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sparklywaistcoat · 4 months ago

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Hey, y'all, here's a little something I cooked up about The Stepford Wives. I'd love to hear any thoughts you might have about it!

The Cishet Are Not Okay: The Stepford Wives as Queer Horror

The other night I attended a talk titled "Horror as Queer" by scholar and historian May Santiago. The talk covered the history of queerness in horror films, including a discussion of the differences between horror films that were made by queer creators and those that were made by creators who are/were not queer. It was an excellent talk, and really got the wheels turning in my head concerning The Stepford Wives, about which I am currently concocting a series of blogs.

There were two big points that Santiago made that really hit home for me with regard to my Stepford Wives project. The first point was the definition of horror as a reflection and representation of cultural anxieties. It's easy to see how this is true of The Stepford Wives, which first appeared as a book by Ira Levin (1972) and later as a film with a screenplay by William Goldman (1975). (There was also a film remake in 2004, but I won't be discussing that one here.) The anxieties on display in both the 1975 film and in Levin's book include unease over the burgeoning feminist movement and with the related issues of patriarchy, toxic masculinity, and gender roles, along with apprehension about the expanding roles of computer technology and automation. The film and the book likewise interrogate the perceived need to both acquire and conform to a certain level of social status, although this is more strongly presented in the film than in the book.

The second and more important main point of Santiago's talk—as can be seen from its title—is that queerness is always already embedded in horror as a genre because queerness and horror are both predicated on transgression of social and cultural norms. So this got me thinking: If The Stepford Wives is horror, then almost by definition it should also be queer, but how can something as aggressively patriarchal and cisheteronormative as The Stepford Wives be in any way queer horror?

[The rest of the blog is under the cut, or you can read it on my Maunderlust WordPress page]

The Stepford Husbands

The Stepford Wives stands apart from many other horror films in that there seems to be no obviously queercoded villain, monster, or other character that we can point to as the locus of queerness within the film. What Stepford does instead is to turn the underlying trope of queerness within horror on its head by making patriarchal cisheteronormativity the force for evil and strangeness within the film, effectively twisting that normativity to show it as essentially and fundamentally disordered. In Stepford—as so often in the real world—it's not the queer folks you have to be wary of, it's the cishet men.

Which brings us to the question of queerness within Stepford husband society: If what you want to bang is a robot, are you really straight, even if that robot is configured as the nominally "perfect" woman? Each of the men who comes to Stepford to get himself a perfect wife is eschewing a relationship with an actual human woman in favor of one with an extremely sophisticated robot. Because these robots are constructed to look like cis human females and programmed to perform variations on a very specific style of Western cisfeminine behavior, the Stepford men can pretend that they are still married to women, and therefore they can pretend that they are still in a cisheterosexual marriage, when in fact they are in a robosexual relationship. This means that their marriages potentially can be considered queer, if one applies the very broadest definition of "queer" as indicating relationships and/or gender identities that exist outside the bounds of standard cisheteronormativity.

Dale "Diz" Coba

The one character that we might see as queercoded if we tilt our heads and squint a little is Dale "Diz" Coba (Patrick O'Neal). In the film, Diz appears to be unmarried (he has a wife in the book), and the way he approaches Joanna Eberhart (Katharine Ross) in her kitchen when the Men's Association holds its meeting in her home doesn't seem to be the kind of behavior one might expect from a gay man, although theoretically Diz could be bi or ace. As we see in the progression of three stills below, Diz surprises Joanna as she tries to prepare refreshments for her guests, then gazes at her with a wolfish kind of appraisal. He is sizing her up and attempting to intimidate her with his masculine charm, and Joanna is indeed alarmed to find him there looming over her.

It's unclear whether Diz sees Joanna as sexually desirable for himself, or whether he only sees her as yet another stage in his project to turn all Stepford women in to robots. If the latter, then he only sees Joanna in terms of her potential for Stepfordization, rather than as a potential object for his own sexual gratification. And regardless of Diz's own sexual orientation, he wouldn't be the first serial killer to get off on the hunt and the kill, rather than on his victims themselves.

That said, whether Diz is queercoded or not is almost beside the point: he is clearly villain-coded, with his slick manner, penchant for dark-colored turtlenecks (the other men tend to wear light-colored button-down shirts), and darkened office with abstract, black-and-white art on the wall. He's also way sexier than any of the other Stepford men, so there's that as well.

Just as the film as a whole inverts the queerness-in-horror trope such that cisheteronormativity is the locus of strangeness and evil, so too does it create Diz's character such that any queerness we might sense from him is largely disconnected from his status as a villain. If all the men in Stepford are equally invested in murdering the women and turning them into robots, it honestly doesn't matter whether any of them are queer or not.

Further, Dale Coba's nickname, "Diz," is a reference to the fact that he used to work for Disneyland. The film's subtext suggests that Diz used to work in Disney's audioanimatronics division, creating animatronic characters for use in the Disney theme parks. (In the book, Diz's work on audioanimatronics is made explicit.) Diz has taken what he learned working for Disneyland and gathered around him a set of like-minded men who also are in the technology industry and who have the technical skills, money, and access to resources to pull off killing the women and replacing them with obedient androids.

In the film, this access to technology and tech facilities is shown when Bobbie and Joanna drive past a series of tech businesses, including Coba's own, while discussing what has happened to their friend, Charmaine, who just got Stepfordized herself:

Diz's nickname and employment history combine into yet another way that The Stepford Wives takes something that is strenuously normative—namely, the Walt Disney Company's films and theme parks—and turns it into something horrifying. Joanna certainly clocks Diz as a bad dude right away, saying, "You don't look like someone who enjoys making other people happy" when Diz tells her where he used to work. Disney villain, indeed.

Stepford Wives and Gender Nonconformity

While none of the yet-to-be-Stepfordized women characters would seem to be queer, Joanna Eberhart and her friend Bobbie Markowe (Paula Prentiss), at least, are painted as somewhat gender nonconforming prior to their Stepfordization. (The third human woman, Charmaine Wimperis, played by Tina Louise, seems not to be GNC.) The suggestion of gender nonconformity is achieved primarily through costuming choices, although with Bobbie there are additional GNC markers in her brash, tomboyish behavior and in her studied refusal to be a hausfrau before her transformation.

Although Joanna's demeanor is much more reserved and feminine than Bobbie's, she is most frequently dressed in trousers, jeans, or shorts prior to her transformation, as shown in this sample of stills from across the film:

However, Joanna will don a dress if she is in a situation where she has to interact with men other than her husband, for example when the Men's Association meets at her house or when she goes to the big neighborhood barbecue at Diz's place:

Unlike with Joanna, we never see Bobbie in a skirt or a dress while she is a human woman. She only ever wears shorts, jeans, or trousers, and she seems especially fond of overalls, which adds to our perception of her as tomboyish:

By contrast, the already-Stepfordized women we meet across the film only ever wear dresses or skirts, frequently of maxi length:

Bobbie only starts wearing dresses after she has become Stepfordized, and the change is especially stark with her, since she goes from vivacious tomboy in bib overalls to contented housewife in long skirts, lace, frills, and sometimes even plunging necklines that draw attention to her breasts:

Joanna's transformation with regard to costuming is a little less jarring than Bobbie's, but there is still a significant feminization of Joanna's mode of dress. In the final scene of the film, she's wearing a white sun hat, a white sleeveless dress with a pink sash, and white gloves:

Evidently part of an official Stepford wife's duties is to accept that your husband is the only one who wears the pants in the family, both literally and figuratively.

Although Joanna's and Bobbie's gender nonconformity is very mild, it still stands out in stark contrast to the hyperfemininity of the already-Stepfordized wives. Further, the film portrays Joanna's and Bobbie's pre-transformation gender presentations as both normal and healthy, including the fact that Bobbie's leans rather more GNC than Joanna's does. Here again the trope of queerness as a locus for horror has been turned on its head: the element of terror instead is a ruthless, forced adherence to very highly constructed and patriarchally determined cisheteronormative gender roles and gender presentations.

The Cishets Are Not Okay

So now we circle back around to the main question I proposed at the top of this blog: Is The Stepford Wives queer horror? I believe that the answer to this question is "yes," not despite the fact that it fails to conform to more common presentations of horror as queer, but rather because of the ways that it fails to conform to those standards.

The Stepford Wives is queer horror because it regards the rigorously normalized Stepford society—and, by extension, patriarchal cisheteronormativity itself—from an outsider's point of view. Instead of using queercoded monsters or villains to represent queerness as a disordered, monstrous, transgressive threat to the normative, The Stepford Wives posits that disorder, monstrousness, and transgression are actually the province of the normative itself, given that the normative hegemon has the power and the resources to work its will in ways that the marginalized and the disenfranchised do not, and often in ways that the marginalized and disenfranchised cannot escape. This is something that has been known by queer communities for as long as there have been queers, and it is this quality that allows us to see The Stepford Wives as inhabiting the queer horror space.

#stepford wives #the stepford wives #queerness #horror #queer horror #film #meta #wordpress

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wittyno · 1 year ago

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Glad you stuck with the X files, s3 is much better than s1 and s2 (even though those have Ice, Beyond the Sea, Ascension, One Breath) cause two of the shows best writers Darin Morgan and obviously Vince Gilligan really bring their A game here and also Scullys hairstyle gets much better

Season one definitely drags. I think it’s partially my fault. It’s been a while since I’ve seen stuff from this era. It’s something you need to get used to again. The way it‘s shot, the way the plot moves, even the lighting is different than the way we do it today.

I do appreciate the better lighting. If this show was made today you wouldn’t be able to see a thing most of the time.

As for the quality of individual episodes I think the biggest problem is the run time of the whole season. Even if you have some amazing writers on your team it can’t be a banger every time. Especially on an order of 25 episodes.

While I was annoyed at the Phineas Gage issue those episodes were great. It also was the first of like 3-4 times she was kidnapped in the season so that hadn’t worn yet. Dwane Barry was some good TV. I do hope Krycek comes back. He seemed fun.

Most of my gripes are small. Do I love that the kid in DPO was in rudimentary reading and essentially fits every Hollywood stereotype of the r-slur creep? No, but the episode is well acted, well-shot, and not half bad.

Part of it is also that a show like this is made for me. I love Delta Green and all the themes and types of story beats that it brings. So even the episodes that don’t hit 100% are still enough in my wheelhouse to make me like them at least a bit.

The beginning of season three was fire. So good. It twists and turns and you feel just as on edge as Mulder and Scully. Ok, maybe a little less because you know how many seasons there are. But it really captures that hunted / us against the world vibe that i love so much. The „holy shit the world has gone to shit but we are still here and we are fighting together and for each other“. The world has actually gone to shit. It’s not just „oh a suspect was mean to me“. No, the government/aliens is out to get you. The „just because he’s paranoid does not mean they’re not after you“. It sets this show apart from your regular fair cop show.

It also makes Mulder and Scully the weird ones whenever they talk to the normals. Whenever they propose a theory of the unnatural or the occult , everyone gets to go „you’re crazy“. On the flip side whenever some innocent person is experiencing crazy shit Mulder and Scully can come in and be like „hey this is insane but we believe you“ and there is something truly powerful in that.

I also love that when rightfully called out on their previous inaccurate portrayal of indigenous cultures that the writer for the first two episodes of season 3 went and spent some time with indigenous peoples and got to observe their rituals and cultures, which he then heavily incorporated into those episodes. I can’t speak to the accuracy but I think it’s great that they did that. This was in the days pre-internet call outs. Nothing would have happened had they ignored this.

I also love a show that loves its fans in the way the x-files did. Nowadays, social media marketing is part of most creatives contracts. Not in those days. Those were the days of the forums. Again, no one was paying them to interact with fans and most people weren’t even on the internet back then. From what I understand it’s a lot like being a Patreon member for a podcast with less than 500 patrons. Even more so if it’s not on Patreon but just in general a smaller listener base. I love small podcasts by the way. It’s way more about the love of the thing that you’re making than about money. Not that I don’t want people to make money. I don’t begrudge most podcasts their success. If you can be creative and get paid for it, absolutely do it but at some point it becomes a business. That’s fine but it’s just a different feel.

As for the hair. I feel bad making fun of her but… it’s bad. It’s that thing where you see someone wearing an outfit or a hairstyle where you have to ask yourself: is the look actually good or are they just conventionally attractive? And in this case it‘s very much the latter.

#x files #the x files #txf #dana scully #gillian anderson #fox mulder #david duchovny

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yellow-lemon-lime · 1 year ago

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Hi I hope this isn't rude to ask, but I saw on a post that you deal with self blame delusions? And well I wanted advice on how to help someone cope with that. Because my sister has this idea (tbh I'm hesitant to call it a delusion since she has her own logic for believing it which I can understand even tho it's great logic) that she is the sole cause of everything wrong in my life, including that I'm chronically ill*. Which is just not the case at all?

*I have me/cfs, one of the theories is that it's essentially long mono, since my sister had mono once she thinks she gave it to me which caused me to get cfs and cause my chronic illness. But since I was asymptomatic and only know I had mono at all is because of biomarkers we don't even know when I had it so she might not even given it to me in the first place.

(sorry if this is over stepping a boundary or something, but she doesn't want to do therapy and I don't know what else to do...)

Hi @skydemonizark Sorry for the late reply, I was out with my husband, and we just recently got home. Don't worry, your question is neither rude, nor stupid to ask. I am more than happy to answer any question, one might have about a lived experience with delusions, psychosis or schizophrenia in general.

I will preface this by saying, that this is only my experience with delusions and schizophrenia. Others may have totally different experiences, and that's okay, because even though, delusions (and schizophrenia) follow general rules. How we experience the symptoms are different for each person.

I will also say, that I am not a licensed therapist, psychologist or psyciatrist. Again this is solely based on my lived experience. I strongly advice anyone who is dealing with a medical problem - whether it is somatic or psychological, that they contact a professional or in emergency cases dial 911/112.

Now in order to answer your question. It's important to know what a delusion is and isn't. A delusion is a belief in the patient, that is neither naturally and/or culturally possible. F.x. Believing that Jesus is the son of God, is not a delusion, because many people believe that, so that is culturally acceptable. Believing that your neighbor is Jesus himself, would be a delusion, because only you believe that, nobody else does, and especially not your neighbor.

I cannot say whether your sister's belief IS a delusion, but I know from my own experience that logic is a huge part of delusions, but it's a twisted kind of logic.

Let me give you an example with one of my own delusions: I got a job at the hearing aid center, at my local hospital. When I started working there. The waiting time for new users was approximately 6 months to 1 year. When I had been there for a while, the waiting time had skyrocketed to over 2 years. Now my delusional logic, told me, it must be because of me, right? It happens just as I start working there. How could it not be my fault? So I felt constant guilt about making things hard for deaf/hoh people in my town. And please be noted, that I had no idea that it was a delusion. I wasn't diagnosed at the time, I wasn't even being evaluated. So I had to rely on my own twisted logic, with this delusion as well as the other delusions I had. Sometimes I doubted my logic, but for me it was like having two logics. One wasn't more right than the other.

When I did get the diagnosis, and started on medication and therapy, I noticed a change in my way of thinking about my blame about the waiting time. I am fully aware that medication and/or therapy isn't for everyone. We are all different. But for me, both things were essential to getting better. Antipsychotics, didn't remove my delusions, but they sort of prevented the anxiety I got from those delusions. But I still needed to fix my twisted logic. At the time I got my diagnosis, I hadn't been working at the hearing aid center for a good month (I was literally forced to quit just before I got my diagnosis) Time went by and I didn't have the delusion-induced anxiety anymore, but I still had the belief that the increased waiting time was my fault. One day I was sitting with my therapist, and we were talking about big and small, and I mentioned the delusion, like I had done a few times before. For some reason, I also mentioned, that, oh there was this one audiologist who had mentioned, that the hearing aid center had let off a huge portion of the workers there, and my therapist asked me: "Don't you think, that could be why the waiting times increased?" And I gave it a thought, and thought, maybe my therapist is right.

You're telling me, that your sister doesn't want to do therapy, and I 100 % respect that. Therapy should be done willingly, and only in the event that a person is in danger to themselves or others, should forced therapy be even considered.

I would try mainly 2 things. One thing would be what my therapist did to me, and try to find counter-logic to the delusional logic. Do be adviced that it may not necessary work, if the person is so in deep with their delusion, that no amount of outside counter-logic can get through. The one thing I strongly advice against with any delusions, is either agreeing with the person, or saying to the person that they must be crazy or something. Both things can be very detrimental to the persons mental wellbeing.

The second thing I would try to do, is to switch the whole agenda. Yeah it sucks that you both got ME/CFS, even if you personally are asymptomatic. Instead of focusing on the "why?" or "who?" try focusing on the "how?" Don't ask yourselves, why did you both get this? Who is to blame? Instead ask yourselves, "How can we manage the symptoms we may have, and how can we support each other in living with this illness?" and I believe that could go for anything, that she, you, or a third person may struggle with. Someone may have asked. "Why did this happen to me?" They may never get an answer. So they should instead ask "How do I get going from here?"

I also advice you to take care of yourself, eat a varied diet, get plenty of hydration, exercise to the point that you are able to. Get plenty of sleep. If you take medication for anything, keep taking that. Also be a little selfish, and buy yourself chocolate or something once in a while. And in any case you start feeling, that something is wrong, mentally or somatic. Don't hesitate to contact a medical professional.

I hope my answer gave some insight, although it's just one experience. I invite any person with schizo-spec illness/psychosis or delusion, or possible mental health professional (if there are any on tumblr) who might be reading this to give their insight and opinion. I wish you and your sister and the rest of everyone around you, a pleasant and carefree day

#Schizophrenia #Delusions #Ask

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fashioneditswebsite · 2 years ago

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How To Rock Your Music Festival Outfit With These Trendy Fashion Inspos

Are you ready to rock the festival circuit this summer in style? Whether you are a seasoned festival-goer or just starting, have your music festival outfit ideas down. It makes all the difference in ensuring your look is on point, but don't feel overwhelmed - we've got you covered! Here, we've gathered some of our favorite trendy fashion inspos so you can get creative and create a fantastic outfit for upcoming festivals. With these ideas, you'll be sure to make heads turn on your way around the music-lovers mecca! What You Need To Know About Festival Fashion Style Festival fashion has become an essential part of festival culture, but there are so many styles to choose from that it can be overwhelming. When planning your look for the next event, keeping a few key points in mind is essential. Firstly, ensure your outfit reflects the festival's vibe and theme, if there is one. Other must-haves like comfortable shoes and reusable water bottles that express your style are also essential. Additionally, don't forget to accessorize with wacky sunglasses and jewelry. By incorporating these trendy inspos, you can rock your festival look and stand out in the crowd! Style Tips For Rocking an Effortless Boho Look If you plan to attend a summer music festival and want to look your absolute best, Your music festival outfit should include the effortless boho look! Think funky festival clothes but with an effortless twist. Mix and match items such as wide-leg pants, flowy skirts, funky sunglasses, and funky hats in a coordinating color Diverse Design Clothing palette. Try slipping on colorful sandals, funky shoes, and a light, airy blouse to finish the look. Once you've chosen your outfit, complete the stylish ensemble with statement jewelry pieces like layered necklaces or chunky bangles. With these tips in mind and a bit of creativity, you can achieve an effortlessly chic festival-ready ensemble that will turn heads! Achieving the Perfect "Festival Vibe" With Accessories Adding the perfect accessories to your outfit can instantly elevate your festival look! Accessories like chunky jewelry printed fabrics and bold colors allow you to achieve a unique and trendy style. These will help create the perfect "festival vibe" for whatever music event you're attending. Additionally, statement pieces such as a large hat or cool sunglasses make it easy to stand out. With these fashion inspos, you're guaranteed to rock any look and stand out as an individual at any festival! Choosing Shorts, Shoes, and Tops That Flatter Your Figure When selecting your outfit for the festival, one of the most important aspects is ensuring you feel confident in your appearance. Your clothing choices should flatter your figure and make you look great. To achieve this, choose shorts or skirts that highlight your favorite features and elongate your legs - high-waisted shorts are famous for achieving a look with definition. Pay attention to color schemes and patterns; if colors you do not typically suit are worn together, they could clash with you and the occasion. Regarding shoes, there's no doubt that comfort is key – find comfortable yet fashionable footwear, such as espadrilles or gladiator sandals, which give an effortless vibe. When it comes to tops, choose something light and breezy to ensure you don't get too hot during the day while helping accentuate your figure. Finishing touches such as jewelry or other accessories can help appropriately bring the whole look together. The Wonders of Neon-Bright Colours and Patterns For festival season, step outside the box with neon-bright patterns and colors. From daring checkered designs to electric-hued denim, adding a burst of color can help you make a style statement while embracing the festival's spirit. Not only are they super trendy, but these looks add a fun, upbeat feel that is perfect for a day or night-out celebration. Incorporating such vibrant outfits allows endless styling possibilities - accessorize with sparkly jewelry for added glamour, or keep it bohemian with delicate pieces for a look sure to turn heads. Neon-bright outfit choices offer something different to this year's festival scene and are sure to bring some unique flair. Create a Showstopping Outfit With These Styling Tricks The summer festival season is the most exciting time of the year! But with all of the excitement, fashion anxiety can bubble up about what to wear to make a memorable entrance. Creating a showstopping outfit for festivals doesn't have to be complicated. With these trendy fashion inspos, you will surely stand out. Begin by picking your main piece. Think of unique, eye-catching details like puffed sleeves, bright colors, or floral patterns. Consider your accessories: some statement jewelry never goes amiss, and let's not forget the shoes! A fun pair of sneakers or boots in an unexpected color combination will turn heads. Finally, add a hat! Whether it's a cool baseball cap or a chic boater hat, you'll look ready for any dance party your summer throws at you. Through sheer innovation and creativity, festival fashion can be as fun and exciting as the artists who play! Using a few key pieces strategically put together, you can create a unique outfit that will stand out from the thousands of others at the festival. Remember the tricks discussed throughout this article when starting your rockin' business for your next celebration! Accessorizing correctly is essential to incorporate all the trend ideas discussed here. Whether its old favorites like floaty dresses and ankle boots or something more daring like raw-cut jeans and psychedelic patterns, having a clear focus on what you want to achieve will help you create an eye-catching statement look that can be your very own festival statement, letting you shine brighter than ever before. Read the full article

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yawchannel · 4 years ago

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INTERVIEW: The Falcon And The Winter Soldier for SFX Magazine (Anthony Mackie and Sebastian Stan Part) (Issue 337, February 24th, 2021)

By Tara Bennett

WING MAN

Anthony Mackie is Sam Wilson / Falcon

SFX: You’ve admitted that initially you weren’t sure on the idea of doing an MCU Series. Why?

ANTHONY: To be honest, I’ve had trepidation from the beginning. I was really afraid of the idea. Working on so many Marvel projects, and seeing the end result and the effect that they have on people, I was afraid that the quality of the production would be taken down for television. I was afraid that you can’t do things on television that you can do in theatres.

Seeing people’s reactions to Avengers: Infinity War and Endgame in the theatres, and hearing the connection that the audience members have with these characters... that’s every actor’s dream, to affect an audience and expose them to a different way of looking at culture and the world around us. I was really afraid that I wouldn’t have that opportunity to step out on that ledge like the actors before me had.

But once we talked, and once they brought on Malcolm and Kari, I knew it was going to be something different. Kari is a phenomenal leader, and Malcolm is an amazing writer. And Kevin promised me that it wasn’t going to be different. He’s not going to tarnish the Marvel brand by trying to just blow out as much content as he could. And I trusted him on that. They haven’t let me down yet, so I just went along for the ride on faith of their past work. And I was really pleasantly surprised by how great everything turned out.

SFX: Steve was an integral part of both Sam and Bucky’s lives. How does the show explore his absence?

ANTHONY: With Sam and Bucky, the idea of losing Steve looms heavily in their day-to-day-life. Captain America - not just a moniker, but the person - was a huge influence on both of them. The idea of the moniker is not as important as the person that they lost. Their whole goal, and their whole focus, is to honour Steve, because he left them with such a huge task to pick up where he left off. Just the weight of the shield with no Steve leads us to believe that there might not be another Captain America. There will never be another Steve Rogers, so for the two of them, the idea of the Captain America moniker is more of a burden than a blessing. They really try and allow that to be an influence of the legacy that he left, and how they can keep that legacy alive and support him - while also missing him and being very sad that he’s not around any more.

SFX: Will we see more of Sam’s regular life?

ANTHONY: We get to see more of them in their surroundings, their personal life, with people who influence their life day-to-day: family members, friends, co-workers. You got a little bit of it with Sam when Steve went to the VA when they first met. But now you really get to see his twists and turns and where exactly he fits in his nine-to-five, as opposed to him just sitting around waiting for Cap to call. That was one of the biggest pitches that Nate and Kevin gave to me that really intrigued me and excited me about this story.

SFX: Exploring Sam’s big choice when it comes to taking up Cap’s shield encompasses so many real-life issues, including race. Was Malcom a solid partner in conveying that?

ANTHONY: You know, it wasn’t just Malcolm and I. What was really interesting was Kari [Skogland] and Zoie [Nagelhout] were very local in the idea of who this man was, and what he was going to mean to the society that we were presenting him to. It’s funny, with Kari being a white Canadian woman, and Zoie being a white American woman, they had such strong parts of opinion and such interesting ways of seeing this character that were way more aggressive than anything I could have imagined. Their perspective and bravery, as two women leading the charge, to show the situation that this character was being thrust into in the world that he lived in, was very humbling. I always felt support. It always felt like there were people around me who were paying attention to what we were saying as a show.

BUCKY STAR

Sebastian Stan is Bucky Barnes / The Winter Soldier

SFX: After Endgame, how did you feel overall, about staying in the MCU?

SEBASTIAN: At the end of Endgame it was sort of strange and emotional. At the time, it was the 10-year anniversary, so everything felt like an ending, of sorts, even though we recognised that there was probably going to be more to it. But it was great to be able to have a discussion about the future.

SFX: Who at Marvel Studios initially pitched the idea of this series to you?

SEBASTIAN: I sat with Kevin [Feige] initially. And then with Nate Moore, who I had done Civil War and Winter Soldier with, and had an unbelievable experience. I think I was a little nervous, because part of me felt like “I’m not even sure if I know what’s left to be explored with the character”. But we actually discovered so much more. And I feel like the character now is coming off in such a different, deeper and more complex way than we’ve seen him. I thought I had explored the character, as he was, enough, but we actually had only scratched the surface. What we’re able to do with him in this series is just on such a deeper emotional level, and we didn’t have that opportunity before.

SFX: What was most interesting to you about doing a series?

SEBASTIAN: The idea of exploring this character now, separately, from Steve Rogers and from that storyline, and putting him in the world, and giving him an opportunity to really, truly, have to face who he is - everything about that was exciting. And the idea of working with Anthony was exciting, because I know we have something special and we’ve never gotten a chance to explore it.

SFX: Who are Sam and Bucky to one another in this series?

SEBASTIAN: They both despise each other equally! [Laughs] I mean, there’s some truth to that. But it’s also a discovery for both of them to realise that they actually have much more in common than they thought. They come at it from different backgrounds. But essentially, they’re both two people trying to find their new identity, and that really has nothing to do with Steve Rogers. Steve Rogers is much more the catalyst, like the event that sets off the bomb that causes both of them to go, “Okay, that happened. Now, let me deal with these things”. I think it’s about them figuring out that they need each other much more than they want to accept.

SFX: With no Steve to lean on, what is Bucky focused on?

SEBASTIAN: It’s a bit of re-educating that happens at the same time. He’s learning a lot about Sam, and he’s also learning about the world, because it’s a very different world than when we was last “James Bucky Barnes” in the ‘50s. He’s always got to deal with the shadow that’s following him. Now it’s more of a question of, how does he take what he’s learned and apply it for himself, going forward? How do you go out there in 2021 and function, knowing what he knows and what he’s bee through? And also, how do you do it without somebody who was a brother by his side, who was a staple of strength, or familiarity? You take away even the last comfort zone - what does he have? That’s what the show is about for him.

SFX: Why do you feel that Bucky has been able to retain fan sympathy during his dark arc?

SEBASTIAN: He felt much more reachable and reachable than other characters, perhaps because of the arcs of trying to cope with the past, or getting over some trauma, or PTSD. And his level of finding oneself again, redefining yourself, your morals, your values, who you are, what you believe in, the challenges that you have - in terms of accepting the world a certain way - understanding that maybe how you grew up and what you’ve learned isn’t going to always help you find your path. You’re going to have to maybe go against the things that you’ve been used to. Those are all things about this character that are very interesting.

There are two more interviews with Showrunner Malcolm Spellman and Director Kari Skogland included in the issue!

If you'd like to get a copy, SFX Magazine Issue 337 is available to purchase both physically and digitally worldwide! https://magazinesdirect.com/mobile/az-single-issues/6937139/sfx-magazine-single-issue.thtml

#anthony mackie #sebastian stan #sam wilson #bucky barnes #sambucky #stackie #falcon and winter soldier #the falcon and the winter soldier #tfatws #disney plus

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seventhfracture · 2 years ago

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I had a very productive conversation with @owl-mug about world building and creating AUs. This builds off an earlier post I have made but I felt like there were enough solid points raised to make this.

This post covers; -Brainstorming an AU -Inspiration -World Building nuts and bolts -How do I write 20 chapters?

How do you come up with so many ideas and then actually get yourself to execute them?

I generate a lot of ideas. About 90% of them are trash. If you’ve been on my tumblr a long time you might’ve seen a few months ago I did an experiment where I tracked every idea I had and how many actually ended up finished projects. Turns out for ever 2-3 good ideas, I throw away about 23 bad ones. And, from the people I’ve spoken to, that’s totally normal!

I start a lot of stuff I never finish. Don’t be afraid to experiment and try things. Sometimes the only way to know if an idea is going to work or not is to try it and then discard it. You’re not ‘abandoning WIPs’ you’re taking part in a natural process of sorting through the ideas in your head and settling on the ones with meat on their bones.

When you go in for a first draft, what do you have? An idea of how things start and then you just go from there?

Usually, it’s a question or a problem. Question: what if Light wasn’t wearing his watch? Problem: two characters are lost in the woods Question: what if homophobia had a monstrous manifestation? Problem: Princess doesn’t want to get married The question can be vague too; “Do only humans feel empathy?” “Is empathy essential for compassion?”

Sometimes I might even start with the twist and work backwards. Like “Boy doesn’t know the coma patient he’s caring for is an eldritch god”, etc.

I would really like to try writing a Lawlight AU completely removed from the canon setting one of these days, but I feel like most of my ideas stem from an emotion/feeling. Like “snowstorm” and “betrayal”. Then I kind of built a fic around that. So, sure, I could theoretically take something like that with an AU setting but how do I build a world? How does one even come up with something like “what if Light was a literal start and there’s a whole space empire and etc etc etc”?

You need a core idea that you build around. You start with something like “Matriarchal Vampires” and then you build. “Well, what would that look like? What would the ripple effects of that be? What other systems would that call into necessity?”. But you also need an actual plot. World building without a plot is just nonsense. Half your world building might be irrelevant if the plot never goes there. So ideally you want something like “L is a powerful CEO but he’s turned into a vampire and, oh no, vampires are matriarchal. He’ll need a female vampire to sponsor him if he wants to get anywhere in this new world.”

I’m playing with a Soulmate AU where different cultural groups have different soulmate marks. So if you’re ethnically French you might have your soulmate’s name on your wrist but if you’re ethnically Japanese you might not see colour till you meet your soulmate. Each country would naturally have their own traditions and cultures around their marks. And then I asked; “how does that work in a multicultural world? Especially if you and your soulmate come from different cultures?”

Where do you find inspiration? And, if for instance its another piece of art or something like that, how do you turn what inspired you into an original idea?

First, you’ve got to be comfortable with the fact that all art, especially all good art, is theft. We all take inspiration from other people. It’s just like when you wrote notes in class and they told you to ��put it in your own words”. So “Black Diamond” for example. I liked the gem system from Steven Universe. But I wasn’t interested in 80% of the other shit so I sliced away the stuff I didn’t want and added stuff that made sense in my new system, or sounded interesting, or could be used to build the sexy kind of scenes and tension I wanted for a Lawlight story. If you’re willing to inject yourself into the premise and really play around like a little kid you’ll make something totally new without much effort. You’re going in a different direction. You have a different goal.

How do you keep going with an idea? In order to make something multiple chapters, for example. How do you come up with something you can effectively split into parts that keep people coming back?

I never sit down and go “this is going to be 20 chapters”. Some ideas feel bigger than others. But I let them be as big or as small as they want to be. I just write what I’ve got until there’s an ending that makes sense. Then, whatever I have at the end, I decide if I’m going to cut that up into chapter or not. Depends on what it wants to be.

Would you say that a “bigger idea” has a more complex plot/problem to be solves? Or maybe the core issue is something that is harder to solve than whatever the character’s first attempt might be, or maybe there are simply more obstacles in the way?

A “bigger idea” definitely has more to solve and more obstacles. But it doesn’t have to be inherently complicated. Stephen King has a great novel (Gerald’s Game) where our MC Jessie is handcuffed to a bed, in a holiday house, when her husband dies of a heart attack. That’s pretty simple. She doesn’t fight aliens or anything. But for 300 pages there’s a LOT she has to do to survive and to even start considering how the fuck she’s going to get out of that situation alive.

The problem doesn’t have to be complicated. The problem just has to seem impossible. And then you chip away at it for a long, long time.

I think it’s a lot of fun to start with a really awful premise, that seems helpless, and then make yourself try and think it out. Write it out. Something really hard like “Light has to confess his love to L but he’s in a maximum security prison awaiting execution”. Okay, how would he even contact L? Let alone get L to talk to him? Let alone get any privacy? And even if L knows would that change anything? And even if it does change anything how could they possibly have a future if Light’s going to die?

You just work through it, step by step, problem solving with your characters.

(A massive thanks to @owl-mug for letting me share this and for helping build a really interesting conversation with some great insight and questions. If you’re interested in any of the fic ideas check out my A03. Most of them are posted or going to be posted between my fanfic and original accounts in the coming months!

Please hit @owl-mug up too. They’re an incredibly talented writer!)

#writing #creative writing #fanfic #fanfiction #how to #how I do it anyway #AUs #world building

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thevindicativevordan · 3 years ago

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On Kong Kenan/Super-Man

It should've been him. He should've been the Superman of 5G/Future State/right now not Jon, and he should be the one getting an HBO Max series not Val. Hell he should be getting a movie!

God this dude is literally the best legacy character Superman has ever gotten, wholly his own person with his own lore and status quo while still building on the idea of "Superman". I am so pissed at DC for essentially just dropping him after his ongoing ended, what the hell Lee? You keep trying to make the Wildstorm characters happen, I need you to get my man Yang another Kenan book.

Have to admit I was a bit nervous at first about whether or not Kenan would be a worthwhile character. Yang's New 52 Superman run had been a disappointment to me overall, with only the the arc where Superman has underground wrestling matches against forgotten gods really sticking with me. Now he was introducing a brand new Superman? Didn't feel like he had "earned" that yet. But from the first issue I was hooked on this new character.

Kenan was unlike any other member of the Superfamily. He wasn't kind or sweet, he was an asshole! He was a bully! He was fantastic! Right from the start Kenan was set up to undergo a very different kind of character journey than the other members of the Superfamily. Empathy, humility, respect for people weaker than himself, these are all traits most heroes wearing the S-shield already posses by the time they first don the crest, but not Kenan.

Like all bullies he was even a bit of a coward himself at first, trying to bail on the experiment meant to give him Superman's powers right as it begins. After "saving" Lixin (the kid he bullies and steals lunch from every day) from Blue Condor he demands all the money Lixin has on him as payment. He's not courageous or selfless either at the start, Kenan is as much of an opposite of Superman as you can get short of being Bizarro. Learning the appeal of these traits formed the basis for his growth over the course of his series.

Seeing Yang bring in a lot of recognizable "Superman" elements in the series, but with a twist, was also great. Kenan is the one who bullies "Luo Lixin" rather than the traditional Clark/Lex friendship of Pre-Crisis and Birthright. Initially Kenan develops a crush on intrepid reporter for Primetime Shanghai, Laney Lan, but she dismisses him as too young and Kenan eventually ends up pursuing Avery Ho (Flash) instead. Baxi the Bat-Man of China has a similar relationship with Kenan as the traditional Superman/Batman in terms of being vitriolic best buds, however Baxi is the one who has the most respect for authority while Kenan is the rebel. Kenan is a part of the "Justice League of China" which does not meet with the approval of the already established Chinese superheroes, the Great Ten. That contrasts nicely with the good relationship the Justice Society and Justice League have, as well as seeing Yang lampshade the "Chinese copy" trope and incorporate that into his storytelling.

One of the funniest differences is how Kenan chooses to immediately reveal his identity as Super-Man to the world by taking off the compliance visor he was forced to wear, contrasting with Clark's choice to hide his identity. He was so eager to impress people that he never gave any thought to the danger he could put himself or his family in by revealing his identity until it was too late, something Clark is well aware of and has taken great pains to keep his identity secret. Was a missed opportunity for DC to have Kenan comment on Clark copying him for once when he outed himself under Bendis.

But one of the most poignant differences between Clark and Kenan is the gulf in separation between their relationship with their parents. Clark has a loving relationship with Ma and Pa Kent, trying to live up to their lessons as best he can. In contrast Kenan's mom was believed to have died in an airplane crash when he was just a child, and he never really knew her. His father was distant from him after that and the two weren't really close despite Kenan's attempts to impress him. So Kenan lacks that strong connection while still clearly loving both of them.

Pa Kent's death is one of the most tragic examples of Clark's love for his parents, and I've always been a fan of takes where Clark promises his father to fight for the powerless on Pa's deathbed. Kenan gets a similar scene at the start of his career, his dad "dies" (after being exposed as Flying General Dragon, a pro-democracy "supervillain" from the Chinese authorities perspective) and wants Kenan to promise he'll fight for Truth, Justice, and Democracy. But because Kenan's dad never really bonded with him, Kenan doesn't know what those mean, and can only promise that he never wants to see people die, something his father takes comfort in at least. In classic comic book fashion it's revealed that Dr. Omen, Kenan's "boss" and the one who gave him his powers, saved Kenan's father, because she is Kenan's mother! Kenan's relationship with his parents forms a lot of the crux of his character arc, and seeing how Yang utilizes the classic Superman concept of family kept the storytelling exciting.

Yang's brilliant exploration of the concept of "Superman" through the prism of Chinese culture was a great way to differentiate Kenan as well.

I absolutely freaking love how he tied to the concept of Qi to the S-shield in particular. Connecting the shape of the shield with the way Kenan has acquired his powers along the path of the Bagua (eight trigrams used in Taoism that represent the fundamental principles of reality), with his octagon S-shield outline representing all eight principles together, was mindblowing! So was the idea of restricting Kenan's access to his powers unless he was actually acting in a Superman manner, that tied his character growth to his power growth in an entertaining manner. There were so many characters and concepts that meshed Chinese and DC lore together, like how Emperor Super-Man was Kenan's "Doomsday", they even recreated that iconic dual kill shot! The Chinese Wonder Woman Peng Deilan, being based on the Chinese Legend of the White Snake! There was even some Korean mythology referenced with the Aqua-Man member of the JLC "Dragonson".

Yang also managed to do a Superman Blue/Superman Red story with Super-Man Yin/Super-Man Yang!

Shameful that it took me a while to realize what Gene Yang was doing but once I caught on I was touched. You can tell how much Yang loved Superman and his mythology, and how he was excited to incorporate as much from Clark as he could, while still using it in a way that was solidly Kenan's. And not just Superman's mythology, but the history and lore of the entire DC Universe. I-Ching got to be brought in, fleshed out, and used as Kenan's mentor! The "Yellow Peril" villain from Detective Comics #1, the comic DC gets its name from was brought in and revamped as I-Ching's twin brother All-Yang! Hats off to Yang for taking a racist caricature and attempting to make him into something more.

This series was a beautiful attempt by Gene Yang to build a space for Asian heroes and villains where they could be more than stereotypes, Kenan himself being a defiant mold-breaker in every regard as the complete opposite of most Asian characters in Western media (a jock, a bully, loves his dad but not on great terms with him, a powerhouse as a hero, etc). So much thought and hard work was poured into this by Yang and his team of artist collaborators.

Especially the costumes, man Kenan had so many great looks. From his starting outfit (which is my favorite Superman variant not worn by Clark himself), to the one with the Yin/Yang shield he acquired later on, to his Super-Man Yin & Super-Man Yang outfits, Kenan looked damn cool. Part of me is bummed they didn't go with the Chinese character shield they toyed around with, but I loved how Yang used the "s-shield" as a plot point, so I'm not too broken up over it.

All that great work Yang did to build that space up has been more or less forgotten sadly. It was nice to see Kenan in the DC Asian Month Celebration issue. Avery is going to be in Justice Incarnate at least (unsurprising considering she was created by Williamson). So fucking bummed that Superman Family Adventures cartoon didn't happen, they were going to have Kenan and John Henry Irons in it! Would've been a dream come true for me to see Irons in animation again, and Kenan making the jump to outside media! Maybe that would've encouraged DC to let Yang keep writing New Super-Man, or at least encouraged them to use him elsewhere instead of allowing him fall into Limbo.

Unfortunately I'm not sure what the future holds for Kenan. Jon is being pushed as Clark's replacement in the comics, with DC keeping all the other contenders such as Kon benched. Calvin is leading the Justice Incarnate team likely due to the upcoming Coates reboot that will make Clark black. Val will probably get something once Taylor leaves Jon's book or once they officially announce the HBO Max show is happening. So where does that leave Kenan, my new favorite PoC legacy hero? Currently my only hope is that Yang is working on something for DC involving him. Yang left Batman/Superman, where I was hoping to see a Baxi/Kenan team up, to go work on "exciting other opportunities" per his Twitter. So fingers crossed that there's something in the works for Kenan!

One day I hope he gets his day in the sun again.

#kenan kong #new super man #gene yang #justice league of china #superman #dc comics

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maxwell-grant · 3 years ago

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What are your thoughts on Jekyll/Hyde and his archetype of the human periodically changing into a monster ?

Jekyll & Hyde was the 2nd horror story I read following Frankenstein, I got it off the same library and it always stuck very strongly with me even before I got into horror in general. I even dressed up as Jekyll/Hyde as a kid for a school fair by shredding a lab coat on one side and asking my sister to make-up claw gashes on my exposed arm and paint half of my face, although in hindsight I think I ended up looking more like Doctor Two-Face than Jekyll/Hyde, but I was 12 and didn't have any Victorian clothing to use so I had to make do. The first film project I tried doing at film school was intended to be a modern take on Jekyll & Hyde, and I didn't get much farther than a couple of discarded scripts

Much like Frankenstein, Mr Hyde as a character and a story is something that's kind of baked into everything I do artistically. And it's not just me, as even in pop culture itself, none of us can escape Mr Hyde. I would go so far as to argue Mr Hyde may be the single most significant character created by victorian fiction, if only by the sheer impact and legacy the character's had.

(Fan-art by guilhermefranco)

Part of what makes Mr Hyde such a powerful and lasting icon of pop culture is that the very premise of the book invites a personal reading that's gonna vary from person to person. Because everyone's familiar with the basic twist of the story, that it's a conflict of duality, of the good and evil sides, but everyone has a more personal idea of what those entail. Some people make the story more about class. A lot of readings laser-focus on sex and lust as the driving force, and there's also a lot of readings of Mr Hyde that tackle it to explore a more gendered perspective, and so forth.

I don't particularly take much notice of the Jekyll & Hyde adaptations partially because the novel's premise and themes have become baked so throughly into pop culture and explored in so many different and interesting ways, that I'm not particularly starving for good Jekyll & Hyde adaptations the way I am for Dracula and Frankenstein. The Fredric March film in particular is one that orbits my head less because of the film itself (although I do recommend it), but because of one specific scene, and that's when Jekyll first transforms into Hyde on screen.

Out of all the things they could have shown him doing right that second, they instead took the time to show him enjoying the rain.

Just Hyde taking off his hat and letting it all cascade on his face with this sheer enthusiasm like he's never been to the rain before, never enjoyed it before, and now that he's free from being Jekyll, he gets to enjoy life like he never has before. It's such an oddly humanizing moment to put amidst a horror movie, in the scene where you're ostensibly introducing the monster to the audience, and it makes such a stark contrast to the rest of the film where Hyde is completely irredeemable, but I think it's that contrast that makes the film's take on Hyde work so well even with it's diverging from the source material, even if I don't particularly like in general interpretations of Hyde that are focused on a sexual aspect.

Because one, it understands that Jekyll was fundamentally a self-serving coward and not a paragon of goodness, and two, it also understands one of the things that makes Hyde scary: He wants what all of us want, to live and be happy. He's happy when he leaves the lab and dances around in the rain like a giddy child, he's happy when he goes to places Jekyll couldn't dream of showing up, he's happy as a showgirl-abusing sexual predator. Hyde is all wants, all the time, and there's not that much difference between his wants, his domineering possessiveness, and the likes exhibited by Muriel's father and Jekyll's own within the very same film, which also works to emphasize one of the other ideas of the original story, that Edward Hyde doesn't come from nowhere. That no monster is closer to humanity than Mr Hyde, because he is us. He is the thing that Jekyll refused to take responsability for until it was too late.

(Art by LorenzoMastroianni)

While many of the ideas that defined Mr Hyde had already been explored in pop culture beforehand, Hyde popularized and redefined many of them in particular by modernizing the idea. He was the werewolf, the doppelganger, The Player On The Other Side, except he came from within. He was not transformed by circumstance, he made himself that way, and the elixir merely brought out something already inside his soul. To acknowledge that he's there is to acknowledge that he is you, and to not do that is to either lose to him, or perish. Hyde was there to address both the rot settling in Victorian society as well as grappling concerns over Darwinian heritage, of the realization that man has always had the beast inside of him (it's no accident that Hyde's main method of murder is by clubbing people to death with his cane like a caveman).

I've already argued on my post about Tarzan that the Wild Man archetype, beginning with Enkidu of The Epic of Gilgamesh, is the in-between man and beast, between superhero and monster, and that Mr Hyde is an essential component of the superhero's trajectory, as the creature split in between. That stories about dual personalities, doppelgangers, the duality of the soul, the hero with a day job and an after dark career, you can pinpoint Hyde as a turning point in how all of these solidified gradually in pop culture. And I've argued otherwise that The Punisher, for all that his image and narrative points otherwise, is ultimately just as much of a superhero as the rest of them, even if no one wants to admit it, drawing a parallel between The Punisher and Mr Hyde. And he's far from the only modern character that can invite this kind of parallel.

The idea of a regular person periodically or permanently transforming into, or revealing itself to be, something extraordinary and fantastic and scary, grappling with the divide it causes in their soul, and questions whether it's a new development or merely the truest parts of themselves coming to light at last, and the effects this transformation has for good and bad alike. The idea of a potent, dangerous, unpredictable enemy who ultimately is you, or at least a facet of you and what you can do. That these are bound to destroy each other if not reconciled with or overcome.

You know what are my thoughts on the archetype of "human periodically changing into a monster" are? Look around you and you're gonna see the myriad ways The Strange Case of Dr Jekyll and Mr Hyde's themes have manifested in the century and a half since the story's release. Why it shouldn't be any surprise whatsoever that Mr Hyde has become such an integral part of pop culture, in it's heroes and monsters alike. Why we can never escape Mr Hyde, just as Jekyll never could.

It is Nixon himself who represents that dark, venal and incurably violent side of the American character that almost every country in the world has learned to fear and despise. Our Barbie-doll president, with his Barbie-doll wife and his boxful of Barbie-doll children is also America's answer to the monstrous Mr. Hyde.

He speaks for the Werewolf in us; the bully, the predatory shyster who turns into something unspeakable, full of claws and bleeding string-warts on nights when the moon comes too close… - Hunter S. Thompson

There is a scene in the movie Pulp Fiction that explains almost every terrible thing happening in the news today. And it's not the scene where Ving Rhames shoots that guy's dick off. It's the part where the hit man played by John Travolta is talking about how somebody vandalized his car, and says this:

"Boy, I wish I could've caught him doing it. I'd have given anything to catch that asshole doing it. It'd been worth him doing it, just so I could've caught him doing it."

That last sentence is something everyone should understand about mankind. After all, the statement is completely illogical -- revenge is supposed to be about righting a wrong. But he wants to be wronged, specifically so he'll have an excuse to get revenge. We all do.

Why else would we love a good revenge movie? We sit in a theater and watch Liam Neeson's daughter get kidnapped. We're not sad about it, because we know he's a badass and he finally has permission to be awesome. Not a single person in that theater was rooting for it to all be an innocent misunderstanding. We wanted Liam to be wronged, because we wanted to see him kick ass. It's why so many people walk around with vigilante fantasies in their heads.

Long, long ago, the people in charge figured out that the easiest and most reliable way to bind a society together was by controlling and channeling our hate addiction. That's the reason why seeing hurricane wreckage on the news makes us mumble "That's sad" and maybe donate a few bucks to the Red Cross hurricane fund, while 9/11 sends us into a decade-long trillion-dollar rage that leaves the Middle East in flames.

The former was caused by wind; the latter was caused by monsters. The former makes us kind of bummed out; the latter gets us high.

It's easy to blame the news media for pumping us full of stories of mass shootings and kidnapped children, but that's stopping one step short of the answer: The media just gives us what we want. And what we want is to think we're beset on all sides by monsters.

The really popular stories will always feature monsters that are as different from us as possible. Think about Star Wars -- what real shithead has ever referred to himself as being on "the dark side"? In Harry Potter and countless fantasy universes, you have wizards working in "black magic" and the "dark arts." Can you imagine a scientist developing some technology for chemical weapons or invasive advertising openly thinking of what he does as "dark science"? Can you imagine a real world leader naming his headquarters "The Death Star" or "Mount Doom"?

Of course not. But we need to believe that evil people know they're evil, or else that would open the door to the fact that we might be evil without knowing it. I mean, sure, maybe we've bought chocolate that was made using child slaves or driven cars that poisoned the air, but we didn't do it to be evil -- we were simply doing whatever we felt like and ignoring the consequences. Not like Hitler and the bankers who ruined the economy and those people who burned the kittens -- they wake up every day intentionally dreaming up new evils to create. It's not like Hitler actually thought he was saving the world.

So no matter how many times you vote to cut food stamps and then use the money to buy a boat, you could still be way worse. You could, after all, be one of those murdering / lazy / ignorant / greedy / oppressive monsters that you know the world is full of, and that only your awesome moral code prevents you from turning into at any moment. And those monsters are out there.

They have to be. Because otherwise, we're the monsters - 5 Reasons Humanity Desperately Wants Monsters To Be Real, by Jason Pargin

(Two-Face sequence comes from the end of Batman Annual #14: Eye of the Beholder)

For good or bad, Hyde has become omnipresent. He's a part of our superheroes, he's a part of our supervillains, he's in our monsters. He lives and prattles in our ears, sometimes we need him to survive, and sometimes we become Hyde even when we don't need to, because our survival instincts or base cruelties or desperation brings out the worst in us. Sometimes we can beat him, and sometimes he's not that bad. Sometimes we do need to appease him and listen to what he says, about us and the world around us. And sometimes we need to do so specifically to prove him wrong and beat him again.

But he never, ever goes away, as he so accurately declares in the musical

Do you really think That I would ever let you go...

Do you think I'd ever set you free?

If you do, I'm sad to say It simply isn't so

You will never get away FROM MEEEEEE

(Art by Akreon on Artstation)

#tw: injury #tw: blood #tw: disfigurement #replies tag #dr jekyll and mr hyde #the strange case of dr jekyll and mr hyde #robert louis stevenson #two-face #batman #monster tag #universal monsters #horror tag

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variousqueerthings · 3 years ago

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Daniel LaRusso: A Queer Feminine Fairytale Analysis Part 1 of 3

Disclaimers and trigger warnings:

1. These fairytales are European, although there’s often overlap in themes globally. I know European fairytales better, which is essentially the reason I’m not going to branch out too far. I opted to also stick to Western movies so as not to narrow things down, but also in particular “waves hand towards all of Ghibli” amongst many others. There’s a reason the guys in Ghibli are so gender.

2. TW for discussions of rape culture and rape fantasies

EDIT: FUCK I’M A GOBLIN CHILD! FORGOT TO PUT A MASSIVE MASSIVE THANK YOU TO @mimsyaf WHO HAS BEEN THE NICEST, KINDEST EDITOR ON THESE THOUGHTS AND CONTRIBUTED SO MUCH TO THEM AND GENERALLY IS A WONDERFUL PERSON!

Part 2

Part 3

1. Introduction

I recently wrote a little thing, which was about Daniel as a fairytale protagonist – specifically one that goes through some of the kinds of transformations that are often associated with female protagonists of fairytales.

I used quotes from Red Riding Hood, Labyrinth, Buffy The Vampire Slayer, and Dracula, which, as an aside – the overlap between fairytales, horror, and fantasy and the ways each of those genres delve into very deep, basic questions of humanity and the world is something that will always make me feral. I will be generally sticking with fairytales though. Also I am very excited about some of those Labyrinth concepts going around!

I’m going to use “feminine” and “masculine” in both gendered (as in relating specifically to people) and non-gendered (as in relating to codes) ways throughout this, depending on context.

To be binary for a moment, because sample-sizes of other genders are low, women are usually able to fall into either feminine or masculine arcs, although sometimes the masculine-coded woman can become a “not like the other girls” stereotype and the feminine-coded woman a shallow cliché – in both cases they’re also under more scrutiny and judgement, so it’s always worth asking “is this character not working for me because of the writing or because I have ingrained biases? (Both?)”

Men don’t often get feminine-coded arcs. Because. Probably a mix of biases and bigotry. But there are some that seem to have slipped beneath the shuttered fence of “Sufficient Narrative Testosterone,” and Daniel LaRusso is one of them.

2. Some Dude Comparisons (Men Doing Manly Action-Hero Things like being trans symbolism and loving your girlfriend… seriously those things are hella manly, I wish we saw more of that onscreen…)

a. Neo

Much like Neo The Matrix, whose journey is filled with transgender subtext and specifically and repeatedly references Alice In Wonderland, Daniel doesn’t go through quite the kind of hero's journey usually associated with Yer Standard Male Hero, especially the type found in the 80s/90s.

Neo is my favourite comparison, because of the purposefulness of his journey as a trans narrative and the use of Alice. But I’m sure there are other non-traditional male heroes out there (but are they trans tho? Please tell me, I want trans action heroes).

Neo “passes” as a socially acceptable man, but online goes by a different name - the name he prefers to be known by - feels like there’s something inherently wrong about the world around him and his body’s place in that society, and then gets taken down the rabbit hole (with his consent, although without really “knowing” what he’s consenting to) to discover that it’s the world that’s wrong - not him. And by accessing this truth he can literally make his body do and become whatever he wants it to.

Yay. (The message of the Matrix is actually that trans people can fly).

Neo is – kind of like Daniel – a strange character for Very Cis Straight Guys to imprint on. He spends most of the first movie unsure about what’s going on, out of his depth, and often getting beaten up. He is compared to Alice several times and at the end he dies. He loses. He has to be woken up with true love’s kiss, in a fun little Sleeping Beauty/Snow White twist. Yes, after that he can fly, but before that he’s getting dead-named and hate-crimed by The Most Obvious Stand-In For Normativity, Agent Smith, and being carried by people far more physically capable than he is (people who also fall outside of normative existence).

Trinity and Neo in The Matrix. The fact that a lot of the time neither of them is gendered is something. Literally brought to life by true love’s kiss.

I’m not about to argue that Daniel LaRusso is purposefully written along these same thought processes, so much as the luck of the way he was written, cast, directed, acted, and costumed all came together in the right way. And this is even more obvious when compared to That Other Underdog Fite Movie That Was By The Same Director as Karate Kid.

b. Rocky

The interesting thing about Rocky is that he is (despite being a male action icon) also not written as a Traditionally Masculine person. Large portions of Rocky – and subsequent Rocky films – are his fear and insecurity about fighting vs his inability to apply his skills to another piece of work and wanting to do right by his girlfriend (and future wife), Adrian. The fighting is most often pushed onto him against his will.

Much like in Karate Kid there is barely any fighting in Rocky I. Most of it is dedicated to how much Rocky loves Adrian and the two of them getting together. The fight is – again like in Karate Kid – a necessary violence, rather than a glorified one (within the plot, obviously watching any movie like this is also partly about the badassness of some element of the violence – whether stamina or the crane kick, it’s all about not backing down against a more powerful opponent).

Rocky is played by Sylvester Stallone. He’s tough, he’s already a fighter (albeit in the movie not a great one yet), he’s taking the fight for cash – so although he’s also soft-spoken and sweet, you’re aware of the fact that he’s got those traits that’d make a male audience go “Hell Yeah, A Man,” or whatever it is a male audience does watching movies like that… cis straight men imprinting on oiled muscle men sure is a strange phenomenon, why do you wanna watch a boxing match? So you can watch toned guys groaning and grappling with each other? Because you want to feel like A Man by allowing yourself to touch the skin of other men?

Apollo and Rocky in Rocky III. This sequence also includes prolonged shots of their crotches as they run. Sylvester Stallone directed this. This was intentional. Bros.

Daniel LaRusso is not built like that. But that doesn’t really have to matter. Being smallish and probably more likely to be described as “pretty” than handsome, and not having a toxic masculine bone in his body does not a feminine archetype make. It just makes a compelling (and pretty) underdog.

c. Daniel

So where does the main difference really lie? Between Rocky and Daniel? Well, Rocky has the plot in his hands – Daniel, largely, does not. Rocky is acting. Daniel is reacting or being pushed into situations by others. Just like our boy Neo. Just like Alice in Wonderland, Cinderella, Snow White – just like some of the women in some contemporary(ish) fairytale films like Buttercup (Princess Bride), Dorothy (Wizard of Oz), or Sarah (Labyrinth).

This isn’t a necessary negative about stories about girls and women, so much as looking at what it is girls and women in fairytales have/don’t have, what they want, and how they’re going to get it. It’s about power (lack of), sexuality (repressed, then liberated), men, and crossing some taboo lines. It’s also about queerness.

3. The Karate Kid Part One: Leaving Home

Daniel LaRusso is a poor, skinny, shortish kid (played by a skinny, shortish twenty-two-year old) who doesn’t fit in after having been taken away from the home he was familiar with against his will. Not every male protagonist in a fairytale leaves of his own will, and not every female protagonist leaves under duress – Red Riding Hood, for example, seems perfectly happy to enter the forest. However generally a hero is “striking out to make his fortune,” and generally a heroine is fleeing or making a bargain or being married off or waiting for help to arrive. She is often stuck (and even Red Riding Hood requires saving at some point).

Daniel then encounters a beautiful, lovely girl on the beach, puts on a red hoodie (red is significant), is beaten up by a large, attractive bully, loses what little clout he may have had with his new friends, and generally has a mostly miserable time until he befriends and is saved by Mr Miyagi. To do a little Cinderella comparison: Miyagi is the fairy godmother who pushes Daniel to go to the ball in disguise as well, and that disguise falls to pieces as he’s running away.

Then Daniel asks for help, Miyagi gets him enrolled in a Karate Tournament, and starts teaching him. Daniel wins the tournament and gets the girl, the end.

While Daniel has chutzpah and is a wonderful character, none of the big events are initiated by him, except for the initial going to the forest/beach (and within all of these events Daniel absolutely makes choices – I’m not saying he’s passive): Lucille takes them to California, Miyagi pushes him to go to the dance, Miyagi again decides to enroll him in the tournament and trains him, and only because Kreese doesn’t allow for any other option, Ali is the one who more often than not approaches Daniel, and even their first encounter is pushed by Daniel’s friends.

Daniel really is at a dance/ball in disguise and receives a flower from a girl who recognises him through said disguise, it’s unbearable! It’s adorable! I get it Ali, I fucking get it!

Daniel’s main journey within this – apart from not getting killed by karate thugs (love u Johnny <3) and kissing Ali – is to learn from Miyagi. He’s not necessarily a full-on feminine fairytale archetype at this point, although there are fun things to pull out of it, mainly in the context of later films and Cobra Kai: the subtext of karate and how that builds throughout all the stories, the red clothes, the themes of obsession, his being targeted by boys whose masculinity is more than a little bit toxic and based on shame… more on all that coming up.

He doesn’t technically get a home until they build him a room at Miyagi’s place, but he definitely leaves the woods at the end of this one, trophy lifted in the air after being handed to him by a tearful Johnny and all.

And then they made a sequel.

4. The Karate Kid Part Two: Not Out Of The Woods Yet

Daniel’s won the competition, Kreese chokes out Johnny for daring to lose and cry, more life-lessons are given (for man without forgiveness in heart…) and Daniel and Ali break-up off-screen, confirming that TKK1 was not really about the girl after all, which, despite Daniel and Kumiko having wonderful chemistry, is also an ongoing theme. Daniel enters the screen in The Most Baby-Blue Outfit seen since Tiana’s dress in Princess and the Frog? Or that dress in Enchanted? Maybe Cinderella’s (technically silver, but later depicted as blue)?

(Sidenote: At everyone who says Sam ought to wear a callback to that suit, you are correct and sexy).

Surprise, Miyagi’s building him a room.

Double-surprise, Miyagi needs to go to Okinawa.

Triple surprise, Daniel reveals he’s going with him, because he’s his son dammit.

The Karate Kid Part Two is maybe the least Daniel-LaRusso-Feminine-Fairytale-Protagonist of the three, because it’s not really his movie. Daniel runs around with Kumiko (aka the most beautiful girl I’ve ever seen), continues to be The Best Non-Toxic Boy a middle-aged Okinawan karate master could ask for, lands himself another Built Karate Rival (twice is just a coincidence, right? Right?), and eventually doesn’t die while wearing red again – twice: When Chozen almost strangles him to death at the Miyagi dojo and then during the final fight. The Saving Of The Girl (both the little girl in the storm and Kumiko) actually puts him in a more traditional masculine space than the previous movie did, even if the main theme of the film is about compassion and kindness and by the end, once more the boy whose masculinity is built on rockhard abs and matchsticks is on his knees. Daniel just has that power over big boys. It’s called kick/punch them in the face hard enough that they see stars.

There’s an aside to be made here about how much Daniel really is an observer in other peoples stories in this, although he is the factor that sends both Chozen and Kumiko into completely different directions in life (Chozen and Kumiko main characters when?) Anyway he comes out of it presumably okay, despite being almost killed. Maybe a few therapy sessions and he’ll get over it. Too bad Terry Silver is lurking around the corner…

5. The Karate Kid Part Three: The Big Bad Wolf

Alright people have written Words about the third movie. It’s fascinating. It’s odd. It’s eye-straining. It’s like olives – you’re either fully onboard the madness or it’s too off-putting for you (or you’re like. Eh, don’t see what all the fuss is about either way...). It’s basically a non-consensual secret BDSM relationship between a guy in his thirties (played by a Very Tall twenty-seven year old Thomas Ian Griffith) and a 17/18 year old (played by a shorter twenty-eight year old Ralph Macchio).

Also recently we got more information on Mr. Griffith’s input on the uh… vibes of the film. Apparently it wasn’t just The Sweetness of Ralph Macchio’s face, the screenplay (whatever that amounted to in the first place – release the script!), the soundtrack, the direction to not tone it down under any circumstances, the fact that Macchio categorically refused to play a romance between himself and an actress who was sixteen, no: it was also TIG coming up with fun ways to torture Daniel’s character and suggesting these to the director. Clearly everyone has fun hurting Mr Macchio (including Mr Macchio).

The point is that aaallll of that amounts to that Intense Homoerotic Dubiously-Consented-To D/s subtext that haunts the movie and gives a lot of fun stuff to play with. It’s also a film that – if we’re analysing Daniel along feminine-coded fairytale lines recontextualises his role in this universe.

The Fairytale goes topsy-turvy. Through the looking glass. Enter Big Bad Wolf stage right. Karate is a metaphor for Daniel’s bisexual awakening.

“Oh, when will an attractive man touch me in ways that aren’t about hurting me?” he asks after two movies of being hurt by boys with rippling muscles. “Why do men continue to notice me only to hit me? Do you think wearing red is making me too noticeable? Anyway, Mr Silver looked really good in his gi today.”

Daniel’s diary must be a trip.

#daniel larusso #the karate kid #cobra kai #ck #johnny lawrence #cobra kai meta #my writing #part one of three #some comparisons to matrix and rocky because I love to talk about those #terry silver

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reachfolk · 3 years ago

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what's your theory why there are so many dead spriggans in hagraven dwellings?

i've got a couple theories!! my actually serious theory with proper evidence and Formal Citations is that it's a functional thing that allows them to access magics that would otherwise be inaccessible to them. my own little hc based purely on vibes is that there is, at least in some cases, a bit of religious significance.

TL;DR: from what i understand, spriggans are embodiments of nature "magic" that hagravens are inherently detached from, so they harvest spriggan parts to access that. also, they might be used as offerings to hircine.

there isn't much that's really known about spriggans, but we do know:

they're associated with the goddess kynareth (and, i'm assuming, different cultural iterations of her). there's lots of evidence for this, so i won't rehash it all, but i will say that while reading up for this post, i ended up coming up with this theory that they originate from the eldergleam, which is of course sacred to kynareth worshippers.

their taproot is a source of strong nature "magic." i put it in quotations bc they technically don't manipulate the world through magic the way mortals do. one synod researcher, lydette viliane, compares wispmothers, ice wraiths, and spriggans. her work is cited in the book, the wispmother by mathias etienne: "by noting several similarities to spriggans and ice wraiths, she contends that the wispmothers are essentially elemental personifications of snow or mist, innately wielding the power of their element, instead of manipulating it through conventional sorcery." there's also some texts connecting them to the earth bones, but i only read a very very small mention of it.

alternatively, we don't know much about hagravens, but some of what we know:

some interpretations of them is that they were once human (usually breton) witches that have been "twisted into perversions of nature," sacrificing their humanity to access stronger dark magic. tbh i love hags, so i side-eye the phrasing, but the point stands that they are in a way disconnected from nature/kynareth's influence and thus are natural enemies of the spriggans.

they are associated with lord hircine, which isn't surprising considering the fact that they're half-human half-creature.

the ritual to become a hagraven is done to grant the witch a stronger grasp over magic, which you can possibly interpret as giving her a stronger connection to aetherius, the source of magicka. but spriggan "magic" isn't really drawing on that at all; it's something that exists outside of it. maybe it's got something to do with the earth bones? i'm not too well-read on that topic, but the point is, they're different from the magic that hagravens use.

what spriggans have is something that's completely untouchable for the hagravens, so maybe the only way they can access it is to hunt spriggans and collect their taproot. that's my best guess. so the question remains: what exactly are they even trying to do?

that much i really can't give a solid answer to. we do know that spriggans are protectors of nature, often found in areas where alchemists are harvesting ingredients. it's hard to tell if they're just naturally drawn to ingredients, or if their presence itself is what encourages their groves to grow so many useful ingredients. so it's kind of a chicken or the egg situation, but i lean towards the idea that the spriggans themselves encourage the growth of these plants.

one possibility is that hagravens might use the spriggan parts for their alchemical work; hanging taproots around their dens encourages the growth of plants, mushrooms, etc that are really valuable. there's probably tons of other reasons, but that's the only thing i can think of off the top of my head given how little we know about what spriggans actually do.

i also mentioned a personal hc about religion, and it's tied to hircine. not to get too into my ecology tangents, but i feel like hircine and kynareth both sort of represent different aspects of nature. kynareth largely centers on flourishing life and the "brighter" side of it all, while hircine centers on predation and dominance which is the "darker" side of it. you can't have one without the other; if one is missing then everything is thrown into disarray.

despite the polarity and bitter animosity between spriggans and hagravens, these two gods they revere are both two sides of the same coin. there's a kind of duality there that i think is very symbolic and makes spriggans a really good offering to place at a shrine to hircine. life giving way to death, strengthening the hunter and fueling the natural cycle, what have you. they're also just tough as shit opponents, and i think it very much has the same energy as hanging skulls, pelts, and other things scavenged from things you hunted. it all pleases hircine greatly.

#cozy answers #lore ramblings #spriggans #hagravens #hircine #kynareth #skyrim lore #skyrim headcanons #tes #tesblr #it's late af but here's my first loretober post i guess lol #thank you sm for asking btw!! this was so fun to put together #i'd love to answer any more hc questions like this kdlfskdj #series: the madmen of the reach #since hagravens are so key to the reach i feel like this belongs in the tag

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sysmedsaresexist · 3 years ago

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(Thank you)

1. Can you be a system with absolutely no idea what caused you to split? Or to not be aware of your trama at all?

I’ve only very recently come to terms with the fact that I have trauma and haven’t done any work on it yet. I don’t have an event I can point to and go “this traumatized me.”

2. What does it feel like to have an alter front?

3. Are systems usually aware they’re a system before they’re diagnosed?

4. Do alters always know what they look like beforehand? Previously I thought alters knew everything about themselves but one of the answers I got mentioned hosts sometimes helping to figure out names.

I'm curious what kind of answers you've gotten to these so far that made you seek us out, of all people, lol

1. Can you be a system with absolutely no idea what caused you to split? Or to not be aware of your trama at all?

Absolutely, both of these scenarios are not only possible, but completely normal. We're going to switch these around and talk about them in the opposite order, starting with, "not aware of trauma at all". The purpose of a system is to hide trauma. When you're young and going through traumatic situations, and you dissociate, what usually happens is one of two things. Either the child mentally goes away (dissociates, imagining being in a different situation, ignoring what's happening to them in the moment), or they imagine actually being someone else ("this isn't happening to me, it's happening to someone else, I'm (fuck it, uh) Zoro, and I, Zoro, can handle this"). Both of these scenarios lay the groundwork for the creation of a system, and both cases lead to the loss of memory of traumatic events when a child experiences that extreme level of dissociation over prolonged periods.

What this means is, there is no one event that creates a system. It's event, after event, after event, until the child can no longer form a cohesive sense of self. They've become too reliant on dissociation as a coping mechanism, these dissociated parts have taken on a life of their own, and a child's identity has become so fractured and they're so confused that they can't tell who or what they are, and the memories of why are scattered between these parts.

It's not as easy as pointing to an event and saying, "That was it. That was what happened, that's what did this to me-- to us."

This sort of plays in to the next point of, "why did a specific alter split." And this can apply to childhood, later, hell, today, ten years ago, fifteen years from now. It's not always as easy as pointing to a specific event for each alter, either. Some alters take months and years after an event to come forward and make themselves known. This can make pinning down their "origin" almost impossible. What made them could have happened a long time ago. Sometimes it's not a specific event, but a combination of several events, just like in childhood. Are your parents always fighting? Maybe, by the tenth time they're blowing up at each other and you're curled up in your room trying to ignore it, a part finally splits to help you handle that stress. It wasn't specifically the tenth fight-- it was the combination of ALL of the fights.

2. What does it feel like to have an alter front?

This depends. I'm old. I've experienced a lot of different feelings when someone else fronts. When I was kid, it sometimes felt like I was asleep. No memories of it, just blissful darkness, no real time loss, things would go dark for what felt like ten minutes, and then I'd be back, several hours later, barely even realizing I had missed an entire day. I also had pretty bad maladaptive daydreaming, and sometimes I would go into my daydreams while another alter took over. I just thought this was normal. I was just REALLY good at multi-tasking, you know?

When I got older, and I learned more about what was happening, sometimes it would feel like a battle to the death-- two of us fighting desperately for front. Sometimes it honestly felt like a punch to the head-- a knock out when I lost, unpleasant darkness, fear, anxiety, what was I going to come back to? Other times, when I won, I was left with a massive headache and exhausted. Sometimes I welcomed the break, and over time, it became easier. It became like watching things happen through a foggy window. Sometimes I wanted to do something, and I couldn't, and sometimes I felt helpless and lost. As communication got better, I could see more clearly, I could ask for things to happen, I could occasionally... steal a moment, use a hand, set something straight on the counter that was bothering me.

When an alter fronts, it can feel like a lot of things, depending on the situation, depending on communication levels. There's no "one way" or "right way".

3. Are systems usually aware they’re a system before they’re diagnosed?

I would say, in the age of the internet, it's more likely than not that someone is aware they're potentially a system, than it is for them to be completely unaware at the time of diagnosis. Before the internet, before you could just google symptoms, a lot of people weren't aware prior to diagnosis. Even these days, it's not unheard of for someone to only find out around the time of diagnosis, because you don't always realize you're losing time, or have amnesia. Your alters aren't always so completely different that the people around you notice and point it out. The entire point of this disorder is for it to be unnoticeable. It really just depends on the person, their exposure to information about the disorders, and how bad their dissociation is. Some know, some don't. Some go seeking therapy for help with other issues and eventually it just comes out over time that you have something else going on. Sometimes you suspect, and you go to therapy specifically for it. It's different for everyone.

Not at all. It's actually really common for alters to be... essentially blank slates in the beginning. Let's look at the example above, of the child dissociating out of a bad situation. If they're going away into their daydreams, the body is essentially left unattended. Any alter that forms in that moment could considered to be "blank" at the start. In the other scenario, you know who Zoro is, what they look like, what they like and dislike, what their history is. It doesn't even need to be a character you know of, maybe you, like me, had MaDD, and you'd become one of your characters, your OCs. I had one.

She was strong and had superpowers and was beautiful and confident-- and that was one of my first alters. I imagined being her often enough that I could eventually take the other route, disappear into my mind while she handled it herself (this was totally normal multi-tasking, apparently). She knew who and what she was right off the bat. What she looked like, her history, her personality. In the first scenario, that alter may or may not come up with that information on their own. They may remain blank until communication is good, and then they might start to grow, maybe you do help them find a name, maybe they find it years later on their own. Again, there's no "one way". It depends on the circumstances.

You sent a second ask with some more questions, and I think this leads into the next one.

Is it normal for an alter to feel more comfortable in the body than the original host?

Like, you look in a mirror and you think “yeah this is [alter name]” Not really as a negative or positive feeling, just a neutral and true one. Being trans (or mistaking the presence of a different gender alter [the alter in question] for it?) might also effect this.

This can happen, yes! In the case of my OC/alter, of course she looked like me. She was everything I wanted to be when I was a child. She can look in the mirror and say, yup, definitely me. This is what I've always looked like, and I'm perfection.

I have another alter that just... isn't bothered by appearance. He looks in the mirror and it's like, "yup, I guess so, cool -finger guns-"

There's a lot of reasons some alters might be more comfortable in the body than others, and they're all totally normal.

And finally. The last question:

What is a tupla?

This is, surprisingly, a very loaded question.

First, right off the bat, the use of the term tulpa is cultural appropriation. I don't claim to be an expert, but to put it simply. The actual practice of tulpamancy is nothing, NOTHING, like what it's being used for in system circles. Here's a really, REALLY good post on how it's been twisted from the original practice and westernized.

The more accepted terms in system circles are willogenic, parogenic, and thoughtforms. These are "headmates" that are intentionally created. They're imaginary friends brought to life through meditation and practice. Some systems claim to be DID/OSDD and say they've intentionally created some alters, making them "mixed origin" (it's more likely that someone has convinced themselves that it was intentional and their choice in an attempt to feel a sense of control over their situation). Some endogenic systems claim to have intentionally created their entire system (which, because on the levels of dissociation needed to create alters, I don't believe is possible without a traumatic origin).

I hope this all helps, I hope it all made sense, if you have more questions, let me know!

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sifanjewel · 3 years ago

Text

Strongest Clan Rivalries/Alliances

I wanted to make a list of the Gelfling clans who get along the best and those with the most conflict. Most of this is canon (info from Song of the Gelfling Clans, comics, ect) and some headcanons based on personal observation.

Also, warning of slight spoilers from the comics and novel series

Allies:

Vapra/Sifa - The Vapra and Sifa practically share borders with Cera-Na being in close proximity to Ha’rar on the coast. Much of their trade happens in the marketplace and docks between the two locations. These clans definitely intermingle the most, with many Vapran citizens appearing to be mixed with Sifa. Despite the Sifa’s brief plans to break away from the clans altogether, their alliance was solidified by the marriage between All-Maudra Mayrin and Captain Kam’lu.

Vapra/Stonewood - Being the two “highest” clans, there must be good relations between them. While there is some jealousy from the Stonewood regarding the Vapran Maudra’s position as All-Maudra despite the Stonewood having closer contact with the Skeksis, it is a topic dare not spoken of not only to avoid offending the Lords, but also to keep a steady trade system with the Vapra and Sifa. Plus, based on how highly Maudra Fara spoke of Mayrin, there’s no doubt the respective leaders got along, which most definitely helped in keeping peace.

Drenchen/Stonewood - I’m not completely sure on this one, but I think with the way Fara and Maudra Laesid interacted, it’s a good guess there's a pretty steady alliance between them. Not to mention Rian and Gurjin’s friendship, though I think even if the clans were initially rivals, the two would have found the good in each other regardless. The only doubts about the strength of this alliance come from the Stonewood’s behavior toward outsiders and Bellanji’s disdainful comments toward the clan at the start of the books series which suggest he may have had some negative personal experience with them, though Laesid is quick to shut him down.

Dousan/Sifa - Much like with the Vapran, Sifan borders with the Dousan are fairly close, and the two clans are very alike in terms of lifestyle and traditions. There are many similarities between the two that one begins to wonder if this is the result of Dousan culture weaving it’s way into Sifan culture, or perhaps the other way around (the former being more likely). The Seven Clans book mentions that though the Dousan live solitary lives, they come to Cera-Na to trade, which shows a great amount of trust in the alliance if the Dousan are willing to leave their precious desert to mingle with another clan, something they are rarely known to do otherwise.

Drenchen/Grottan - This is my personal headcanon, but since both clans are known for their healing, it wouldn’t be surprising if the two shared their different methods and worked out a good trade system. The Grottan teach alchemy and the Drenchen willingly demonstrate their vliyaya, which the Grottan are always amazed by.

Rivals:

Spriton/Stonewood - It has been made clear several times that the Spriton and Stonewood have been rivals for years, perhaps centuries. Though both clans appear to be quite territorial in nature, their conflicts seem to stem from a power struggle. Both are highly ranked (Stonewood second and Spriton third) and have similar clan lifestyles (each a mix of farmers, warriors, and song tellers), which creates a competition to win Skeksis favor. Fara even outright states how much Maudra Mera loves the Skeksis *almost* as much as she fears them, and her tone makes it clear that this has been the case for some time, and it doesn’t surprise her that she wouldn’t initially participate in the Resistance. Her tone makes it clear that they had never really gotten along even prior to this. Not to mention the way Kylan is treated for having a Stonewood father, and they way his parents had to live as outcasts in dangerous territory because of their frowned-upon union.

Spriton/Drenchen - Most of this is book canon, but the way the Spriton think of the Drenchen is so blatantly obvious from the start, simply from the way Naia is treated the moment she steps foot in Sami Thicket, even by the Maudra herself. Though Mera does her best to be cordial, her politeness is simply out of making herself look good for hosting a fellow Maudra’s daughter. She even goes so far as to say the Drenchen aren’t “important” when Naia asks about the Skeksis creating a census for the clans. Fara’s statement about Mera in the show is proven fact when the Spriton are willing to go into outright war with the Drenchen under the orders of skekUng, even when Mera knew exactly what the Skeksis were doing at that point. The Spriton’s loyalty to the Skeksis was stronger than clan relations, which nearly broke whatever peace the two clans had left between them, if not for Naia and the others stepping in when they did.

Vapra/Grottan - Not so much a “rivalry”, more of a general dislike for one another. Because the Grottan were pretty much shoved underground after the Silver Sea clan split, the Vapran soon seemed to forget about them and/or ignore them along with everyone else. After all, the Vapra symbolize the future while the Grottan handle things of the past (i.e. the Tomb of Relics), and are therefore more easily forgotten. The geographical and social differences between the clans cause a rift between them, leading the Vapran to disregard their “lower” halves and leave the Grottan somewhat bitter about the whole thing (as is made clear by Amri’s opinions in Songs)

Vapra/Drenchen - Another social/geographical divide, but much worse than with the Grottan. The two clans don’t interact much, but when they do, things can get ugly, as demonstrated by Naia and Tavra’s first meeting in the show. Their meeting and relationship through the first two books isn't exactly a friendly one either. Like with Maudra Mera, the two only initially get along because of Tavra’s professionalism and her priority to complete her mission as smoothly as possible. And although Laesid appeares to think somewhat highly of Mayrin in the show (or at least her final actions before her death), that was the extent of whatever semblance of peace there was between them.

Dousan/Everyone else but the Sifa - Like the Grottan, the Dousan are more just disliked by the higher clans. They don’t involve themselves in rivalries, it’s really more like the world is against them, but that doesn’t make it any better. None of this is the Dousan’s fault, which makes the situation even more sad. The Skeksis twisted the image of their clan and made them out to be “death worshippers”, therefore blasphemers in their eyes, causing the other clans (at least the ones closest to the Skeksis) to essentially turn their backs on them and fear them. It’s a conflict they don’t deserve to be put in the center of.

***

So that’s my list of the strongest Gelfling clan alliances and rivalries. I hope I got my book information correct, I haven’t read them in a while and a friend is borrowing them so I can’t really check (I know I could look it up online too but honestly it’s easier to flip through the books). If anyone wants to add to or correct me on any of this, that’s perfectly fine!

#dark crystal #dark crystal age of resistance #gelfling #gelfling clans #seven clans #vapra #stonewood #spriton #sifa #dousan #drenchen #grottan #songs of the seven gelling clans #shadows of the dark crystal #songs of the dark crystal #j.m. lee

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idiotwhotalkstoomuch · 4 years ago

Note

How did everyone react to Yuus real age and connection to the great 7?

MWAHAHAHAHAHAHAHA THANK YOU FOR ASKING CAUSE I ALREADY HAVE AN IDEA ON HOW THEY FOUND OUT

Note: Some characters already knew her age and connection to the Great Seven so they will react to her appearance in NRC

Btw for looks she looks very generic hence why some boys who know her history overlooked her. (by generic like long brown hair, blue eyes and eyebags. I’ll show a picrew of how I intend her to look soon when I finally pick a favorite)

Also Yuu is royalty of the Valley of the Thorns. When I get back to writing everything will come together.

Also also I need more research to do all these characters properly but since everyone needs a reaction I asked my friend for help so if there seems to be a difference then yeah you know why.

How they found out

(Post overblot Riddle)

*in the infirmary*

Yuu: Relax I was only cut-

Sebek: *enters infirmary* Your Highness! Malleus-sama ordered me to check on you after the news of the overblot came out!

Ace: Wha-

Deuce: Y-your Highness!?!

Yuu: *chuckles*

Yes the scene is somewhat comedic but its just how it is. Me and my friend liked the scene better as a comedic one than a serious one as things get more serious later on so may as well keep up some humor.

HEARTSLABYUL

Riddle Rosehearts - Very shocked and ashamed. He knew of Yuu’s existence and actually read about her and her history as a child but couldn’t tell it was her on first glance because they’re meetings had him in a bad mood from troublemakers so he didn’t notice.

Treats her with the utmost respect even if she tells him to relax. He’s very embarrassed that someone who’s been in the presence of all the Great Seven and befriended or in some cases raised them had to see him and the dorm in such a state.

Trey Clover - It came off as quite a surprise to him especially since he had been treating her like one of his kouhai. He’s one of the more relaxed about the reveal and will only ask if there needs to be changes in the way she’s addressed but overall their interactions are hardly affected. Though he will stop treating her like one of his kouhai as she is older than her by quite (*cough centuries*) a lot.

Cater Diamond - See this man had the advantage of putting a picture of him with Yuu in Magicam which definitely brought out someone who knew of Yuu.

He was pretty surprised to see a bunch of comments asking if that’s legit and was going to ask her about it but Unbirthday party preparations got in the way. Needless to say wanted another selfie with her on his Magicam to tell all his followers it’s legit and how he JUST found out.

Ace Trappola - Isn’t all too worried about it. He’s not one to care all too much about titles and all that stuff but he does take her age as something to tease her on.

When Grim and Deuce are annoying him or causing trouble, he’ll joke about how their troubling the “grandmother” and overall takes it without much effect on their relationship.

Deuce Spade - Is shook beyond belief and has to go and mentally process the reveal.

Should he tell his mom that he’s met such an important historical figure? Wait no should he ask Yuu about it? Would it be rude? AH! SHE SAW HIS DELINQUENT SIDE WHILE ARGUING WITH ACE!

Poor boy is so confused on what to do especially since Yuu came from a magicless student that supposedly has a curse according to the mirror to royalty that raised or befriended all members of the Great Seven.

SAVANACLAW

Leona Kingscholar - Well this lion will continue to chug his respect women juice.

He already respects women back at his home and while for them its due to their strength, in Yuu’s case its cause of her age and wisdom that she shares from time to time.

Ruggie Bucchi - Ruggie would joke around Yuu and treat her like he does his grandmother. He'd probably poke on her getting old and how she probably shouldn't do so much strenuous activities both teasingly and seriously (much to Yuu's dismay. Her body doesn’t actually age.)

Doesn’t rob from or prank her mainly because he doesn’t feel like getting chewed out by the others who treat her like a goddess for befriending and even raising some of the Great Seven.

Jack Howl - Jack is cautious of his behavior around Yuu as he is a respectful young man.

Tends to worry a bit over her being very casual and relaxed in Twisted Wonderland especially since she’s such an important person in history and tends to be a bit overprotective of her.

Is still tsundere.

OCTAVINELLE

Azul Ashengrotto - He. Freaks. Out.

He did extensive research and studying as a child so he knows all about her and her history with the Great Seven.

He wonders how such a historic and ancient woman can casually walk around NRC with little recognition and hopes he can stay calm and suave if she were to ever approach him.

Jade Leech - Jade is intrigued and amused with Azul’s reaction to her. As long as both Azul and Floyd were happy, he couldn’t care less. Though he does want to know if she can cook, he wants help in Mostro Lounge.

Is pleased to have someone to help wrangle Floyd in his more problematic moods. (”In the years I’ve lived in I’ve seen many moody people this isn’t much)

Floyd Leech - Floyd really couldn’t care less.

He sees the little shrimpy (she’s 170 cm tall) and wants to squeeze her, so what if she’s like 900? Floyd wants to play with the shrimpy!

SCARABIA

Kalim Al Asim - Kalim is, well, excited. He’s awe struck at the fact she’s been alive for that long and would probably want to know more about her life. Kalim is a curious kid.

Despite his energetic nature, he likes hearing her share stories of the past.

When he wants to be more independent, he goes to her for help since she’s lived for so long.

Jamil Viper - Jamil would be curt and formal, though he’s currently having a epileptic brain seizure. Jamil was well versed in history, and well...having someone his influential just struck something.

Is cautious of her during the Scarabia arc since she might be old and wise enough to see through his plan.

POMEFIORE

Vil Schoenheit - Vil was already interested in Yuu at the beginning due to being a woman and had a lot of potential but was unimpressed at her eyebags but likes her mature appearance despite being a first year-

Wait the potato is HOW old?

Vil is impressed. Yuu is hundreds of years old yet looks to be in her early twenties at most.

When he learns that Yuu had even met the Evil Queen, he immediately went to ask about what the beautiful Evil Queen did to look as gorgeous as she did and Yuu happily indulges him.

Rook Hunt - Rook is undeniably curious, especially after Yuu manages to evade him. He makes it a habit to monitor her movement, randomly ambush her, and try and chase her around the campus. His success varies on the amount of potato's that surround her. He stays away when she's near Diasmonia.

He enjoys chasing her whenever Yuu is around Ruggie or at rare times, Leona as he'd say, "It's hitting two birds with one stone"

Rook scopes out and probably doesn't intervene as much, opting to observe her movements.

Epel Felmier - Epel is essentially confused, and is currently feeling pity for her as she’s being crowded by so many students. He grimaces when Rook takes interest in her. Epel sends Apple Juice for life fuel. He knows she’ll need it

IGNIHYDE

Idia Shroud - Idia has heard of Yuu, especially with their rather complicated family history. He’s pretty formal towards Yuu.

Generally avoids her even with their family in better terms and Yuu even friends with Hades now. Is upset at her and Ortho’s alliance to get him out of his room.

Ortho Shroud - When Ortho hears her age and experience, Ortho is overjoyed.

He’s so happy to have Yuu join him in his mission to get his brother out of his room. Is oblivious to past family drama.

DIASOMNIA

Malleus Draconia - Yuu had raised him and his family up to his grandmother, the Witch of Thorns, of course he recognized her as soon as he saw her. He’s surprised to see her in NRC but its a welcome one. He uses a spell on Ramshackle to make it habitable for the woman that raised him alongside Lilia.

Finds it amusing that the students had no clue. She’s in history books though Yuu does have a rather mediocre and youthful appearance so it must be why they mistook her as a student.

Yuu had asked him to keep quiet on it but unfortunately it seems that Sebek had exposed her while doing orders on his behalf. He apologizes over it and of course Yuu isn’t mad over it, more exasperated.

Lilia Vanrouge - Lilia is amused that Yuu was mistaken by the teachers as a teenager that could be a student especially since Yuu is older than himself by a few hundred years.

When the cat’s out of the bag, he’ll openly tease the students to be nicer to Yuu who could’ve been friends or related to their great great great great great etc or less grandparents and is their elder.

Is amused as the students attempt to get Yuu into more modern culture, having been accustomed to letters and more traditional ways for so long.

Silver - While Silver was primarily raised by Lilia, he’s surprised to see obaasa- Lady Yuu in NRC.

He isn’t affected all too much since he isn’t addicted to guarding Malleus and Yuu like Sebek but he is quite happy to see her and can always tell when she visits since he tends to wake up with a pillow at the random place he slept in.

Sebek Zigvolt - He is ABSOLUTELY A P P A L L E D. Yuu to Sebek, is the most honourable woman to have ever walked the face of this planet. She has managed to raise most of the great seven and bring kingdoms to prosperity. She helped Malleus-sama train, she helped Lillia-sama rise through the ranks and even brought Maleficent to power in her early days.

The moment he gets to catch up to her in Ramshackle, Yuu has to calm him down because he goes feral when he sees where she has to live in but is appeased when Malleus uses magic to make it habitable and helps her personalize it.

Very clearly struggles to address her casually, shown with him being the one to expose her post overblot Riddle.

Keep sending asks bois I love receiving them. Sorry this took a while there was a lot to go over.

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tossawary · 4 years ago

Text

Chapter 24: “Seeing is Believing” of “pride is not the word I’m looking for” random favorite lines and commentary. Not a full list or full commentary, but longer commentary than usual to talk about quest construction.

AN: This was... a weird chapter to write. When I started outlining, I had... the conversation with Shen Qingqiu planned... the conversation with Shen Yuan planned... the fact that SQH, SY, LQG, and LFL was the quest party... and the fact that they get the Eye at the end of it. That was everything.

The entire rest of this chapter came together FRIDAY LAST WEEK.

Huan Hua Palace wasn’t going to be there. The Weeper didn’t exist. The Eye or its previous owner wasn’t at all connected to the Garden Master. The Shadow Cave Wolf Spiders didn’t exist. The murder plant didn’t exist. The mysterious monster showing up at the end wasn’t originally planned either.

I mean, I had a lot of pre-existing plot threads to tie in and weave with, but ohhh boy! Picture someone lying facedown on a floor like, “I forgot to plan the contents of the super important quest...”

I was originally going to have the Eye quest a lot simpler, but given the weight “Death of the Author” had when I finally reached this part of the story, that wasn’t really going to do! It had to be bigger than that! It needed oomph! This also felt like a good opportunity to really establish the new SQH-SY dynamic. To explore SY fumbling to find a place in this world without strict character role, especially in relation to settled and well-supported SQH.

“One attempts to remain dignified,” Shen Qingqiu agrees. “As there is little point in kicking and screaming about how such ignobility isn’t fair.”

“Ha! Is there ever?”

“Not in my experience.”

“Yeah, it’s definitely not cute when I do it,” Shang Qinghua jokes.

Shen Qingqiu’s lips actually twitch at that.

Success?!

AN: I wasn’t going into this fic with the intention of writing any Shang Qinghua and Original Shen Qingqiu almost friendship! But it started developing and it seemed a shame not to explore Shang Qinghua developing a real relationship with Shen Qingqiu (though not a particularly close one) when the man is suppose to be the scum villain (and the readers know that the man might get replaced by Shen Yuan).

I can see myself writing more Shang Qinghua and Original Shen Qingqiu content in the future. Someone dropped a particularly nice prompt for them in my inbox that I’m looking forward to exploring at some point.

(I mean, not to say that Shang Qinghua has a type, but Shang Qinghua has a type and it’s handsome, deadly, intimidating, frosty men with a villainous character design and trust/abandonment and communication issues. I could make it work.)

“Ah, well, two ‘ideal’ situations come to mind: severing the personal relationship for good… or, ah, talking about how to do better and trying that. You don’t have to forget or even forgive if you don’t want to! But, ah… there’s got to be a difference between totally swallowing your anger and cutting ties forever, right?” Shang Qinghua says awkwardly. “If there’s… ever going to be anything good afterwards…”

Shen Qingqiu stares at him for a sweat-inducing length of time.

“Ah, fuck,” Shang Qinghua thinks.

“Sorry,” he says. “Ahhh, I’m just… thinking about something someone told me… in… in regards to some of my own problems. Never mind! Never mind!”

AN: Luo Jiahui really is out here making Moshang and Qijiu get their fucking act together just by setting a better example.

“Shizun, my apologies for the interruption, but I came to ask Shizun if he would be willing to join our music lesson today? The disciples have missed his playing and are eager to present their improvements.”

“...Very well, unless anyone here would disagree…?” Shen Qingqiu looks directly at the Qian Cao Peak cultivator, as though daring her to object and die.

“It’s an excellent suggestion!” the Qian Cao Peak cultivator says quickly.

The young woman smiles. “And perhaps Shizun could sit in on the calligraphy lesson afterwards? In order to offer his opinion on my progress as a teacher?”

“Fishing for compliments is unbecoming,” Shen Qingqiu says dryly.

“Wait, what?” Shang Qinghua thinks.

AN: So, this has all been happening in the background, but Shen Qingqiu accepted this House of Rejuvenation woman onto his Peak about... 6-ish years ago now? This is kind of meant to parallel Shang Qinghua’s once-secret relationship with Luo Jiahui.

Shang Qinghua was out here trying to be a better person and Shen Qingqiu noticed; now Shen Qingqiu has his own positive (platonic) relationship with a nameless background character who was meant to die for plot reasons. What a thing, huh? If the story was saved because Shang Qinghua started a domino effect of saving random people who went on to change things?

After all, as Shang Qinghua said to the kid, besides Peerless Cucumber’s apparent talent for cultivation, he knows that his fellow transmigrator has three very important skills that will serve him well on An Ding Peak! 1) An encyclopedia knowledge for even seemingly pointless bullshit (which is kind of flattering, honestly). 2) The willingness to fight total strangers over seemingly pointless bullshit. And 3) a sharp enough tongue to win.

Peerless Cucumber didn’t find these points as funny as Shang Qinghua did.

AN: Shen Yuan was always going to end up on An Ding Peak. I thought about sending him to Qing Jing or Qian Cao or Qiong Ding... or any other Peak... but that would take him too far away from Shang Qinghua to really explore their relationship and to move him around conveniently in the story. And SY sticking to An Ding seemed to best illustrate the fact that SY is lost and doesn’t know what to do except cling to SQH.

“It’s not much, sure, but it’s yours,” Shang Qinghua says finally. “You’ll be joining the talisman classes soon, so don’t try anything from a book and then need to request some home repairs.”

Peerless Cucumber nods and puts his stack of manuals down on the table.

“How’s your tutorial mission going?”

“Fine,” the kid says shortly. “Have you found anything for the other one yet?”

“Ah, not yet.”

AN: “Are you winning, son?” meme energy here.

Ah, now Shang Qinghua recognizes his fellow transmigrator’s expression! That’s the same stunned expression one of his Huan Hua not-disciples, Yu Chaonan, made upon meeting the Bai Zhan Peak War God for the first time. Shang Qinghua assumes that Peerless Cucumber was expecting a man who looked more like a musclebound giant and less like a pop idol (if one with amazingly muscular arms), which is a super common and never-not-funny misconception people have about Liu Qingge.

“Brother of one of the most beautiful women in this world, bro,” Shang Qinghua reminds his fellow transmigrator, amused. Aha! Now Peerless Cucumber’s vehement disinterest in the harem stuff is making even more sense than before!

Shang Qinghua’s assumption gets 100% confirmed when it comes time for Peerless Cucumber to fly with Liu Qingge for the next leg of the journey. The other transmigrator is so embarrassed and awkward about it that Shang Qinghua’s super direct brother-in-law asks if the young man is alright.

AN: This was so fun to write. Shang Qinghua really can use the Liu siblings to gauge people’s sexual/romantic orientation.

The map (or rather, the copy Shang Qinghua made of the delicate original map) takes them to a green and grey landscape of leafy trees crawling over a wide network of tall cliffs and deep gorges. Gurgling rivers cut through twisting rock formations. Shang Qinghua can’t see any of these rivers on the map. Or these deathly drop ravines. From the outside, the whole thing looks like a natural maze (holy shit, there could be so many monsters and death-traps in there!), and Shang Qinghua would know those golden robes flying low over the hanging trees anywhere.

“Huan Hua,” Liu Qingge mutters.

“Do you think they’re looking for what we’re looking for?” Luo Fanli asks.

“That’s usually how it goes,” Peerless Cucumber says, before Shang Qinghua can.

AN: I came up with the skeleton idea first. Then I was like... “I should give it three eyes.” And then I was like... “But who IS this dead author? A god? A spirit? What grander implications am I spinning here?”

And THEN I remembered that I had some ambiguous powerful being force the Garden Master into exile due to a flood. This was because, in the Epic of Gilgamesh, the immortal man Gilgamesh meets in the abyss is the survivor of a great flood. So I was like, “Reduce! Re-use! Recycle! There’s my skeleton!”

So I wanted to relate the skeleton to water because of the flood angle. Water as a symbol of cleansing/reincarnation is a big thing throughout many cultures. I can’t remember exactly how the crying aspect came up, but I knew there was going to be water in the temple now, so at some point my brain like was, “Bro, this skeleton should totally be crying because mythology vibes.”

So I built the surrounding land off the idea that there was water flowing from or around this temple. At this point, I had decided that Huan Hua Palace should also be looking for this artifact, so I had to come up with a way to hide the temple, yet have a way for SQH’s party to track it down.

The damage to the doors is worse: someone once upon a time collapsed a part of the cliff face around the entrance, essentially leaving only the top fourth of the utterly smashed stone doors visible. It’s a wall now and has been for ages. It looks like it would take days to dig through the rubble. Someone has even super helpfully carved, “These doors will never open again,” just above the wreck.

“Guess we’ll have to go in as intruders rather than guests!” Luo Fanli says.

“What would be welcoming us inside a lost temple exactly?” Shang Qinghua asks vaguely, inwardly cursing the fact that explosive mining techniques will definitely attract the Huan Hua Palace Sect cultivators’ attention and also probably collapse the whole cliff on them.

“We only have to clear a passage for us, not the whole door,” Peerless Cucumber says optimistically. “Is there a special technique for this kind of thing?”

“Aha, not really.”

“Oh.”

“Why don’t we just keep following the water?” Luo Fanli says.

“...How so?” Shang Qinghua asks.

“Some of those waterfalls could be passages inside,” Liu Qingge explains, because he and the little sister-in-law apparently share the same brain. He’s already eyeing the waterfall wearing down the giant statue on the left.

AN: Temples in quests need to have traps and obstacles and monsters! Well, not ALL of the did, but this one did. I based the obstacles they faced as much as I could around the whole “Death of the Author” theme, while using this whole quest to explore Shen Yuan, Shen Yuan and Shang Qinghua, Shang Qinghua and Liu Qingge and Luo Fanli, and so on.

The idea here with the door is that the “author” is not going to let them inside the temple to take the interpretation of the narrative (the Eye) for themselves. The story is over (the temple is closed for business)! The author is dead! If they want to get inside, they have to break inside or slip inside as intruders.

This also creates a convenient obstacle to hold up the Huan Hua Palace Sect cultivators so that our party can be nearly caught later! And shows off Shang Qinghua, Liu Qingge, and Luo Fanli’s twisty lines of thinking.

Luo Fanli is holding the light and Shang Qinghua passes the other transmigrator to her, while accepting Liu Qingge’s hand for help getting out of the water.

“Ahhh, that was fun,” Shang Qinghua mutters.

Then he notices that Liu Qingge has the Cheng Luan sword out and ready. Shang Qinghua looks through the surrounding darkness, but all he can see are columns and water. For a moment, he thinks he sees something, a prowling shadow at the other end of the cavernous room, but he wipes the water out of his eyes and it’s gone.

AN: The water in Shang Qinghua’s eyes briefly lets him see a flash of the invisible monsters who show up later! It helps up the tension.

Another low growl rips through the darkness and Peerless Cucumber shuffles a little closer to Shang Qinghua. Because that sounded really fucking close and yet Shang Qinghua still can’t see the thing that’s making that sound.

He doesn’t see Liu Qingge lunge at him either. He only feels his brother-in-law shove him into Peerless Cucumber, knocking them into the water, out of the way of something that howls when Liu Qingge slashes at it with his sword. Shang Qinghua rolls off Peerless Cucumber and looks up just in time to see dark blood splatter across the watery floor. Liu Qingge pursues the attacker with a second slash, but only seems to meet thin air this time.

“It’s invisible!” Luo Fanli cries. “Fuck!”

“Behind you!” Liu Qingge snaps, and spins to slash at the thin air beside him. Dark droplets of blood hit the water again and something hisses at him.

Luo Fanli whirls and slashes, searching for an opponent.

“They’re reflected in the water!” Liu Qingge yells at her, standing guard over Shang Qinghua as he gets to his feet again. “Listen for their footsteps and vocalizations! Feel the demonic energy and air displacement!”

AN: I got this from a list of Dungeons and Dragons puzzles. The idea is that there’s some puzzle that must be solved, but the truth of the room can only be seen in the reflection of the nearby water (or mirror or whatever).

Which felt fitting for a “Death of the Author” quest! Whatever an author’s intentions, the story is what they actually wrote, so the audience interprets a text without the context of the author’s insight. The truth (of the story) is in the reflection (audience interpretation)! It felt like a fun idea.

It also allows Shen Yuan to actually contribute to the quest via monster lore and bring up his impaired vision problem. And to confront Shen Yuan with the reality of this world. And to show off Luo Fanli’s fighting skills. And to show off LIU QINGGE’S legendary fighting skills, instincts as a warrior who fights many dangerous beasts, and the fact that he’s clever and observant!

Liu Qingge is good at what he does! And this is what he does!

Someone has… angrily… or desperately… carved a lopsided message into the wall.

“‘If I go blind, so does the world,’” Peerless Cucumber reads.

“...That’s probably not good,” Shang Qinghua says.

“Nooo…” Fanli agrees.

The messages continue as they climb, carved into the walls, the ceilings, the floors. Most of it is illegible. Some of it is just nonsense. Some of it looks like the same kind of historical records carved into the broken tablets. Some of it looks like someone attacked the walls after reading what was written there. There are deep gouges in the walls and cracked marks that would match a giant’s hands.

“‘The water cleans the lies,’” Peerless Cucumber reads. “‘I am the only one who can see.’ ‘Lies everywhere, lies everywhere, lies everywhere.’ ‘The water cleans the evil.’ ‘I do not have enough tears.’ ‘Everything is nothing now. Everything in vain.’”

“You really don’t need to read them!” Shang Qinghua tells the kid. “It’s fine. It's totally fine.”

AN: This is mostly here to up the tension, but it’s also here to try and give insight into this being and relate them more to the “Death of the Author” and the “Seeing is Believing” themes.

I also saw the phrase “If I go blind, so does the world” while I was browsing a list of riddles for D&D campaigns and I was like, “THAT’S SICK, I’M USING THAT.” Really brings the “an eye for an eye” and vengeance vibes. (The riddle was longer than that one phrase, but the answer was “the sun”.)

The top of the temple reveals one massive room that looks like someone was alternatively scratching their insanity into the walls and tearing chunks out of the interior design with their bare hands. Overtop of the rubble is that eerie overgrowth. There’s a fine layer of water over the floor. At the center of it all is an incredibly enormous desk, cracked in half, with a robed skeleton sitting behind it, slumped over the top. It’s a little too large to be an ordinary human.

Plus, its skull is a little too long, probably to accommodate the third eye socket in the forehead. There’s something gleaming softly yellow in the third eye socket.

“Is… there water dripping from its eyes?” Luo Fanli whispers.

“It looks like it…” Peerless Cucumber whispers back. “Like it's crying…?”

“Still…? Is it dead or not?”

“Holy shit,” Shang Qinghua thinks, slightly nauseated. “System, bro, the worst bro I’ve ever known, tell me that we have not been swimming in a three-eyed skeleton’s magical undead tears or something this whole time.”

The shitty, no-good System stays unsurprisingly silent.

AN: Okay, so the idea here is that this being was someone who recorded history and shared their knowledge freely. This being had the ability to discern the truth of a person - they were extremely perceptive. (The Weeper is either female or doesn’t have a gender, by the way.)

The Weeper met the Garden Master at some point. The Garden Master was an asshole, a liar, arrogant, etc.. The Weeper and the Garden Master clashed badly, until the Weeper sent the cleansing flood that nearly destroyed the sect and the Garden Master essentially had to flee to a personal abyss.

The Garden Master sent the plant as a final “fuck you” to the Weeper. The plant caused the Weeper to slowly go mad. The smashed tablets and destroyed temple are the Weeper’s work. The Weeper (not in a great state of mind) had the temple closed themselves once they realized they and their work had been corrupted. This was a “you destroy my (embellished) reputation, I destroy yours (and your entire life)” plot by the Garden Master.

The idea behind the tears is the whole “water is cleansing” thing. The Weeper tried to clean away the madness using their magical water-related abilities... and it actually worked for a long time. But eventually the madness began to overpower the effects of the magical water. The Weeper’s tears are from frustration and helplessness at losing control.

The water inside the temple combats the plant’s physical effects. Also stabbing the root killed the plant and essentially broke its mental/spiritual powers.

Unfortunately, to get the fuck out of here, they have to go back through the temple. But hey! That’s still a lot better than an extended hike through an underground, haunted desert in darkness! The battle with the now-dead plant caused its growth to writhe around the temple. The vines need to be hacked through sometimes as they travel down through the rooms of broken shelves and shattered tablets.

“So much history lost…” Peerless Cucumber murmurs.

“He still thinks of himself as a reader - an observer, a visitor, separate from the flow of fate.”

AN: This is... absolutely based on the Heart from the Dishonored franchise. But this sort of item didn’t originate with Dishonored and I need it! It’s a surprise/mystery tool that will help us later!

The Eye isn’t exactly a mind-reading object. I mean, it kind of is, but it works in a very specific way that I’m looking forward to getting into.

From there, their path back out of the natural maze is even more careful and stressful than before, now that the Huan Hua Palace Sect cultivators are actively looking for them rather than the temple. It’s slow-going and stressful and silent, except for when the Weeper’s Eye presses too close against his chest.

“He is afraid that if he starts screaming, he will never stop,” it tells him, when he’s looking at a pale-faced Peerless Cucumber, as they fly over a particularly deathly-looking drop.

“Oh, me too, bro!” Shang Qinghua thinks. “Seriously! Tell me something I don’t know!”

AN: Having Shang Qinghua be totally unimpressed by an object like this was very funny to me. He’s the author! He’s a transmigrator! He knows these people well! He already has insight into their situations.

Shang Qinghua groans, but supposes that Peerless Cucumber would have at least been disguising Liu Qingge from the back. “You tell them that you were tracking thieves who stole something from Cang Qiong Mountain Sect,” he says quickly. “Rule of embarrassment! Admitting something that makes us look bad to a rival makes it sound true. Don’t tell them what was stolen and act really offended if they try to poke into Cang Qiong business. I’ll come back as soon as I get these two out!”

Liu Qingge nods and launches forward into the fight.

“We’re just leaving him?” Peerless Cucumber says, as they do exactly that.

“I’ll get changed and come back ‘looking for him for urgent sect business’ as soon as I’ve dropped you two off in the last town,” Shang Qinghua says. “I’m really good at acting stressed and confused, and at desperately needing an unstoppable wandering Liu Qingge back at Cang Qiong Mountain Sect immediately. Now let’s go! Let’s go! Mission isn’t over yet!”

AN: Shang Qinghua is, at heart, a liar. I love him.

#tossawary updates #tossawary svsss #pride is not the word #tossawary commentary

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ambassadorquark · 4 years ago

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here’s a long post about a bunch of webcomics i love and recommend. i’ve certainly read & liked other ones and have just lost track of them somehow but these are like, mostly classics that basically anyone who reads newer webcomics will recommend to you and a couple i’ve found more recently that i loved. tried to limit it to FAVES that update pretty regularly or are already completed so you can get quality stories out of it but it still ended up mammoth so uh, it’s goin’ under a readmore

namesake - super long-running comic with beautiful art, consistent and frighteningly frequent updates, made by Webcomics Pros. it’s about people who have the ability to enter the worlds of essentially any fairy tales in which the protagonists happen to share their name, and the lore only gets more intricate from there. this one is a very engaging archive binge as it’s been running for about a million years

gunnerkrigg court - honestly if you’re not already reading gunnerkrigg court i'd be very surprised since this is another one that’s been going easily since the invention of webcomics (not really, but THAT ARCHIVE!). i don’t know how to summarize it beyond saying it STARTS as a story about a girl attending a quirky boarding school and is now kind of a sweeping epic about the intersection of technology, nature, and divinity. there’s time travel or something in there now?! you will love renardine. i love renardine

paranatural - another one i’m sure you’re already reading and if not, WHY? it’s a fun li’l action-comedy about middle schoolers fighting ghosts with the help of other ghosts. has been running for a good while and gone through some weird changes but is also probably one of the funniest serial comics i’ve ever read

he is a good boy - a super weird, cerebral, since-finished comic by online comics vet KC Green, about a little acorn finally leaving the tree he grew on after it dies. this one has more “adult” content than any of the previous ones, but if you can handle some cartoony gore and obscenity it’s really funny, strange, and worth checking out

anything by evan dahm tbh - these come recommended by absolutely anyone with taste because evan dahm makes beautiful fantasy comics. rice boy and order of tales are both completed and have a bizarre, super-unique setting and bittersweet approach to these delicate, human stories (despite having no actual human characters). vattu is still currently running and is a slightly more grounded fantasy comic about a little girl from a nomadic hunter-gatherer culture getting caught up in the machinery of the empire that’s moving in on the land where she was born. cannot recommend these enough TBH

also anything on johnny wander - this site contains a bunch of comics by a couple of married comics pros; a big backlog of their really funny, charming autobio comics, the entirety of their graphic novel lucky penny, a whole bunch of shorter comics you might have seen around, and also their new, longer-form webcomic barbarous, which is about a wizard school dropout who’s appointed as a super at an apartment building full of weird magical folks. recommended because there’s a lot of quality stuff in there for you

the sword interval - on webtoon, completed. legit my favorite thing i’ve read in a hot minute. modern fantasy about a young woman who tracks down a legendary, but retired monster hunter for help on her quest to find and kill the lich-like being who killed her parents. gorgeous art, super awesome monster designs, twists on twists, characters you will never want anything bad to happen to ever. reggie the golem.

widdershins - a pretty well established comic i only just read recently. a series of connected stories following different characters from a big ensemble cast and their various adventures in a magical town in victorian west yorkshire. full of fun old-timey shit and wizards. i read it obsessively in like a day. super funny, super long archive. extremely endearing characters who you also will never want anything bad to happen to.

the last halloween - abby howard is a godly horror artist who’s been doing this comic since her style and sense of humor were almost completely different, but the story really does grow as it goes and is both very spooky and very funny. book one is about a little girl facing the potential extinction of humanity after the spontaneous appearance of billions of monsters. it’s currently in book 2, which is a direct sequel about different characters that actually updates sporadically at the moment because the artist is making other cool stuff. definitely still worth it though. gets intense as hell

string theory - this one got back into regular updates pretty recently! i’m linking the about page, not the homepage, because this one is about nasty people doing nasty things and there’s a few CWs that the author mentions right in the summary. it’s an alternate history sci-fi set in a near future where the USA was devastated by nuclear weapons after the cuban missile crisis but is mostly a character driven story about a jerkhole scientist having a terrible couple years. i can’t explain this one at all. if you like terrible men as much as i do you’ll probably enjoy it

tiger, tiger - a beautifully drawn maritime fantasy about a young noblewoman who impersonates her sea captain brother in order to launch an expedition to study sea sponges. there is a sexy nonbinary sea monster character if that sweetens the pot for you any. awesome, subtly integrated worldbuilding. super funny and charming. i love this one a whole bunch

bybloemen - i’m not just recommending this because i’m vague internet acquaintances with the author, it’s ALSO an extremely one-of-a-kind comic about the dutch tulip mania, and also demons. the art is gorgeous and the character designs are some of my favorites out there in newer webcomics. just kind of an extremely good concept that i think everyone should check out. and it’s funny, duh

mare internum - completed. an extremely affecting sci-fi set on Mars. you really just have to read this one, honestly. i’m also linking to the about page on this one because it contains CWs to keep in mind; it’s an incredibly well-constructed character study of some flawed, complicated people and also awesome if you like space aliens.

ozzie the vampire - another supernatural action-comedy because i know what i like, about a recently turned vampire girl and her best friend defending their small new jersey town from demons. super funny, super exciting, and really grounded and realistic for a story that’s about a vampire punching demons. the artist is also a superhuman wizard who draws a whole other comic, a shounen inspired action story called station square that you should check out if you end up liking ozzie.

#beep boop #i could probably come up with recs for people with slightly different taste than me but these all have my personal seal

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