#they accused me of tone policing and implied that I want nothing but civility politics
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salmonandsoup · 3 months ago
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Someone is purposefully misunderstanding me and my words on instagram about a complex issue and I am being so brave about it
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antoine-roquentin · 7 years ago
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For about five years, Mic.com was a place where readers could go to get moral clarity. In the Mic universe, heroes fought for equality against villains who tried to take it away. Every day, there was someone, like plus-size model Ashley Graham, to cheer for, and someone else, like manspreaders, to excoriate. Kim Kardashian annihilated slut shamers, George Takei clapped back at transphobes. “In a Single Tweet, One Man Beautifully Destroys the Hypocrisy of Anti-Muslim Bigotry.” “This Brave Woman's Horrifying Photo Has Become a Viral Rallying Cry Against Sexual Harassment.” “Young Conservative Tries to Mansplain Hijab in Viral Olympic Photo, Gets It All Wrong.” “The Problematic Disney Body Image Trend We're Not Talking About.” “The Very Problematic Reason This Woman Is Taking a Stand Against Leggings.”The site had an unfiltered voice that spoke on behalf of marginalized individuals. Breitbart called it “SJW Central.” “I think a lot of people in today’s day and age want to know, ‘What are we supposed to be outraged about?’” a former Mic staffer who left the site earlier this year told The Outline. “It seemed as if we were trying to position ourselves as, ‘We are the definition of woke, and this is how you break down this narrative or fight the mainstream.’”But after laying off 25 staffers last week, Mic has a new mandate: pivoting to video. According to a memo that was sent to staff, the site’s new mission is “to make Mic the leader in visual journalism.”
In retrospect, it looks like Mic’s commitment to social justice was never that deep — which surprised and disappointed many of the young ideologues who went to work there. (The Outline spoke to 17 current and former staffers who requested anonymity due to nondisclosure agreements.) Mic chanced upon the social justice narrative, discovered it was Facebook gold, and mined away. Now the quarry is nearly dry....
The site started in 2010 as PolicyMic, an evenhanded, forgettable politics website where unpaid contributors posted commentary that could be upvoted by other site members. The PolicyMic origin story was that Chris Altchek, a Goldman Sachs banker who leaned conservative, was always debating his friend Jake Horowitz, a foreign policy columnist for Change.org who leaned liberal. The two had fierce debates about the issues of the day, and they wanted to convert that spirit into a website “to help our generation talk about the issues that really matter,” Horowitz told The New York Observer. The two met in jazz band at the New York prep school Horace Mann; they started the site when they were 23, each having raised $75,000. Altchek contributed his Goldman bonus....
This Facebook-driven success was no accident. Every time Mic had a hit, it would distill that success into a formula and then replicate it until it was dead. Successful “frameworks,” or headlines, that went through this process included “Science Proves TK,” “In One Perfect Tweet TK,” “TK Reveals the One Brutal Truth About TK,” and “TK Celebrity Just Said TK Thing About TK Issue. Here’s why that’s important.” At one point, according to an early staffer who has since left, news writers had to follow a formula with bolded sections, which ensured their stories didn’t leave readers with any questions: The intro. The problem. The context. The takeaway....
In some communications, Horowitz and Altchek emerged as tone-deaf to the diverse staff they had cultivated. In 2015, when a TV news reporter and a cameraman were fatally shot in Virginia during a live broadcast, Horowitz and Altchek ordered pizza for the office and sent an email to staff letting them know that they could take time off if they felt traumatized by the news. In response, a group of employees of color wrote an email pointing out the fact that the site frequently covered shootings of black people by police and those writers had never been offered pizza or a personal day.
The leadership was excited about elevating underrepresented communities, but employees said that Mic had become a content factory. The site had “no plan” for a Trump win on election night, multiple former employees told me, and improvised by pulling queer people and people of color out of the newsroom, putting them in front of a camera, and having them talk about how they felt. In another instance, a former staffer told me about how Horowitz, who served as editor in chief of the site until mid-2015 and is now editor at large, once interrupted a reporter pitching a video about a woman building rooftop gardens in New Orleans: “‘But, is she black? Is she black?’" the former staffer recalled Horowitz asking, “as if the story would be less impactful had the woman doing the work been white or Hispanic or Martian.” When the site was pushing into original comedy, Altchek told multiple staffers that he wanted to make “the next Chappelle Show, except it’s hosted by a trans woman of color.” Multiple former employees brought up the time Altchek introduced a video about the feminist #FreeTheNipple movement at a large staff gathering with a joke implying that the video still would have been excellent even if it hadn’t included boobs: “Titties aside,” he said, it was a great piece.
Altchek’s biggest misstep, however, was a get-out-the-vote effort called #69TheVote, which launched in late 2016. The conceit was that, while 69 million baby boomers and 69 million millennials are eligible to vote, only the former actually do so. “Boomers have always been on top,” the voiceover in the announcement video says. “Sometimes it seems like they're afraid to try new positions. But we're ready to go down on history” — a voice interrupts — “ahem, in history” — “oh right….” The video was widely disavowed by staff members and lambasted by The Washington Post, Gawker, Vice, and others....
Cahill’s suggestions belied his ignorance of reporting and lack of sensitivity to social issues, according to former staffers. Cahill wanted to replicate the success of New York magazine’s cover story with photos of women who had accused Bill Cosby of rape, said the staffer who covered social justice issues, and suggested they “do a similar roundup” with survivors of sexual assault. “‘Maybe campus rape, maybe not...whatever! Just find rape victims and get them to share their stories!’” the staffer recalled in an email, mocking the tone. “I know it wasn't intended to be so… gross. But to me it demonstrated such a complete lack of understanding of how sensitive those stories are, how difficult it is to find dozens of victims willing to go on the record about the trauma they've experienced, the trust a writer has to earn, not to mention the horror of how many Cosby accusers there were… all of it. It showed me he didn't get how any of the work the reporters were doing was done, or that the reason NYMag's story did well had nothing to do with that ‘story template’ playing well.”
While Cahill was remaking the site in Google’s image, Mic hired NPR NewsExecutive Editor Madhulika Sikka to shore up its journalism cred. Sikka was brought in with the hope that serious journalism could help free Mic from its dependence on Facebook — and that her resume could offset the fact that former news director Jared Keller and former managing editor of news Chris Miles were both found to have plagiarized parts of stories. Seven months later, Sikka was out, telling Ad Age that the job “wasn't quite the right fit for me.” Meanwhile, Cahill was promoted to managing editor of editorial operations in January 2016 and then VP of content in June 2016, according to his LinkedIn profile.
During these experiments, Mic continued to bait Facebook readers into getting worked up over everything: Mark Zuckerberg’s hoodie, a high school teacher in Oregon who doesn’t believe in rape culture, people with bad opinions onThought Catalog, people using bad hashtags, and Zazzle.com. “Mic trafficked in outrage culture,” a former staffer who left in 2017 said. “A lot of the videos that we would publish would be like, ‘Here is this racist person doing a racist thing in this nondescript southern city somewhere.’ There wouldn’t be any reporting or story around it, just, ‘Look at this person being racist, wow what a terrible racist.’” Mic had already exhausted its outrage vocabulary by the time Trump’s election supercharged civil rights violations.
“It ratchets everything up to 11, to a point where if everything is an outrage, nothing is an outrage,” the staffer who left in 2017 said. “Everything is the biggest deal in the world because you’re trying to create traffic, and it desensitizes us to what are actually huge breaks in social and political norms.”
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