with me as well as you did. everything feels so empty without you. it hurts. i um... do you remember? when we uh just laid in silence, scrolling through our phones for the entire day. haha.. i...  i don't know if i can do that with anyone else without it feeling awkward. it only feels familiar with you.

JUNE 6TH

hey. its my birthday today. i've just been in my room listening to the 1975's all i need to hear. this was our favourite song, remember? um.. i... i miss you so much yn. i wish you were here, with me. telling me everything i need to hear.

notes: this was inspired by @00127am 's mark voicemail fic!!! i also orginally wrote this for anton but i just miss haechan too much... i hope you enjoy and feedback, likes, reblogs n replies are appreciated!

[itwasrealtome]

THIN ICE

Olivia Benson x fem! reader

⚠️ DO NOT READ IF THIS MIGHT TRIGGER YOU

ANGST | Olivia Benson x fem! detective reader | Masterlist

Summary : Detective Y/N Y/L/N, part of Olivia Benson’s Special Victims Unit, faces a life-threatening situation during a suspect’s arrest, chasing this one into an ultimate falls to his death. Injured but alive, Y/N finds herself in an hospital room, receiving stern words from Olivia about her reckless actions.

Content Warning : Mention of stimulants to stay awake | Mention of a breakup | Mention of police work | Mention of jumping off a building | Some police man being a jerk | Usual SVU talk : Abuse, murder, violence, weapon and kidnapping | Y/N getting into a fight | People falling from a building | Injuries | Death | Hospital | OLIVIA BEING MAD | HEARTBREAK

A/N : Hello my loves. I'm finally sharing this first Olivia X reader with you. I hope you like it. Please let me know what you think. There are a few people I can't identify in the taglist, I'm sorry.

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•••

This afternoon, the streets seemed even more crowded than usual. The vehicles flooded the roads, coming from every corner and blocking the main way out.

Behind a queue of about ten of them, a police car came to a sudden halt. The alarm was on, and the blue and red flashing lights blinded anyone who looked in that direction.

But no one moved.

Not even the sound of a horn persuaded the citizens of New York to get out of the path.

Amanda’s grip on the wheel only tightened. She had never been able to understand the reason behind people’s insensitivity to this kind of thing. It was such an easy thing to understand. Besides, someone’s life often depended on it. Yet, there she was, turning furiously midway, her partner gasping in surprise, her shirt now stained with hot coffee.

— Dude, can’t you just warn before doing that kind of thing?

The blonde gave a brief glance to her passenger. She expected to find her glued to the door, her fingers clenched around the top handle, but she didn’t.

Y/N was desperately trying to absorb the contents of her cup on her worktop. The wipers provided with her order, finally finding their use.

While most people would have been annoyed about staining a piece of clothing, the young detective was not. She seemed much more upset about losing a few drops of her beverage. The former could still be replaced, but the latter was definitely needed.

— Sorry about your shirt.

— Yeah, well you owe me a coffee.

The driver’s smile only widened when she heard her partner muttering complaints. She knew her well enough to say that it had nothing to do with that slight accident. It was cute. Of course, it was. But Amanda could see through it. She knew it had nothing to do with the coffee. Sure, the days were long and their job involved finding stimulants to stay awake, but Y/N was never acting like that. Something was different. And who better to notice than someone who practically lived with her?

— Sure you’re okay?

— Rollins, it’s just a shirt. I think I can get over it.

Amanda gave her a knowing glance. She expected this kind of answer from the young officer. Everyone knew what kind of person she was.

Committed, she was always the first to arrive at the precinct and the last to leave. She was practically married to the job by now. And though Kat had trouble following orders, Y/N did not. She was the perfect partner. Amanda couldn’t remember a time when Y/N had lost control. But these days, everything seemed to fall apart.

It began with a couple of small comments, here and there, a bit too harsh coming from Y/N’s mouth. Next up, her silence during the team talk was a concerning factor for Amanda. If anyone always had something to add to the investigation, it was her. This ranged from a simple detail no one had noticed, to scientific or sociological facts. It was often complicated to keep the detective quiet, so her lack of involvement was bound to catch the eye. That and the fact the blonde had seen her leave the bunks two mornings in a row at the exact same time.

Sure, it was just the addition of minor details. But the older woman’s gut was not wrong, not about this. Something was wrong with her partner. And it had nothing to do with a simple lack of caffeine.

— Oh, don’t give me that kind of look.

— But you’re not telling me the truth, Y/N/N!

Y/N huffed quietly. At times in her life, she hated being around people whose job was to investigate. She cursed them all equally. She just couldn’t help herself the last few days. Her anger was aimed at a specific and unique person, but that person being in law enforcement themselves, it was almost overwhelming to go to work every day. Time seemed to run too slowly there. The only moments she enjoyed were those outside the building. The cold New York weather allowed her to clear her mind and take a deep breath. And she always had something to do, after all the city never slept.

—Like you don’t keep anything to yourself, huh?

Amanda faintly spluttered. Everyone knew she had had difficult times, but she wasn't the only one. And now that she was honest with herself, she knew she had made mistakes. One thing’s for sure, she did not want her partner to replicate these.

— I made some mistakes, most of them I don’t want you to repeat.

— I seriously doubt you did this one.

That was all she could get out of the young detective. Amanda knew it as she watched her turn toward the window. The mere reflection of her face gave her a glimpse of what she was really feeling inside, a sweet mixture of anger and bitterness. Whatever the problem was, it wasn't something they could fix with a drink. And this worried the blonde even more.

— Just promise me you won't do anything stupid.

These words captured the passenger's interest again. She arched an eyebrow at her partner, a smile forming at the corner of her lips. Knowing their duo’s dynamics, she had dozens of retorts on the tip of her tongue, all of them a little more mischievous than the last. Instead, she just shook her head gently. Amanda didn't have to know how upset she was about the whole thing. She didn’t deserve to worry so much. And Y/N certainly had no right to be such a burden to her partner.

— Like what? Jumping off a building? y/n chuckled at the blonde’s glare. Relax. I won’t do anything of that kind, I promise.

At that very moment, the young detective genuinely meant it. She had not gotten up with such an idea in mind. If jumping off a building was regarded as a very stupid gesture, she considered her routine more so.

It was in the way the precinct’s bunks were beginning to feel like home. And how she spent every second of her days with the badge on her waist. She had no idea when she had last stepped into her apartment for more than a shower. Her desk was overflowing with paperwork and books in which she always found a way to bury herself. It was much more than a way to distract herself. At all costs, she avoided raising her head, out of fear of meeting the gaze that froze her every time. The path she was on was, for that matter, significantly more dangerous than whatever stupid thing Amanda was thinking about.

But she could not say that to her.

To anyone, actually.

— Weren't we just called to make sure that this jerk wasn't prowling around the residence?

In any other context, Y/N would have felt like a fool. Her back nearly arched as she tried to make out what was going on in a street they weren't even close to yet. She may have lacked sleep and insight into her personal life, but her cop intuition never failed her.

— You'd be sure of that if you'd listened to a single word the captain said.

— Something’s wrong.

Amanda brought them to the next intersection before momentarily stopping the car. The sight over her partner’s shoulder sent a chill down her spine. Despite years of experience, she couldn’t help but feel a rush of adrenaline every time. The crowd of cops down the street certainly wasn’t helping. They were everywhere. Mostly hidden behind their vehicles. But their vests did not go unnoticed and neither did their weapons pointed at a specific target.

— Crap, I hate when you’re right about this stuff.

— Hum…what was that you were saying about our captain again? y/n faced her friend with a teasing smile on her face. She couldn’t help herself. Always listen to what sh–

The sudden acceleration of the vehicle silenced Y/N. She felt grateful once again that her belt was keeping her safe. No day went by without her being in some kind of danger, but she never thought she’d have to worry about dying while Amanda was behind the wheel.

— Would you please stop doing that? cried the younger detective, her hands still clutching the top handle. And since when do you drive so badly? Damn it.

— Guess now you’ll stop driving like a maniac if I let you get behind the wheel.

The door swung shut before she could react. She stepped out of the car herself and walked over to Amanda. A vest was tossed in her face before she could even think about opening her mouth. But anyone who thought she would have given up so easily was wrong.

— I do not drive like a maniac.

Her friend gave her a knowing look as she closed the trunk. Now was definitely not the time to have this kind of conversation, but Amanda was glad her partner hadn’t lost everything that made her the person she was.

She was relentless, both in her work and in her personal life. To be defeated by a suspect in an interrogation room was a rare occurrence. Within the profession, many officers wondered about her career choice. They could imagine her leaving the field to terrify judges in a courtroom. Perhaps because they were themselves scared to death to face her. Seeking victory in a debate with a woman like Y/N was a waste of time. She knew when she was wrong, and would always acknowledge it. Nevertheless, she also knew when she was right. And in those moments, Amanda was the first to grab a bag of popcorn.

— That you do.

The detective’s hands found the velcro on the vest from memory as she was too busy glowering at her friend. The protection weighed on her shoulders. It was almost enough to give her a reason to fall apart. That, and the weight of life that was beginning to take its toll on her.

Slightly defeated, she stomped over to Amanda to catch up with her. She knew the other detective was right. Her anger was evident in the way she drove. Since then, she was assigned the role of co-pilot. It was okay. But she loathed being deprived of her usual distraction. It was starting to loop in her mind. She needed a way out.

— Detective Rollins and Y/L/N, Special Victims Unit.

Amanda shoved her badge in the man’s direction, half-expecting him to tell her to piss off. He dominated the scene with his large stature and a rank evident to all. The rookies were following his orders and keeping their mouths shut. Something that obviously wouldn't work with Olivia Benson-trained agents. He didn't seem to mind, guiding the two detectives as close as possible to the scene. But then, the mere idea of having to send men into the building made him raise his chin in an authoritative, disapproving manner.

— Our only witness is trapped in this building, Rollins began the fight, finger pointing accusingly. I don't care how, I want that man in custody.

If one of them had looked up for even half a second, instead of fighting over who had the biggest –which was obviously Y/N in this situation– they might have been able to stop the young detective in her tracks. Amanda had had enough of listening to the man's whining as he waved his rank in her face. And her colleague, the one she was supposed to look after, was tired of simply waiting.

As discreet as a mouse in the middle of the city, Y/N circled the building and quickly found a fire escape. It wasn't exactly what she'd had in mind when the impulse to walk into the building first came to her, but she couldn't really say she'd given it much thought. With a bit of imagination, and a little help from a trash container, she managed to pull herself up to the top. Now, maybe that was the beginning of a crazy idea. She could already imagine her partner and captain scolding her - if, and only if, she managed to get out of there alive and intact.

At the top of the stairs leading to the third floor, the detective stopped dead in her tracks at the sound of their suspect's agitated voice.

Thomas Patterson, 45, suspected of having violently abused his wife before killing her, and of abusing his stepdaughter - Johanne Morales. The man's profile was clear: a respectful-looking husband and father-in-law, loved by all, carefree, but once the door was closed he turned into a control freak with urges he simply couldn't escape. He clearly hadn't planned to kill his wife. The autopsy had revealed signs of haste and mistakes that a man like Patterson would never have made if he had prepared properly. But he had made mistakes. His blows had been too violent, Johanne had interrupted him, and he'd had to finish the job quickly - too quickly, in order to hide his crime.

Y/N had studied his profile carefully. That's what she did best, that and avoiding her captain. She knew he was restless, nervous, ready to do anything to cover up his actions. The final piece of the puzzle was to eliminate the only witness, the one who would go all the way to court to see him take the fall. She had an advantage over him. She was there, so close to the goal, and he was unaware of her presence. At least, that was until Amanda's voice came through the radio.

— Y/L/N, you've got two seconds to get your butt over here.

The young detective could have banged her own head against the wall. Boy, had she been stupid on that one. She clenched her jaw, the urge to bite her fist growing cumbersome as she prayed Thomas hadn't heard. But he definitely did.

A front door opened slowly, the creaking hinges betraying the building’s condition. The man was probably armed, the sound of the guard echoing in the empty corridor. Each of his steps shook the wooden floor and sent a current of adrenalin through Y/N's veins. He was getting closer. She could smell him and his perfume. Him and her fear.

As soon as he was close enough to round the corner of the stairwell, the young detective took this as her cue. She charged at the man, her hands reaching for the 9mm held firmly in his rough, bleeding hands. In a split second, the magazine slid out and collapsed on the floor. She sent it tumbling down a few steps with her boot, before landing a knee into the suspect’s parts. This only confused him for the briefest moment. He was on her again before she could even flinch. Her body hit the wall with a heavy thud, the vest shielding her body from the heavy impact. However, the man’s hands found her neck and tightened their grip, pulling her head violently forward and then pushing it back, slamming it against the concrete wall.

He repeated the motion twice more, the detective’s pleas of pain provoking a feeling he himself could not begin to describe. Y/N wasn’t done with him yet. He clearly wanted to lash out at a woman and had a nasty habit of underestimating them all. Only, today wasn’t his lucky day. He was forced into the apartment where he had deliberately tied up the young Johanne. It was his turn to bang into something. The dresser barely tilted behind him, but the vase crashed hard against the top of his skull. He felt the water run down his face, the smell of freshly bought flowers wafting through the air.

Back in a corner, Johanne tried desperately to struggle out of her bonds, her words puffed out by the duct tape over her mouth. She could only witness the struggle between her back-up and her assailant. Watching as Y/N unloaded all her pent-up anger on the man who had dared to cause so much harm. In one smooth motion, Thomas grabbed the detective’s gun, a triumphant glint in his eyes. Hope was soon lost, his chances of getting out of there alive and free close to zero. His opponent was relentless and had no intention of letting him slip away. His only option, he realized, a flash of light reflecting off the window, was to drag the detective with him in his fall.

Outside, Amanda was still arguing with the man in charge of operations. He hadn’t given up and neither had she. Only when, as the argument continued to escalate, gunshots were heard, followed by the shattering of a window pane, did they come to an agreement. The plan didn’t even have time to take shape before two bodies flew out of the building.

First, the blonde saw the man she recognized as their suspect crash hard to the ground, the collision knocking him down instantly. Then came a tremendous thump and the shrill sound of a car alarm. Straight ahead of her, on one of the patrol cars, had landed Y/N. The height of the fall meant that the roof of the vehicle had been crushed and some of the windows smashed. That wasn't what Amanda was most worried about. Her partner, the one who'd promised her she wouldn't do anything stupid – like jumping off the third floor of a building, was sprawled motionless on the broken glass, blood on the back of her skull.

— Oh my God, Y/N, in one stride, she was as close as she could get to her friend. Call an ambulance. Now!

For once, the man made himself useful, radio in hand, as he asked for help. He now stood with one, maybe two, even three victims to deal with if the detective didn't make it. He could already imagine the damage it would do to his career. Besides, he knew Captain Benson very well and had no desire to mess with her.

Needless was his worry. The more Amanda studied her friend, the more she realized how lucky she’s been. Y/N was simply stunned, staring at the New York sky with an uncharacteristic intensity. She began to laugh, full-throated, heartily. It was probably the adrenaline pumping again. Tears joined the party, leaving funny marks on her bloody cheeks. Suddenly, she remembered.

— Johanne. She's alive. Up there. Y/N looked up at Amanda expectantly. She needs help.

***

Captain Olivia Benson had seen enough in her career not to let anxiety get the better of her. She had been beaten, kidnapped, almost died and dragged through the mud in front of an entire courtroom. She had reached a point where facing certain types of suspects no longer made her lose her footing.

But someone was bound to make her lose it.

Briskly, almost to the point of knocking herself off her feet, she made her way through the corridors of a hospital she knew all too well. The distinctive clatter of her heels against the floor blended perfectly with the incessant beeping and distant hubbub of such a place. She wasn't there to see a victim, as she often was. Her hasty and agitated demeanor only aroused the suspicions of the medical staff who had crossed paths with her so many times. It wasn't just a professional matter.

It hadn't been for a long time.

When Olivia reached room 212, she didn't spare a moment's hesitation. One of her youngest detectives and latest recruit was sitting wisely on the edge of the bed, her legs wriggling in the air like a child's. A nurse was visibly busy behind her, dropping more and more glass flakes into her tray as she went. She leaned against the doorframe, arms folded tightly against her chest, eyes focused on the sight that made her stomach hurt in spite of herself.

She watched as Y/N's chest, covered in dried blood, continued to pulsate with every breath, as hematomas were already starting to spread across her face and torso, and as her plain face twisted in pain as soon as the nurse reached for another piece of glass. Just a few days ago, her first instinct would have been to rush to her protégé’s side and calm the agony she knew to be growing in her heart. But she'd vowed to keep her distance and stay in her current position: Captain Benson, unit chief.

All too quickly for the young detective's liking, the nurse finished her treatment and left the two law enforcement agents behind. Olivia had had the decency to wait until the door was closed before lashing out at her, which didn't stop Y/N from rolling her eyes. She'd already imagined this conversation - or rather, monologue - and knew she wouldn't come out of it unscathed. She'd probably lose her badge. No matter, she'd already lost her heart.

— Have you completely lost your mind? You could’ve been killed.

This was the cue for a lengthy sermon that she couldn't escape. The words left Olivia's mouth at a speed that seemed unbearable. She paced back and forth, her arms stretching out in waves of frustration and indignation, her cheeks rosy with emotion. She'd done some stupid things herself when she was just a rookie, but throwing herself off the third floor of a building had never been on the list.

— Are you done? y/n arched an eyebrow as Olivia finally paused. I saved a life today. While Amanda and that jerk were fighting over who had the biggest, which apparently I did.

— No, you refused to follow orders. Not only did you put yourself in danger, you put everyone's lives in danger. Heaven help us again that you were wearing your vest, otherwise it could have been a lot worse.

— I don't know why you care so much, you're just my boss!

Although these words were intended to hurt Olivia, it was Y/N who took the brunt of the blow. It was one thing to know that their relationship had been reduced to this, but it was quite another to admit it in person. The brunette was no longer entitled to worry so much, to ask her to watch out and send her a text as soon as she got home. Whatever had been was no more.

— Right, Olivia broke into an almost scoffing snort. Let me tell you, as your captain, that you won't be leaving the precinct for a long time.

— You’re benching me? Liv, you can’t do this!

— What you did was completely irresponsible. You don't want to follow orders, fine. But you're not leaving this desk without my permission.

The young detective had been holding her breath for a long time– far too long. She'd spent days avoiding conflict, lamenting in her corner, mourning the end of a story she'd thought would last forever. It wasn't just about what had just happened, it was something else, something more personal. She felt as if Olivia had no idea how to express her concern, as if her only option was to play the role of the big bad boss. But she was tired of hiding, of running away, of avoiding confrontation.

— Breaking my heart wasn't enough for you, uh? She rose from the bed, hastily putting on her jacket. If you want me to leave the squad, just say so.

For the first time, she faced her head-on. Head held high, eyebrows furrowed in frustration, ready to stand on tiptoe if that would help reach the brunette's height. She faced those brown pearls with all the courage she had left, her own eyes misty with tears she'd never let flow. This was it, so close yet so far, two souls who knew each other becoming strangers once again.

Olivia reached out with a last ounce of regret, brushing away a tear that had escaped down the young detective's cheek with the tip of her thumb. Her heart urged her to do more, to embrace this bruised woman, to bring her all the comfort she needed. She wanted to take Y/N home, wrap her in one of her shirts, tell her how much she loved her. In another life, where they were just two soul mates, where Olivia didn't have to worry about repercussions, whatever they might be. This was where she could find comfort.

— Go home. Take a few days. Get some rest. We'll talk about it when you get back.

The New Yorker had rarely seen a face shattered in a matter of seconds. Her words had urged Y/N to free herself from her hold, her head heavy and spinning from all the hassle and concussion she'd picked up from the blows. Her shoulder nudged her superior's as she walked by, a gesture of no little importance. She did not look back once to meet her former lover's gaze again.

Maybe she should have.

Maybe she would have seen the same love, the same tears, that Olivia saw in her eyes.

Maybe the ice wasn't so thin after all.

•••

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[oristian]

So how come we can tell that Elain wants azriel and is attracted to azriel but Eluciens claim they need Elain's POV to confirm she doesn't want Lucien??

Idk it's almost like thoughts and acts and verbal things she has said matter?? It's almost like... we don't need everyone and their mother's POV to tell very basic information??

Y'all acting like she is a complete black box just because we don't have her POV yet 😭😭

What if I said "oh we need Lucien's POV to tell he actual feels a bond and didn't orchestrate a fake mating bond to claim an Archeron sister after she got made?"

"But he wouldn't do that"

How am I supposed to know he wouldn't!! We don't have his POV either 🤪 he could be Koschei for all we know 🤷🏻‍♀️

And nobody better fucking bring up Feyre hating Rhys or Nesta kicking Cassian in the balls. Their words differed from their actions. They might've SAID they hated their love interests at the time, but their ACTIONS differed. Anyone who genuinely thought Feyre hated Rhys or Nesta hated Cassian is literally just lying atp because come on what do you mean you didn't pick up on that?? Nesta was willing to die for Cassian and Feyre was literally thinking Rhys was the most beautiful man she had ever seen. Be so fr.

Elain's actions match her words. We don't need her POV to know that.

Good morning! This might be a long response, so hope you enjoy!

Elain Archeron is a book character. Books follow standards enacted by the stricture of narratives, and how stories are told overall—in short, the reader is being told something through a book. A story is told through settings, dialogue, characters, et cetera. While the reader may be able to create their own theories, pick up on literary devices, and generate predispositions, until the reader is fully informed by the intent of the author on page, it is speculation.

When people claim that we need Elain’s POV to understand how she is feeling towards Lucien, that is very much true. There is a plethora of reasons as to why she shifted her composure around him between ACOWAR and ACOSF. From asking if he is alright and inviting him to Velaris, to shrinking around him? Until we are in her inner monologue and seeing what she is seeing, the reader can only speculate. Is she now very horny for him, is the mating bond chafing when he’s around, did she have a vision of their future, is she wildly attracted to him, et cetera? The same way that people claim she is in love with Azriel is the same way we claim we need her POV—neither is true until Elain confirms it herself with her own thoughts, feelings, and words.

Now, I want to bring up “thoughts, actions and verbal things,” because, more often than not, it is misconstrued. The only instance where the reader might be swayed to believe that Elain feels anything for Azriel is the almost kiss in the bonus chapter. However, we only had Azriel’s POV. Compared to Wings and Embers bonus chapter with Nessian, the reader was lacking the female’s POV. With Nesta and Cassian, we read that both were feeling the pull towards each other in that chapter. In ACOSF, we were limited to just Azriel—why is that? As for the other lines of dialogue that are seemingly connected to Elriel, those are regarding Graysen. “I don’t want a male,” would also be applied to Azriel, no? “And that love would trump even a mating bond,” is about Graysen.

I have been asked before how I can confidently ship Elucien when Elain seemingly lost her “newfound boldness,” and, “shrunk in on herself,” when Lucien came during Solstice. While I do understand how some people can read that as a negative for the ship, I once again have to say that we do not know why either of those actions happened. There has been zero indication that Lucien is forcing himself on her, is bad for her, and/or is disrespecting her wishes, so why has Elain suddenly started acting like this? This is why we claim that we need her POV for all of these unanswered questions.

Essentially, Elain is a blank sheet of paper. Could she stay this newfound meek personality and live all her days in a small cottage with a garden, or will she revert back into her old personality and become the socialite that she once was? While the reader can understand some of her character, she is still more shifted towards the background and is lacking the substance that a fleshed out POV and aligned character development would offer to her. This is one of the reasons why so many people seemingly dislike her character, because she has not been able to explain her actions. This was similar to Nesta.

The example you brought up with Lucien and the bond needing clarification actually was solved very quickly in ACOMAF. When Feyre unleashed Helion’s spellcleaving magic and broke the bonds in Hybern, she would have broken any fake mating bond tied to Elain and Lucien. Feyre has also been inside of Lucien’s head while he was experiencing the tug of mating instincts. Elain has felt the tug of the bond and Lucien was able to experience her from the inside due to the bond. They both have experienced mating behavior towards each other. The reader has had a snippet of Lucien’s POV.

Feyre, Nesta and Elain are all similar in how they were reluctant to accept the bond at first—the only difference is that Elain is fully aware of the bond before she accepts it. Feyre and Nesta were stuffed into forced close proximity with both of their mates, which also differs from Elain, and her sisters also had access to their mates before they turned fae. Elain met Lucien the night she turned fae and had very little alone time with him. Feyre and Nesta both experienced firsthand the chaffing of the bond while being so close to their mates for so long, but Elain has not. Elain was in love and engaged to Graysen and was now suddenly tossed a fae male as her mate, while simultaneously losing her humanity? It is only reasonable that she would not be jumping for joy over this new revelation.

SJM is an author that uses similar patterns across her entire body of work. To say that we cannot compare how she wrote Feysand and Nessian to Elucien in the same series makes no sense to me. Now, I do believe that you have contradicted yourself in your paragraph regarding Feyre and Nesta. I agree, while they may have claimed that they wanted nothing to do with their mates, their actions showed the reader otherwise. Elain is similar with Lucien, however, she has not once said that she hated him, wanted him gone, wanted to reject the bond, et cetera. Anything she has said against wanting a fae male was because she wanted Graysen and to return to her mortal life. Her actions towards Lucien have included worriment for his safety, relief that he is alright, inviting him to Velaris, keeping all of his Solstice gifts, the half step, et cetera. Someone who planned on rejecting the bond with their mate would not have done any of the above.

If the reader does not need Elain’s POV, why would she need an entire book? If her thoughts, feelings, and actions are fully explained from another’s POV, why would she need to explain herself in her own inner monologue? She already has hobbies, friends, a lover, a home, joy, purpose, and family—what would be the point of her having a book?

I so hope I managed to answer your question. Have a good day!

[dreamsky-sapphi]

Nanamahi brainrots

All my comments on each point below <3

Template by @ustfile (twitter)

Note: I mainly focus on Nanamahi here ⬇️

• Easily Jealous / Too Careless

Even with Nana i think Mahiru would easily still be jealous.

Not in the same way she was with Karen, but in more of a "i have a special relationship with Nana" so she can't help but feel a bit of jealousy when she sees Nana with someone else, except if it's Junna. Despite this jealousy, she wouldn't do or say anything about it, but I think Nana may guess it and find it a little amusing and tease her about it in private.

For Nana, no matter if we consider that she is still not over Junna or not, I think she would still feel possessive over Mahiru, and wouldn't hesitate to show it more than Mahiru would, things such as just approaching from behind with a bright smile like she seems to do everytime she feels threatened.

• Destroys everything to have you / Kills you to save the world

Mahiru would lean more towards sacrificing Nana for the sake of everyone. Of course she cares about Nana but she cares about everyone more, bc she knows that at this point it is almost impossible to convince Nana out of her mindset. She knows how Nana thinks so she would know what would be best in the end.

Nana probably would lean more on sacrificing everything else if she was at a point where she feels like she lost everything, but I didn't put her to the extreme bc Mahiru isn't the one in her heart, and she still cares about everyone else.

• I don't deserve any of this / I deserve to be with you

Nana thinks of herself as some kind of monster, even if she craves love like anyone else. But I don't think she'd ever think she deserves any sort of sympathy.

Mahiru just has terribly low self-esteem and would rather put others before herself in any situation.

• Would revive you if you died / Leaves you to die anyway

I'm not entirely sure for this one, I just think that above everything else, they are both too caring to just let the other die.

At least they would not let the other die without them...

• Clings onto others (especially the other) / Cold exterior

I'd say they both just like physical contact, Nana more than Mahiru.

Mahiru wasn't exactly a physical person except maybe to Karen, but I think she would like the proximity Nana would provide her, like a sense of security. Isn't it comforting to melt into a hug. Idk I just think she would like being hugged by someone taller as well.

Nana would like the contact as some kind of reminder that Mahiru won't leave her anytime soon, so more of a possessive motive.

• "This is fate, isn't it?" / "It was a coincidence, that's all"

This doesn't really reflect whether they believe in fate or not.

I wouldn't be able to tell for sure for Nana, but I think Mahiru does believe in fate, but it just never turns out the way she wished it would (first example obviously is Karen and Hikari, but also anything related to others getting the lead roles she would have loved to get).

Specifically in a Nanamahi setting, I'd say they both think this just happened to be when they needed it the most, just pure coincidence.

This wasn't meant to be but it's convenient for both of them.

• "Let's leave this place" / "I can't just leave everything for 'you'..."

Nana doesn't have much to lose anymore and would lean more on not caring about leaving everything behind to keep this relationship, bc even if it hurts both of them, the pain brings her comfort and will have trouble thinking theres any other way to feel better, at least in the present. It's easier to indulge in this temporary comfort and cut yourself from the outside to fully enjoy it.

As for Mahiru, despite her loneliness, she has too much to lose compared to Nana. Mahiru's loneliness is not the same as what Nana feels because she still has and had so many friends and a loving family who support her. She still want to achieve things and she can't just leave everything behind for this comfort which she knows is only temporary. This is where it would make more sense for someone like Claudine to bring her comfort instead, since she would push Mahiru forward more while Nana would want to stay in a constant cycle of pain.

• A bloody marriage / "I still don't feel a thing"

I'm not sure what a bloody marriage is, but I think Nana would believe there isn't any sort of "love" between them. Ofc it isn't just a random friendship (I don't think that friends just casually kiss all the time), but she would lean more on believe there is nothing worth calling "love".

As for Mahiru, she's more sensitive when it comes to romantic feelings, and might develop a little something, but definitely not a cute kind of love. More of what would be seen as emotional dependence.

Even so, she'd keep thinking to herself that it isn't love and would try to think there's nothing between them despite her growing feelings.

• Self-sacrificial / Would give you away for nothing at all

I don't think neither of these people pleasers would even care about themselves enough to sacrifice the other for nothing.

• "See you in the next life" / "This will never happen again"

They hope such a situation won't ever happen again in the future, but Mahiru would lean more on wanting to meet Nana again in another lifetime where they don't feel so sick and can have fun like they did in highschool (not that Nana doesnt want it but she might think that if they met again, things would end up the same).

• "I don't feel a thing" / "You make me feel alive"

Honestly the entire reason they're together.

When they're by themselves, it's just their thoughts and themselves. They wouldn't feel comfortable enough to open up to anyone about their feelings: they're supposedly getting better now.

I can easily think while they can act normally around others, they'd be like walking corpses once alone when their moods aren't at their best.

By finding each other, someone who can understand their ugly feelings, they can find comfort in each other's arms.

• Would go back in time to save you / Things like that are impossible

We mentionned this with Risse earlier but if Mahiru was given the ability to timeloop, she may have done it.

But my nanamahi setting is leaning towards the future where the revues are over, so when it isn't even possible anymore. Mahiru isn't aware of the timeloops.

Mahiru wouldn't even believe that is a possibility.

Nana would do it again.

• "I need anyone by my side" / "I don't need anyone anymore except you"

In a time where loneliness overtakes her mind, Mahiru would probably be fine as long as anyone could be here for her or at least make her feel needed in a way that isn't like her family needs her or her regular friends need her.

Her love and interactions with Karen have left a scar in her that doesn't heal properly and made her feel the need to find someone who can make her feel needed in a similar way again.

Nana on the other hand has given up and only wants one person by her side.

• "We're friends, right?" / "I wished we were something more"

Between Nana and Mahiru, Mahiru would probably be the one yearning for something more concrete than a weird special bond, while Nana views this more as just mutually helping out.

[daryltwdixon]

The Ruins of Us: Chapter 8

Summary: You're getting ready to officially leave for college, when a familiar truck pulls up outside your house. When you go to say goodbye to your best friend, there is more tension than you expected. Flash forward to the immediate aftermath of the explosion, and you stand up to Shane once and for all.

See notes at the end, as they contain spoilers for this chapter.

Warnings: mentions of smut, but still SFW.

You were nervously packing your thrifted backpack with the half used notebooks and pencils from your room, head spinning with the list of things you needed to buy for your first semester at Georgia State University. You were lucky you had some student grants to help you with things like your dorm room costs and buying new bedding for the new bed you’ll have. But the costs of textbooks, extra clothes that weren’t tattered with stains and holes, and --if you found one good and cheap–a laptop were looming over you. You heard a honking outside your front door that pulled you away from your mental list in your head. You zipped up your backpack and hauled it over your shoulder along with the duffel bag with all your other belongings. You were headed out to the bus stop anyway, managing to find a couple bucks under your mom’s mattress while she was out today. You figured you’d find out who was honking outside on your way out. When you opened the front door, you froze in the doorway, half turned around to close it behind you. There was a glossy black truck in your driveway. You slowly brought the door shut behind you. Looking around the street to see if anyone else was nearby, you dropped your things on your porch and walked down to the driver’s side door hesitantly.

“Hey,” Shane says in a hoarse whisper, leaning out the window. 

“Hi,” you say simply back. You stood a few feet away from the car, waiting for him to say something, and he looked lost for words. He pushed his hand through his long black hair that sits piled on top of his head in a neat tousled style. His beard was growing a bit fuller now, and you stopped yourself from trying to think of what it feels like to the touch. The way Shane acted the last time you saw him was still fresh in your memory. You reached up to your neck unconsciously before bringing your hands back down to your sides. 

“Listen…” Shane finally began, “I–I’m sorry. About everything. I was such an asshole, baby. I should’ve known better,” he said nervously, “You are everything to me, Y/N. I hate the way I treated you that night. I haven’t stopped thinking about you. I miss you. I know what I did was wrong and…I’m sorry. I’m so sorry.” 

You took a deep breath, processing everything he was saying. On the one hand, you wanted him to feel as hollow as you had the past couple weeks without him. You were glad to hear he’d been hurting from the way he acted the last time. He had left bruises on your skin, but what hurt you the most was that he wouldn’t even listen to you. He completely disregarded your words, let alone how terrible you were feeling that night. But at the same time…god, you’ve missed him too. After a long while, you come to your answer. Your mind is screaming to you that you should’ve said no, but your heart managed to answer first.

“Okay,” you whisper. He looked up with you, his puppy dog brown eyes full of hope.

“Okay? You forgive me?” he said. You nodded with a small smile. 

“I love you, Y/N,” he said, getting out of his truck to hug you tight to him, “you’re everything to me, truly,” he whispered into your hair as he held you against him. He felt warm and muscled under his officer uniform–he must’ve just gotten off of work. You pulled back from him, and looked into his eyes, searching for sincerity.

“You mean it?” you whispered.

“Yeah, of course I do,” he says, reaching down and pulling you for a hard kiss. He captures your mouth possessively, holding your face to his with his large, rough hands. His tongue plunges into your mouth with fervor. You hummed in satisfaction and he pulled you into the truck, sitting you on his lap. As he sat back in the driver’s seat, he ran his rough hands down your arms, making you shiver. You straddled him, knees deep in the seat as he pulled you closer.  “How ‘bout one more time, before you have to go,” he teased, pulling you into him for a few small, wet pecks to your lips.

“I have to get going, I’m going to miss my bus,” you said, your arms around his neck.

“I’ll drive you, I don’t want you on that nasty public bus,” he said with a playful hint to his voice. 

You hesitated. You were planning on seeing Daryl on your way out, to say goodbye. You weren’t moving far, but the chances of you being able to afford bus fare and come back to see him were few and far between. 

“It’s really okay, I don’t mind,” you insisted, pulling your arms away from his neck. You went to press them on his chest but he reached up, holding your arms in place.  “I’ll take you to see ‘em,” he said knowingly. He rubbed his hands down your arms again, comforting you. His voice was quiet and soft. Gentle, even. Your eyes widened in confusion.

“Really?” you asked.

“Yeah, ‘course. But first,” he smiled coyly, “…I’ve missed you,” he said, squeezing your ass in his large hands, making you grind your hips onto him. You toppled forward onto him, his lips finding your neck, kissing and biting you.

“Okay, okay,” you giggled, “make it quick–then I really have to go,” 

“Deal,” he said, grabbing your hair and pulling you further down into his lap.

x

You breathlessly pulled your shirt back down to cover yourself and zipped your shorts up when you climbed out of the truck a few minutes later.

“I gotta go get my bags,” you began, buttoning the last fastening on your shorts, “And I think I forgot something,” you said with a big smile, going up to your house for the last time. You run to haul your bags over your shoulders, dashing inside.

x

You had thought this was a good idea–Shane dropping you by Daryl’s on your way to leave for school. But the closer and closer you got to his house, the faster your heart beated against your chest. As Shane put the truck in park, he pulled your chin to look at him and brought you in for a long kiss before releasing you. 

“Go on, I’ll be right here,” he said gently.

You smiled and pushed open the door with one hand, a cupcake in your left. When Shane offered to give you a ride, you suddenly had remembered you made one vanilla cupcake for today to bring to Daryl. You were going to miss his birthday that weekend, but still wanted him to know you remembered. 

When you shut the truck door behind you, you stopped dead in your tracks. Daryl was perched on his front porch railing, smoking a cigarette. You looked back into the truck to see Shane staring him down now. Had he pulled you in for a kiss because he knew it would be in front of him? Shane wouldn’t be that petty--no. But as you watched their stare down continue, you weren’t so sure.

Daryl wasn’t looking at you as you approached the house, but staring hard at the vehicle in his driveway. When you made your way up onto the porch, he finally turned his head to look at you, his glare still glacial on his face.

“I came to say goodbye,” you said quietly to him. You held out the cupcake to him, “and to say happy early birthday,” he looked down at the cupcake, and back up at you. Without saying anything he just looked back out at the truck, eyes narrowed. 

“Daryl, please,” you plead to him, lowering the cupcake. You don’t know what else to say, so you stood there, just waiting. Daryl brought the last of his cigarette up to his lips, still watching the truck. Once he had let out a long puff of smoke out to the sky, he hopped off the railing, putting the cigarette out on the wood, and walked right past you into his house. He made sure to slam the door behind him, the bones of the house shaking. You stared wide eyed at the door for a long moment, not sure what to do. You felt your face flush with heat, and before you would allow any moisture to gather in your eyes, you sat the cupcake down on the cigarette butt littered table by the door, and ran back out to the truck.

x Flash Forward x

By the time you and Daryl had made it back to your truck, there were pieces of ash and debris falling out of the sky already. He had gotten up off of you once the explosion had made its initial blow, bringing you up to your feet, only to turn and run to the cars at breakneck speed. So now, you’re finally reaching the truck door and swinging open the passenger side as he throws his crossbow and gun in before hopping in himself.

“You idiot! You absolute idiot! ” he was shouting at you, “the hell were you doin’ in there? You nearly exploded with the whole damn building!” 

He is shaking with rage as he waits for some sort of explanation from you. When you both turn to see Dale and Andrea make it to the RV, he reaches down to turn the key in the ignition. He rests his hand on the wheel, waiting to start moving, and looks over at you expectantly. 

“So did you!” you yell back at him.  “I was only in there ‘cause I was lookin’ for you after I didn’t see you come out with us!” his red face is livid, and spit flying as he yells. You are taken aback, sitting against your seat. With your hesitation, Daryl continues, “What the hell were you even doin? Forget a magazine ‘er somethin? Lip gloss left behind?” He starts moving ahead, behind the rest of the group's cars. His hands are white knuckling the steering wheel.

“Oh screw you, Daryl. I was looking for you , asshole.” you narrow your eyes and point an accusatory finger at him. Now it’s his turn to look stricken, so you continue, "I didn’t see you. I didn’t see anyone when I came out of my room. I had to—" you pause, trying to find the right words, "I couldn’t leave without… knowing for sure where you were." Your voice drops to a whisper. "I just needed to make sure no one else was in there," You end quietly, but with a sense of finality. You know what you really wanted to say, and hope he could read between the lines without making you say it out loud.  “Well don’t do anythin’ like that again,” he says quieter, “ Stupid. It’s stupid to risk your life for me, Y/L/N,” he says even quieter, almost to himself. 

“Back at you, Dixon ,” you say with sarcasm, folding your arms over your chest in annoyance. Rick’s voice suddenly comes over the radio on Channel 40 after a long stretch of silence between the two of you, and you reach down to turn up the volume.

“--gonna pull over here by these houses,” the bad connection breaks up his voice, “--some vehicles we can siphon some gas,” his voice is crackling from the static, but you’re able to make out the important information. Daryl pulls the truck up on the dirt driveway and looks over at you.

“‘m serious, Y/N. Never again.” he says seriously. You almost roll your eyes but think better of it, and just ignore him. Hopping out the passenger side, everyone is grabbing the gas cans, ready to see what they can find from the abandoned vehicles left behind. 

Shane is approaching both you and Daryl, and you stiffen, “We’re gon’ need to ration the gas we can find,” he says with authority to Daryl, “you okay with drivin’ the bike to save gas, we can take what’s left in the truck and use it for the RV?”

Daryl just nods, moving to the bed of his old beaten up truck to start unstrapping the motorcycle. You stand in front of Shane, who has his hands on his hips, looking down at you. 

“Listen Y/N,” he breathes, but you shake your head.

“Let’s just forget about it,” you say, whispering to him and shaking your head, “I don’t want to know what’s going on with you and Lori. It’s not my business,”

“Okay, but I–” he begins, but you hold up a hand, stepping directly in front of him to shield anyone’s prying eyes.

“But if you ever touch me like that again,” you seethe, your eyes filling with fire, “I will not hesitate. I will tell every member of this group what’s goin’ on and what you did. And I happen to know two people who would have a real problem with that information,” 

He stares down at you, his eyes hardening.

“You and me, Shane, whatever this is, whatever it was, is no longer. I can’t do it anymore. You crossed a line. A really fucking big line. I ain’t your ‘plaything’ anymore. I’ve had enough,” you finish, quoting his words from last night. You step away and turn before he can say anything else. Rick is watching the two of you, and when he looks over your shoulder, he nods to Shane, maybe in question, you can’t tell. You don’t care anymore. 

Daryl is sitting on Merle’s bike now, engine roaring to life. He walks it up as he sits, pulling in front of you, cutting off your path. He just shoots his head over his shoulder gently, waving you on. A silent understanding that he was done being mad at you. Without a word, you hop on, and grab him by the sides of his tattered sleeveless shirt. You look over to Shane, who watches Lori and Rick before Dale calls him to get into the RV. So, you have only three vehicles now: the RV, the hatchback, and the bike. You suppose the guys must’ve funneled the fuel they found and conserved what they could from the other two you had to leave behind. Until there was any chance of finding a camp, resources had just become very, very scarce.

You hear the RV start behind you, and Daryl leads the newly minimized caravan ahead to the highway.

Notes: yes I'm annoyed at the MFC too for getting back together with that asshole. But she must! For the plot!! She doesn't know any better! She's never had a father's love! yes it's a short chapter, I was emoshie over Daryl and you, okay??? and can we just have a moment for that pic of young Daryl????

Chapter 9 is here

[normalest-of-knees]

That.... was an episode. Technically.

Volume 9 Episode 9 discussion below the cut

Tw: mentions and discussions of suicide and how the show and characters were framing it

I may make another post or rb this to discuss the rest of the episode, but this mainly deals with the whole Tea thing

I'm-- I just-- what in the whole entire fuck was that?? Yes I saw somewhere it's supposed to be like a part 1 or 2 but.... Jeepers crappers, man.

So not only does WBY&J not react at all to what happened to Ruby last episode, tea or otherwise, but they just kinda run off, stop and... be sad??

They talk about how shit happens sometimes, then the crystal people show up and it's suddenly hugs and smiles??? Guys?!?!

Yang only reacts to Ruby being gone after she finds the wooden cocoon thing, and even then the others are quick to "It's not that bad. It's what she wanted." Like they haven't been ignoring/not noticing Ruby's severe depression and state of mind for the past few days now and that she didn't just barely blow up at them.

And something I want to address, is the show writers, and characters, and everything framed in the last episode made it quite clear that the tea was suicide. I saw a few takes saying "the tea clearly wasn't supposed to be about suicide. They wouldn't kill her off" etc. Etc.

And I want to say, no. Just, no.

The suicide thing fucking sucks, yes. But the show last episode and this one made it clear that Ruby drinking the tea was her choosing to commit suicide.

Do I think that this should've happened at all? Fuck no. This company has no goddamn clue how to write and talk about sensitive topics such as this, and they need to stop immediately.

But I cannot wrap my head around how anyone could've looked at what happened last episode and think: its just healing tea!

The show has done a terrible job of using an "unreliable narrator" or other such to convey information to the audience.

Ascension is like death, but not, but is! Jaune said its bad, but the Stars say it's good! The Cat said it's normal, but the girls think it's wrong or unnatural. The Stars dying is ok! Then it's even better than ok, because they're "better" now! Herb is new and better! Ruby will be... ?

The show doesn't properly or clearly make any information given to us make sense, and even with the knowledge that the Cat is supposed to be bad, we still don't actually know what's ok and what isn't when we look back.

Yes, Ruby is clearly going to be ok from what we saw this episode. But she still very clearly was not ok mentally, and was actually literally pushed towards taking her own life.

She said "I just don't want to be me, anymore." And then drank the tea, knowing at the very least, that she'd be remade and lose her memories, at best. At worst, it would outright kill her.

Even Neo, who likely knew less about Ascension than the rest of them, still was framing it to Ruby as suicide.

Then, when Ruby did it, Neo was distraught. Regardless of what happens to Ruby next, she's gone. And Neo now has nothing. To Neo, one way or another, Ruby is dead.

But that's the thing.

Regardless of what happens to Ruby, she viewed it as dying or not being herself anymore.

Doesn't matter if the audience knows better or thinks they know better. CRWBY, the show, the characters, everything, framed this as Ruby Rose taking her own life.

And what happens immediately after such a thing? Her friends and family run back to safety, in which I assume they're trying to head for the tree perhaps, and then they just stop and Jaune is sad.

Not even Yang or Weiss or Blake seem to really have a reaction, only until after they hug it out and see Ruby encased in wood at the tree. Suddenly it's real now. Suddenly it's different. And Yang does have a good reaction! She's panicked, crying, angry, desperate. That's her sister in there! Dunno where this reaction was before but ok, at least we got there!

But the others are quick to tell her that it's not that bad and it's up to Ruby now. Which, if they had conveyed Ascension to us in any other way, could be fun and interesting! But because it's this world's closest equivalent to death that we as an audience and the characters can compare it to, it makes it seem like suicide is a good thing.

Like it's just a caterpillar becoming a butterfly.

No matter what happens next episode, and what becomes of Ruby, the framing was still that for her and the Paper Stars, suicide is good and gives you the power up/strength you need, and your loved ones just have to accept that and move on.

And that's disgusting.

[drop--pop--candy]

yet another night i am feeling the loneliness deep in my bones

[keelanrosa]

terfs when a study shows literally anything positive about trans people/transitioning: 'hm i think this requires some fact-checking. Were those researchers REALLY unbiased? Because if they were biased this doesn't count and if they weren't knowingly biased they probably were unconsciously biased, woke media affects so much these days. Have there been any other studies on this? Because if there haven't been this could be an outlier and if there have been and they all agree that's a bit odd, why aren't there any outliers, and if there have been and any disagree we really won't know the truth until we very thoroughly analyze them all, will we? Were there enough subjects for a good sample size? Did every single subject involved stay involved through the whole study because if they didn't we should be sure nothing shady was going on resulting in people dropping out. Are we 110% sure all the subjects were fully honest and at no point were embarrassed or afraid to admit they didn't love transitioning to the people in charge of their transition? Are we 110% sure none of the subjects were manipulated into thinking they were happy with their transition? In fact we should double-check what they think with their parents, because if the subjects and their parents disagree it's probably because they've been manipulated but their cis parents have not and are very unbiased. How many autistic subjects were there because if there weren't enough then this doesn't really study the overlap between autistic and trans and if there were too many then we just don't know enough about what causes that overlap to be sure this study really explains being trans and isn't just about being autistic. How many AFAB subjects were there because if there weren't enough this is just another example of prioritizing AMAB people and ignoring the different struggles of girls and women and if there were too many how do we know sexism didn't affect the results. Was the study double-blinded? We all know double-blinded is the most reliable so if this one wasn't that's a point against it even if the thesis literally physically could not be double-blinded. Look i'm not being transphobic, i want what's best for trans people! Really! But as a person who is not trans and therefore objective in a way they cannot possibly be, i just think we should only take into account Good Science here. You want to be following science and not being manipulated or experimented upon by something unscientific, right?'

terfs when they see a study of 45 subjects so old it predates modern criteria for gender dysphoria and basically uses 'idk her parents think she's too butch', run by a guy who practiced conversion therapy, 'confirmed' by a guy who treated the significant portion of subjects who didn't follow up as all desisting, definitely in the category of 'physically cannot double-blind this', completely contradicted by multiple other studies done on actual transgender subjects, but can be kinda cited as evidence against transitioning if you ignore everything else about it: 'oOOH SEE THIS IS WHAT WE'RE TALKIN BOUT. SCIENCE. Just good ol' unbiased thorough analysis. I see absolutely no reason to dig any deeper on this and if you think it's wrong you're the one being unscientific. It's really a shame you've been so thoroughly brainwashed by the trans agenda and can't even accept science when you see it. Maybe now that someone has finally uncovered this long-lost study from 1985, we can make some actual progress on the whole trans problem.'

[dreamcast-official]

hm.

[noxtivagus]

PEOPLE ARE SO INTERESTING

[enough-spider-noir-stuff]

If I may posit, it's gotta be strange to see a version of you that made it to being 'old'. Obviously I'm biased towards my own interpretation of Comics Noir Pete, but he doesn't seem the sort to believe he'll last that long. - @canary-song

oh Definitely. Pete is gonna take one look at Noir and then immediately make fun of him to hide the fact that he's having an existential crisis. And now that I've got lots of spider-folk together I really should throw in some spider goddess weirdness... just a little bit. for funsies.

[mareestoermers]

i think we are all forgetting something when we talk about how toxic patrick, tashi, and art are — or when we decide one is “worse” than the other. they all have moments of seeing right through it, seeing each other’s toxic behavior for what it is, and STILL want and need each other in this possessive, envious, visceral way.

1. in the way beginning, tashi is clearly flirting more with art than patrick, and patrick is visibly annoyed. art sees right through it and even challenges him like “okay, let’s leave”, and has this little smirk on his face because he knows patrick won’t give up on tashi.

2. tashi immediately sees the visible tension and love between art and patrick, and literally orchestrates their first kiss. she sees right through their repression, and even calls herself a “home-wrecker” but still entangles herself with them, especially patrick because he’s clearly the better tennis player at that point and that is tash’s ONLY true love. tennis. that’s what she desires most in him, and patrick knows that. he even calls her out on it in the dorm room scene. but they have this mirroring fire in each other that neither of them can give up, not until patrick breaks the balance and bails — tashi’s injury is literally a metaphor for the balance shattering between all three of them when patrick leaves her.

3. before this, patrick sees right through art trying to break them up, and even admires that quality — maybe even feels smug and flattered because art is jealous and feels left out from both tashi and patrick. patrick has known this all along, we saw it in the “tick-serve” scene, where he even swears to tashi he won’t tell anyone but he still tells art, who is desperate to feel a part of them and patrick wants that, too — even keeps that close intimacy with art that we see in the churro scene (swoon swoon swoon).

4. haven’t you noticed that arts desire to be great is only ever tied up in patrick and tashi? how he needs to beat patrick to win tashis affection, how he needs to win in tennis so that tashi can live through him, how he lives up to his potential in the ending only because tashi and patrick push him to it, in their little fucked up ways? he knows this — he even admits that he’s playing for tashi, that he knows she’s living through him. he even admits he’s playing a fucked up little game with patrick when they’re in the sauna. yet he still does it. again, he knows what’s happening, sees right through them — still does it, still loves them.

5. when tashi calls patrick to come pick her up he knows it’s not just to tell him to throw the match — and despite how she battles him about it, they still have sex in the car, because he already knows. he’s so fully aware of her and her game and he’s so willing to be caught up in it, the same as art.

just some examples of how they all have moments of clarity and agency and yet they still choose to be entangled in one another because they’re all fucked up in their own, individual ways, and they’re all living through each other for their own specific needs. arts is to be seen as worthy, as great, but only through their gaze. tashis is to have the career that was stolen from her. patricks is truly to be in love and in lust with both of them, because we even see that from the beginning that tashis love alone will never satiate him; it has to be arts love, too. that scene in the sauna when he thinks he’s lost it from art is the most sad and fucked up we ever even see patrick. on top of tashi asking him to throw the game — he’s so defensive of arts feelings.

in short this is an actual love triangle (and i would go as far as to see it as a polyship). you can’t erase one without the whole thing unraveling, and you can’t say one character was the “worst” without picking apart the motivations and pointing to the fact that their bad behavior was never a secret or left unchecked.

even at the end, patrick signals to art that he slept with tashi — art knows and they still have that intimate completion at the end, all three of them. art living up to his potential and embracing patrick fully (id argue this could even be a metaphor for embracing his bisexuality), patrick having both tashi and arts affection again, and tashi playing a phenomenal tennis match through her little white boys — in such a visceral, emotional way that she cries out like she did in the beginning and the last frame is her smiling.

in a fucked up way, they all get what they wanted out of each other.

[gaystardykeco]

fun wednesday night activity: thinking about all the ppl who left me and how much better their lives are because of doing so