#they fight over who's crozier's fave
Explore tagged Tumblr posts
delziae · 1 month ago
Text
Tumblr media
Crozier's boys
463 notes · View notes
vomittedsoap · 16 days ago
Text
Assigning The Terror characters a DumDum flavor
Crozier: Orange (or root beer)
Fitzjames: Cream Soda
Franklin: fruit punch (only old people like this flavor)
Jopson: lemon lime
Irving: butterscotch
Little: blue raspberry
Hodgson: birthday cake (I've never tried this one actually)
Collins: root beer
Goodsir: peach-mango
Stanley: sour apple (lmao)
Tozer: cherry (matches his outfit)
Macdonald: watermelon
Silna: Cotton Candy
Hickey: pineapple
Gibson: bubblegum
Bridgens: strawberry
Peglar: grape (Peglar is an anagram for grape.)
28 notes · View notes
florrickandassociates · 7 years ago
Text
TGF Thoughts: 2x04-- Day 429 (1)
If TGF can do two episodes in one, I can do two recaps for one episode. This recap covers Liz’s part of the ep.
The episode begins on a promising note, informing the audience that there will be two chapters: Liz’s Case and Lucca’s Case. One second in, and it’s already apparent that this episode will be (a) innovative and (b) focused on Liz and Lucca.
I have a feeling I’ve heard the Kings talk before (like, season 5/season 6) about wanting to do an episode like this. Does anyone else recall this? At any rate, I’m glad the writers have TGF to experiment a little more with structure. And I think this particular structure works better on Fight (an ensemble show) than it would have on Wife (a show with one lead).
After we’re informed we’re going to be watching “Liz’s Case” first, we see a sheet of paper with ABC written on it. Jay is running active shooter training with some of the members of the firm, including all of the name partners, Lucca, and Maia (who doesn’t get a seat at the table). This is both timely and a good way of furthering the KILL ALL LAWYERS fears without hitting you over the head with it. (This episode, in general, is light on the KILL ALL LAWYERS stuff, as well as on Trump commentary. There’s just enough to remind the viewer that it’s still weighing on everyone, especially Diane.) A delivery man barges in, making a loud noise and spooking everyone. Yep: they’re definitely still on edge. (A little goes a long way: these are the kind of details I love.)
Also, I appreciate that Jay is running the training. Last week I was impressed/surprised he knew how to deal with the ricin scare, and now I’m assuming that office safety is part of his job (or something he’s volunteer to help with).
Marissa walks in and whispers something to Lucca; we don’t hear what it is.
Someone asks a question over the phone. It’s Liz, but it’s impossible to tell since the connection is terrible. This is relatable. I don’t even want to know how much time I’ve lost at work waiting for clients to figure out how to improve their phone connections.
Liz’s connection is terrible because she’s in the car. And why is she in the car? Because she’s taking her son (!!!) to a doctor’s appointment. I’m so glad the writers didn’t forget about Liz’s son. There aren’t enough parents in The Good Verse.
Liz drops her son off at school, where she learns that his favorite teacher has been fired. They let him go in the middle of the year? Sorry. Not the point.
Liz jumps into action as she heads into work, getting on the phone with the principal and explaining that this teacher was one of the few who was able to get through to her son. Liz walks past Lucca and we see a brief snippet of what’s going on with Lucca before going back to Liz. (Can’t remember if it was at this point or slightly later I realized we were going to get info on what was happening with Lucca, but whenever I had that realization I had to pause the TV because I was so excited about the idea. One could say I liked this episode.)
Liz points out to the (white) principal that the fired teacher was one of few people of color at the school. “Our push for diversity is renowned,” responds the principal. Hm.
Speaking of diversity, before I forget to mention it, after last week I was worried about TGF centering itself on its white leads and becoming too enamored with Marissa. This episode focuses on Liz and Lucca, and while this focus is a little overdue, it does make me hopeful that TGF understands that its black characters are also leads, and that an episode can focus on two black women. That’s especially important for the show to do after it pretty much traded Barbara for Liz.
(I’m still so conflicted on the lack of Barbara. On the one hand, the writers seem to have a great grasp on Liz and they did not understand how to write Barbara at all. But I don’t like calling it a good move to get rid of Barbara, because if they’d just written her character well and given her consistent development, if her fourth episode also showed her POV (ok, fine, her fourth episode was actually the most Barbara-centric one but it wasn’t like this) and expanded what we knew about her life, then maybe I wouldn’t be writing something right now about how the writers had to write her out. I’m a broken record about this, I know, but it doesn’t seem fair to praise the writing for Liz when I know the only reason we have Liz is because the writers failed Barbara/Erica.)
“Yes, I’ve heard about your push quite a bit at the school assemblies,” Liz tells the principal (like she already thought the school wasn’t doing enough…). She also says she thinks they’ll be in touch, since at this point she knows she’s going to try to help the teacher keep his job.
Lucca asks Jay to help her with something; he agrees. As she walks off, Liz approaches him. Now that Jay’s helping Lucca, he doesn’t have time to help Liz, so Marissa jumps in. Liz is reluctant but she goes along with it.
In an informal meeting of the name partners in Diane’s office, Adrian explains that they’ve had lots of cancellations for their party. “The lawyer killings. Our chemical scare,” Diane understands. (Um, why would these people have RSVP’d yes in the first place? The party wasn’t thought up before the chemical scare. It’s what Adrian talks to Diane about at the end of Day 422.)
“I say ‘fuck it,’” Diane responds. “You’ve been saying that a lot lately,” Liz comments. Indeed she has. “Making up for lost time,” Diane winks at the camera. She doesn’t, but, like, come on. This line is extremely meta.
Diane then swivels in her chair and stares Liz down. It’s kind of comical-- not because it’s silly, but because Diane really doesn’t give a fuck and she doesn’t care who knows it.
Adrian picks up on the tension and asks Diane what’s going on after Liz exits. Diane laughs and answers a call on her laptop instead of responding.
It’s Kurt! He’s away on a trial somewhere, sitting in a hotel room. To be completely honest with you, I didn’t remember where Diane and Kurt’s relationship stood. I assumed from the fact that Diane was alone and microdosing they were separated. I also believed this was a pretty safe guess based on the seven years of Alicia/Peter relationship limbo we had to endure in TGW. These writers have never met a separation they didn’t want to prolong until the absolute last minute possible.
And indeed, even though Diane and Kurt were on good terms in 1x10, they’re still “giving it time.” Then the connection breaks up (‘cause miscommunication and technology being unreliable are THEMES this week) and Kurt thinks Diane said the separation is over. Diane closes the laptop instead of attempting to call back. I dunno, I feel like if I was in the middle of a convo like that I’d call back on a cell phone, send a text, something…?
Now the teacher is in Liz’s office and she’s offering to represent him in arbitration. “You are the only teacher to break through Malcolm’s shell,” she explains. She continues by saying that she’s always advised to put him in private school, “but if everybody abandons the public school system, it’ll implode.” Yes, thank you, Liz! (Also, I see why you didn’t get along with Alicia. I’m sure Alicia would also say she supports public schools but, um, she wouldn’t send her own children there unless she absolutely had to. And Liz would find that hypocritical.) 
Liz then calls in Maia. That’s right. Maia is working! THANK GOODNESS. Maia has almost nothing to do this ep, and the little that she has to do is work. Yay!!!
Malcolm’s public school is a charter school, which is… not exactly what springs to mind when I think of “believing in the public school system.” I was a bit surprised the writers didn’t delve into this, especially since other than a few mentions about the threat of unionization, it doesn’t really matter that it’s a charter. And charter schools are their own can of worms.
Elsbeth barges in (HELLO!!!) and only Maia recognizes her. She’s in the wrong place-- she’s looking for Lucca-- so she compliments Liz’s jacket and leaves.
Marissa goes to the school and pretends to be the mother of a second grader. She rambles a bit too much about her TOTALLY REAL husband, but it works. Marissa makes a vaguely racist comment to try to get a teacher to make an explicitly racist comment. She doesn’t get that, but she does get an explanation for why Mr. Coulson (Malcolm’s fave teacher) was let go: he’s gay.
Arbitration begins, and Nancy Crozier is representing the school. Seems she’s on the PTA. So… she has a kid?! I guess that doesn’t surprise me, but now I’m curious about the personal lives of all the recurring characters.
When it comes out that the principal had fired a teacher from her previous school (a Catholic school) because he was gay, we immediately get a reaction shot where Maia’s visible. It’s not Sad Puppy Owen from 4x09, but it’s just a little thing that clues us in to how Maia’s feeling.
The school used an algorithm to decide which teachers to fire so there would be no bias. Maia jumps in with the counterargument before I can scream it at my screen: “All algorithms are pointless unless they are based on good data.” Absolutely. An algorithm is not inherently objective.
I know I am now nitpicking stock footage (would you expect anything else from me?) but in this stock footage of Chicago it is Christmastime (see the red and green lights on the buildings) but in the show it is March.
Also, not at all the point, but one of the buildings in the stock footage now has a huge TRUMP sign on it so I am going to headcanon that Diane (and the others) have to walk past it every day, multiple times, ‘cause I think that’s fitting.
Now we’re at the poorly-attended RBL office party. There’s a lot of champagne and very few people. There are 18 non-RBL people there; Colin Morello makes 19.  
I still don’t get why Colin has to be a series regular, but I do like that the writers are making full use of the fact that he and Liz used to be coworkers. They chat about work for a few seconds until Colin sees Lucca through the glass walls (so! helpful!) with a man. He instantly gets jealous.
Guests 20 and 21 arrive. They’re the algorithm boys from last season. One of them hates a lot of things, including swearing. And, apparently, elevators. What he does like, though, is Marissa. Adrian refers to Marissa by name and as an investigator, which I’m sure would make Marissa happy if she knew about the interaction.
Diane and Liz chat at the bar. Liz asks for advice on dealing with Nancy Crozier, but Diane sees right through it: “This is a thing you do, isn’t it? You ask for advice in order to ingratiate yourself.” Probably true.
“You know, your ‘fuck it’ mode is starting to feel more like ‘fuck you’ mode,” Liz responds. What powers of observation you have, Liz! It’s almost like Diane walked into your office last week, said “fuck you” and left! Oh, wait…
(Also, Liz is wrong. It was Liz’s response to Diane’s ‘fuck it’ mode that made Diane angry enough to say ‘fuck you.” What’s Liz’s endgame?)
“Just appreciating your style,” Diane responds. “I’m just doing my job,” Liz says. Uh-huh. It’s her job to drink with Diane, pretend to ask for advice (ooh, it is a pattern), and then report back to Adrian? “And using what I confide in you to undercut me?” Diane counters. Liz sighs. “Look, I thought Adrian already knew you were thinking of leaving. That’s all,” she explains. Um. Does that track? I thought Liz approached Adrian about bringing on a new partner and told him about Diane, but she could be telling the truth. I am going through Day 415 to see exactly what Liz said, and omg, now I have to watch the Rindell nonsense again and it’s just highlighting how great Day 429 is. The All Access player really needs a 10 second skip feature.
Ok, Liz DOES tell Adrian “She never said anything to you?” so it’s possible that she was trying to be proactive about a situation, not trying to undercut Diane. The whole thing where she suggested Diane take time off and then told Adrian that Diane requested that time… not sure how to spin that one. But best case scenario here is that Liz is just blunt and didn’t mean anything against Diane. A girl can dream, right?
Diane says “it’s more fun to go at each other” in response to Liz, and nope, NOPE. 100% disagree. It is far more fun to watch them be friends. This plot is not fun and I spend every second it’s on screen trying to figure out a way to interpret seemingly malicious actions as benevolent. So… yeah. Sorry, Diane. It’s more fun for you to be friends. And you seem like you could use a friend right now. (Did Diane lose all her friends?)
Diane does offer Liz advice on dealing with Nancy: “She plays at being the nice girl while being tough. She’s good. But her rhythm is thrown off by objections.” The first part, definitely (I’m shocked that still works for her). The second part, is that a thing we’ve seen before?
Elsbeth arrives at the party and Diane’s excited to see her. Who wouldn’t be excited to see Elsbeth? Elsbeth is the best.
Elsbeth doesn’t seem to understand why the offices don’t have furniture (answer: they do; it’s been put in storage for the party). But she doesn’t spend too long wondering, because Diane asks her to sit down and compliments her dress. That’s right: Diane compliments Elsbeth’s wardrobe.
“Ooh! What do you think they’re talking about?” Elsbeth remarks when she sees Lucca spit out her drink. And then things get meta.
“It’s weird,” Elsbeth says. “We’re just the background characters to their story.”
“And they’re just the background characters to our story,” Diane points out.
“And we’re all just background characters to his story,” Elsbeth says, speaking of the bartender. “He could be the hero, and we could be the villains of the story.”
“Or we’re the heroes, and he’s the villain,” Diane spins. “That’s what keeps us humble. Not knowing,” Elsbeth says. “Or paranoid,” Diane counters.
I love this exchange. Is it incredibly on the nose? Is it an all caps Thesis Statement for the episode? Is it one of the least subtle things I’ve ever seen? Is it as obvious about the point it’s making as I am being right now, saying the same thing four times? Hell yes, it is. Is it still great? Yep.
The show is poking fun at itself, Elsbeth is exactly the kind of character that would start talking like this, and I totally believe that Diane would be game for this kind of conversation given her state of mind. It fits to have Diane thinking about these things-- even if only while making small talk with Elsbeth-- when she’s already questioning so much.
(I also like how every time Elsbeth suggests something that would have negative implications for Diane’s view of herself-- that she’s a background character, that she’s a villain-- Diane recenters the narrative. I am not sure that Diane’s doing it on purpose, but, uh, she is used to seeing herself as the hero.) (I don’t mean that as a negative thing! Just an observation!)
Diane turns the conversation even darker, because Elsbeth is a surprisingly good confidant: “You know, last week, I was walking down the street, and there was this homeless man digging for bottles in the trash and yelling at the top of his voice about the president and the country and how we’re all going insane. And I realized: that’s what my inner monologue sounds like. And that when I decided. I’ve got to change.” “To what?” “To someone who’s not going crazy.”
Well. There’s a lot going on there. As seems to be the theme for Diane this season, she’s feeling what everyone else is, but taking it one step farther.
Elsbeth doesn’t know how to react, so she compliments Diane. Then she compliments Diane’s necklace, and Diane gives it to her, along with her belt.. I… don’t know that I like this. It’s cute, but it seems so off-kilter it also worries me.
“I never thought you liked me, Diane,” Elsbeth says. “Hey, you know what? That’s my fault,” Diane admits. That’s sweet!
I don’t know what to make of this scene as a whole. Part of me thinks it’s a nice little Diane/Elsbeth moment where Diane’s No Fucks Given policy allows her to connect with a peer. A bigger part is worried that this scene might look like a warning sign (for what, I don’t know) once we get a little farther into the season.
I don’t get why this Colin/Lucca scene is here, in Liz’s story, right after a scene Liz also isn’t in. I understand that we have to see it before we know what’s going on for the story to work, but something (in editing, writing, or directing) could’ve been done here so this didn’t stand out. Also, Lucca invited Colin to the party, knowing she was pregnant and he was the father, but she has no plans of telling him he’s the father? Alrighty then.
And now for a third Liz-free scene in Liz’s section of the show (this one is, at least, related to her case). Marissa and Maia head down to the 22nd, where everyone’s talking and dancing and there’s music blasting. It is a much more exciting scene than the 23rd. But Marissa and Maia don’t join the party: instead, they discuss algorithms.
Nancy, who has now practiced law in Chicago for 8 full years, literally says “I’m just a small-town girl from Michigan.” I’m going to take that as a shout-out to the fans.
Liz’s son is throwing a ball against the wall, repeatedly, and driving Lucca crazy. She tells him it’s annoying. And because Lucca as a Parent is a THEME, we get to see Lucca interacting with a child (and, of course, Lucca’s reactions to her interactions with a child).
“And would you consider state-mandated testing to be a subjective data point?” the mediator asks. I don’t know if I would call it subjective but I would call it a terrible metric! (But I’m ahead of the episode. The minute I heard state-mandated testing I was ready to rant about testing practices and the costs of teaching to a test. I’m a little shocked that Liz didn’t go there immediately.)
Lucca dared Malcolm to make something out of paperclips, and now he’s totally caught up in crafting a paperclip zombie. Awww. My favorite detail about this scene is that Liz picks up a paperclip to help her son with his project, even as she’s still thinking about her case.
Liz realizes something: Malcolm’s score on the state-mandated test went down when he had a better teacher. He got a 92 last year, and a 73 this year. I assume those are percentages, not percentiles? I don’t recall much about these exams, but aren’t these sorts of things usually scored by percentile and not accuracy? Oh, my God, why do I care?
Tbh, this is just making me really grateful for my own education. I didn’t get a single letter grade or percentage based grade until I was 10 or 11 (maybe on a math test before that?), and grades didn’t “count” until 6th grade. We also weren’t ever assigned homework until 3rd grade. I have some complaints about my (private) elementary school, but I think that system worked well. We could learn without the fear of failing an exam. And while I’m sure I would’ve done just fine if I’d had grades when I was a kid (I love structure and I always have), I bet it really helped the kids who don’t test well.
What I’m saying is, and I’m probably preaching to the choir, teaching to a test, particularly a state-mandated standardized test that will determine staffing and funding, is a terrible idea. It doesn’t help the kids learn, it requires teachers to spend time on lessons that may not be as beneficial to their students in the long-run as something that builds critical thinking skills, and it encourages teachers to lie and cheat to keep their jobs.
Liz, Marissa, and Maia get to work going through the exams from the last few years. Maia spots the eraser marks. Of course there are eraser marks.
I wonder how many of the characters on this show (and on TGW) went to public school. My guess is that the list is pretty short.
The cheating teacher denies that she cheated. She claims the students just realized their mistake at the last minute. All of them. Repeatedly. It’s ridiculous, and Maia’s pretty persuasive. (Yay, Maia!) They still need to find proof, but it’s obvious they’re on the right track.
Kurt is in Diane’s office with some roses. Marissa texts Diane “Where r u? Kurt’s here!!” AGAIN WITH THE “WHERE R U”! Marissa would not write like that on an iPhone!!
Marissa asks Kurt, the ballistics expert, if he knows any eraser forensic experts. Not a dumb question, because such people exist! Even if Liz/Maia/Marissa end up with the wrong expert witness initially (they grab Lucca’s witness instead), eraser forensic experts exist!  
I don’t understand Maia’s wardrobe. I cannot find the words to describe her style.
When it becomes clear beyond a doubt that the tests were tampered with, all Nancy wants to know is if she can see her daughter’s test.
Liz tells Mr. Coulson the good news, but… it’s too late. He’s accepted a position at a private school that will pay more. “I still believe in public schools,” he says as he leaves. Ah, a TGW (TGF) victory.
As Liz contemplates her next move, she sees Malcolm and Lucca sharing a sweet moment. Aww.
10 notes · View notes