#there's an element of studios don't care about indirect revenue unless they can be sure it'll be assive and easy to get
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terresdebrume · 1 month ago
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This is something I think about when I read posts like this one by @thediktatortot (which makes a true a very good point) because the need for younger fans to (re)learn how to be proactive in fandom participation is real and it's also true (imo) that new fandom, even if we all about-faced and started being active again without caring about making our fanworks as fast as possible, would still have trouble maintaining itself because of the way TV (in my experience a Huge source of fandoms) is being handled right now
I think I want to point at the elephant in the room today
The problem when we have the ever more frequent conversation of how to keep a fandom alive after the show it's based on stops airing is that we tend talk about it in a way that ignores the very real differences between the juggernauts of old fandoms like Star Trek and newer shows like Dead Boy Detectives, namely:
1. The difference in amount of material
2. The accessibility of said material
Part of the reason why Star Trek or The X-Files still have active fans so long after they aired is because those shows had multiple seasons with an average of 20 episodes each. For the X-Files' 11 seasons that's about 200 episodes each with their own storylines, themes, interesting ideas and frustrating mistakes right there to inspire Fanart, fic, meta, and any number of fanwork. I'm not even going to do the math on Star Trek: this show got about a bazillion shows
Dead Boy Detectives, and a lot of genre shows nowadays have like... Eight episodes. Ten, if we're lucky. Fandoms for procedurals or more broadly appealing shows fare better (Lone Star comes to mind, or sitcoms for example) because networks tend to keep them online longer, but genre series get ever shorter with ever fewer opportunities to really grow an audience... Think of all the shows that got popular on Tumblr in the past few years and tell me how many got a proper season? Shadow and Bones was cancelled. My Lady Jane: one season. Gentleman Jack, two (three?). Good Omens: maybe 3, depending on how the network handle the Gaiman situation. The Umbrella Academy got four seasons. Stranger Things, with 5 seasons and 42 episodes managed to equate roughly 2 seasons of the X-Files (probably not even that if you account for episode length). The Witcher currently has 3 seasons for 24 episodes.
Contrast this to shows like Dead Boy Detectives with, again, eight episodes. Maybe 16 if we get really lucky, but I'm not holding my breath. This is just materially WAY LESS soil for a fandom to grow in. It's not that people aren't motivated, it's that as much as you want to keep it going, there's only so much to say about 8 episodes! George Rexstrew, who plays one of the leads, even recently admitted that he's running out of things to say about his performance, and who can blame him? So after a while, you gotta turn to AU which by definition are always going to be potential hits and misses, since they diverge from what brought people to the show in the first place.
I know we're all real good at spinning yarn but sometimes it gets really hard not to run out of fiber.
As for accessibility: the Big Olds benefitted from two things. One, they were broadcast on much wider-reaching channels, if not from the start, then when they eventually made it on public networks. They had a regular play time, and you could stumble onto them by accident, this getting interested and picking it up. And two: the popular shows had a decent chance of getting tape or DVD sets, which made them easier to own and show to your friends so they could binge the story and join you in the fandom
By comparison, look at the barrier of access for Dead Boy Detectives:
Need to have a Netflix account
Need to see it somewhere in your recommendation (good luck if you come in more than a month after it released)
Need to see people talk about it as they binge (need to be in the right place at the right time)
Need to keep paying for a Netflix account if you wanna rewatch, or figure out how to do a piracy, which is getting more difficult and riskier every year
Need to be willing to get invested in a forever unfinished story
And when on top of that the writing in the first episode is, let's say it frankly, far from the best, that is a LOT of obstacle to overcome for a pretty small sandbox
So like, yeah, sure, we should be willing to keep making a fandom happen after a show ends, but at some point we can't ignore that the effort it takes to keep fandoms alive is getting way more intense than it used to be
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