#they outsold artists with covers of their songs!!! they had power over the charts!!
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Something that I still find insane with Glee is just how much professional content was put out about it, both during and after the show. They had the actual show, the concert tours, the (3D) concert movie, the reality show specifically to get cast on Glee (two seasons of it which is one more than most shows even get now), the billboard charting songs/albums, the cast podcasts, and the recent fucked up docuseries. Not to mention the insane number of "Glee Audition" YouTube videos and other fan-created content like SimGM, fanfics, covers, GIFs, etc. I genuinely cannot think of a single other show that has ever had that much going on around it. No matter where you looked or what kind of content, you'd likely run into something Glee related. I first learned about the show because my classmates would singing "Don't Stop Believing" on our bus all the time, like the entire bus would sing the entire song. No one and no where was safe.
Also books and other merchandise iirc?
It's truly an insane scale. I think there were similar properties, but not at the same intersection of teen media and music as Glee was. Music really elevated it above other TV shows, in terms of revenue as well, I'm sure. I mean, what other show I could do as something as unhinged for as the singing database? They just produced so much content, and to think that the cast had to not only learn their lines and do the acting but record their songs AND learn choreography and do talk show appearances and other promos on top of that is already wild. Add to that the tours and musical appearances? It gets to a level that I'm pretty sure should have been illegal. Like, for real, the Glee cast was so infamous for being crazy overworked that it shouldn't have been allowed. Hard enough to film 22 episodes a year and that's without all the extra stuff.
And the fan stuff! That can be a tremendous amount even if the property itself isn't as accomplished as Glee was but you're right, that was - and continues to be! - impressive too. Again the scale of it, organized events and forums and popular videos like SimGM. You really couldn't go anywhere without Glee content.
I think I've mentioned this once or twice before, but I heard Landslide for the first time through the GCV. I didn't search for the Glee version; I had just read The Perks of Being a Wallflower and I wanted to know what the tunnel song sounded like. This is September of 2012 btw. So I typed landslide into youtube and the very first result, probably the second and even third, was the Glee version. So that was the one I listened to for years, exclusively, even though I had zero to do with Glee at that point. I'm sure there were other GCVs that sneaked into my life and certainly the mainstream, too. The show itself had a stranglehold on pop culture but the music was a whole new level. Glee was a machine producing so much content and I can only assume making an obscene amount of money. Idk what the cast got paid but I'd be willing to bet it wasn't enough.
Through godawful documentaries or in more positive ways but Glee's still part of the public consciousness because that kind of omnipresence doesn't just go away. Fascinating. Kinda terrifying. But very very interesting.
#nonglee asks#glee fandom#fallingoffasurfboard#like it's hard to think of today but just look at how glee's still around and it gives you and idea of what it was like#they outsold artists with covers of their songs!!! they had power over the charts!!
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Ally Brooke Hernandez, 24, has a two-tone thing happening, with a black leather hat and skirt paired with a fuzzy pink sweater and pumps. Normani Kordei, 21, has accented herself with huge chrome hoop earrings and silver-dipped nails. Lauren Jauregui, 21, wears a lacy boho-chic blouse and carries her puppy, a rescue mutt named Leo. Then thereâs Dinah Jane Hansen, 20, who peels off a trippy floral jacket to reveal a bright yellow tee that reads, in big block letters, âIâM A RAY OF FUCKING SUNSHINE.â
Fifth Harmony used to tour malls like this: shopped from town to town, crammed between kiosks for tchotchkes and lit by department store signs. That was in 2013, less than a year after its lineup was now-famously chosen by Simon Cowell and Antonio âL.A.â Reid flipping through the headshots of X Factor contestants on the verge of washing out. The teens twice tried to christen themselves, but the first name (LYLAS, for âLove You Like a Sisterâ) was already in use, and the judges hated the second (1432, pager code for âI love you, tooâ), so Cowell asked viewers to submit ideas online. Rebranded Fifth Harmony, they took third place and stepped off the show into a joint deal with Reidâs Epic Records and Cowellâs Syco Music.
But those are all tales of an earlier era, before 2016, the groupâs biggest year yet -- and the one that ended in shambles when, exhausted and unfulfilled, 5H lost Camila Cabello to a solo career. Last yearâs 7/27 debuted at No. 4 on the Billboard 200, propelled by âWork From Home,â the first top 10 Billboard Hot 100 hit from a girl group in nearly a decade. But the acrimonious December split made even bigger news, with 5H accusing Cabello of quitting through her reps, and Cabello denying the accusations. It was... awkward.
âTry experiencing it,â retorts Jauregui when I volunteer as much. The rest of the group, as it so often does, rushes in to complete her thought. âI was literally going to say that,â Kordei quickly adds. âI get to sleep at night knowing we did everything in our power as friends, bandmates and human beingsâ to make it work. Then Hernandez: âYou canât change people.â And finally, Hansen: âLetâs just say weâre in a better place now -- there are no secrets in this circle.â
Jauregui admits she nearly threw up from anxiety before the downsized 5Hâs first performance, at the Peopleâs Choice Awards in January. But today, the members are quick to (literally) high-five each other as they talk about their ongoing 7/27 Tour, the first in which theyâve built in real downtime, and a third album, due later this year on Epic. âHonestly, in this very moment, we could not be happier,â says Hernandez with more assertiveness than the Pollyanna-ish cheer thatâs her trademark. Their first new single as a foursome, âDownâ -- a neon-edged dancehall bubbler featuring a warmly romantic verse from Gucci Mane (âGot me showing off my [engagement] ring like Iâm Jordanâ) -- reached No. 42 on the Hot 100. Meanwhile, Cabelloâs âCrying in the Club,â which entered the charts two weeks earlier, peaked at No. 47. Both are still active on the Mainstream Top 40 list.
âCrying in the Clubâ is a wide-screen, Sia-style ballad and âDownâ is an airy dance track, but the two have more in common than just a chart trajectory: Theyâre both grown-up songs for longtime professional âgirlsâ now expected to be seductive women. The 5H video, which racked up 21.6 million views in two weeks, even seems to offer some sly commentary on this, with the group pulling up to a seedy motel and writhing on beds in separate rooms. But the women have come up with their own narrative for the lyrics, which came to them from âWork From Homeâ co-creators Ammo and DallasK, and include âYou the type that I could bake for/âCause baby, you know how to take that cakeâ -- as well as the chorus, âLong as youâre holding me down/Iâm going to keep loving you down.â
âWe dedicate it to each other,â says Hansen. âWeâve been together five years, so that message is powerful to us. Weâve been there for each other through ups and downs.â Hernandez hits her with an âAmen.â
The single is only a slice of whatâs to come, because for the first time, 5H is co-writing its songs -- over half, in fact, of those destined for the new album. Since January, it has been holding songwriting camps between tour stops, mostly at Windmark Recording, just two miles from here. The group typically breaks into pairs, then takes turns with that dayâs writers and producers like 5H alums Monsters & Strangerz and pop and R&B producers Harmony Samuels (Ariana Grande) and Sebastian Kole (Alessia Cara).
âItâs not like they came in at the end and started riffing,â says Leah Haywood of Dreamlab, which has two songs on the album. âWe sat and wrote verses together, because theyâre empowered women who want to be pushing the agenda.â Justin Bieberâs go-to hook man Poo Bear, who worked with Skrillex on a 5H session, adds, âI was pretty blown away. They were hungry and excited and seemed like they had a serious new point to prove.â
Those collaborators create âsafe spaces,â says Jauregui, where they can try ideas without fear of judgment. But the world outside isnât so cushy. Plenty of popular girl groups have lost members and carried on, but none have found more success. En Vogue withered commercially without Dawn Robinson. Destinyâs Child hit peak sales just before LeToya Luckett and LaTavia Roberson were ousted. And the one Spice Girls album that followed the departure of Geri Halliwell was an abject flop.
One Direction provides a hopeful example -- Made in the A.M. handily outsold its predecessor even without Zayn Malik. But the industry is perhaps kinder to boy bands. As much as its music (and videos) might be maturing, 5H is dedicating itself to an idea almost radical in its innocence: that four pop stars are better off as a single group -- albeit with a name that, at this point, feels a bit silly. âThe fans,â quips Hernandez, âare our fifth member.â
Dwayne âThe Rockâ Johnson, whose 15-year-old daughter Simone is âpretty tightâ with Hansen, says 5H is âaspirational to so many young girls around the world.â He adds, âOnce the drama [of Cabelloâs exit] settles, instead of looking at it as a devastating loss, I look at it as an amazing opportunity for growth.â
Weâre now inside, aprons on, at The Gourmandise School of Sweets & Savories. The women chat about how much they love SZAâs Ctrl as they pioneer new ways to Snapchat themselves, chopping scallions for quesadillas, charring tandoori-style chicken wings and deep-frying homemade potato chips. Overseen by a chef named Jamie, they share kitchen duties with an almost psychic ease -- except for the cookies. The plan is for everyone to pitch in on a batch of the classic chocolate-chip variety, and thatâs how it starts. But then Jauregui asks for white chocolate, Hansen requests pretzels, and Hernandez wants her Texas pecans (sheâs from San Antonio). Soon one mixing bowl becomes four, and Kordei is in the pantry foraging hazelnuts, Rice Krispies and almond extract.
Itâs a cute metaphor for how 5Hâs members are cultivating their independence not only from their corporate minders but from one another. Itâs also woefully inadequate in addressing Jaureguiâs personal journey during the last few months, starting with a declaration she defiantly slid into an open letter to Trump voters, which she wrote for Billboard in November: âI am a bisexual Cuban-American woman, and I am so proud of it ... I am proud to feel the whole spectrum of my feelings, and I will gladly take the label of âbitchâ and âproblematicâ for speaking my mind.â
In March, Jauregui shared photos from a November âcoming-outâ shoot, as photographer Nicole Cartolano characterized it to MTV, with her then-girlfriend Lucy Vives (daughter of Colombian singer Carlos Vives). Her sexual identity has since cropped up in her music. Jauregui briefly made an appearance on the Hot 100 as a guest on Halseyâs âStrangers,â which, as a duet about an itâs-complicated same-sex romance, has inspired more than a few think pieces.
Jaureguiâs openness speaks not only to the accepting nature of 5H but also to the potential for a mainstream girl group in an era where many minorities feel under attack. 5H is still a place for purity rings. Hernandez is wearing a âTRUE LOVE WAITSâ band. She and Kordei identify as Christian, while Hansen is Mormon. But all insist Jaureguiâs expression is âsupported.â And Jauregui, who believes in âthe universe and a god source, like an energy,â seems content with this. But asked if she would be comfortable singing about a relationship with a woman in a 5H song, she says she doesnât know, âbecause it has to do with me personally. It doesnât speak for everyone in the group, which is its own entity as an artist. Thatâs the whole reason for doing your own thing.â
Kordei has recently added a new chapter to her story, too. She competed on Dancing With the Stars this past spring, returning to a childhood passion. âI grew up dancing competitively and being in pageants, and my grandma made all my costumes and dresses. I remember watching the show on the couch with her, and sheâd pause the TV to create sketches based off what she saw,â she says. Kordei and her partner, Val Chmerkovskiy, finished third, which is all the more impressive when you consider that for the first three weeks she flew to the Los Angeles tapings direct from 5Hâs Asia tour, popping melatonin on the plane and chugging coffee (a new habit) before doing the cha-cha.
Hernandez recently dropped a summery song with DJ duo Lost Kings and A$AP Ferg. She also clocked a writing session with Christian country-folk singer Cindy Morgan and touts the acting career she plans to launch this year. Hansen has an unreleased RedOne cut featuring Fetty Wap and French Montana, and she loves tennis and jokes about becoming a volleyball star. âIâm at a place where Iâm continuing to identify myself,â she says. In other words: find her part in what could become a multidisciplinary 5H empire.
âLast year, we all learned a lesson about mental health and making sure you step away from something. It just makes this stronger,â says Jauregui. âFifth Harmony is the home base,â offers Kordei, âwhere we always come back.â âYasss,â says Hernandez.
Of course, when your break from work is more work, there isnât much room for, like, life. They all describe their days as a âblur,â and Hansen says she doesnât know âwhat vacation means.â For those who keep asking: No, Kordei still hasnât had a chance to go on that date with DWTSâ Bonner Bolton. And in a quiet moment in the kitchen, Hernandez confesses that thereâs nothing she wants more than to get married. But the women donât even have homes apart from their families -- the houses would sit empty.
It was only 14 months ago, in the middle of my interview with the group for its first Billboard cover, that the same four sitting here broke down in tears detailing the extent of their fatigue and stress. âJesus Christ, dark times,â recalls Jauregui, and they didnât let up. The same day Cabelloâs exit was announced, there was a leak of what seemed to be a recording of Jauregui telling Hernandez the band was treated like âliteral slaves.â âI donât know where that [audio] came from,â says Jauregui, âbut thatâs what the game does to you sometimes: runs you dry.â But it was a bit more than that.
âWe were little girls coming off of a TV show and had a team of people trying to sculpt us into something we werenât,â says Hansen. âThey took advantage, like, âGet in there and record this, you thing,ââŻâ says Jauregui.
âIf youâre told you canât do something when thereâs a creative desire to do it, thatâs depressing,â says Geri Horner -- nee Halliwell, aka Ginger Spice -- who just released her first single in 12 years. âSpice Girls always wrote our own stuff, but I can relate to that.â
The long road to liberation began with 5H hiring outspoken music lawyer Dina LaPolt at the end of 2015. âI sat the girls in a hotel conference room and for five hours educated them on trademarks, copyrights and rights of publicity,â says LaPolt, who soon helped secure them new management with the preeminent firm Maverick (Madonna, U2, Miley Cyrus). âThen I educated them about every agreement they signed, which [were] the worst Iâve ever seen in the music business.â
LaPolt successfully transferred the Fifth Harmony trademark from Cowell to the group, meaning the women now own the name, along with the right to control how it is used and to profit from any deals. (The agreement -- signed in April 2016, months ahead of Cabelloâs exit -- doesnât name Cabello in the âFifth Harmony Partnership.â âI donât represent Camila,â is all LaPolt will say.) She then renegotiated 5Hâs contract with Epic, which she characterized as âa very adversarialâ process.
LaPolt and 5H stress that the groupâs relationship with Epic is now good. The women count among their âsaviorsâ the labelâs senior vp A&R Chris Anokute, who came onboard near the end of making 7/27. (Reid left Epic in May amid sexual-harassment allegations.) âWe raised our voices,â says Hansen, âand to have someone in our corner like Chris, who believes in us, is the most important element to make the wheels go.â
Which allows 5H to meet the challenges of being Women of Pop in the late 20-teens. Rihanna, Katy Perry, Selena Gomez and Lorde have all shown how much artistry, agency and album-building matter. Basically, the band needs to pursue the authenticity Cabello secured by going it alone. The challenge is not only doing that in a group, but also while relying on familiar themes, like girl power, diversity, body positivity and inclusion.
Jauregui is the first to admit she was scared about 5Hâs future without Cabello. âWeâd put blood, sweat and tears -- and birthdays and funerals we missed -- into this thing,â she says. âItâs our livelihoods and our families.â This is the train, and now youâre like, âIs the conductor going to come through with the coals, or are we left here to die?â â
Hernandez says there were âmany therapy sessions.â Hansen, at least, quit worrying when they released their first press photo as a quartet and everyone, including Ellen DeGeneres, started editing themselves into the frame, âtrying to recruit themselves into the squad.â Which raises the question: Have they considered bringing in a new member? They answer in unison: âHeeeell naaaw!â
#normani kordei#normani hamilton#fifth harmony#5h#all#billboard article#dinah jane#lauren jauregui#ally brooke#2017
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