#they fit shouhei more than they fit fuji

[shoheiakagi]

abc boys and their blood types 🩸

Type A: shy, stubborn, anxious, reserved, sensitive, tactful, composed, withdrawn, wary, responsible

Dewa and Eric

Type B: passionate, selfish, erratic, unpredictable, wild, indecisive, unforgiving, irresponsible, relaxed

Bandou and Chitose

Type O: confident, easygoing, insensitive, strong willed, carefree, athletic, loyal, arrogant, ruthless

Akagi and Fujishima

[ciaossu-imagines]

✖ for homra!

Send me a X and 7 characters and I’ll tell you who would be:

The Survivor

Okay, setting the scene for the movie here. All of HOMRA rents a cabin in the woods for a vacation. Anna’s not there, but all the HOMRA boys are, so there are more than seven characters here and because of that, I think there’s more than just the one survivor. While one of the survivors were my choice for who made the most sense to survive, the other survivors are simply the ones who didn’t fit the other sections, haha, so I admit there was a bit of a cheat used there. The survivors are Shouhei, Chitose, Eric, Kamamoto, and Kusanagi.

The Culprit

To finish setting the scene, while at this isolated cabin in the middle of the woods, while exploring, the boys discover this weird underground bunker on the property. They all want to explore it, though Yata, Kamamoto, and Fujishima all kind of decide not to go in for various reasons (Fujishima doesn’t like spaces that are underground, even basements creep him out and the other two are freaked out by the bunker even if they don’t admit it). Everyone checks it out and this bunker is freaky with a capital F. There’s these weird occult books, there’s some bloodstains on a metal table that’s in the middle of the room, there’s creepy looking handmade contraptions hanging on the wall. Everyone’s kind of stunned by what they find and most of them are too afraid to touch anything. Mikoto isn’t too fazed by any of it though. It’s weird, yeah, but it’s obviously long-abandoned and he’s just kind of chilling, looking around. Curious, he opens one of the many books and he reads a handwritten jumble of words and letters that don’t quite make sense in his mind. Immediately after doing so, he gets an absolutely splitting, incredibly painful headache. The pain is worse than anything he’s ever known, bringing him to his knees. All the boys rush to his side and everyone gets out of the bunker, intent on getting Mikoto back to the cabin, leaving everything else untouched. Mikoto goes unconscious before they even get to the cabin. He remains almost comatose for a full day afterwards, almost two. It’s getting to the point that the boys are starting to really worry and they’re talking about leaving and bringing Mikoto to the hospital…then he wakes up. When he wakes up, the camera would zoom in on his face, where the viewers get to see his eyes are pure black for a moment, before they clear up to his normal look. Mikoto casually strolls out and it seems like all is going to be fine. Until the murder starts happening – of course, the killer is very much the demon-possessed Mikoto.

The First Victim

Sorry guys, but I have to do it. First blood is spilled by Totsuka dying. I just can’t not kill Totsuka. It wouldn’t feel right if I didn’t, especially when presented with such an obvious choice. He doesn’t even get a proper on-screen death scene, but it’s rather that his dead body is found by his friends. The impact of this on the group is really touching (or it should be, if the acting wasn’t so hammy) and it’s what really kicks the movie up into high gear.

The One Who Almost Made It

Fujishima makes it almost all the way through. He fades into the background of most scenes and any viewers who aren’t immediately taken by his looks (and decide he’s their favourite because of that) are going to forget that Fuji’s there. It’s because he’s kind of went invisible, hiding in the shadows of those who are more outspoken or dramatic, that the killer seems to forget about Fuji. He would have made it out of everything completely free and clear, without any serious injuries or issues. Too bad Fuji’s heart is just too big for his own good. The remaining boys, at this point in the movie, had all figured out that they needed to get back into the bunker to find the book and read the spell that had called the demon forth, only in reverse to seal the demon back up again. Mikoto was guarding the bunker by that point though, knowing the boy’s would realize what they had to do. Everyone’s arguing on what to do, everyone’s offering to put their own lives on the line for their friends, and it’s all going nowhere. Fuji just quietly stands up and, by the time the other boys realize he’s gone, Fuji is deep into battle with Mikoto, slowly drawing the older boy further and further away from the bunker, giving the rest of them the opportunity needed to get into the structure.

The Comic Relief

Again, to kind of cover their bases on all fronts, the creators of the movie really bring in two main comedic relief characters. On one hand, you have Yata, whose show-offy moments, little temper tantrums, and cool one liners have people smiling, laughing and having a good time. Bandou’s pettiness and snarkiness fills in the other half and because he’ll come out with some really black comedy, he appeals a lot to those with a more warped sense of humour. Both of them really excel at bringing levity and lightness back into scenes, but they both shine the brightest at the beginning of the movie, hooking the readers in and getting them invested in all the different characters.

The Genre Savvy

Dewa and Kusanagi both are really intelligent. They’re pretty quick to catch on to things and both of them have quite a bit of common sense, enough not to rush off half-cocked without learning what’s going on. However, of the two of them, I think Dewa is actually kind of into horror movies. He’s watched enough of them to realize not only the standard horror tropes, but to have seen plenty of exorcism scenes, to know the subversions and inversions of the tropes, and to generally be able to guess at how things might turn out next. He's an invaluable part of the team and is able to get them all pretty far – until Mikoto snaps his neck. The scene itself is gross and kind of cool all at the same time. Dewa’s in the middle of talking when Mikoto just appears behind him, we hear a snap, and then Dewa’s last words are on his lips but his head is turned a full 180˚

The Pretty One

There is no single pretty one in this movie. Honestly, the movie is kind of generic horror movie, tropey nonsense but the studio knows there will be all kinds of ticket sales because they purposefully cast a bunch of really hot guys in it. They make sure to get distinctly different types of hot though, just to make sure they’ll have a type to appeal to everyone. The movie is very much hot boys doing hot boys things, with lots of violence, some nudity, gore, and horror movie tropes. It more than earns its R rating.