#they are currently scream singing along to 2015s greatest hits
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will one of you be my alibi if I murder my neighbors
#they are currently scream singing along to 2015s greatest hits#I have ear plugs in and I can still hear them#it’s midnight on a Wednesday like please!!!#go to a karaoke bar or something!!#Abbie whines
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Prince
Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer, songwriter, musician, record producer, dancer, actor, and filmmaker. A guitar virtuoso and multi-instrumentalist known for his eclectic genre-crossing work, flamboyant and androgynous persona, energetic live shows and wide-ranging singing voice, in particular his far reaching falsetto and high-pitched screams, he is regarded as one of the greatest, versatile and most successful musicians in the history of popular music. His innovative music integrated a wide variety of styles, including funk, R&B, rock, new wave, soul, psychedelia, and pop. Prince pioneered the late 1970s Minneapolis sound, a funk rock subgenre drawing from synth-pop and new wave.
Born and raised in Minneapolis, Prince developed an interest in music as a young child and wrote his first song, "Funk Machine", at the age of seven. He signed a recording contract with Warner Bros. Records at the age of 19, and released his debut album For You in 1978. Following up with his next four albums—Prince (1979), Dirty Mind (1980), Controversy (1981), and 1999 (1982)—Prince gained critical success, prominently showcasing his explicit lyrics as well as his blending of funk, dance, and rock music. In 1984, he began referring to his backup band as The Revolution and released his sixth album Purple Rain, which was also the soundtrack to his hugely successful film acting debut of the same name. It quickly became his most commercially successful record, spending 24 consecutive weeks atop the Billboard 200. The film itself was critically and commercially successful and also won the Academy Award for Best Original Song Score, the last film to receive the award.
Following the disbandment of The Revolution, Prince released the critically acclaimed double album Sign o' the Times (1987). He released three more solo albums—Lovesexy (1988), the Batman soundtrack (1989), and the Graffiti Bridge soundtrack (1990)—before debuting his New Power Generation backing band in 1991. In the midst of a contractual dispute with Warner Bros. in 1993, Prince changed his stage name to the unpronounceable symbol , known to fans as the "Love Symbol", and began releasing new albums at a faster rate in order to quickly meet his contract quota and release himself from further obligations to the record label. He released five records between 1994 and 1996 before he signed with Arista Records in 1998. He began referring to himself as "Prince" again in 2000 and subsequently released 16 albums, including Musicology (2004), his most successful album of that decade. His final album, Hit n Run Phase Two, was first released on the Tidal streaming service in 2015.
In April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. He sold over 100 million records worldwide, ranking him among the best-selling music artists of all time. He won seven Grammy Awards, seven Brit Awards, six American Music Awards, four MTV Video Music Awards, an Academy Award, and a Golden Globe Award. He was also honored with special awards including the Grammy President's Merit Award, American Music Awards for Achievement and of Merit, and the Billboard Icon Award. He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, and the Rhythm and Blues Music Hall of Fame in 2016. In 2016, he was posthumously honored with a Doctor of Humane Letters by the University of Minnesota. Rolling Stone placed him among its list of the 100 Greatest Artists of All Time.
Early life
Prince Rogers Nelson was born on June 7, 1958, in Minneapolis, Minnesota, the son of jazz singer Mattie Della (née Shaw) and pianist and songwriter John Lewis Nelson. All four of his grandparents hailed from Louisiana. Prince was given his father's stage name, Prince Rogers, which his father used while performing with his mother in a jazz group called the Prince Rogers Trio. In 1991, Prince's father told A Current Affair that he named his son Prince because he wanted Prince "to do everything I wanted to do". Prince was not fond of his name and wanted people to instead call him Skipper, a name which stuck throughout his childhood. Prince has said he was "born epileptic" and had seizures when he was young. He stated, "My mother told me one day I walked in to her and said, 'Mom, I'm not going to be sick anymore,' and she said, 'Why?' and I said, 'Because an angel told me so.'"
Prince's younger sister, Tyka, was born on May 18, 1960. Both siblings developed a keen interest in music, which was encouraged by their father. Prince wrote his first song, "Funk Machine", on his father's piano when he was seven. Prince's parents divorced when he was 10. His mother remarried to Hayward Baker, with whom she had a son named Omarr; Prince had a fraught relationship with his half brother Baker to the extent that it caused him to repeatedly switch homes, sometimes living with his father and sometimes with his mother and stepfather. Baker took Prince to see James Brown in concert, and Prince credited Baker with improving the family's finances. After a brief period of living with his father, who bought him his first guitar, Prince moved into the basement of the Anderson family, his neighbors, after his father kicked him out. He befriended the Andersons' son, Andre, who later collaborated with Prince and became known as André Cymone.
Prince attended Minneapolis' Bryant Junior High and then Central High School, where he played football, basketball, and baseball. He was a student at the Minnesota Dance Theatre through the Urban Arts Program of Minneapolis Public Schools. He played on Central's junior varsity basketball team, and continued to play basketball recreationally as an adult. Prince met songwriter and producer Jimmy Jam in 1973 and impressed Jimmy with his musical talent, early mastery of a wide range of instruments and work ethic.
Career
1975–1984: Beginnings and breakthrough – For You
In 1975, Pepe Willie, the husband of Prince's cousin Shauntel, formed the band 94 East with Marcy Ingvoldstad and Kristie Lazenberry, hiring André Cymone and Prince to record tracks. Willie wrote the songs, and Prince contributed guitar tracks, and Prince and Willie co-wrote the 94 East song, "Just Another Sucker". The band recorded tracks which later became the album Minneapolis Genius – The Historic 1977 Recordings. In 1976, Prince created a demo tape with producer Chris Moon, in Moon's Minneapolis studio. Unable to secure a recording contract, Moon brought the tape to Owen Husney, a Minneapolis businessman, who signed Prince, age 19, to a management contract, and helped him create a demo at Sound 80 Studios in Minneapolis (with producer/engineer David Z). The demo recording, along with a press kit produced at Husney's ad agency, resulted in interest from several record companies including Warner Bros. Records, A&M Records, and Columbia Records.
With the help of Husney, Prince signed a recording contract with Warner Bros. The record company agreed to give Prince creative control for three albums and retain his publishing rights. Husney and Prince then left Minneapolis and moved to Sausalito, California, where Prince's first album, For You, was recorded at Record Plant Studios. The album was mixed in Los Angeles and released on April 7, 1978. According to the For You album notes, Prince wrote, produced, arranged, composed, and played all 27 instruments on the recording, except for the song "Soft and Wet", whose lyrics were co-written by Moon. The cost of recording the album was twice Prince's initial advance. Prince used the Prince's Music Co. to publish his songs. "Soft and Wet" reached No. 12 on the Hot Soul Singles chart and No. 92 on the Billboard Hot 100. The song "Just as Long as We're Together" reached No. 91 on the Hot Soul Singles chart.
In 1979, Prince created a band with André Cymone on bass, Dez Dickerson on guitar, Gayle Chapman and Doctor Fink on keyboards, and Bobby Z. on drums. Their first show was at the Capri Theater on January 5, 1979. Warner Bros. executives attended the show but decided that Prince and the band needed more time to develop his music. In October 1979, Prince released the album Prince, which was No. 4 on the Billboard Top R&B/Black Albums charts and No. 22 on the Billboard 200, and went platinum. It contained two R&B hits: "Why You Wanna Treat Me So Bad?" and "I Wanna Be Your Lover", which sold over a million copies, and reached No. 11 on the Billboard Hot 100 and No. 1 for two weeks on the Hot Soul Singles chart. Prince performed both these songs on January 26, 1980, on American Bandstand. On this album, Prince used Ecnirp Music – BMI.
In 1980, Prince released the album Dirty Mind, which contained sexually explicit material, including the title song, "Head", and the song "Sister", and was described by Stephen Thomas Erlewine as a "stunning, audacious amalgam of funk, new wave, R&B, and pop, fueled by grinningly salacious sex and the desire to shock." Recorded in Prince's own studio, this album was certified gold, and the single "Uptown" reached No. 5 on the Billboard Dance chart and No. 5 on the Hot Soul Singles chart. Prince was also the opening act for Rick James' 1980 Fire It Up tour.
In February 1981, Prince made his first appearance on Saturday Night Live, performing "Partyup". In October 1981, Prince released the album, Controversy. He played several dates in support of it, as the first of three opening acts for the Rolling Stones, on their US tour. In Los Angeles, Prince was forced off the stage after just three songs by audience members throwing trash at him. He began 1982 with a small tour of college towns where he was the headlining act. The songs on Controversy were published by Controversy Music – ASCAP, a practice he continued until the Emancipation album in 1996. By 2002, MTV News noted that "[n]ow all of his titles, liner notes, and Web postings are written in his own shorthand spelling, as seen on 1999's Rave Un2 the Joy Fantastic, which featured 'Hot Wit U.'"
In 1981, Prince formed a side project band called the Time. The band released four albums between 1981 and 1990, with Prince writing and performing most of the instrumentation and backing vocals (sometimes credited under the pseudonyms "Jamie Starr" or "The Starr Company"), with lead vocals by Morris Day. In late 1982, Prince released a double album, 1999, which sold over three million copies. The title track was a protest against nuclear proliferation and became Prince's first top 10 hit in countries outside the US. Prince's "Little Red Corvette" was one of the first two videos by black artists (along with Michael Jackson's "Billie Jean") played in heavy rotation on MTV, which had been perceived as against "black music" until CBS President Walter Yetnikoff threatened to pull all CBS videos. Prince and Jackson had a competitive rivalry, not just on musical success, but also athletically too. The song "Delirious" also placed in the top ten on the Billboard Hot 100 chart. "International Lover" earned Prince his first Grammy Award nomination at the 26th Annual Grammy Awards.
1984–1987: The Revolution – Purple Rain, Around the World in a Day and Parade
During this period Prince referred to his band as the Revolution. The band's name was also printed, in reverse, on the cover of 1999 inside the letter "I" of the word "Prince". The band consisted of Lisa Coleman and Doctor Fink on keyboards, Bobby Z. on drums, Brown Mark on bass, and Dez Dickerson on guitar. Jill Jones, a backing singer, was also part of the lineup for the 1999 album and tour. Following the 1999 Tour, Dickerson left the group for religious reasons. In the book Possessed: The Rise and Fall of Prince (2003), author Alex Hahn says that Dickerson was reluctant to sign a three-year contract and wanted to pursue other musical ventures. Dickerson was replaced by Coleman's friend Wendy Melvoin. At first the band was used sparsely in the studio, but this gradually changed during 1983.
According to his former manager Bob Cavallo, in the early 1980s Prince required his management to obtain a deal for him to star in a major motion picture, despite the fact that his exposure at that point was limited to several pop and R&B hits, music videos and occasional TV performances. This resulted in the hit film Purple Rain (1984), which starred Prince and was loosely autobiographical, and the eponymous studio album, which was also the soundtrack to the film. The Purple Rain album sold more than 13 million copies in the US and spent 24 consecutive weeks at No. 1 on the Billboard 200 chart. The film won Prince an Academy Award for Best Original Song Score and grossed over $68 million in the US ($167 million in 2019 dollars). Songs from the film were hits on pop charts around the world; "When Doves Cry" and "Let's Go Crazy" reached No. 1, and the title track reached No. 2 on the Billboard Hot 100. At one point in 1984, Prince simultaneously had the No. 1 album, single, and film in the US; it was the first time a singer had achieved this feat. The Purple Rain album is ranked 72nd in Rolling Stone's 500 Greatest Albums of All Time; it is also included on the list of Time magazine's All-Time 100 Albums. The album also produced two of Prince's first three Grammy Awards earned at the 27th Annual Grammy Awards—Best Rock Performance by a Duo or Group with Vocal and Best Score Soundtrack for Visual Media.
In 1984, pop artist Andy Warhol created the painting Orange Prince (1984). Andy Warhol was fascinated by Prince, and ultimately created a total of twelve unique paintings of him in different colorways, all of which were kept in Warhol's personal collection. Four of these paintings are now in the collection of The Andy Warhol Museum in Pittsburgh. In November 1984, Vanity Fair published Warhol's portrait to accompany the article Purple Fame by Tristan Fox, and claimed that Warhol's silkscreen image of Prince with its pop colors captured the recording artist "at the height of his powers". The Vanity Fair article was one of the first global media pieces written as a critical appreciation of the musician, which coincided with the start of the 98-date Purple Rain Tour.
After Tipper Gore heard her 11-year-old daughter Karenna listening to Prince's song "Darling Nikki" (which gained wide notoriety for its sexual lyrics and a reference to masturbation), she founded the Parents Music Resource Center. The center advocated the mandatory use of a warning label ("Parental Advisory: Explicit Lyrics") on the covers of records that have been judged to contain language or lyrical content unsuitable for minors. The recording industry later voluntarily complied with this request.
In 1985, Prince announced that he would discontinue live performances and music videos after the release of his next album. His subsequent recording, Around the World in a Day (1985), held the No. 1 spot on the Billboard 200 for three weeks. From that album, the single "Raspberry Beret" reached No. 2 on the Billboard Hot 100, and "Pop Life" reached No. 7.
In 1986, his album Parade reached No. 3 on the Billboard 200 and No. 2 on the R&B charts. The first single, "Kiss", with the video choreographed by Louis Falco, reached No. 1 on the Billboard Hot 100. (The song was originally written for a side project called Mazarati.) In the same year, the song "Manic Monday", written by Prince and recorded by the Bangles, reached No. 2 on the Hot 100 chart. The album Parade served as the soundtrack for Prince's second film, Under the Cherry Moon (1986). Prince directed and starred in the movie, which also featured Kristin Scott Thomas. Although the Parade album went platinum and sold two million copies, the film Under the Cherry Moon received a Golden Raspberry Award for Worst Picture (tied with Howard the Duck), and Prince received Golden Raspberry Awards for Worst Director, Worst Actor, and Worst Original Song (for the song "Love or Money").
In 1986, Prince began a series of live performances called the Hit n Run – Parade Tour. After the tour Prince disbanded the Revolution and fired Wendy & Lisa. Brown Mark quit the band; keyboardist Doctor Fink remained. Prince recruited new band members Miko Weaver on guitar, Atlanta Bliss on trumpet, and Eric Leeds on saxophone.
1987–1991: Solo again – Sign o' the Times, Lovesexy, Batman and Grafitti Bridge
Prior to the disbanding of the Revolution, Prince was working on two separate projects, the Revolution album Dream Factory and a solo effort, Camille. Unlike the three previous band albums, Dream Factory included input from the band members and featured songs with lead vocals by Wendy & Lisa. The Camille project saw Prince create a new androgynous persona primarily singing in a sped-up, female-sounding voice. With the dismissal of the Revolution, Prince consolidated material from both shelved albums, along with some new songs, into a three-LP album to be titled Crystal Ball. Warner Bros. forced Prince to trim the triple album to a double album, and Sign o' the Times was released on March 31, 1987.
The album peaked at No. 6 on the Billboard 200 albums chart. The first single, "Sign o' the Times", charted at No. 3 on the Hot 100. The follow-up single, "If I Was Your Girlfriend", charted at No. 67 on the Hot 100 but went to No. 12 on R&B chart. The third single, a duet with Sheena Easton, "U Got the Look", charted at No. 2 on the Hot 100 and No. 11 on the R&B chart, and the final single, "I Could Never Take the Place of Your Man", finished at No. 10 on Hot 100 and No. 14 on the R&B chart.
It was named the top album of the year by the Pazz & Jop critics' poll and sold 3.2 million copies. In Europe, it performed well, and Prince promoted the album overseas with a lengthy tour. Putting together a new backing band from the remnants of the Revolution, Prince added bassist Levi Seacer Jr., keyboardist Boni Boyer, and dancer/choreographer Cat Glover to go with new drummer Sheila E and holdovers Miko Weaver, Doctor Fink, Eric Leeds, Atlanta Bliss, and the Bodyguards (Jerome, Wally Safford, and Greg Brooks) for the Sign o' the Times Tour.
The Sign o' the Times tour was a success overseas, and Warner Bros. and Prince's managers wanted to bring it to the US to promote sales of the album; Prince balked at a full US tour, as he was ready to produce a new album. As a compromise, the last two nights of the tour were filmed for release in movie theaters. The film quality was deemed subpar, and reshoots were performed at Prince's Paisley Park studios. The film Sign o' the Times was released on November 20, 1987. The film got better reviews than Under the Cherry Moon, but its box-office receipts were minimal, and it quickly left theaters.
The next album intended for release was The Black Album. More instrumental and funk- and R&B-themed than recent releases, The Black Album also saw Prince experiment with hip hop on the songs "Bob George" and "Dead on It". Prince was set to release the album with a monochromatic black cover with only the catalog number printed, but after 500,000 copies had been pressed, Prince had a spiritual epiphany that the album was evil and had it recalled. It was later released by Warner Bros. as a limited edition album in 1994.
Prince went back in the studio for eight weeks and recorded Lovesexy. Released on May 10, 1988, Lovesexy serves as a spiritual opposite to the dark The Black Album. Every song is a solo effort by Prince, except "Eye No", which was recorded with his backing band at the time. Lovesexy reached No. 11 on the Billboard 200 and No. 5 on the R&B albums chart. The lead single, "Alphabet St.", peaked at No. 8 on the Hot 100 and No. 3 on the R&B chart; it sold 750,000 copies.
Prince again took his post-Revolution backing band (minus the Bodyguards) on a three-leg, 84-show Lovesexy World Tour; although the shows were well-received by huge crowds, they failed to make a net profit due to the expensive sets and props.
In 1989, Prince appeared on Madonna's studio album Like a Prayer, co-writing and singing the duet "Love Song" and playing electric guitar (uncredited) on the songs "Like a Prayer", "Keep It Together", and "Act of Contrition". He also began work on several musical projects, including Rave Unto the Joy Fantastic and early drafts of his Graffiti Bridge film, but both were put on hold when he was asked by Batman (1989) director Tim Burton to record several songs for the upcoming live-action adaptation. Prince went into the studio and produced an entire nine-track album that Warner Bros. released on June 20, 1989. Batman peaked at No. 1 on the Billboard 200, selling 4.3 million copies. The single "Batdance" topped the Billboard Hot 100 and R&B charts.
The single "The Arms of Orion", with Sheena Easton, charted at No. 36, and "Partyman" (also featuring the vocals of Prince's then-girlfriend, nicknamed Anna Fantastic) charted at No. 18 on the Hot 100 and at No. 5 on the R&B chart, while the love ballad "Scandalous!" went to No. 5 on the R&B chart. Prince had to sign away all publishing rights to the songs on the album to Warner Bros. as part of the deal to do the soundtrack.
In 1990, Prince went back on tour with a revamped band for his back-to-basics Nude Tour. With the departures of Boni Boyer, Sheila E., the horns, and Cat, Prince brought in keyboardist Rosie Gaines, drummer Michael Bland, and dancing trio the Game Boyz (Tony M., Kirky J., and Damon Dickson). The European and Japanese tour was a financial success with a short, greatest hits setlist. As the year progressed, Prince finished production on his fourth film, Graffiti Bridge (1990), and the 1990 album of the same name. Initially, Warner Bros. was reluctant to fund the film, but with Prince's assurances it would be a sequel to Purple Rain as well as the involvement of the original members of the Time, the studio greenlit the project. Released on August 20, 1990, the album reached No. 6 on the Billboard 200 and R&B albums chart. The single "Thieves in the Temple" reached No. 6 on the Hot 100 and No. 1 on the R&B chart; "Round and Round" placed at No. 12 on the US charts and No. 2 on the R&B charts. The song featured the teenage Tevin Campbell (who also had a role in the film) on lead vocals. The film, released on November 20, 1990, was a box-office flop, grossing $4.2 million. After the release of the film and album, the last remaining members of the Revolution, Miko Weaver, and Doctor Fink, left Prince's band.
1991–1996: The New Power Generation and name change – from Diamonds and Pearls to Chaos and Disorder
1991, that started with a performance in Rock in Rio II, marked the debut of Prince's new band, the New Power Generation. With guitarist Miko Weaver and long-time keyboardist Doctor Fink gone, Prince added bass player Sonny T., Tommy Barbarella on keyboards, and a brass section known as the Hornheads to go along with Levi Seacer (taking over on guitar), Rosie Gaines, Michael Bland, and the Game Boyz. With significant input from his band members, Diamonds and Pearls was released on October 1, 1991. Reaching No. 3 on the Billboard 200 album chart, Diamonds and Pearls saw four hit singles released in the United States. "Gett Off" peaked at No. 21 on the Hot 100 and No. 6 on the R&B charts, followed by "Cream", which gave Prince his fifth US No. 1 single. The title track "Diamonds and Pearls" became the album's third single, reaching No. 3 on the Hot 100 and the top spot on the R&B charts. "Money Don't Matter 2 Night" peaked at No. 23 and No. 14 on the Hot 100 and R&B charts respectively.
In 1992, Prince and the New Power Generation released his twelfth album, bearing only an unpronounceable symbol on the cover (later copyrighted as "Love Symbol #2") as its title. The album peaked at No. 5 on the Billboard 200. The symbol was explained as being a combination of the symbols for male (♂) and female (♀). The label wanted "7" to be the first single, but Prince fought to place "My Name Is Prince" in that slot, as he "felt that the song's more hip-hoppery would appeal to the same audience" that had purchased the previous album. Prince got his way, but "My Name Is Prince" reached No. 36 on the Billboard Hot 100 and No. 23 on the R&B chart. The follow-up single "Sexy MF" charted at No. 66 on the Hot 100 and No. 76 on the R&B chart. The label's preferred lead single choice "7" reached No. 7. The album, which would later be referred to as Love Symbol, went on to sell 2.8 million copies worldwide.
After two failed attempts in 1990 and 1991, Warner Bros. released a greatest hits compilation with the three-disc The Hits/The B-Sides in 1993. The first two discs were also sold separately as The Hits 1 and The Hits 2. The collection features the majority of Prince's hit singles (with the exception of "Batdance" and other songs that appeared on the Batman soundtrack), and several previously hard-to-find recordings, including B-sides spanning the majority of Prince's career, as well as some previously unreleased tracks such as the Revolution-recorded "Power Fantastic" and a live recording of "Nothing Compares 2 U" with Rosie Gaines. Two new songs, "Pink Cashmere" and "Peach", were chosen as promotional singles to accompany the compilation album.
In 1993, in rebellion against Warner Bros., which refused to release Prince's enormous backlog of music at a steady pace, Prince officially adopted the aforementioned "Love Symbol" as his stage name. In order to use the symbol in print media, Warner Bros. had to organize a mass mailing of floppy disks with a custom font. At this time, Prince was referred to as the "Artist Formerly Known as Prince" or the "Artist".
In 1994, Prince began to release albums in quick succession as a means of releasing himself from his contractual obligations to Warner Bros. He also began appearing with the word "slave" written on his face. The label, he believed, was intent on limiting his artistic freedom by insisting that he release albums more sporadically. He also blamed Warner Bros. for the poor commercial performance of Love Symbol, claiming they had marketed it insufficiently. It was out of these developments that the aborted The Black Album was officially released, seven years after its initial recording. The "new" release was already in wide circulation as a bootleg. Warner Bros. then succumbed to Prince's wishes to release an album of new material, to be entitled Come.
Bruno Bergonzi co-wrote with Michele Vicino the song "Takin’ Me to Paradise", published on 1983. The session vocalist was Raynard. J. The song appeared on a number of compilations, which was internationally distributed. An Italian court ruled on 2003 that Prince's 1994 hit, The Most Beautiful Girl in the World, was a plagiarism from the song by the two Italian writers. Bergonzi and Vicino won on appeal in 2007. The third and final sentence, by the Court of Cassation of Rome is dated May 2015. Italian collecting society SIAE recognizes Bergonzi and Vicino as the authors of The Most Most Beautiful Girl in the World music.
Prince pushed to have his next album The Gold Experience released simultaneously with Love Symbol-era material. Warner Bros. allowed the single "The Most Beautiful Girl in the World" to be released via a small, independent distributor, Bellmark Records, in February 1994. The release reached No. 3 on the US Billboard Hot 100 and No. 1 in many other countries, but it did not prove to be a model for subsequent releases. Warner Bros. still resisted releasing The Gold Experience, fearing poor sales and citing "market saturation" as a defense. When released in September 1995, The Gold Experience reached the top 10 of the Billboard 200 initially. The album is now out of print.
Chaos and Disorder, released in 1996, was Prince's final album of new material for Warner Bros., as well as one of his least commercially successful releases.
1996–2000: Free at last – Emancipation, Crystal Ball and Rave
Free of any further contractual obligations to Warner Bros., Prince attempted a major comeback later that year with the release of Emancipation, a 36-song, 3-CD set (each disc was exactly 60 minutes long). The album was released via his own NPG Records with distribution through EMI. To publish his songs on Emancipation, Prince did not use Controversy Music – ASCAP, which he had used for all his records since 1981, but rather used Emancipated Music Inc. – ASCAP.
Certified Platinum by the RIAA, Emancipation is the first record featuring covers by Prince of songs of other artists: Joan Osborne's top ten hit song of 1995 "One of Us"; "Betcha by Golly Wow!" (written by Thom Bell and Linda Creed); "I Can't Make You Love Me" (written by James Allen Shamblin II and Michael Barry Reid); and "La-La (Means I Love You)" (written by Thom Bell and William Hart).
Prince released Crystal Ball, a five-CD collection of unreleased material, in 1998. The distribution of this album was disorderly, with some fans pre-ordering the album on his website up to a year before it was shipped; these pre-orders were delivered months after the record had gone on sale in retail stores. The retail edition has only four discs, as it is missing the Kamasutra disc. There are also two different packaging editions for retail; one is a four-disc sized jewel case with a white cover and the Love Symbol in a colored circle while the other contains all four discs in a round translucent snap jewel case. The discs are the same, as is the CD jacket. The Newpower Soul album was released three months later. His collaborations on Chaka Khan's Come 2 My House and Larry Graham's GCS2000, both released on the NPG Records label around the same time as Newpower Soul, were promoted by live appearances on Vibe with Sinbad and the NBC Today show's Summer Concert Series.
In 1999, Prince once again signed with a major label, Arista Records, to release a new record, Rave Un2 the Joy Fantastic. A few months earlier, Warner Bros. had also released The Vault: Old Friends 4 Sale, a collection of unreleased material recorded by Prince throughout his career.
The pay-per-view concert, Rave Un2 the Year 2000, was broadcast on December 31, 1999, and consisted of footage from the December 17 and 18 concerts of his 1999 tour. The concert featured appearances by guest musicians including Lenny Kravitz, George Clinton, Jimmy Russell, and The Time. It was released to home video the following year.
2000–2007: Turnaround – Musicology and 3121
On May 16, 2000, Prince stopped using the Love Symbol moniker as his name, after his publishing contract with Warner/Chappell expired. In a press conference, he stated that after being freed from undesirable relationships associated with the name "Prince", he would revert to using his real name. Prince continued to use the symbol as a logo and on album artwork and to play a Love Symbol-shaped guitar. For several years following the release of Rave Un2 the Joy Fantastic, Prince primarily released new music through his Internet subscription service, NPGOnlineLtd.com which later became the NPGMusicClub.com. Albums from this period are Rave In2 the Joy Fantastic (2001), The Rainbow Children (2001), One Nite Alone... (2002), Xpectation (2003), C-Note (2004), The Chocolate Invasion (2004) and The Slaughterhouse (2004).
In 2001, Warner Bros. released a second compilation album The Very Best of Prince containing most of his commercially successful singles from the eighties.
In 2002, Prince released his first live album, One Nite Alone... Live!, which features performances from the One Nite Alone...Tour. The 3-CD box set also includes a disc of "aftershow" music entitled It Ain't Over!. During this time, Prince sought to engage more effectively with his fan base via the NPG Music Club, pre-concert sound checks, and at yearly "celebrations" at Paisley Park, his music studios. Fans were invited into the studio for tours, interviews, discussions and music-listening sessions. Some of these fan discussions were filmed for an unreleased documentary, directed by Kevin Smith.
On February 8, 2004, Prince appeared at the 46th Annual Grammy Awards with Beyoncé. In a performance that opened the show, they performed a medley of "Purple Rain", "Let's Go Crazy", "Baby I'm a Star", and Beyoncé's "Crazy in Love". The following month, Prince was inducted into the Rock and Roll Hall of Fame. The award was presented to him by Alicia Keys along with Big Boi and André 3000 of OutKast. As well as performing a trio of his own hits during the ceremony, Prince also participated in a tribute to fellow inductee George Harrison in a rendering of Harrison's "While My Guitar Gently Weeps", playing a two-minute guitar solo that ended the song. He also performed the song "Red House" as "Purple House" on the album Power of Soul: A Tribute to Jimi Hendrix.
In April 2004, Prince released Musicology through a one-album agreement with Columbia Records. The album rose as high as the top five on some international charts (including the US, UK, Germany, and Australia). The US chart success was assisted by the CDs being included as part of the concert ticket purchase, thereby qualifying each CD (as chart rules then stood) to count toward US chart placement. Three months later, Spin named him the greatest frontman of all time.That same year, Rolling Stone magazine named Prince as the highest-earning musician in the world, with an annual income of $56.5 million, largely due to his Musicology Tour, which Pollstar named as the top concert draw among musicians in the US. He played 96 concerts; the average ticket price for a show was US$61 (equivalent to $83 in 2019). Musicology went on to receive two Grammy wins, for Best Male R&B Vocal Performance for "Call My Name" and Best Traditional R&B Vocal Performance for the title track. Musicology was also nominated for Best R&B Song and Best R&B Album, and "Cinnamon Girl" was nominated for Best Male Pop Vocal Performance. Rolling Stone ranked Prince No. 27 on their list of the 100 Greatest Artists of All Time.
In April 2005, Prince played guitar (along with En Vogue singing backing vocals) on Stevie Wonder's single "So What the Fuss", Wonder's first since 1999.
In late 2005, Prince signed with Universal Music to release his album, 3121, on March 21, 2006. The first single was "Te Amo Corazón", the video for which was directed by actress Salma Hayek and filmed in Marrakech, Morocco, featuring Argentine actress and singer Mía Maestro. The video for the second single, "Black Sweat", was nominated at the MTV VMAs for Best Cinematography. The immediate success of 3121 gave Prince his first No. 1 debut on the Billboard 200 with the album.
To promote the new album, Prince was the musical guest on Saturday Night Live on February 4, 2006, 17 years after his last SNL appearance on the 15th anniversary special, and nearly 25 years since his first appearance on a regular episode in 1981.
At the 2006 Webby Awards on June 12, Prince received a Webby Lifetime Achievement Award in recognition of his "visionary use of the Internet to distribute music and connect with audiences", exemplified by his decision to release his album Crystal Ball (1998) exclusively online.
In July 2006, weeks after winning a Webby Award, Prince shut down his NPG Music Club website, after more than five years of operation. On the day of the music club's shutdown, a lawsuit was filed against Prince by the British company HM Publishing (owners of the Nature Publishing Group, also NPG). Despite these events occurring on the same day, Prince's attorney stated that the site did not close due to the trademark dispute.
Prince appeared at multiple award ceremonies in 2006: on February 15, he performed at the 2006 Brit Awards, along with Wendy & Lisa and Sheila E., and on June 27, Prince appeared at the 2006 BET Awards, where he was awarded Best Male R&B Artist. Prince performed a medley of Chaka Khan songs for Khan's BET Lifetime Achievement Award.
In November 2006, Prince was inducted into the UK Music Hall of Fame; he appeared to collect his award but did not perform. Also in November 2006, Prince opened a nightclub called 3121, in Las Vegas at the Rio All Suite Hotel and Casino. He performed weekly on Friday and Saturday nights until April 2007, when his contract with the Rio ended. On August 22, 2006, Prince released Ultimate Prince. The double-disc set contains one CD of previous hits, and another of extended versions and mixes of material that had largely only previously been available on vinyl record B-sides. That same year, Prince wrote and performed a song for the hit animated film Happy Feet (2006). The song, "The Song of the Heart", appears on the film's soundtrack, which also features a cover of Prince's earlier hit "Kiss", sung by Nicole Kidman and Hugh Jackman. In January 2007, "The Song of the Heart" won a Golden Globe for Best Original Song.
2007–2010: Super Bowl XLI – Planet Earth and Lotusflower
On February 2, 2007, Prince played at the Super Bowl XLI press conference, and the Super Bowl XLI Halftime Show in Miami, Florida, on February 4, 2007, on a large stage shaped like his symbol. The event was carried to 140 million television viewers, his biggest ever audience. In 2015, Billboard.com ranked the performance as the greatest Super Bowl performance ever.
Prince played 21 concerts in London during mid-2007. The Earth Tour included 21 nights at the 20,000 capacity O2 Arena, with Maceo Parker in his band. Tickets for the O2 Arena were capped by Prince at £31.21 ($48.66). The residency at the O2 Arena was increased to 15 nights after all 140,000 tickets for the original seven sold out in 20 minutes. It was then further extended to 21 nights.
Prince performed with Sheila E. at the 2007 ALMA Awards. On June 28, 2007, the Mail on Sunday stated that it had made a deal to give Prince's new album, Planet Earth, away for free with the paper, making it the first place in the world to get the album. This move sparked controversy among music distributors and also led the UK arm of Prince's distributor, Sony BMG, to withdraw from distributing the album in UK stores. The UK's largest high street music retailer, HMV, stocked the paper on release day due to the giveaway. On July 7, 2007, Prince returned to Minneapolis to perform three shows. He performed concerts at the Macy's Auditorium (to promote his new perfume "3121") on Nicollet Mall, the Target Center arena, and First Avenue. It was the first time he had played at First Avenue (the club appeared in the film Purple Rain) since 1987.
From 2008, Prince was managed by UK-based Kiran Sharma. On April 25, 2008, Prince performed on The Tonight Show with Jay Leno, where he debuted a new song, "Turn Me Loose". Days after, he headlined the 2008 Coachella Festival. Prince was paid more than $5 million for his performance at Coachella, according to Reuters.Prince canceled a concert, planned at Dublin's Croke Park on June 16, 2008, at 10 days' notice. In October 2009 promoters MCD Productions went to court to sue him for €1.6 million to refund 55,126 tickets. Prince settled the case out of court in February 2010 for $2.95 million. During the trial, it was said that Prince had been offered $22 million for seven concerts as part of a proposed 2008 European tour. In October 2008, Prince released a live album entitled Indigo Nights, a collection of songs performed live at aftershows in the IndigO2.
On December 18, 2008, Prince premiered four songs from his new album on LA's Indie rock radio station Indie 103.1. The radio station's programmers Max Tolkoff and Mark Sovel had been invited to Prince's home to hear the new rock-oriented music. Prince gave them a CD with four songs to premiere on their radio station. The music debuted the next day on Jonesy's Jukebox, hosted by former Sex Pistol Steve Jones.
On January 3, 2009, the new website LotusFlow3r.com was launched, streaming and selling some of the recently aired material and concert tickets. On January 31, Prince released two more songs on LotusFlow3r.com: "Disco Jellyfish", and "Another Boy". "Chocolate Box", "Colonized Mind", and "All This Love" were later released on the website. Prince released a triple album set containing Lotusflower, MPLSoUND, and an album credited to Bria Valente, called Elixer, on March 24, 2009, followed by a physical release on March 29.
On July 18, 2009, Prince performed two shows at the Montreux Jazz Festival, backed by the New Power Generation including Rhonda Smith, Renato Neto and John Blackwell. On October 11, 2009, he gave two surprise concerts at the Grand Palais. On October 12, he gave another surprise performance at La Cigale. On October 24, Prince played a concert at Paisley Park.
2010–2012: 20Ten
In January 2010, Prince wrote a new song, "Purple and Gold", inspired by his visit to a Minnesota Vikings football game against the Dallas Cowboys. The following month, Prince let Minneapolis-area public radio station 89.3 The Current premiere his new song "Cause and Effect" as a gesture in support of independent radio.
In 2010, Prince was listed in Time's annual ranking of the "100 Most Influential People in the World".
Prince released a new single on Minneapolis radio station 89.3 The Current called "Hot Summer" on June 7, his 52nd birthday. Also in June, Prince appeared on the cover of the July 2010 issue of Ebony, and he received the Lifetime Achievement Award at the 2010 BET Awards.
Prince released his album 20Ten in July 2010 as a free covermount with publications in the UK, Belgium, Germany, and France. He refused album access to digital download services and closed LotusFlow3r.com.
On July 4, 2010, Prince began his 20Ten Tour, a concert tour in two legs with shows in Europe. The second leg began on October 15 and ended with a concert following the Abu Dhabi Grand Prix on November 14. The second half of the tour had a new band, John Blackwell, Ida Kristine Nielsen, and Sheila E. Prince let Europe 1 debut the snippet of his new song "Rich Friends" from the new album 20Ten Deluxe on October 8, 2010. Prince started the Welcome 2 Tour on December 15, 2010.
Prince was inducted into the Grammy Hall of Fame on December 7, 2010.
On February 12, 2011, Prince presented Barbra Streisand with an award and donated $1.5 million to charities. On the same day, it was reported that he had not authorized the television show Glee to cover his hit "Kiss", in an episode that had already been filmed.
Prince headlined the Hop Farm Festival on July 3, 2011, marking his first UK show since 2007 and his first ever UK festival appearance.
Despite having previously rejected the Internet for music distribution, on November 24, 2011, Prince released a reworked version of the previously unreleased song "Extraloveable" through both iTunes and Spotify. Purple Music, a Switzerland-based record label, released a CD single "Dance 4 Me" on December 12, 2011, as part of a club remixes package including the Bria Valente CD single "2 Nite" released on February 23, 2012. The CD features club remixes by Jamie Lewis and David Alexander, produced by Prince.
2013–2016: 3rdEyeGirl – Return to Warner Bros. and final years
In January 2013, Prince released a lyric video for a new song called "Screwdriver". In April 2013, Prince announced a West Coast tour titled Live Out Loud Tour with 3rdeyegirl as his backing band. The final two dates of the first leg of the tour were in Minneapolis where former Revolution drummer Bobby Z. sat in as guest drummer on both shows. In May, Prince announced a deal with Kobalt Music to market and distribute his music.
On August 14, 2013, Prince released a new solo single for download through the 3rdeyegirl.com website. The single "Breakfast Can Wait" had cover art featuring comedian Dave Chappelle's impersonation of him, from a 2004, second season Chappelle's Show comedy sketch on Comedy Central.
In February 2014, Prince performed concerts with 3rdeyegirl in London titled the Hit and Run Tour. Beginning with intimate shows, the first was held at the London home of singer Lianne La Havas, followed by two performances of what Prince described as a "sound check" at the Electric Ballroom in Camden, and another at Shepherd's Bush Empire. On April 18, 2014, Prince released a new single entitled "The Breakdown". He re-signed with his former label, Warner Bros. Records after an 18-year split. Warner announced that Prince would release a remastered deluxe edition of his 1984 album Purple Rain in 2014 to celebrate the 30th anniversary of the album. In return, Warner gave Prince ownership of the master recordings of his Warner recordings.
In February 2014 Prince began what was billed as his 'Hit N Run Part One' tour. This involved Prince's Twitter followers keeping an avid eye on second-by-second information as to the whereabouts of his shows. Many of these shows would only be announced on the day of the concert, and many of these concerts involved two performances: a matinee and an evening show. These shows began at Camden's Electric Ballroom, billed as 'Soundchecks', and spread throughout the UK capital to KoKo Club, in Camden, Shepherd's Bush Empire and various other small venues. After his London dates, he moved on to other European cities.
In May 2014 Prince began his 'Hit N Run Part Two' shows, which followed a more normal style of purchasing tickets online and being held in music arenas. In Spring 2014, he launched NPG Publishing, a music company to administer his own music and that of other artists without the restrictions of mainstream record companies.
In May 2015, following the death of Freddie Gray and the subsequent riots, Prince released a song entitled "Baltimore" in tribute to Gray and in support of the protesters in Baltimore. He also held a tribute concert for Gray at his Paisley Park estate called "Dance Rally 4 Peace" in which he encouraged fans to wear the color gray in honor of Freddie Gray. On May 10, he performed a special concert at the Royal Farms Arena in Baltimore called "Rally 4 Peace," that featured a special appearance by Baltimore State's Attorney Marilyn Mosby, and one set performed by Prince alone at a keyboard.
Prince's penultimate album, Hit n Run Phase One, was first made available on September 7, 2015, on the music streaming service Tidal before being released on CD and for download on September 14. His final album, Hit n Run Phase Two, was meant as a continuation of this one, and was released on Tidal for streaming and download on December 12, 2015.
In February 2016, Prince embarked on the Piano & A Microphone Tour, a tour that saw his show stripped back to only Prince and a custom piano on stage. He performed a series of warm-up shows at Paisley Park in late January 2016 and the tour commenced in Melbourne, Australia, on February 16, 2016, to critical acclaim. The Australian and New Zealand legs of the tour were played in small capacity venues including the Sydney Opera House. Hit n Run Phase Two CDs were distributed to every attendee after each performance. The tour continued to the United States but was cut abruptly short by illness in April 2016.
Illness and death
Prince saw Michael T. Schulenberg, a Twin Cities specialist in family medicine, in Excelsior on April 7, 2016, and again on April 20. On April 7, he postponed two performances at the Fox Theatre in Atlanta from his Piano & A Microphone Tour; the venue released a statement saying he had influenza. He rescheduled and performed his final show on April 14, even though he still was not feeling well. While flying back to Minneapolis early the next morning, he became unresponsive, and his private jet made an emergency landing at Quad City International Airport in Moline, Illinois, where he was hospitalized and received Narcan, a medication used to block the effects of opioids, especially following an overdose. Once he became conscious, he left against medical advice. Representatives said he suffered from dehydration and had influenza for several weeks. Prince was seen bicycling the next day in his hometown of Chanhassen. He shopped that evening at the Electric Fetus in Minneapolis for Record Store Day and made a brief appearance at an impromptu dance party at his Paisley Park recording studio complex, stating that he was feeling fine. On April 19, he attended a performance by singer Lizz Wright at the Dakota Jazz Club.
On April 20, 2016, Prince's representatives called Howard Kornfeld, a California specialist in addiction medicine and pain management, seeking medical help for Prince. Kornfeld scheduled to meet with Prince on April 22, and he contacted a local physician who cleared his schedule for a physical examination on April 21. On April 21, at 9:43 am, the Carver County Sheriff's Office received a 9-1-1 call requesting that an ambulance be sent to Prince's home at Paisley Park. The caller initially told the dispatcher that an unidentified person at the home was unconscious, then moments later said he was dead, and finally identified the person as Prince. The caller was Kornfeld's son, who had flown in with buprenorphine that morning to devise a treatment plan for opioid addiction. Emergency responders found Prince unresponsive in an elevator and performed CPR, but a paramedic said he had been dead for at least six hours, and they were unable to revive him. They pronounced him dead at 10:07 am, 19 minutes after their arrival. There were no signs of suicide or foul play. A press release from the Midwest Medical Examiner's Office in Anoka County on June 2 stated that Prince had died of an accidental overdose of fentanyl, at the age of 57.
It is not known whether Prince obtained the fentanyl by a prescription or through an illicit channel. The question of how and from what source Prince obtained the drug that led to his death has been the subject of investigations by several law enforcement agencies. A sealed search warrant was issued for his estate, and another, unsealed, search warrant was issued for the local Walgreens pharmacy. On April 19, 2018, the Carver County Attorney announced that the multi-agency investigation related to the circumstances of Prince's death had ended with no criminal charges filed.
Following an autopsy, his remains were cremated. On April 26, 2016, Prince's sister and only full sibling Tyka Nelson filed court documents in Carver County, to open a probate case, stating that no will had been found. Prince's five half-siblings also have a claim to his estate, which totals millions of dollars and includes real estate, stocks, and cars. As of three weeks after his death, 700 people claimed to be half-siblings or descendants. Bremer Trust was given temporary control of his estate, had his vault drilled open, and was authorized to obtain a blood sample for DNA profiling from the coroner who had performed the autopsy.
Prince's ashes were placed into a custom, 3D printed urn shaped like the Paisley Park estate. The urn was placed on display in the atrium of the Paisley Park complex in October 2016.
Remembrances
Numerous musicians and cultural figures reacted to Prince's death. President Barack Obama mourned him, and the United States Senate passed a resolution praising his achievements "as a musician, composer, innovator, and cultural icon". Cities across the US held tributes and vigils, and lit buildings, bridges, and other venues in purple. In the first five hours after the media reported his death, "Prince" was the top trending term on Twitter, and Facebook had 61 million Prince-related interactions. MTV interrupted its programming to air a marathon of Prince music videos and Purple Rain. AMC Theatres and Carmike Cinemas screened Purple Rain in select theaters over the following week. Saturday Night Live aired an episode in his honor titled "Goodnight, Sweet Prince", featuring his performances from the show.
Nielsen Music reported an initial sales spike of 42,000 percent. Prince's catalog sold 4.41 million albums and songs from April 21 to 28, with five albums simultaneously in the top ten of the Billboard 200, a first in the chart's history. At the 59th Grammy Awards, Morris Day with the Time and Bruno Mars performed a tribute to him.
In June 2016 Vanity Fair/Condé Nast, released a special edition commemorative magazine, The Genius of Prince. The magazine was a celebration of Prince's life and achievements, with new photography and archive articles, including the original Vanity Fair article from Nov 1984, written in the wake of Prince's breakout success, with other content from Vanity Fair, The New Yorker, Wired, and Pitchfork. The cover of The Genius of Prince featured a portrait by Andy Warhol, Orange Prince (1984). Casts of the musicals The Color Purple and Hamilton paid tribute to Prince during their curtain calls with "Purple Rain" and "Let's Go Crazy" respectively.
Posthumous projects
2016
On August 21, 2016, Prince was posthumously inducted into the Rhythm and Blues Music Hall of Fame.
The first album released following Prince's death was a greatest hits album, 4Ever, which was released on November 22, 2016. The album contains one previously unreleased song: "Moonbeam Levels", recorded in 1982 during the 1999 sessions.
2017
On April 19, 2017, an EP featuring six unreleased Prince recordings, titled Deliverance, was announced, with an expected release date for later that week. The next day, Prince's estate was granted a temporary restraining order against George Ian Boxill – an engineer who co-produced the tracks and was in possession of the master tapes – and halted the release of the EP.
On February 9, 2017, Prince's estate signed a distribution deal with Universal Music Group, which includes the post-1995 recordings on his NPG Records label and unreleased tracks from his vault. On June 27, Comerica (acting on behalf of the estate) requested that Carver County District Judge Kevin Eide cancel the estate's deal with Universal, as UMG's contract would interfere with a contract with Warner Music Group that Prince signed in 2014. After Universal's attorneys were granted access to the Warner contract, the attorneys also offered to cancel the deal. On July 13, the court voided Universal's deal with Prince's estate, though Universal will continue to administer Prince's songwriting credits and create merchandise.
On June 23, 2017, Purple Rain was re-released as the Deluxe and Deluxe Expanded editions. It is the first Prince album to be remastered and reissued. The Deluxe edition consists of two discs, the first being a remaster of the original album made in 2015 overseen by Prince himself and a bonus disc of previously unreleased songs, called From the Vault & Previously Unreleased. The Deluxe Expanded edition consists of two more discs, a disc with all the single edits, maxi-single edits and B-sides from the Purple Rain era, and a DVD with a concert from the Purple Rain Tour filmed in Syracuse, New York on March 30, 1985, previously released on home video in 1985. The album debuted at No. 4 on the Billboard 200 and at No. 1 on both the Billboard R&B Albums and Vinyl Albums charts.
2018
On April 19, 2018, the previously unreleased original recording of "Nothing Compares 2 U" from 1984 was released as a single by Warner Bros. Records in conjunction with Prince's estate. In addition, the Prince version was given its own music video, released in conjunction with the single; the video consists of edited rehearsal footage for the Purple Rain tour, shot in the summer of 1984. Troy Carter, adviser for Prince's estate, later announced in an interview with Variety that a full-length album is planned for release on September 28, 2018.
In May 2018, it was announced that a second album of new material is set for release in 2019 on Tidal. This album is rumored to be Prince's planned follow-up to Hit n Run Phase Two, as part of his original deal with the streaming service. It has also been announced for a worldwide physical CD release a month after.
In June 2018, the Prince estate signed a distribution deal with Sony Music Entertainment, which includes the rights to all of Prince's studio albums, plus unreleased music, remixes, live recordings, music videos and B-sides from before 1995. The deal will immediately include Prince's albums from 1995 to 2010. Beginning in 2021, Prince's Warner Bros. albums from 1978–1996 will become distributed by Sony/Legacy Recordings in the United States, with Warner Music Group still controlling the international rights.
On July 11, 2018, Heritage Auctions announced the auction of Prince's personal possessions to be conducted in Dallas, Texas, on July 21, 2018. Total of 27 items was announced to be put in the auction, including Prince's bible, stage worn clothing, and some personal documents.
On August 17, 2018, NPG Records released all 23 post-Warner Bros. albums by Prince digitally on streaming platforms like Tidal, Spotify and Apple Music, together with a new compilation album named Anthology: 1995–2010, containing 37 tracks.
On September 21, 2018, the album Piano and a Microphone 1983 was released on CD, vinyl, and digital formats. It is the first album released by the Prince estate with material from his archive, the Vault.
2019
The Prince Estate announced, in December 2018, that the Sony/Legacy reissues would begin in February 2019. The first three releases were Musicology, 3121 and Planet Earth on limited edition purple vinyl and standard CD formats.
In February 2019, the Prince Estate announced reissues of the albums Rave Un2 the Joy Fantastic and Rave In2 the Joy Fantastic on purple vinyl as well as Ultimate Rave, a 2CD/1DVD set which includes Prince In Concert: Rave Un2 the Year 2000.
On Record Store Day, April 13, 2019, the cassette The Versace Experience - Prelude 2 Gold, that was originally issued in 1995 and given as a gift to attendees to the Versace collection at that year's Paris Fashion Week, was reissued in a limited edition.
On June 7, 2019, Warner released a new Prince album Originals exclusively through TIDAL. The album contains Prince's original versions of 15 songs he offered to other artists in the past. A wide release on CD and vinyl followed on June 20, 2019.
On September 13, 2019 The Versace Experience - Prelude 2 Gold was reissued on purple vinyl and CD as well as on digital formats. together with reissues of Chaos and Disorder and Emancipation.
On October 18, 2019, a single with his acoustic demo of I Feel for You was released digitally, alongside a limited edition 7" purple vinyl in honor of the 40th anniversary of the Prince album release.
On November 27, 2019, the 1999 album was reissued in a Remastered, Deluxe and Super Deluxe edition, the latter including 35 previously unreleased songs and two live concerts.
Artistry and legacy
Music and image
The Los Angeles Times called Prince "our first post-everything pop star, defying easy categories of race, genre and commercial appeal." Jon Pareles of The New York Times described him as "a master architect of funk, rock, R&B and pop", and highlighted his ability to defy labels. Los Angeles Times writer Randall Roberts called Prince "among the most versatile and restlessly experimental pop artists of our time," writing that his "early work connected disco and synthetic funk [while his] fruitful mid-period merged rock, soul, R&B and synth-pop." Simon Reynolds called him a "pop polymath, flitting between funkadelia, acid rock, deep soul, schmaltz—often within the same song". AllMusic wrote that, "With each album he released, Prince showed remarkable stylistic growth and musical diversity, constantly experimenting with different sounds, textures, and genres [...] no other contemporary artist blended so many diverse styles into a cohesive whole." Rolling Stone ranked Prince at No. 27 on its list of 100 Greatest Artists, "the most influential artists of the rock & roll era". According to Acclaimed Music, he is the 10th most celebrated artist in popular music history.
As a performer, he was known for his flamboyant style and showmanship. He came to be regarded as a sex symbol for his androgynous, amorphous sexuality, play with signifiers of gender, and defiance of racial stereotypes. His "audacious, idiosyncratic" fashion sense made use of "ubiquitous purple, alluring makeup and frilled garments." His androgynous look has been compared to that of Little Richard and David Bowie. In 2016, Reynolds described it as "Prince's '80s evasion of conventional gender definitions speaks to us now in this trans-aware moment. But it also harks backwards in time to the origins of rock 'n' roll in racial mixture and sexual blurring".
Prince also wore high-heeled shoes and boots both on- and off-stage. Prince had needed double hip replacement surgery since 2005 and the condition was reportedly caused by repeated onstage dancing in high-heeled boots. Prince had been using canes as part of his outfit from the early 1990s onwards; towards the end of his life he regularly walked with a cane in public engagements, which led to speculation that it resulted from his not having undergone the surgery.
Prince was known for the strong female presence in his bands and his support for women in the music industry throughout his career. Slate said he worked with an "astounding range of female stars" and "promised a world where men and women looked and acted like each other."
In August 2017, Pantone Inc. introduced a new shade of purple in their color system in honor of Prince. The shade is called Love Symbol #2 and is defined as Pantone color number 19-3528, web palette #4F3D63 or RGB 79,61,99.
Influences and musicianship
Prince's music synthesized a wide variety of influences, and drew inspiration from a range of musicians, including James Brown, George Clinton, Joni Mitchell, Duke Ellington, Jimi Hendrix, the Beatles, Chuck Berry, David Bowie, Earth, Wind & Fire, Mick Jagger, Rick James, Jerry Lee Lewis, Little Richard, Curtis Mayfield, Elvis Presley, Todd Rundgren, Carlos Santana, Sly Stone, Jackie Wilson, and Stevie Wonder. Prince has been compared with jazz great Miles Davis in regard to the artistic changes throughout his career. Davis said he regarded Prince as an otherworldly blend of James Brown, Jimi Hendrix, Marvin Gaye, Sly Stone, Little Richard, Duke Ellington, and Charlie Chaplin. Prince and Miles Davis performed together for a Charity Event at Paisley Park. This performance was viewed as the pinnacle of their on-again, off-again partnership.
Journalist Nik Cohn described him as "rock's greatest ever natural talent". His singing abilities encompassed a wide range from falsetto to baritone and rapid, seemingly effortless shifts of register. Prince was also renowned as a multi-instrumentalist. He is considered a guitar virtuoso and a master of drums, percussion, bass, keyboards, and synthesizer. On his first five albums, he played nearly all the instruments, including 27 instruments on his debut album, among them various types of bass, keyboards and synthesizers. Prince was also quick to embrace technology in his music, making pioneering use of drum machines like the Linn LM-1 on his early '80s albums and employing a wide range of studio effects. The LA Times also noted his "harnessing [of] new-generation synthesizer sounds in service of the groove," laying the foundations for post-'70s funk music. Prince was also known for his prolific and virtuosic tendencies, which resulted in him recording large amounts of unreleased material.
Prince also wrote songs for other artists, and some songs of his were covered by musicians, such as the hit songs "Manic Monday” (performed by The Bangles), "I Feel For You", originally on Prince's self-titled second album from 1979, covered by Chaka Khan, and "Nothing Compares 2 U", written for Prince's side project the Family, and covered very successfully by Sinead O'Connor. Prince co-wrote "Love... Thy Will Be Done" with singer Martika, for her second album Martika's Kitchen, and also gifted Celine Dion a song for her second album, Celine Dion, titled "With This Tear"; a song Prince had written specifically for her. Prince also wrote "U" for Paula Abdul, appearing on her 1991 release Spellbound.
Equipment
As a guitar virtuoso, Prince was also known to have a very stylish and flamboyant custom guitar collection, which consisted of 121 guitars. One notable series is his Cloud Guitars, which were commissioned and released in colored versions of white, yellow, and purple. The white version is prominently shown in the Purple Rain film and the "Raspberry Beret" video. Other notable guitars are The Love Symbol guitars, which were designed in the separate colors of gold and purple. The guitar that was used for the majority of Prince's music career was the H.S. Anderson Madcat guitar – a Telecaster copy created by Hohner. Several versions of the guitar were used throughout his career – due to one being donated for charitable reasons, while one or more were stolen. Two other noteworthy guitars are the G1 Purple Special, and the black-and-gold Gus G3 Prince bass, which would become the last two guitars to ever be made for the artist.
Impact
Many artists have also drawn inspiration from Prince, including Alicia Keys, Usher, Janelle Monáe, The Weeknd, Lady Gaga, Lenny Kravitz, Andre 3000, Frank Ocean, and Ween.
Legal issues
Pseudonyms
In 1993, during negotiations regarding the release of The Gold Experience, a legal battle ensued between Warner Bros. and Prince over the artistic and financial control of his musical output. During the lawsuit, Prince appeared in public with the word "slave" written on his cheek. He explained that he had changed his name to an unpronounceable symbol to emancipate himself from his contract with Warner Bros., and that he had done it out of frustration because he felt his own name now belonged to the company.
Prince sometimes used pseudonyms to separate himself from the music he had written, produced, or recorded, and at one point stated that his ownership and achievement were strengthened by the act of giving away ideas. Pseudonyms he adopted, at various times, include: Jamie Starr and The Starr Company (for the songs he wrote for the Time and many other artists from 1981 to 1984), Joey Coco (for many unreleased Prince songs in the late 1980s, as well as songs written for Sheena Easton and Kenny Rogers), Alexander Nevermind (for writing the song "Sugar Walls" (1984) by Sheena Easton), and Christopher (used for his songwriting credit of "Manic Monday" (1986) for the Bangles).
Copyright issues
On September 14, 2007, Prince announced that he was going to sue YouTube and eBay, because they hosted his copyrighted material, and he hired the international Internet policing company Web Sheriff. In October, Stephanie Lenz filed a lawsuit against Universal Music Publishing Group claiming that they were abusing copyright law after the music publisher had YouTube take down Lenz's home movie in which the Prince song "Let's Go Crazy" played faintly in the background. On November 5, several Prince fan sites formed "Prince Fans United" to fight back against legal requests which, they claim, Prince made to prevent all use of photographs, images, lyrics, album covers, and anything linked to his likeness. Prince's lawyers claimed that this constituted copyright infringement; the Prince Fans United said that the legal actions were "attempts to stifle all critical commentary about Prince". Prince's promoter AEG stated that the only offending items on the three fansites were live shots from Prince's 21 nights in London at the O2 Arena earlier in the year.
On November 8, Prince Fans United received a song named "PFUnk", providing a kind of "unofficial answer" to their movement. The song originally debuted on the PFU main site, was retitled "F.U.N.K.", but this is not one of the selected songs available on the iTunes Store. On November 14, the satirical website b3ta.com pulled their "image challenge of the week" devoted to Prince after legal threats from the star under the Digital Millennium Copyright Act (DMCA).
At the 2008 Coachella Valley Music and Arts Festival ("Coachella Festival"), Prince performed a cover of Radiohead's "Creep", but immediately afterward he forced YouTube and other sites to remove footage that fans had taken of the performance, despite Radiohead's request to leave it on the website. Days later, YouTube reinstated the videos, as Radiohead said: "It's our song, let people hear it." In 2009, Prince put the video of the Coachella performance on his official website.
In 2010, he declared "the internet is completely over", elaborating five years later that "the internet was over for anyone who wants to get paid, tell me a musician who's got rich off digital sales".
In 2013, the Electronic Frontier Foundation granted to Prince the inaugural "Raspberry Beret Lifetime Aggrievement Award" for what they said was abuse of the DMCA takedown process.
In January 2014, Prince filed a lawsuit titled Prince v. Chodera against 22 online users for direct copyright infringement, unauthorized fixation, contributory copyright infringement, and bootlegging. Several of the users were fans who had shared links to bootlegged versions of Prince concerts through social media websites like Facebook. In the same month, he dismissed the entire action without prejudice.
Prince was one of a small handful of musicians to deny "Weird Al" Yankovic permission to parody his music. By Yankovic's account, he'd done so "about a half-dozen times" and has been the sole artist not to give any explanation for his rejection beyond a flat "no".
Personal life
Prince was romantically linked with many celebrities over the years, including Kim Basinger, Madonna, Vanity, Sheila E., Carmen Electra, Susanna Hoffs, and Sherilyn Fenn. In 1990, he saw a 16-year-old dancer Mayte García standing outside of his tour bus, and he said to Rosie Gaines, "There's my future wife." After graduating from high school, García began working as one of his backup singers and dancers. They were married on February 14, 1996; he was 37 and she was 22. They had a son named Amiir Nelson, who was born on October 16, 1996, and died a week later on October 23 after suffering from Pfeiffer syndrome. The distress of losing a child and a subsequent miscarriage took a toll on the marriage, and the couple divorced in 2000. In 2001, Prince married Manuela Testolini in a private ceremony. Manuela is from Toronto and the couple lived part time there. They separated in 2005 and divorced in May 2006.
Prince was an animal rights activist who followed a vegan diet for part of his life, but later described himself as vegetarian. The liner notes for his album Rave Un2 the Joy Fantastic (1999) featured a message about the cruelty involved in wool production. He became a Jehovah's Witness in 2001, following a two-year debate with bassist Larry Graham who became his mentor and a close friend at this time. Prince said that he did not consider it a conversion, but a "realization", comparing it to "Morpheus and Neo in The Matrix". Prince attended meetings at a local Kingdom Hall and occasionally knocked on people's doors to discuss his faith.
Prince had needed double hip replacement surgery since 2005. A false rumor was spread by the tabloids that he would not undergo the operation because of his refusal to have blood transfusions. The Star Tribune reported that Graham "denied claims that Prince couldn't have hip surgery because his faith prohibited blood transfusions" and put the false rumor to rest as hip surgery does not require blood transfusions. According to Morris Day, Prince in fact had the hip surgery in 2008.
Prince did not speak publicly about his charitable endeavors; the extent of his activism, philanthropy, and charity was publicized after his death. In 2001, Prince donated $12,000 anonymously to the Louisville Free Public Library system to keep the historic Western Branch Library, the first full service library for African Americans in the country, from closure. Also in 2001, he anonymously paid off the medical bills of drummer Clyde Stubblefield, who was undergoing cancer treatment. In 2015, he conceived and launched YesWeCode, paying for many hackathons outright and performing musical acts at some of them. He also helped fund Green for All.
In late March 2016, Prince told an audience he was writing a memoir titled The Beautiful Ones, although its publication seemed unlikely with his death only a few weeks later. His co-writer, Dan Piepenbring, continued work on the memoir and The Beautiful Ones was published in October 2019.
Achievements
Prince sold over 100 million records worldwide, ranking him among the best-selling music artists of all time. He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, and the Rhythm and Blues Music Hall of Fame in 2016. In 2016, he was posthumously honored with a Doctor of Humane Letters by the University of Minnesota. He won seven Grammy Awards, seven Brit Awards, six American Music Awards, four MTV Video Music Awards, an Academy Award (for Best Original Song Score for the film Purple Rain), and a Golden Globe Award. Two of his albums, Purple Rain (1984) and Sign o' the Times (1987), received the Grammy Award for Album of the Year nominations. 1999 (1982), Purple Rain and Sign o' the Times have all been inducted into the Grammy Hall of Fame. At the 28th Grammy Awards, Prince was awarded the President's Merit Award. Prince was also honored with the American Music Award for Achievement and American Music Award of Merit at the American Music Awards of 1990 and American Music Awards of 1995 respectively. At the 2013 Billboard Music Awards, he was honored with the Billboard Icon Award. In 2019, the 1984 film Purple Rain was added by the Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant".
Discography
In his life, Prince released 39 studio albums:
Posthumous releases:
Piano and a Microphone 1983 (2018)
Originals (2019)
He also released two albums credited to Madhouse, three albums credited to the New Power Generation and one credited to the NPG Orchestra:
Madhouse:
8 (1987)
16 (1987)
The New Power Generation:
Goldnigga (1993)
Exodus (1995)
Newpower Soul (1998)
NPG Orchestra:
Kamasutra (1997)
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KIWI MUSIC NEWS: IDOL PROFILE SERIES !
[+ 500, -15] Wow! Do Remi is my favorite soloist in KWN ! [+ 243, - 5] KWN is lucky to have her, aren’t they?! [+ 225, - 9] I can’t wait to see more of them !
PROFILE !
FACECLAIM: lee jieun / iu NAME: do remi AGE: 25 COMPANY: KWN POSITION: soloist (sounds like iu) TIME WITH COMPANY: 2 years STRENGTHS: Remi has, above all else, experience. After debuting young with a now defunct company, she’s been in the industry for what feels like a lifetime and has clawed her way to the top. She’s fielded countless criticisms, dropped impressive hits, taken up some small acting roles, and so on. Her highest and greatest natural strength is her voice, for which she is predominantly known. She’s skilled with the guitar and the piano as well, and does some of her own composing, lyric writing, and producing- something she has been able to do with the freedom given to her by her new company. WEAKNESSES: Her greatest weakness is probably her reputation, at this point. Tainted by a past dating scandal, an unsuccessful attempt to rebrand her image, speaking out against the “lolita” box she was put in by her former agency, and long running attitude controversies often manufactured but occasionally not. Climbing out of this hole is something that has proven miserable. Her mentality is something she struggles with, and she is currently on hiatus (though preparing a new album recently) as a result. She stubbornly continues updating her SNS despite the continuously rude comments her updates receive, as if in some masochistic attempt to keep herself aware of what she must still overcome.
BIOGRAPHY !
i. her parents are normal, inconsequential people. they own a restaurant, and remi grows up with the smell of smoke in her hair, delivering napkins and chopsticks to tables the moment she can walk.
ii. her first words might as well be “may i take your order?” - it would certainly be one of the first full sentences she can recall saying. she probably mumbles it in her sleep to this day.
iii. she learns to love the buzz of the restaurant, the funny dishes her father is always trying to create, claiming “fusion is the future” any time someone criticized a bizarre pairing. it must be working, however, because customers keep coming to the little hole in the wall.
iv. she can hear the sound of the restaurant from her room at home, an apartment perched above the restaurant. her bedroom is over the kitchen, and the lull of her father shouting orders puts her to sleep when her mother lays her down for a nap.
v. she starts to sing along with the performers on the radio and her father loves it, calls her his little songbird, strokes her hair as her mother scolds him - “you’ll get her dirty!”
vi. her mother is tired, and it shows in the lines of her face, wearied expressions that deepen as the days pass. her father’s positivity is so bright it shines, but he can’t see past it to notice his wife’s difficulties, so remi takes this burden onto her own shoulders.
vii. she sings her mother’s favorite songs to cheer her up at work, and soon, she starts to notice people in the restaurant talk a little quieter when she sings, pass her a few won, some coins, and praise her for it. she likes the feeling, likes the contribution she makes, likes the lightness and softness in her mother’s face when she hits a note just right, bends it pretty and ringing.
viii. its a surprise, when one day, at 13 years old, a man hands her a business card instead of a few won. her mother is sure its a scam - who would want to scout their daughter, just from hearing her sing in the corner of an old restaurant? surely not. her father’s unflinching optimism wins out however - of course they’d want her, their remi, their darling songbird.
ix. it seems like the best moment of her life, when they accept her. she debuts at a scant 15 as a solo artist, but the songs they have her making are hardly her favorite. they dress her up and slather her in makeup, bill her as the nations little sister but make her sing about “oppas” that she loves, put her in childish outfits and have her sing about how she isn’t a little girl anymore and this and that. it makes her uncomfortable, but what can she do about it, really?
x. on her release of a song called ‘good day’ things start looking up. she starts charting, hits higher and looks better. of course, this is due to the rampant body image issues debuting as a chubby cheeked teen will give a girl. she’s slim now, but it fluctuates and she spends more time worrying about it than is healthy. she gets on shows and starts to panic, slowly gets better at variety.
xi. a bit later and she’s cemented herself in this niche she never asked for, has hordes of uncle fans screaming her name, but its weird. she doesn’t want this image- she tries to counter it on the varieties she goes on, to show she’s kind of a tomboy, a little shy, a lot goofy.
xii. there are controversies, there always are. those scandals follow her from one company to another. the album she produces herself is met with scandal again.
xiii. at twenty one, on the edge of twenty two, a dating scandal destroys her relationship and for a little while, her career. she lays low, comes back, prays her voice will help her hang on. for awhile it works.
xiv. when her newest album in 2015 tries to tackle the frustrations she’s had with the industry, with her image in it, with the way she was pushed into a box. instead, she earns a new moniker of “sly fox,” and things go misinterpreted, and it all comes back on her again, resentment and criticism. she reads it all compulsively. she goes on hiatus. each time she posts a picture on sns, there are those who tear her down- write articles just to speculate about her mental health, her happiness, her brazenness. she’s on the down turn and falling apart fast, even if her OST work keeps selling, even if acting deals keep being offered (though she turns them down, not ready to expose herself to another realm of critique).
PROMPTS !
Detail the most significant moment (positive) of their career so far.
there is a familiarity in the quiet ,suspended state of anxiousness that precedes something special. something important. she feels it before the lights come up, when the stage is bathed in darkness, when the crowd is hidden behind a lightless veil, when the weight of the microphone in her hands is a solitary comfort. she feels it in the deep of the night, when she unlocks the studio room at ALT that has been dubbed hers, flicks on the light in the booth to let the dim illumination light her way.
those moments are her favorites. she lives for the feeling of the precipice, that single, still, silent second before the jump, before the adrenaline, before the roar and thunder. the calm before the storm.
sitting in the quiet alt waiting room that day, years ago now, had felt like that. a suspended moment, frozen in time. remi had been poised in the crossroads. her childhood had been stolen by fame and by the warping of her image, the commoditization of a girl she hardly recognized in the mirror. when the company tanked, there had been a chance to walk away. maybe she should have. maybe if she had known what was yet to come, had known what the world would make of her, how they would twist her words and warp her actions and hunt her down, she would have broken that silence, would have stood up and walked away.
but maybe not.
maybe she would have stayed right where she was, until they called her back to the ceo’s office. until they offered her the contract and, for a second time, she signed herself away.she doesn’t regret it- signing on with ALT. even if she is hated, ridiculed, mocked, misunderstood, at least now its for music she has had a hand in making. at least now it is for choices she has made.
the autonomy of that is enough, for a girl who has been so controlled for so long. it has to be. after all, what else does she have left?
Tell us about what your idols goals are after their time as idols runs out- after all, one can’t bear up under that pressure forever.
remi tries to consider what will come next. what she will be when all this is over. when antifans no longer care, when the weight of her name doesn’t carry, when the public has forgotten her. sometimes she wonders if she’s already peaked. if her future will never shine as brightly as her past. but even then, even if she dulls and fades, at least now it is at her own behest. at least now she can say and think and act as she pleases (and perhaps she overindulges in this, perhaps she is smitten with the novelty of it, a new way to numb and dull and mask overactive senses).
when she thinks about the far future, there is only a blank. she saves money. she invests in properties. she knows when her contracts will end. she follows advice carefully, tries to carve out a niche here or there, to cultivate new talents. but the idea of being anything beyond this, anything other than do remi, former nation’s little sister, current sly fox sliding off the rails? its hard. she can’t imagine it. she can’t picture a world without van windows and a crush of people, a world without diets or check ins or photoshoots.
remi doesn’t know anymore. she doesn’t know who she is without this, without the image that has been made for her, without the narrative the public constructs around her actions. she doesn’t know who she is without the brand of idol stamped firmly across her forehead like a warning. when she can’t even contemplate the present, when she fears the past so much, how can she consider a future?
maybe she just isn’t meant to have one.
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My favorite albums from the year that took so much from us.
Took me awhile to really think about how I would write this opinion down. 2016 was a weird year all together, but some positive work came out of it. We were given some exceptional albums from artists new and old. For real, Blink-182 even came back. Of course it begs the question of which one was the best? I spent weeks thinking about albums and how I truly felt about each song individually and them as a whole. I even made a huge excel sheet of albums released last year and filed them through a bracket until I was down to the top ten. I’m an engineer, excel makes everything easier of course. There are three things that have to be addressed before we jump in. First, this list is of my personal favorites based on how much I enjoy and would listen to an album again. “But Beyonce…” Yes 2016 was the year Lemonade was dropped. Yes, it’s a really well done concept album from a renowned artist. Yes, I’m a huge sucker for concept albums. But no, Beyonce isn’t on the list because it’s just not my preference to listen too. The second point is that I didn’t take in to factor an album based on that artist’s previous work. Green Day, Sum 41, A Day to Remember… all dropped albums last year, but unfortunately their past album releases can’t boost their current releases up. Spoiler alert, they’re not in the top ten. The third and final factor is no album can be on this list if it’s just a rerelease or some form of past music on a new ‘’best of’’ album. Phil Collins had an album late last year that was just his best singles recorded again. I can feel it not coming in the air tonight Phil, so you don’t count. With that being said, here are my top ten albums of last year.
10. HammerFall – Built to Last
This was a fight to be in this list for a lot of albums. Honestly HammerFall pulled ahead of Korn just by a small margin. Korn’s album is pretty solid but the fact that HammerFall is more my style, it made the list. This album is super easy to explain. Imagine the singing and lyrics from Stratovarius’s Nemesis album but with 80’s metal riffs. Every song in the album has a good replay factor because it’s all the same style really. This doesn’t make it a bad thing that some of the songs sound similar however. It’s the fact that it each song has a good mix of sing along, head banging and sick solos that gets it on the list.
9. Devin Townsend – Transcendence
Townsend has always impressed me with what he comes up with. Progressive always comes off as a maybe syfy feel. With the title Transcendence, you can expect just that. I’m not sure how to explain that the song literally fit the title. They have a feel of… well transcendence. The songs flow well and have that nice combination of mind soothing but yet power heavy. That has always been his style and he shows off his expertise again in this album.
8. Run The Jewels – Run The Jewels 3.
“RTJ3 Mother Fucker…” There is no way I can listen to this album without saying this lyric while throwing up my hands up in a fist and gun. This is a controversial album to have on a list for 2016 however. Like the typical RTJ, they set a release date but then actually drop it weeks before they said. So with a January 2017 release date set, they went ahead and gave us an early Christmas gift with it showing up on December 24th. Rap is usually not my preference, however this duo delivers. Their lyrics fall anywhere from funny, dirty rhymes to meaningful, controversial topics. I have to respect a group that can consistently impress me with what they come up with and this album again does just that. I think that the reason I enjoy this album is the fact that it’s not the typical mainstream rap that keeps getting pumped out. Half of the rappers even have a dance for their same repetitive song which just turns me off from it even more. RTJ just does what they want. They took RTJ2 and turned it into a cat album and then donated the earnings to the families of victims to police brutality. They don’t put themselves up on a high stand but rather just do what they like. It really shows in this album with each song being distinct in their own way.
7. Myrath – Legacy
This Tunisian progressive band yet again drops another excellent record. Every time I listen to Myrath I get this feeling I’m on an adventure. This is such an upbeat and interesting band that you can’t help but enjoy their stuff. They make a kind of orchestral power metal feel laced with the sounds and stories of North Africa. Like all their other albums, this one makes you again feel like you’re on a journey through the desert. I think the main reason I really enjoy this album is for the opening. The intro in is so explosive that it hooks you right away and then keeps rolling with the hits. It’s kind of like having a box of Girl Scout Thin Mints; once you open the box and have one… you can’t stop.
6. Metallica – Hardwired to Self-Destruct
I don’t even know where to begin with this. Metallica could play literally anywhere and sell it out. This year was my first time ever to see them in concert. I have a fear of seeing bands live because if they perform horrible, I just lose all interest with them. Metallica did the opposite and just blew me away. It was an experience I feel I will never be able to have again with a band. It also felt almost full circle to me. I grew up with my father playing Motly Crue, Guns & Roses and Metallica. To have the memories I have with my father with this music is something no one else can feel like I do. So to be an adult and to finally see them is something of its own. They killed it with their old stuff and just made that place roar. Then they debuted Hardwired and it fit perfectly right in with the show. Having that song be the opening track to their album sets the heavy, in your face tone you feel throughout the whole album. Literally this album can play anywhere and naturally I will head bang without me knowing. It really says something when they can still throw in a chugging guitar riff and make it work after all these years. This album proves that metal isn’t dead.
5. Gojira – Magma
This album has Grammy nominations so that really hits home on why it’s high on the list. Gojira is also an in your face death metal band but somehow more unique. They have this ability to be death metal but then turn around and have a progressive feel in a way. The vocals also stand out in a way that backs this feel up. The two singles for this album were Silvera and Stranded. These songs really set the bar high for the album release granted knowing now that they are among the top songs on the album. When I finally gave it a full listen I wasn’t all impressed. It took me a few times to really let it set in of how good this album is as a whole. Having a self-titled song as well can make or break an album I feel. Magma is a very interesting song that definitely makes a good backbone for the album. Again, after a few listens it really grew on me to the point where I am comfortable putting this album in the top 5. I have to say Gojira is probably the best death metal band currently on the scene and this album just backs it up.
4. Red Hot Chili Peppers – The Getaway
I have no problem putting this album so high on the list. It’s honestly solid through and through. It’s a really chill album compared to most mainstream songs of theirs. It definitely isn’t music I would work out to but more of putting it on while relaxing at home. I remember traveling for work and I had an hour flight. I listened to this album, and with a run time of 54 minutes, it just flew by. I feel that every song flows perfectly into one another that once you start listening, all of a sudden the album is over and an hour has just passed. This is the eleventh studio album from the Peppers and the first without some key players behind the scenes. It really shows with the drastic shift in the presentation of these goofs. They really widened the gulf between the band's funk-metal past and their hang-loose, jam-band present. One thing is for sure though is that they still have Flea’s slap bass solos and Anthony Kiedis ridiculous rap lyrics. Even when asked the meaning behind their single Dark Necessities Kiedis replayed by saying, “It’s about retired astronauts sitting in a parking lot trying to eat normal ice cream again through their space helmets.” I’m not sure if he was high or just trying to be stupid, but that’s literally summing up what you’re going to get lyrical wise from this album. Regardless it’s still the Peppers. Somehow you still get sucked in and sing along even if one of the lyrics is about having sex with a robot. The beats and chill flow get this album high on my list. Its replay value is excellent just like most Pepper songs.
3. Periphery – Periphery III: Select Difficulty
Remember when I talked about not letting past albums sway my opinion on current releases. I did everything in my power to make sure I didn’t let that happen here. As hard as it is with this band not to, I still feel confident that this album deserves top three for me. Periphery, in my opinion, has risen to be the face of progressive metal. I feel a lot of up and coming progressive bands look up to them in this generation. Periphery hit the scene in 2005 working with a few different members and getting established. In 2010 they dropped their self-titled debut album Periphery. Since then each album has been better than the last. On January 27, 2015, Periphery released one of the greatest duel disk albums of this decade titled Juggernaut. The bar is consistently pushed higher with this group and that’s what made it tough not to be bias on this release. I treated it as its own and still it gets high praise from me. It fits right in with their progressive sound that strongly employs poly-rhythmic patterns, soaring melodies and powerful lyrics. They have this ability to perfectly blend in your face screams and sensually singing. One song in particular strongly shows off this style perfectly. Flatline is the seventh track with a time of 6 minutes. It flawlessly executes everything that makes an excellent track with a high repeat rate. I could honestly say that it’s probably one of my favorite songs of theirs. Of course all the tracks are really strong and well done. The reason for this not making number one or two is the intro however. Going in to this album from the beginning is actually quite bland. The first two songs just feel like fillers to me. Motormouth and The Price is Wrong honestly come off as a scream and chug recording session that were just thrown in. Marigold is the third track and I feel it should be the first. Don’t get me wrong, both those songs are alright. However, I always find myself starting the play through at Marigold. It just feels so much better as a whole starting there. I honestly think I might have put this album up into second if that were the case because the rest of the album is just so damn good.
2. Haken – Affinity
Haken is probably in my top three favorite bands so you know I was absolutely pumped for this album. Even the sneak peeks and setup for the release added to the hype. Logging on to their site, a hacker type vibe was presented. In an older looking coding language, it prompted the user to enter a password. After inputting, it played out that the user was breaking past the firewall to pull out a preview of one of the tracks and when it would release. Right there I knew it was going to possess a very 80's-esque vibe and I was not mistaken. Truthfully, Haken didn’t have to prove anything on this record. Their past few releases have been nothing less than amazing. I can't claim that Affinity is a large improvement from their past work, but rather a creative continuation and exploration of their ideas. The feel of this album is very 80’s like I mentioned. With the visuals from album cover, music videos and the website, it really gives me a feeling of cold war tensions from that time. Initiate, the opening track, even has a music video of coding visuals flashing up in front of a satellite, and nukes being launched out into space. The Architect is clearly the track on the center of attention in the album. Having a run time of over 15 minutes, you know it’s going to be impressive. Similar to other lengthy tracks by the band, this track focuses on tension and transformations between musical movements. The dance between melody and intensity makes for a memorable experience. The harsh vocals that come in about halfway through produce one of the most intense moments of Haken's career. I was a bit weary of the screams in a Haken album, but after a few listens through it really grew on me. It really swings the intensity in the song showing once again their creative side. I welcome this album into their collection and continuously give it play throughs along with their old work.
Honorable mentions:
Animals as Leaders – The Madness of Many Fully instrumentals are usually something I don’t go way out of my way for, but rather something I would have on in the back ground. It is truly a good album by this group yet again though. I saw them live for this album release and was very impressed as anyone should be. I think I just loose it in the massive amount of good albums because it is an instrumental, but it’s still something to check out. Highly Suspect – Boy Who Died Wolf This is the second album from this very fast growing group. It’s like a casual rock feel that has interesting locals/lyrics. The first half of this album is very strong and well done but I feel it kind of falls off and loses its momentum. One song to really take home from this album is My Name is Human.
Korn – Serenity of Suffering Korn is back and actually has a good release. We can look past that weird phase with Skrilllex and focus on now. Every song is the heavy Korn vibe. It’s actually like their old stuff, which of you were a Korn fan, you can’t help but respect it. It’s the classic Korn in the modern times.
The Lonely Island – Popstar It wasn’t a runner up by all means, but it’s still well done. This is the fourth album from this silly group and it was released from their movie Popstar: Never Stop Stopping. Funny lyrics with catchy beats make this a fun listen once and awhile. And the basic vocals make the sing along value easy for anyone.
The Weeknd – Starboy I’m not the biggest fan of listening to pop unless I’m drinking on a dance floor. However, I can honestly say I don’t mind listening to this guy. He is actually pretty good and very creative. He has catchy beats that suck you in every time. This is not why this is an honorable mention. The reason we need to talk about this album is because of Daft Punk. The Robot duo is featured in two tracks on this album. One of which is the self-titled song Starboy. This is an awesome song that has Daft Punk vocals that make you instantly dance and sing. I Feel It Coming is the other track. This song can literally be picked up and placed on Daft Punk’s Random Access Memories and would fit right in. It’s literally one of their songs featuring The Weeknd. At least give those two tracks a listen if you haven’t. Do it for Daft Punk.
1. David Bowie – Blackstar
This is unforgettable. Blackstar was the first Bowie album not to feature his image on the cover. Maybe this is perhaps because he knew he would die soon? Regardless, I have to say that it’s not on the top because of David Bowie sadly passing away, but rather because it’s so well produced. Bowie was fighting cancer for a few months and passed away peacefully two days after its release. Knowing that his life was probably coming to an end probably greatly shaped the emotions he wanted to portray from this album. Every song hits home his creative personality even at the age he was. Something can be said about every track but I’m just going to talk about two in particular. If I were to talk about them all individually I’d be writing forever. The two songs are Lazarus and, the self-titled track, Blackstar. They’re nothing less than master pieces. If you don’t like or agree with my list, or just haven’t got around to playing them, at least give these two songs a listen. The power and soul behind these two tracks guarantee this albums spot at the top. Staring with Blackstar as the opening track, we are introduced into the feel of the album immediately. Its doomy elegance creates goose bumps almost instantly. I have the feeling every time that he was ready to go. It’s almost like he felt like a black star, a star that had seen and felt almost everything the universe had to offer. He enjoyed some colors while others may have brought misery. In the end, he experienced all the colors resulting in black, which is the complete removal of all colors. With this track clocking in right at 10 minutes, it’s almost like you experience the journey he had. Lazarus is my personal favorite. The music video was released before he passed away and it still blew me away with the visuals. The story goes that during the week of shooting for this video, doctors reportedly informed Bowie his cancer was terminal and that they were ending treatment. What I had felt when I listened to the song after he had passed away completely amplified the power behind both the lyrics and visuals. Most of the video has Bowie appearing with a bandage and buttons sewn over his eyes lying on a deathbed. He also wears another piece as the video progresses. After digging around, it turns out it’s the piece he wore for the back cover of his album Station to Station. The video finishes with Bowie retreating into a dark wardrobe while still in the same piece. It’s the little things that really prove his creativeness. Even at the end he still showed us that he did what he wanted without caring what others think. Even a year later now and this song still makes my whole body cold and warm at the same time. I’ll just end on the opening lyrics to this song. I think they speak for themselves. Look up here, I'm in heaven I've got scars that can't be seen I've got drama, can't be stolen Everybody knows me now
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