#they really put that shit on tv and expected me not to breakdown?? they're never seeing the pearly gates
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borgialucrezia · 1 month ago
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if trevor morris insists on not wanting to release the borgias s2 and s3 ost then the least i can do is bully him into releasing the 'farewell to juan' track 🙏
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beevean · 7 months ago
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So when Shinji mopes around and loses all will to live he's a cringy crybaby
When Guts does pretty much the same thing in the latest chapters he's a tragic figure (which he is of course)
(hah, funnily enough, the quote at the very beginning of the page is about shitting on Shinji)
And not to make it all about NFCV, but I need to put here whay they say about it because it really sums it all:
Hector and Isaac. Isaac is sharp-witted, hypercompetent, and a badass fighter, so despite him being openly evil and seeking to wipe out humanity, he receives a lot of audience praise and sympathy. Hector, on the other hand, is equally sympathetic. As of Season 3, however, Isaac only grows in competence and fandom praise, whereas Hector is manipulated and brutally enslaved by Lenore, with many fans and critics alike dismissing him as incompetent and stupid. Similarly, Lenore and Hector receive this. Lenore is a demure woman who is threatening and competent, effortlessly beating him in a Curb-Stomp Battle fight and stringing him along in her plans. Due to this coolness, many called her a highlight of the season and disliked Hector. This is despite her being a cruel and manipulative woman who openly states she intends to sexually abuse him, though we don't know if she actually went through with it.
(funny to me how this example hasn't been updated since S3. I'm sure they would have sucked Isaac's dick even more. "hypercompetent" call him gary stu because that's what he is)
The openly evil characters get sympathy and praise only because they're "badass fighters" and "competent", while the more morally grey dude, unfairly victimized, is hated for being "incompetent and stupid" - and as I've complained about, it's the reason they briefly "fixed" Hector in S4 by making him all cunning and backstabby even if it was painfully OOC.
And this is what really makes the difference, doesn't it? This sort of shallow coolness that boils down to pure physical strength.
Guts and Shinji both go through hell. They are abused, victimized, ostracized, have serious breakdowns, and yes, they do nearly unforgivable acts because of it - including, in both cases, molesting a girl. But Guts is also a hella cool dude with a sword that can cut down dragons and usually keeps either a cool façade or shows badass destructive rage, which makes the rare moments when he cries hit harder, while Shinji is a much more realistic depiction of a depressed 14 yo teen, and that's not cool to watch I guess. That's not "interesting". He hasn't earned the right to cry and have panic attacks, he hasn't earned the right to be felt sorry for, because well, if you cry too much, no one cares anymore.
I don't want to put either character down. I love Guts because he's fleshed out and relatable beyond his over-the-top badassery, but I also think Shinji is painfully well written, because he is meant to be a very uncomfortable look in the mirror. And I feel the need to defend him, because complaining that Shinji is "a whiny bitch" and he should be "cooler" is... pretty much thinking like Gendo, in a way. You're missing the point of the whole story. It's like saying Bojack Horseman sucks because the protagonist is a jerk who never learns his lesson lol.
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crazy56u · 1 year ago
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Just woke up 15 minutes ago, let's do this.
Once again, no saga sell. Meanwhile, in a pre-SAG-AFTRA Strike Hollywood...
Why do I get the feeling this guy was originally meant to be played by Kevin Costner?
"So, no filters." So, I take it this is at least in the 90s?
A movie where a scientist clones shit, I think I saw that on MST3K.
And right off of the bad, we're waxing poet about scripts. That's how you know this aired after the Writer's Strike ended.
Hey, look who finally decided to show back up to work!
I still say Tom's getting retconned through Ben preventing the time skip at the end of the season.
"This is the stuff dreams are made of." If that is meant to hint at my earlier theory being correct…
I swear to God, I thought Ian was wearing a red hat.
I feel like this was the cheapest episode to make, given how this was filmed without sets.
April 4th, 2000. Two fours, and a leap year, so of course Not Kevin Bacon died.
Hey, Ben, look on the bright side, this is pre-Jimmy Fallon-era Tonight Show. ...but, that does mean Jay Leno...
"Old address", teah, sure, keep telling yourself that���
Ben, I'm willing to bet you just lost him.
"Damn, I really suck at this Hollywood thing. … Addison, can we do commercials early?" "Yeah, why not…"
"Who loses Neil Russell?" People who don't love him?
And Ben commits a federal crime, and opens another man's mail.
A backyard wedding? In 2000?
And Ben almost gets run over by Roman soldiers.
"I think I may have blindsided people this morning, I don't think they expected me to come back to the show."
"What do you think about your first leap?" "…technically, wasn't that the bank robbery one?"
You know, while we're wasting time with this Tom and Addison shit, we could've seen more of Ben hitching a ride with the Romans.
"Hey, Rachel, no biggie, but I saw a thing on a computer, and I'm slightly freaking the fuck out."
Ben's got a golden ticket, this is the closest we will get to him leaping into Willy Wonka.
Look, who among us hasn't found themselves lying on the floor?
Ben, the biggest sitcom on TV was Full House, shut up.
…why is Neil's life slowly turning into Season 1 of Bojack Horseman?
"We get him to Leno, everyone wins. Literally the only time someone ever said that ironically."
"Look, please, I know I crashed your wedding, but I wanna get married again, this is 100% not a nervous breakdown."
"He's a sidekick, he's not a leading man! He doesn't vaguely remind the audience of Bojack Horseman!"
Uh oh, the badass brought out the whipping stick!
"Oh, wait, you're an agent, I'm not mad anymore."
"I don't wanna think, I don't wanna talk, I just wanna go on a boat-" "Okay, let's calm down!"
I wonder how Jay Leno must feel knowing this entire episode is built around him…
"I was quitting way too soon, we're only 15 minutes in!"
"We're winning Laura back!" And Ben and Addison low-key have a stroke.
Meanwhile, in... Blade Runner, I guess.
"Ian? Why are we in the blue dimension, and why do I suspect it involves Project-bullshit?"
What if it turns out this chip was what Jenn was talking about, and nothing else secretive was going on?
"Unless you find Ben, you'll never have a TV show."
Ian, you know what show you're on, you fucking know lying won't work in the long run.
"I can deal with your savior complex." That was a straight faced lie.
…was he calling Charlie Sheen? "Charlie Carter." Okay, thank God- okay, they're connected to Katzenberg, nevermind.
"You know, I once helped a bounty hunter-" "I thought you were never going to talk about Las Vegas, Summer?"
"How do you know she's the one?" "Because if she ain't, I'm getting on a boat and dying at sea."
And Neil indirectly shames Addison.
"And you're just drifting through life, lost, putting right what once went wrong-"
"We got flowers, we got the opera legend, we just gotta commit a crime!"
Robbing a wax museum. Only in Hollywood.
Addison, you can't keep shitting on Ben behind his back, he will find out, and he will get pissed.
"Ben's earned a little leadership. As a treat."
And Magic delivers some awful books. (ba-dum-ching!)
We're now in a horror movie, hot fucking damn.
Okay, I legitimately almost screamed after Not Yoda Jumpscare.
Is Not Jason Vorhees about to spring to life, I legitimately am getting freaked out the longer we stay here.
"Just get the tuxedo and go." "POLICE, OPEN UP, WE KNOW YOU'RE ROBBING THE WAX MUSEUM!"
Ben, you know what you have to do: Help Neil pick his cuffs, and escape the cops.
I don't like how quickly Ben learned the Hollywood magic of gaming the system.
But, hey, at least the cop took the bribe.
I don't know how Jenn is able to read that book, if that spotlight is shining directly at her like that.
I technically called it about that chip thing.
"So, that shitty chip is the only think letting us find Ben? Ian, no offense, but you suck at this."
"This is destiny, Summer. You know what happened the last time I tried to talk my way out of an arrest?!"
"Did Plan A go wrong?" "Ben, Neil almost got fucking arrested, what do you think?"
"It's about his daughter." "No, it's about Laura." (why-not-both.gif)
Addison, that is what we in the field like to call "Overplaying Your Hand". Now Ben's mad mad.
We have officially reached the "Relationship Bullshit Event Horizon".
"Hey, Frank, why is that agent yelling at a ghost about being abandoned for three years?" "Forget it, Jake, it's Hollywood." "I fucking hate you for making that joke."
"You know what else I did? (pointedly leaves the Imaging Chamber)"
Addison, no offense, but I'm still on Ben's side, not yours.
"Hey, Summer, why do you look like your heart got stomped on? Come on, we gotta crash a wedding!"
There is a non-zero percent chance that mug has bourbon in it.
"Hey, Addison, I know you and Ben had that fight, but I gotta talk to someone about this chip-"
"We have a few last minute flowers." "Ma'am, I know that Neil is hiding behind them."
"Summer, the bushes ate our tulips. I told you this would happen!"
Okay, having quickly looked this up, The Wedding Crashers came out in 2005, so if it turns out Ben indirectly caused the movie to exist-
"Neil, look, you're very sweet, but I am now convinced this is a nervous breakdown, do you need a blanket, or…"
"Look, time's passed, neither of us are the same people anymore. ...I can't help but notice your agent has that look on her face, so maybe that relates to her as well, but, I gotta go get married, have fun."
I'm actually impressed that Neil didn't bolt while Ben was busy apologizing to Addison.
"We still have 'The Tonight Show'." "Nah, fuck that, call me Ishmael."
[Annnnnnnnnd text limit!]
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