#these this things in particular i don't want to draw

[dontmixpaintinyourcoffee]

This one goes out to all the bitches who love some good Safehouse Era Horror. It's me, I'm bitches. I want Jon and Martin to be fucked up and eldritch but I want them to be fucked up and eldritch and loved

(Notes under the cut because I can't help myself. Heads up, I do go into some detail of how Jon gets injured so I can explain my thought process for how I designed his scars. All canon-typical and fairly clinical in tone.)

Here's how I picture Safehouse Jon!

He doesn't need glasses anymore by this point, so he should just be wearing empty frames, but I drew this before I settled on my glasses headcanons. This drawing looks better with the reflection anyways.

He hasn't gotten a haircut since before his promotion to Head Archivist. He doesn't love the weight of it on his neck, but he also uses it to fidget, and he really doesn't want to go through the whole process of cutting it. He's disliked haircuts since he was a kid (People: Bad. Small talk: Bad. Touching: Bad. Loud sounds: Bad. People talking all at once: Bad) and since his time with the Circus he's only grown more reluctant to go and get it done.

At this length his hair is naturally pretty curly but he is. Not taking care of it. I actually put a lot of effort into trying to make it look brittle and tangled (I have a lot of experience lol, my hair is quite thick and I've always hated taking care of it. Yes I am also projecting my feelings about going to a hairdressers onto him why do you ask.)

The various scars were a bit of a strange task, but anyone who has seen my takes on The Bad Kids knows I'm not averse to selective realism in my fiction. Easiest one was the neck, I always pictured Daisy making a vertical cut based on "through the voice box". The larynx is longer than it is wide, so I think Daisy would go for the method that dealt damage across the largest total surface area. Yes I am aware that I'm speaking the same way Martin does when he explains his corkscrew.

The worm scars were easy because I barely drew any. There are a few marks on his cheek, but they're just surface bites. I picture most of his encounter with Prentiss showing on his legs, particularly on the right side, with enough damage there that he starts using a cane after the incident to keep weight off his right leg. More research to be done on this particular detail.

Finally the burn on his hand from Jude. This was the weirdest one to figure out just because of the nature of the injury. How do you quantify the damage done to an epidermis by a living manifestation of sometimes-boiling wax that can heat and cool at will? I settled on it being a second-degree burn that healed supernaturally fast, containing the damage to the space Jude had direct contact with. He'd probably have some mobility issues there as well. I know there are ways to help with mobility and pain after a severe burn, but I don't know how much of it Jon would actually. Do. Like I said, definitely further research to be done on these last two.

Hey so I'm gonna ask you to stop and consider the horror of the watcher. The helplessness. The guilt. The inherent terror of being a spectator, a participant by proximity but not by action. The horror of not being able to look away, of being a bystander. Jon forgets to blink sometimes. But wouldn't it be so much worse if there were no eyelids at all? That's how I interpret the description of The Archivist being "All Eyes" :D

I love a good Many-Eyed Jon, so I whipped up my own interpretation here. I think the more he Becomes the more he starts to resemble the thing from the dreams. He has a lot more control of it in S5, but it still creeps up on him and he has to consciously go back to a human shape.

[lightseoul]

a/n. i really don't know where i'm going with this, y'all. but getting to role-play as a therapist and explore bakugou's psyche has been lots of fun, so bear with me. please let me know what you think and/or would want to see! maybe that'll give me an idea lol. (1.1k)

navigation. part 1, part 2, (you are here)

“n-no.”

at that, the woman’s eyebrows shoot up, disappearing underneath her fringe. “no?”

“you heard me,” bakugou spits instinctively, immediately regretting how hostile that sounded not even a second later. “i mean, no, i didn’t.”

his therapist, apparently unfazed by his show of aggression—she must’ve gotten used to it by now, although he still feels bad when he gets testy—only jots something down in her clipboard before looking back up at him, an inexplicable expression etched across her features.

“do you have any ideas, then, why, for the first time in seemingly forever, you’re fixating on a particular social encounter?”

bakugou barely manages to bite back a scowl.

he hates it—this part. the part where his psychologist obviously has theories as to why he’s acting a certain way or how he’s actually feeling but chooses to ask him instead, in an attempt to draw it out of him.

as if talking about difficult shit in the first place isn’t already painful enough.

and isn’t that what he’s paying her to do? give him answers? why’d he have to be the one to wrack his brain for uncomfortable answers to uncomfortable questions?

“do you?” he then challenges, emboldened by that train of thought just now.

“yes,” she responds truthfully and without missing a beat it somewhat surprises him. “but as i’ve explained to you before, i think it’ll be helpful for you if we try a more active approach on your end so that any insights gleaned from our discussions become more personalized and stick with you longer.”

well, then. fuck.

the lady’s got a point.

“so,” she continues when he doesn’t reply, annoyingly aware her little spiel got to him, “any ideas? working hypotheses?”

“uh,” he starts begrudgingly, eyes roving over the bookshelves lining the room’s walls as he struggles to come up with another angle. then it dawns on him, and he looks directly at the woman. “i didn’t expect to see someone in here, and when i did, it caught me off guard.”

“that may be because most of our clients opt for virtual consultations rather than face-to-face ones.”

“yeah,” he piles on quickly, admittedly thankful for the validation, and for the fact. the absolute last thing he needs is to bump into some extras before and after therapy. “that must be why.”

“but how does that explain your, and i quote, ‘dumb as shit reaction’?”

bakugou instantly feels himself flame. he clears his throat, “i told you, didn’t i? it caught me off guard. how the fuck did you expect me to react?”

that must’ve been a reasonable point, thank the fuck, because the woman pauses in thought before nodding slowly. “i suppose you’re right.”

he narrowly bites back an of course, i am.

but then she’s spouting off again.

“although it’s interesting to me how your immediate reaction was to say hi, when that’s not really…how should i say, your style, based on our prior sessions and your personality test results.”

a pause.

bakugou scrambles for a bulletproof rebuttal. he comes up short.

the lady cocks her head to the side, curious. “how often would you say you mull over social blunders?”

never, he thinks to himself. because they never happen.

“i figured as much,” comes her unexpected reply, and only then does it dawn on him that he said the last bit out loud.

“can we talk about something else?” he finds himself suddenly asking, totally over this entire conversation. he can worry about being a loser and pathetically begging for an out some other time. right now, he just needs a break.

“actually, you’re in luck,” she checks her smartwatch, “the session’s just about to end.”

at that, his shoulders almost instantly sag in relief, which makes the woman laugh. he shoots her a half-hearted glare.

they spend the next few minutes summarizing what has been discussed, as well as the arrangements for the following weeks, with bakugou eventually throwing his bag over his shoulders and bidding her a mumbled goodbye. he tosses her a nod over his shoulder as he crosses the threshold of her office, mind already drifting to what he’s going to cook himself for dinner.

and that, for a typical session, he’s walking out relatively unscathed.

but then he does the stupid thing of looking up from where he was studying his trainers when a door creaks open, and he freezes.

because standing a few feet away from him, right beside the entrance to the restroom, is you, equally frozen.

he doesn’t know how much time passes with him just staring at you like a motherfucking idiot, and you, strangely enough, peering at him back, but it’s you who eventually takes a hammer to the silence.

“h-hi,” you offer, voice soft and quiet, just like how he vaguely remembers it from two weeks ago.

“hey,” comes his gruff reply, which would’ve been immediately followed by a wince at how rough his tone was just now had he not stopped himself in the nick of time.

at least he didn’t stutter.

“…b-bakugou, right?” you ask after a moment of neither of you saying anything, confirming his earlier suspicions.

“right.”

you nod, a polite yet somehow stilted smile on your face, and suddenly he’s mentally slapping himself. since when was he fucking bound to one-word sentences?

he decides then and there that this shit won’t do.

in an attempt to convince himself that no, this is just a weird outlier of an encounter for him, and that no, he’s not a fucking idiot like dunce face, and that yes, he is and is being perfectly fucking normal, he resolves to ask you for your name.

and he was just about to do that—he swears he was—when someone from the other side of the door calls out a name, and you whip to face their direction, breaking eye contact.

“yes, doc!” you holler back, and he watches you as you hesitate in place for a second, before turning to face him with an awkward smile.

“nice meeting you, bakugou-san.”

and then you’re off and shutting the door behind you.

he stands there for what feels like a few minutes, just blinking at the door in front of him, what must be your name echoing—again and again—up to the far recesses of his mind.

then: fuck.

he may or may not have just lied to his therapist.

˖⁺‧₊ as always, reblogs, replies, and tags are appreciated <3 feel free to drop an ask, too—i'd love to chat with you. have a nice day!

tagging. @bunnysaursushii @yawnzzzzzzzz @cholios @kashee-h @iluv-ace @lotuslovers @elarakive @sugurusmoon @napbatata @k0z3me @h0ngh0ngh0ng @honeyoru @yoongiwithglasses @hellokitty-doll @lilsebnem @tetsuukuroo @crangrapel0ver @syrhra @qyuin | @kalulakunundrum @cheezemanz @gold24fish @lunaryasha

[poppitron360]

Big “I’m Back, Bitch” post after my Hiatus.

Hello All!

This is kinda just intended for close moots or anyone who was worried about me or is interested in Poppi’s Personal Life Lore, just to keep you guys up to speed on how I’m doing after some time away and what to expect from me in 2025.

SO MUCH has happened in the two months I was away from Tumblr so for starters, here is a brief list of updates I have about My life/Fandoms/General shenanigans in no particular order

- The Ithaca Saga came out and it was AMAZING. I completely ignored my stockings that Xmas morning and instead just listened to it. By the time Christmas day was over I’d already listened to it about six times.

- Yes I was at the watch party along with 206,000 other people. It was truly historical.

- The Helluva Boss sinsmas special came out and almost made me cry. It’s been a while since I was posting about that show, but dw I still watch it

- I’m now on book 3 of Magnus Chase and YES YOU WERE ALL ABSOLUTELY CORRECT I LOVE ALEX SO MUCHHHHH. Expect some Alex Fierro/Fierrochase/Jack x Riptide content from me soon

- The Star Wars Disney+ shows are better than they’ve been since Mandolorian Season One.

- HAPPY 2025!!! This can’t be a real year. 2017 was still last year. No way we’re halfway through the 20s already.

- I had a BIG LIFE UPDATE that for personal reasons I can’t share online but it was BIG and also GOOD and I’m really proud of it. It was also unexpected and not the reason I took time off for. Idk why I’m including this bc I can’t really say anything about it but I need y’all to know that something good happened. It seems like when I vent about personal stuff here I only talk about the bad but good stuff does happen sometimes too.

- I got a weighted blanket for xmas. It’s so cozy and I love it.

- I have started getting into making OCs. Some for fandoms, some not.

- Penelope is now my favourite character in Epic.

- I’ve been writing this fanfic about the children of Percabeth, Solangelo, and Valgrace going on a TLT-style quest together so stay tuned to either read that or watch me give up on it and then just infodump about the plot I would’ve written if I’d had the energy

- I’m finally caught up on The Amazing Digital Circus

- I’m finally caught up on Agatha All Along (I still have the last episode to watch)- I think Joe Locke is stuck playing Sad Gay Baby-bois for the rest of his carrer now.

- Joel Smallishbeans won Wild Life and Grian is making 7hr Hermitcraft videos now.

- I performed in a play

- I have a 133-day streak on Duolingo!!

- Technically my one year Hyperfixation anniversary of Percy Jackson! I count it as the first Wednesday after Christmas as that’s when I watched the TLT musical for the first time. Because of this, whenever I doodle an SPQR tattoo on my arm when I’m bored, I will now draw two lines under it instead of one.

- Less than one month into 2025 and I can already predict that “The Challenge” is gonna be my top song of the year on Spotify

- Overall, I’ve just been trying my best to relax and take it easy, and I think I succeeded, which is good because that’s what I needed.

Now for the slightly less lighthearted stuff. I need to set a few things straight, for myself more than anything.

Firstly, I want to clarify that mentally I'm fine. I realise my leave was sudden and might’ve worried some people, and I apologise, but I am safe. You don't have to worry about my health or wellbeing.

This too will pass, and you'll get more dedicated, hyperobsessed Poppi back again once this has all blown over. Although, the aforementioned “BIG GOOD LIFE UPDATE” might complicate things.

Holidays are a stressful time for me, as I’m sure they are for you. With that on top of work and life stuff I needed to shed some mental load and unfortunately Tumblr was the first thing to go. And it will be the first thing to go again when something else stressful shows up. Adulting is hard you guys.

I've made it no secret that I've had some stressful stuff going on in my life these past few months. Yes, I am back from hiatus. Yes, I'm taking the time to rest and take care of myself. But I do not have the physical capacity to fully administrate a Tumblr blog on top of everything else right now.

So from now on, things are gonna be a little bit different around here. I won't be making posts every day and I won't be writing large fanfics or working on any complex fanarts.

I will need to take more hiatuses as things pile up.

I don’t know when exactly, but consider it a fact (unless I say otherwise) that this will happen again.

I know a lot of you will be understanding but I want to set these rules for myself so I don't feel any pressure from my brain to provide for you all. As I'm sure most of you will relate, I have a kinda all-or-nothing attitude to my interests, and as of this point in my life I can't afford to give my all to my blog. So expect a lot less from me these next few months.

Also, still nothing on the Autism Assessment Application stuff, in case anyone was wondering about that. This is the reality of living under the NHS. But by talking to people I’ve still been able to get the help and support that I need regardless of a diagnosis. And I also have a bunch of fidget toys now!!

Anyhoo, sorry for the ramble. I neither assume nor expect everyone will bother reading this so thank you for taking the time if you did. I wanted to put all of this in one post so I don’t need to keep talking about this and boring y’all with personal details in case you’re not interested. On with the fun fandom fiascos!!

I thank you all for your patience and being so kind and considerate while I needed some rest. I could not hope for a more awesome corner of the internet to exist on. Love you all. Stay safe. I’ll see you soon!

— Poppi <3

@lavenderfairiez @ginnyluna @groverapologist @echo-stimmingrose @demigod-shenanigans @keefessketchbook @sleepyycapybara @123letsgobestie @fairytalesociology @four-leafed-queer-gal @child-of-helios @puzzled-pegasus @ollieisanerd @twomanyfandomshelp @lokiwiiiiiii @yoshuko-ew @frayna-of-the-hollow @via-rant @hadeslegacyhephgirl @pjowasmy1stfandom @thetourturedwritersclub @m-for-now @inky-void @deciduowl

[lucabyte]

Hey I know this is kinda stupid but ur little joke comics of siffrin having a bald spot being treated like any other sorta funny thing siffrin has going on is genuinely really affirming as a trans man who might lose his hair one day

ehh its not stupid at all. ill pull back the curtain and say that oh yeah these jokes are supposed to be lighthearted and affirming in that way so like. walk w me here

cuz thats the thing this joke works regardless of headcanon for siffrin/your own gender presentation bc like. transmasc, amab nb, transfem, intersex, hell even just pick-a-rando-off-the-street cis people worry abt going bald because it's just like. a distinct possibility. whether your testosterone is home grown or store bought its just one of the things that it can and may do.

obviously, there's ways to mitigate hair loss. transmascs especially have really good resource gathering for this, it seems? and it's very good to have the options to control your body and how you want to appear.

but that's the thing. weird uncontrollable shit happening to your body as you age is The Great Equalizer. And we'd probably all be better off if we didn't treat it so weirdly or like such a taboo. So making jokes about it the same way you would like, your back getting bad or joints getting creaky normalises it. Because it is normal, and there should be some humour in all shared experience !!!

making this joke abt Siffrin in particular is also not done without intentionality, also. like 1, as you said they already have so much shit going on that adding more is just funny to start with, 2. it makes logical sense with how stressed and deceptively old they are and 3. theyre like. a twink. they aren't particularly masculine (especially owing to the fact that, canonically, they don't consider themselves a man.) and people really do not see balding as anything other than hyper-masculine. so it can cause a lot of perception issues if you want to be seen as... literally anything else. ie. genderless, feminine, or just femme? So it stops people from depicting characters who aren't hyper masculine as balding at all/worse still makes people irl feel ashamed if they Are balding but don't want to be that level of masc. But it shouldn't be that way, because it's not like your genetic response to T (and stress..) cares what either society presently thinks Or what your personal sense of style is. And y'know. just in general. it's cruel to be judgemental about things beyond ones control.

... This is a lot of words for "thank god. im so glad drawing this twink balding is making people feel better because i hope everyone knows i'm not making this joke in meanspiritedness" now go forth and like. be fine with being bald someday. it happens to the best of us

[skimmingmilk]

howdy skim! how do you get Sonic and Tails characterization so spot on? Typically watching cutscenes i can read between the lines or think deeper on some bits of the games but you just flesh them out beautifully and I was just wondering what your interpretation of Sonic and Tails is!

Hi there! :D

Ahh, thank you! I’m so happy you like their characterization! Watching cutscenes does really help get the voices down, but you’re right in that it doesn’t give us a ton of emotional range to work with. I think—in the case for how I approach Sonic and Tails specifically in the Picket Fence series—it helps that their foundation is a mix of game personality and AoStH personality. 

AoStH, while a very silly series, offers a lot in terms of range for Sonic and Tails’s emotions and reactions to stress. We get to see Sonic angry and upset and scared in ways beyond what the games tend to show and Tails is very much a little kid just doing his best, with a bit of a stubborn and defiant side to him. Taking these traits and emotions and more or less infusing them into the game portrayals (specifically Adventure and Adventure 2) are kind of how I establish their baseline.

The rest has just been practice! I’ve written so much of these guys now, their behaviors and the way they think have become almost hardwired into my brain xD I didn’t start out super confident about my portrayal of them—Sonic in particular used to give me a lot of stress because of how much stock people can put in how he’s characterized. I thought for sure people weren’t going to like how I wrote him at all—and I’m positive there are people who don’t and that’s fine! But I wasn’t writing for them. I’m not writing for Sega or any official media, I’m writing for me and the people who want to read the same stories I do. 

**Edit: This isn't to disparage anyone who is more particular about how Sonic's portrayed. It's solely because there's already so much stress involved in the writing process, I don't need the added stress of writing for an audience that wouldn't like my style anyway hanging over my head! Especially when it's free fanfiction I'm doing in my spare time for fun. There are plenty of other really talented writers out there who have their own spin or take on the characters that people can find enjoyment in <3 I don't have to please everyone and that takes off a lot of pressure!**

So that pushed me to find my footing as I put Sonic in situations I wanted to see. The more I wrote him and practiced his voice, the more natural it became. I got comfortable with him and the confidence just built up over time to the point where I can trust him to guide the narrative and get himself where he needs to be, rather than me just shoving him into place.

In a way it’s a lot like learning to draw them, right? First, you stick pretty closely to on model references to make sure they look like who they’re supposed to. You learn their shapes and defining features, then once you're comfortable, you start to branch out, push the limits, and infuse more of your own style to them. It’s the same with writing. You follow the guidelines canon materials have given you at first, but once you understand how the shapes of their personality traits fit together, you can bring your own style and flair to the writing to expand their potential and match the creativity of your ideas that go beyond what the games, comics, movies, etc. have covered. 

More about how I personally approach them beneath the cut, because this got long, I'm sorry xD

I think my interpretation of Sonic and Tails relies on a couple of things. First, their relationship to each other. They are best friends. Sonic has a lot of friends and cares about a lot of people, but Tails is specifically his best friend. I know I’ve mentioned it before, but it’s so important to me to establish that it’s a symbiotic relationship that goes both ways. It’s easy to see why Tails likes and admires Sonic, why he’d want to be his friend and that he looks up to him, it’s all part of his character arc in early games. So making sure Sonic views him in the same light is key—not just as a little brother figure he has to look out for, because that kind of responsibility doesn’t really align with Sonic’s free spirit*, but for Tails to be someone he genuinely admires and wants to be around. Sonic keeps pace with Tails because he wants to, because he’s choosing to of his own volition.

*Just want to add, that’s also what makes their dynamic so compelling to me. Sonic’s cool, rebellious, free spirit doesn’t typically lend itself to the idea that “my best friend is a sweet, eight-year-old genius mechanic who has a bit of a complex about me.” On a surface level, that doesn’t seem like it would align with a stereotypical “cool” character, at least not to me as an American kid in the 90s and early 00s. So playing with that and making sense of it is so fun and critical to my portrayal of him.

The second thing is mainly making sure my writing feels genuine. Like, I need to believe in the way I’m writing the characters because if I don’t, then I can’t possibly expect readers to. Sometimes it requires planting a few seeds along the way in order to earn the payoff of an emotional reaction, so that I can get to a place where I can write something like Sonic the Werehog hiding his face with one hand as he howls from the sheer relief of being free from the burden of taking a life that he was fully prepared to take on and believe him when he does. Or when Tails is trying to troubleshoot his own jealousy and insecurities on his own rather than talk it out, I need to believe that he believes what he’s doing makes perfect sense to him.

Honestly, my characterization of them is probably pretty skewed and biased to my personal tastes at this point. I don’t think this is a definitive way to write Sonic or Tails, but based on my experiences with how I’ve engaged with their characters throughout my life, I just write them exactly the way I want to and try not to worry about whether or not it aligns with others’ views of the characters. Taking away that pressure and outside influence gives me room to play and explore different possibilities. There are also certain characterization choices in canon media that I don’t necessarily agree with, but I try to work in aspects of that in a way that doesn’t totally contradict that piece of media while also aligning with my view of them, if that makes sense?

Basically I don’t disregard everything, but rather try and work it into my foundation that was built primarily on AoStH and the Genesis/Dreamcast-era Sonic games, so that people can still see a bit of Jason or Roger or Colleen's performances or nods to the OVA if that's their preferred piece of Sonic media. **Edit: I have the most familiarity with the English side of Sonic, but of course would want to be open to people who's favorite Sonic is Jun'ichi, too, I just haven't had as much exposure to him as Sonic, so can't say for certain if anything I've written feels in line with that**

I hope this answered your question? It was very compelling to think about and I hope it provided some insight into how I approach their characterization!

[dadrielle]

I have to assume from context that this is about the glasses question, and with all due respect, I think this is deeply unfair. I really like your work, and I have also long suspected that a lot of the resentments that have built up within fandom come in part from the way everyone vague blogs instead of talking to each other, which is why I am responding to you directly. Sorry if this is an overstep.

I think the majority of people who are deep in fandom find the Fireside chats in general kind of disappointing because we want them to have more depth. I know you and I agree that the format is not super well suited to in depth character stuff, and obviously CR has not been using it as a vehicle for that; Marisha's was half about Stardew Valley, and many of the questions that are pre-selected by Dani or whomever else are not about the characters or even the campaigns. Plus the actors in the hot seat choosing to just read whatever question they can see while the chat moves at lightning speed means that some of the stuff that gets answered is just random chance. I also don't like it, but I think that's just baked in to it being a live Q & A. The interactive component is its main unique angle for better or worse.

I also think it's fair to look at the questions that get submitted and cringe as someone deeper in fandom—there were somewhere in the realm of 50 different questions about dice, stuff that has been answered before, etc. But I do think we need to remember that as frustrating as those are, some of that is due to the fact that not everyone is In Deep, you know? Most people who watch CR are not active in fandom. We're a tiny subsection. Live chats with actors very often draw casual fans who don't know that these things are redundant or uninteresting to other people. They are just excited to get to ask their favorite something! I find it maddening too, but it is what it is, and it's not new—con audience Q & As have always been the same.

But here are the facts about the glasses question specifically:

It was not the only question Cole submitted; he also submitted some deeper character questions.

It was submitted in the pre-stream phase and was pre-selected by Dani.

It is something Laura has referenced on stream and in 4sd multiple times before without coming to a resolution so it is not completely out of left field for Laura.

The glasses have become a weird lightning rod in fandom, with people assigning moral value to whether someone likes Imogen in glasses, as if liking the idea of glasses means that you infantilize Imogen.

To the above point, it was one of only a couple questions that some people, in a departure from the standard of decorum in the chat, decided to explicitly react to with thumbs down emojis.

I am not going to address the last two points here (though I think I am going to make a post about it generally) because I don't know your feelings about them and I don't want to ascribe the feelings or behaviors of others to you. I only bring it up because I think that they color the reactions people have to this question in particular quite a bit. I think there were many people, myself included, who enjoyed that question being asked not because they have strong feelings about the glasses fanon (I am deeply ambivalent), but because it felt nice to see it be treated as something lighthearted and fun, to be reminded that all the fanwank about it is really just insular and small.

So my main reason for making this post is the rest of it. I do not think it is fair to throw shade at Cole for asking that question. He asked other questions, deeper questions, which I know that you'd only be able to know if you looked at the question thread, but needs to be said because it is directly in opposition of what you said here about not caring about the characters or campaign. And Cole is also one of the people active in fandom who interacts with the discourse the least. He is not someone who is a diehard for any particular answer regarding the glasses; sometimes he draws her with them, sometimes he doesn't—this was clearly not about getting his favored fanon proven correct because he doesn't have one. Which again, you might not know! But that's part of the problem here—there is a lot of assumption of intent and character that is just both off the mark and really ungenerous. Cole is a genuinely nice guy who is getting all kinds of splash damage over a completely innocuous question and it honestly bothers me a lot. Saying that he must not care about the characters or the story because he asked that question, that it makes him or anyone else who enjoyed the question selfish, feels to me like offloading frustrations about the format on him and he does not deserve that. I get why Dani chose it as the final question; if you divorce it from the discourse, it's lighthearted, something Laura has actually been considering back and forth all campaign, and a bit tongue in cheek. It had an inside joke component of ribbing Laura about needing the teleprompter made larger. Ending on something heavy is not the usual strategy for talk segments, and without the drama hanging off it, it looks like a quick, cute send off.

I get being frustrated with what questions were asked and answered, I really do. I also desperately wish we got something juicier, even though I did ultimately enjoy the experience of watching, because Laura is very charming. But I suggest you consider that maybe taking that frustration out on other people who love the show, to say they are selfish and don't actually care about it, is unkind and disproportionate.

I shouldn't be surprised by the fireside chat being the state it was, seeing as I don't follow any CR themed blogs myself or really go into the tags because I find it frustrating but still, the bleed over of fanon is depressing and a lot of you are showing your asses in terms of how you don't actually gaf about the characters or the story the players have chosen to tell.

I love my au's, I love my headcanons, I love my not quite canon ships, but they're for me and the people who chose to enjoy them if they want to. and what makes creating those things more fulfilling is trying to really be true to the character it's about, otherwise just go play with OCs

this will be my last salty post on the matter (guess we'll see) but man, the timing? all of this crazy shit is going on, it is well established that the audience is frustrated with how little downtime we've had with these characters and getting to see those long rest bonds we got to enjoy with previous campaigns, 4SD is over, and that's what you wanna ask about? it's selfish, honestly.

[leisi-lilacdreams]

haven't left that Purple Squared brain rot yet

lil comic bit for a scene in chapter 11

note: fic is an AU where donnie is the oldest that's why leo is so tiny

[canisalbus]

Happy non chocolate cake day.

.

[reminiscentrainclouds]

Daily yttd art day 10! They are NOT appropriately dressed for the beach.

[vriskadyke]

oh sam i'm so glad you @'d me

in terms of references, i wouldn't say that i saw any direct one-to-one references to utena, but you can certainly see similarities or draw parallels or areas in which they are similar. there are a lot of things that ping me and make me go, oooh, utena, but i can't say for certain if TM had utena in mind while writing. the canaan house duels (ESPECIALLY the one between cam & marta), for example, are very reminiscent of utena duelling over and over again, but i don't think that's necessarily a Reference To Utena; it's just that they have some similar Vibes.

utena spoilers to follow

that said. the imagery of the coffin, in particular, gives me a lot of flashbacks to utena. in tlt, harrow talks about finding alecto's corpse as a suicidal child and saying she was beautiful, saying that she wanted to live forever in case she woke up. she breaks into alecto's tomb just to see her and look upon her. harrow, despite her religious fervor, is a ninth house heretic; she breaks into the tomb that alecto was imprisoned in by a man who used her against all doctrine of the world she's been raised in. she does this despite the stories she's been told about how necessary it is that alecto stay inside her tomb.

contrast to utena:

utena, as a child, is deeply and intensely suicidal over the death of her parents. she is found by a princely man, who she then follows to find anthy himemiya, who cannot die and is in constant pain, imprisoned at the heart of the world. (this state of being is shown as being run through by swords; she also is shown in coffins in this state.) utena is told the story of Why this happened and How, how anthy took on the suffering and burdens of her brother (the prince), who frames the resultant state as anthy's "punishment for taking him away from the girls of the world", as she took on all of human hatred to protect him- i think dios literally says she sacrificed herself to save him. utena is aghast by this story and becomes determined to be anthy's prince to save her. she later does this by ripping open anthy's coffin and freeing her. like.... there are some parallels here, i think? especially with the repeated use of the coffin throughout the story.

i think another great parallel example is of mikage. mikage has spent so much time in denial (and being manipulated by those around him) that he truly doesn't remember what actually happened (which is ... not helped by ohtori being so timeweird and the lack of clarity on whether or not mikage is even like, alive. lmfao). he doesn't remember mamiya is dead, he believes anthy is mamiya, there's some compelling parallels there to harrow in HTN papering over her own memories to save herself from grief. but idk if that's not too much of a stretch.

anyways. watch utena im so srs. free on youtube with subs now

hey just asking you cause u seem obsessed with tlt and might know this. do you know if theres any revolutionary girl utena references in the locked tomb?

i am obsessed with tlt - thank you - however i dont watch much anime and lack the utena knowledge. perhaps @vriskadyke would be able to tell you

[manderleyfire]

I will do all this, I will get all this blood on my hands, and you are able to plead naivety.

[deoidesign]

how did u learn to paint?? like i just cant wrap my head around it

<3 I love answering asks like this!

You will have to bare with me, I don't save many of my studies, and my files aren't that organized so I don't have as many images as I would like.

The studies I've found most helpful for myself personally with painting are various master studies. (This is also, as always, alongside study of fundamentals.) And always follow a study with self-critique (and, if you can get it, outside critique!)

"Master" in this sense means anyone who you want to learn something from.

One way you can do this is by copying an artist's work directly. This is to try and understand some of their stylistic techniques. Leyendecker, Andrew Loomis, and John Singer Sargent are personal favorites of mine! I try to keep these quick, I'm not trying to get an exact copy.

I also get a lot out of copying photos. In this case, I'm not trying to glean some technique, rather, I'm trying to interpret the photo and explore my own stylizations.

(photo credit mountain men of alaska )

I also really enjoy taking a painting or piece that already exists, and making it "mine" by putting my characters in it haha, which is sort of a combination of master studies and photo studies!

(William Bruce Ellis - Covent Garden (1930)) (Barberini Faun)

And then, in my work that's not a study at all, I'm informed by all of these!

What master studies do is help me refine my style and practice my technique, but also I'm communicating with artists of the past through my art! They're teaching me! And I have so much to learn.

And of course... most importantly... I paint.

a lot.

I don't do as much study anymore, not because I feel I've learned all I need to, but because for work I draw 50+ drawings a week. 'Drawing for work' and 'study' occupy the same space in my brain and I need some fun drawing time!

So to sum up, draw a lot, reference constantly, and copy the people you want to draw more like!

(and, of course, when doing a study off of someone else's work, always give them credit. If it's your photos there's no need.)

[longagoitwastuesday]

I keep thinking that this Gojo is just like Sukuna. I truly don't see much of a difference between them beyond the human/curse point of view

[swordscleric]

I don't know if anyone's gone through the original Dawn War pantheon* and compared the events of the Dawn War to the events of the Calamity, but it's interesting comparing how Tharizdun acts in the Dawn War to how little we know about it as the Chained Oblivion and might be useful as a theory-crafting aid for how the Chained Oblivion fits with Predathos**.

In the Dawn War, Tharizdun was a normal god, driven mad by extradimensional demons who provided him with huge amounts of power and attempted to force him to open a portal in the Astral Plane to release them. He took this power, and instead of releasing them created the Abyss. He and his would-be masters fought to a stalemate over control of the Abyss, until the rest of the pantheon found out and sealed him away, leaving him chained to a remote part of the Abyss[1].

By contrast, the Chained Oblivion is "something other entirely"[2], "less like a god and more like another world"[3]; it's been categorised as not of the Primes or Betrayers[4], and generally Matt has leaned much more into the cosmic horror vibes (sans a connection to the Far Realm) of the Chained Oblivion. It's a creature of "roiling ink and hungry darkness"[5], and was sealed at the bottom of the Abyss by the Dawnfather and the Knowing Mistress, with support from the Allhammer and the Changebringer[2, 3, 6]. The Chained Oblivion also wants to consume all and end the world and is kept at arms length by the Betrayers[5], and as a result of that plus its association with an unknowable hunger some people have now associated it with Predathos or think it and Predathos are of a similar species.

I think the Chained Oblivion is not Predathos in another form, but I do think that it's of a similar species. Looking at the Dawn War, and assuming (with the full acknowledgement that I'll more than likely be wrong) that Matt will stick as closely to the Dawn War as he has in the past, I think the Chained Oblivion is a smaller and weaker being of nothingness that decided to forge its own path instead of following Predathos' lead. My gut instinct is that the Chained Oblivion, seeing Ethedok and Vordo get eaten, took up Ethedok's mantle of darkness[7]*** and avoided working with Predathos and porentially fought the God Eater in order to survive and work its own odd plans of destruction. The Chained Oblivion makes a lot of plans to try and free itself (see the Angel of Irons or Cognouza), so I wouldn't be surprised if its propensity towards planning was present from the very moment it set foot on Exandria. Does this mean the Chained Oblivion will be let loose to fight the God Eater if Predathos is released? I doubt it, considering that it nearly killed the Knowing Mistress. And we know how the gods feel about family.

Footnotes

*The Dawn War pantheon is the slimmed down pantheon used for 4th edition D&D; can be found on page 11 of the 5th edition Dungeon Master's Guide. Used by Matt for the Primes & Betrayers with the addition of Sarenrae from Pathfinder.

**I'm aware of the pitfalls of using existing narratives and non-Exandrian lore to try and predict what's going on in CR at this moment in time; while there's not a 1:1 overlap between other D&D worlds' lore and Exandria, some of the major relationships do stay the same. For example, Pelor, Ioun and Tharizdun are all linked in Exandria and in D&D "canon" (Pelor, Ioun and Tharizdun all looked into the Far Realm and saw mysterious secrets, secrets which drove Tharizdun to want to destroy the universe as per Gates of Madness (2010). Additionally, Tharizdun is deeply associated with the Abyss across both settings). Bear with me.

***Zehir, the Cloaked Serpent is also associated with darkness; however while the Lawbearer and the Platinum Dragon are associated with order there is no explicit god of order which was Vordo's other domain. The Chained Oblivion is explicitly described as a god of darkness in both the Explorer's Guide to Wildemount (page 27) and the Tal'Dorei Campaign Setting Reborn (page 34).

References

1. Demonomicon (2010), pages 7-9. The wording of how the sealing took place is intentionally vague as it's a plot hook for DMs to expand on in their campaigns.

2. Titles and Tattoos, CR Campaign 2, Episode 84, from 14:00.

3. Explorer's Guide to Wildemount (2020), page 27.

4. Matt's Discord post during Nick Marini's AMA (linked here).

5. Tal'Dorei Campaign Setting Reborn, page 36.

6. The Endless Atheneum, CR Campaign 1, Episode 106, from 1:08:16.

7. Axiom Shaken, CR Campaign 3, Episode 43, at 3:02:19.

[atalienart]

Well... what can I say :|

[icewindandboringhorror]

Recent images I suppose ~