#theres a part of me that feels that if Kumazaki was given unlimited space to write everything it would end up a lil garbled
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Actually I'm bored so I'm gonna follow up with what I said in the last rb's tags.
There's nothing wrong with wanting to add depth to a character in headcanon, but you do gotta respect that more depth wasn't like a missing component to an original work sometimes.
Like I write complex Kirby headcanon out the wazoo, but with a very distinct understanding that 1) I dont think I'm doing this to "improve" much because I'm satisfied with (99.8% of) this series' writing, and 2) That the writing I'm doing is in a style incompatible with how canon just works. I dream of story-dense drama-heavy Kirby Lore RPGS, but that's cause that's a me thing, Hal doesn't make those and I know they never will.
They also just don't WRITE things traditionally, the framing device of the series is often centered around Kirby, so through the eyes of an innocent child if often the mode of expression. And that's what makes this series this series and WHY I write headcanon for it. It's a great starting point, but that doesn't mean I think my landing point is more superior. I'm a big proponent that more detail =/= better with writing which is often why I fixate on mechanics of children's media, cause it's a real skill to pack so many ideas into short, simplistic stories. That's why I like Kirby so much, I think the team is masterful at that, not at writing sprawling political sci-fantasy operas.
What Kirby does is it alludes to those space opera elements in a way specifically meant to spark the imagination, but that's not a page left blank, it's more of giving you an extra notepad and pencil at the end of a story. When Taranza finishes his sad fairytale role of a misunderstood crony, and the rest of the series portrays him as depressed after everything said and extracted from KTD, they're not bastardizing him because they're not continually writing him new lore. Like, they're done-zo with his character and that's fine. They're just showing him like that so you understand the state he was left in after his arc finished, and you can personally extrapolate from there if you wish. He is not supposed to have anymore to his character than what was done in his story, now it's your turn to mess with him and give him whatever extra stuff you like, but that's intentionally left for you.
This isn't actually what the previous reblog was about per se, but in a way I think what Kirby does is a fun building upon the purely fairytale/fable writing of something like The Lorax. The games already have strong execution of their themes, and then a lot of hidden extra detail to give a fun amount of depth and pathos for more mature fans, and then that allusion lends itself to interpretation and speculation. All while still being able to execute an about similarly simple story on the surface (with action-adventure science-fantasy aspects ofc).
#kirby#taranza#shut the heck up#media analysis#rambles#uh. yeah.#Kirby offers more depth than ye average kids fairytale-like story but to still be a fairytale they can only go so far on paper#and its GOOD that the stick to that#theres a part of me that feels that if Kumazaki was given unlimited space to write everything it would end up a lil garbled#so leaving it open is a way to get across ideas elegantly is smart not a disservice to his or the teams writings skills#no one needs the Taranza self discovery sequel. might be cool. unecessary though and if anything might mess with what hes got going for him
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