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j228 · 2 years ago

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anyway aside from all the valid rage and disappointment following the cancellation drama, here’s my actual concern, systemically -

taylor usually isn’t one to personally address fandom disasters. you could argue it’s her signature post-reputation but i think it’s more the scrutiny she received after the infamous “choose the right one” instagram post. she’s notorious for letting bigotry, bullying, misinformation, and worse run rampant in her millions strong global fan base. her standard for fandom drama has always been to pretend it’s not there and watch it fade. and it’s worked.

i assume at her level, voicing most any opinion guarantees loss of revenue. she’s a rare phenomenon where everybody who’s anybody will find an essence in her artwork to connect to, so in her case, this is a good PR move. this distances her from the controversy as much as possible (“she’s not chronically online guys she didn’t even know this was a thing” – remember this? when they’ve voiced their allegiance since the early days of her career. and now we’ve all forgotten that was ever a chapter in her career)

ticketmaster is a huge corporation. in 2019, they had a net worth of over 11 billion dollars. that is no prey in a school yard. however, taylor is the largest pop phenomenon worldwide, not only due to her enduring record sales, but her longevity in multiple global markets and genres. her fans have never failed to put their money where her mouth is (and she has worked painstakingly to make them feel like that is worth their time).

her last major tour, 2017-18, is one of the highest grossing tours of all time, attended by almost 3 million fans across the globe. after a 4 year long wait, three major releases, and 2 re-releases, any business strategist could have predicted the anticipation for the eras tour would eclipse all of her past tours, but big streaming numbers hardly equate to sold-out shows, and conservatively, she released a limited amount of tour dates to anticipate real demand.

tickets from loverfest qualified fans a “boost”, capital one members received pre-sale codes. over a million fans were sent these codes to be “first in line”, or at least some security that reassured them a spot. however, come actual pre-sale period, the system was not only unequipped to handle that sort of traffic, it was downright incompetent. resultant mass discourse drew more attention, generic markets (and lawmakers?) stuck their ears to the walls. it’s a scandal, her fans are angry, record traffic for ticketmaster, calls for abolishing and restructuring ticket selling monopolies. good attention? probably not, but she’s being talked about. and however negative the press, everyone seems to agree the cause for this hysteria is that the brand taylor swift is simply too big.

now that i’ve stated the obvious, here are two different scenarios:

this was planned / this was not planned and playing it safe made a hard situation impossible

1. This Was Planned

i won’t insult anyone reading this or the myth, the legend, the brand herself by ignoring the fact that taylor commanded the payroll practices of two of the largest streaming companies in the world. spotify v apple music doesn’t matter to her, because try as they did, none could best her in any of the issues raised regarding their practices towards compensation to artists. she attacked their money, and they had to listen. why? because they made more money with her despite larger payouts to everyone else, than without her. therefore, the mismanagement of presale, the creation of a separate new system despite demonstrated success of the old verified fan order, the limited dates, the reselling/scalpers nonsense on secondhand sites (good to spare $20,000 a pop, anyone?), and the silence:

1a. is all orchestrated to boost her name into bigger heights and notoriety than she has ever had. it is one thing to sell out stadiums consistently, yet another entirely to create as much scarcity as 9000 stadiums. artists have to approve dynamic pricing, which was one of the main concerns from fans. despite stating tickets would go as low as $49, most nosebleeds started at around $119. ticketmaster is no paper bag to poke at, but for taylor swift, it just might be. they’ve braved bad ux scandals before, and this one would be easy enough to wash down with their (frankly, absurd) service fees attached to every transaction. and when those transactions are 2 million tickets worth 300 dollars on average, they digest just fine.

1b. is where such her old forgive and forget strategy sails weak. the outcry and mass commentary, not unlike rep tour, this time caught wind of several loudmouths (said with the most benign of intentions) who are willing to publicize and push it forward as a rallying call. we have witnessed several calls to action regarding lawsuits, antitrust law adherence, and even federal investigations on ticketmaster. her image as a friend to fans is at the brink, because while most fans are directing their anger at tm, the fact of her own influence is also catching up to many. either she embraces a cold, distanced persona moving forward and maintains her silence, widening the gap between superstar and superfan, or goes all in and attempts to restructure the way tickets are sold and circulated once and for all. she has two options here: embrace her stardom at the expense of the image she’s sacrificed a lot to for the last two decades, or weaponize the situation towards creating yet another paradigm shift in the industry. either way, her image will never be the same. ticketmaster won’t be elated in the circumstance that she turns on them, but remember, most corporations are better with her, even at odds, than without her entirely. she will still allow them to sell her tickets, they will transform into an ethical oasis of suits and vip seats, the show(s) will go on.

1c. is her way of building up to her departure from the industry. i think we all get by now that none of us know taylor, and we never will. the carefully curated image she has to personify will get tiring one day, and that may be sooner than any of us (even her) called for. midnights is her 10th effort, and the biggest ever. once criticized for being a late bloomer to the streaming age, swift has the final say with all midnights’ success and pomp, and she can ride off into the sunset, weary, filthy rich, and an ever-blossomed figure in the industry. maybe she will have kids. maybe she will start a cult and weave flower crowns with blake and ryan, or maybe she’ll disappear and live inside 15-foot boundary walls for the rest of her live. she has nothing to prove anymore, enough money to last at least a dozen generations after her, and a face as recognizable as obama’s or britney spears’. she gets her happy ending (once, i’m assuming, she’s done releasing her re-records).

2. This Was Not Planned

alright, now let’s just assume none of this was planned. capitalist queen that she is, she allowed dynamic pricing, sure. she only released 27 tour dates despite having no smaller a fan base than a mid-sized country, okay. where maybe her silence is her team scrambling to rescue her from the several angles of scrutiny, crafting a nuanced yet no-one-side-leaning statement, and coordinating with tm and taylor nation to create enough reasonable solutions and anti-scalper passages for the fans feeling stranded… maybe. it all sounds very good except we have no reason to believe any of it.

all official press releases from official sources generally say any further sales are cancelled. finality is the word. she is letting the fervor pass. she is hoping day of, when fans are instagramming their costumes and their seats, and scalpers, grown desperate, are relenting to face value resales, everyone will eat their cake and remember it all as a happy little accident. however, this still remarks of an artist unequipped to handle their fame, and is an overtly overplayed motif in swift’s career already. there is no resolution here except that this single handledly indignifies any assertions of her business minded moves, or her calculatedness. it works, but only to a limit. is swift prepared to wear her new image out as proudly as her other ones? where in other senses she could (most often rightfully) claim victim, but for an artist on this level, it all seems naive.

even rep tour, with media scandals and disappearances, scheduled 6 more original stadium shows in the US – despite a minimized cultural influence, radio silence, and a fractured fan base, 6 more shows than the biggest era of her career, a reclaimed public image, and a dignified political and social network. sure, she added more dates; that is on par with general practices during high demand. but no canadian dates, let alone international tour announcements? it speaks either of a disenchanted, feeble step into touring again, or a rash, miscalculated jump in. all catastrophic for the people who have developed intense parasocial relationships with an artist who seems to have shut them out.

#tsmidnights #ts eras tour #taylor swift #like this only makes sense if the gaylors were right all along and she wants to cash in and goooo #it all looks really bad either way #:/

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beautifulpersonpeach · 2 years ago

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Ask on Army-Multi Behaviours and K-pop Fan Archetypes Related to ARMYs and BTS (Repost)

Anonymous: Bpp, I don't understand people who call themselves fans but instinctively reach for the least charitable interpretation when something comes up about their supposed faves. They remind me of one American friend who thinks it's a personality trait to complain all the time. Even about the most harmless things. And my Republican step-grandma who only comments on anything to criticize it. I wonder what their state of mind is like on a normal day, because their first reaction every single time is negative. And it's not just 'unpopular opinions' but just weirdly glossing over easy, accessible, and plausible realities that would explain something before coming here to complain, again. Does it strike you as weird when you see things like this?

It's weird to choose to remain in a space you cannot stop criticizing, a space you refuse to see anything good about, and a space you make no effort to partake in positively. It's not even critical inquiry because half their takes are uninformed. Their 'hot takes' are entertaining to read but at the same time they seem so sad. I mean who does that? The person I saw doing that this afternoon stans another kpop group and doesn't put nearly the same scrutiny as she puts on BTS and armys on her real favorite group that she comments on only to talk about shipping and it's like, don't they see it's obvious what they are?

Hi Anon,

You’re going to have to give me more to work with because I don’t traffic in indirects. But in any case, I guess welcome to the world and seeing how some people do things. As I’ve said in another post, if you’re a critical person, k-pop is the perfect genre for you cause you’ll never run out of things to be critical about, and you’ll always have a willing audience to affirm your gripes. No other genre elevates the opinions of random fans like k-pop lmao. I’m not American but even where I live I know people who like being contrarian. I don’t mind it because multiple perspectives are usually a good thing, so long as everyone gets their say and all aspects are considered fairly. This doesn’t happen often on the internet because nobody changes their minds here, but it’s typically a good sign to see people civilly conveying they think.

For example, I like that people are able to point out they find it excessive when fans freak out about COVID announcements because it’s true some behaviors border on irrational (even if you’re upset about it what good does crying all day do?), and I like it when other people can explain why they’re legitimately as worried as they feel. It’s called conversation. Or as close as one can get to that on Tumblr.

The rest of what you described just sounds like a regular k-poppie or multi as relates to BTS. It’s not about whether they listen to more than one artist. In fact, usually these sorts of people don’t really listen to music that much at all. It’s that they have a group they actually stan that’s not BTS, and usually use BTS and/or ARMYs as the crutch to comment on all they find wrong with k-pop, of which the group they actually stan of course has it’s own examples of. In my experience, those other groups/fandoms even have it worse than BTS or ARMYs, but again, in k-pop, nobody is actually concerned about the underlying issues. It’s about the subject. Normally I’d say BTS is the most prominent social phenomenon right now so of course everyone and their momma will be talking about them in every context, but this is a pattern I’ve observed with k-pop stans even before BTS became really famous. Like being hypercritical of BTS / ARMYs is the most consistent feature of a k-pop stan and it’s been like this for as long as I can remember loool.

It’s just what it is and I’m so used to it I hardly even notice it these days. I suggest you get used to it too because this is one thing that will definitely not change.

Originally posted: March 29th, 2022 9:32am

#fandom behavior #kpop fandom #bts army #army fandom #bts fandom #repost

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hldailyupdate · 4 years ago

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For British singer/songwriter Harry Styles, 2020 was a career-defining year, bolstered by the December 2019 release of his GRAMMY-nominated sophomore solo album, 'Fine Line'

Though many people might want to write off 2020 as a year that never existed, for others, it was a year of growth, change and even success. For Harry Styles, 2020 was a career-defining year, which is no easy feat when the entire world is shut down. The pandemic left him no choice but to put his world tour plans on pause and strategize a new way to not just promote his sophomore album, Fine Line, released in December 2019, but also keep fans' attention.

What followed was a bit of a phenomenon.

Styles, who has been a star since his One Direction days, became a bigger star with every passing day. His album went multi-platinum, he got his first Billboard Hot 100 No. 1 single with "Watermelon Sugar," he was named Variety's 2020 Hitmaker of the Year, he landed his first-ever GRAMMY nominations of his career (Best Pop Solo Performance for "Watermelon Sugar," Best Music Video for "Adore You" and Best Pop Vocal Album for Fine Line at the 2021 GRAMMY Awards show). And the list goes on.

While these accomplishments would add up to a banner year for any artist, what makes it so unique for the British singer is twofold. For one, he's been in the business for a decade already, gaining fame at just 17 as a member of the huge boy band One Direction. While in the group, which came together in 2010 as part of "The X-Factor," Styles and his bandmates Liam Payne, Niall Horan, Louis Tomlinson and Zayn Malik found global success, selling millions of records, performing in sold-out stadiums around the world and winning many awards.

However, despite how massive the band became, they didn't quite crossover to listeners of all ages—they had a hard time shaking the boy band label. While their music evolved into a more mature rock sound over the years, they never got to a place where they were wholly appreciated by the public in a way that their fans knew they deserved.

Once the band went on hiatus in 2015, Styles went to work creating his first solo album, Harry Styles. It was released in 2017 to much fanfare (it also debuted at No. 1 on the Billboard 200), but it wasn't until his second solo album that he really hit his stride. With Fine Line he found his musical voice and shared an album that not only resonated with his core fanbase but also brought him further into the mainstream.

From the first single released off the album ("Lights Up" in October 2019) all the way to the most recent video ("Treat People With Kindness" in January 2021), Fine Line has continued to grow. It was with this album that Styles became a household name, disconnected from his boy band roots in a way like never before. Gone are the days where people refer to him as "Harry Styles from One Direction." Now Styles stands alone, proud of where he came from but boldly moving forward on his own path.

The even more stunning part of Styles' year, though, and the second reason 2020 was so out of this world for him, he largely let his fanbase spread the good word about his art. Fans on social media hosted streaming parties for "Watermelon Sugar" to ensure it hit Billboard's No. 1 spot. They've created and sold their own merchandise to advertise his music. As only a dedicated stan army can do, they've made sure that every single thing he does goes viral. Even though Styles himself has a limited social media presence, he's still one of the most noteworthy internet personalities, simply because his fans have kept him there. In a world where social media reigns supreme, he lets his work speak for itself and trusts in his partnership with his fans to help him succeed.

The impact of Fine Line was substantial. Because of it, he is currently in the running for his first three GRAMMYs--Best Pop Vocal Album, Best Music Video for "Adore You" and Best Pop Solo Performance for "Watermelon Sugar." And the numbers also back up his work. Fine Line is RIAA certified double platinum, has over 4 billion worldwide streams and spawned six songs that cracked the Billboard Top 100 chart.

Before the album's release, to promote "Adore You," Styles and Columbia Records created a mysterious world called Eroda that trended before anyone even knew it was for a music video. "Watermelon Sugar" became one of the songs of the pandemic summer after the video dedicated to human touch—which has over 194 million views on YouTube—was released in May 2020.

Not one to ever let the album get stale, Styles continued to remind listeners of its existence throughout 2020, even though the world had shut down and in-person promo wasn't an option. Before that, though, Styles caused a buzz as he took double duty on "Saturday Night Live" in November 2019 as the host and musical guest, as well as performing in BBC Radio1's Live Lounge the following month. After a few shows in Los Angeles, London, and New York in late 2019 and early 2020, Styles hunkered down amid COVID and let his music videos do the talking. Aside from "Watermelon Sugar," he released a video for "Falling" in February and "Golden" in October. Fans may not have gotten to see Styles on the road in 2020, but he made sure to keep popping up on their screens, including a virtual appearance at iHeart Radio's Jingle Ball in December, one of his only in 2020.

But 2020 wasn't only a great year for Styles' music, he also graced multiple fashion magazine covers, continued his relationship with Gucci, and even landed a second major movie role, in Olivia Wilde's upcoming Don't Worry Darling. Not only was he Vogue's first man to pose on a cover alone, he did it wearing a dress. He's continued to quietly advocate for genderless fashion by wearing what makes him happy, whether it's fishnets for Beauty Papers or his everyday pearl necklace. Though many rock stars before him pushed similar gender-bending trends, he's become that person for his generation.

Styles even influenced countless people in lockdown to take up knitting, simply to recreate the J.W. Anderson rainbow patchwork cardigan he wore during a rehearsal for the "Today" show in February. After a few fans fumbled through knitting a copycat, the fashion house published a pattern that spread like wildfire. Suddenly TikTok was flooded with people knitting "The Sweater," and fans all over the world showed off their matching rainbow cardigans in their Instagram selfies from home.

As much as the phrase has been bandied about in recent months, it still holds true: It's Harry Styles' world and we're all just living in it. Despite all the setbacks and hardships, 2020 defined Styles as an artist—not just a musician, but a whole artist. It seems inevitable that Styles will only continue to grow his star power as he draws in more fans for this journey. For those devoted fans who have been there for him since he was just a teenager singing "What Makes You Beautiful," though, his meteoric rise in 2020 just made sense.

(11 March 2021)

#harry styles #harry update #article #grammys #march 2021

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kingstylesdaily · 4 years ago

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How Harry Styles Emerged From Teen Pop Sensation To First-Time GRAMMY Nominee

For British singer/songwriter Harry Styles, 2020 was a career-defining year, bolstered by the December 2019 release of his GRAMMY-nominated sophomore solo album, 'Fine Line'

HEDY PHILLIPS

What followed was a bit of a phenomenon.

via Grammy.com

#kingstylesdaily #Harry Styles #hs: news #hs: grammys 2021 #March 2021

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x--daughters-of-darkness--x · 3 years ago

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HALESTORM: Behind-The-Scenes Footage From Making Of 'Back From The Dead' Video

HALESTORM has shared behind-the-scenes footage from the making of the official video for the band's new single, "Back From The Dead". The track is taken from the group's upcoming fifth full-length album, due in 2022. Directed by Dustin Haney (Noah Cyrus, Luke Combs) and produced by Revolution Pictures, the clip features frontwoman Lzzy Hale and the rest of the band in a morgue and cemetery somewhere between life and death.

Lzzy says: "'Back From The Dead' is about survival, not in a physical sense, even though I know we all have been touched by death especially these last few years. This song is personal and written from a mental health perspective. I wanted to give myself and the world a hard rock song we could shout out loud as the gates opened again. I was on the edge of this world getting completely lost in oblivion, but even though it was the harder of two choices, I didn't just let the darkness and depression in my mind dig me an early grave. I didn't just sit and let it take me. I've erased my name from my headstone, so save your prayers, I'm back! I hope this song, as I pass it on to you, reminds YOU of your strength individually and that you are not alone."

She continues: "The video was so much fun to film! Dustin Haney is an amazing director. Dustin and his team really helped bring my words to life and the video is one of the most cinematic pieces we've done in years! I hope this song, as I pass it on…reminds YOU of YOUR individual strength and that you are not Alone. Raise your horns!"

By breaking rules, bucking trends, and busting down doors, HALESTORM has surged through rock 'n' roll on a singular path without compromise or apology. Along the way, the Pennsylvania-bred and Nashville-based quartet — Lzzy Hale (vocals, guitar), Arejay Hale (drums), Joe Hottinger (guitar) and Josh Smith (bass) — has collected a Grammy Award, scored successive number ones at radio, garnered multiple gold and platinum certifications, and performed to sold out crowds on five continents.

Going against the grain again in 2021, the band weathered the flames of chaos in 2020 and returned stronger than ever with their most empowering and undeniable anthems to date.

"Throughout the pandemic, I was writing a lot of melancholic and hopeless songs about the ups and downs of the world," admits Lzzy. "I've been in this group longer than I haven't been in it. We've always had shows. Even when I was 13 years old, we had a couple of bowling alley gigs once a month. This was the first time I didn't know if we would ever play again. However, I started to use music in the same way I did as a teenager—to get myself through this situation that was plaguing us all. I sidestepped and said, 'Let's keep our heads up, get our attitude back, be a light in the dark for a second, and celebrate the fact we're surviving and there's hope for the future.' So, we started to write songs that were a reminder to ourselves of who we are and what we're capable of. That became the mission statement."

In a way, it's always been the mission statement…

Since roaring to life in 1998, HALESTORM has uplifted audiences with a combination of sonic ass-kicking, provocative songwriting, and unshakable hooks. The four-piece received a Grammy Award in the category of "Best Hard Rock/Metal Performance" for "Love Bites (So Do I)". The song also minted them as the first female-fronted band to hit #1 on the Active Rock radio charts. Thus far, their discography spans two gold albums "Halestorm" and "The Strange Case Of..." , a platinum single "I Miss The Misery", and two gold singles "Here's To Us" and "I Get Off". Between surpassing one billion cumulative streams worldwide, they've notched two consecutive Top 10 debuts on the Billboard Top 200 with "Into The Wild Life" (2015) and "Vicious" (2018). The latter represented a critical high watermark with Rolling Stone citing it as "a muscular, adventurous, and especially relevant rock record." In its wake, "Uncomfortable" emerged as their fourth #1 at rock radio and earned their second Grammy Award nomination, while Loudwire christened HALESTORM "Rock Artist Of The Decade" in 2019. Not to mention, they have supported everyone from HEAVEN & HELL and Alice Cooper to Joan Jett on the road.

Even as the world went dormant during 2020, Lzzy remained prolific. She lent her voice to collaborations with everyone from Dee Snider of TWISTED SISTER, IN THIS MOMENT, APOCALYPTICA, and Mark Morton of LAMB OF GOD to EVANESCENCE, Cory Marks, and Mongolian phenomenon THE HU. Additionally, she joined forces with a trio of legends — Corey Taylor of SLIPKNOT, Scott Ian of ANTHRAX and original SLAYER drummer Dave Lombardo — for the theme song to Netflix's "Thunder Force". Plus, the group contributed a cover of THE WHO's "Long Live Rock" to the documentary of the same name. Expanding her presence across television, she hosted the AXS TV "A Year In Music" series, joined the cast of Hit Parader's "No Cover" as a judge, provided the singing voice for Bella Thorne in the Prime Video hit "Paradise City" and launched her own show "Raise Your Horns" on Rolling Live. On the channel, she appeared in Mike Garson's David Bowie tribute with a performance of "Moonage Daydream" alongside Broadway star Lena Hall. She also participated in the platform's Ronnie James Dio tribute, supporting the Stand Up And Shout Cancer Fund.

At the same time, she remained a huge proponent of encouraging the dialogue around mental health. She participated in a Grammy Mental Health panel and empowered the next generation of rock musicians as the keynote speaker at the Little Kids Rock Modern Band Summit. She also made history as Gibson Guitars' first-ever female ambassador.

"I've learned a lot about myself through all of these different projects," she admits. "I said 'yes' to various adventures, and it made me a better artist."

Working out of her home studio in Nashville, Lzzy and the band channeled this renewed spirit into the music at the onset of 2021. Collaborating with Scott Stevens of THE EXIES, the musicians hit their stride and cooked up the single 'Back From The Dead'. Dramatic distortion and drums rumble as she screams, "I'm back from the dead!" HALESTORM come out swinging as punchy verses give way to a call-and-response chorus shocked to life with a searing solo and thunderous groove.

"We needed a reintroduction," she exclaims. "We needed something that simply said, 'Hey, we're back'. The live show is the time we feel as truly alive as we can be. When you walk out on stage with your guitar strapped on, your guys are next to you, and you have an audience looking at you, it's everything. We're celebrating the fact we're all back together again. Whatever it is that was trying to destroy that part of myself and my bandmates that our fans need couldn't do it. It failed miserably. We're fucking back."

From the moment the band graced the stage at a secret Nashville gig, they were indeed "back," albeit louder, heavier, and emboldened by an unbelievable year. Amped up to jump back in, their tour schedule took shape with festival dates followed by a co-headline run with EVANESCENCE in the fall.

Readying their fifth full-length album, they're delivering the soundtrack for a world ready to roar again.

"We've lost a lot of people, but we can start healing again," she leaves off. "I appreciate the little things even more. I don't only feel this confidence in myself, but also in every one of my band members. We're not the same people, none of us could ever be. HALESTORM is my source of my joy. It's my connection. It's the closest thing to my religion. We're moving forward. With this next album, I hope we're able to create a greater sense of community. We have a beautiful opportunity. When you listen to it, I want you to feel like you can walk through any fire."

youtube

#lzzy hale #Halestorm #Back From The Dead

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sinagrace · 4 years ago

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Iceman’s been back on my mind lately. It started with the internet rumor that Shia Labeouf was being considered to play the role of Bobby Drake in a Marvel Cinematic Universe version of the X-Men. My DMs and @Mentions on social media were a mixture of intense reaction and then asking my take on who would make a great Bobby Drake (for the record: in my head I always saw him as a younger Antoni Porowski with a theater background, ‘cuz playing the funny guy with a vulnerable streak requires serious acting shops). My mind went back to the time of BC, when I was doing a lot of touring, and answering this very question because of my work on the Iceman book at Marvel. One thing led to another, and I decided to take a trip further down memory lane to look at my favorite volume of the series: Amazing Friends. Now, I know I’ve spent equal amounts of time publicly stating what a gift working on Iceman was, while also calling out the challenges that came with the experience, but the third volume really was a pure blessing. I was able to take every valuable lesson I learned as a writer, and apply it to telling a story that would be interesting to one person: Me. I’ve been a lifelong X-Men fan, I live and breathe comics, so my own expectations for a return to the series seemed like the only ones to really worry about meeting/ surpassing. The first two volumes had been so bogged down by rotating editors, complex continuity, company-wide events, multiple artists… The third volume was my chance to focus on what an Iceman series was outside of so much context. All that mattered was challenging myself to do an X-Men story that focused on the aspects of the franchise I felt were valuable and relevant, meaning: excuses to have Emma Frost be an asshole and finding an opportunity to make fun of Kitty Pryde’s haircut. Before moving on from Marvel, Axel Alonso made time to call me for a pep talk about the series. I wanted to get the series extended, and he wanted to help me succeed with the ten issues he could commit to. First, he offered an eleventh issue to give me more time on the stands. He took a look at everything I had planned, and basically told me to restructure with an eye for ramping up the pace. My writing background comes from prose and essays/ think pieces… both of which are methodical and provide some allowance from the reader to really take your time and set up the world before diving into the meat. That’s not the case with comics. You gotta work fast. Especially in today’s market, there is less and less room for a retailer to say, “give it two volumes, because shit starts really coming together by the third trade.” That was literally my speech for hooking people on such iconic series as Invincible, Fables, and Strangers in Paradise. Nowadays, every single issue is not a brick to be laid down as foundation so much as a bullet in your gun. Conflicting imagery, but that’s the point. Axel told me to think about the Big Moments in my life and sort out how to inject the mutant metaphor into it and make the most compelling comic book story I could. This was epic advice that I took with me into the new arc, but I struggled a bit with what could be bigger than the “coming out” storyline in volume one. Love was off the table because I wanted to keep Bobby single and ready to mingle. Death was off the table too, because my editor felt like we’d done enough with Bobby’s parents in the first two volumes. Upon looking at my own life, and considering the stuff me and my friends were dealing with, I landed on something a bit more reflective than LIFE or DEATH. I wanted to focus on that moment when a gay guy looks outside of himself and realizes the folks around him may not have it so easy. After everything we’ve been dealing with this summer, Iceman’s “big issue” of the arc feels oddly prescient. Bobby Drake had to reconcile his accidental complicit role in keeping the Morlocks down, and he has to investigate new approaches to being a better ally to those who don’t want to or can’t live under the protection of the X-Men. I used the Morlocks to allegorically speak to the issues that the trans/ NB community face today. Considering that trans folks are facing higher rates of homelessness and murder than other members of the LGBTQIA+ community, all I needed to do was find a perfect villain to treat the Morlocks as “lesser-than.” Cue Mister Sinister, who I wrote as particularly Darwinist with a major flair for interactive theater. While Amazing Friends definitely is the most fun I’ve had working on the book, it was also full of the heaviest shit I’ve written about. I’m so grateful that my editor let me use Emma Frost for a story about the trauma of gay conversion therapy with her brother Christian, but I’m still annoyed he wouldn’t let me put her in a sickening Givenchy outfit for her reveal. Similarly, creating the Madin character required that I chat with several mental healthcare professionals and members of the NB community to respectfully portray them as a resilient and fleshed out hero. I included personal lessons that I learned from years of the therapy (the sandcastle / sea image, a Jay Edidin fave moment). My editor and I weren’t always aligned, but we definitely were on each other’s side. He understood what I was trying to do and asked questions when something flew over his head, and he even had the good instincts to stop me from going too heavy handed with the ending. My original idea for the arc’s finale was to have Bobby become permanently scarred in his fight with Sinister, where he’d have a cool ice gash running across his face or something, a la Squall from Final Fantasy 8. The goal was to show Iceman stripping himself of his ability to pass as non-mutant to save the Morlocks, but the Mutant Pride fight scene being a stand-in for the Stonewall Riots kind of already made enough of a statement. Plus, no one in editorial wanted to deal with remembering to track his scar in other books. At first I tried to balk at his point of view, but when I looked over my original notes for the series, the point was to focus on optimism and hope. Giving Bobby a permanent scar and emphasizing the notion of sacrifice was too bleak a message for a series wherein the hero carbo-loads hoagies while riding an ice scooter and mutant drag queens emcee local festivals. Of course, the crowning achievement of the series… my mutant drag queen :) I’ve witnessed a lot when it comes to the world of pop culture and myth-making, and I 100% believe that you can’t plan the success of something. I’ve seen bands forced into breaking up because labels spend six figures failing at making listeners connect with an album. I witnessed firsthand how The Walking Dead was built from relatively humble beginnings as a buzzy cable drama into a literal international phenomenon over the course of its first three seasons. Everyone hopes for the best, but you never know how something will land with audiences. When the Shade character took off, I was truly astounded. Things I posted on Instagram while half-asleep became official quotes on major news sites. Queens and cosplayers were interpreting her like Margot Robbie had unveiled a new Harley Quinn lewk. The impact was so legit and immediate that we had to jump in and give Shade a proper Marvel hero alias, to truly welcome her into the X-Men canon. Hence the name change to Darkveil. (Funny story: I tried to fight hard for Madame X as an alias, but CB didn’t want another Agent X / “X-Name” character. Three months later, Madonna announced the Madame X album. Phew!) There was a time where I felt uncertain that the folks in charge at Marvel would bring Darkveil into any stories outside of the ones I wrote. My understanding was that Hickman was like the Cylons and had A Plan-- one that didn’t include her character. I made peace with my contribution to the Marvel Universe being contained, but then someone on social media pointed out that Darkveil showed up in an issue of Marvel Voices. After breaking down and reading Hickman’s House of X, I saw that his Plan was one of endless possibilities, and that he was moving EVERY character into new and dynamic places. I have hope now that he sees the possibilities with Darkveil, and takes advantage of her and all of her many body pouches. Amazing Friends really is my favorite thing I’ve done for the Big Two. I made a lifelong friend out of artist Nate Stockman (DC, please hire us for a Plasticman book), and I got to run a victory lap with the most encouraging and supportive readers out there. It was worth every dreadful conversation, every shitty thing a person said to me online, and all of the fun nonsense that goes into being creative for a living. Being stuck at home in quarantine has given me a lot of time to reflect on the gift that my career to date has been, and I feel so grateful to be where I am today. Other people may groan when they have to talk about something they’ve moved on from, but not me. I made people happier, I got to work with my favorite characters at Marvel, and and I'll say it again: it’s a frickin’ gift to make people move from your work. So, I will engage every tweet or message asking me my thoughts about who should play Bobby Drake in the Marvel Cinematic Universe… I’ll just never have a good answer.

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mountain-full-edition · 4 years ago

Text

Mountain/Full Edition QandA

Q Alasdair & Fielding

A Kentarou Imai

time 2020 04

Q. How did Mountain/Full Edition come together?

A. About 8 years ago there was an event where Misako Yabuuchi, one of the band’s members, did a performance for a bed-bound child with a severe physical impairment at the child’s private home. I composed a waltz for this occasion, and this was a start. Then BuBu de la Madeleine joined us and we started our activity like a band. After that, friends started to join. People come and go. The group sometimes gets as big as 12 or 13 people.

Q. Mountain / Full Editionというバンドはどのようにして結成されたのですか？

A. ８年くらい前にメンバーの薮内美佐子さんが障害の重い寝たきりの子供の家(個人宅）にパフォーマンスを見せに行く企画があって、そのために今井がワルツを作曲したのがはじまりで、そのあとキーボードとしてブブ・ド・ラ・マドレーヌが加わってバンドみたいなことを始めた。そのあとは適当に友達や知り合いが入ったり出たりしてる。多い時は１２．３人くらいでやる時もある。

Q. What's the origin of the name?

A. When three of the original members stood in a line, it looked like a Chinese character yama (mountain). At the time we also found a flyer with a text describing a screening of a “full edition” film, then we decided to call ourselves Mountain/Full Edition.

Q. 名前の由来は何ですか？

A. 上記の三人��んだ時に山の形みたいだったから名前が山になって、そのときなんかの映画の完全版が上映って書いてあるチラシをみつけて山／完全版になった。

Q. You have occasional members from outside of Japan join the group. What do you feel binds the collective together? Any specific musical ideas, aesthetics, politics?

A. Friends come from places like the U.S., France or Sweden, and if the timing is good, we do a session or sometimes even a live performance. We exchange ideas online and sometimes do long-distance collaboration where they send material like videos and sounds.

A.There are musical, artistic and political approaches in the group, but the dynamic changes depending on the band members who are in the band at any given time. With more liberal members in the group, what we would do will be more liberal. If I have left-wing members, we would be oriented towards the left. If we have many artists, the approach towards the work becomes more artistic. Our musical direction reflects our members at any given time.

When we have more parts where performers take part, then the focus of the work will be on the performance rather than how well the music is played. In these instances, I look back and think whether the unbalance reflected well in the work or not, but this also had a tendency to cause arguments.

Mixing various elements however allows me to reflect what is going on in society and the world. Working collectively brings out something that I cannot do on my own. These different factors influence the shape of the band, so it is also a way for me to make adjustments.

We think of the politics, visual arts and music with one brain, so it is all connected.

It is difficult, but I don’t want to fall into a trap of intellectual relativism. And I want to overcome the fear that we would be labeled as political people.

Q.日本国外からのメンバーがグループに参加することがあります。コレクティブを束縛していると思いますか？　特定の音楽的なアイデア、美学、政治などはありますか？

A. タイミングが合ってアメリカとかパリやスウェーデンなどから友達が来てなんかできるときに一緒にやるよ。

A音楽性とか美術的なアプローチ、政治性とかあると言えばあるんだけど、その時のメンバーによって変わるかな、リベラルなメンバーがいるときはリベラルな要素があるし左翼的なメンバーが多い時は左翼的になる、美術アーティストが多い時は作品に取り掛かる時に美術的なアプローチになったり、映像先行で音がついてきたり、音楽性もメンバー次第で変わるね。だから人のせいにするわけじゃないけども悪い時は悪いし、いい時はいい。

変わると言っても、例えばだけどパフォーマーの参加するパートが強い時は演奏のうまさよりパフォーマンス性に力学が働いたりするときがあって、そういうときは��になってそのアンバランスがよかったとか悪くなるとか考えるだけから、うまくいかなったりもするし揉め事も起きやすかった。

でも、いろんな要素を混同することで社会や世の動きを反映したりすることもできるし、個人の力学に陥らず集団性のいいところを発揮出来たりもした、またちょっとずつバンドの在り方を修正できることもある。

なんて言うんだろう、政治のことを考えるときも、美術のことを考えるときも、音楽のことを考えるときも同じ脳で考えてるから繋がっているよね。

で難しいといと言えば難しいんだけど、そこで知的相対主義に引っかかったりせず。また政治的な人達というレッテルをはられることを怖れず乗り越えていきたいと思っています。もし拘束というよりルールがあるとするなら差別主義者やファシストはお断りということかな。

Q. Activism is a large part of your collective. We were wondering if you would like to talk about this for a bit?

A. Some of us are actively engaged in activities against issues, such as politics, gender, racism, immigration, nuclear industry, while other members engage in other kinds of social activities. I try to incorporate these and express them through our music. But this is not all.

Perhaps it is important to mention that there are not many artists in Japan who are outspoken about politics. Hardly any. And if someone talks about politics, the person would often get fierce criticism from all sorts of people for various reasons. Supporters of the far-right ruling party just want to attack whatever is against their ideology. People generally just want to consume music as fans.

This leads to a soft and fluffy Fascism, a very unique phenomenon to Japan.

Many artists probably think that political issues are troublesome to deal with. We feel so too. But I think linking social activities to artistic expressions can get us out of the soft and fluffy Fascism.

Q. 活動主義はあなたの集団の大部分です。これについて少しお話ししたいと思いませんか？

さっきの話に続くんだけど、メンバーの中に政治やジェンダー、レイシズム、移民問題、原発問題に対してカウンター活動をしているメンバーがいたり、またそうでないメンバーもさまざまな社会活動に参加していて、そういう活動のフィードバックできる部分を表現活動に取り入れています。またそれがすべてではありません。

また大きな前提として日本のことについて少し話しておかなければならないと思うのは、日本で政治的なことを語るアーティストは少しいますが、ほとんどいません、また語ることで消費主義的なファンや極右政権が与党として君臨していたり、いろんな要因のもとさまざまな場所からバッシングを受けて沈黙してしまうのが現状です。

その結果日本独特だと思うのですがいわゆる、ゆるふわファシズムという状態になっています。

多くのアーティストは政治的な問題にめんどくせーと思っていると思います。自分たちもめんどくせーと思いつつやっています。またそれらの活動が表現活動に連なることでゆるふわファシズムを抜け出せると思っています。。

Q. There are a lot of masks in the group and a babble of different languages. How do you feel identity plays a part in Mountain/Full Edition?

A. I see what you mean. For a while I used to think that there were as many identities as there were band members, creating multiple forms of expressions. But if everyone does what they wish, it becomes chaotic, a nightmare of a drunken karaoke session. This can create an amazing masterpiece, but I feel it relied too much on the chance.

I don’t think having many identities is simply good, and I am trying to make adjustments. That is why I used the animal masks - to make us look unified. I am always thinking about the balance between keeping the group’s diversity and the strength of the work.

Q. グループにはたくさんの仮面があり、さまざまな言語のせせらぎがあります。IdentityはMountain / Full Editionでどのように役立っていると思いますか？

そうですね。ある時までは参加するメンバーの数だけIdentityがあるから、それだけいろんな表現ができると思ってたんだけど、みんなが好き放題やるとカオスで、たんにドランケンカラオケセッションのような悪夢だったんだ、またそのなかで時々見たことないような名作も生まれたりもしたんだけどね。でたとこ勝負な要素が強かった。いまはそんなにIdentityがたくさんあることがいいともおもってなくて修正してる段階かな。だから動物の仮面で逆に統一感を出してる。グループの多様な在り方と作品としての強度や個性を殺さずに見せれるものを生成するバランスには常に悩まされている。

Q. When we first heard the group in a way it first reminded us of another Japanese underground music collective, Maher Shalal Hash Baz. Do you see yourself as part of a lineage of collective-based music? And do you see yourself as part of a community or lineage of experimental activity in and around the western Kansai region?

A. You are right. There was an interesting music scene in Kansai region in the 90’s, and I was influenced by Japanese hardcore, Scum and Japanoize. I was in a Grindcore band as a teenager, and was aware of the BOREDOMS and the noise scene. I also was inspired by sound artists like Takehisa Kosugi. And off course, Maher. But I started listening to a mix of music: Aphex Twin, Fatboy Slim, Free Jazz such as Albert Ayler, and other kinds of Jazz as well. I think I am influenced by all sorts of sounds including contemporary music starting from Arnold Schönberg, sound art, soundscapes, and pop, world folk music, music that comes into my ear even if I don’t like it. 70’s American experimental music, sounds I hear randomly, music I have forgotten. I cannot control what will come to being.

Ah, but I don’t listen so much to Vaporwave!

I am influenced not only by music, but by contemporary art, contemporary dance, left-wing culture, literature, old ladies’ knittings.

In this sense, half of what you said is true and half is not. There are many experimental music communities in the Kansai region, but I don’t actively follow them. Perhaps there are differences among them, but from afar, they appear similar. What I would like to see and experience is not in the places I expect but in other unexpected places. It is like a Buddhist riddle.

Q. このグループを初めて聞いたとき、すぐに別の日本のアンダーグラウンドミュージックの集まり、Maher Shalal Hash Bazを思い出させてくれました。自分を集団ベースの音楽の血統の一部だと思いますか？そして、あなたは自分自身を関西西部地域とその周辺の実験活動のコミュニティまたは血統の一部と見なしていますか？

A.確かに80/90年代の関西シーンに面白い音楽はあってJapanese hardcoreやScum・Japanoizeのようなものに影響は受けた。ティーンエイジの時Grindcoreのバンドをやっていたし、BOREDOMS や Noise scene にも触れてきた。Takehisa Kosugi の様な Sound Artにも影響を受けた。もちろんMaherも。けれどもそのあと同じくらいAphex Twin・Fatboy Slim・Albert Aylerの様なfree　jazz、またそれだけじゃなくてあらゆるJazzやArnold Schönbergに始まる様な現代音楽・サウンドアート・サウンドスケープ・電子音楽、聴いてきたあらゆるPOPS・世界中の民族音楽・好きでもないけど耳に入ってきた音楽・アメリカの７０年代の実験音楽・たまたま聞こえてきた音、忘れてしまったような音楽、あるいは聴いたことある音すべてに影響を受けてると思うんだ。それがどのタイミングで出てくるかはコントロールできないな。

あっVaporwaveはあんまり聞いてない。

そして音楽だけじゃなくて、現代美術、コンテンポラリーダンスやお母さんの書いた本、左翼カルチャー、文芸作品、散歩、おばちゃんの編み物にも影響を受けているんだな。

そういう意味で、半分は正解、半分は間違い。関西西部地域とその周辺の実験活動のコミュニティが今どうなってるのかほとんど知らないし、熱を上げて観ることもあまりない。よくよく見ると違うのかもしれないけど、ちょっと距離でて眺めると似たようなものが多い気もする。見たり体験したいことが　在るところに無くて、無いところに在る、なんだろ禅問答みたいだね（笑）

Q. What other things in the Western Kansai region (music, art etc) is exciting you right now?

A. There are many artists, musicians and dancers in the Kansai region, and whether Japanese or international, interesting things are happening in all sorts of places. But I don’t feel that there is a place where we could belong.

I don’t get excited so often, but I do enjoy the works of friends (people who join Mountain/Full Edition). And although it is not possible now due to Covid-19, if there is a protest demonstration I would like to join. It is exciting to face democracy head-on in Japan today.

Q関西の他のどの場所（音楽、アートなど）で、今あなたをワクワクさせていますか？

A関西に住んでて、わりとアーティスト、ミュジーシャン、ダンサーなどは多いし、国内のものや国外のおもしろいこともいろんな所でやってると思う、ところが理由はわからないんだけど、自分たちが所属できるような場所はないとも思う。

あんまりワクワクはしないんだけど、友達（山に参加してるような人たち）の作る作品はいつもワクワクしてます。あとはいまはコロナでできないけどデモがあったら参加したい。いま日本で民主主義に正面から触れることはとっても刺激があるよ。

Credit list

Kentarouh Imai/Guitar Monkey Concept, Music Composition, Lyrics, Video Direction

Misako Yabuuchi/Song Monkey,Twin Snake Performance, Lyrics, Costume (Twin Snake, Props), Watercolor Painting

Kohei Matsumura/Corn Saxman Camera, Video Composition

Ufo/Citizen Rap, Lyrics, Magic

Kiuchi Hitomi/Trumpet Monkey Lighting, Laser Illumination

Miho Shimizu/Pig A Costume (Mountain Jacket, Animal Masks), Translation #2

Moire/Drum Monkey Store Owner, moirestore.jimdo.com, Some luxurious effector

ChibiGuts/Dancing Monkey and Pig B

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juleswolverton-hyde · 5 years ago

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The Words upon the Window Pane | Chanyeol

Genre: Smut, Angst (only a wee bit), PwP

Pairing: Auhor!Chanyeol x Reader

Warnings: Top!/Dom!Chanyeol, fingering, unprotected wall sex (ALWAYS do it safely, lads and lasses!), subtle dom/sub themes, swearing/cussing, dirty talk, love bites

Summary: The relation between Logic and Passion is often difficult for artists and certainly so when the involved parties dabble in words. Because language has the power to conceal the truth, to say what otherwise might not be said.

The words upon the window pane.

However, one night, a mouth is brave enough to at last utter them.

And to bring about unexpected consequences.

Author’s Note: The title is derived from the play of the same name by W.B. Yeats, who is, as you may or may not know, one of my favourite poets and greatest inspirations as of late. Furthermore, this is the first EXO smut piece to be written by this wee birdy, which hopefully shall not disappoint more experienced EXO-Ls.

All in all, I hope you enjoy the work of a feather.

Making a living as an author is not easy, especially when starting out and having only a single book to one’s name. However, Voice is not merely a literary tool to use in order to be heard, since it can also realistically become audible when speaking. All in all, it remains a fluent phenomenon and so it is of great benefit to storytellers to have mastery over it. To provide experiences that ignite vivid imagery thanks to simply creating an ambience with sound when not craftily doing the same on the page. Such is the talent of the author rapidly grown popular online due to a deep voice and funny personality, thousands of women drooling over the tailored experiences provided to them on multiple platforms.

But none of them has ever gotten the real deal, their sensual emotions remaining one-sided whereas those of a newbie novelist are answered.

Sometimes.

The relationship started after the romance department of the same publishing house contracting the famous erotic writer took a bold chance by offering a contract to an unknown name having just completed a manuscript about an innocent coffee shop romance. During the meeting with the assigned editor, icy pale locks wandered into the modern cafeteria and toward the table where a conversation about the next steps towards actual publishing took place, sitting down wordlessly and merely observing. Withal, basalt irises blatantly ignored rapidly flushing rosy cheeks on the adjacent seat, focused intently on the ones across the table that tried to maintain a steady composure.

Yet it crumbled bit by bit as genuine interest was shown during a spontaneous proposal to drink coffee together sometime after the editor held a brief round of introductions at the end of the important chat, which had gained an unintentional third participant. Piece by stiff piece got chipped away over warm beverages thereafter, talking about upcoming manuscripts and the professional giving a newbie a couple of tips to not stumble and, perhaps, fall without hopes of getting up.

And were entirely smoothed out among the sheets after the daring kiss when goodbye came on the first proper dinner date, Chanyeol leaning in without hesitance to rapidly turn a chaste caress of the cheek into sin once having been escorted safely to the front door of one’s own roof.

To make a heart fall for one which is unbound, according to the rumours spoken by the female tongues which all supposedly possess a sensual experience of sorts concerning the novelist. Notwithstanding, one can talk but not say anything, let alone the truth. Withal, the gossip has expanded while being in a strange type of relationship, always being the first to propose something to do and bleached smooth strands simply agreeing if the busy schedule allows it, of course. Spontaneous proposals for a movie night or trying out a new café are one-sided, the first time drinking coffee together being the sole occasion on which it came from the distant beloved. However, during the opportunities to be together, it never fails to feel genuine.

Sincere in spite of the mouths believing it is merely about sex, warning to get out now before it is too late.

The logical ship has left the safe haven.

It is too late.

Regardless of bravely sailing in an individual sea, the doubt can never be kept at bay since it lurks as a kraken in the darker waters coming up on the journey every now and again. After all, the fans of the deep voice catering supposedly “exclusive” experiences for them would loathe the fact their imaginary lover actually has a girlfriend. Moreover, the serpents roaming the office keep telling tales that steadily grow arms and legs, each limb stemming from the period in which minds were apart.

Those spans of time increase in frequency.

Lunch grows lonelier.

Days are spent in isolation.

Reassuring words do not hold significance on the floor of the publishing house nor on those of one of our apartments on a lucky night.

No acknowledgement.

All there is, is vagueness.

Just something.

Something.

Undefinable.

Certainly not pretty or comforting.

Empty. Yes, that is the best way to describe it.

Hollow, lonely, one-sided.

Unrequited.

And it takes away the hunger at the dinner table beneath the luxurious roof, the expensive wine and home-cooked meal using high-quality ingredients holding as much inherent value as a shilling in the gutter. So the fork is put down, the bite laboriously swallowed and focus averted from the porcelain plate presenting little yet seeming too stacked.

‘Baby, are you alright?’ Head cocked to the side in wonder, Chanyeol stops mid-bite, sensing something is off.

Something.

Always something is off.

Right now, it finds a voice in a lowly muttered remark as disappointed fingers shove the still full plate and cutlery away as far as possible. The stomach can live with the stone in it, like the heart slowly freezing itself thanks to the vicious tales of betrayal can continue to exist in ice. After all, even this week’s audio consisting of ‘’sexy’’ unboxing ramblings and testing out toys sent by mistresses somewhere else is but a mere drop in the overflowing bucket. ‘I’m not hungry.’

The limit has been reached.

End of the line.

Of this.

Us.

If there even ever has been a happy chronicling couple.

‘You’ve barely eaten.’ The unsuspecting fork picks up a perfectly grilled asparagus, endeavouring the feed a soul starved of happiness. A perfectly useless attempt at making things right for the culprit knows very well what goes on behind the scenes that are enacted every time at the workplace, the little faked though credible moments of two youngsters being solely friends but perhaps a bit more. No one knows for sure, but they do assume. Gossip has a way of being heard, even when feigning to ignore it in favour of personal fantasies. ‘At least have a few more vegetables.’

‘Did it...’ A wry smile carves itself on a face which is on the edge of tears, remembering every word said at the collective coffee machine in the cafeteria alongside the lovesick comments on every digital upload and equally sensual reaction to a novel novel. How can the detailed storyteller not notice the burning water droplets searing their way to the lash line?

Begging.

Begging to fall.

To be noticed.

Because they have had to hide so bloody long in loneliness.

Denied.

A significant detail.

‘Did it mean anything?’ God forbid that the words spilt between the sheets, on dates and in secrecy in the coffee corner did not hold any meaning. Withal, knowing how writers are for the craft is part of one’s own personality, there are no better tricksters. Words can be made pretty, cunningly serving to conceal the ugly truth.

‘What? Did what mean anything? Babe, what are you on about?’ The uncomprehending gravely worried furrowed brows relax, raven irises softening as they discover the tale of the Ice Queen’s heart and damnably igniting the thawing process. Looks can kill, as is the word on the street, and the big pale wolf knows it judging by the gentle smile only reserved for his foolish mistress. ‘You’ve been listening to gossip again. Look, I’ll say it again and I still mean it. I love you, Y/N. Only you. You ought to know that by now.’

The supposedly well-meaning palm resting between the abandoned dishes is not lovingly covered, digits remaining apart instead of entwining in blissful union. Instead, the chair is pushed back as the napkin that formerly rested on the lap is viciously thrown onto the table surface. Voice is barely controlled, dangerously close to cracking yet forced to maintain steady fury. ‘Don’t fucking lie to me! I know this means nothing.’

‘Means nothing? This means nothing?’ The actions are fiercely mimicked, the pleading tone in speech overruling the fabricated calm demeanour. ‘It does, babe. It really does.’

‘Yeah, right. As if you haven’t said that to one of those horny dolls who gladly listen to their fantasy boyfriend or read about all the wonderful things you’d do to them. What did you call them again? Your honeys?’ There is no stopping the jeering guided by the incomparable ache rendering every nerve paralyzed, an alternative ego who feels betrayed rising with every second of the outburst.

In the end, she, too, is one of many.

I am nothing.

‘Babe, please-’ Agonizingly following footsteps attempt to reason, begging to stay for a proper vis-á-vis to resolve this “problem” while making their way to the hallway.

Evidently without success. ‘Oh, piss off. I’m sure you had others in the time I was gone.’ The searing tears on lashes in the wee hall finally stream down the cheeks, lost in bittersweet memories of a time ruled by naivety. When every touch was so certain of love, felt protective and was believed to be sincere.

Notwithstanding, that was then.

This is now.

‘It really meant something to me, you know? I fucking gave myself to you because I stupidly trusted you, Chan! You were my first.’ A shake of the head brings about enough steadiness to remain coherent in speech, to at least keep a total breakdown at bay a little longer. The battle is almost won, a little bit more perseverance needs to be put in before all might become actually well. ‘But I could’ve, no, should’ve known better. So fuck off and leave me alone.’

Just as a hand reaches towards the knob of the front door, a firm palm wraps painfully around the left wrist. Once that power was loved, but now it is just that: hurt.

And it wants… needs to be left behind.

To make it pay for the solitude.

The agony needs to face the consequences.

‘No.’

The pain in the shape of the man who was believed to make up the world.

Stupid.

We both only have our stories to speak honestly in because they are the sole place where it is possible to be true.

Funny how a broken heart ignites a sense of creativity to exploit and there is a sudden haste to make use of it. Or so the mind wants this to be the reason behind the futile struggle for freedom for the real reason is the simple need to get away before breaking the character of the hard-headed sneering Ice Queen and leave oneself in fragments on the battlefield. ‘Let. Me. Go.’

A vicious tug makes feet stumble away from the entryway and slam into the wall opposite the stairs, Chanyeol’s face mere inches away and obsidian irises burning with sorrowful rage that has grown from incomprehension. All acting halts at once, alarmed breath coming out ragged as the powerful gentleman is sought frantically on a quietly raging beautiful expression. ‘I won’t. Not until you finally listen to me and know who you belong to, young lady.’

Slender digits clad in a chic ink-black jacket roughly push aside underwear, unapologetically disappearing beneath the skirt to exert sexual dominance as lips powerfully nullify all chances at protest. ‘This is mine. Only mine. All I can think about these days, so much so I can’t even write without giving you a role in my novel.’

The possessive growling fuels the heat below, slowly reducing the hurtful stretch, as all vocabulary is lost in the marks left behind on the throat by stark white teeth. Miraculously, the ability to resist the temptation remains although it falters and starts to stutter in the strong secure warmth of a familiar palm at the end of the spine. ‘I- I don’t be- believe you.’

‘Who do you think is more credible?’ A rough mind-boggling thrust goes paired with the branding being interrupted to snarl against a slightly open mouth, dominant despite oddly affectionately resting foreheads against one another and chuckling as haphazard fluttery palms rest on broad shoulders. ‘The man who loves you or some women you don’t even know?’

In spite of being barely able to respond, a piece of hateful Logic remains and is capable of jeering and mocking the question that should have served to set things right. ‘But y- you could’ve fucked.’

‘I didn’t. Listen to me, young lady.’ The hand that formerly rested on the small of the lower back rises to envelop the throat, forcing a lock of gazes while enchantingly cutting off access to air. ‘Ever since we met, I’ve been yours. I’d never give anyone else a role in my novels because nobody inspires me like you do.’

‘D- Don’t stop.’ There is too much deliria to persist in protesting, each movement beneath fabric erasing the thought of resisting the platinum wolf as soon as it arises. Instead, it gives rise to memories of beautiful naive nights that make up the horror and delight of an insane mistress of letters, both inside the pages and outside.

Throwing the heart back into bittersweet love.

‘Ah, there she is. There’s the helpless little slut I know.’ With an ashamedly wet noise, slim fingers undo the bodily connection that had been greedily gone along with, leading to an inevitable displeased whine that evokes a lovely dark chuckle.

A nudge of the nose asks to follow the focus of the seemingly only sane mind, see what the writer wants to be noticed without resorting to loathsome spoon-feeding. It is all in the details, that is where the heart of the tale lies. ‘See that?’

Lashes flutter innocently as gaze wanders lower and lower to restricting dusk-shaded denim, wordlessly remarking on the considerable outlined shape that the idiotic heart and persona meant to have walked out the door greatly want to exploit. ‘Only you do that to me, Y/N.’ An almost sweet peck on the forehead turns attention upward briefly before receiving another on the lips, after which a command makes hands act in too enthusiastic desirable greed. ‘Undo the zipper.’

It takes little time nor effort to force down sturdy and elastic fabric to bare burning desire to the chill air in the hallway. And it takes even less than that very same moment to be pinned against the wall once again, thighs supported by iron hands promising to never let go, and directly connect in body and soul.

Willingly.

Beautifully.

‘Fuck, every time is like the first. I remember our, grm, hrm, first night. How you begged me to go harder-’ the speed accelerates, snarls growing more and more savage with every advance as behaviour, too, becomes wonderfully harsher, ‘rough you up. All the while acting like an innocent doe, turning me on. Mewling, pinned to the bed, forced to take me. God, I love it when you’re like that. Helpless. Powerless. Submissive.’

Every word is accentuated by an animalistic thrust, a sweet kiss on the side of the neck contrasting with the teeth leaving behind plum marks of possession at equal intervals. A low rumble of delight at platinum locks being pulled on vibrates in the buff chest lovingly keeping the spine against the wall, rejoicing in the flowing waterfall of mere meek noises.

Exactly as we were during the first night.

Loving now as we had before.

Honestly.

Snarling sweet nothings against skin while erasing every thought in the chase for the satisfaction of primal desire. When tears of analyzed sadness turned into those of unadulterated pleasure. ‘Crying as you take my cock deep inside that dripping little pussy.’

‘Cha- Chanyeol-’ There are no words to break through the haze of bittersweet nostalgia, leaving the sentence unfinished. It does not matter for all focus is turned towards reaching temporary enlightenment as fast as possible in the most savage manner.

‘Cum on that cock, baby. Cream that fucking cock.’

Any sense of resistance that somehow managed to linger, loathing Logic deeming the act wrong in every aspect and begging for liberation, is erased in an instant as the command is pressed onto firm lips.

It is wonderful.

Incredibly gorgeous.

Having Chanyeol wrap his storytelling palm around the throat once more as the other presses bodies together until there cannot possibly be any distance left. Wolfish grunts fall from cushiony lips, chanting maddening “mine, mine, mine”s, while sprinting during the final bit of the primitive race, soon reaching the white light found between shivering thighs.

Who are crying silently in a paradoxical mixture that cannot be kept alive consisting of sensual delight, heartbroken self-hatred and rage directed towards loved pale locks.

Tears to, fortunately, be noticed once reason returns enough to no longer be under the influence of the desirable beast beneath the skin. Henceforth, it is the incredible author who affectionately wipes away the droplets running over the cheeks as onyx irises soften in comprehension of pain. ‘Hey, don’t cry, Y/N. Remember what I promised you?’

A head shake shows ignorance because there have been a great number of promises until now, which is acknowledged by the low chuckle that never fails to allow the usual guard to be let down and now disrupts the quiet panting betraying a sliver of glad exhaustion. The simple sound never fails to make the chest puff a little in pride and veins to bask in a loving warmth, even after being frozen in place without hopes of crumbling thanks to the vivid rumours floating around the office. ‘I know I have promised you a lot, but one thing is that I’d never make you cry because I’d never dare to break your heart. I genuinely love you, seriously am head over heels for you. Can you believe me when I say that?’

It is hard to respond negatively when bodies are still one and foolishly trusted palms envelop the cheeks, resulting in wavering speech on the verge of cracking. Withal, a little bit of strength is gathered from the tight grip on defined biceps engraved with ink. ‘I wa- want to, but... the gossip...’

‘Listen.’ A long tender kiss muffles the sobs aching to be released alongside the gasp at the sudden hollow feeling when the physical spell is lifted. Another one asks for focus on talking things over instead of paying attention on the faint sound of liquid dripping onto the hallway tiles. ‘You crying makes me want to cry because it hurts me to see you like this. It really does, babe. And people will always talk, but, perhaps, it might help if we go public? I have an interview soon.’

‘People will think I’m only dating you for your money.’ No matter if a statement will be made, the way of thought lies outside the influence of words. Authors know this first and foremost for each sentence that is penned down fails to fully convey what might be going on in vivid imagination and thus fails to be entirely understood.

A bittersweet smile tugs on the corners of the mouth as messy snow white locks fall obscure the sight of lips drawn into a stern line speaking melancholically, mocking oneself. ‘I wouldn’t mind if you’d do.’

With more fierceness than expected, an answer to the rhetorical assumption bursts from a panicked mouth uncensored, clutching the soft fabric of clothes as if not doing so will induce an unbridgeable abyss. ‘But I don’t!’

‘I know that, Y/N. I know.’ Thumbs start to caress the sides of the face, somberly smoothing the anxious sorrow in self-reflection. ‘You know I hate losing, be it games or bets, but- but I- I-‘ Breaths grow short as tears start to brim in the corner of beautiful almond-shaped eyes. Hands fall away from the cheeks to wrap around the middle, the waist caught in a sturdy grip. Foreheads rest against each other and the arms of a claimed mistress wrap around the neck, fingertips playing with the pale strands at the back. ‘I would scorn myself if I’d lose you.’

‘You’ll lose readers if we go public.’ After all, not everyone enjoys a real life romance and certainly not those imagining one individual as their partner while he is, in truth, already faithfully bonded to another woman.

‘Doesn’t matter, I don’t care. If they’re true fans, they’ll be happy for us.’ Chanyeol’s voice has renovated its ocean deep steadiness, tiny lights appearing out of nowhere to illuminate a sudden bright cheery idea in a nightly gaze creating a bit of distance. ‘You know what? I’ll buy you a ring and a matching one for myself so everyone can see you’re mine.’ A palm shows itself from behind the small of the back to grab the left wrist and trace over the second-to-last digit. ‘To wear on this finger.’

‘You’d do that?’

‘Yes.’ The breathless chuckle is strangely melancholic yet delighted, the curious combination taking over demeanour entirely. ‘Yes, of course. Anything to keep you with me.’ The mere embrace suddenly turns into an inescapable hug, broad shoulders blocking out the world that wants to be temporarily forgotten. ‘I want you with me, only you. Please, stay with me. Here.’ The nose often kissed in the morning or cheekily out of sight of the publishing house staff nuzzles the side of the neck, whispering against the warm skin. ‘I want you to move in.’

‘Is that a wish or a command? I’m my own person, you know?’ The weak attempt at humour is seemingly appreciated, Chan tangibly chuckling before sighing in relief when being kissed on the top of the head.

‘There she is, there’s my good clever girl.’ Foreheads come to rest against each other once more in the air scented by whatever remains of dinner, perspiration and our perfumes combined, creating a weird musky howbeit fruity undertone. The chin is lifted by a curled finger after calmly being put to rest against the wall instead of being fully at the mercy of the writer’s engraved arms. ‘But you know very well what I mean, young lady.’

‘I do,’ fingertips bashfully run over the side of the storyteller’s neck, leaving behind a growling trail of anticipating goosebumps before rising to comb through pale strands, ‘sir.’

‘Don’t.’

A peck.

‘Tease.’

A kiss.

‘Me like that.’

Lip caught between teeth.

And freed once having clearly asserted dominance. ‘I’m yours.’ Although the inquiring peck on the cheek does not partake in the sensual teasing but is severe in character. ‘And you’re mine?’

Catching on to the need for credibility, the erotic novelist acknowledges it while sweetly yet sincerely murmuring. ‘Entirely yours. Not just in stories or audios, in real life as well. As long as possible, until we no longer breathe. This I promise.’

And thus this part of our tale ends, the fragment of the middle part leading to the end.

Of that which ink cannot fully capture on paper, in sounds or on skin.

Withal, it is not necessary because we have each other for inspiration and retellings.

Musing.

In love.

In medias res.

#ksmutclub #EXO #EXO smut #EXO x Reader #Chanyeol #Park Chanyeol #LOEY

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tanadrin · 5 years ago

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Realistic phoneme inventories 1: Vowels

All of the old webpages that I used to rely on for at-a-glance information about vowel systems when designing new phoneme inventories for my conlangs seem to have succumbed to various forms of link rot; and I’ve never found a good overview of how to build consonant inventories in a systematic way. So I want to set out, for my own reference and for others, an overview of both vowel and consonant systems as they tend to exist in natural languages, with an eye to creating conlangs with natural-feeling distributions of sounds.

A phoneme inventory is, of course, only one of the most basic elements of a conlang. I won’t be dealing with phonotactics, with suprasegmental features like tones, and certainly not with grammar or syntax or anything like that. A good starting point for lots of those topics is the LCK, either online or in print.

Also, phonology is not my strong suit; I’m more of a morphology person by inclination, and all my knowledge of linguistics comes essentially from years spent conlanging as a hobby. So apologies in advance if I get any terminology messed up. My primary references for this post specifically are this paper on vowel systems, this paper on consonant systems, the relevant chapters from the WALS, and conlanging resources like the LCK.

For length reasons, I’ve broken this post into multiple parts. Part 1 will deal with vowels; part 2 will deal with consonants.

1. Background information

You could, when creating a conlang, select sound arbitrarily based on what sounds pleasing to your ear, what you can easily pronounce, your favorite natural language, or your favorite IPA symbols. For conlanging as a purely artistic enterprise, those are all perfectly fine criteria; but if you want your conlang to reflect trends in natural languages--perhaps as for conlangs which are the putative natural languages of science fiction and fantasy settings--it’s helpful to understand why humans make the noises they do with their faces, and how.

The human vocal tract is a resonant column of air, stretching from the vocal cords to the lips (and nostrils, for nasal sounds), not unlike the pipe of a pipe organ, or the body of a flute. Air expelled from the lungs moves through the vocal tract and, thanks to our well-developed throat, mouth, and facial muscles, and the elaborate control over them provided by a region of the brain called Broca’s Area, we can rapidly reshape our vocal tract and manipulate the resonances of the air passing through it, producing speech.

In principle, we could make an almost infinite number of subtly different motions with our various speech-producing organs to produce an equally limitless quantity of different sounds. In practice, however, speech has to be an effective way of encoding information, or it’s useless as a communication tool. Therefore, we want sounds to be as different from one another as possible, as distinct to the ear as they can be, so they can be clearly distinguished from one another, and clearly heard over noises like wind and crackling fires and loud music. And because we talk constantly, we want speech to be as easy as possible; we are going to tend to restrict ourselves to the easiest sounds for the human vocal tract to produce.

So the IPA, the system for transcribing human speech sounds, only has about 107 basic symbols for consonants and vowels.

The IPA consonant chart. Shaded areas are “articulations judged impossible.” White areas with no symbol are sounds that aren’t impossible, but which aren’t widely attested in the world’s languages to need a specific transcription.

Of all the sounds covered by the IPA which actually show up in natural languages, only a small subset are truly common. Some, like the plosives /p t k/, are nearly universal. In general, the easier to produce (and more acoustically distinct) a sound, the more common it is; and languages will tend to make use of commoner sounds first (like plain plosives) as their phoneme inventory grows, before they have recourse to less common sounds (like pharyngealized plosives).[1]

The other important thing to note about phonemes is that they’re not atomic. The human brain is an extremely powerful pattern-recognition machine, and whether we’re learning our L1 as babies or learning our sixth L2 as an adult, we break languages down into many different patterns and systems as we learn them. It’s easier to learn, for instance, the general pattern that “third-person present verbs in English end in -s” than to learn, as separate pieces of information, “okay, after ‘he, she, it’ the verb ‘put’ is ‘puts’ and the verb ‘see’ is ‘sees’ and the verb ‘run’ is ‘runs’...” etc.[2] But we usually do not learn these patterns explicitly, and even when sitting down in a classroom to learn a language, there’s only so much use you can get out of memorizing a table of conjugations or declensions--it’s hard to speak fluently if you have to pause in a conversation to go, “hmm, okay, but what’s the dative femine form of the article?” Most language learning requires acquiring an intuitive grasp of the patterns of language; and you only acquire that intuition through lots of speaking and listening.

A consequence of our dependence on intuitive understanding is that two people’s intuition can differ. For instance, many people learn the rule in English that “I” is nominative, and “me” is objective; and so, unless the first person pronoun is the object of a verb or preposition, you must use “I”: “Gowron is better at Klingon politics than I.” Sometimes, this is analyzed as having an implied verb: “Gowron is better at Klingon politics than I [am].” But over the centuries of people speaking English, many people internalized a different rule. Because pronouns crop up as the objects of verbs or prepositions more than as the subjects of verbs, the objective forms came to be reanalyzed as the default forms. The nominative form became a special, marked form--one that only occured in certain cases, which was, over time, simplified into “only when the subject of a verb.” Therefore, for these speakers of English (me included), the rule became: “when appearing to the left of a verb, use ‘I’; otherwise, use ‘me.’”

Out of the steady accumulation of such petty reanalyses, great changes in grammar are born.

The same process is at work in the sounds of a language. Just like grammar, sound is heavily systematized, and encapsulated by the brain as a set of patterns. Only instead of cases or persons or numbers, the component features of sounds on which patterns are based are called their “features.” And, as with any good Saussurian principle of sign-distinction,[3] we only care about a minimal set of features which, as a community of language-speakers, we all agree are the relevant ones for distinguishing sounds. For instance, if our language has the consonant sounds /p t k b d g m n/ (the unvoiced and voiced plosives, and some unvoiced fricatives), we might need only the feature [voiced] and [nasal] to distinguish the sounds of our language. But, because we learn these rules implicitly, and we don’t have to give our youngsters a background in up-do-date phonetics research before they can say “papa”, maybe later generations of speakers, or the next village over, notices a different set of features. After all, we have to physically produce these sounds with our mouth; they don’t exist in a perfectly idealized acoustic realm. Some speakers of our language may come to see the defining feature of the voiced stops as only [+voiced], and since there are no fricatives which they can be confused with, start pronouncing them with a less constricted airflow to make them sound even more distinct from the unvoiced stops. So gradually /b d g/ become /v ð ɣ/, the voiced fricatives produced at the same place in the mouth. As far as the speakers of the language are concerned, the sounds haven’t changed--[+fricative] is not a phonemic feature of their language! The pattern isn’t changed, at least not yet. But more sound changes will accrete over time, and they may affect the new series of fricatives differently than they do the stops; and with a few more changes like this, soon you may have a version of the language that sounds completely different and is entirely mutually unintelligible.

Sound changes are 1) regular, and 2) have no memory. While sound changes can be triggered only by certain phonetic environments (say, the voicing of /p/ to /b/ between two vowels), if the conditions for a sound change are met, it will be triggered everywhere it applies.[4] And later speakers of the language won’t remember that /v ð ɣ/ used to exist in opposition to /p t k/ (unless they take a class in historical linguistics); they’ll treat these sounds on their own terms.

When the exact production of a sound varies within a language, usually altered by context due to the physiological considerations surrounding making that particular face-noise, this phenomenon is called allophony. Different versions of the same underlying sound are allophones. The sound as a unit of the formalized pattern stored in your brain is a phoneme. A phonemic transcription (between slashes /like this/) is a transcription of a sound or sounds as these abstract phonemes. A phonetic transcription (between brackets [like this]) is a transcription of a sound or sounds as something like their actual acoustic realization.

2. The vowel space and vowel planes

Consonants involve obstructing or redirecting the flow of air through the vocal tract, often entirely (as with plosives), or turbulently (as with fricatives). Combined with the large number of distinct places of articulation, involving the teeth and tongue and palate, consonants can all sound very distinct from one another. As a consequence, small consonant inventories can restrict themselves to a small subset of the full space of possible consonants, and still be fairly distinct from one another. In fact, in languages like Hawaiian or Rotokas, with very small consonant inventories ( /m n p t~k ʔ h w~v l~ɾ/ for Hawaiian and only /p t k b~β d~ɾ g~ɣ/ for Central Rotokas; the ~ symbol indicates allophonic variation between two sounds, depending on speaker or context), it’s very unlikely there’s going to be any sound that’s really difficult for a speaker of a language with a more complicated consonant inventory like English to pronounce.[5]

Vowels, though, don’t involve specific points of contact between different parts of the vocal tract in the same way as consonants; vowels are produced by the relative position of the tongue in the mouth, with an unimpeded air flow and the vocal cords engaged. This means that vowels can vary subtly--and, as a consequence, that languages tend to spread the vowels they have out, throughout the entire articulatory and acoustic space available to them, in a way they don’t have to do with consonants.

Here’s the IPA vowel chart:

The reason it’s longer at the top and on the left side is because there is more acoustic differentiation possible when the mouth is more closed versus more open, and when the tongue is more front than back. Languages will especially tend to have more close (or “high”) vowels than open (“low”) vowels. That’s not the only property that affects how vowels tend to be distributed though. Here’s a schematized diagram of the vowel space based on the actual acoustic components of the vowels:

Speech sounds are composed of different-frequency elements called “formants;” the lowest-pitch formant is F1, the next-lowest F2, and so forth. For most vowels most of the time, F1 and F2 are the really important formants. Open vowels have higher first formants, and close vowels lower first formants; front vowels have higher second formants, and back vowels have higher low formants. Here’s a similar chart, showing actual values, from the Hitch paper:

But we don’t recognize vowels just using their pitch. If it did, we could in theory have languages with hundreds of vowels: the ear and brain together can detect extremely subtle gradations of tone. Rather, what matters more is the relative value of vowels, the distinctive features like [+front] or [-high].

Most languages have small vowel inventories; in terms of the psychological perception of vowels, the vowel space is quite small. WALS classified any language with 4 or fewer values as “small,” languages with 5-7 vowels as “average,” and any language with more than 7 as having a “large” vowel inventory. Germanic languages like English, which have anywhere from 10 to 17 (!) vowels, are monstrously bloated by global standards. Usually for larger vowel inventories, additional features will be added besides the spatial features so that vowels don’t have to compete for space: Latin doubles its vowel inventory (/a e i o u a: e: i: o: u:/) by adding a length feature, and Turkish (/i y ɯ u ɛ œ a o/) accomplishes something similar with rounding.

Additional sets of distinctions like these, which are not spatial distinctions, create different vowel planes, where vowels do not have to compete for space with one another directly. Vowel planes may be parallel (as in Latin or Turkish), or not. There may be phonological or grammatical processes that trigger vowels moving from one vowel plane to another, as languages with vowel harmony, where vowels in a word must share a particular feature like frontness or roundedness, or vowel planes may simply exist to provide additional acoustic contrast within a language’s vowel inventory.

Traditionally, languages with large vowel inventories have been analyzed as having many degrees of front/back or height distinction: four, in languages like Danish, or even sometimes five, as in the case of one Bavarian dialect Hitch cites in his paper. However, Hitch argues that the psychological space available for the vowel plane is really divided by reference to a perceived “neutral” vowel, one that may not be phonemic in a language, but will still crop up in paralinguistic utterances (like English “ugh” or “uh-huh”). It is by comparison to this vowel that vowels acquire distinctive spatial features, and as such, there are really only nine ways, at most, to divy up the vowel plane:

No language, in Hitch’s analysis, really has more than three distinctions of height or backness. When you think you have more, as in Danish, it’s time to take a look at the possibility that some apparently spatial feature really reflects an underlying contrast that isn’t spatial. Remember, it’s only the phonemic features of a sound that are fixed: the non-phonemic features can vary, sometimes by quite a lot.[6] Anything higher and fronter than the neutral vowel will count as a “high front” vowel, and its exact spatial realization may not be the same in each vowel plane.

Danish, for instance, has the vowel inventory /i e ɛ a y ø oe u o ɔ/ and is analyzed as Hitch as having the primary vowel plane

The three front rounded vowels /y ø oe/ form a distinct plane, one in which the only distinctive feature is height: high round, mid round, low round. The “frontness” of these vowels is a phonetic feature, but not an important phonemic feature. They don’t contrast directly with the rounded back vowels, because back vowels are usually rounded--it makes them more acoustically distinct from mid vowels, and round back vowels show up in tons of languages, like Latin, that don’t make a phonemic contrast for rounding. And rounding has a side effect on front vowels, making them sound a more central: thus, the “front round plane” is, perceptually speaking, more of a mid round plane distinguished by the [+round] feature. Languages can have multiple secondary planes. According to Hitch, Jalapa Mazatec “may have six parallel planes.”

Vowel harmony doesn’t have to operate across planes: Hitch provides the example of the three-vowel language Jingulu, which as /a i u/. A suffix in /u/ or /i/ will raise the preceding vowel unless a high vowel intervenes: bardarda, “younger brother” + -rni > birdirdirni, “younger sister.” But if often does, with apparent height distinctions being better understood as plane distinctions: “In these languages, the vowels in a particular word will all be from one plane or the other. It seems that the choice of plane is determined at the lexical level. In the lexicon, the words contain archiphonemes spanning both planes, and each word is marked with a feature indicating plane membership.”[8] Even if a language doesn’t have clearly non-spatial articulatory features distinguishing its planes like nasalization or length, it can still have two vowel planes that exist side by side. For Ogbia, a language of Nigeria, Hitch gives two vowel planes corresponding to one with the advance tongue root feature (+ATR) /i e u o ɐ/ and one without (-ATR) /ɪ ʊ ɛ ɔ a/. For Nez Perce, five surface vowels /i u o æ ɑ/ correspond to two planes /i u æ/ and /i o ɑ/; a word can have vowels from one plane in it, but not both. /i/ happens to exist in both planes (possibly due to a merger of two distinct underlying vowels).

3. Vowel systems

So for any vowel system on a single plane, we’re going to have a maximum of nine vowels. Secondary systems may be the same size as the primary vowel plane; or they may be smaller. Either way, our vowel systems will tend to have one of two shapes, triangular or rectangular. In a triangular vowel system, acoustic considerations are dominant. We will have fewer open vowels, and more close vowels. In a rectangular vowel system, the psychological considerations are instead dominant, and vowels will be distributed in the nine-vowel grid in a more symmetric fashion.

These nine potential positions or “archiphonemes” don’t always reflect the same division of the vowel space given on the IPA. 7 and 9, for instance, might be open-mid vowels rather than true open vowels. 2 might be a rounded front close vowel. 5 may or may not be a schwa. 8, the bottom of the IPA trapezoid or the idealized acoustic triangle, is usually [a], despite [a] being, tecnically, a front vowel! I will simply quote Hitch at length here:

With those caveats, we can then look at the possible arrangements of vowel systems, from zero vowels to nine.

Zero vowels. “A zero-vowel language would insert vowels according to rules of epenthesis, then colour the vowels according to phonetic context. It sounds theoretically possible, but no completely convincing cases have yet been identified.”

One vowel. “There would seem to be no indisputable examples of one-vowel systems on a primary plane.” But there are languages with one-vowel secondary planes. If a language has one long vowel, for instance, it will be /a:/. But if a language has one nasalized vowel, it can be just about anything.

Two vowels. This includes languages with a two-vowel front round plane; also, languages with a primary plane that has just a height distinction. All Northwest Caucasian languages have /ə a/ (but feature lots of allophones). Most examples Hitch cites for two-vowel systems have some kind of central vowel (/ə/ or /ɨ/) plus /a/; but Witchita has /i a/. “But this type reveals something fundamental about vowels: that [low] is the most basic of the four spatial features.”

Three Vowels. The triangular system /i u a/ is a very common system among the world’s languages, with /i/ and /u/ having lots of vertical freedom.

Hitch is very down on the idea of a three-vowel on the primary plane; of the potential examples he cites, none are undisputed. But “Parisian French has a vertical three-vowel configuration /y ø oe/ on a front-rounded plane (primary /i u e ə o ɛ a ɔ/). While vertical three-vowel systems may not exist, primary plane triangular three-vowel systems are exceedingly common.”

Four vowels. The triangular 4-vowel systems (4a and 4b) add a neutral vowel to the classic 3-vowel system. A straightforward rectangular system is possible (4c); as well as a slightly more complicated variation with more room for allophony (4d).

He also gives the unusual example of the Lummi dialect of North Straits Salish, which “appears to have no low vowels” /i e ə o/, though this is clearly an outlier.

Five vowels. The Latin vowel system (5a) is an extremely common triangular system; a rectangular 5-vowel system is also pretty common (5b). Three other five-vowel systems are given that are “relatively rare,” being a triangular system that combines 4a and 4b (5c), a 4c-like rectangular system with a mid front vowel added (5d), which is “asymmetrical, because the acoustic space is dominant,” and a different variation on 4c that instead adds a high central vowel. As an unusual exception, Hitch notes that Tohono O’odham “appears not to fit the pattern of any other language, and to violate a universal by having more back than front vowels with /i ɨ u o a/.”

Six vowels. Adding a central mid or central high vowel to 5a gives two common triangular six-vowel systems (6a and 6b). A rectangular six-vowel system, with no central vowels, is also possible.

Seven vowels. There is one possible triangular configuration, 7a, with one low vowel. Otherwise, 7-vowel systems are rectangular systems that differ only on where they place the central vowel.

Eight vowels. Similarly restricted: there are only three possible configurations of eight vowel systems, depending on which central vowel is omitted. None appear to be very common, however.

Nine vowels. Nine is the maximum number of vowels on a single plane, and therefore there is only one nine-vowel configuration possible. All analyses of more than nine “basic” vowels means you should start examining the possibility of multiple vowel planes.

In the next post, we’ll take a look at consonant systems.

Footnotes:

[1] https://wals.info/chapter/1 (ctrl+f “size principle”)

[2] Languages do have irregularities, where historic patterns have been obscured by sound change or other processes. But there’s a reason irregularities or fossilized forms tend to occur in commonly-used words and phrases rather than rarely used ones: it is harder to remember variant patterns for rarely used words, and so they tend to become regular by analogy.

[3] Cf. Ferdinand de Saussure, Course in General Linguistics. This is one of those texts that was mind-blowing to me when we read it in our Critical Theory course in undergrad, but now seems so obvious as to not be worth discussing. The key insight can be summed up very succinctly, though: human brains care about differences between symbols, not their absolute values. When it comes to the kind of meaningful differentiation required for communication, it’s the relative differences between signs that matter--so any sign-system can be simplified to the minimum required number of distinctions, without the loss of information or without impeding communication. This insight is relevant to everything from linguistics to information theory.

[4] Apparently irregular sound changes--why does the Early Modern English sound spelled <gh> get pronounced as /f/ in “enough,” but is silent in “through”?--are usually the result of patterns being obscured by analogy or borrowing. In this case, it’s because the prestige dialect of English that coalesced around London in the Early Modern period, and was influenced by speakers of English from all over England, sometimes borrowed words from other dialects that had undergone different sound changes. In some of those dialects, the <gh>-sound was lost. In others, it changed to /f/.

[5] The only sounds in either Rotokas or Hawaiian given above that don’t crop up as a phoneme or allophone in English are probably [β ɣ]. The former is just [v] pronounced with only the lips; the latter, the voiced equivalent of German or Scottish [x].

[6] For instance, the Middle English long vowels /iː eː ɛː aː ɔː oː uː/, had as their distinctive feature their length, not the exact contour of their sound. That meant that these long vowels could “break,” becoming diphthongs, but as long as they remained mostly distinct from one another, no confusion resulted. That breaking, plus the general reorganization of the vowel system that changed the pitch of the pure long vowels (the high ones, which could not acquire a high offglide because there was no space above them acoustically) later yielded the corresponding modern long vowels /aɪ i: i: eɪ aʊ u: oʊ/

#conlanging #vowel systems #comments and corrections welcome

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surveys-at-your-service · 5 years ago

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Survey #263

laptop is still broken, nvm. :’)

Do you have a favorite song by The Cure? "Sweet Soul Sister." (': Are there things you've never told for fear that others would judge you? Yep. Can sex ever be casual? I personally don't support it, but ultimately, so long it's consensual, protected, and both parties understand what's going on, you do you. Would you like to go on television to receive a make-over? Not on TV, no. It'd be awesome to see myself after a professional makeup, but I ain't going on TV to show my ugly face. What will no one ever see you do? Smoking. Are you quick to anger? Rarely. Are you slow to forgive? Not really. Usually. What do you need help with? Being an adult, lmao. Do you take the easy way out of things? More often than I'd like... What is your favorite fabric to wear? *shrugs* I don't pay attention to the fabric I wear, really. Do you still make a wish when you blow out your birthday candles? C'mon dude, you've got to! I don't believe in wishes increasing your odds of anything, but it's a must anyway! Do you look for four leaf clovers? Just casually when I'm walking or sitting outside. What are you the guardian of? My pets! Are you for or against censoring child pornography? I've seen many stupid questions in surveys. But this is the absolute dumbest. What the fuck is wrong with you. Are naked child images in paintings more acceptable than photographs of naked children? GENERALLY, yes, but it really depends on the artistic portrayal. None should be sexualized. Now that we can create such lifelike digital images, do you think it should be allowed for digital child pornography to exist (as in there were no children involved in the porn, it is all digitally made, the kids aren't real, they just look real)? Absofuckinglutely not. The concept is absolutely repulsive. Enough with these fucking questions. Do you like Wheel of Fortune or Jeopardy better? Wheel of Fortune, ig. Jeopardy is pretty boring to me. What is your favorite tarot deck? I don’t know enough about tarots to comment. How do you feel about Wicca and Paganism? IT'S SUPER SUPER INTERESTING AND COOL AND I LOVE LEARNING ABOUT IT!!!! I relate most to Neo-Paganism anyway, so I obviously don't mind them. Wicca especially is a very, very misconstrued religion that has just been horribly abused by the media. Do you believe that people who practise the above religions are able to accomplish magic? No, I don't. If you were given the opportunity to lead a creative writing program for a small group of students in a high school with a low budget in generally poor neighborhood, would you do it? No, but only because I could never been a teacher. Sounds fun otherwise. Should high school cafeterias stop serving twinkies and other fatty foods? BIIIIITCH whose HS sells Twinkies????? I need to know?????? Anyway, no, but I believe there must be mostly actually nutritional options. Let kids have the chance to have a little snack during a boring 'ole school day. What band is so romantic that anyone who listens to them must be romantic at heart? BOY Josh Groban. Have your gods and idols let you down? The Christian god did. What do you waste? Whew... time... time. When was the last time that you were neither going to school or working for a month or more? Currently. Ugh. What is your light at the end of the tunnel? The potential of a beautiful future. Speaking of the light, is the light that people see when they die the random firing of electrons or is it something more? Good question. I lean towards it being a natural phenomenon as everything shuts down, BUT I find the reincarnation/birth canal theory to be quite interesting. I don't really believe it, but hey, who the hell am I to decide if it is or not. If you were going to have a mural painted in your bed room what would you want it to be of? A scene of meerkats probably. Is sex more about fulfilling a need or giving yourself? Giving yourself. Do you like your belly? FUCK NO. Do you think more or act more? Think, sadly. Should there be a mandatory retirement age? Of course not. You work all you want boo. What's the craziest thing you've ever done on impulse that worked out well? This is gonna sound... very bad, but my suicide attempt. It made things abundantly clear I needed serious help. It led to my partial hospitalization program. Do you have any exercise tapes or DVDs? No but OH MY GOD this made me remember my lil sister used to a Barbie one that we followed lmaoooo. Does the sound of crickets bother you? No, I quite enjoy it actually. Is the sound of a fan on at night soothing? Yessss. How do you feel you will likely die? I really don't know, but probably cancer-related. Recent events have made it abundantly clear it does in fact run in our family, and genetic testing because of Mom's cancer revealed that at least through her, my sisters and I are susceptible to pancreatic, breast, and ovarian cancer. Once this virus passes over, we're all getting tested for free to get an understanding of what hell Dad gave us lmao. Have you ever been slapped in the face? No. How about punched? Yeesh, no. That was something unique about you as a child? I was CRAZY about dinos for the average little girl. Have you ever come up with a memorable quote? Not really. What is something interesting about where you live? The town is like, really, really old. Downtown looks right out of an old movie. Were you breastfed as a baby? Yeah. If you’ve lost your virginity, what was your first time like? I don't remember it because it didn't really register what we were doing was sex. I still don't know today if you could call it sex since it was really dry humping through thin clothes, but it sounds close enough. What do you think about masturbation? You do you boo. Is it sometimes better than the real thing? I don't think so, though I only had a brief episode where I did it when I was put on a new birth control that made my hormones like so, so far beyond control. I stopped that shit sooo fast. I got almost nothing out of it, honestly. Intimacy is a two-person job for me. Who do you think about most? Jason, whether I want to or not. Favorite way to pamper yourself? Go to bed early lol. What's your most expensive piece of clothing? I don't have a clue. I don't really have expensive stuff. What was your last big achievement? Ugh... I'm not the person to ask. I haven't made any big ones even semi-recently. Have you ever had a "false alarm" moment, what was it about? Oh sure. The first time that comes to mind was when I thought Venus was dying once when she had a series of horrible coughing/gagging fits a long time ago. We took her to the vet with the risk of a respiratory infection, but she was clear, thankfully. I think she had early signs, though. Do you know how to ride a bike? Ye. If you were in the hospital who are the two people you'd want by your side? Mom of course, and it'd be nice if Sara was there if she was at all capable of that, but I'm fine w/ just Mom. If you could ever take a street sign, what sign do you want? Well, I wouldn't, but probably "stop" bc that applies to a lot in my life, lmao. Have you ever not returned something you borrowed and if so what was it? I don't think so? When you pack your lunch, what's your favorite packed lunch? Usually just a good 'ole pb&j. :') What was the one most important thing you learned from your parents? Take care of your goddamn relationship. Talk shit out instead of yelling. Work together. Never neglect the reason you're with each other. Have you done something you worry could come back to haunt you, what? No, because I don't believe in karma. If you had to build a small ark, what 7 animals would you save? Those with the biggest ecological impact, like bees and spiders, for example. I wouldn't be very happy with all my choices while all other animals perished, but you've gotta think of what comes next. Out of just selfishness I'd obviously have to spare a spot for meerkats, aha. They'd help with the bug control, though! I don't know about the other four, though; I'd have to think real hard on 'em. What is something your parents love that you actually love too? Classic rock and metal. Has anyone ever said "I love you" and you couldn't say it back? I firmly remember this is how I ended that childish shit with Joel. He said it and I couldn't. Have you ever ridden a camel? No. What's been the hardest loss you've had to take? Jason. What emotion is your least favorite and the one you are not in touch with? Fear, of course. No one likes being afraid. I'm not all that in touch with greed at all. Do you think facial moles or freckles are cute? I don’t mind 'em. Sometimes they're super-duper cute. Would you ever pick up a hitchhiker? NOOOOOOOOOOOOOOOO I don't trust strangers for shit. If you're searching for a relationship, where is your go-to place to look? I don't really "look" anywhere. What book have you read multiple times? I lost count of how many times I've read Meerkat Manor: Flower of the Kalahari. Granted, in subsequent reads, I would skip over the HUGE tangent chunks that were entirely unrelated to meerkats. I seriously remember one long-ass section was like a goddamn essay on why smaller animals tend to have unnaturally large testicles like I don't fucking care talk about Flower again. I think I only decided to read it in full two times, but maybe not even that. Do you keep a budget? I don't have the income to do so. Have you ever test driven a car you knew you weren't going to buy? No, never test-drove anything. What do you have a hard time visualizing? There's a number of things, but this one thing is weird shit: I can't picture my old therapist. Even when I saw her every month, I could almost NEVER visualize her in my head. She's a fucking cryptid or something, paranormal shenanigans is going on here. She's the only person I know where I have that problem. What makes you feel uncomfortable in group settings? I worry I'll make myself look stupid in front of everyone. What was your worst date ever? I don't feel like I've really had a bad one. I've had one that did nooooot go according to plan and I know the average girl would've been annoyed, but I'm actually an understanding human being who found the adventure fun in the end. Basically a flat tire, a sketchy tire place, and a lot of walking happened lmao. Tyler felt fucking awful, felt bad for him. Have you ever gotten in a bidding war on Ebay, if so for what item? HAHA yeah, though it was technically Mom, but she had me keep an eye on it. I remember Parasite Eve took some battling to get. I think maybe a Legend of Spyro game, too? Are you supportive of your friends even if you don't agree with them? So long it's not literally insane or stupid, usually. It really does depend. What did you think was stupid until you tried it? Hm. I'm not sure. What subject do you and your parents never see eye to eye on? Religion. I keep most of my beliefs to myself now. Where do you see yourself in 1 year's time? Honestly, I don't want to ponder and picture this. What is your favorite type of seafood? I only like shrimp. What triggers your inner shopaholic? HA, do tattoos count? See cool ones, and then I'm planning (more than only always...) tons of new ones I want and will just be DYING (ALSO more than always lakdjfwe) to go to the parlor. What public figure do you disagree with the most? I really can't say considering I'm just not educated enough here. What is your opinion on rats as pets? They are absolutely wonderful! Smart, sweet, and very clean despite their stigma. I've had quite a few. What is something you're afraid to try? Sky diving, the Tower of Terror ride. ;___; That kinda stuff. What song makes you dance uncontrollably? None. Do you like nachos, if so what topping is a MUST have? Cheese is all I really need for nachos. Do you have any subscriptions? Yes, to Adobe Creative Cloud. Which is better, Mario or Sonic? Mario games are cute, Sonic's make me cringe - I've watched enough Game Grumps to know lmao. I hate hate hate cringe culture, like let people enjoy whatever, but I absolutely cannot stop my cringe reaction to some shit. I don't judge the people that enjoy whatever it is, though. THAT pisses me off. Who is the most creative person you know? I've known Sara and Connie much too long to not say them. They have such vast imaginations. Besides a pickle, what is your favorite thing pickled? I've actually never tried anything pickled, I think... no wait. Aren't jalapenos? Well there, jalapenos. What did you do for your 21st birthday? If not, 21 what are your plans? I had my normal therapy sessions in the mental hospital lmfao. It's unfortunate, but I do have fond memories of the day. Everyone was so damn sweet, and the friend I made there even got in touch with one of the lunch ladies, who literally went to go buy me a slice of cake. She and the other employees in the kitchen brought it out at dinner, and everyone sang happy birthday. I think I remember tearing up just because it was so goddamn sweet, but also bittersweet in that I was in a fucking mental institution for my BIGGEST birthday. When I got out, Colleen bought me a red velvet cake to "make up for it," ha ha. I miss her every now and then alsdkjf;wae. Are you a role model for anyone in your life? Oh, I doubt it. Do you think you need to slow down and enjoy life more? I don't need to go any fucking slower in my life. Can you impersonate anyone famous? I don't believe so. Never really tried anyone. What is your favorite salty snack? Spicy Cheetos mmmmmmmmmMMMMMMMMMMMMMMMMMMM What is your favorite restaurant? Olive Garden for sit-down, Sonic for fast food. Have you ever been in a play for school? In elementary school. I never had a big roll, though. Do you wish you had more friends? Very much. What is the main character’s name in the book you’re reading? Aunt Lydia. Which famous author would you like to meet? I'm not particularly interested in any. Which artist would you like to meet? Hey hey hey. Mark's brother is a comic artist. Meet him, one step closer to meeting God Himself. (ง ͡ʘ ͜ʖ ͡ʘ)ง Which singer would you like to meet? OZZY sobs What celebrity do you have a crush on? Anyone who's even heard about a hint of my Markiplier obsession knows I would fuck him into oblivion. When you were in middle school, were you in love with someone you never talked to? No, I didn't romantically love anyone. Do you believe that there is an unseen spirit realm? I do. Martini, margarita, or sangria? YO STOP I'm weak with these things. I can't pick. Do you feel you are extremely gifted but no one appreciates you? No. I honestly feel like people have more faith in what I'm capable of than deserved. What Lisa Frank character is your favourite? The angel cat, probably. Or tiger. Do you know how to use Braille? No. When you use stairs, do you usually hold the rail? Currently, I have to because of my muscle atrophy. I need help to stay steady. Have you ever worn a veil? No. Have you ever planted a tree? We actually did plant an apple tree in our front yard at my childhood home. Never grew much. Have you ever made anything with clay? A number of things from art classes. Has today been a good day? No, honestly. Have you ever fed a horse hay? Yes. Are you more likely to text "Okay", "OK" or just "K"? "'Okay.' The other two are restricted for when I am in a mood and want someone to know I am in a mood." <<<< HA HA SAME. Do you like the taste of lime? Sure. Have you ever seen a mime (in real life)? Not to my recollection. Have you ever seen a deer (in real life)? Plenty of times; whitetails are common here. Right now, what can you hear? "Game Over" by Falling In Reverse. Have you ever seen a bear (in real life)? In the zoo, yes. I think there's a possibility I have in the wild, but only from a distance? Have you ever eaten glue? No. Do you tend to buy clothes used or new? New. If you have Netflix, how many items are in your queue? N/A

#survey #quiz #questions

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