#there's a difference between a good CHARACTER and a good PERSON

[nuttersincorporated]

Some of you have only watched The Muppet Christmas Carol, not read the original story and it shows. I LOVE The Muppet Christmas Carol! It is be far the best movie adaptation of A Christmas Carol but the original story is still superior.

Listen, you can’t compare Scrooge to modern CEOs. He was ALWAYS better than them, even at the start of the story where he’s a jerk. No, Scrooge did not need to see people happy at his death before he was willing to change.

Seriously, the story is public domain and not that long. There are free versions online to read and/or listen to.

The original story does a better job of showing how Scrooge became the man he was and how the Ghosts helped him change for the better.

In the book, young Scrooge was basically abandoned at school by his father, who was a cruel man. He was the only child left at school over Christmas, so never had the chance to celebrate it. He read fairy tales and dreamed of mythical characters.

When old Scrooge saw his younger self alone at Christmas, he thought about a boy who’d been carolling at his door earlier. He wished he’d been kinder to that child.

One year, his younger sister Fran (the one family member who ever truly loved and who he loved) came to pick him up. She said their father had changed for the better and he could come home. His younger self was overjoyed.

Scrooge used to love the Fezziwig Christmas Party. The Ghost of Christmas Past pointed out that it wasn’t a very expensive party but Scrooge said that wasn’t the point. It was kind and fun and… oh, suddenly he wished he could have a word with his own employee.

Scrooge used to love Bell but became more and more money focused so she left him.

When the Ghost of Christmas Present came along. Scrooge learned how wonderful Christmas could be. He saw people being kind, even though they gained nothing from it. He saw people in need and realised he had the power to help them. He had his own cruel words thrown back at him and realised how horrible they were.

When they went to Fred’s Christmas party, Scrooge had a wonderful time. He didn’t even take officen when – in the guessing game – Fred referred to him as an ‘unwanted animal’. He could tell it was all in fun and that Fred was serious when he said he really wished Scrooge would accept his invitation one of these days.

By the time the Ghost of Christmas Yet to Come came along, Scrooge had already decided to become a better person.

Scrooge didn’t immediately make the connection between himself and the dead man everyone hated because he assumed that his future self was off somewhere else doing good deeds. He kept looking around for his future self, to see what good he was doing. It was only at the graveyard he realised this was what his future would have been if hadn’t already made the decision to change.

TL;DR the last ghost might be needed for modern CEOs. However, I doubt all three together would make a difference because they are worse than Scrooge. Also, while the last ghost reenforced things, Scrooge had already seen the error of his ways and decided to change.

[felassan]

Some more DA:TV and related snippets from Sylvia Feketekuty, Part 3. rest of post under a cut due to length and spoilers. [Post One, Post Two]

Ran out of characters or something in post 2. :)

User: "I LOVE the line "a raw, strangling fear, struck somewhere deep past the heart". It's beautiful and it resonates with me since I myself struggle with anxiety. Now for the questions! 1) Can you talk more about the banter between Emmrich and Harding after we start romancing him? What is her motivation behind it? Is she critical of their relationship or is she worried about Emmrich? 2) I love the argument Rook and Emmrich have before Tearstone Island, it gives nice depth to their relationship. But what did Emmrich think he would accomplish with that conversation? Did he want to break up with Rook because he thought it would be easier for him if something happened to Rook? 3) Not a question but I love Hezenkoss. Such a dedicated hater lol. -- Sylvia Feketekuty: "That was one of the first lines where I started to feel I had a handle on his voice in the first draft, so that means a lot to hear. (And thank you for noting the team effort, I got a lot of great feeback from the other writers and the editors on Emmrich. He wouldn't be as good without them.) On to questions: 1) My personal take: I think Harding is worried because she's very perceptively noticed how hard Emmrich's fallen for Rook, and that he's a man of large emotions. (And because they become pretty good friends over the course of the game.) 2) I think Emmrich let his anxieties run away with him, afraid that this romance wasn't, couldn't possibly be the One True Love he so wanted, and that's how his fear expressed itself. (Did he WANT to break up? No, but he was bracing himself in case Rook did think it was only a fling and so on and so forth, they should get it out in the open, and so on.) 3) Thank you! I loved writing her. She will always be a hater until her (un)dying day."" [source, two, three, four, five, six] -- John Epler: "someday we'll get the Hezenkoss/Anaris reluctant team-up the world deserves" [source] -- Sylvia: "Somehow, in the realm of pure imagination, they're already trying to strangle each other." [source] -- User: "Very important question- would Anaris finger gun? (Finger crossbow?)" -- John: "as a man defined primarily by his tremendous insecurities Anaris also takes himself incredibly seriously and unconsciously mirrors Elgar'nan, an elf he both loathes and desperately wishes he were so the real question is, would Elgar'nan finger gun?" [source]

User: "On my 1st run I thought some choices felt like the 'bad' ones and avoided them - Lich Emmerich, Harding's Anger, Qunari Taash etc. But on my 2nd run I was so pleasantly surprised to see that it wasn't the case! None of the companion choices feel right or wrong, just different, and that's fantastic." / Sylvia: "Thanks! We tried to make either choice compelling, to have something for different players either way. So I'm so glad to hear that." [source]

User, on Manfred winning a character award: "Congrats Manfred we knew you had it in you!" / Sylvia: "He did it! My little skeleton pal did it! (Especial thanks to the animators and voice actor, Matt Mercer, because like 90% of his personality lives in those gangly limbs and his hissing)" [source]

User: "I just wanted to say that Emmerich and Josephine are so interesting and well-written" / Sylvia: "I feel very lucky I got to bring them into DA, with teams that went for them 100%." [source]

User: "I enjoyed Emmrich's addendum to the codex about Templars in Nevarra: are they primarily there as backup if something goes profoundly wrong? Would they ever get someone who just wants to help down in the Necropolis, pretty please? (also <3 Vorgoth, they're great)" / Sylvia: ""are they primarily there as backup if something goes profoundly wrong?" That was my own take. You don't NOT want Templars, in case some ritual gets disrupted in an utterly disastrous fashion. But other times...the Mortalitasi flex their clout. "Would they ever get someone who just wants to help down in the Necropolis, pretty please?" Some Watchers might not be immune to flattery. I think a few templars could be all right under some circumstances, but that they'd be assigned a mage. (A bit of a reverse of the southern mage-templar pairs.) "(also <3 Vorgoth, they're great)" Thank you! I was so pumped when I saw the final art for them, everything I'd dreamed. (And their voice actor, Brent Mukai, was amazing.)" [source, two, three]

User: "I wanted to ask you what you think nevarran wedding attire might look like? or if you’ve considered it? asking for science." / Sylvia: "Geeze, that's a good question. I imagine the couple would exchange some custom-made grave gold pieces to mark the occasion, given how important it is in Nevarra. But other than that, you should let your imagination run wild." [source]

User: "Is seeing Josephine as Asexual or part of the Ace Spectrum a valid interpretation of her character?" / Sylvia: "Totally, if that's how you want to see the character and relationship. (My policy is generally that if it's not directly contradicted in the game, you can take that kind of thing as a valid read of the character.)" [source]

Sylvia: "I'll say this (spoiler free): there's a scene in "Walking the Graves" where I felt Emmrich's voice finally click for me on the first draft, so that one's special to me." [source]

User: "I remembered some questions I had about Emmrich.. Can he play any instruments? I always invision him playing a pipe organ or maybe violin! If not, are there any he would like to learn? 😊 Also, I was curious, can he ice skate? out on that frozen Nevarran lake in winter" / Sylvia: "Those are interesting questions. Because they're something I never considered or wrote, there's no real canon there yet. I see Emmrich as more an appreciator of music than a musician, but can't rule it out. As for ice-skating, I'm not even sure we've shown that in Thedas. I think Emmrich would enjoy it though. UPDATE: a friend reminded me about this tidbit from World of Thedas 2: "Ice skating – during the winter in Nevarra, people often skate on the frozen over Minanter river." So it's canon now. Emmrich ice-skates. He instantly manifests a scarf when doing so. (I fall on my sword for forgetting this.)" [source, two, three]

User: "about Josephine: what would her ideal/dream wedding be? I was tickled when I read about that in her letter to her Inquisitor I just have to know" / Sylvia: "what a delightful question in turn! I think she'd want a big, flower-filled, no-holds barred wedding at her family's estate. All her relatives, friends she made in the Inquisition, the Inquisitor's relatives (if they have any/keep in touch.) She'd begin planning 16 months in advance." [source]

Sylvia: "Aw thank you! (On behalf of me, and the rest of the team, so many people worked so hard on our eccentric necromancer man.)" [source]

Sylvia: "The Mourn Watch and Emmrich are a bit eccentric, but I really wanted their reverence for the dead (and the living) to feel genuine." [source]

User: "As someone who himself gets awful pangs about the thought of death and nothingness, it was really refreshing to see a character have those same thoughts as me, especially as he also happens to be a Necromancer who is around death daily." / Sylvia: "You're welcome, and thanks for the kind words. It's a familiar thing for me too, so I really wanted to talk about it. I suspect it's far more common than we might think." [source]

User: "My HOF was a spirit healer, very kind & very curious, & for years I've considered how that special connection to spirits might lend itself to an interest in Thedan necromancy & puzzling out where spirits & souls begin & end. Emmrich, Manfred/Curiosity and the wisps gave me so much to think about!" / Sylvia: "Thank you so much! And that's interesting about your HOF. They may've found some kindred spirits if they ever ventured further north." [source]

User: "No questions other than thank you and the team for Emmrich and Nevarra / The Mourn Watch. Seeing death treated with such kindness, empathy and as beautiful renewal rather than grim end is so refreshing and personal to me, it was a great experience to have!" / Sylvia: "That's one of the things I really wanted to express in Emmrich's arc, so I'm so glad you felt that way." [source]

User: "I feel that my Rook would want to learn more about the Mourn Watch after saving the world." / Sylvia: "Emmrich and the Watchers would love that. Emmrich probably has like, five lectures he could rattle off without preparation for your Rook already, haha." [source]

User: "do you have any favorite tidbits about Audric or Myrna that you can share?" / Sylvia: "As for tidbits, hrm. I did post something on what Audric's up to these days. Nothing surprising, but he's doing well! And I never wrote it in-game, so it lives in the hazy world of "only canon in my head": while Emmrich doesn't come from nobility, Myrna does-the Van Markham branch. She had the finest education, even before the Watchers. She doesn't play it up much, though. Her real passion's her work. And the theater. (I did a small bit about her love of theater here [link or see Post Two]. I think she's a regular attendee.)" [source, two, three]

Sylvia: "I also really wanted to explore more of the Necropolis ever since I first read about it. I'm very lucky the team and I finally got to show everyone the crypts..." [source]

User: "he stories, the worldbuilding, the characters, the locations, I loved it all so much I played my MW Rook twice" / Sylvia: "Nice. The Mourn Watch appreciates your studious interest in the hallowed art of necromancy." [source]

Sylvia: "thank you on behalf of the whole team, as you've surmised there were a lot of people bringing him to life. (Especial props to Nick Borraine, his VA, who's wonderful in the role.)" [source]

Sylvia: "It always makes me happy when people mention the short stories, and glad you enjoyed meeting (and perhaps romancing...) Emmrich." [source]

Sylvia, on Vorgoth: "I'm afraid I deliberately left our cloak-shrouded Watcher a mystery. But I'll say this: I'm sure they'd show your Rook in that picture their art collection, an honor Vorgoth bestows only on those they like or trust." [source]

User: "does the watch have any rules in regards to courtship/marriage between fellow watchers? An does Emmrich lecture at the Necropolis or at the College of Magi in Cumberland?" / Sylvia: "1) I actually got into that a little here [link or see Post Two]. Short story, it's not forbidden for mages within Circles to court or marry, so no particular rules there I think. 2) That is a very good question. Full disclosure, I am answering on the fly with what I think makes most sense. I can see Emmrich doing a bit of both in his younger days. But as he grew older, more specialized in his field, and had more MW responsibilities, he probably worked more out of the Necropolis. (And prefers it anyhow.) By the time DAV starts, it's probably been years since he was in Cumberland." [source, two, three]

User: "Thank you for your moving portrayal of thanatophobia. While most people have some fear of death, it was amazing to see the thanatophobic panic attacks etc portrayed so accurately." / Sylvia: "Thanks - they're not an unfamiliar phenomenon to me, I wanted Emmrich to try to get across that helplessness and wretched terror. (I suspect more people are affected by them than we commonly talk about.)" [source]

User: "whoever decided “DA liches are immortal protectors and not always evil?” Chef’s kiss. It’s all I’ve ever wanted!" / Sylvia: "Thanks again! It was in Emmrich's first draft. The other writers and editors gave me good feeback on lichdom and the philosophy behind it especially" [source]

User: "I wonder, did you prefer writing for either lich Emmrich or mortal? I would imagine it's a bit different." / Sylvia: "I wouldn't say I had a favorite, but it was fun to try to figure out what approach to take in scenes that had split lich/mortal lines. I didn't want Emmrich to be unrecognizable as a lich, but I did want him to occasionally be a little different, slowly absorbing what he'd become. We see him at the start of this new stage of his existence, so I think even by the end of Veilguard he's still just at the very start of adjusting to, and exploring, what he is now. I liked giving him that wonder!" [source, two]

Sylvia: "The Memorial Gardens were the heart of the Necropolis to me, the level artists and level designer and our audio team worked so much magic there. (And the lighting team! First time I saw it properly lit I think I clapped.)" [source]

User: "Also wanted to know if you wrote Josephine’s letter to Inquisitor if romanced?" / Sylvia: "I did write that letter, thanks! It was a joy to return to Josephine, even in a codex sent to her dearest Inquisitor." [source]

Sylvia on where Emmrich sleeps: "As to his sleeping arrangements, I gave a tantalizing (non) answer here [[link] or see [Post Two]]. (Though I think he'd prefer a proper bed, whatever form it takes. Emmrich's too old to be sleeping on cots like a student anymore.)" [source]

Sylvia: "So glad the team and I got to crack open the ancient doors of the Grand Necopolis, I've been curious about it too ever since reading about it eons ago. (And very glad you're liking MW Rook, I really wanted things to feel different when chatting with Emmrich as a Watcher yourself!)" [source]

User: "I enjoyed Johanna IMMENSELY and she is most definitely my favourite villain of all time now, so thank you for her as well!" / Sylvia: "She was a treat to write. (And Hezenkoss would 100% applaud you on your fine judgement and obvious taste.)" [source]

Sylvia on Emmrich's fear: "I'm not unfamiliar with that fear either, and it means a great deal to hear getting to know Emmrich helped you out even a little. (And happy to hear you dug Manfred!)" [source]

Sylvia: "I'm especially glad you liked the battle theme. Our music director instantly got the tone of Emmrich's arc, he and the audio team spun off so many great tracks from that core theme." [source]

User on Emmrich: "He's a brilliant character and everyone involved in his creation should be very proud!" / Sylvia: "There were a lot of people working on him, I was lucky so many people got onboard right away with our professor of necromancy. And I loved writing him chatting with Bellara, the mentor/student relationship was fun to hash out with her writer." [source]

User: "(1/2) Hello Sylvia! Like everyone else, I love Emmrich, but I also wanted to say thank you for your work in DAI. Josie was my first romance in DA and I love her a lot. My question had to do with her codex entry in Veilguard for a romanced Inquisitor: (2/2) Her letter in Veilguard implies she hasn't married yet, 10 years later. Josie is so image-conscious in how she conducts herself, so I was surprised she would put off marriage for that long as the first born noble of her house. Curious what the idea behind it was if you can share." / Sylvia: "Thank you! I'm honored to hear Josepine was your first DA romance. Re: marriage, you're right, that is a big time gap. I basically didn't want to surprise returning players with a marriage that had already happened to their Inquisitor offscreen. I'm sure Josephine has kept busy with world affairs, and so has the Inquisitor, which isn't a bad reason it's taken so long. But I thought it'd be more engaging for players to imagine the proposal, how they'd react, what the wedding would be like, as something good happening to them in the future." [source, two]

User: "I wanted to ask about banter I saw online; why does Taash say Emmrich smells like potash? Isn't that a bad smell, like rotten eggs? He doesn't strike me as a smelly person outside of being around the dead. Maybe Trick would know too" / Trick Weekes: "IIRC, I based it on residual scents that would come from chemicals -- can't remember whether it was what you'd get from working with embalming liquids or something used to style hair. That said, Taash comments on scents non-adaari can't detect, so it's not like he smells bad to normal people." [source] / Sylvia: "Chiming in late, but what Trick said. Taash has an incredible sense of smell, but they're detecting the tiny residuals. (Which is why poor Taash can smell that burial Emmrich helped with, even though he scrubbed down thoroughly afterwards. Gotta keep hygienic!)" [source]

User: "I wish more games had Romances like this, he was just simply perfect. [Emmrich] believably cares for Rook." / Sylvia: "I'm glad that part felt heartfelt, it was one of the cores of his romance for me." [source]

User: "What inspired you to want to go into writing for games? Or just writing in general?" / Sylvia: "I've played games since I was about 5 years old and that's what really did it. I fell in love at once with these cool, weird little worlds you could visit as someone else. As for writing in general, it feels goofy (or ominous) to call it a Calling, but it's just something I've always enjoyed doing. It's also probably what I'm best at, which means I'm unfathomably lucky I ended up at BioWare. I don't think I would've been happy until I was doing game writing somewhere, somehow!" [source, two]

User: "I have two questions about his and Johanna's childhood. 1. How and when did he and her(johanna) meet? 2. What was the story between him and her back then? Sorry if it's too long a question. Thank you! Oh I'm so sorry, how could I forget another important question😭😓 3. How tall do you think he is👀 He's almost as tall as Taash!" / Sylvia: "I have not forgotten the other two questions, I'll get to them later (it's just getting late here) but this one's a little easier. I THINK he's about 6 foot 2 inches without his boots, so about 6 foot 3 with them on. (A character artist would have to confirm or deny if I'm remembering right.)" [source]

Sylvia on her time at BioWare: "So I gt a 5 year award statue that looked like a glass disc, and then we swapped over the to the BioWare Character award statues so I got Wrex as my 10th one. (I think I remember people who'd been around earlier than me with those clocks on their desks!)" [source]

[gingerkunoichii]

☆ Yandere Naruto Men and their Obsession with You ☆

Characters: Naruto Uzumaki, Shikamaru Nara, Sasuke Uchiha, Kakashi Hatake, Itachi Uchiha, Obito Uchiha.

Warnings: abusive relationships, control, emotional manipulation, lovebombing, obsessive crazy love, isolation, intense jealousy, violence, almost physical abuse.

His Loving Obsession • Naruto isn’t just obsessed—he’s everywhere. His sunshine demeanour means no one questions it when he’s constantly by your side, always checking in, always making sure you’re okay. But behind the smiles and laughter, there’s something darker—a need so strong it borders on suffocation. Every time you smile at someone else, every time you talk about your plans without him, his stomach twists, and that friendly grin becomes just a little tighter. • Naruto doesn’t just love you—he worships you. He remembers every little thing about you, from your favourite snack to the way you like your coffee. He’ll show up with small surprises—your favorite candy, a new book you mentioned in passing, a blanket because he noticed you shivering the other day. He’s always thinking about you, always looking for ways to make you smile. • Naruto is a master at making you feel guilty without ever outright saying it. If you spend time with someone else, his expression falls just enough to make your chest ache. “Do you really think they care about you the way I do?” There’s no malice in his voice, only a quiet vulnerability that makes your chest ache. He’s not trying to control you (or so it seems)—he just can’t bear the thought of losing you to someone who doesn’t love you as deeply as he does.

• His jealousy is weirdly explosive. If someone flirts with you, his entire demeanour shifts. The laughter stops, his voice drops, and his eyes harden. It's like he's a whole different person. He’s quick to insert himself between you and the “threat,” acting like the person speaking to you is some sort of strange pervert, making it awkward for everyone.

• Naruto’s love becomes all-consuming. His hugs are tight, his hands always on you—your waist, your arm, the small of your back. He needs the reassurance of your presence, needs to feel your warmth under his fingers. His kisses are soft but desperate, like he’s trying to pour all his feelings into every movement, whispering against your lips, “No one can take you from me, Y/N.” You're so bombarded by him that you have no space to ever question it.

His Toxic Obsession

• Shikamaru doesn’t just watch you—he studies you. Every word you say, every nervous habit, every glance you throw at someone else—it’s all meticulously catalogued in his mind. He knows you better than you know yourself, and he uses that knowledge like a weapon. When he speaks to you, it’s with a precision that leaves you reeling and self-doubting, his words cutting straight to the heart of your insecurities and desires. • He isn’t loud or obvious when he cuts people out of your life. He does it quietly, methodically, in ways you don’t notice until it’s too late. Maybe he “accidentally” forgets to tell you about a group hangout or makes plans that conveniently overlap with your commitments to others. Before you realize it, he’s the only constant in your life, the only person you can turn to. “See? It’s just us now. It’s easier this way.” • Shikamaru doesn’t need to raise his voice to control you. His calm, measured tone is enough to make you second-guess everything. “Are you sure that’s a good idea, Y/N? I mean, do what you want, but…” His words always trail off, leaving you to fill in the blanks. And when you do change your mind, he’s there with a lazy smirk, like he knew you would all along.

• When Shikamaru finally confesses, it’s not a plea—it’s a statement. “I’ve been patient with you. I’ve let you figure things out on your own, but it’s time you see what’s obvious.” His voice is low, steady, leaving no room for argument, your self-worth is so battered down from everything he's done you actually believe him, actually want to be with him.

• Shikamaru’s love is suffocating, an intricate web of manipulation and control that feels impossible to escape. But beneath the darkness, there’s an unsettling tenderness—a quiet devotion that makes you hesitate. “I only do this because I love you,” he says, his voice soft, almost vulnerable. And in those moments, you wonder if he truly believes it. If maybe, somehow, he’s convinced himself that this twisted, obsessive love is what you need.

His Unrelenting Obsession

• Sasuke’s fixation is nothing short of paralyzing. His eyes follow you everywhere, dark and unblinking, like he’s dissecting you piece by piece. It’s suffocating, the way he can hold you in place with just a look, his intensity seeping into every interaction until it feels like there’s nowhere to hide. He had never been so entranced by someone or something before you. • Sasuke wouldn’t hesitate to dismantle anything—or anyone—that threatens his control. A co-worker who’s too friendly? Suddenly, they’re fired over a baseless rumour. A friend who tries to intervene? They start receiving anonymous threats. It’s never loud or messy; it’s surgical, precise. He’s a ghost in the machine, orchestrating your isolation with a chilling efficiency that leaves you wondering if you’re imagining it when he acts the same as he always does - cool and detached. • Sasuke would make you dependent on him without you even realizing it. He’d insert himself into every aspect of your life—your confidant, your protector, your only constant. When things fall apart (because he made sure they would), he’s the one picking up the pieces, whispering, “You don’t need anyone else. I’ll take care of you.” And in your weakest moments, it feels like the truth. • If you ever try to leave him, Sasuke’s calm exterior would shatter. He wouldn’t yell or beg—he’d act. Your phone? Smashed. Your keys? Gone. Every avenue of escape meticulously closed off until the only person you can turn to is him. His voice would drop to a dangerous whisper: “Everyone has left me. You don't get to do that, Y/N.” And when he says it, it feels like a vow—a terrifying, irreversible truth. • Beneath the darkness, there’s a twisted form of love—a desperate, all-consuming need to keep you safe, to keep you his. Sasuke genuinely believes that what he’s doing is for your own good, that no one else could possibly love you the way he does. And in his mind, it’s not obsession—it’s destiny. You were meant to be his, no matter the cost.

His Devoted Obsession

• Kakashi’s tactics are subtle and insidious, cloaked in warmth and care. He’d insert himself into your life in ways that feel natural, like he’s just a dependable friend who’s always there when you need him, always appearing when things are going dire. But it’s calculated. Every comforting word, every thoughtful gesture, every perfectly timed “coincidence” is part of his plan to weave himself into the fabric of your life. “You looked a little overwhelmed, so I thought I’d step in.” • Kakashi convinces himself that his obsession is rooted in a desire to protect you, that it's normal he would be like this after everything that had happened to him throughout his life. If you’re in danger, he’s the first one there, stepping in with a calm authority that leaves no room for argument. “You don’t need to thank me. I’d do anything for you.” • His charm is his greatest weapon. He knows how to put you at ease, to make you laugh, to make you feel safe. His lazy demeanour and soft-spoken words hide the intensity of his obsession, lulling you into a false sense of security, that he would never do anything to hurt you. When he teases you, his tone is light and playful, but there’s an edge to his smile that makes your pulse quicken.

• Kakashi doesn’t need to be loud or aggressive to isolate you—he’s far too smart for that. Instead, he subtly plants doubt in your mind about the people around you. “They didn’t seem very supportive of you earlier, did they?” “Are you sure they have your best interests at heart?” His tone is so soft, so thoughtful and seemingly wise, that you don’t realize he’s slowly nudging you into relying on him alone. • He doesn’t see his actions as manipulative or controlling—they’re protective, necessary. “I can't lose you, not after losing everyone else,” he’ll say, his voice so soft and convincing that you genuinely believe him. But the truth is, Kakashi’s love is a cage, and no matter how warm and comforting it feels, it’s one you’ll never escape.

His Desperate Obsession

• He loves you so desperately, so tenderly, with full unrestrained love. It feels like you were swept off your heels by him and his intensity, the way he knew he wanted you from the beginning and the way you completely crumbled underneath him was almost pathetic. He loves you like no one has before, gifting you thoughtful things he knows you like, listening to everything you say with genuine interest. He protects you, no one bothers you whilst you're with him suddenly - and you don't quite understand. • Itachi carries the ghosts of his clan in every step, every breath, every calculated action. He’s spent his entire life sacrificing, losing everything to protect what he loves. But you? You’re something he can’t sacrifice, something he won’t. He tells himself that this time, he won’t fail, won’t let the people he loves slip through his fingers. This time, he’ll do whatever it takes to keep you safe, no matter the cost. • Itachi’s protectiveness goes beyond reason. He’s already failed once, letting his clan fall under his blade for the greater good, and he refuses to fail again. He doesn’t trust the world to keep you safe, so he takes matters into his own hands. The friend who’s too nosy? Gone without a trace. The ex who tries to reach out? Shows up in the news dead. You don’t see the strings he’s pulling, the shadows he’s working in, but the world around you becomes eerily smooth, free of threats. “You’re safe with me,” he’d say, his tone so calm, so certain, that you believe him. • His obsession is fuelled by guilt as much as love. He knows he doesn’t deserve you, not after what he’s done, but that only makes him cling to you harder. You’re his second chance, his proof that he can protect something without destroying it. He doesn’t tell you this—he doesn’t want to burden you with his darkness—but every glance, every touch carries the unspoken weight of his guilt. “You make me feel human again,” he’d admit in a rare moments of vulnerability. • If you ever tried to leave, Itachi wouldn’t react with anger or desperation. His voice would stay calm, his movements controlled, but there would be a finality in his words that makes your stomach twist. one that you know you can't resist because at this point he had made himself the top of the pyramid in your life. “You don’t understand what you’re saying. The world isn’t safe for you without me.” And if you push further, he’d step closer, his voice dropping to a near whisper. “I’ve already lost everyone I’ve ever loved. I won’t let it happen again. Not with you.”

His Masked Obsession

• When you first meet him, when you're only friends he keeps up the guise of Tobi. Tobi is a harmless goof, all smiles and playful antics. He makes you laugh, brightens your day, and slips into your life so easily it feels natural. But Tobi isn’t real—he’s a shield, a distraction from the storm brewing beneath. Every laugh, every clumsy joke is calculated, a way to draw you closer, to make you trust him. “See? Tobi’s a good boy!” he chirps, his eyes gleaming with something darker than innocence. • As Tobi, he drowns you in affection. He remembers every little thing you like, shows up with thoughtful gifts “just because,” and tells you how much you mean to him at every opportunity. “You’re Tobi’s favourite person! No one else compares!” His voice is light, his tone warm, and it’s easy to feel safe around him. • The switch happens when you least expect it. The moment you cross a line he doesn’t like—talking to someone else for too long, brushing off his affection, or even hinting at distance—the mask shatters. His voice drops and lowers, his posture stiffens, and the playful Tobi disappears. “What do you think you’re doing?” he asks, his tone sharp and cutting. It’s a complete shift, like you’re staring into the eyes of someone you don’t recognize. • Losing Rin shattered Obito, and the thought of losing you pushes him over the edge. Every moment he isn’t with you feels like a threat, every smile you give someone else feels like a betrayal. He projects his pain onto you, his desperation spilling out in violent outbursts followed by trembling apologies. “I can’t lose you,” he growls, his hands fisting in your hair as he pulls you closer. “Not again. Not ever.” • After every outburst, Tobi returns, full of apologies and desperate affection. He showers you with gifts, clings to you like a lost puppy, and whispers tearful apologies. “Tobi’s so sorry! Tobi didn’t mean to scare you!” His voice is trembling, his hands gentle as he cups your face. He tells you how much he loves you, how he can’t live without you, how he’ll do better. • Obito���s love is suffocating, destructive, a wildfire that consumes everything in its path. He doesn’t see his violence as cruelty—it’s protection. He doesn’t see his obsession as wrong—it’s love. “I’ll destroy anyone who tries to take you from me,” he says, his voice calm but his eyes wild. “Even you, if I have to.” And in his mind, that’s not a threat—it’s a promise.

[heirloomgem]

Euphonious Series

Summary: (AU) In a world of ABO, you've always thought you were an alpha, high above others.

However, encountering your fated pair, proves you otherwise.

Add to that, your fated pair, whose grey eyes that always seem to see through you and black hair that always tries to entice your hand to run through it. You found out you were an omega through the heat he caused.

You couldn't help but curse the gods in every possible way as you tried your hardest not to kneel and beg your junior in school to claim and ravage you, whose name was Sung Jinwoo.

Disclaimer: I don’t own anything except for my characters and plot.

Warning/Genre: OOC, Romance, fluff, high school life, gender neutral (Sorry for the miss grammar)

Chapter 1 - Meeting

In your current society, you have your first gender.

A female and a male.

However, once you reach a certain age, you are tested to differentiate for your second gender.

A Beta, which the majority are categorized.

Next is the minority that experiences heat, an Omega.

And then where success is guaranteed, the Alpha.

You have always thought your life is set.

Born into an affluent family, number one in studies and sports, a good enough appearance and a dominant but nonchalant personality.

You and everyone have obviously thought you were an alpha.

Or so you thought as you met those grey eyes of a boy, named Sung Jinwoo.

It had been an average day for you.

Waking up and getting ready for school, listening to your teacher as they teach their subject.

Doing your duties as a student council president and catching your schoolmates who were slacking and skipping school.

Punishing them or dragging their asses back if they defy you.

It was a normal routine for you however what made that day different from others was meeting him.

Your fated pair.

You had just finished all the necessary paperwork and meetings as the student council president and were on your way home when you saw a group of students harassing some middle schoolers.

Stopping in your tracks, you saw that some of them were from your school while the others were from schools that were close to your area.

Observing the group of high school students, you couldn't help but notice that they seemed to be part of the same friend group, as there were no conflicts between them. Instead, they were bullying some middle school students.

You sigh as you shake your head.

Such a bunch of brats.

Seeing that they have already beaten a few middle school students and are about to harass them again, you step in without hesitation and call out to them.

The students who wore similar uniforms as yours stiffened once they heard and saw you.

They have been the same junior students you have always dragged back to school from skipping classes.

They were either in some arcade or in some brawls with other delinquents from another school, in which case resulted in you facing both parties.

Neither did you take sides as you beat them.

In the end, you would contact the other school's student council president, who happened to be one of your childhood friends, to inform them about your schoolmates and what happened.

Afterwards, you would finally escort your own schoolmates' beat-up assess back to your school infirmary.

That was how it usually plays.

And since they have crossed paths with you a few times already, they have seen what you're capable of and have unconsciously ingrained your presence in their minds.

They knew they were in trouble.

However, the other students from a different school were unaware of their dilemma, nor did they know you.

And so, seeing you leisurely walking up to them, they immediately put their attention on you and abandoned their previous targets at once.

Oblivious to the danger they're putting themselves into.

Arrogant in their stance, clearly the one leading them was an alpha.

You sigh once again, deciding to finish this quickly. Since you were eager to go home and were quite looking forward to the dessert that your mother had bought from abroad.

The thought almost makes you salivate.

"What this? Trying to be a hero now aren't you?" The alpha taunted as he strode over to you, smirking as his lackeys trailed behind him and slowly circled you.

Eyeing you up, it was clear he was sizing you as he instinctive knew you were an alpha.

You two were almost the same height however you clearly towered him by a few inches.

Showing an indifferent attitude and not answering his taunt, he faltered as you gave him a cold stare.

Embarrassed by showing weakness and intimidated by another alpha, he hid it by sneering at you and barking again at your classmates.

"Hey! What the fuck are you doing?! Get your asses here!" He shouted, his voice showing traces of agitation. This affected his lackeys as their earlier confidence faltered as well.

Looking at their other friends, they were confused as they remained rooted in their place.

Their faces paled, body trembling and sweat dripping down from their forehead. Hesitant, they gave a small shake of their head, their eyes showing undeniable fear.

Annoyed, the alpha was once again about to shout when suddenly a presence loomed over him and a cold voice interrupted.

"I'll advise you to leave if you don't want yourself embarrassed and beaten up by the end of the day, kid."

It was your voice.

Calm and deep, sending shivers down their spines as they felt authority dripping off it.

The alpha and his group paled instantly. Something inside them, especially the leader in their group instinctively told them this student was dangerous and someone not to be messed with.

However, an alpha is an alpha. They weren't one to be bent over nor ordered around so easily.

And because of this and due to his arrogant pride, the alpha kid faced you with a sneer and defiantly challenged you.

"Fuck you."

"..."

The surroundings fell silent, and the atmosphere immediately grew colder than it used to. A heavy feeling washed over everyone watching the two and they felt a foreboding sense creep up their spine.

You, however, just gave a small cold laugh before dropping your bag. Your eyes narrowed darkly.

Not long after, sounds of screams and agonizing cries echoed in the park while your schoolmates and the group of middle school students watched in horror as you beat them with ease but not without mercy.

Instructing your schoolmates to drag their friends' asses to their school infirmary, you told them that their student presidents, whom you have informed already, were waiting for them at the school entrance.

They knew that if they didn't show up, this president of theirs would hound them no matter where they were. Because of this, you didn't worry if they ran away.

As for your schoolmates, they already know to show up the next day if they want to keep their balls alive.

Watching them limp away, you finally let out a breath and pick up your school bag, satisfied that everything was almost over.

However, glancing over to the side and seeing the group of young students all bruised and battered, you sigh inwardly.

You made a mental note to have those bastards write up a thousand-word apology and assign them chores around campus as punishment.

Walking over to the group of middle schoolers, you asked them if they were alright.

"Yes, senior. Thank you so much for your help!" One of the kids replied while the others nodded with a bit of enthusiasm.

Looking over their battered faces while a smile was on their lips and their eyes shining as they looked at you, you couldn't help but worry and apologize to them on behalf of your schoolmates as their school president.

Throughout the exchange, one particular student was silent and kept his distance from you however you didn't blame him. If you were him, you would also be wary, especially after what they have been through before you came.

You may have saved them, but there's no guarantee you won't do the same as what those previous people did.

Though you felt his eyes lock onto you, you didn't know whether it was hostility or something else. Just that you couldn't ignore how intense his gaze was as he watched you.

Deciding to let it go, you took out a card from your pocket and gave it to them, advising them to visit the clinic if they ever experienced any signs of discomfort.

It was one of the clinics your cousin works at.

Given the number of students you frequently handled in such cases, your cousin already suspected it was you who sent them whenever students arrived at their clinic with bruises on their bodies.

Your cousin scolds you because of it.

You simply shrugged and responded that it at least contributed to the business. No matter how you deal with these troublemakers—whether through a gentle approach or not—if they still refuse to listen, they need to learn the hard way.

It was that or nothing.

You explained and your cousin could only accept defeat as deep down he knew that kids your age are hard to disciple.

As the students bowed in gratitude, you noticed the admiration in their eyes as they stared at you.

Not used to such gazes, you cough and avoid their eyes. Instead, you immediately urged them to go home as the sky slowly turned dark.

Inwardly, you hope they won't turn out like you, as you know you are barely crossing the line when it comes to disciplining such unruly schoolmates of yours.

Bowing their heads once more, they said goodbye and walked away, eager to head home while chatting happily.

You sigh again and lift your hand to brush your hair, glad that everything's finally over.

As they turned the corner, you were about to leave when suddenly there were hurried footsteps behind you. You felt a hand grab your shirt tightly, stopping you in your tracks.

That's when you heard them, stammering with a soft and warm voice, calling out to you pleadingly as you turned your head.

Your eyes locked with grey-coloured ones.

It was the boy from earlier who was watching you so intensely.

He has soft black hair with bangs that brush against his lashes. He also reaches your shoulders in height and has a lean build.

Clearly, the boy was growing and showing a distinct trait of an alpha.

However, it wasn't those physical traits that shocked you, it was his scent. A scent so endearing your body reacted in ways you never experienced before.

You felt your body heat up, your hands trembling and your breath laboured as you continued to lock eyes with the boy.

His scent enveloped you, intoxicating and enticing, making you crave something you knew was wrong.

Slowly, dread fills you as realizations hit you all at once.

You cursed.

"Fuck."

A/n: Thank you for reading! I hope you enjoyed it! Their age will be explained as the story goes and don't worry there won't be inappropriate ages or such.

Please leave a comment on what you think! Thank you!

{All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the author}

[an-aura-about-you]

I respectfully disagree. I think a good au DOES still engage with the source material. If it doesn't, then it's not a very good au because then the characters, the one constant between the two, aren't really the characters. At which point, yeah, it's basically original fiction. But the reason why fanfiction that might as well be original fiction isn't good original fiction is because fanfiction is inherently derivative, as the original post says. Writing a fanfic isn't like writing a book because to write a book you have to create the entire thing from scratch. That's a LOT of work that a person writing a fanfic DOESN'T have to do, so they don't. The person writing a fanfic is more like when Eoin Colfer came on to finish The Hitchhiker's Guide to the Galaxy or when Brandon Sanderson came on to finish The Wheel of Time. It's a different skillset.

This isn't a matter of "good fanfiction is what I like to read" but a matter of how well someone is accomplishing the skill of writing these characters or in this universe. This isn't a Stop Having Fun Guys post.

actually, no, i do have something to add. if your work of fanfiction can be easily rebranded and sold as original fiction, then it was never good fanfiction in the first place—and, in all probability, it won’t make for good original fiction either. i have a lot of love and respect for all kinds of derivative works (unsurprisingly, considering my perennial love affair with postmodernism), but i also believe that the superior fics are the ones that actively and continuously engage with their source material (and so it wouldn’t be possible for anyone to scratch their serial numbers off without damaging their integrity). something something mutualism (the derivative work deconstructing and expanding on the source material and so keeping it alive) as opposed to parasitism (thinking you can simply lift your blorbos wholesale and run but failing to realise that uprooting them from their respective stories will render them but a shadow of a reflection of their original selves).

[nebbi-astrii]

Background by @xpau-official

Wanted to do some interactions between characters from different creators. It feels a little strange including creators I liked from the past and present in one drawing, but I don’t hate it! It’s just.. reminiscent..?

Khai & Dev- Me!

Virux & Kable- @bunrux

Codex & Cherry- @thenoblescosplay

Reverie- @rinky-dinky-dink

Appreciation notes for these creators (feel free to skip these if you’re not them)

(Don’t wanna make these too lengthy. Also sorry, I’m not good with words-😭)

To Beau,

I’m happy to have met you when getting fixated again on Undertale AUs and I had fun developing Rev with you, even if it wasn’t much. I’m also thankful for you and others helping me make Khai into something much more than a concept, because otherwise Khai would kinda be nothing right now.

To Bun,

I’m glad I discovered you when I became fixated on Undertale AUs again recently, because Virux & Kable are really cool characters and I love em. Know that you helped kickstart my fixation again. (is this a curse or a blessing? lol)

To Tanu & Chinchi,

You guys were a big part of my childhood, a big influence for me, and helped me discover who I was as a person. I loved y’all’s cosplays and AUs! Your characters are also really unique and inspiring and I hope the project is going well if you’re still working on it! Codex’s scarf arms actually had inspired younger me to make a character with scarf arms as well, so yea tysm for being an inspiration for my younger self <3

To past me,

Hey, hope you didn’t miss leaving the fandom, because you came crawling right back after 6 years. I know you hated how bad your art was compared to some others your age, and hell even now, but at least you’ve become better at drawing, and that’s what matters. Everyone has a different art journey and sure yours may be slow, but improvement is what matters. Crazy how you got fixated again tho lmao.

If you made it this far, congrats! I went digging through my photos and.. Omg this is from 2017 😭 I had only posted this on instagram and then deleted it after leaving the UTMV fandom, so it’s been collecting dust in my photos until now.

[hxlxnaaa]

𝐬𝐡𝐚𝐝𝐞𝐬 𝐨𝐟 𝐠𝐫𝐞𝐞𝐧

★ synopsis: over one summer, a whirlwind romance creates an obvious choice: to stay in the life she's always known or follow sylus into the unknown, chasing love and freedom.

★ character: sylus

★ cw: first-person POV, sort of present day au? pretty fluffy, some implications but nothing obvious, soft sylus, may have spelling errors (i wrote this at 2 am)

★ word count: 1.3k

★ a/n: this is super short and not really meant as an intense read. just some poetic fluff about sylus (lord knows we need more sweet reads of him *sob*)

I remember the first time I saw him.

He was so… different from everyone around. The way he acted, the way he held himself, the devious smirk that always graced his devilishly handsome face. He had this aura that was off, but in this perfectly, sickeningly good way. He was something this dull town never had.

He came in once to my bakery, smiling and talking to me as if he had known me forever.

“What’s your name, sweetie?” That was different, no one spoke to each other like that around here. Anyone in their right mind would be creeped out, yet I enjoyed every second; every word that came out of his mouth spoke with his deep, velvet voice. I loved the difference, I loved the attention he gave me. Constant indulging in the feeling his presence brought on.

Introducing himself as Sylus, I said his name thousands of times in my head.

The look he gave me when he learned my name was engraved in my mind for centuries. His hard eyes softened, repeating every syllable as if it was candy on his tongue. Of my name.

Sylus, Sylus, Sylus.

After that, he would visit at least once a day, if not a few times. He’d lean over my counter, propping himself up on one of his arms. He always rolled his sleeves up, and buttoned his shirt to his lower chest, showing enough of his perfect skin that I always resisted to touch.

“Red is your color.” I had told him this after he wore this delicious, wine red top. It complimented everything on him, like a rose in the snow.

“Everything is your color.” He leaned towards me, holding his face in his hand.

“Why do you say that?” I started serving a customer, and I could feel his eyes on me.

“Well,” He started, “Your personality is very warm, like yellow, orange, and red.”

I glanced at him, “Have a good evening!” I bid the lady I served goodbye.

“And your looks are very cool, blues and purples fit you best.”

Turning away from him, adjusting things on my shelves, I asked, “What about green?”

“What about green?” He repeated.

“You didn’t mention green. Does green fit me?”

He smirked, “I told you every color fits you. So green would too. I’m sorry I didn’t mention every shade in the rainbow.”

I turned back to him, and he had his head resting in his arms, staring at me with his usual smug look. Walking up to him, I ran a hand through his hair, “Y’know, green actually takes up most of the color spectrum. It has a countless number of shades.”

“Really?”

“Mm,” I gave him one of his favorite pastries I made, “it's evolutionary. Humans are omnivores, so our eyes help us differentiate between shades of green to help us find plants to eat and avoid, but it can help us find prey animals that are seeking specific kinds of plants.”

“You’re truly fascinating, sweetie. You and all your shades of green.”

“As are you, Sylus.”

As are you.

Sylus was on a trip here for the summer. When I asked him why?

"To find someone like you."

I thought of him as borrowing my heart, when I knew he wouldn’t return it when he left at the end of the summer. When the leaves turned yellow, red and orange, just as he described my personality, he’d take my heart with him back to his home.

I felt something with him, a spark, a waterfall of passion. Something I had never felt in this city before.

There were the ruins, a place where all the young civilians would go to party into the early mornings. Sylus convinced me to go with him once.

“I want the experience of being here.” He had stated matter of factly, yet I knew the tall man was just finding an excuse to be with me a while longer.

I rolled my eyes, “That’s not much of an experience, being around a bunch of sweaty drunks.”

Oh but it was. To travel back to that night, where we had danced together, our cheeks flushed with red wine, or bodies pressed into one.

He took me back to the bakery, and kissed me against the old brick walls. Him in his red shirt, buttoned down and sleeves up, his hair a mess, but still shining in the illumination of the moon and street lights.

From there, something shifted.

I’d show him all my secret spots, just to fall into a field together, tangled in each other's limbs. He’d kiss me like I was his world, and nothing else existed; and with him, nothing else did exist.

I tried to teach him how to bake, how to knead dough, how to remember measurements without a recipe. Sylus would get flour in his hair, on his cheeks, his nose, his shirt and his pants (all on purpose, courtesy of me).

"We have to match.” He’d say, before taking his flour covered hands and taking my face in them, rubbing his dusty nose on mine, rubbing our cheeks together. I giggled and smacked his chest with a towel, before wiping his and my face off.

There was the night where I wore a new dress; an emerald green sundress that matched the grassy hills of the city in the night. He took one look at me, his red eyes burning with love and desire, and as I took a step forward his hands were all over. Dinner was scrapped, and I spent the night under him tangled in the sheets, one with love.

After, cuddled together, a sweaty beautiful mess, he adjusted his bare chest against mine. Placing his hand on my hip, drawing shapes with his finger, he whispered to me as I was about to fall asleep,

“So many shades of green, and I was lucky enough to find you.”

“I love you, Sylus.” I mumbled through reality and my dreams.

He smiled against my lips, “I love you too.”

As they say, time flies when you’re having fun. Eventually, the end of summer came around.

I would have to say goodbye. Say goodbye to Sylus, say goodbye to everything.

No more grand entrances into my work, messing with the collar of his red billowy shirt. No more watching his bare back as he’d stretch in the morning, smirking back at me as he’d trace his fingers over marks on his neck and chest. Life would go back to routine, everything in this town staying quiet and still as it once was. Before I knew him.

The day before he had to leave, he swung open the door to my bakery, a wild look in his eyes.

“Come with me.” He said, stern. The look on his face told me I wasn’t getting much of a choice. I wasn’t sure I wanted one.

I raised a brow, “What?”

He walked behind the counter, one hand grabbing my waist, the other going through my hair.

“Come back with me. Stay with me. You can open a bakery there, I’ll help. Everything will be the same. You said it yourself, you wanted out of here, come with me.” His usual put together look was coming undone, his lips pulled tightly together as a silent plea.

He could make it happen, the man had more money than I could ever imagine. Going with him could make all my dreams come true; getting out of this monotonous town, living comfortably, being…happy.

I shook my head, almost trying to convince myself not to listen, “Sylus, you’re not thinking about this.” Hypocritical, I’m not sure I was either.

His brows furrowed, “I have. That's all I’ve done. Now, sweetie, say yes.”

I thought about all the shades of green.

…

“Yes.”

(divider by cafekitsune)

[his-madness-keeps-him-sane]

I honestly think that the inability to understand the most basic ideas of ASOIAF characters comes from bad faith criticism, especially if they think that "long winter" is not a central plot point of the story.

Whatever about worldbuilding, I don't care about the freaking bees of Westeros (and the problem is again that Martin has a stick up his ass and should act more like Tolkien and embrace more the poetry and less the pedantry).

I understand and enjoy criticism (1- I think he deserves it, 2- I like to interact with different opinions of things I read/watch/whatever) but saying "winter is unimportant" explains why so many understand the books as a misanthrope story.

Because you have Jaime's journey after "being evil" or Sansa learning the game of thrones to survive while knowing that she doesn't want to become a Cersei.

There's a lot of dark and cruelty but the central conclusion is always the same: be clever!

That's where the TV show failed, in the book consequences matter!

Ned is not dead because he was "good", Ned is dead because he was DUMB!

Nobody said "oh but why did he have to die?" because we know why!

Every single death happens because someone didn't know how to play the game.

That's why Daenerys is doomed to become a fascist (the tv show was BAD but the general idea of Dany turning "bad" is there in the books too).

That's why I will always defend Sansa (arguably the biggest victim of fan's misogyny).

The characters, good or bad, are (usually) incredibly well written, with (usually) a lot of nuance.

From the anti chosen one/Prince Charming of Dany/Jon to the child soldier metaphors of Arya there's really a lot of though and care behind them all. And that's why the books have become impossible to finish. Too many complex pieces to play with.

Martin has A LOT to criticize and I wish he stopped with the bullshit (and the obsession with rape, and the racism, and the...) but I can't understand how someone can read those books and think "this author thinks humans are awful".

Everyone hates Cersei and then Martin goes "Take this, a Cersei POV chapter" and... Fuck.

Yes, she's bad. But suddenly she is a person, not a fairy tale evil queen. She has ambition, she's scared, she's a mother, she's a woman in a sexist world full of violence against women... And we learn all those fears and dreams directly from her, from the "evil queen".

One of the little things that the TV show did well was Joffrey's death.

I remember people being... Uncomfortable. Because while enjoying the death of a monster they realized "wow... He's just a 16 year old boy... Dying in his mother's arms..."

And that, and not "historical accuracy" or whatever Martin claims, is the true golden heart of ASOIAF.

That the world is awful and make us awful

And that it doesn't have to be like that.

That's why the winter IS central.

Because a looming doom should be enough to make them realize how dumb the whole "game of thrones" is (like, you know...the real world and climate change??? The pandemic and the totally insufficient collaboration between countries???) and yet they keep fighting for an ugly chair that kills you if you sit on it too hard because it's made out of the swords of a colonialist war.

IT'S NOT SUBTLE

For all its faults, what ASOIAF is saying (or should be if Martin stopped with the bullshit) is that the world is awful, but you don't have to, and that it's never too late to change.

That you can be good but you have to be CLEVER.

That the kids are the future and can be the change.

That the Starks were always right and the winter is coming.

And that the lone wolf dies but the pack survives.

And I don't think he's ever gonna finish the books, but I don't think it's a coincidence that the last book is called "A promise of Spring".

Say what you want about Martin and his stupidity and empty pride.

But ASOIAF, even if failing a lot in achieving it, is ultimately about hope.

Hope in spite of horror.

Btw, a disclaimer: I'm not even a fan anymore!

I haven't even read the last published book!

But to be a hater you have to admit the good parts too!

Listen to Orson Welles, the OG hater!

Jeez!

Disclaimer x2: I refuse to acknowledge any grammar or orthographic mistake, I can't read anymore 😌

Someone over on Discord asked, "I'm morbidly curious: How BAD is A Song of Ice and Fire in terms of the authenticity George claims it to be?"

My reply was straightforward:

The long and the short of it is that ASOIAF is basically a vehicle for GRRM to present both his rape fetish and his Hobbesian view on human nature and has less historical accuracy than Frozen or most other Disney movies.

That's actually a good way to think of it, now that I've said it--he's Family Unfriendly, they're Family Friendly, but both have the same relationship with History: just Pure Aesthetic with no consideration for how the worldbuilding would work.

[sidemari]

• SFW Headcanons Collection •

How do you both spend quality time together.

Characters included: Aphelios, Ezreal, Hwei, Jayce, Jinx, Kayn, Sett, Viktor, Yasuo and Yone [separately] x Fem!Reader

Mari's notes: It's just a silly and cute post. The part of the text involving Sett and Yone was written with me particularly thinking about @nana2amuro <3

Aphelios

Walk under the stars: You both usually take night walks in a quiet place, looking at the stars and talking about dreams and future plans.

"The Moon is beautiful today" You spoke with joy, squeezing his hands affectionately. "It's in the same lunar phase as the night we met."

Aphelios nodded, smiling with his eyes before pulling your body against his, initiating a tender kiss.

Ezreal (Heartsteel)

Making a personalized playlist: Creating a playlist with songs that represent your relationship or special moments you have shared together was your idea not only to express your love but also to show that you appreciate how essential music is to him.

"This song was the first one from Heartsteel" You whispered against his neck as you cuddled. 

"It's the song that was playing that night, remember? At that concert where I saw you in the audience”

"How could I forget the day we met?"

Hwei

Connection with art: Creating something together, whether painting or drawing, is something that connects you not only with art but with each other. You can spend hours searching for the best materials or the most vivid paints for your next canvas without getting bored.

"Do you think these shades of blue match the background of the painting?" You asked Hwei, bringing numerous containers overflowing with paint in your arms. 

"Watch out!" Too late. You tripped and a bit of paint splattered on the canvas, besides staining your clothes.

“I'm sorry, I didn't mean to... I didn't notice that the containers were ajar”

"Hey, it's okay. The painting turned out more artistic this way and... Well, you still look incredibly beautiful even covered in paint” 

Jayce

Movie or series marathon: Choosing a series or movies that both of you love and spending hours watching them with treats, cuddles and kisses is essential to ensure a cozy moment away from everyday worries.

"Ah man, this protagonist is so stupid" He exasperatedly said, turning off the television.

"Jayce, are you really going to get mad at a character? It's just a movie, love”

"I prefer to cuddle with you while we kiss rather than waste time watching this cheesy movie."

"How can I deny you this?" You pulled him in for a kiss. "But you have to promise me that you'll watch the next movie I choose until the end."

Jinx

Self-care moment: Doing skincare with different face masks, moisturizing each other's hair, painting nails with different nail polish shades and trying out new makeup styles on each other is simply one of the funniest things you two can do together.

"Do you like this nail polish color, darling?" Jinx asked you, gently squeezing your shoulders before sitting down next to you.

"It's beautiful, but it's so hard to get a good finish."

"Nah, I'm an expert at this! Extend your hands, princess, your journey of just painting your nails black ends today”

Kayn

Game night: Having fun with simple activities, like board games or even card games, always creates a competitive atmosphere between the two of you, ensuring lots of laughter throughout the matches as well hugs and kisses for the winner.

“Aha, I won! I want my kisses and cuddles immediately”

"You cheated, Kayn! You broke about three rules from the game manual!”

“Silly detail. And does that make me less deserving of my girlfriend's attention?" You rolled your eyes.

"Come here then" You patted your thigh, inviting him to lie on your lap.

Sett

Making a memory album: Collecting photos of you both, keeping souvenirs from trips or even tickets from events to later create a physical album about the most important moments of your journey as a couple was a sweet and effective decision to record your love.

"Sett, look how cute this photo is!" You whispered, showing it to him.

"Oh heavens... That day was funny" His ears twisted in shame. "But I'm still embarrassed"

“Ah, come on! You were sleeping in such an unusual position... Look, you were even hugging a stuffed animal” 

"Hey! Can you stop provoking me?”

"I'll stop, but this photo is definitely going in our album!"

Viktor

Spending the afternoon in a cozy café: On the rare occasions when you manage to get Viktor out of the lab, you take him to cafes. Sitting at a table in a pleasant environment to chat - even if for a few brief hours - enjoying the time together with a good cup of coffee, tea, or cappuccino is invigorating, especially for your workaholic boyfriend.

"Did you like their coffee, Vitya?" He nodded, placing the empty cup on the saucer.

"It's good, but I particularly prefer the coffee you make for me yourself."

His hand reached yours across the table, squeezing it gently before genuinely smiling at you. "Thank you for caring so much about me"

Yasuo

Meditating together: It’s not uncommon for you to join Yasuo in his meditations to relax and share a moment of calm and harmony.

"Yasuo, dear, I was wondering if you would like to go-” Seeing that your boyfriend was in deep meditation, eyes closed and face focused, you blamed yourself for interrupting him. "I'm sorry" you whispered, turning your back to leave.

"Come, meditate with me"

"Are you going to hold my hands while this happens?"

"What wouldn't I do for you, huh?" He sighed, still with his eyes closed, but with a slight smile forming on his lips.

Yone

Writing love letters: You write cute letters or notes to each other, expressing your most intimate feelings and then keep them to read later.

"What is this, love?" You asked, kissing him softly on the lips before showing the small envelope in your hands.

“Ah, that? A letter I wrote about you during a difficult day…”

"Can I read it?"

"Of course, but don't blame me if I sounded too cliché in the text." He ruffled your hair in a delicate manner.

[asheli1515]

The Place You Found Me || Rafe Cameron

best!friend!reader X soft!rafe

a/n: heyyyy. I hope you like this one. I love a good 'one character is injured and the other comforts them" story. I also love writing Rafe's emotional side and him being an emotionally intelligent man so this was born. Hope ya'll are having a great holiday season!!

word count: ~3.8k (a longer one)

warnings/disclaimers: angst, fluff, brief mentions of violence, daddy issues, ward mentioned, mental health, mentions of self-harm, unhealthy coping mechanisms

summary: When a heated argument with Ward spirals out of control, Rafe vanishes without a word, leaving everyone—including his childhood best friend—in the dark. As the only person who truly knows Rafe’s complex, troubled soul, Reader immediately senses something is deeply wrong. Determined to uncover the truth, they embark on a search, while wrestling with their own fears and emotions. Will their unyielding bond be enough to bring Rafe back, or has he finally reached the breaking point that sends him beyond their reach?

masterlist

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✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

READER POV:

Rafe has been missing for days – three, to be exact. Everyone has been telling me that he will show back up eventually because ‘he always does this.’ However, to me, this time feels different than the others… like the dam finally broke.

It was another fight between Rafe and his father, Ward, that caused his disappearance. It must have been particularly bad this time because Ward is looking about as good as a boxer after a fight. He had a cut on his eyebrow and a bruised cheekbone, as well as bloodied knuckles that lead me to believe Rafe will have wounds that will mirror his own. The most sickening part of this is the smile on Ward's face. He is playing the part of a concerned father very poorly. I've been privy to many altercations between the father and son over the years and this is Ward's response every time. He pretends like nothing happened, like Rafe isn't falling apart in front of him, like it isn't his fault. It breaks my heart every time because I can see how broken he is but it seems like no one else can. It might be because they don't want to so that their precious reputation can remain unmarred.

I know more about the behind-the-scenes dealings of the Cameron’s because of my friendship with Rafe. It is one of the most bizarre aspects of my life because I don't even know how to explain how it happened. All I know is one day we bumped into each other at an event put on by the Cameron's for some charity or holiday. From then on, we were inseparable. Wherever I was, Rafe was not far behind. People always speculated about what we were to each other, but we never labeled it. We just knew that no one knew us like we knew each other. However, recently I have been feeling more...intense feelings toward him. I tried ignoring them for the sake of our friendship, but I definitely failed. I know that because of how my heart feels like it's being squeezed to the point of exploding. Rafe is not a stranger to reckless behavior, and I am terrified to figure out what drastic measures he might have taken after the fight. If anything happened to him, I don't know what I would do. What if he-

No, I can't think like that. He wouldn't do that to me...he couldn't. As this thought crosses my mind, a tear slips from my eye. I quickly wiped the evidence away from my cheek and head into the Cameron's house. I run into Sarah on my way to Rafe’s room. Ever since he vanished, I had made a daily routine of going to his room to try and figure out where he could have gone. I also have been going in there because I miss him desperately. I have never missed anyone this much and I don't know how to deal with it so I just sit. I sit in his room to be close to him but also in the hope that he'll show up eventually like he usually does.

“Hey, how are you holding up?” Sarah questions as we pass each other in the foyer. She looks like she has gotten about as much sleep as I have, which is none. She doesn’t like to admit it, but she really does love him and this is tearing her up inside.

“I’m okay.” I lie unconvincingly. “Ugh, no I’m not. I’m actually really scared for him. I don’t like not knowing where he is or what trouble he’s gotten himself into. I mean you know how reckless he is when his emotions are high. I-I just want him to be back here with us…me.” I finish my tangent and try to calm myself down. I can’t let my emotions get the better of me, especially not now.

She sighs and gives me a hug which I reciprocate immediately. “I know…it will be okay, alright?” She pulls back and looks me in the eyes. I can see her sincerity and it makes me relax, if only a little.

“Thank you, Sarah. I don’t know what I would do without you. You’re a really good friend and sister.” I smile but it doesn’t quite reach my eyes. “I’m going to look for him at a few places that seem promising later if you want to join.” I offer.

She shakes her head. “No, it should be you. I know we’re siblings but my bond with him couldn’t even hold a candle to yours. He’ll respond better to you.” She says matter-of-factly. The fact that she feels this way makes me feel slightly guilty. I don’t want to make her feel like I am more important to him than she is.

“Are you sure?” I ask with a slight frown.

“Yes, absolutely! I just want him back and you are our best chance of that happening.” She states. She opens her mouth again as if she was going to continue speaking but shuts it after she thinks for a moment. It was as if she was unsure if she should say whatever it was that almost came out of her mouth.

I look at her with questioning eyes. “What were you going to say?”

She looks conflicted but eventually speaks. “I can’t give you the answer you want because what I was going to say should come from Rafe. All I will say is that you know he loves you, right? Like more than I have ever seen him love anyone, even our father which is a difficult thing to accomplish.” She stops speaking when she realizes that she was rambling. “Anyway, I’ll let you get back to what you were doing. Go find him for us, yeah?” She finishes and walks out of the house and toward her car.

Her words hit me hard because I know he loves me and that's why this hurts so much. He loves me but isn't in love with me, though, that doesn't matter right now.

I need to find him and soon.

I open the door to his room and find myself sitting at the foot of his bed. I pull my knees into my chest and lean my head back on to the bedspread. I sit there for a while just observing the contents of the room that are the same as they were yesterday and the day before that. His room is clean which is unexpected given the jumbled-up mess I know his mind was in before he left. There is a bulletin board with important notes and pictures, a lot of them are either from me or I am in. This realization brings a genuine smile to my face and it's the first one I've had in days. Most people assume Rafe Cameron doesn't have a sentimental bone in his body, but he does. I've seen it first-hand but the others in Kildare never even give him a chance to show them how kind he can be. They paint him as this uncontrollable, cold monster but that's just not him.

After a while, I leave Tannyhill to go to the first location on my list. There's an overlook on the island that is usually avoided by the town’s residents because there is no railing to prevent people from falling. Rafe, however, loves it because of that fact. He likes the adrenaline of standing close to the edge and it terrifies me every time we go there but I go for him. When I get there I find it to be lacking his presence and head to the next spot on my list.

✦ ✦ ✦ ✦

After hours of running around to places all over Kildare. I finally reached the last place on my list. I'm starting to lose hope of ever finding him and I hate that feeling. The feeling of never seeing somebody you care about again and there's nothing you can do to fix it.

As I approached my last chance of finding him, I pause to take it in. The building I am met with used to be a greenhouse but has long since been abandoned. Half of the roof is sunken in and the plants that were housed inside are now overgrown. Vines and grass cover most of the exterior giving the illusion of a jungle. I eventually made my way to the entrance, maneuvering under the vines growing over the front doors. Once I am inside, the darkness overwhelms me and I wait for my eyes to adjust.

Once they do, I see tables with potted plants sprawled out across them and an amount of dust that can only come with time. Eventually, in the corner of my eye, I see him... sitting against the wall across the room.

“Rafe!” I gasp quietly.

I run to his side and see the extent of his injuries immediately. He has a black eye, a busted lip, and bruised knuckles. None of it looks life threatening which puts some of my fears to rest but not all of them.

“Rafe? Hey, it’s me. Can you look at me?” I ask gently.

He looks up at me and I almost break down in tears at the brokenness I find in his eyes. He looks like he has given up and that is tearing me up inside.

“Hey…” He says softly. “You found me.”

“Yeah, I did. I know you like it here. The whole ‘beauty of destruction’ thing…how could I forget?” I say sadly.

He smiles weakly. “I knew you would find me eventually. You know me better than anyone.” He moves to face me and winces slightly due to his wounds.

“I hate that you have to see me like this…” He trails off and looks away from me like he should be embarrassed over something that Ward did.

“You shouldn’t even be hurt. This is all your dad’s fault just like it always is.” I stop when I realize that I am getting worked up over something that is not important in this moment. “Sorry, I shouldn’t say that.” I apologize to Rafe. The apology is unnecessary though because he isn’t exactly unaware of my disdain for his father. Ever since I learned about the way Ward treats him, looking at him at him made me feel sick to my stomach.

He looks at me fondly and takes my hand in his. “It’s okay…I know you don’t like him. I’m not even sure I like him most days but he’s my father, ya know?”

He absent-mindedly rubs circles on my palm with his thumb while I attempt to formulate a response.

“I know he is…I just can’t stand to see you hurting, Rafe.” I say as a tear slips down my cheek. I have been trying to keep my emotions in check these past few days but I am not sure how much longer I can keep it up.

“Hey, don’t cry. I’m okay, I promise.” He says softly as he wipes the tear from my cheek as he cups my face and makes me look at him.

I look into his eyes as more tears escape mine. “I know you are…this time. But what if you aren’t next time? I can’t do this without you, Rafe. I can’t.”

He pulls me into a hug that I can tell was needed by both of us. I needed it to prove to me that he is really here in this moment, and he needed it to keep him tethered to reality.

“You won’t have to. I promise that I am never going to leave you, okay?”

I nod into his shoulder as my face is currently buried in the crook of his neck. Something about today, this moment with Rafe, feels different. The air around us feels more charged than usual and I am scared to do anything as if moving will ruin it.

“I really missed you the past few days…a lot.” I say into his shoulder as I take a deep breath to calm myself after the stress of the days prior.

“I missed you too, sweetheart.” He sighs as he says this. “I wanted to come back but every time I thought about going back and facing my dad made it impossible to. I wanted to tell you that I was okay, but I didn’t want my dad to find me this time. I-I needed to just get away from it all. Before I knew it, it had been three days, and I realized that I needed to come back. That I had to come back for you at the very least.” He looked into my eyes then and my heart stopped beating.  

The way he said those words and the way he is currently looking at me right now makes my breath hitch. His gaze is not his usual friendly one but one that holds something deeper. It makes me question if he feels for me even a little of what I feel for him.

“Rafe…” I whisper breathlessly as I don’t trust my voice to not shake if I were to speak with more force.

I don’t even know what I planned to say when his name came out of my mouth. Was I going to say something profound that would help him move on from this disastrous situation we were currently in? Or was I going to be stupid and just blurt out the fact that I loved him, that I was in love with him. Knowing me it was most likely going to be the latter.

The thought of confessing to him was absolutely terrifying but what is equally, if not more, terrifying is loving someone and never getting to tell them that fact. When he disappeared three days ago, I was sure he was going to come back. What the people in town were telling me was not far from the truth. He always came back. Then one day turned into two and two turned into three. I was so scared that three days was going to turn into some ridiculously high number and that high number would turn into forever.

I thought I wasn’t going to see him again and the part that broke me the most was the fact that I hadn’t told him how I felt…how I feel still. This whole experience has made me realize that life is too short to lie to myself about my feelings or be afraid of them not being reciprocated. Yes, there was a chance that he wouldn’t feel the same way, but I would rather take that chance than never get to tell him how I feel. I owe it to myself and Rafe to be honest. I would rather live with rejection than live with never knowing his true feelings towards me. In this moment, I decide to tell Rafe how I feel, and I am terrified.

“Rafe, I need to tell you something. I need you to listen and not say anything until I am finished, okay? I need to get this out and I don’t know if I can if you stop me.” I speak quickly as my nerves start to pick up.

He looks at with a concerned expression but agrees to what I asked of him.

“Okay…” I exhale the breath I didn’t realize that I was holding and prepare to tell him all that I have wanted to tell him for the past few months. I move my hand to the side of his face, a whisper of a touch grazing his face. I then pull my hand away to speak.

“Um, okay. To begin, I was so afraid that I had lost you the past couple of days. I know I already told you this, but I really want to emphasize that fact because I need you to understand how hopeless I have felt without you. I mean you told me about how you’ve struggled with your mental health over the years and about the fact that you are impulsive to a fault.” I stop for a moment to take a breath before continuing.

The next sentence comes out in a whisper as if saying it out loud would make it true. “I thought that…that maybe you had done something to yourself.”

“I know you wouldn’t do that to your family o-or me but I started thinking of every worst-case scenario since your fight with Ward. I know you do this when you get overwhelmed, but you usually text me within a few hours or at least by the next day. When you didn’t do that this time, I panicked. I knew it had to be different because you wouldn’t purposely leave me like that.” I reach up to caress the side of his face. I had to be as close to him as possible in this moment and I didn’t care if this action gave away the feelings that I have locked away for so long.

“Anyway, all of this has made me realize something. I have realized that life is short, and I have no idea what could happen or what tomorrow holds. I realized that I need to be honest with you about something that I haven’t even been completely honest with myself about until recently.” I take a deep breath and prepare to confess my feelings to him.

“What I’m trying to say, Rafe, is…I’m in love with you.” My voice comes out timidly and almost like I am unsure of myself. I don’t dare to look at him because I am afraid that I will be met with an expression of pity. I remove my hand from his face so that he can take in everything I had just told him. My hand is almost back at my side when he grabs it with his own and puts my hand back where it was a few moments ago. He leans into my touch and his tense muscles relax in a way that I haven’t seen in a long time.

I stop breathing

“Look at me.” He says this in such a gentle way that I almost pass out.

When I still don’t look at him, he puts his hand on my face in the same manner that my hand is on his face. I make eye contact with him and a shiver runs down my spine. The eyes that I am met with are not ones of pity, but ones filled with the most love that I have ever seen…and it’s for me.

“You have no idea how long I have wanted to hear you say that.” He breathes as his eyes well up with tears. “I have loved you ever since we first met. I didn’t know why or how it happened, but I always wanted to be around you. You were always on my mind, and it was the strangest feeling for me because I had never felt for anyone else what I do for you, sweetheart.” A tear slips down his cheek and I quickly wipe it away with my thumb.

“You quiet my mind and that is something I've strived so long for. My mind is always so loud and overwhelming but with you…” He pauses to kiss my palm. The heat of his touch lingering long after his lips leave my skin. “…with you I was finally able to just be. I was finally able to hear what really mattered.”

“I am so madly in love with you, baby. I was yours the moment I laid eyes on you, even if I hadn’t realized it yet.” I am completely dumbfounded by the words coming out of his mouth that I can’t even find my own to respond with.

“I am so sorry for leaving you without telling you where I was going. I never meant for it to go this far. I was just so overwhelmed that I couldn’t think straight. I promise that I will talk to you next time before doing anything. I don’t want you to feel like I abandoned you ever again. I am so proud of you for being honest with me, you know that? You are my reason to stay so as long as you are here, I will be too.” He finishes speaking and it sounds as if he is out of breath.

I am truly speechless. He loves me…he loves me? I never in a million years thought that Rafe could ever love me but here we are. I am still at a loss for words but luckily actions speak louder than the words I can’t seem to find.

I lean in and kiss Rafe in a gentle way to test the waters. Electricity shoots through me as he responds to my advances. The kiss was soft, tentative, and delicate. It deepened, not with urgency, but with a steady, quiet intensity—a sharing of something neither of us ever thought would be shared. Every sensation—the warmth of his skin, the faint tremor in his hands, the way our heartbeats seemed to sync—was magnified. When we finally parted, it was only by a fraction, our lips lingering close enough to feel the faintest brush of breath.

Our eyes met, and in that gaze, everything was laid bare. In this moment, I was more content than I ever have been in my entire life. It felt as if my whole future could be more than I ever thought it could be. As I looked into Rafe’s eyes, I saw a love that could never be broken, one that I wanted for so long.

Rafe loved me…he was in love with me, and I would never take that fact for granted.

“This is the best moment of my life,” I say, laughing and smiling at him. I could barely believe the events that had transpired in the past hour, but I knew I would remember them forever.

“Mine too.” He said this with such warmth that I could barely feel the cool air in the greenhouse anymore.

“Let’s get you back to your sister. She had been worried sick.” I say as I help him stand up from the floor.

“Has she now? I find that hard to believe.” He jokes as he slings an arm around my shoulders and pulls me into him. He places a kiss on the top of my head.

“Shut up! You know she loves you… in her own way.” I giggle thinking about how Sarah loves to tease him. Despite this, Rafe and I know that she cares about him more than she lets on.

As we walk out of the greenhouse and to my car, I am filled with a hope that wasn’t there before. I am excited to see what the future holds for me and Rafe but right now? Right now was enough for me.

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© 2024, asheli1515. All rights reserved.

[millidew]

its been almost 6 years since kaito and ouma have infested me. here's me talking out of my ass for over 2k words

to love the ouma-kaito dynamic is to love the themes of v3. to see one of them as 100% correct and the other as 100% wrong is to hate the themes of v3.

there must be balance. which is one of the themes!

at first, they each represent one end of their spectrums: lies, distrust, and logic VS truth, trust, and emotion. but it's not all black and white— they're far more similar than they think

to get the obvious visual foiling out of the way: short vs tall, scrawny vs muscular, pale vs tan (relatively...), round eyes vs sharp eyes, cool purple vs warm purple, black and white vs a colorful galaxy, and a tight "straitjacket" vs what's basically loose pjs

they're visual opposites, but they're also both purple, charismatic leaders, would rather die than their let go of their respective roles of hero and villain, and both want to end the killing game. they're also both SO dramatic. they cannot be separated.

all this is to say that they're the same, just taking different approaches (i mean, just compare their early FTEs. what are you two FUCKING talking about. your ass is NOT a pirate kaito shut up). ouma hides drops of truth within his lies and lives to poke holes in others' poorly concealed lies. kaito talks about being honest, but is also constantly lying to himself and others. and it's so fitting for them to essentially die with each other.

lying your way to the truth, and 10 other tricks to surviving a killing game:

v3 is a game that asks: who are you? why are you even alive? what parts of you are really "you"?

in other words: what is true and what is a lie? does it matter?

the flashback lights are all lies. tsumugi can literally rewrite their "truth" as she wishes. and of course, there's the fact that they're all fictional characters come to life.

and there's the big lie of ch1, brought back in ch6. although this is less relevant to me, personally, because kaede fully intended and did try her damnedest to kill so either way she's still at fault soo

the theme of the survivors is that they all have a reason to fight to live even if the world is hell, because they're pushed forward by the connections they made— kaede's encouragements, the training with kaito that led to shuichi and maki's happiness, and himiko's memories of tenko and angie. even though maki loses kaito, because she had those good times with him that led to her change in self-worth, she'll be okay in the end. she's not enforcing her own loneliness anymore.

basically, "maybe the real reason to live is the friends we made along the way"

shuichi explicitly says that his feelings are true, even if they're born of lies. to lie, there has to be a truth. to be truthful, you can't lie. yin yang and all that

it's even shown with the game mechanic of perjury. kaede and shuichi can literally lie for the sake of finding the truth

he rejects being forced to choose between "hope" and "despair," breaking the cycle. it's pretty easy to apply this to the other dichotomies in v3: truth vs lies, trust vs distrust, logic vs emotion. even heroes vs villains.

ultimately, i think v3 aligns more closely with kaito's ideology, because of course truth and trust is a good thing....!, but not without poking massive holes in it too. because kaito's a prideful hypocrite and the game does NOT let you forget it <3 more on that later

little white lies AKA ouma is sick of your shit part 1:

"is the truth worth it? aren't feel-good white lies ok? what even is a lie?" ouma asks with his little hater heart. (ch1 and ch4)

here, we see ouma questioning the individual nature of common sense ("gut instinct", if you will)— how can kaede decide if his talent is a lie? what is a lie? if ouma is 99% lies by weight, what is ouma??? an annoying grape??

we all want the truth, right? but the truth can be ugly. that's what ouma's always showing.

this is something shuichi also tackles with his feelings on his own talent. by exposing the truth, he causes pain to others. but this isn't about him, so you'll just have to keep that in mind

in the death road to despair in ch1, it's kaede's optimism that causes misery to the rest of her classmates. they're lying to themselves when they try to do it over and over. again, ouma calls her out on it, pissing off kaito who supports kaede 100%. the idea they can all get out and become friends is…also really unlikely. and even with kaede's murder "for the greater good", ouma disparages her for doing it in the first place: she lost the moment she seriously considered the thought, and played right into monokuma's bloodthirsty lil' paws.

right after the ch3 execution, himiko still refuses to let herself feel… until ouma calls her out on it. stop lying to yourself. and they all let it out, crying together. it's a good thing, and spurs on himiko's arc to be more true to herself. you did a good thing, ouma. now onto ch4! yay!

the "truth of the outside world", and ch4 as a whole, is probably the most in your face way of showing this. but more on that later.

the boys are back:

if you want a good relationship with someone, vulnerability is key, one that ouma unfortunately can't replace with a lockpick. you have to be honest. maki and shuichi were honest to kaito, which let him help them out.

ouma is definitely not vulnerable, up until the very end. ouma's distrust of everyone pushes them away, leaving him alone— without the "reason to fight to live" the others have— living out of spite and determination, until he dies for that too. like maki, he reinforces his own loneliness, but unlike her, he never makes those connections that make him change into a more well-rounded person.

kaito's better than him, which is a really low bar, but the game goes out of its way to tell you that he's still hiding secrets and adamantly refuses to let down his hero persona, harming both himself and those around him. you are COUGHING UP BLOOD, you are NOT okay. while his sidekicks still know something is wrong, he refuses to truly let them in, instead just brushing them off.

and that pisses ouma off. at the very least, ouma's honest about being a liar. kaito, in his eyes, is a coward. (not only that, people still like him despite being a liar..... but that's probably more to do with kaito being way less of a dick).

ouma, in kaito's eyes, is also a coward. he can call ouma a two-faced coward as much as he wants, but pot, meet kettle

chapter 4 AKA ouma is sick of your shit part 2:

ok. seriously onto ch4 this time. it's the perfect set up to the insanity of ch5. the tension is insane. also, ouma does not shut up about kaito having a crush on him. ok man.

from now on, it's the kaito & ouma show, the truth & trust & hope & emotion & hero VS lies & distrust & despair & logic & villain show.

and the game puts kaito, and all his themes, in the wrong. poor gonta and shuichi are just along for the ride

the stubborn belief that worked so well for maki in ch2 makes kaito refuse to believe, despite the evidence pointing to it, that gonta is the blackened, endangering everyone. and this is the cause of kaito and shuichi's rift which ouma takes great pleasure in. i'm sure this greatly validates his own distrust and loneliness, seeing it as the superior option

kaito's a liar, shuichi's a liar, and gonta is...not a liar but still technically wrong. YOU'RE ALL LIARS AND KAITO/SHUICHI STANS. YOUR FAVE IS PROBLEMATIC. OUMA'S FUCKING PISSED

it's the hypocrisy that gets to him the most imo

does he know?

anyways, it's a great showdown between their two ideologies. up until now, i'd say the score was roughly 3:1 in kaito's favor, but now it's definitely more even. it even features ouma punching kaito instead of the other way around like last time: something made possible imo because of kaito's sickness, which ouma forces him and everyone to acknowledge by doing this

this is a massive L for the hero side.... can the sidekicks clutch this victory and save the princess?

(interestingly enough, note that kaito doesn't even seem to hate ouma after all that. at the start of ch5, he puts ouma and gonta in the same category as having snapped under the pressure due to monokuma. his feelings, of course, change later on.)

...

are you sure about that

yeah, the truth sucks sometimes, huh?

what now?

chapter 5 AKA the boys are back 2 AKA voyage without passion or purpose AKA the sickest chapter name ever

ch5 combines ouma and kaito's ideologies through their swansong, their magnum opus, their collective theatre kid dream

the hangar man. THE HANGAR. no more cameras. no more prying eyes. no more heroes. no more villains. NO PASSION (KAITO). NO PURPOSE (OUMA). WHAT'S THE POINT. IT ALL BLURS (probably because of the blood loss)

think about it this way: kaito is literally dying, hypocritically refusing to let his friends in. ouma is metaphorically dying, because he lacks the "reason to fight to survive" everyone else has, because he has no trust, no friends, no bitches... anyways

(also the poison, which is. you know. is also literally killing him but shush)

the closest he had was, imo, miu for a little, then kaito in ch5. but in the end, it's all spite, not connection, that drives him. ouma kills himself to prove a point, and they both die as a middle finger to the mastermind— a hollow victory, in many ways.

think about kaito sitting alone in the exisal, hacking his lungs out in the metallic silence of the belly of the beast, having just learned one of the truths behind ouma's act, then killing him, then having to lie to all your friends for the hope that ouma's final, crazy plan works out. he's finally stooped to ouma's level. he's so used to the smell of blood by now. does ouma's blood on his hands look any different from his own?

even kaito's motto: "the impossible is possible! all you gotta do it make it so!" is pretty much an admittance. you can make a lie (impossible) the truth (possible).

also ouma bleeding out looking like shit laying in kaito's galactic coat like a cape. kaito squeezing his eyes shut before before pressing the buttons. these images changed lives.

the lying truthersssss...working together!!! to literally pretend to be each other!!! to blur into one being!! trusting each other to see it through for their shared goal!! at first glance, maki thinks it's her fault— that ouma manipulated kaito using her, but kaito disagrees, saying it was for the sake of ending the killing game.

this is all to hammer home the idea that we shouldn't see them as "hero" or "villain." the cast sees them as it first, but of course, we know that's not so simple by the time kaito steps out of the exisal.

in the end, they fail, but kaito puts his and ouma's dreams in their hands. they can do it better this time.

plus, kaito finally stops lying to himself and others about being a liar, the thing ouma gave him endless shit for. it only took him 5 chapters

is it wrong to call "that was a lie" ouma's catchphrase?

i still can't believe maki believed him. love makes you stupid i guess

extra thoughts:

you might be wondering why i call him "ouma" and not "kokichi." i do the same with some other characters: kirigiri, togami (though i switch between that and byakuya nowadays), and komaeda. it's because i don't know them like that. we are NOT friends. "kirigiri" is out of respect however

don't you think ouma has his own "sidekicks," his "villain lackeys," if you will, in DICE?

kaito's execution music should've had the "reach for the stars" line from sdr2 and i'm still mad about it

and they should've both in that exisal idc

kaito somehow exited that exisal with a new jacket. it's my headcanon that, in respect of a fellow theatre kid, ouma stole a second jacket from kaito's room and put it in the exisal

VR au post game low(high)key codependent oumota is everything and i'll happily read 1000 fics about it

also just outside of the Themes of it all, and tbh my main draw to this duo... they're so funny. they are SO. FUNNY. THEY'RE SO GOOFY TOGETHER. STOP TRYING TO ONE UP EACH OTHER

they should run around and beat each other with toy hammers. it's enrichment.

this isn't like thematically relevant but their love hotel events really show how well they could work together. they want a rival to pump them up and fight back so bad!! they'd have the craziest vigilante beef

WHY IS THIS 2.1K WORDS/???!> i am so weak to rivals man

tldr: look at this meme.

tldr 2.0: a true kaito fan is also a true ouma fan and vice versa. you may not like it, but they're two peas in a pod. don't worry though, they're not happy about it either.

[mannliker]

gonna soapbox a bit about how well he’s written, ye’ve been warned.

for someone so focused on practicality and survival and being 1000% locked-in in life-or-death situations, being prepared for anything, contingency plans, etc, Batman can actually be unrealistic in that he is stubbornly idealistic about some things, more so than the outwardly less broody/intense characters like Nightwing.

He’s a brilliantly-written character, so unchanging yet also a rollercoaster inside with unexpected emotionality and unruly kindness that he tries to hide so well. His stubborn idealism is a main similarity between he and Superman, and it’s why, for their other personality differences, they get along so well. The difference is that Superman often wears his heart on his sleeve. Good thing it’s made of steel lol.

Anyway, agree with Batman’s ways or not, he’s got some of the best, most convoluted yet stubbornly-simple characterization.

Is his code sometimes faulty and he does some fucked-up shit, like when he brought Joker back to life, even after what he did to Jason? His Robin, his son?? Yes. Mayne if I was him I would have ripped joker a new one till that bitch stopped laughing for good. Some of the criminals he fights he really shouldn’t hold back on, man. In that way, is his code sometimes blindly idealistic? Yes. But do I love his character for it? Yes.

Is his absolutely undying passion admirable? Yes. And his stubbornness-to-the-point-of-optimism? Yes. Do I love his character for it? Yes yes.

I love a character that people can disagree and agree with so passionately. That I can both disagree and agree with at the same time. It means he’s written so fucking well.

And “Caped Crusader” like yes bro he is passionate he’s got a mission bro he is locked so far tf in on it at all times. That stubborn optimism and idealism has been a fundamental aspect of his character since day 1. It drives everything else he does, even the dark shit. Especially the dark shit.

..But yeah some of the dark shit he’s been on lately is crazy 💀 Like, uncharacteristic levels of questionable. I’m not even gonna bring up how fucked up the Zur-En-Arrh shit was. DC’s wild for that one fr

Alright well that’s it, I’m balls-deep in this hyperfixation right now and I could talk about it forever. I did warn ye, though. Lol

batman is an optimist. how much must i shout this fact into the void that is the internet before people realize. he is the biggest optimist in the universe. he is so insufferably compassionate, he is delusionally kind, his worldview is somehow more catholic than matt murdock because he believes in redemption even when hes lost everything over and over and over. gotham is a shithole that deserves to burn, rent is dirt cheap because nobody sane will live there by choice, and it’s crowning achievement is being the home to the biggest max security asylum on earth staffed by people so corrupt that villains escape every other day. and this stupid boy wrapped his mothers broken pearls around his fists like prayer beads and goes out to get his shit rocked every night for the past 20 years because he fell head over heels in love with said shithole city and its garbage residents, funnelling his wealth into the pit of endless greed because he hopes that a few cents will reach the pockets of those who need it

[vinylfoxbooks]

25 Days of Jegumas | Day 1 | Day 20 December 21 - Mistletoe Kiss | @noblehouseofgay | wc: 786

“What’s that, mummy?” Luna asks, pointing at the little plant that one of the characters in the movie is hanging up. The camera focuses on it for a while. 

Lily smiles at the little girl, “It’s called mistletoe. There’s a thing that really big kids and adults do where when two people walk under it at the same time, they have to kiss.”

“Kiss? But isn’t that something only mummies and daddies do?” 

James laughs gently, ruffling Luna’s hair, “No, it’s not. Sometimes friends can kiss, sometimes people can kiss and then never kiss again, sometimes they find the only person they’ll kiss for the rest of their lives, and that’s what your mums and me and Reg have.”

“So anyone can kiss.”

“As long as they both clearly want to, of course they can.” James smiles.

Pandora nods, “And kisses can be anywhere you want it to be, like…” she leans down at kisses her daughter’s forehead, “the head or…” she turns to where Harry is curled up in Lily’s side and pecks his forehead, “the forehead or…” she pulls Regulus, who’s legs she’s leaning against, down to her so she can kiss his cheek, “the cheek or…” she grabs next at James’ hand, bringing it to kiss their knuckles, “the hand or even…” finally, she pulls Lily in for a brief kiss, “The lips. As long as you both want to.” 

“Have you kissed under the miss-toe?” Harry asks, furrowing his brows when he can’t quite figure out how to pronounce the word. 

James nods, “We have.”

It’s one of James’ favourite memories of Regulus, something that happened before they even got together -- though it did play a hand in their relationship just a month and a half later. During a Christmas party that the Potters were having and that James had convicned Sirius to convince Regulus to attend, there had been mistletoe put around a couple different areas of the house. Leading into the ktichen, leading to the stairwell, hanging off the doorway of one of the less busy hallways. There was even one out on the porch in the backyard. 

James had helped their parents put it up and didn’t really care to get caught under any of the sprigs, so they had been carefully avoiding them. Regulus had done the same. But it was in a minor lapse of judgement where James found Regulus outside, just the two of them since there was some sort of event happening inside, and they had gotten so distracted talking to him becaue Regulus was actually talking back and it was the best thing James had ever experienced in their life. Yeah, they had exchanged a couple cards for holidays but there wasn’t anything between them, and they almost never talked. 

But here they were, standing outside alone and talking and laughing and Regulus looked so fucking good in the light from the moon and the Christmas lights strung around the patio. And then Regulus was looking up and his eyes were widening, making James snap their gaze up aswell, knowing just what they were going to find. 

Almost immediately, while still refusing to look away from the mistletoe hung perfectly between them, they laughed, “Well, look at that… I forgot that was out here.” Then they looked down to see the shorter, “We don’t- no one is out here to pressure us into kissing or anything, we don’t have to do it if we don’t want-” but they were cut off by Regulus surging forward, fisting the collar of their shirt, and pulling them into him. James went easily, arms going to wrap around his waist immediately.

When they finally pulled away, Regulus just sneered at James, “You need to learn to shut the fuck up sometimes, James.” Then he turned on his heels and headed back inside, leaving a very confused James behind in the cold. James later learned that Regulus walked away because he freaked himself out and thought that he had messed. Apparently he had gone to hide away in an upstairs bathroom for twenty minutes before Sirius found him. 

But James isn’t going to go into those details with their son or step-daughter, so they just leave it at that and let the kids turn to ask Lily and Pandora if they’ve ever kissed under the mistletoe before pressing them for more information on the tradition. Regulus’ hand finds James’, as though he was going through the same memory that they just were -- and it’s likely that he was, what with the fond look they find on his face when they turn to him. James squeezes his hand and focuses back on what Pandora is saying to the two kids.

Day 22

[literaryvein-reblogs]

Hello! I was wondering if you had any advice/sources on how to write relationships between siblings where one has ASPD (specifically sociopathic-inclined)?

Writing Notes: ASPD Relationships

Antisocial personality disorder - a pattern of disregard for, and violation of, the rights of others, criminality, impulsivity, and a failure to learn from experience.

In order to be diagnosed with antisocial personality disorder, an individual must show a continuing pattern of disregard for and violation of the rights of others, occurring since age 15, with three (or more) of the following:

Failure to conform to laws and social norms (repeatedly breaking laws).

Deceitfulness (repeated lying or conning others for personal profit or pleasure).

Impulsivity or failure to plan ahead.

Irritability and aggressiveness (repeated physical fights or assaults).

Reckless disregard for safety of self or others.

Consistent irresponsibility (repeated failure to sustain consistent work behavior or honor financial obligations).

Lack of remorse (being indifferent to having hurt, mistreated, or stolen from another).

In addition, the individual must be at least age 18 years and there must be evidence of conduct disorder before age 15.

Sources: 1 2 3 4 5 6

Hi! Here are some signs and symptoms of ASPD you can use to guide you in writing scenes involving sibling relationships of your character with ASPD. Make them more specific to fit your story, so for example (#4), write about repeated fights with their sibling.

Here are more notes, mostly focusing on interpersonal relationships, from different sources that can guide your writing to show your character's relationship with their sibling (sources linked above). Choose which ones are most appropriate, and alter as needed for your story:

A person with antisocial personality disorder may...

exploit, manipulate or violate the rights of others

lack concern, regret or remorse about other people's distress

behave irresponsibly and show disregard for normal social behaviour

have difficulty sustaining long-term relationships

be unable to control their anger

lack guilt, or not learn from their mistakes

blame others for problems in their lives

repeatedly break the law or take part in criminal activity, but if they do, they are not sorry for their hurtful deeds

be inconsiderate of the rights of others

be deceitful and intimidating in relationships

not value "playing by the rules." They do so only if they are threatened with punishment. This attitude leads to a tendency to exploit others. They take advantage of the fairness or softheartedness of others, and they feel indifferent toward or even contemptuous of their victims.

have little, if any, ability to be intimate with another person. Any lasting relationships are likely to involve some degree of abuse or neglect.

sometimes be charming and can be good actors who use lies and distortion to keep relationships going. Some with antisocial personality disorder have no goal beyond the pleasure of deceiving or harming others.

appear to care for no one but themselves. They may be able to understand the emotions of others. But they don't suffer any shame or guilt about the pain they may be causing. Instead, they use their knowledge of others' weaknesses to gain favors or to manipulate an outcome.

not take responsibility for any of his or her own suffering. He or she may blame others when things go badly. Many with this disorder do suffer, because they can be self-defeating, and never get to enjoy the many pleasures that come to people who are better able to have mutual and satisfying relationships.

[maythedreadwolftakeyou]

(DATV thoughts with spoilers ahead; i think my tags will keep it filtered but just in case it doesn't since i dont want this in the actual game tags)

i just... man. i don't have a well formulated thought for this yet (and its my PERSONAL OPINION and other people can feel as different as they want, this is not an attack) but it keeps bouncing around my head, so. i know the popular thing right now is coming up with in-universe justifications for The Pantry Almost-Kiss Scene in ways that imply Lucanis didn't mean it/it doesn't represent him as a person/he was Faking It.

and i just don't like any of them. they make me sad!!!!!! i don't like the idea that one of the like 4 romance scenes we get in this game is him Pretending in some way, even if he does at that point like Rook back at least somewhat. None of the justifications i've seen make me feel Better about that being the point where we declare him as a romantic interest, which is what it is in the game, functionally. It doesn't lock you in yet but that point IS where the game says "they will take your flirting more seriously now". I did those same scenes for Davrin, Emmrich, and Taash and this is the formula the game uses (the "interrupted almost-kiss/confession" happens for almost all of the companions).

so if the answer for Lucanis' is "actually he stopped because he Didn't like what he was doing/feel that way yet" or that he felt he had to pretend for Rook's sake... it's kind of a letdown you know? esspecially when it comes right after what seems like an actually authentic moment (dispelling his "perfectly gathered clouds of doom"). Because, at that point in the game from my/Rook's perspective, it was like he finally was reciprocating. It made me hope that he'd acknowledge whatever was between him & Rook more in future scenes, especially because you get so little else from him at any other point, in terms of flirting back/showing you he IS interested. like up to that point I felt kind of bad for continuing to flirt at him, when he'd just change the subject right after! if someone did that in real life i would take it as a hint to stop. This is pixels and not real people so I didn't but they have done "reluctant/fearful interest" better in other characters if that's truly what they were going for in this one.

so after finishing the romance and getting the rest of content... idk. I don't like saying "one of the major chunks of characterization we get needs to be Thrown Out Actually because he was Pretending". because it's not like he or Rook ever actually address it in game--you just don't get to talk about feelings until some dialogue choices only in the act 3 romance scene, and then his speech at endgame (not even a full conversation, so much as his personal declaration). like it takes until the VERY end of the game for him to say the thing about "he was afraid to want you", but that comes after you've already hooked up, even.

I think truly what annoys me is that it's a story choice that can only make sense in HINDSIGHT not AS PLAYING. Only once you have all the scenes can you say "this one is out of character" and then you either have to accept it as bad writing, or come up with some in-universe justification to explain it... and so far none of the in universe ones feel good to me. i wish they did because maybe then I'd be less annoyed, rip. but at the end of the day i think even if there was some intent there, it was a poor choice for his story arc, because it doesn't effectively convey anything... and the reason why we can project a lot of different explanations onto it is simply because it is never addressed again (and again, Lucanis Dellamorte is NOT A PERSON he is a CHARACTER used to further a story for you the player, and so the reasons I don't like this choice are story-level and not a dig at how real life people feel or act).

So yeah at the end of the day. that is simply not a narrative device I would ever personally use in this way on a player/reader. certain kinds of hindsight revelations have their place (see: what the devs tried to do with Varric though I also think that falls apart on close inspection, but at least it has justification in-universe), but for a romance it just makes me embarrassed for Rook. In a game where you don't have nearly as many back-and-forth conversations with characters and have to resort to eavesdropping on them talking to each other, it's sad that one of the like 5 times you actually get to talk to Lucanis one on one we're maybe supposed to believe he wasn't being authentic, and also that Rook can't respond to this ever. It would be different if it had any kind of follow up, imo. or honestly as i've said before i would rather it have been swapped out with something entirely different or where we get to talk about their feelings instead, before i get labeled as one of the "people mad he's not Zevran 2.0/a sexy latin sterotype".

But having to step back to player-level analysis versus in-character analysis when looking at his whole romance arc just feels sloppy. but i'd much rather stick to "bad writing" than "intentional character choice" in terms of how to interpret the scene I guess, at this point, for poor Rook's sake. and i know people disagree with when I've said that before bc as much as I love Mary Kirby in other areas, she has said many times that she doesn't like writing romance, and I think it really does show here. As much as I love Lucanis and the scraps we got I wish I didn't have to do so much filling-in-the-blanks on our own.

[sleepynoons]

hi op feel free to ignore everything under - all you need to know is i love your writing *shakes head vigorously*

there are several things i think were immaculately done, but that'd require me to churn out an entire research paper, which i don't have the brain cells for anymore post-finals. so here are some scattered thoughts yep and yap

-

i don't gravitate towards mysterious or reserved characters because my personality simply doesn't mesh well with them. in fact, when i was watching wbk, i was always so wary of suo, and felt lowkey a lil uncomfortable with him LMFAO

but strangely enough, i think this discomfort became a very integral and driving force throughout my reading experience. of course, this was already the case due to the violent and dark nature of yakuzas, underground sex work, etc., but emphasizing suo's yandere-ness and how he doesn't shy away from it really completed the tone of the story. also, i feel like i came to terms with suo's character, which i rarely ever experience in general. really, this is all to say that it makes total logical sense in my brain to imagine a route where suo evolves into a yandere, and part of me strongly believes his real background in the wbk manga/anime won't be too happy-go-lucky either (otherwise the alternative would be like him wearing an eyepatch for the shtick bc he's a chuuni??? idrk????).

anyway, the reoccurring theme of redirection in suo's tactics really sealed the deal for me, and i think it was a good way to tie in references to his relationship to his master, the martial arts that we know he's especially good at, and how all of these things he's kinda exploited and sullied to "become a worse person for you." suo being very knowing and intentional is so snakey and creepy but also, i get a lil fucked up when it comes to men who are obsessed, so also incredibly erotic LMFAO i also just want someone to buy me a luxury penthouse out of concern for my safety *sad fist bump*

one thing i did find unexpected is suo's leadership within the yakuza. yes, necessary for the plot, otherwise he wouldn't be able to pull any strings. but because source material heavily emphasizes leaders as individuals like umemiya or sakura or even hiiragi, it's interesting to place suo in juxtaposition with them. not sure if it's bc i don't find suo particularly reliable in general, but i think this fic made me realize that he's still wise beyond his years and very, very ruthless. it's def very telling that, throughout the story, suo resorts to fear to assert power. anyway, i j think it was a particularly interesting detail to add in his role in the succession conflict.

btw, i do like how suo's change and transition isn't fully told or revealed. it's not a story meant for us, as it's a truth really for suo and reader. but even reader can't really keep up with him at times, and i find that dynamic really charming, as sadistic as that sounds. i like that reader is so vulnerable. i like that reader is not afraid to be vulnerable around him in the ways that matter, even when she's aware that he's fucking insane. and i really like that reader is aware of how much it takes to be vulnerable, so she doesn't push him. i think reader restrains herself (un)knowingly, and that's her way of loving him. obv less romantic in real life lol (don't try to fix anyone, been there, done that, lost myself, and still finding myself), but i do like how reader is suo's salvation :,,, even if she doesn't think she's particularly patient, she really is - like girl, Fuck Him Already!!!!!!

(could go on and on about how juicy the friction and tension is between suo and reader but that's for pt 2 hehehe)

this is kinda my half-assed transition into talking about reader, and honestly, my thoughts from earlier encapsulate the general thesis i have about her: she's really a lot like suo, way more than she thinks. i think she operates in very similar ways, just goes about it differently.

i think reader is way more reckless. she's very self-sacrificing. she's very good at putting up a front, even when she's internally low in confidence and self-respect. i think she just wants to be happy with suo, and hopefully, with their other friends as well.

and truly, i think suo has very similar end goals. i just think, with how things turned out, suo made the very calculated yet risky (also aggressive?) decision to do the things that he did. making their underlying principals and values and reactions so oddly similar, from my perspective, is sooooo neat, and it adds more depth to why they go so well together.

also, reader is so brilliantly the comedic relief in this whole thing. usually, in storytelling, it's someone else and is used as fodder. i really like how reader is a lil awkward and bad with timing and everything else, cause it makes the reading experience flow so much better. really helped with the pacing of the story, gave it the character + breathing space needed to process everything. i also just like my readers a little fucking hilarious.

anyway, op, so beautifully written - see you in pt 2 gg

TOKYO VICE | part 1

You knew that if you agreed to move in with Suo, you'd be setting yourself up for a life without autonomy. You also knew that these alarming behaviours were all signs that he desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good decision. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Unfortunately for you, you rarely made good decisions. (Or: After joining the yakuza, Suo develops the concerning habit of controlling every facet of your life. This is somehow less worrying to you than your uncontrollable lust around him.)

8.7k words. suo x fem reader. deeply unserious yakuza au. yandere suo (not abusive and reader is into it), dark comedy, a little angst, smut. warnings: borderline sex work, off-screen criminal violence. nsft – no actual smut in this chapter, but there are still graphic discussions of sex. mdni. thank you to @sleepyqinfei for beta reading and to @/cafekitsune for the banner!

sequel to sincerity and this sakura/reader wip

part 2 here

You’re not exactly sure why you and Suo have never fucked.

It’s certainly strange, given that you're pretty sure that Suo has expressed at least passing interest in you over the years, and you have felt a lot of interest in him. (By ‘interest’, you mean that you feel an insatiable lust around him that you fight to ignore on a daily basis.) You can't exactly pinpoint why nothing has ever happened despite this mutual attraction, especially given your profession and indifferent feelings toward casual sex.

You can think of a number of probable reasons, which are separate from those you classify as stupid reasons. The latter class comprises silly concerns like a fear of rejection, fear of abandonment, fear of not being pretty enough, fear of not being good enough, et cetera. All very juvenile feelings—insecurities that you had in your teenage years, the days in which Suo ran around Makochi as a delinquent while you worked an honest job at a bar. (It was a girls’ bar in the red light district, but that's neither here nor there.) Your circumstances have since changed, and those anxieties have since faded. None of them have any material consequence for your current life, so you don't see any point in thinking about them.

The stupid reasons, then, definitely don't have anything to do with why you've never fucked Suo. But you can think of a few, more concrete reasons that may explain it. For one, Suo has been your friend since childhood and it’s generally a bad idea to have sex with your long-time friends. He was also your roommate for a while and it’s an even messier idea to have sex with your roommates. And now, in your adulthood, he’s your landlord in addition to being your boss, which makes him the worst possible person you could have sex with. You could lose both your home and your livelihood if things go south—both severe, material consequences that should theoretically keep your lust at bay.

Also, he's also a member of the yakuza.

Now, strictly speaking—you're not really opposed to having sex with violent criminals. It’s definitely not a good idea, but you don't usually have good ideas anyway. But for the past several years, you’ve been pissed at Suo for joining the yakuza in the first place, which actually does keep your blatant attraction to him in check. You simply dry up when you think too hard about all the feelings of betrayal.

When Suo was on the cusp of graduating from Furin and thinking about his future, you’d grabbed him by the collar and made him promise not to join the yakuza. They constantly tried to recruit from Bofurin, and they especially wanted Sakura, Suo, and Sugishita. You were adamant about chasing them off from Suo and Sakura whenever they approached—you had no need to worry about Sugishita, as Umemiya had already said he shouldn't talk to them, so there was no chance he was going to—and you begged Suo over and over not to join. Delinquency was fine, but a crime syndicate was something else altogether.

Suo seemed serious about it when he said he'd listen to you. He even applied to colleges, talked about maybe becoming a teacher and eventually supporting you so you could stop working in the mizu shobai industry. Back then, he often teased you by saying that you should marry him and be his housewife (or he could be your trophy husband, if you so wished). You thought he was joking, but with the way he always talked about his life after his degree, you wondered if he would seriously suggest it.

Of course, it was most likely just teasing, and you were fine with that. You were simply excited that he'd found a career that would make him happy. Nirei had also been accepted to university at that point, and even Sakura had an honest job lined up on Keisei Street. The future had looked bright for everyone.

Then Suo’s master died, and he lost his fucking mind.

The two of you buried Suo’s master in a Chinese funeral. He had never had children of his own, having satisfied his paternal instincts by picking up strays, and he didn't have much in the way of family in Japan either, so you and Suo performed the shou ling yourselves. One person kept a constant vigil over his body while the other searched on Google for what arrangements should be made next. After all, while Suo’s master had immersed his foremost disciple in his culture, he had never taught Suo any funerary customs. He hadn't thought there would be a need.

Suo didn't cry nearly as much as you, but he was probably in more pain. Your master had trained you a little bit when you were a kid, and he'd taken you in for a while after your parents kicked you out, so of course you were gutted. But he had practically raised Suo, so it was naturally worse for him. More shattering.

You often think about the first night you decided you'd sleep with him in the same futon because he was crying so much. He insisted he was fine, but he didn't complain when you got under the sheets with him and started thumbing away his tears. When you took off his eyepatch, you found, to your astonishment, that he was crying from his missing eye as well. Both of you thought the tear ducts had been destroyed in either the accident or the enucleation, but it appeared that not even that prior trauma could mask his grief over this one.

Nevertheless, by the time of the funeral procession, Suo had stopped crying.

“Master supported us and taught us to stand on our own two feet,” he said as the joss paper burned. He took your hand in his and smiled. “So it'll be fine. We’ll be okay on our own. I'll make sure of it.”

At the time, you had found this very comforting. You didn’t think too much of it, as you had a bad habit of relying on Suo for your emotional stability. His master had raised him to be an emotionally intelligent person, so it had been fine, even though you had a track record of reckless decisions. He’d still exercised endless patience with you. He never once got angry with you, nor did he ever force you to do what he felt was the right thing. Instead, he gently redirected your self-damaging behaviours—not so different from the martial art that he practised.

He disapproved of the run-down and lonely conditions of your apartment, so he spent a great deal of time there and helped make it into a proper home. He didn't like how dangerous your job at the girls’ bar was, so he walked you to and from work every night until you never left without him. He worried when you started having sex with your customers, especially when you began having nervous breakdowns over it (you were, after all, still a teenager and really only interested in having romantic vanilla sex with Suo), so he staged an intervention with Nirei and Sakura. In this way, Suo convinced you that you were loved and protected and didn't need to do something you hated so much. They would get you out if you felt trapped. And you didn't feel trapped, per se, so you left on your own—but it was still only because of them. You promised them afterwards that you'd never do it again.

This was Suo’s brand of kindness as a teenager. He always taught people, guided them away from harm rather than steering them—a behaviour he’d mimicked from your master. Your master, in general, had defined all of Suo’s values and his way of living, which was honest and gentle and conscientious. It was one where he used his abilities to protect the weak and care for his friends. He even kept his spiteful and alarmingly violent tendencies under control, though sometimes he slipped when fighting genuine assholes. But he still tried. He tried because he strived to be as kind as his master—who represented everything that Suo wanted to be in his adult life.

Thus, the death of Suo’s master meant the death of his principles. It changed the kind of man that Suo wanted to be. You don't want to say that he became a worse person, but he absolutely became a worse person.

He especially became a worse person with you.

As it turned out, Suo’s idea of making sure that the two of you would be fine on your own was, well, not really fine. It wasn’t that he became cruel to you, per se. It was more that whenever he saw a problem with your behaviour, his approaches to redirecting it became—put as nicely as possible—heavy-handed.

After your master’s death, you got a job at a high end, yakuza-owned club. Two weeks later, Suo broke his promise to you and joined the yakuza. So I can stay close to you, he explained gently, wiping away your tears as you cried hysterically, but you're convinced to this day that he did it partly out of spite. So a few years later, when you started having sex with your customers again and he tried to stop you, you decided to spite him back. I need to stay on top of the rankings, you'd explained dispassionately. The mamasan said it's fine, and the manager doesn't care. He even thinks it's good for business.

Suo’s response was to simply become the owner of your club.

This move was very extreme, but also very effective. Any customer who so much as brushed against you on the premises was instantly thrown out, and the mamasan started watching you like a hawk to make sure you weren’t going to any love hotels after work. Douhan were off-limits. For the first time since your teens, you became completely celibate—not only because of your new workplace circumstances, but because you simply didn't want to find out what Suo would do if you got together with a man he despised (and he despised every man you dated).

His most absurd play was when he became concerned about your living conditions again. Your latest apartment was too plain, too small, and the area was too dangerous. It didn't even have a shower, and the other tenants behaved concerningly toward you when you went to the bathhouse at night. But the rent was cheap, and it was still an upgrade from your last place, so you shrugged it off when Suo suggested that you move. Even when someone tried to accost you at night, you were nonchalant about it. You kicked the shit out of them in a fight and continued your routine unbothered.

The next month, Suo bought a luxury penthouse and suggested you move in with him.

His offer (command) came with conditions. One of the bigger ones was that you'd let him accompany you out at night if you ever needed to run errands in dangerous places. Or—nevermind, actually. He should really just accompany you everywhere at night. Maybe during the day too. And—ah, there was no way you'd be going to work alone, nor coming back by yourself—you were now always to be driven by someone in his organisation, if he wasn't available himself. Rent was a point of contention, when you asked about it: you wanted to pay at market rate, and he insisted that there was no need to pay at all. He ended up proposing a highly discounted price, which would give you ample financial freedom, but questionable financial independence.

These were insane terms. You knew that if you agreed, you'd be setting yourself up for a life without autonomy. You also knew that these behaviours were all signs that Suo desperately needed therapy to process his master’s untimely death. Living with a man in constant grief, who refused to talk about his trauma unless he was making up a lie related to the nation of China, was probably not a good idea. Doubly so when this man was clearly paranoid about losing you, and triply so when he was a high-ranking member of a violent syndicate. Case in point—he was likely connected to the brutal accident that later befell the man who tried to assault you.

“I'm not sure what you're implying, but at least he didn't die,” Suo said cheerfully when you confronted him about it. Which really meant: At least I decided not to kill him. This was a flag bigger and redder than any other you've ever known, and you consider yourself an expert in red flags. You knew you should run in the other direction.

So naturally, you put your arms around him, tenderly said, I'm sorry I've been worrying you, and then you moved in the next day.

While Suo treats you with endless patience, you have personal limits to the patience that you exercise with him. Specifically, your patience with how he treats you.

You don't mind the lack of social freedom, nor the lack of personal freedom, nor the lack of freedom of movement. You also don't mind living with a man full of intractable trauma surrounding the death of every parental figure in his life; in fact, you'd rather be by his side than not, if he needs to cope with something so painful. And anyway, your friendship is otherwise unchanged if you ignore the heavy restrictions he's imposed on every facet of your life. So that's all fine.

But the celibate lifestyle that he's cornered you into? You simply aren't built for it. Holy shit, do you need to get laid.

Nearly two years without sex has brought you close to another nervous breakdown (there have been few better sources of entertainment or validation in your life), and worst of all, it has made your profound lust for Suo incredibly hard to ignore. Waking up every morning to him in a towel, his hair still wet from the shower and his broad silhouette exposed, tests the absolute limits of your self-control. The contours of his lean and muscled form are distracting enough; coupled with the vivid colours and lines of his irezumi, the sight of him becomes maddening. It is a horrible thing to be exposed to when you haven't gotten any dick nor strap in over a year. It gives you thoughts about him that are overtly sexual, which is bad, as you have materially consequential reasons for not wanting to fuck Suo.

Things with him must absolutely stay platonic. But with sexual frustration like yours, being platonic with him means that you need to get erotic with someone else. A boyfriend or girlfriend is out of the question; you don't want to be responsible for yet another brutal accident. So you instead decide to quit your job at his club and start working on Keisei Street. At least this way, you can start fucking your customers again.

It’s a perfect plan. Suo’s oyabun is very indulgent toward him, and everyone else in the family respects him too. He consequently has a tight grip on his organisation and the territory they control, despite his relatively young age. Not a single person is ever to touch Keisei Street—largely because Sakura is part of Roppo-Ichiza, and Suo is nearly as weird about Sakura as he is about you. Plus, many of his other fellow Furin alumni are in the gang as well. If Suo’s men ever started fucking with people on Keisei Street, it would not only have grave implications for gang relations—it would be personally upsetting for Suo. This means you can fuck all the Keisei Street customers you want, and not get a single one of them threatened or killed.

A pretty brilliant idea, if you do say so yourself.

Suo’s expression doesn't change when you break the news to him. He delicately places his teacup—custom-made from Yixing, just like the matching clay teapot—down on the mahogany tabletop, and he looks at you with a calm smile.

“Come again?”

“I'm quitting my job at Red Dragon,” you repeat. “I already gave the mamasan my resignation.”

“And she accepted it?” Suo asks, in a tone that is so carefully nonchalant that you know it means he is actually furious with her. “How interesting,” he muses. “What brought this on?”

“I've found a better paying opportunity on Keisei Street.”

“I'll give you a raise,” he says easily.

“A raise?” You cock a brow. “The pay is mostly commission-based at Red Dragon. You know that.”

“Then it would be unwise to leave. You have a loyal customer base at Red Dragon. All very rich, and”—his smile grows sharp—“very polite.”

Polite. An interesting word. It actually means: None of them will ever proposition or harass you because they know they'll be maimed if they do. An easy thought to use to your advantage.

“It's loyal but it's small. Everyone who's anyone in this part of town thinks that we’re married. Do you know how hard it is to pull new customers in when they're scared shitless of my yakuza husband? And anyway”—you frown, trying to look as pathetic as possible—“I'm lonely.”

Suo stares. He looks surprised, possibly because you absorb every minute of his free time with silly conversation, new restaurants, and skiing trips. (He likes snow, so you ask for these trips more for him to relax than anything else.) You also text him frequently on days he's working, and he very diligently replies, even if he's in the middle of something like a raid or a hit or brokering a massive deal. Suo still very strictly keeps to his rule of never touching his phone when in conversation with other people—unless he needs to text you.

So his suspicion is fair. Suo is very attentive and doesn't allow you much opportunity for loneliness. In turn, you’ve always been very happy spending time with him, even when it's only him.

“Lonely?” he repeats. “Are you, now?”

“Yes. You work so much,” you complain, which is not a lie, “and I don't have any friends to spend time with when you're gone.”

“You have friends from work.”

“No, I have competition at work. The hostesses are so cutthroat about rankings, they hate me. And each other.”

“You like Shuuhei and Hanzo,” he points out, referring to his men who most frequently chauffeur you.

“Yeah, they're friendly, and they're very funny. I like them, but I can't be their friend.” Suo stares at you, nonplussed, so you spell it out: “They're too scared of you to get close to me. What if it looks like they're trying to fuck the boss’ wife?”

“Hm…” Suo studies you, looking thoughtful. Perhaps for the first time, he's contemplating the consequences of restricting your freedoms and marking you as his. That is to say—maybe he's finally realising that you have no friends and no life.

The beads of his earrings glimmer as he tilts his head at you and frowns. Suo almost looks innocent with that confused face of his. “And how would working on Keisei Street help?” he asks.

“Because all our old friends are there!” you exclaim. “Sakura’s in Roppo-Ichiza now so he’ll definitely be coming by all the clubs. Tsubaki too. And Nirei and Kiryu visit them quite often—and even Tsugeura does sometimes, even though clubbing isn't one of his virtues.” You grab onto his arm, pull yourself close, and give him your most disarming, pleading expression. “Please, Suo?”

“Hm.” He strokes your cheek and looks at you fondly, in the way that one would do with an adorable and slightly annoying kitten. “I don’t think so. It’s not very safe there.”

He isn't wrong. Not only are you untouchable on his turf because of your association to him, Suo has also just crushed all the han-gure and petty criminals in his territory with brutal efficiency. His part of the red light district is, quite ironically, one of the safest places in the city, and certainly safer than Keisei Street.

But undeterred, you point out, “Shuuhei and Hanzo can still drive me there and back if you want. But I don't think it's necessary. Do you really think Sakura would let anything happen to me?”

This is the true brilliance of your plan: capitalising on the fact that Suo is as nearly as weird about Sakura as he is about you. He pauses as soon as you bring up the point, and you can practically see the gears turning. “Well, if it's him…”

“I even texted him about it. Look—here!” You whip out your phone, receipts ready. The corner of Suo's mouth lifts at your obviously rehearsed pitch. “He says he'd make sure I'm taken care of. And he says it'd be nice because he misses seeing us. Can you believe it—Sakura actually admitted that he misses us! Typed it with his own two hands and pressed send! I bet he was super embarrassed about it.”

“Huh. He even used a sticker. I've never seen him do that.” Suo smiles as he reads through the chat. He looks like his old self. You suddenly feel a little wistful, and also a lot bad. This started as a ploy to get laid, but it’s made you realise that you really do miss your friends—and Suo probably does too.

“If I worked on Keisei Street, then you would have plenty of reason to visit,” you point out, feeling somewhat tender.

“I guess that's true,” Suo says. Your heart aches a little bit at the look he gives you. It's a platonic ache, of course. Or at the very least, it isn't an erotic one. It doesn't really make you want to have sex with him anyway. But if you could lean forward and press your lips to his—platonically—then you definitely would.

Suo's civilian friendships are complicated by his double life. Quite unusually for yakuza, Suo’s syndicate insists on using pseudonyms and false histories to avoid anti-yakuza laws, on the off-chance that the police decide to do their jobs and actually enforce those laws someday. Lying for comedy is one of Suo’s greatest passions, so he was happy to manufacture an absurd backstory: his name is Yanzhao, and he learned kung fu in a Shaolin Temple before moving to Hong Kong and working for the triads. He wears the eyepatch because he lost his eye in an altercation with the cops, which he won. By the way, you're his criminally beautiful wife who he met in Macau. The two of you had to leave for Japan since he killed a police officer and now he's wanted by the governments of both China and Hong Kong. Also, he's a very devoted husband, so if anyone lays a hand on you, he’ll kill them too.

Somehow, everyone has bought into this story. Every criminal organisation in the red light district now fears a high-ranking yakuza known as Yanzhao, who is easily recognizable by his eyepatch and tassel earrings, and who is also homicidally obsessed with his beautiful wife.

In some ways, his infamy is convenient. No one wants to fuck with Suo, or with you by extension. But it also poses some issues: Suo has to keep a low profile in areas controlled by rival organisations, or else he might be ambushed. It also means he cannot easily go out and see his old friends. Even though he always masquerades as a civvie when he does, wearing stud earrings and a glass eye, it's still a little risky—especially since he likes to visit the strongest member of Roppo-Ichiza. While Roppo-Ichiza aren’t yakuza, they're still han-gure, so some of its more criminally entangled members might recognize him anyway.

But Sakura himself, bless him, has not put two and two together and figured out that Suo Hayato and Gui Yanzhao are the same person. This is partly because Suo lies very convincingly about his fictional career in the tea industry, but you think it's also because Sakura is so gullible it's endearing.

I use the glass eye now because it's better for networking, Suo had explained before Sakura could interrogate him too much, his voice too smooth and too quick for the other man to get in a word edgewise. My business partners find the eyepatch too silly. The tassel earrings too. By the way, would you like some Baimudan tea? I thought of you when I smelled it—I know you like fragrant things—so I picked some up for you on my last visit to China. I was there for business a couple of weeks ago.

He, of course, neglected to mention that said business involved meeting with the 14K triad.

Despite the enormity of Suo's omission (lie), Sakura is none the wiser whenever he meets with you. He thinks you're just a regular hostess who has freedom of movement and various other human rights, and that Suo’s just a regular guy who isn’t homicidally obsessed with you (a detail of Suo's fabricated life story that is unfortunately grounded in reality). All this to say, Sakura doesn't think twice about mentioning the fact that you have a routine of going to love hotels after work.

Suo, as always, remains calm in the face of unsettling information. He sets down his tea (just tea, without shochu), and politely says, “Pardon?” He's once again using the nonchalant kind of tone that suggests mortal danger.

“She's always going to love hotels after her shifts.” Sakura is frowning at you, pink but scowling. “I thought you said you were done with that stuff. You promised us you wouldn't do it anymore. Suo—are you really okay with this?”

On the one hand, you find it exceptionally sweet that Sakura, after all this time, remembers your promise and wishes to hold you to it. He was so worried about you when you started having those nervous breakdowns as a teenager, and he probably still is. On the other hand, you're shitting bricks at the fact that Suo is now aware of your activities. Because sure, he likely won't fuck with Keisei Street—but you realise, as he stares at you, that you can't be certain of this. After all, your fake yakuza husband has very real homicidal urges.

“Um,” you say. “It's just business.”

“Business,” Suo repeats.

“You don't have to do that stuff to keep good business,” Sakura grouses, unaware of Suo’s carefully suppressed rage. “You're real popular already.”

“Are you?” Suo asks, looking right at you.

“I mean—I told you the pay would be better, right?” you reply, voice oddly high and nervous, and this is when Sakura notices that something is wrong.

“Oh,” Sakura says, looking between the two of you. “Suo, you didn't know?”

“I didn't,” he says. “Actually, she told me specifically that she wasn't going to do that if she worked here.” He turns to you, still smiling. “That's the only reason why I allowed this at all, remember?”

A chill travels down your spine. You did, in fact, commit to a perpetually sexless lifestyle in order to be granted some semblance of freedom: Of course I won't sleep with any customers, you'd said. You know I don't really like doing that anyway. I promise I'll behave! I’ll be out of the clubs and right back home. Sakura said he’d make sure I’ll get to a cab safely after the bar closes and everything!

“Um,” you say again, but this time you have no follow-up.

“Wait,” Sakura demands, “what do you mean by ‘allowed her’? What, do you need to give her permission to work now or something?”

Suo smiles disarmingly at Sakura. Without missing a beat, he says, “Generally no. But we’re dating now, which complicates what she’s allowed to do with other men at her job.”

Sakura spits out his drink. You choke on your spit.

“I… um?!” Sakura’s staring at you, so you quickly recover. This is a mortifying lie, but it's better than Sakura finding out just how batshit Suo has become since his school days. “I thought we were going to keep that a secret, dear?”

“Ah, you're right. Sorry, I got too excited.” Suo gives you an endeared look before turning to Sakura. “We were going to keep it to ourselves unless we got serious about it. But we've been talking about marriage lately, so I thought it was fine to mention.”

“...”

You’re going to have an aneurysm. Why does every cover that Suo comes up with involve a marital relationship between the two of you?!

“Oh… holy shit.” Sakura’s expression is complicated—somehow, more complicated than yours, even though you’re the one getting cornered into a fake engagement. It's unbelievable how shy he still is about this kind of thing. Maybe it’s just particularly embarrassing since he's known you two for so long, you reason. Regardless, he remembers his social cues enough to say, “Congrats, guys. That's great. That's really great.”

Suo gazes fondly at you across the table. “We were thinking you could be our best man,” he adds, and you consider violently kicking his leg.

“O-oh. Uh, yeah! Sure! But what about Nirei?”

“Rather than having a maid of honour,” you say reflexively, used to lying through your teeth for Suo, “we’d like him to be our best man as well.”

“Oh. That makes sense.” Thrown off guard, Sakura completely forgets about the love hotel business. He whips out his phone. “When were you thinking of having your wedding? I'll put it in my calendar.”

“I’m not sure.” Suo turns to you. “What were we thinking again, dear?”

You're going to die. You're going to die and it's a good thing because if you survive this embarrassment, your future will be bleak. As soon as Nirei finds out about this, he’ll want to start helping you with wedding planning, and then it would just be too awkward to cancel things. You’ll have to enter a fake marriage with Suo, which will be completely sexless, because even with a vow of everlasting love, there are still too many concrete and materially consequential reasons for not sleeping with him.

Condemning yourself to a lifetime of sexual frustration, you reply, “I think we were talking about a summer wedding.”

The drive home is awkward.

Hanzo and Shuuhei pick the two of you up. Suo mentioned that he wanted to talk to you and you alone, so they bring the Rolls Royce with the privacy suite. The two of them are entirely cut off from you thanks to the soundproofing, which traps you with Suo, who’s drinking a bottle of oolong tea as the two of you sit in complete silence. You think he's waiting for you to squirm—which you do.

You stay like that for five, agonising minutes before Suo finally says, “So you're sleeping with your customers.”

You swallow. “Yes.”

“For business?”

“Yes.”

“How much do you make?”

You blink. “Huh?”

“How much do you get paid for a single night of work, including gifts that your customers give you in exchange for sleeping with them?”

You're halfway through citing your earnings when you realise where he's going with this.

“So you make less than you did at Red Dragon,” Suo concludes, “and you're very smart with your money, so I know you know that, and you probably went into this knowing that you'd end up at a net loss.” He turns to you, gives you a look so sharp that it almost scares you. All made worse by his civilian disguise, which makes him feel unfamiliar. His glass eye shines strangely in the light, and his scar tissue is hidden by the makeup you helped apply. You wish he'd taken it all off before having this conversation.

“So,” he says, “what’s the real reason you changed jobs?”

Already knowing that he’ll figure you out sooner or later, you admit, “I just wanted to start having sex again.”

Suo blinks. “You… what?”

“I wanted to have sex with people,” you repeat. “I hadn't been touched for nearly two years, okay? I needed to get laid or else I'd go insane.” You cross your arms and look away, suddenly feeling petulant. “I'm sure you've noticed that our arrangement makes it impossible for me to see people.”

He doesn't answer, because of course he's noticed. He’d designed his house rules with precisely this intent. If he accompanies you everywhere you go, then you can't exactly go on dates, and you definitely can't meet people for sex. Not unless you feel like having Suo watch as some anonymous guy fucks you, and you don't. As hot as the idea is, it’s definitely not platonic behaviour, and it would probably trigger the whole homicidal obsession thing.

“Do you like it?” Suo asks, startling you. You look at him, confused.

“What?”

“Do you enjoy having sex with your customers?” he asks. His voice and gaze are even. Unrelenting. “Does it make you happy?”

You stare at him, a deer caught in headlights. You didn't expect Suo to actually care about whether you enjoyed it or not, and you didn't really expect to care yourself either. But truthfully, you hated it. You simply weren't feeling it with most of your customers and avoided intercourse with all but one. Then in that one case you let someone earnestly fuck you, it was a complete letdown. Possibly the worst sex you'd ever had. You spent the whole time watching the clock, wondering how long it would take, and it turned out that your hookup had remarkable stamina but absolutely no technique. To pass the time, and in an attempt to feel something, you tried to imagine it was someone else who was inside you. You cycled through a whole list of people, including all of your exes, a few of your past customers, every single member of BTS, and then—finally, inevitably—your long-time friend, roommate, and landlord.

To your complete horror, when you imagined that it was Suo who had you folded in half, his cock so deep inside you that you could feel it in your throat, you came so hard that you drenched the sheets.

You lay there afterward as your customer showered, alone in the bed. Normally you'd be getting dressed at that point, but you were too distracted. You kept thinking about what it would feel like to be held by Suo after having your guts rearranged by him—embraced tenderly like you know he would do with you, kissing him platonically like you've always wanted to do with him—and you realised that you didn’t actually want to have sex with anyone else. Despite all your life experience, sexual experience, and job experience—in that moment, you felt like a lonely nineteen year old girl who wanted nothing more than to have romantic, vanilla sex with her best friend, but who was instead having impersonal, disappointing sex with various salarymen.

This was a feeling so disgusting that you’ve decided to never tell anyone at any cost.

“Yeah, it's fine. I guess I like it.” You pretend to study your nails. “Sometimes I cum, which is all I really want.”

Suo keeps staring at you. “That’s it?” he asks, voice measured and careful. You raise a brow, playing dumb.

“What do you mean?”

“That's all you want? Just to get off?”

You gaze out the window, trying not to look at his lips.

“Yes, that's all.”

No matter how batshit Suo gets, he always maintains a certain kindness and maturity in how he handles conflict with you. It's a lesson that he learned from his master, which has perhaps been distorted over time, but remains important to him nevertheless.

If you do something upsetting, Suo is never forceful about getting you to act differently. Sure, he has fucked up ways of either getting you to behave or making you understand the consequences of your actions, and perhaps he has his manipulative moments. It was probably not a good thing that he coaxed you into indefinite house arrest, for instance. But he never threatens you, and he never hits you, and he never disrespects you. In fact, more than anything, he makes it a point to never let you feel like you aren't loved.

So when Suo abandons you after that conversation in the Rolls Royce, you lose your fucking mind.

Suo doesn’t come home in the days following that evening, without any note nor explanation. For the first time in years, he stops replying to your texts. Your immediate thought is that he's been gravely injured or perhaps even killed, which sends you into a panicked spiral. But every one of his men who's come by to check on you has implied otherwise—but I'm not allowed to tell you anything else, anesan, I’m sorry, they all say. And when you realise that Suo is actually fine and he's just playing a fucked up mind game with you, one that makes you feel distinctly unloved, you feel simultaneously heartbroken and apoplectic. The man is not allowed to corner you into de facto imprisonment and then just fucking leave. In fact, if he tries, you might imprison him.

You spend a few days sitting at home and crying over this, as well as torturing yourself by thinking about useless things (fear of rejection, fear of abandonment, et cetera). But eventually, you get tired of wallowing in self-inflicted misery, and you decide to just track your fake husband down. His men have been adamant about not letting you out of their sight—presumably so you don’t fuck any more of your customers, because Suo can be spiteful like that—so you have to be strategic about your plan to find him.

You decide to do it during work. You tap out in the middle of a shift, feigning illness, so nobody bats an eye when you put on the most shapeless hoodie you own and throw on a face mask. Your chauffeurs (handlers) don't notice as you sneak off—and for the first time in years, you walk through the red light district all alone.

It feels strange not to be protected, and even stranger not to be surveilled. You marvel at the unfamiliar experience of complete freedom, and at the possibility of being able to run off and disappear if you so wished. But you don't, of course. Not only do you care too deeply for Suo to abandon him, you're also pretty sure he has your driver’s licence and ID card locked up somewhere. At least you haven't been able to find them, and Suo was oddly evasive about it when you asked. (I haven't seen them, he'd said, but I don't think you’d need either of those things immediately, anyway, do you? And you nodded in response, because it was true that you liked being his passenger princess too much to care about your licence.)

So rather than bolting for the subway, you head straight to your old workplace. The gleaming doors of Red Dragon welcome you as you cross its threshold, and you're greeted immediately by the scent of luxury colognes and expensive cigars—both evoking a strange nostalgia in you. Even the click of your heels against the marble floor feels familiar. You realise that you've missed the place despite its cutthroat culture and its owner’s authoritarian control over you, which you suppose isn't surprising. This club was more or less your home for years and, thanks to said owner, was the safest place you've ever worked.

And being that you feel you've returned to your very safe home, you don't expect it when you're abruptly stopped by the bouncer.

“Can I help you?” he asks, his arm in your way. You don't recognize him, but you see the edges of his irezumi peeking out from the rolled-up cuffs of his shirt.

“Yeah, actually,” you say. “I'm looking for Gui Yanzhao. Is he here right now?”

The bouncer—or chinpira, you guess—bristles.

“You're looking for who?”

“Yanzhao?” you say impatiently. “Eyepatch, tassel earrings? Owner of the club? Probably your boss?”

The bouncer steps forward and reaches for something in his pocket, which makes you suddenly nervous, and also makes you realise that in a hoodie and a face mask, you ordinarily wouldn't be allowed in this club, let alone into the room of its yakuza owner. You're so used to VIP treatment here that you simply forgot.

You take a step back. “Um. I think there's been a misunderstanding.” You lower your face mask, which doesn't help as you've never met this man, and he must be new. You’ll need to complain to Suo about his onboarding process later, if you aren't killed before you can find him.

It turns out that this yakuza rookie has a knife in his pocket, which is not the worst thing he could have been carrying, but is also not the best. You're getting ready to run in the other direction when a more senior member of the gang comes by. He gives you a startled look, which then turns alarmed when he sees his younger brother’s knife.

“Anesan!” he yells hurriedly, and he snatches the chinpira’s knife straight from his hand. His lunge for the weapon turns into a hurried bow. He pulls his colleague—whose face has turned very white in a very short amount of time—into an even deeper one. They look on the verge of prostrating.

“Oh, Yamashita. Hi! Is this guy new?”

“Yes! My sincerest apologies for my younger brother’s idiocy, and his insolence in raising a weapon at you.” There's a sheen of sweat on the back of his neck. “If you would like him to atone, then he would be more than happy to—”

“No, that's fine. I'd really like him to keep all his fingers.” If you have to see a rookie cut off his pinkie today, you think you might actually change your mind on running away. Fuck your documents—Suo can keep them. Surely life without proof of identity can't be that hard. “By the way,” you say, trying to change the topic before Yamashita can suggest alternative acts of atonement, “have you seen my husband?”

Yamashita hesitates at your question, looks conflicted. You feel a little bad for him, and for every other gang member who needs to worry about accidentally offending Suo. You watch him sweat for a full ten seconds before he says, “You can follow me. But anesan, you might find it unpleasant upstairs. I can find someone to drive you home instead, if you'd like.”

You give him a funny look. This was your workplace for a very long time—you can’t think of many things that would happen here that might seriously upset you. “What, is he cheating on me?” you guess.

“What? No! Aniki would never!” Yamashita seems genuinely shocked at the suggestion. “He's crazy about you!”

“Then I'm sure he’ll be happy to see me,” you say, although given that he's ignored your texts for four days straight, you aren't so sure. Regardless, this seems to be good enough reasoning for Yamashita, and you’re taken to the top floor of Red Dragon. You ponder the whole time, on the elevator ride up, just what exactly Suo’s been up to that's made Yamashita this nervous about letting you see him.

Then the door opens, and you’re given your answer in the form of several body bags—all cleanly zipped up and conscientiously laid out in front of the elevators in a single, neat row. A sight that is significantly worse than a rookie cutting off his pinkie finger.

“Oh,” you say faintly. You try not to throw up. “So this is why he hasn't been home.”

“Exactly!” Yamashita replies, beaming. “See, anesan, I told you. He'd never cheat on you!”

Suo is in the lounge of the top floor, which has been cleared of both civilians and corpses for the night. He's sitting on one of the couches, leaning back with his one eye closed, as if asleep. The golden tassels of his earrings are draped over the expensive leather of his seat, intertwined with his dark hair. A cup of tea sits in front of him, steaming. Even this far away, you recognize it by the scent alone: jasmine, probably from Longjing. One of the most expensive blends he has, and that which he saves for days he’s stressed, though he never admits it when he is.

The sight of him would almost look tranquil, except for all the blood on his knuckles and his cuffs.

Off to the side, two of his younger brothers are chatting away. One is pouring cups of some doubtlessly expensive liquor, and the other is smoking a cigar. There's karaage on the table too. You recognize all of this as part of a ritual that some of the guys like to do after a hit or a shootout, not dissimilar to getting ramen or McDonald’s after going to a club.

You catch a bit of their conversation as you approach. One of them holds up the liquor bottle (Isojiman sake, you now recognise from your girls’ bar days, one of the rarer bottles costing around nine million yen) and asks Suo if he wants to join. “No thanks,” he says predictably, “I'm on a diet.” Then he turns and looks right at you—startling you, because you had thought you were being fairly quiet—and gives you a smile so genuine that it reminds you of his Furin days. “Would my beautiful wife like to drink for me, though?”

“No thanks,” you reply, “but your beautiful wife would like to talk to you.”

The two guys clear out to give you some privacy. You’re left alone with Suo, feeling awkward after several days of resenting him for no reason. (You’d rather die than go to therapy, but the whole fear of abandonment thing is probably something you should start addressing.) You don't even know where you want to sit. Eventually, you settle for placing yourself next to him, which is a decision that Suo quickly overturns by pulling you into his lap.

A flutter erupts in your stomach as he settles you on top of him. This physiological reaction is absurd, as not even ten minutes ago, you were trying not to throw up at the line of corpses in front of the elevator. It should also scare you somewhat that Suo’s hands—delicately adjusting your body—are still covered in blood. But truthfully, you can't help but be happy when he makes you feel so loved.

You take one of the napkins on the table and start wiping at his knuckles. Tenderly, in case they're bruised or skinned.

“You didn't call or come home,” you start.

“I thought it would be too dangerous.”

You frown, thinking of all the bodies outside. “Was this a rival organisation?”

“No. They were ours.” He sighs. “A succession conflict. There are a few people who don't like how I'll run things if I take over.”

You nod. Suo is very old-fashioned in his ideals about the yakuza, which you think is an imprint of his master’s influence, and something that appeals to his current ‘father’. He values chivalry. He likes protecting the weak. His filial devotion to his deceased master has now extended to every member of his yakuza family, especially his oyassan. He’s almost certainly the top candidate for taking over after the oyabun dies, but being that part of his old-fashioned principles excludes lucrative projects such as sex trafficking, you suppose it’s natural that some people in his organisation would prefer him dead rather than in charge.

“You’ve never ghosted me during violent conflicts before though,” you say. “I was worried that something happened to you. Or that you were upset with me.”

Suo’s hand drops to your waist, pulling you a little closer.

“They knew where we live. They tried to get to you, you know.” Your eyes widen in alarm, so he cups your face with a palm. His thumb glides along your cheek, and your response is almost Pavlovian: your heart rate immediately slows at the comfort of his touch. “It’s fine. They won't bother you ever again.” The cheerful smile returns. “And if anyone else ever does, I'll handle them too.”

Your heart swells. Enthusiastic pledges of murder are not a healthy sign of affection, but after so much loneliness—whether from the past several days, or the years before that, you aren't sure—you can't find it in yourself to be disturbed. You feel and sound painfully fond when you reply, “I know.”

Suo’s expression dims a little then. “I thought you'd like the space anyway.”

“What?” You give him a confused look. You have never once given him any indication that you want even an inch of space from him. You'd crawl into his ribcage if you could. “Why would you think that?”

“I thought you felt suffocated. You left my club just so you could have sex with other people.” You blink, lingering on his wording. Other people. He continues before you can ask about it, sighing, “You didn't even ask me who I'd give permission to touch you. You just went ahead and decided on your own.”

“...”

You try not to look disturbed. Suo’s apparent wish to control your sexual decisions is news to you, and somehow more alarming than the murder pledge. And even worse—you immediately clench in response to his words. The thought of Suo dictating who does and doesn't get to touch your cunt is… well, your mind is heading in a distinctly non-platonic direction.

Trying to ignore the heat in between your thighs (but at the same time encouraging it), you ask: “Who would you have been, um, okay with touching me?”

“Sakura or Nirei,” he says immediately. “Though only Sakura would be interested.”

“What.” You gape at him, all arousal forgotten. “Bullshit. He would never.”

“Yes, he would.” Suo tilts his head. “Haven't you noticed?”

“I don't think there's anything to notice? And also—he’s so shy, I don't think he'd ever agree even if he were interested!” You give him a bewildered look. “He couldn't even look at us when we said we were getting married, he was so embarrassed!”

“Embarrassed?” Suo stares at you, an amused glint in his eye. ���Is that what you thought was going on?”

“Was there anything else?”

He studies you for a moment, clearly entertained but not explaining why. “Well—it’s fine,” he says. “It doesn't matter for now. Especially since he's helping us plan a wedding and all.”

You make a face. “I still can't believe that's the cover you went for.”

“Are you upset with it?” he asks smoothly, and you huff and say yes, but from his sly look, you think he knows it's a lie.

Naturally, you deflect before he can further interrogate you. “So, given that you are now my fiancé, am I no longer allowed to work on Keisei Street and see customers after my shifts?”

You don’t expect it when Suo says, “No, you can.”

You stare. “What?”

“You can keep seeing customers if you'd like. You said it makes you happy, so why would I stop you?” Suo’s brow furrows, his usual calm replaced with concern. “Do you really think I do the things I do to make you miserable?”

Guilt gnaws at your heart. He looks so disappointed. “No,” you tell him. “I just thought it'd make you miserable that I was sleeping with people without your permission.” It is partly why you hid it from him in the first place, after all. You don't like to see him sad—you’re still haunted by the deep grief he was in, after your master died—and also, his misery tends to bring bodily harm to other people these days.

Cognizant of both concerns, you ask, “You’re really okay with me sleeping with my customers? I can stop, if you want.”

“No, it’s fine. I still don't like it, but you can continue for now if you want.”

Suo’s mouth curls—not in a gentle way, as has been his expression since seeing you walk in, but in a way that sets off your flight or fight response.

“I'm sure we’ll reach a mutual understanding soon enough.”

END PART 1

thank you genuinely if you read all that because this is a deranged au and I still can't believe I wrote it sldfkjsldfkj. please do let me know if you enjoyed my yandere suo delusions. sorry there was no smut in this chapter. I promise there is a ton in the next one (probably too much... lol. it's a 10k chapter and literally half of those words are about orgasm denial sldfkjalskdjdf). it's completely written and I hope to edit and have it up by next week!

also here is glossary of terms and world building notes if you are interested!

tagging @kweenkatsuki-fics !! <3