#there were so many other amazing textiles too i had a great time
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I went to the Powerhouse Museum today and saw the famous dressing gown from 1935, and I have to say I was ecstatic
#quilting#dressing gown#quilt#epp#english paper piecing#(i think)#textiles#fibre arts#art deco#there were so many other amazing textiles too i had a great time#patchwork
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A fun weekend, with company in town!
Today is Monday and we've been going, going, going since last Friday morning. That's when we left by train for Turku, for the two-day Fulbright event in Turku, hosted by the Department of English at the University of Turku and their North American Studies Program. The event was so fun! It was intended to be a light-hearted event to introduce certain cultural phenomena in the US to students from Finland. So, the key words are no scholarly papers. It was actually really hard for me to comply with this! I was on a panel with two US graduate students on Master's Fulbrights in Finland. One, Drew, is getting his MA in Turku and the other, Natalie, is getting hers in Tampere. Our theme was "The Super Bowl: America's Favorite Holiday." I was super excited to form this panel with other people as interested in Super Bowl parties as I am. And, I finally had a venue in which to spread the gospel that is the "Super Bowl Snack Stadium."
Anyway, the American Voices seminar was so fun, and I loved hearing my fellow Fulbrighters' presentations too. If you check the program here, you can see all of the various topics that were discussed. We also got to meet the next cohort of Finnish students who will be moving to the US for graduate study next Fall, as they are the recently awarded students for that type of award. Turku was a beautiful city and we walked around it some and the Fall colors, or ruska, were gorgeous. As with the other Fulbright events, there were many wonderful meals, and snacks, and coffee breaks. I feel so pampered! At the refreshments break on the first day, Rowan ate four munki (Finnish donuts) and on the second day, he and Cece both ate three croissants, I think. They both really enjoyed hearing the talks and Rowan asked some really smart questions -- and a few fellow Fulbrighters remarked on that to me afterwards. He certainly was not shy about jumping right in and participating!
We came home on a 4 p.m. train on Saturday and we arrived at 5:45 to Tampere and had to dash across the street to our apartment so the kids could get on Zoom for their piano lessons with Mr. Marcus. While they were going on, Kaj and Tina arrived, but their luggage did not! Actually, today is Monday, and their luggage finally got to their hotel here at 3 p.m. after having its own interesting European vacation. It spend some time in Germany, Latvia, and then driving around in a delivery van here in Tampere.
Since Kaj and Tina arrive Saturday night, we've had three very fun dinners here at our apartment; we've gone one a nice four-mile walk around Tampere (on Sunday morning); and we visited a lovely neighborhood that is nestled between two lakes that I had been wanting to walk around. Today, Tina and the kids and I went to a museum I'd been eager to check out, Vapriikki, which actually contains maybe six or more museums: the Postal Museum (which is closed right now for a change of exhibits), the Finlayson museum (about the large textile company founded in Tampere), the Finnish Museum of Games, an art gallery with rotating exhibits (this time featuring an exhibit on Aboriginal Australian women artists), the Natural History Museum, and the Finnish radio museum. We had so much fun there. The Finlayson museum -- and the Finlayson area of town was the setting of the museum-- was so amazing. I have long been a fan of their textiles, so it was great to get the whole company's back story. Also, in this museum was the Finnish Hockey Museum, lest I forget! I have a Finnish museum card, gifted by the Fulbright Finland Foundation, so I can go to almost all museums for free, so this is one I will definitely have to return to. There is so much to see!
The kids are on autumn break here, as am I. So, we will get to do more exploring tomorrow and we will go to see an Ilves game at Nokia arena, too! All the school kids got vouchers to see a Tappara game or an Ilves game, or both!, over the break. Also this week we are going to rent a car and go to Jyvaskyla, which is about 1.5 hours away. It is the home of the Alvar Aalto museum, and I have been very eager to go there! The kids' figure skating training continues this week, but all of their other activities have a week off this week. My ballet is not happening, either.
In other news, I would say it is actually cold now. It is just about freezing. The leaves are still on the trees and the trees are so beautiful -- but I think the leaves are all about to fall off. We have been having so much fun with Kaj and Tina and it's exciting to show them around! They're such good sports for anything the kids want to discus or go to see or whatever. The kids are thrilled to have them here.
Oh, one of the places we walked on our amble around town yesterday was a gorgeous cemetery. I guess it is OK to walk through there, if one is respectful, and we were. One of the first headstones we noticed had "Engberg" on it, which was surprising, given that it is a Danish and Swedish name -- not Finnish. There was also a monument to Finnish soldiers who had died during the Second World War, and that was on the highest point in that area, with views all around. The landscape in that cemetery was just so incredibly gorgeous. What a peaceful place to be laid to rest -- not to sound morose or anything. From there, we walked back to the allotment garden-plot community I wrote about last week. I was so excited to show it to Tina, as she is an excellent gardener!
OK, more soon. Hope your week is off to a good start!
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💬 News 1: Highlights from Hanbok Interview
She is an emerging talent to watch. Park Gyuyoung (25) made a name for herself as the web designer 'Somi' at Seowon Architectural Firm in JTBC's Monday-Tuesday drama 'Just Between Lovers'. Perhaps because of the role, any premature speculation that she might be a 'snob' changes with just one bright smile. She is an actor with a positive and bright energy that 'disarms' viewers and a 'unique' charm.
Park Gyuyoung left her hometown Busan and started living in Seoul when she entered the Department of Clothing and Textiles at Yonsei University in 2013. A college magazine (University Tomorrow) cover photoshoot she did by chance during her university days led to her current agency, JYP Entertainment, where she spent time as a trainee and debuted in 2017.
Although 'Just Between Lovers' is her first long drama, she has shown growing performances by appearing in the 2017 KBS drama special 'Kang DeokSoon's Love History, JTBC's 'Solomon's Perjury', and the web drama 'Magic School'. This year, she is also gaining attention as an emerging talent on the screen with two movies, 'Monsters' and 'Wrestler', set to be released.
Q. Are you going to Busan to see your parents for the Lunar New Year this year? It must feel like a triumphant return.
“I am going to Busan. It’s not exactly a triumphant return, but my family is still amazed (that I’ve become an actress), so they will probably ask me a lot of questions. I’m already feeling shy about it.”
Q. You had a busy year in 2017 with dramas and movies. Wasn't it tough?
“I tried not to think of it as being tough or busy. I just thought I had to work even harder. Then, looking back, I realized I was in a lot of productions in 2017. Still, I feel like I’ve accomplished something.”
Q. Being an alumna of a foreign language high school (Busan Foreign Language High School) and a prestigious university (Yonsei University) often makes headlines with descriptors like "Mum’s Friend’s Daughter." How do you feel about such labels?
“It’s totally, extremely embarrassing. I wasn’t exceptionally good at studying; I was just lucky with exams. So, it’s really embarrassing when I receive such compliments. At school, I was just a normal student who enjoyed hanging out with friends.”
Q. How did you start acting, which is unrelated to your major?
“I had a photoshoot for 'University Tomorrow' magazine. The company (JYP Entertainment) contacted me after seeing it. At first, I was half curious, but as I started to learn acting more seriously, I became more earnest about it. Once I actually went to the field, it was fun, but I realized there was so much to study and contemplate. There were difficult times, too. Studying acting made me think a lot.”
Q. There must have been a lot of other things to worry about besides acting.
“Thinking about always having to manage myself? I was a bit on the chubby side, so I worked out hard. I’m still doing Pilates now.”
Q. How will 'Just Between Lovers' be remembered?
“It’s my first long-duration drama, almost like it was from the beginning to the end. The set was so warm, which was great. The character Somi might have seemed annoying at times, but I'm glad I could show her lively side, leaving me with good memories.”
Q. It seems like Junho from 2PM, a senior at your agency, would have been a big support during 'Just Between Lovers'.
"When I became a JYP trainee I got the chance to see 2PM (*she may be referring to a concert) and it was truly fascinating. I used to gaze at 2PM thinking, 'Wow, celebrities,' and it was so surreal to act alongside Junho, a member of 2PM. He was really kind on set, and I was thankful for that. He treated me comfortably as if we had known each other for years."
Q. What did you learn from 'Just Between Lovers'?
"I learned a lot about the technical aspects of acting, but what remains in my memory is thinking about what kind of senior I want to become. There were many seniors in this work, so I was very nervous, but they treated me very comfortably. I was very grateful for that, and it made me want to be such a senior as well."
Q. Do you have a role model?
"I'm diligently watching 'Misty'. The charisma of senior Kim Namjoo is tremendous. I'm learning a lot. Also, senior Go Hyunjung in 'Return' is cool. I like that she has her own colour and her presence is amazing. It's fascinating and attractive how she shows different charms in each work."
Q. Is there a genre you're interested in?
"I'm very interested in action. I'm curious about how to prepare for action scenes, like practising movements and studying complex staging. I think it would feel rewarding and joyful to actually do it."
Q. What is actress Park Gyuyoung's weapon?
"I've played a lot of characters with a bright personality so far. However, I'm also sensitive and delicate. I can do well in roles that require a calm acting tone. (Laughs)"
Q. What are your plans for 2018?
"Rather than having specific things I want to do, in 2017, I was just starting to make my presence known from a state of obscurity. This year, I hope to appear in even more works than before."
News 1 Hanbok Interview, 2018
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hi this is a really great post about airbender textiles, and it reminds me of your posts about earthbender bread and your amazing headcanons about the nations!
https://erisenyo.tumblr.com/post/677314477519175680/owlsantuary-yetanotherknitter
Would it be a dick move of me to bring up that I actually wrote my own post about this?
So i dunno if this adds to that post but my headcanons were as follows:
Sky bison wool is basically white quivit (i know it's spelled qiviut but my mom always called it quivit so that's how I say it too). What that means is it's much finer and softer than sheep's wool and seven times denser.
Air nomads would sell it in many forms, spun, woven, even just as raw fiber. Merchants who bought it from them directly had a habit of marking up the price. Sometimes it was blended with other fibers, but nothing cost more than 100% sky bison.
Sky bison wool blankets were, like, the wedding gift in various parts of the Earth Kingdom, though for poorer couples this was usually just a quilt with a thin layer of sky bison fiber for stuffing. After the Air Nomad genocide they became precious family heirlooms.
The Water Tribes bought it as yarn to make cozy knitwear.
There are pillows in the Fire Nation royal palace stuffed with sky bison fiber. Some of them ended up on Zuko's exile ship. Probably Iroh's doing.
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My name is Eva Camacho-Sanchez, and although I was born and raised in Andalucia, Spain, I have spent most of my adult life in the eastern part of the United States. I learned to create from my mother, who grew up in a poor, rural village, and who had no choice but to make her own clothes and other textiles in the 1940s and 50s. A passion for creating and the importance of self-sufficiency was instilled in me at an early age, though my artistic passion only came alive when, as an adult, I discovered the amazing qualities of wool and the wonderful art of felting. Coincidentally, my father also tended to his family’s sheep flocks while he was in grade school. Unfortunately, he had to leave school at the age of eight to tend to the flocks full time, so it only seems fitting that I continue with a similar connection to sheep and the fibers they produce.
Most of my felting career has been dedicated to creating nuno felted garments. Over four years I went to many art shows, where I sold my work, and many pieces were also sold in galleries, boutiques and museum stores. But I knew that wasn’t going to be it for me. I’ve always admired artists who create conceptual work. and I wanted to be one of them, too. In 2017 I decided to not make anymore wearables and dedicated my artistic career to teaching workshops and making more visual and conceptual work. Although I am devoted to felt, I have also been intrigued by other fibers and fabrics. I have been including other materials such as paper into my work because, through my own experimentation, I learned I was able to make a very durable material by felting mulberry paper into the wool. Mulberry paper is made from the mulberry tree, and it has long fibers which help to give the paper its distinctive finish. This paper originally comes from Asian countries, such as South Korea and Japan. Jiyoung Chung, a Korean paper artist, has been a great influence on my work. The process of Joomchi is very similar to wet felting, and I love how these two techniques can be used interchangeably.
I have also been stitching on a lot of my final pieces, especially since I found slow stitching as a way of meditation. The simple running stitch going through the felt, and not knowing where the next stitch might end up, brings a lot of joy and a lot of peace to me. I’ve been very much influenced by Claire Wellesley-Smith, Alice Fox and Christine Mauersberger, three great fiber/ textiles artists and amazing stitchers.
https://www.thisiscolossal.com/category/art/
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Why Ethical Fashion Doesn’t Need to be Boring (In the Words of a Shopping Addict): Lookbook no.14
Hi to anyone reading,
Arghhhh.
I never know how to start posts when I literally just uploaded the other week because I tend to follow the very formulaic approach of summarising what I’ve missed due to sporadic posting…I mean, don’t get me wrong, I’m still posting sporadically, it just so happens I’ve had more content to get up recently-sometimes lightning strikes twice, ya know, and I have a brief, if chemically fuelled, reprieve from the permanent state of exhaustion. It’s not like there isn’t stuff to talk about- the last month has seen a horrific murder and public outcry in response. There are a lot of important conversations going on about women’s safety and misogynistic violence that I really cannot do justice to in a paragraph and feelings that have been brewing for a long time that I can’t articulate yet and will not attempt to offhandedly do so in this post. Right now I just wanna say that I stand in solidarity with all those with histories of experiencing violence at the hands of men, those who aren’t here with us anymore as a result of that violence such as Sarah Everard, and those marginalised women whose stories don’t make national news. It’s very telling the way Sarah’s vigil was responded to by the same police force that have allowed mostly male anti-mask protests to go ahead with protestors unscathed, and solidarity with the women who were treated with such an unjustifiable amount of force at the vigil too.
That being said, women’s rights are something I wanted to talk about in this post, with regards to the way it ties into ethical fashion. None of us are perfect and it’s easy living in a first world country to detach yourself from the issues stemming from fast fashion, especially when you don’t have the time or money yourself to be selective about where you buy from. Don’t get me wrong, I do treat myself to some new clothes from fast fashion companies like ASOS and Urban Outfitters a few times a year so this is NOT coming from a place of preaching, but I have drastically reduced that to buying about 90% of my new clothes either second hand from Depop or charity shops or clothing stores that are upfront about their outsourcing practices. I love putting outfits together and updating my wardrobe and I don’t want to abandon that as a medium of self-expression because it does bring me joy, but to continue to update my wardrobe with the frequency I do by buying from fast fashion retailers on such a regular basis I accepted was going against the things I care about; around 80% of textile workers on poverty wages in developing countries are girls and women (opensocietyfoundations.org), and whilst fast fashion companies in the West continue to outsource manufacturing to said countries to cut costs and there is little regulation enforcing employers to pay women the same amount as men or even adhere to a minimum wage, they will continue to be forced into these roles where they are subjected to horrific working conditions, impossible production targets and frequent abuse (according to an article published in the Guardian in June 2018, 540 incidences of abuse, often of a sexual nature, were reported by women working in factories supplying the retailers GAP and H&M when they were interviewed on the subject). There is no denying that the fast fashion industry depends on and perpetuates the subjugation of women and systematically prevents them from making steps towards gender equality in their countries, be it through greater financial independence or the freedom to pursue higher education; the popular current practice by western fast fashion companies of outsourcing manufacturing to factories unhindered by workers rights and gender equality laws by association condones the sexual and physical violence that occurs as a means of punishment for not meeting targets, the exploitative pay which affords women little independence from husbands and families dominated by patriarchal values, and the long, exhausting hours which women have little choice but to take in order to avoid their contracts being terminated and to put food on the table. No, one individual completely abandoning fast fashion isn’t going to put an end to these unethical practices but if all of us make a conscious effort to reduce our consumption at least a little and make it clear why we’re doing so, we put greater pressure on fast fashion companies to act in a more responsible way. There isn’t going to be any kind of miraculous change of heart, so to force them to change we have to hit the industry and the people at the top who benefit from such practices where it really hurts: their profit.
SO, for this post I thought I would highlight some of my favourite more ethical online clothing companies to buy from; the more popular these more socially responsible brands become, the more apparent it becomes to fast fashion companies relying on an exploitative business model that how they treat their workers is of growing importance to consumers. It’s all very well and good Missguided and PLT talking about empowering women and making “girl boss” slogan tees but we need to make it clear that we’re aware of the hollowness of the gesture, and that we want less hypocritical talk and more action to actually enhance the lives of the women that work for them, not just the ones they show in their flashy offices on TV. I’ve included my favourite Depop shops too, because if you can shop second hand, that’s even better; though I like to treat myself to new clothes now and again, I’m aware that the impact the manufacturing process in general, whether or not the company acts in an ethical way with regards to their employment practices, has on the environment is more often than not detrimental. Depop has really been my saving grace this past year-if you know what you’re looking for and have the time and patience, you can find so many gems, and at this point the balance of my wardrobe is tipped firmly in the favour of the reuse and recycle approach to shopping. In the vein of reusing fashion, I thought I’d also include a mini lookbook for a cardigan I got from one of my favourite online retailers, The Ragged Priest, just as a reminder that 1). The best way to be sustainable is to rewear and 2). That with tweaks, one piece alone can give you multiple completely different outfits. Like honestly, outfit repeating doesn’t have to be a literal repeat. Sometimes it’s worth spending a little bit extra on something that looks good with everything, and making that investment into your ability to fool people that you’ve got your shit together by wearing something cool as fuck.
Quickly before I get into it, I’m aware that some ethical companies are a bit out of the average consumer’s price range, and so I wanted to sort them into price point categories which will work as follows:
£= most of their stock is £40 & under ££= most of their stock is between £40-£100 £££= most of their stock costs upwards of £100
Now, in no particular order (and starting with online retailers before moving onto Depop shops), here’s the list!
1. THE RAGGED PRIEST
PRICE POINT: ££
Using recycled fabric to construct their pieces where possible and releasing clothing in small drops designed to sell out rather than following the typical fast fashion model of outsourcing the production of vast amounts of clothing overseas, the Ragged Priest is my absolute favourite clothing brand out there. It’s *semi* affordable and because they are all about those bold, in your face, your-grandma-will-probs-think-it’s-ugly kinda pieces, just one can do SO much for your wardrobe.
I recently bought this cardigan from their The Simple Life drop and had so many outfit ideas for it that I thought I’d put a few of them together for this post just as an example of how you can take the same piece over and over again and still make it interesting, even when you don’t feel like straying too far from your personal style preferences. While we’re at it, I also wanted to use this mini lookbook to point out how fucking great Depop is! Literally everything in these outfits is from there apart from the shoes and the jewellery, the leather blazer on the right I bought a few years ago and then the top and skirt in the outfit from the far left which are both from Ebay. The shoes with that outfit are from Koi Vegan footwear-I didn’t include them in this list because I wanted to keep it consistent and focus on ethical clothing companies rather than retailers that focus on one specific thing such as shoes or jewellery, but they are my favourite place to buy shoes from and focus closely on ethical production too so definitely recommend.
2. MINGA LONDON
PRICE POINT: ££
Towards the lower end of the ££ price point, Minga is probably the closest you’re gonna get to an ethical version of the Dolls Kill Deliah’s range. Their focus on being a socially responsible business is a huge part of their ethos and their pieces are put together in Portugal, where they're based, by a small in-house team; the majority of their fabric is sourced from local Portuguese businesses and even more amazingly, they recycle the fabric of the pieces they don’t sell in new designs. They are just a generally amazing company and I wish more people knew about them because their pieces are fucking adorable and wouldn’t be out of place (or overpriced) in your local UO.
3. ELSIE & FRED
PRICE POINT: £
A small, black owned business set up by 3 siblings from Coventry, Elsie & Fred have earned themselves a reputation as a staple provider of the festival season wardrobe. Being an independently owned business, they have strict standards that their manufacturers must adhere to and a close working relationship with the owners of the two factories who oversee production in Guangzhou, China, to ensure fair wages and a safe working environment. On the environmental side of things, Elsie and Fred are working to incorporate recycled fabric into their designs as much as possible and have this year introduced compostable mailing bags.
4. HOUSE OF SUNNY
PRICE POINT: £££
Follow enough British instagram fashion influencers and you are bound to have heard of House of Sunny in 2020-snagging what is probably my all time favourite coat from there in 2019 before all the hype is a humble brag I will allow myself on the basis that I haven’t been able to afford anything since, lol. Along with kooky, one of a kind designs, being decidedly anti-fast fashion is a huge part of their branding; HoS only drop 2 collections of limited stock a year, thoroughly screen suppliers and on their website you can find a tonne of information on how they’re working to offset their environmental impact too. If you can treat yourself to a piece from there at any point, the quality of the garments truly make the price point worth it.
5. JADED LONDON
PRICE POINT: ££
Similarly to The Ragged Priest and House of Sunny, Jaded London go the route of dropping limited collections on a less frequent basis intending to sell out (particularly popular pieces are occasionally restocked) rather than needlessly manufacturing vast quantities of garments to flog for whatever they can get and cutting corners with fair employment practices to offset any losses. By employing independent staff in the manufacturing plants with which they liaise to ensure fair, dignified working conditions and also by working closely with charities such as the Trussel Trust and Stand Up to Racism, Jaded London demonstrates a level of commitment to corporate responsibility that set them apart from a lot of similar online retailers. They are at the top of their game when it comes to daring and experimental yet wearable pieces and so it’s cool that they recognise the need to conduct their business in a considerate way too.
6. THE HIPPIE SHAKE
PRICE POINT: ££
Owned by UK based bohemian queen Naomi Hession, the Hippie Shake is not only a great small independent business to support but is also the definition of slow fashion. With a limited number of opulent 70s style pieces, I have always wanted to purchase something from here. I’ve yet to do so but I’m gonna make it my mission eventually.
7. VINTAGE HEARTS
PRICE POINT: £
An affordable, gorgeous array of quirky handpicked vintage pieces that would probably take you forever to find in a charity shop or that you’d be charged a small fortune for if you found it in a high street second hand store, Vintage Hearts is where you should go if you want a timeless statement piece that may have otherwise ended up in a landfill. The added benefit of vintage clothing is that it is, by its nature, great for the environment, but you can also look fab and groovy as fuck as you do your bit for the planet<3
8. WE ARE COW
PRICE POINT: £
Offering both original vintage pieces and reworked pieces using recycled fabrics, We Are Cow has both basic branded second hand items but also handmade streetwear style original designs all for a fair price. You can tell that it’s all high quality stuff consistent with their modern, functional aesthetic and it’s clear that the team behind the shop has a real vision in mind when they’re designing.
9. OUT OF THE ORDINARY CLOTHING
PRICE POINT: £
In the words of Corrie Davis, founder of OOTO "I start with the belief that fashion will be always be worn differently by the individual that wears it. Every collection from Out of the Ordinary is different to the last but undeniably Out of the Ordinary. I champion flamboyancy and embrace the cultures I've experienced around the world, merging the two and creating popular style trends in exciting textiles, prints and techniques to bring to you something a little Out of the Ordinary." That pretty much sums up the vibrancy, vivacity and bold elegance of the brand’s aesthetic perfectly, which is reflected by Davis’ commitment to ethical manufacturing based on relationships forged between the founders and family artisans and the sourcing of fabrics from textile markets around the world. Everything you need for a boujie summer holiday in the Mediterranean-when leaving the country is finally allowed again, lol, EVERYBODY GET YOUR FUCKING VACCINE-is here.
10. WILD THING
PRICE POINT: ranges from £-£££ depending on the brand
Probs the closest thing you’ll get to an ethical ASOS, Wild Thing brings together a host of sustainable and independent clothing brands and puts them all in one place to present to us all a collection of the sickest festival style fashion out there. Whilst it’s super cool that this already exists and a slice of humble pie for myself to remind me that I am not in fact the revolutionary marketing genius I thought I was, I’m bummed to know that my idea of said ethical ASOS style website is already out there. Fingers crossed for the next grand money making scheme that comes to mind that I can use to distribute some wealth (yeah, there probably won’t be any because very few original thoughts enter my head, clearly, tehe) xoxo
11. SHOPFLUFFY
PRICE POINT: ££
I know it’s 2021 and we all kind hate the idea of girl boss feminism and the connotations of privilege and exploitation that come with it but can we bring it back when we’re talking about women who embody what it was actually all supposed to be about? Because the owner of ShopFluffy, @lulutrixabelle embodies everything good about the term. Somebody who genuinely does (cue Ramona singer voice here) empower other women through her celebration of powerful female friendship and free spirited sense of personal style that should inspire every one of us to wear whatever the fuck we want (clashing patterns and over-accessorising be damned), Lulu handmakes all the designs on her site and very much places an emphasis on slow fashion by releasing only a few collections a year which you can clearly tell a lot of painstaking effort and talent went into. ShopFluffy is on the pricier side but the adorable crocheted coords LuLu specialises in, reminiscent of carefree childhood days and picnics in meadows picturesque enough to be the backdrop of a Jacquemus runway presentation, are a bold and beautiful expression of playful femininity worthy of departing with a bit more than you’d usually spend. After all, if you are gonna spend that money on a piece of clothing, supporting an ethical, independent woman owned business clearly built on carefully honed skill, passion and authenticity is the way to go.
12. SHOPEASYTIGER
PRICE POINT: ££
It feels correct to follow up the ShopFluffy mention with ShopEasyTiger given the friendship between the former’s owner with Tigerlilly Winfield (is that not the most wonderfully storybook character sounding name of all time?), owner of Easy Tiger. Up there with my most revered style icons, Tigerlilly’s designs are as flamboyant and glamorous and daring and dramatic as her own personal style, and again, they are ethically made! If you want to get that psychedelic rock n’roll groupie that’s actually way cooler than the band itself kinda energy too, her shop is the place to start.
13. HOTTTRAMP
PRICE POINT: ££
Founded by the incredibly hot Belle_hott_tramp on Instagram, HottTramp is a collection of both handmade pieces and carefully selected vintage finds that blur the lines between 90s Courtney Love style grunge and 70s summer of love hippy that make me want to start my own all girl rock band and hire a camper van to paint black and road trip through the American desert. Given my complete lack of hand eye coordination, I’ll most likely never have the instrumental skills to do that but I never said it was a realistic fantasy, okay?
14. LAZY OAF
PRICE POINT: ££
Is it just me that always thought Lazy Oaf was within the same kind of price range as The Ragged Priest? Because it’s a lottt more expensive than I thought. That being said, if you’re going for a playful, toned down Molly Goddard kinda look, anything bright and youthful, Lazy Oaf’s clothes 100% fit that brief. You are paying more, but part of that markup is reflected in their transparency when it comes to their ethical code, which includes ensuring that statutory minimum wage laws are adhered to in the supply chain as well as that all workers are of the legal working age for their countries and that their working hours do not exceed the legal limit. They are also steadfastly committed to donating a portion of their profits to charities dedicated to improving mental wellbeing such as Mind, Rethink Mental Illness, and Young Minds, something that is hugely important to me given my own experiences and the line of work I want to go into.
15. NEVER FULLY DRESSED
PRICE POINT: ££
Similar in their aesthetic to Out of the Ordinary, Never Fully Dressed is big on colour, print, and elegance. They have both specially selected second hand pieces on offer and original designs too and the about us section of their website clearly states how passionate they are about their ethical manufacturing process, which takes place both here in the UK and in China.
16. TUNNEL VISION
PRICE POINT: ££
Offering the dreamiest, one of a kind vintage 90s pieces, Tunnel Vision could just as easily be a grunge girl band come the craft themed moodboard as it is an online retailer. If the 90s isn’t for you-I mean, I don’t wanna question anybody’s taste levels but…-they also have the option of shopping by era, which I think is a really cool feature I wish a lot of irl vintage shops would incorporate.
17. LOVE TOO TRUE
PRICE POINT: £
Everything on Love Too True is fucking gorgeousss and it is no surprise that they manufacture their garments here in London because I feel their brand totally encompasses that stereotypical 90s East End punk vibe perfectly with a shit tonne of chunky boots and show stopping plaid pieces that makes my heart ache for a riot grrrl renaissance. Yes, when it comes to feminism’s place in mainstream culture, making sure the political goals and structural changes we’re aiming for are visible to all is by far the most important, but let’s have a resurgence of the grunge girl’s armour along with that and PLEASE let’s leave athleisure in the 2010s. No more Kardashian nude leggings, I beg (I AM being lighthearted, wear whatever you want! We’re not policing women’s clothes in this neck of the woods).
18. NINE LIVES BAZAAR
PRICE POINT: £££
Eurgh. Nine Lives Bazaar. I want it ALL. Their clothes give me all the Etro, Zimmerman, Torey Burch, modernised Stevie Nicks vibes on a slightly more realistic budget, though unfortunately for me said budget just isn’t realistic enough. You would think pieces being ethically produced is just a given when it comes to clothes within this price range but that’s not necessarily the case and Nine Lives Bazaar is one of the ones you can trust to actually be considerate of their employees needs when it comes to their approach to business. To anybody who can afford to shop here, I am insanely jealous. The rest of us, for now, can just browse the website n feel the fantasy, channel a Valentina level of delusion and pretend it’s just the import taxes from Australia that’s holding us back from making a purchase.
-DEPOP SHOPS-
1. @HOUSE_OF_EROTIQUE
PRICE POINT: ££
Everything handmade and latex and form fitting to make you the baddest bitch in the room, I’ve got myself a few pieces from this shop over the past couple of years. Customer service is a bit hit or miss and there’s been times when I’ve had to wait a while for my purchases to get to me but because they’re all one of a kind and custom made to fit, it’s worth it, and when they have messed up they were kind enough to add something to my order for free.
2. @SACREDHAWK
PRICE POINT: ££
If you picture raiding the wardrobe of a biker gang, snatching the Coachella bound suitcases of the Revolve ambassadors at Palm Springs airport, and then jumbling all those clothes together, that’s probably your best bet at getting an idea of Sacred Hawk’s aesthetic. Formerly an ASOS concession, the brand is now available on Depop and is a collection of the most lavish glam grunge pieces, all vintage or reworked vintage. Some things are a bit on the pricey side but I would say they are all priced fairly considering how unique and ornate a lot of the pieces are, and I reeeeally wanna be able to say I own something from there one day.
3. @IDENTITYPARTY
PRICE POINT: £££
I struggled with how to categorise this Depop shop in terms of price point because although there are some fairly low-priced pieces, the standouts are the vintage coats which are understandably a lot more expensive-if you want to fully immerse yourself in the Almost Famous Penny Lane fantasy, you’re gonna have to fork out a little bit.
4. @RETRO_RAIL
PRICE POINT: £££
Retro_rail is of a similar vein to IdentityParty, in that the standout pieces are the vintage coats which are usually upwards of £100-if you’re looking for one-of-a-kind statement outerwear to invest in, I can’t recommend this shop enough. If you’re like me and you’re looking for something more within the £ to ££ price range, Retro Rail is still worth a browse as inspiration for the kind of styles you might wanna try and find elsewhere on Depop.
5. @5THSEASON
PRICE POINT: £
Most of the quirky vintage pieces you’ll find on offer on this Depop shop are within the £25 to £40 price range and though you’ve got coats similar to those you’ll find on Identity Party and Retro Rail and they are sill slightly more than the tops and trousers and dresses on sale etc., they are more modestly priced than the other 2 listed.
6. @DREAMERSREBELS
PRICE POINT: £££
Another v pricey one, dreamersrebels specialises in the daintiest, most whimsical 60s style co-ords I’ve ever seen. Handmade upon purchase, which in turn guarantees little textile waste, you can find the kind of pieces you’d expect to see on a 21st century incarnation of Audrey Hepburn, all the soft pastels and timeless, retro silhouettes you could possibly wish for. I mean, wishing is pretty much all I can do rn but anyone with a near minimum wage retail job knows you need something to aspire to, lol. I managed to budget enough to treat myself to a Selkie dress so I’m manifesting that same level of self-discipline to get me a dreamersrebels piece next.
7. @AWKWARDPHASE
PRICE POINT: £
Very affordable vintage pieces that range from cutesy mid-century style dresses and coats to grungy 90s jackets, perfectly styled and presented too in a way that will have you wanting to order something for yourself to replicate that modern spin on old staples and give them a second life.
8. @EVIEHALLOWS
PRICE POINT: £
Another Depop shop where the clothes are styled so well, it’ll have you thinking you can make anything from a floral 1950s housewife style cardigan to a lycra jumpsuit look very intentionally on trend.
9. @JAHOOLI
PRICE POINT: £
There’s also Jahooli, which I will just say ticks all the same boxes as the other two aforementioned stores to avoid repeating myself.
10. @LOVELYANDLOVELESS
PRICE POINT: £
In terms of price, I would put Lovely and Loveless into the same category as Jahooli, Awkward Phase and Evie Hallows, the difference being that the clothes available are more on the dainty, classically feminine side. People who have a Pinterest board dedicated to the cottagecore or light academia aesthetic (whew, the gen Z is showing), this one’s for you.
11. @CHLOESTJOHN
PRICE POINT: £
Finally, we have the ChloeStJohn Depop shop and it’s definitely a good one to end on; picture the wardrobe of Carrie Bradshaw if she’d lived in Camden instead of New York in the 90s and hung out with a slightly edgier crew than Charlotte, Miranda and Samantha and there you have it, the vibe of the pieces on offer. Does it belong to a girl who probs lives near Primrose Hill and has access to all the boujiest second hand clothes shops available which she most likely routinely raids to resell on Depop? Potentially, but hopefully not because I am very here for this whole red wine in one hand and a cigarette in another back when people were allowed to smoke inside bars aesthetic. I’m sorry that the gen Z part of me once again jumped out in such an aggressive fashion with that last sentence, but I know you know what I mean.
And that’s everything!
I did wanna close off the post with a reminder of how nuanced a discussion this is-having the time and money to be more conscious about your ethical footprint when you’re buying clothes is in itself a privilege; fashion shouldn’t be an interest reserved for only those who have the means to pay extra or spend time scouring the internet. It’s also important to be aware of the lack of size inclusivity-a lot of the “trendy” sustainable fashion brands tend to not stock anything larger than a size 14 and attempt to deflect attention away from this by categorising clothes as either XS, S, M, or L, which is in itself a bit of a pisstake considering that 12-14 is the average clothing size here for women in the UK, and so in no way large. Shopping from Depop and Ebay is hard too when so many brands fail to understand how to fit a non-straight size body which in turn necessitates trying stuff on before you buy it, something that isn’t possible when you’re shopping second hand. A lot of Depop shops fail to offer returns and even with those who do, chasing up that return can be a time-consuming and generally all round frustrating process.
Basically, when we’re having these kinds of discussions it’s important to consider everyone’s situations and avoid sitting on some kind of high horse. I feel like things have become even more complicated lately- with the recent closure of once popular high street stores such as Topshop and Miss Selfridge, it has got me thinking a lot about just how many people’s income here in the UK is dependent on fast fashion retailers too and their popularity. The job scarcity resulting from these kind of closures, which are often all that is available to a lot of people with the demands of the job market seemingly becoming more and more impossible each day even for those who have been in higher education, is clearly an issue when the kind of support you can expect from the government as someone out of work is so woefully inadequate and likely to become even more so as the conservatives push for further cuts to UC and PIP. The past year has really shown us just how shaky the ground that an intensely capitalist society stands on is and how quickly everything can go tits up when we don’t invest in a safety net for those who are struggling. People seem to have realised more than ever the extent to which those whose jobs we deem “low-skilled” are actually the backbone of society, and yet even here, whilst the situation may not be quite as desperate as it is elsewhere, we still haven’t seen pay rises that reflect that. Turns out all the clapping WAS an empty gesture, who’d have thought it (for fuck’s sake)? Fair wages really are a global issue that starts with paying people enough for them to comfortably live on and in time should lead to a shift in consciousness away from the concept of profit before everything else and towards an equal playing field for everyone, something we should take every opportunity to speak up about and demand from our “leaders”, however shit a job so many of those leaders do. It’s frustrating how the focus on making ethical purchasing choices is so often on the overconsumption of things that women historically are more actively interested in such as clothes and accessories and make up when the reality is that the wealth of every industry titan on this planet, NOT just the ones who dominate the fast fashion sphere, depends on them continuing to get away with exploiting people-we should be looking at how we can show our dissatisfaction in all areas. Maybe I’m perpetuating that with this post, since a lot of the online retailers I mentioned only sell women’s clothing, but that being said, I’m not about to do men’s work for them, lol-they should make the effort, if possible, to research into sustainable clothing alternatives too.
Anyway, that’s the end of this post! If you read to the end, thank you so much! If I’ve made any errors in my research or there are more sustainable clothing brands that I could’ve mentioned, feel free to inbox me them too, and I can add them to this post if Tumblr allows. It’s usually a little bitch when it comes to editing long posts but I’ll try my best:) Again, thanks for reading! And if you are, I hope you are safe and well!
Lauren x
#sustainability#sustainable#sustainable fashion#fashion#fashion inspo#style#style inspo#grunge#grunge aesthetic#the ragged priest#lazy oaf#depop#second hand#lookbook#vintage#thrifting#mingalondon#minga#vintage finds#vintage fashion#jaded london#house of sunny
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So this piece was inspired by @tomsrebeleyebrow and this image. It’s also escort!Tom leaning to the sub side. What can I say? 🤷♀️ thank you GQ I guess.
It wasn’t the first time and if you wanted to be honest you didn’t want to count the occasions you took Tom to any event you had to attend. At this point your family started to believe that he was actually your boyfriend and maybe it was wrong, but you never said anything about it. No denying, no confirming.
The truth was you developed quite a liking towards the boy which you buried deep, but still who could blame you? He was amazing, sweet, gorgeous and there every time you needed him. He was a great company on his own, but he was also great with people, taking all the weird conversations with ease, letting you shine in the spotlight if you needed to or helping you escape a difficult situation from time to time.
And the sex? It was mind blowing. By now it was a thing, the two of you disappearing in the middle of an event because neither of you could wait long enough. There were several quickies in the car, in public and not so public bathrooms, in dark corners of the venue you were at before you could get home and take him into bed, if the two of you made it until the bed.
It was a time like this, not even two hours in the event organised by the firm you worked for, you already found a private room at the back. You couldn’t help it. His hands were traveling up and down your body, his lips lingering on your cheeks just a bit longer every time he gave you a kiss, you could hear him sigh and shudder slightly, getting more and more needy in every second.
He was so tangled into this just as you were, he never could call you, but he was always waiting for it and he was always eager to find the time that you requested. Extras agreed. It was only natural now, but he always asked with a playful, cheeky tone, hinting you that he was looking forward to it just as much as you were.
So now, he was sitting on a burgundy couch, taking you in with a hungry look, which he didn’t have to hide now. He let a bit loose, his legs were open as an invitation for you to climb into his lap, his hair was still perfect but not for long and the sultry look in his eyes only fuelled the fire in your belly.
His position could have come out as pretty dominant but you knew better, and he was also in slight trouble for grinding his erection to you ever so subtly before. You felt yourself getting wet already, just by looking at him. He was wearing tight, soft Gucci pants, a slim, baby blue shirt, a slim chain and a few rings. He was a sight, but you already wasted too much time by only staring at each other.
You walked to him and climbed into his lap, straddling his thick thighs, a small smile forming on your lips as his hands instantly found home on your hips and he looked up to you waiting and with such adoration.
‘Keep your hands there, baby boy.’ You warned him, giving him just a hint of what’s to come.
‘Am I in trouble?’ He asked with the most innocent voice, but his eyes told a different story. Those pretty brown eyes were already filled with lust and need, so eager to please every time, but now he knew as well. He overstepped that fine line.
‘I’m sure you know the answer if you are asking like this.’ Your hands did a quick work on his shirt, revealing his smooth chest. Did he get even more muscular since the last time you saw him? You couldn’t resist; you had to run your fingers over his pecks teasingly. He was gonna be the death of you.
‘I’m sorry.’ His voice was small as he looked away, softening your heart a little already.
‘It’s okay, baby.’ He looked back at you immediately. ‘You are not in too much trouble. I’d say you just like exhibitionism a bit too much, a bit too early before people get so drunk, they don’t notice.’ You shrugged leaning close to him. He relaxed a bit, wetting his lips for you. ‘It doesn’t mean you are not in for a bit of a punishment.’
The surprised sound he made was muffled by your lips as you finally kissed him. His mouth eagerly welcoming yours, sucking your bottom lip, opening up for you so you could slip your tongue into his mouth. He whimpered into it. It wasn’t new anymore, but it started to make you feel a certain way.
His pants were tight and you decided to use it to your advantage. Not letting go of his lips you were grinding down on him slowly. He wanted to part but you didn’t let him, your lips swallowing all of his desperate, breathless sounds.
He was already hard, it was obvious from before, but with so little textile between the two of you, both the boxers and his pants sticking to his cock tightly he was just oh so sensitive. You speeded up, now dry humping him shamelessly. His hands were gripping your hips, not moving an inch, but getting tighter and tighter by every minute.
Tom couldn’t really resist, he bucked up his hips, meeting with your movements halfway, even if he just dug his own grave with it, he couldn’t resist, he had to feel more. It wasn’t long until his moans and groans, becoming whimpers again your lips now let him go, just so you could feast on the view of him falling apart so easily for you.
‘Darling, I’m gonna, oh shit-,’ He let his head fall back as his eyes rolled back and his body shuddered for a second. He bit his swollen, red lips, breathing heavily, feeling grateful that you stopped.
‘Did you cum, lovie?’ You asked with a low, curious voice, raising a brow.
‘No, I-,’ he started shuttering and blushing heavily. ‘maybe. A little.’ He looked at you hoping he could get away with it. He didn’t really cum, not fully at least. ‘It was maybe a drop. I’m sorry it’s been so long since we-,’ Tom trailed off, his eyes opening wide like he just said something he really shouldn’t have.
‘You haven’t cum since we last met?’ You finished the sentence for him carefully, your eyes never leaving his features, searching for any clue he might gave you.
‘Well, no, not like this, not with someone else.’ His answer was gentle, vulnerable, and you felt his touch softening on your hips.
‘I thought you were working.’
‘Yes, I went out, dinners, weddings, stuff like that but that’s all, I’m an escort not a hooker, darling.’ He smiled at you, bringing up his palm to slide it on your cheeks.
You were speechless. There were way too many possibilities in your head and the one which started to push out the other made your heart flutter and you didn’t like that.
‘Alright, we have to talk about this later, but now let me see you.’ You whispered, choosing your words carefully, leaning to him to kiss his lips until you undid his pants, and pulled his cock from his briefs.
He was still hard and a bit messy, his precum now mixing with the few drops of cum he couldn’t hold. ‘I guess you are lucky this time, baby boy.’ You smiled at him and you heard him letting out a big breath.
‘I told you I didn’t cum.’ He laughed a bit until you pulled down his pants till his ankles and freed yourself from your clothes as well.
‘True, but I am not done with you yet.’ You bit your lip straddling only one of his thighs this time. ‘I’d love to make a mess on your pants, but it’s still too early, so I’m just gonna use your thigh to get off, and you are going to watch, without cuming.’ You passed the sentence, earning a weak whimper from Tom. He wasn’t sure how he would manage. You were so wet, he felt it as you lowered yourself, so wet and soft and he tried not to think about how it would feel to have your pussy wrapped around his cock but it was difficult.
You started to move, just like before humping his thigh, wetting his skin, closing your eyes as you finally felt the pleasure you were craving for hours now. Tom grabbed your hips and helped you, sometimes flexing his thigh to give you more friction, feasting on the look he was offered. His cock was twitching and leaking a generous amount to his stomach, and fuck he wanted to touch himself, just give himself a few strokes, but he was sure he wouldn’t have lasted.
Instead, he was focusing on you, the way your brows were knitted, as you bit your lips or opened them to let out a soft moan, as your body was moving so beautifully to get you closer and closer to your release. He was mesmerised. His hands only encouraged you and as he flexed you felt yourself slowly reaching the edge.
‘Are you close, love? Are you gonna come?’ He asked breathless, the unsatisfied need slowly overwhelming him. You could only nod as your nails dragged across his pretty chest. ‘Please, let me see you come, let me see it. Come, love, that’s it, let it go. I’m here.’ His encouraging words mixing with his pants and groans got you. You come, his name falling from your lips like a prayer as your body seized up and your orgasm crashed down on you, making your body shake, you rode out your high, completely soaking Tom’s thighs with your arousal. He kept you steady, helped you through it, guided your movements when you became sloppy and it just made everything so much more intense.
You come down slowly, still rocking your hips a bit, softly humming when you felt a warm hand on your cheeks and soon warm lips followed on your own. ‘You are not supposed to enjoy your punishment, you know that right?’ A small laugh mixed with your still heavy breathing and his giggles as you spoke.
‘It’s hard not to enjoy anything with you-,’ he started, ‘ but I’d lie if I’d say I’m not painfully hard right now.’ You hummed and opened your eyes, just to look at those soft brown ones.
‘So, do you think you can hold it until I put a condom on?’ The question wasn’t serious, but you just wanted to tease him a bit. Tom nodded and let out a big breath as you rolled down the rubber on his shaft. ‘Good boy.’ You purred and sifted a little to straddle him again and line his leaking, red tip at your entrance.
Letting yourself sinking down on his cock so soon after your orgasm was another thing. He stretched you out even more, made you feel him more intense and you were so tight around him, the both of you hissed when you started to move.
‘I’m not gonna last.’ Tom warned you with a broken whimper, helping you move again.
‘You don’t have to let me feel you.’ You encouraged him, leaning forward, clinging desperately to his warm body and the two of you moved in union.
He knew by now that like this you could get enough friction on your clit, as your were grinding down on his pubic area, that you could come, mostly so soon after one orgasm. You were sensitive and all he had to do is amplify it a bit, so he sucked and bit down on your neck, feeling your skin breaking out in goosebumps as he did so. He was just a bit louder as usual, knowing him being vocal drove you mad. And his hands wandering on your body made a delicious mix you couldn’t resist.
‘Com with me, Tom.’ Your voice was urging, your moans became high pitched and came on his cock, pulsing, and tightening around him, whispering his name again, like it was the only thing he left in your mind. He came right after you, biting and sucking just a little too hard to muffle the sounds of his pleasure. His mantra was ‘thank you’ just was always when the two of you indulged in this kind of sex. You never asked for it, but he was so eager, so easy for you all the time, desperately wanting to let you know how good you made him feel.
The room was filled with both of you panting in each other’s arms. Whispering sweet nothings, your hand finding a stray of hair falling stubbornly on his forehead as you tried to smooth it back. Tom’s hot lips never leaving your skin peppering the sweetest kisses on your neck and shoulders.
‘Let’s go back, shall we?’ You asked hesitantly. Tom nodded and helped you out of his lap, taking in the damage the two of you made. It got messy all the time, even with a condom.
‘I’ll be good.’ He added sheepishly while getting dressed again, tossing the used condom to the bin.
‘You better, because I really don’t want to stay long and I want you inside of me again the minute we are in my apartment.’
Tags: @we--are---not--afraid @tomsrebeleyebrow @tomhollandsmut @greenorangevioletgrass @terrifictomholland @tommysparker @duskholland @pensivepeter @tomhollandd @farfromparker @thurstyforholland @augustholland
#tom holland#smut#tom holland smut#tom holland reader insert#tom holland x reader#sub!tom holland#escort!tom Holland
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Conservative towns/Secret relationship
🌾 Here In The Afterglow by fondleeds
Summary:
“If you hadn’t noticed, I don’t have many friends,” Louis whispers, the blossom of insecurity in his stomach unfurling and clawing its way into his throat.
Harry is silent for a long time, and then he speaks; a soft, slow uncurl that makes Louis’ stomach shake. “I’ll be your friend.”
1970’s AU. In a tiny town in Idaho, Louis’ life is changed forever by the arrival of a curious stranger.
🌾 That's What I'm Here For by taggiecb
Summary:
Louis Tomlinson is a dairy farmer on a tiny farm in eastern Canada. His wife of nearly thirty years has left him and his children are all grown up and out of the house. Louis needs help running his business but has no idea where to even start looking. Luckily for him his children know just the man for the job.
🌾 the dead things we carry by MediaWhore
Summary:
September ‘49 He hasn’t seen him since that day in France, that horrible muddy day where for one terrifyingly long second, Louis really thought he was going to die. He winces with the phantom pain, the hand not holding his cane going to his stomach automatically, remembering the franticness, the tenderness, of Harry’s hands while Louis was bleeding out.
This is the man who saved Louis’ life.
For one second, Louis fears Harry won’t recognise him, but his eyes widen when he turns to his left and they meet Louis’. He takes a step forward, reaching for him with a shaky hand before stopping himself.
“Louis,’ Harry says with a shudder and Louis doesn’t think his name has ever carried more weight.
This is the only man Louis ever thought about kissing for real.
“Oh,” Mrs. Padley says, clearly taken aback. “You two know each other?”
There are some things people never fully come home from. Until, one day, if they’re lucky, home comes to them.
🌾 I’ll Be Here Waiting on Forever by sweaterpawstyles
Summary:
Harry made Louis feel like he was walking on air. He was beautiful in every way and it constantly amazed Louis. His eyes could melt Louis' heart at a single glance, his soft hands made Louis' heart race with a simple touch, and the words from his cherry red lips were so captivating that Louis held onto everything he said. There was a constant buzz in Louis' veins when Harry gave him that look, the look that spoke more than words ever could. It was a soft fond that Louis fell in love with so easily. Too easily.
Louis was in love with the boy he could never have and show off to the world. Or, A Romeo and Juliet AU where Louis is an alpha prince who falls in love with Harry, an omega prince from the neighboring kingdom
🌾 Through Lonely Streets and Neon Lights by sweetly_disposed
Summary:
1920's era, Great Gatsby inspired. Harry is a poor boy living in the South Village. Every night he watches the North City come alive and longs of crossing the river to be a part of it and escape his dreary life. The infamous Mr Tomlinson lives across the river from Harry. His parties are the stuff of legend; people on both sides know about them, and all Harry wants is a chance to go to one. When fate swings his way and he finds himself in Mr Tomlinson's house, he gets much more than he could ever have bargained for.
🌾 Blossoms in Barren Land by kassio
Summary:
Mr. Louis Tomlinson is a dutiful son to Lord and Lady Tomlinson, a caring older brother, and a beloved fixture of their village. He has always done what was expected of the Tomlinson heir.
An unexpected new resident fascinates Louis and awakens feelings that threaten to throw his perfectly-ordered life into chaos. Mr. Harry Styles, however, has plans of his own, and may not be what he seems...
🌾 and then he is the darkness by familysdisappointment
Summary:
No one in town knew where he came from nor who his parents were. Men swore Harry was the only one who could cure incurable diseases. Marriageable women claimed that Harry had the power to make men ask for their hand in marriage. Married men, jealous of the passions that the young gentleman awoke in their wives, used to spread the rumor that he knew about spells, magic, and enchantments.
or the Colonial Mexico Tale AU no one asked for.
🌾 Pray Till I Go Blind by el_em_en_oh_pee
Summary:
Louis is (kind of) a preacher. Harry is (probably) a demon. Of course, nothing's as simple as that.
This is not a love story.
🌾 threadbare by kiwikero
Summary:
Harry Styles was eight years old when Louis Tomlinson kept him from falling into a machine in a Manchester textile mill.
He was 18 years old when nothing, not even the threat of death, could keep Harry from falling in love with Louis.
🌾 Break Me Down, Build Me Up by creamcoffeelou
Summary:
America, as it’s been told, is the world of riches. Men and women alike can come to the land of the free and achieve the American dream, regardless of their background. He wanted nothing more than to create a better life for his sisters, for himself, and perhaps for his future. Harry Styles was never a part of the plan.
[or: Louis moves his family to America to try and find a better life. Harry finds him instead.]
🌾 Embellish Your Heart by letsjustsee
Summary:
“You’re sort of a mystery, Harry Styles,” Louis says, and Harry looks surprised before he laughs loudly. “Am I?” Louis nods his head a little. “A very interesting, intriguing mystery.”
Or, a Bootlegger AU where it's 1925 in small town America, and Louis Tomlinson has never met anyone quite like Harry Styles.
🌾 Through Eerie Chaos by MediaWhore
Summary:
For as long as anyone can remember, Old Hillsbridge Manor has always been believed to be haunted. Everyone in the village agrees and keeps a respectful, fearful, distance. New in town after a bad breakup and an internship that led to disappointment rather than a permanent job, Harry Styles figures taking pictures of the decrepit building could be a great new creative project. Or at least a much-needed distraction while he searches for a job and crashes at his parents’ new house. No one warned him about the apparitions though; about the music, the laughter, the people who flicker and vanish when you call after them, the echoes of a past that should be long gone… Harry has never believed in spirits but even he can admit that there’s something weird going on. What starts as mere curiosity evolves into a full-blown investigation and soon enough, Harry finds himself making friends with an aristocrat from the 1920s and struggling with finding the best way to tell him that he’s dead.
The Ghost Hunter AU where Niall lives to prove ghosts are real, Zayn is a skeptical librarian and Harry gets caught up in a century-old mystery and catches feeling in the process.
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doing this meme for mr captain jack rackham because I think i’m finally ready to try to articulate my feelings, even if no one asked (i’m sorry this post is so long)
Why I like them: So... here’s the thing...
I’m kind of known for dressing like a fancy gay pirate. I’ve made a lot of cosplays over the years, but my pirate outfits are what I’m most infamous for. I met my partner over a decade ago while dressed like a fancy gay pirate. Many of my friends have seen me in pirate outfits more often then they’ve seen me in normal person clothing. Once upon a time I went to art school to study fashion design and I said “yes this is the aesthetic I’m going to cultivate” and now here we are.
When I first heard that they were making a big budget period drama that was a prequel to Treasure Island, I knew that it was going to be My Next Hyperfixation, long before I had any notion of how much queer representation there would be or even how well-written the show would be. But it took me a couple years to finally feel like I was Emotionally Ready to delve into the series (Sometimes I’m bummed that I missed out on participating in the fandom while the show was actively airing, but I’m also glad that I was able to binge it all in its entirely, because the time waiting between seasons would have made me too crazy).
And within those first two or three episodes, I saw that greasy rat man with his mullet and his avant garde facial hair choices and whatever the hell was going on with his wardrobe
and I said to myself “wait... Calico Jack... as in, the pirate known for his fashion sense...”
and I had one of those moments where I realized that this character was so much My Type that I was mad at myself for being so predictable. and I questioned some of the life choices that I made that led me to the point that this greasy rat man the sort of character that I immediately knew that I was going to fall in love with.
But that was only the beginning, because as I watched more of the series, I related to him more and more-- I think it was mannerisms at first, and things like “having to explain the vocabulary you just used to your coworkers” and “I would also like Anne Bonny to be my wife”, but gradually I began to relate to him for increasingly personal reasons. I first watched Black Sails after I had gone through a particularly rough couple years, and the catharsis of watching Jack go from “they pissed on me” to being the character who is ultimately victorious over the series’ main antagonist was an emotionally intense experience. I was already projecting on him by the time that he delivered the “great art has felled empires” monologue, which was the moment I knew that I was deeply invested in this character, and he hadn’t even started showing off his best looks yet. There are, of course, moments where his actions are... morally dubious, but even those instances just managed to make me more attached to him, because I respect the hell out of how well the writers succeeded in making him such a well-developed character.
By the end of the series I realized that I related to this character on an intensely personal level, in a way that I haven’t connected with a fictional character in years, except it felt more profound than the times I’ve connected with fictional characters in the past because this time I was an Adult with a deeper understanding of the Self. I don’t want to sound like a soulbonder or a kinnie or whatever the kids are calling it these days but it really felt like this:
tl;dr I came for the wardrobe and stayed for the waxing about art philosophy and historiography
Why I don’t: ... undermining the revolution wasn’t great...
Favorite episode: I’m a big fan of 2.06 because... you know...
but also because we had to wait 14 episodes to see this pirate on a fuckin boat
Favorite season: Season three features so many of my favorite tropes it feels unreal... Jack and Charles as co-captains sharing authority and declaring their undying loyalty to each other... the way he goes full dandy the moment he has money to burn... Jack has to gain the approval of his judgmental father-in-law... his homoerotic rivalry with Rogers... getting arrested and then rescued by his significant others in the most dramatic way possible... I choose to believe that there was a brief, shining moment right before the beginning of season 3 where Jack was able to just chill and be optimistic about the future and bask in Charles Vane’s approval amidst his pile of gold and new wardrobe while Anne and Max were off doing lesbian stuff...
Favorite line: “It’s the art that leaves the mark, but to leave it, it must transcend, it must speak for itself, it must be true,” I mutter to myself as I draw vampire pirates at 1am
Favorite outfit: oof what a question...
This look is probably my overall favorite and there’s a good reason why it’s the outfit he’s wearing for the final climactic battle. He has so many amazing coats, but the details on this one make it my favorite, and I also love that gradient scarf and the pink embroidered shirt. The color and pattern mixing here is impeccable. It makes me appreciate his hot mess of a wardrobe in the first season more, seeing how his first outfit just looks like plain boring muslin and then more color & patterns gradually get introduced.
This is my runner-up just because I love the shade of blue and the prince charming vibes that are happening here, so I’m sad that we only saw this look for like 3 seconds.
OTP: I can’t remember the last time I cared about a ship as much as I care about VaneRackham.... sometimes I get mad that they succeeded in making me have these Feelings about fictional characters... I watched a show with multiple canon gay relationships and ended up fixating on the queerbait white man ship where one of the characters dies, because I have questionable taste and I love making myself suffer. 😩
Brotp: Jack and Max’s relationship means so much to me 💕
Head Canon: This might be me projecting, but because of his background in textiles I headcanon that Jack was more competent at sewing than anyone else on the Ranger and that skill came in incredibly useful on more than one occasion. The fancy coats that we see him wearing in seasons 3 & 4 most likely would have been custom tailored specifically for him, but I imagine that all of his earlier ones were acquired secondhand (one way or another) and he sometimes did patching/adjustments on them himself.
Unpopular opinion: I respect the artistic liberties that were taken with his character design, but he should have been allowed to wear some silk stockings and show off his calves at least once tbh
A wish: Obviously my #1 wish is that Jack and Charles had been permitted to kiss, but I also wish that we had been able to see them on a ship together clearly I have no choice but to assume that whenever they were on a ship together there was lots of kissing going on An oh-god-please-dont-ever-happen: man it would sure suck if Jack was executed for piracy within like three years of the series finale 5 words to best describe them: this adam ant looking motherfucker
My nickname for them: my guy/my dude
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He had been communicating with two little boys, who had cancer, while he was filming “Black Panther”. They were excited about the movie, the possibility of seeing a black superhero who looked like them, and what it meant to them.
He said they told him “they were just trying to hold on” so they could see the movie.
When he shared that they both passed on, he broke down, remembering them.
He shared this story in 2018, during an interview with the cast of “Black Panther”. For several minutes, he could no longer speak, his head was down, and he tried composing himself, while his co-stars tried to comfort him.
Not many people knew he had cancer himself, that he too was just trying to hold on.
“Chadwick Boseman, the regal actor who embodied a long-held dream of African-American moviegoers as the star of the groundbreaking superhero film ‘Black Panther,’ died on Friday at his home in Los Angeles. He was 43,” according to the New York Times.
“A statement posted on Mr. Boseman’s Instagram account said that he learned he had Stage 3 colon cancer in 2016 and that it had progressed to Stage 4,” according to the Times.
“A true fighter, Chadwick persevered through it all, and brought you many of the films you have come to love so much,” the statement said. “From ‘Marshall’ to ‘Da 5 Bloods,’ August Wilson’s ‘Ma Rainey’s Black Bottom’ and several more, all were filmed during and between countless surgeries and chemotherapy.”
Oprah Winfrey, also posting on Twitter, wrote that Mr. Boseman was “a gentle gifted SOUL.”
“Showing us all that Greatness in between surgeries and chemo,” she added. “The courage, the strength, the Power it takes to do that. This is what Dignity looks like.”
“To project such incredible power—and strength—when you are so depleted is almost unfathomable,” according to writer Marlow Stern.
“Chadwick Aaron Boseman was born on Nov. 29, 1976 . . . the youngest of three boys,” according to the Times.
“Boseman did not come from considerable means. He was born in Anderson, South Carolina, to a nurse and textile worker,” according to Stern.
In an interview with Rolling Stone in 2018, he recalled being the target of racial slurs as a child while simply walking down the street.
“Basketball was his first love, and he was getting recruited to play college ball, until a tragedy at his school saw him change course. His teammate was shot and killed; Boseman responded by penning a play in the boy’s honor, Crossroads, and staging it at the school,” wrote Stern.
He started acting late, but he would eventually play “groundbreaking figures like James Brown, Jackie Robinson and Thurgood Marshall, becoming one of his generation’s most sought-after leading men,” according to the Times.
Martin Luther King III, a human-rights activist and the eldest son of the Rev. Dr. Martin Luther King Jr., said the actor had “brought history to life on the silver screen” in his portrayals of pioneering Black leaders.
After “Black Panther” premiered, black moviegoers expressed their gratitude, expressing how much the movie meant to them as black Americans, finally seeing a superhero who looked like them. Many of them said that it inspired them and gave them hope.
The movie’s success “represented a moment of hope, pride and empowerment for Black moviegoers around the world,” according to the Times. “And it marked an inflection point in Hollywood, where decades of discrimination against Black-led films gave way to a new era of increased visibility and opportunity for Black artists.”
At the Screen Actors Guild Awards, Boseman commented on the film’s cultural impact, saying, “To be young, gifted and Black, we all know what it’s like to be told that there is not a place for you to be featured . . . We know what it’s like to be told there’s not a screen for you to be featured on, a stage for you to be featured on. We know what it’s like to be the tail and not the head. We know what it’s like to be beneath and not above.
“And that is what we went to work with every day because we knew . . . we had something special that we wanted to give the world. That we could be full human beings in the roles that we were playing, that we could create a world that exemplified a world that we wanted to see.”
According to the Times, Boseman was a “lifelong admirer of Muhammad Ali [who] sought to wield his celebrity to advance a greater, moral cause. During this summer’s wave of protests against systemic racism and police brutality, he expressed support for the Black Lives Matter movement.”
When Boseman was honored with a “hero” award, he invited who he considered a true hero to the stage - James Shaw Jr., who was responsible for disarming a gunman armed with an AR-15 style rifle during the Nashville Waffle House shooting in Antioch, Tennessee and saving lives as a result.
"Receiving an award for playing a superhero is amazing, but it's even greater to acknowledge the heroes that we have in real life," Boseman said.
After Boseman’s death was announced, more than 5.7 million people honored him on Twitter, with their likes, becoming the most liked tweet of all time.
Boseman’s friend and “Marshall” co-star Josh Gad, said of his friend, “He knew how precious every moment was.”
Gad shared one of Boseman’s last text to him about “ finding the beauty within nature, even during the most inconvenient and trying of times,” according to writer Jessica Bennett.
In the text, Boseman wrote:
“If you are in Los Angeles, you woke up this morning to the rare and peaceful sound of steady precipitation. If you’re like me, maybe you looked at the week’s forecast and found that it’s supposed to rain for three straight days; not without breaks of sunlight and reprieves of moist gloom, but yeah it’s gonna be coming down like cats and dog.
“Great. We’re stuck inside these damn quarantines because of the COVID, and now we can’t even get no sun in Cali. Come on now! But now that the rain has stopped and today’s storm has cleared, I urge you to go outside and take a DEEP breath. Notice how fresh the air is right now, after our skies have had a 3 week break from the usual relentless barrage of fumes from bumper to bumper LA commuters, and now today’s rain has given the City of Angels a long overdo [sic] and much-needed shower.
“Inhale and exhale this moment. Thank God for the unique beauties and wonders of the day. We should take advantage of every moment we can to enjoy the simplicity of God’s creation, whether it be clear skies and sun or clouded over with gloom. And hey, if the air is this clear right now, and it does rain tomorrow, I might even put jars and bins out and catch the rain. Throw that in the water filter and I have a water more alkaline than any bottled brand out there.”
---------------------------
“Colorectal cancer is the third deadliest cancer among men and women in the United States -- after lung and prostate in men and lung and breast in women,” according to CNN. ”Medical experts have said colorectal cancer cases among younger people are going up -- with cases among those under 50 increasing since the 1990s, according to a March report by the American Cancer Society.”
“The American Cancer Society recommends regular screening for colon and rectal cancer starts at age 45. Other health organizations in the United States still recommend routine screening starting at age 50.”
----------------------
"In times of crisis, the wise build bridges while the foolish build barriers."
~ T'Challa/Black Panther (Chadwick Boseman)
"Wakanda Forever"
The Jon S. Randal Peace Page
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So, what exactly do you guys do now? Like, what occupation do the four of you have to afford the high life? I mean, I get the broad aspect of it. I guess I just really want to know more. My mun is being mysteriously closed lipped about it. And......do you guys really get driven around?
Good evening Miss Vicky,
Leo: “We each found our interests and talents opened up a several viable options that had lead us each to a “unique” position.” Leo led as he gathered his thoughts. “Keep in mind after we managed to stop Krang and those who worked closely with him, the world was vulnerable. As far as my brothers and I were concerned, we had fought too hard and for too long for someone to simply slip into the power vacuum we had created and to continue to harsh reality Krang had created for Earth’s inhabitants. Due to this we each chose to do what we knew how to do and could most easily adapt as challenges presented themselves.”
He paused for a moment as he thought about the hardships, they had each faced and managed to overcome as they slowly helped right the world and returned her to standing on her own. A shimmering blue jewel among the galaxy and other worlds that had become familiar with the planet and its amenities.
“During our years in the resistance we managed to acquire wealth and assets. We were able to accumulate quite the little nest egg using those. Along with our acquired influence it opened many a door which in the old world would have remained not only closed but permanently locked to us.”
“I became a strategic investor. Buying the remnants of properties, businesses and services and either helping them to return to what they once were or repurposing to better suit the needs of this new era and turn a profit. It proved to be very profitable and allowed for me to continue to churn out profits which allowed for me to seek other properties and businesses to invest in or connect the right individuals with each other in away that led to my ability to offer the initial capital for a small percentage of the quarterly earnings. It helped people to create jobs and led to a lot of normalcy for those who desperately needed.
One hand washes the other, and this in its essence has lead to my own sector of the Tartaruga brothers incorporated. I have a multi-billion dollar operation on Earth and several branches operating throughout the universe currently.”
Donnie: “As Leo has said,” Donnie commented calmy, “our time resisting and fighting lead us each to our own talents. I spent a lot of time wearing many hats, which included, chemists, doctor, surgeon, agronomist, engineer, electrician, etc. to put it simply I spent a lot of time learning how to save lives, human and otherwise, and the best way to stretch our available resources in a way which led to people surviving. I also had to learn how to create medications which were so commonplace that many died without having them available. Most antibiotics don’t have a very long shelf life and when those ran out initially, we were in constant jeopardy of losing lives to the simplest of bacterial infections. My knowledge, and subsequent research lead to significant improvements and branching into many other factors, and shall we say break throughs.
Needless to say, the value of others wants, lead to my ability to fund the needs of the many. In my sector, I have several leadings areas including pharmacy, medical research, agrarian development, as well as generalized research and development in multiple fields from domestic to military. For obvious reasons, more detailed information is strictly classified.”
Raph: Raph chuckled as Donnie glossed over his closely guarded research. He was willing to kill to protect his research and continue to control the aspects that allowed him to fund the bulk of his interests and common welfare of those he blanketed with his programs. “They ain’t lying. After the world came back from going to shit, it took awhile to get it back up and going. Additionally, there were a lot of people, generally those not from this world that were way too determined to make sure we failed. This led to a lot of infighting and groups struggling for control. That tends to lead to a lot of shady business if you know what I mean, and it wasn’t like we had any type of social services such as police, fire fighting, or anything else. I initially took charge in areas like these.
I took a lot of care to train groups so that they worked together and were prepared to handle whatever problems came. It took a lot of time to cultivate proper training programs and help prepare people on how to help a traumatized world get back to functioning in a healthy way. I still help do this on planets and areas that are in recovery.”
“That being said however, my primary interest and “job” if you want to call it that, is training mixed martial artist prize fighters for the world federation galaxy league. Simply put we aren’t the only species that likes to watch trained athletes test their skills against one another within their respective brackets, or on specially contracted prized fights. I used to fight for the league and earned a lot of titles and prestige. I won most fights and was often the favorite to win after a while. I’m semi-retired and only occasionally enter the ring now days. However, I take and train promising talents for the league and other groups. I have also trained personal bodyguards for a variety of individuals. Different specialties come with different specifics and contracts as well as costs. It takes a specific might set for each, and a lot of time to drill into a thick skull.”
Mikey: Mikey laughed at the turtle in red, “Oh yeah, and you were the king of thick skulled back when we were young, and dumb.” He barely dodged the throw pillow that was chucked at his head. “Let’s see for me personally,” Mikey flashed a big grin, “I happen to be a master of many trades. During our days in the resistance, I learned a lot of different tricks to help make the food rations we had on hand not only palatable but nutritionally sound while feeding a literal army of people! So when it was possible I spent a large amount of time learning how to take fancy old world recipes and revamped them with food sources that were still available or recreated them with off world goodies. I also still paint, and love to collaborate with others to create amazing new concepts!”
His face darkened for a moment as he thought back to the early days of the resistance. “There were so many people who in the blink of an eye had lost everything, and unfortunately it was insanely common to find kids who had either been separated from their families or were the only survivor. In a lot of instances they were traumatized and it took a lot of creative thinking to coax them out of their shells and help to reteach them on how to live. This happened fairly frequently with adults as well. Because of this and what seemed like a never ending shortage of textiles, I had to learn and create new ways to make things and often times help find things that brought the sparkle back to peoples eyes. Because of this however, I have a multimedia conglomerate that allows me to work in a wide area of creative outlets. The fashion world is a flippant mistress, but there are a lot of ways in which one can compete and stand out. It’s led to a lot of lucrative contracts with those who are “starving” for the next amazing piece of creatively, or at least that’s what they tell me. The great thing about taking high end contracts and commissions is that a lot like my brothers, the revenue lets me continue to reach out to others. I fund a program that includes shelters called “Uncle Mikey’s” for those who are missing, exploited, or just need help. I also teach cooking, and practical skills for those who need them, and they are streamed to community centers such as local libraries, after school programs, and the like, to try and continue to help those who never received a chance to learn to do things due to the world kind of going through an apocalypse level event.
We hope this answers your question Miss Vicky. From the Tartargua Brothers collectively
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Chapter 7. Neighbours & Mills Associates, my GWTW fanfiction
To read all the chapters of my GWTW fanfiction The Boutique Robillard, check my blog https://alarecherchedutempsperdu.over-blog.com/tag/the%20robillard%20boutique/
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Chronology : 1865 : Duncan returns to Paris, creates La Mode Duncan - 1873, December, divorce - 1874, January, Rhett visits Paris - 1875, january : Duncan returns to Charleston ; he buys Magnolias' Mansion ; Duncan "builds" the Vayton & Harvey Mills factory - 1875, February 5th : Rhett meets Duncan at Magnolias' Mansion - 1876, February : Grand Father Robillard died, Scarlett inherits, discovers La Mode Duncan' shop in Savanah - 1876, May : Scarlett opens her fashion shop in Atlanta - 1876, May : Charleston's event for Duncan.
Here is a long chapter. First, Duncan must buy his spinning factory for the textiles he is going to use. On the second part of this chapter comes the tough part : THE meeting Rhett x Duncan. Not really tough because our - their - dear Scarlett is not between yet...
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Charleston, 1875, January
The management of his family legacy eventually secure, the young couturier could now set up the American branch of "La Mode Duncan". No time was to be wasted, for the task was going to be tough.
First and foremost, a telegram had to be sent to Lille, France. "Blanche - stop - Need you - stop - Emigrate to America - stop - Take your children with you - stop – I send certificate of employment - stop - Letter follows - stop. » Blanche would be surprised by this terse text, but she would soon understand the situation by reading his letter to her. He explained what he wanted from her, and enclosed certificates guaranteeing her a job and a place to live when she arrived in Charleston. Duncan had no doubt that the loyal Blanche would immediately leave her family, her former life, to take her chances and emigrate to North America at the request of the owner of "La Mode Duncan" France. He would arranged the immigration formalities for her so that she would not have to worry about them and booked a place on the ship in the port of Le Havre. He didn't forget to send another telegram to his partner Roger Dax so that he could give one of his best workers a subsequent bonus. If all went well, Blanche Augustine Bonsart would be there in time for the creation of the new "La Mode Duncan" workshop in Charleston. ***
In the meantime, it took all his energy to select a textile factory capable of producing his own fabrics. There was no question of importing yards of fabric from France because he wanted to take advantage of the craze for local products, which was strong in the 1870s. Duncan had seen this when he visited the gigantic H. B. Claftin and C° shop in New York, which specialised in American-made textiles*. His first dilemma was to locate his spinning mill. The majority of them were located in the Northern states. The small factories in the South processed only a negligible amount of bales while, paradoxically, the South was the Master of cotton production. In keeping with his values, he wanted to set up in one of the former Confederate states. He was pleased to find that several mills had been established in South Carolina along the rivers, because of the abundant forests providing cheap resin to power the steam-powered machines. In early January he chose the best woolen mills owned by Jerry Harvey, and offered him a partnership. "Vayton & Son Ltd would buy 60% of the shares to take over management control. The textile entrepreneur thus ensured that he had full control over production methods, because the real problem facing Duncan was the quality of the final product. "Mr Harvey, we have to face an unpleasant reality. As you know, the textiles that come out of our Southern mills are 'low grade'. You produce mainly canvas, which is bought mostly by poor blacks, and cretonnes, such as shirting and drills, which are sold in the West*, but « La Mode Duncan » targets a wealthy clientele. It therefore had to use only the best-quality fabrics, comparable to those woven in France, in Roubaix, Mulhouse or Lyon. » "I am aware of that, Sir. Vayton & Harvey Woolen Mill Ltd will, no doubt, be able to rise to the challenge with the investment you are making available." "It's true, Mr. Harvey, the project is ambitious but necessary to master the quality at all stages. Our objective is, in the short or medium term, to dominate the high quality textile market, at least for South Carolina, Georgia and Louisiana. The sales potential is promising as it meets the aspirations of the upper class ladies and the nouveau riche. My tailor shop will of course be the first customer for "high-end" fabrics. We'll build a loyal following of Southern tailors and dressmakers who are frustrated that they can't buy better textiles locally. » Jerry Harvey adds: "I understand that you want our factory to be like the most modern textile mills in the North, managing all stages of production from the intake of cellulose bales, through spinning, weaving, dyeing and printing, to the transformation of the finished product." The owner of the French spinning mill Vayton & Dax said: "Yes, we must be inspired by the modernity of the North for the automation of tasks allowing a better output, use machines for certain stages such as the handling of the cellulose bags by winch and not by hand, etc.. The labour we save will be wisely transferred to other stages of production, such as dyeing and printing. » Jerry Harvey was impressed by his technical knowledge of the American market, despite the fact that he had just spent ten years in France. "What is your idea of influencing these steps? » The strength of the North American spinning mills is their modernity, speed of manufacture and large quantity produced. It is also their weakness. Compare, for example, the number of looms managed by each worker: here in the North, a single weaver is in charge of five machines, with the added requirement of speed. In France, as in my spinning mill in Roubaix, the worker is only in charge of two looms at a time*. You can understand that, in these conditions, even fabrics of common quality have many manufacturing defects. This is why Vayton & Harvey Woolen Mills Ltd will reduce the number of looms run by one worker to two." "That's an excellent suggestion. It will be expensive, of course, but it will pay off in the end," reassured Jerry Harvey. "Dyeing is my concern because I would like to use indigo. I know that its use is becoming scarce, but let's rely on the authenticity of local products. In the same spirit, we need to hire skilled chemists to ensure the consistency of the colours of the print. » "In conclusion, in order to get closer to French quality, we will have to increase the number of staff and systematically check for defects at every stage. » Duncan was satisfied that he had reached the end of his argument. "Yes, Mr Harvey, you and I are about to embark on a great adventure. This week I will contact an architect to modernise the warehouses. My contacts in the North have sent me the manufacturer's catalogue so that I can order the new looms and the more efficient printing machines. I am determined that production can start within three months. » Enthusiastically, Jerry Harvey proposed to his new partner: "I will submit to you within the week a projection of the number of employees to be hired, for each stage of transformation, by position. We can keep the American quota of two-thirds women in the spinning mill for jobs that don't require the use of too much force,* because they too need to work to overcome the economic depression. We will need more women spoolers, carders, and defect workers. »
Jerry Harvey's head was spinning. He felt an immense relief: the family spinning mill created by his father was saved! What's more, its fame would soon spread throughout the Deep South! For Duncan, all that remained was to set up his high fashion studio "La Mode Duncan" in Charleston. The hardest part was yet to come! *****
Charleston, 1875, Wednesday 5 February, at the Butler's "Rhett! I would really like you to come with us in the late afternoon with our new neighbours. The reception is not formal. It's just a « vin d’honneur » to celebrate the Vaytons' move to Magnolias' Mansion. » Rhett looked at Eleonor Butler with an amused expression: "Mother, your son is 48 years old. I think you can do without my presence to go and have tea with your friends. » "It's in your best interest. Three years ago, when you came back from Atlanta, didn't you tell me that you wanted to regain your place among our good Charleston society? I admit that you have made great efforts with your charity work. But what better support could you gain than from Charleston's oldest and most respected family? Especially since this friendship could also benefit your business, as the heir to Vayton Ltd is one of the richest men in the United States of America! » Faced with this avalanche of arguments, Rhett had only one solution: to accept the invitation to the Vaytons. *****
Charleston, 1875, Wednesday 5 February, at the Vayton home Melina had learned her lesson well by leaving the "hospitality" door to the porch open to let the Butler neighbours know that they were eagerly awaited. Barnabee, the butler, opened the inner door to the piazza. Mrs. Vayton came to greet them warmly and directed them on their right to the drawing room. Eleonor Butler and her daughter had had many opportunities to be received by the previous owners, the Hopkins. Nevertheless, they were amazed by the new interior design. Mrs. Vayton introduced her daughter to the Butlers. Rhett paid his respects to Cathleen and Melina with an elegant hand kiss. They were charmed. The lady of the house apologised to her guests: "My son is in his office. He had to write an urgent letter to France. He will join us in a few minutes. » The four women settled into comfortable chairs and happily began to exchange stories about the Battery. Rhett took the opportunity to cast his art-loving eye over the impressively large reception room. Everything was a harmony of forms, styles and materials. The room occupied the entire width of the façade. The light, that radiated from the five front windows and the two French windows overlooking the piazza, accentuated the grandiose aspect of this room reserved for prestigious guests and receptions among friends. The aesthete appreciated the conscious choice to contrast the curves of the architecture with the straight lines of the furniture. The sinuosity of the wall of the three bowed-windows stretched like a serpentine on either side of the other two windows. These curved lines echoed the moulded stucco frieze around the ceiling and the arch over the door. What an aesthetic success! The osmosis between the curves, the glitter of light, the walls partially painted in pale yellow, while the ceiling, the base and the windows were of a brilliant white, instilled an atmosphere of tranquillity. The softness of the whole was accentuated by the pale yellow lustrous silk of the upholstered seats. The contrast with the rigorous Empire style of the French furnishings Duncan bought in New York was all the more striking. Straight, clean lines, sharp-edged ornaments. The same antagonism of colours struck the visitor, between the mahogany and gold bronzes of the furniture as if lifted by the blond oak floor. Rhett was fascinated. Of course, he knew the French style that Emperor Napoleon Bonaparte had initiated: originally furniture dedicated the military men, a martial style, straight seats that allowed soldiers, such as General Bonaparte, to keep their swords in a seated position without embarrassment. A spartan and severe spirit that was called the Directoire style**. When Napoleon was crowned Emperor, with the pomp of the Court, the furniture became a pretext to testify to the power and wealth of the Empire. The flamed mahogany veneer was decorated with luxurious ornaments in gilded bronze, like the magnificent sphinxes enthroned under the armrests of the armchairs in the Vayton salon or the caryatids placed on either side of the overmantel. This large pier-mirror topped a black marble fireplace in the American Federal style that the first owner of the house had installed. Meanwhile, Barnabee had made his entrance. Three large silver trays generously garnished with fine food had been placed on the round side tables protected by beautiful embroidered tablecloths. The cook, Netty, had taken particular care in preparing the small canapés and other croustades. This was the very first invitation from the Vayton family. Even though it was not a dinner party, it was important to honour the closest neighbours of the Magnolias' Mansion. Barnabee was now dexterously serving refreshments. Rhett politely accepted a canapé with scallop terrine, and then resumed his admiring inspection of the place, while the four women were absorbed in discovering common interests. While admiring the finesse of the "Return from Egypt" sculptures,** Rhett the businessman recalled a conversation he had had with some English entrepreneurs in London. An idea came to him. It seemed obvious. At last he would find the excitement of embarking on a great adventure... The elegance and luxury of the place definitely appealed to him. Suddenly a regret assailed Rhett: "If only I had helped Scarlett refine her tastes, instead of leaving her without advice and mocking her disastrous decorative choices, I'm sure she would have loved the abundance of golden bronzes and the warmth of mahogany." The Old Guard would have been jealous of his wife, that's for sure, because of the display of so much luxury. But at least they would not have reproached her for a lapse in taste. "How I regret, Scarlett..." Rhett shook his head to get rid of the flush of weakness that once again overtook him. "Damn it! Why can't I put her out of my mind? Even a year after our divorce - no! It's been fifteen months since our divorce, sixteen months since we saw each other, Scarlett - and you still torment me! Will there be no end to this? » The entrance of the master of the house interrupted his depressing thoughts and he stood up to greet the young man who was holding out his hand. After Cathleen introduced their neighbours to Duncan Vayton, he sat down opposite the Butlers' eldest son. In a fraction of a second, the two gentlemen looked at each other. Rhett thought to himself that the young Vayton exuded sympathy with his frank smile and keen eye. "His good looks must please the ladies! Old Ashley would be jealous of his blonde hair. "He chuckled under his breath, still eager to belittle Scarlett's former blond knight, now quite grey. Duncan, for his part, was impressed by Mr Butler's bearing. The man wore his age elegantly, and his impeccable dress showed an undeniable accuracy of taste. Both men identified the other as belonging to the caste of well-born and refined gentlemen. "May I offer you a glass? In your honour, I have selected an excellent Cote Chateau Lafite Rothschild, from the 1870 vintage. This bottle is part of the reserve that I brought back from France when I returned here in January. I am sure you are a great connoisseur yourself, and I will be happy, another day, to show you around my wine cellar. » Then addressing the ladies present: "Ladies, would you like to try this excellent wine? The four women gently refused. They did not want to disturb the cordial understanding that seemed to have developed between the two men. "Cathleen, ever since we arrived, I have been admiring these lovely tablecloths on the pedestal tables. The fabric is of such beautiful quality and the embroidery designs are exquisitely difficult! » Duncan's mother smiled broadly, "Dear Friend, I am proud to say that they are made in the French mill owned by my son. "Then, turning to the young man, she said, "Duncan, could you ask your partner to send Mrs. Butler several sets of tea towels to complement the large embroidered doilies?» Mrs. Butler politely declined at first, but was delighted with the gift to come. Rhett thought that the man in front of him was definitely resourceful. "Duncan - I think we can call each other by our first names. What do you think? "The other nodded. "I'd love to, Rhett! » He continued: "I am in awe of your Empire period furniture. At West Point, when we were taught the military strategy of the French Emperor, we sometimes made a foray into the study of Napoleon Bonaparte-influenced lifestyles and decorating style." Duncan was amazed at the similarities between them. "It was my love for this great character that made me decide to decorate Magnolias' Mansion with an Empire feel, particularly influenced by the battles fought by General Bonaparte in the Egyptian Campaign**. Young Vayton added: "And I too began to admire Napoleon at West Point! What a happy coincidence, Rhett! We have the same artistic tastes, we're avid oenophiles and we've had similar training. I think we'll get along just fine! "Duncan gave Rhett his friendliest smile.
He continued: "Which regiment did you lead during the war? Perhaps we have crossed paths? » Rhett suddenly found himself on a ridge. To admit that he had only joined the Confederacy at the end when the South was about to lose - that famous night when he had abandoned Scarlett on the road to Rough and Ready? It might not look good for this new 'white knight in shining armour'. But he didn't care. Goodness gracious! The great Rhett Butler was proud of his past, and he would impress the impetuous young man! "I was a blockade breaker. One of the best, I must humbly confess! "he assured them in a drawl so charming that the four women stopped their casual conversation to listen to his story. "I was in command of one of the largest steam-powered sidewheelers, the SS Lynx. It had a steel hull and was 220 feet long***. But I changed a year later to a smaller, more malleable and much faster steamer, capable of dodging the Federal Navy. I was probably one of the first to be awarded the "letter of marque" signed by President Jefferson Davis, which attested to my service to the Confederacy. "Rhett gave his mother a mischievous smile. "A paper that would not have protected me from hanging if I had been captured by Federal forces. » Mrs Butler shuddered in retrospect. "Her dear daredevil of a son! » "The Yankee naval army had set up the "Anaconda Plan", a blockade belt encircling the Confederate states. The front line looked like a snake, running from Maryland up the Missouri River.*** And it was indeed an anaconda that strangled the Confederate states by preventing them from obtaining arms, getting supplies from Northern factories, receiving cargo from British ships, and being able to export their cotton production. » Rhett the seducer was now mostly talking to Melina for the sake of impressing her. "What were you carrying? "asked the young Vayton, amazed to have an adventurous hero as a neighbour. "Mostly weapons for our Confederate Army, gunpowder, bullets for rifles, and mail too: in our own way, we were in the front line of the fighting! » "We would have to sail along the coast at night, using indians tricks to get into the harbour and fool the Union ships! "Rhett's eyes glistened at the excitement and fear that gripped the entire crew as they approached the danger. Cathleen Vayton also found herself transported by the exploits of the former blockade breaker: "How many times have you managed to get through the lines? » "Thirty-three times! My first arrival in Nassau was on 5 December 1861. We were loading cargoes from England, filled with guns, lead, meat, saltpetre, shoes, blankets, coffee, and also the more luxurious items of clothing and sewing, necessary for your daily life, dear ladies! » "The transfer points, between the ships coming from England and us taking over the cargo, were from Nassau. Then we sailed to the ports of Wilmington, Charleston and Savannah. On the return trip to Nassau, the planters would entrust us with their cotton production, which would then make the crossing in English freighters. »
"The hull of my little steamer was painted grey to make it as inconspicuous as possible offshore. Duncan, did you know that when we were approaching the coast we used to feed the boiler with anthracite coal instead of coal so that the smoke would be white and dissolve on the horizon? I have even used cotton soaked in turpentine to raise the heat and substantially increase the speed. Rhett's eye twitched as he thought of these anecdotes. "We had to use indians tricks, I tell you! » Duncan looked at his quiet neighbour in a new light. "I met some brave men, who were not afraid of anything. You've probably heard of the famous Josiah Gorgas, who also graduated from West Point. He was my friend. » Duncan admired Rhett Butler's valour. "It is true! The Cause has paid tribute to those brave blockade-breakers who braved machine-gun fire and the beaching of their ships to relieve us of Yankee asphyxiation. However, it is regrettable that some took advantage of this to enrich themselves by not giving priority to supplying our troops. I remember a certain Butler - one of your namesakes, Rhett - with whom I was in business to repatriate a shipment of military jackets and trousers made at my expense in my French factory. His transport prices were prohibitive. I had tried to make him understand by special mail that these uniforms would be used to protect our soldiers from the rigours of the rain and the cold, but nothing was could change his mind! He shamelessly told me that I had to accept his price because the cargo space available on his ship was very coveted. » Duncan gave a disillusioned pout at the memory. Rhett got up from his seat. He looked straight at the former Lieutenant-Colonel: "It was me, Captain Rhett Butler! » Startled eyes stared at him. "You? You’re disappointing me, Mr Butler. I thought we shared the same values. After this revelation, I'm not so sure..." Rhett was not disconcerted by this sudden reversal of cordial understanding. "Times were tough. One third of the available space on our ships was legally reserved for the transport of cotton, so that the economy would not collapse*** - which it did. I had to feed my crew and make a profit from these expeditions where our lives were threatened at every moment. I do not regret my choices. I take responsibility for them. » Chin up, his imposing stature extended, Rhett stared defiantly at Duncan. The former benefactor of the Cause just didn't know how to respond. The ladies present became aware of the sudden change in atmosphere. The tension between the two men had become tangible. To distract and inject some levity, Melina brought up her favourite subject: "This place is a real paradise, but for our dear Mum's joy to be complete, we need something more. » Cathleen wondered, "What are you thinking, girl? » "To children's laughter, of course! "The young Vayton was pleased with her effect. "Isn't it your dream to see your grandchildren running around the paths of our beautiful garden?" "Children's laughter..." Rhett felt a twinge of sadness. "No, he mustn't imagine his beloved Bonnie sharing the games of other children here. Or else he wouldn't be able to keep a straight face until the end of this reception. Mrs Vayton exchanged a knowing smile with Mrs Butler. "I hope this dream will soon become a reality thanks to our children! "Then her gaze fell on Duncan. He was still confused by his neighbour's revelation. "Why are you looking at me, Mother? I'm leaving it to Melina to ensure the Vayton descendants. When will you take a husband, my dear sister?" Melina blushed: "When I find my Prince Charming. "Then she jumped in: "You're the oldest. It's up to you to get married first. Are you ready to introduce us to the woman of your dreams? » Duncan was taken aback by his sister's questioning. "The woman of my dreams? A concept that never crossed my mind, I confess. "He chuckled. "In fact, I doubt very much if she exists! "In any case," he added, giving his sister a sly smile, "you'd be the first to know if I ever came across her. Let me tell you, I'm not about to introduce you to her! » Melina insisted, cuddling. "Make an effort, Big Brother. How will you recognize her? » He remained silent for a few moments, in deep introspection. Surprised by his own train of thought, he finally said in a hesitant voice: "If she existed, I think I would know it immediately. Within the first few minutes. She would have a fiery temperament, a panther ready to purr or claw, soft skin..." Duncan paused abruptly, embarrassed by his indecent confidence, an admission of weakness made all the more awkward by the fact that it had been dropped in the presence of a man as impavid as Rhett Butler. Rhett, who had approached the piazza, froze. A succession of images assailed him: a library, a green muslin, a pearly shoulder, a broken vase, two emeralds, sparkles of anger... He closed his eyes to chase away the hallucinations that haunted him every night. In rage, he shoved his fists into his pockets. Melina looked at her brother in amazement: "Oh, you the hardened bachelor, are you in fact a passionate man ? You didn't accustom me and Mum to such lyricism!" She burst out laughing. The young man did not know what to say. For the first time, without his noticing it, he had put words to a fantasy that had never been consciously thought of before. "Don't get too excited, dear sister. In any case, this woman does not exist. » Melina then turned to the eldest son of the Butler family. "What about you, Rhett? Would you describe the woman of your dreams to me? Who knows, maybe your sister and I could find her among our friends .... What do you think Rosemary?" Her laughing eyes met the embarrassed faces of both the Butler women and her mother. "Melina, this is unseemly of you. "Cathleen sternly rebuked her, outraged that Rhett Butler's chaotic marital situation could be so cavalierly invoked. Then she turned to Rhett: "Mr Butler, I apologise for my daughter's indiscretion. Melina is as giddy as a child. In her defence, I must say she is an incorrigible romantic. » Her daughter then realised her blunder. She was clearly missing a piece of information that those present had. Eleonor Butler was silent, fearing a sarcastic reaction from her son. Duncan had lost interest in the subject and was enjoying his glass of wine. The heated argument of a few minutes ago was still bothering him. So he told himself he didn't give a damn about Rhett Butler's "dream woman. With that drawl he liked to use before he was about to make a hurtful remark, Rhett replied to Cathleen: "I see no offence in your dear daughter's innocent question. » Then, with a smirk that looked more like a sneer, he amused himself by staring at the young woman who was now blushing with confusion. "The dream woman? You should know, Miss Melina, that sometimes we have to take control of our dreams, to give up those that are futile. "Then his gaze drowned in the direction of the porch. His intonation froze the other four guests. The awkwardness that had crept in over the last quarter of an hour became overwhelming. It was time to end the tension. "Cathleen, I'm sure you're exhausted from moving in. It is now time for us to take our leave and for you to rest. The warm welcome you have given us in your beautiful mansion is very special to me. We shall both see you next week. Good evening to you, my dear Eleonor, your lovely daughter and the talented Duncan! » That evening, two neighbours who could have been friends were not sad to part... ****
Endnotes to Chapter 7 *My sources of information on the cotton economy and textile mills in the USA in 1870 are based on Louis Reybaud's thesis published in 1870, "L'Industrie et les Ouvriers du Coton aux États-Unis depuis la guerre de secession", Revue des Deux Mondes, 2nd period, volume 90, 1870. **Directoire, 1795-1799: government that succeeded the period of the French Revolution. The Directoire style of furniture extends to 1803. - Egyptian Campaign: battles led by General Bonaparte from 1798 to 1801 - "Return from Egypt": term characterising the style of ornamentation - Empire, 1804-1815: General Bonaparte was crowned Emperor Napoleon Bonaparte. - Empire style furniture, from 1803 to 1821. ***Blockade Breakers during the American Civil War: source Wikipedia. Disclaimers : I do not own the story and characters of Gone with the Wind which belong to Margaret Mitchell. The “world” of Duncan Vayton and Blanche Bonsart are my creation.
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This might be kinda long, so I’ll put a keep reading, but there have been some major coincidences popping up in regards to my family history the past few months and I just want to get it all down somewhere.
We know quite a bit about the history on my dad’s side of the family. My paternal grandmother’s family fled Russia, walked through China (where they had my grandmother), and lived in a camp in the Philippines until they immegrated to San Fran when my grandmother was 14. My grandmother’s aunt wrote out the story of their survival in a book that was originally in Russian, but translated to English, and given to each member of the family. I have an English copy on my bedside table. Also on my bedside table is a book written by my fathers paternal uncle, my great uncle, which is filled with the diary entries of my uncle Jim growing up in Montana. It includes so many stories of their life, pictures of family and friends, and a family tree that goes back a few generations. Unlike the book from my grandmother’s side; which is a collection of photocopied typewriter pages, coil bound, with a clear plastic front and back protector/cover; my uncle Jim went full out and had the copies he sent out leather bound with the title “Montana Memories” in gold font across the cover and the spine of the book. I treasure both of these books dearly, hence why they are permanently on my nightstand, and have always known a fair bit about where we come from on my dad’s side because of these books.
On my mothers side however, we’ve never really known much. While my fathers parents families both saw the importance of keeping family records, my mothers family didn’t seem interested in the practice. My maternal grandparents had both passed quite sudently while I was young. When I would ask about my mothers heritage, I was told that she didn’t know much, and certainly not as much as we know about my fathers side. My maternal grandfather was always described as “White? English and maybe Scottish? I don’t know he’s just Canadian”, while my maternal grandmother’s heritage was abit trickier due to her being adopted. In the past year or so, my mother has been getting more and more interested in learning about her heritage and family, and that’s where the first coincidences start to take place.
When I was 17, I started university. I decided to go to university far away from home, and chose one that was a 7 hour drive from my childhood home. It was at university that I met my now husband, who grew up around 30-40mins from the university, in a town I’ll call C. For a year or so, we lived in his hometown, before finally graduating and moving on. This past October, after 7 years of dating, we got married. I’ve talked abit about it before, but we had a small ceremony with our immediate family in my husbands grandparents backyard, which is in another small town, which I’ll call A, located outside of C. My mother had found out that her father had been born in town A, and had relatives buried near by. After our wedding, we went out and looked for their headstones. The cemetery that my relatives were buried in was slightly outside of town A, in a beautiful area, with a big wrought iron gate and an old brick church, and was one that my husband and I had driven past too many times to count. This was a cemetery that I would ask to drive past when we went on country drives. This was a cemetery that I loved, that was 7 hours away from my family, that we were now finding out contained my family. This was such a strange and amazing coincidence, but it continued. We found my mothers paternal grandmother, her “Old Nana”, and then continued to find other relatives. While walking the cemetery, we stopped along the church to look at the oldest headstones in the yard, those belonging to the founders of the town, and the first settlers of the area. Low and behold there is that same last name. We leave the cemetery feeling so high - how unlikely is it that the town that my husband and I were married in the day before, where his grandparents reside, 7 hours away from my family home, could be settled - in part - by my direct ancestors? We continue on with our day, but I get the feeling that we need to look into it more. While driving to our next destination, I look up the name of the man from the headstone. A complete biography pops up, which includes the name of my mothers paternal grandmother as a decendent. This confirms that our wild conclusions are true, how amazing is that? And then I continue to read, and it goes even deeper. The biography includes the piece of land that this man and his family lived on and settled when the town was just beginning. It is on the exact same road that my husband and I were married on. The spot where my relatives lived after immigrating from Scotland to aide the start up of the textile industry in town A, was a few lots away from where my husbands paternal grandparents would move when they immegrated from England in the 80’s. After returning home, my mother also went on to find that her paternal grandparents had also been married in town A, and then had been sworn in in town C, where my husband grew up.
The most recent coincidence that has been uncovered is in regards to my mothers maternal side. My grandmother had been adopted at a young age, and had waited to learn about her biological family until after her adopted parents died. She was able to connect with a brother and a sister before she passed, and found out the name of her mother, but that was about it. For Christmas this year, my brother and sister paid for my mother to get a subscription to Ancestry.com, which she was very excited about. Today she finally found the papers with my grandmother’s biological mothers name, and decided to dive into some research. She found out that my grandmother was one of around 10 children. She found out that my grandmother’s mother had been married at least once. She found out the names of my grandmother’s maternal grandparents. And most interestingly, she found out the those maternal grandparents were wed in my childhood town, where my parents still live today. This is a town of maybe 200 people tops, a blip on the radar, a single flashing light town, a town that my parents chose to live in because it was half way between my fathers work and my mothers work 30+ years ago, and apparently a town in which my mothers biological greatgrandparents were wed. Another unbelievable coincidence.
How many stars had to align to create these coincidences? Were we subconsciously drawn to these places because of our ancestors? It all feels like a big cosmic joke, or a nod from the universe as if to say “See what I did there?”.
#a#also the birth records for my maternal grandmother’s birth mother is on the same page as someone born with the same name as my#maternal grandmother’s adoptive father - though we’re pretty positive it isn’t the same person#I just have such a hard time wrapping my head around all the coincidences and little strings tying everything together
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Chantal’s idea for Mother’s day (Mother’s day Oneshot)
Fandom: Miraculous
Main character: Chantal Lahiffe, OC daughter of Nino Lahiffe and Alya Lahiffe (Née Césaire)
https://archiveofourown.org/works/24076351
https://www.fanfiction.net/s/13580131/1/Chantal-s-idea-for-Mother-s-day
Info: Chantal Lahiffe and Elliot Agreste are my Oc’s.
It‘s Mother‘s day in Paris, a special day to honor all the mothers over the country. A couple of people were already out on the city looking for a last-minute present for their loved parent, while others were having a normal Sunday due to being busy working on this day in order to keep the circle of the economy work. Alya Lahiffe was one of the many citizens to be out of the house because of their job.
On that Sunday Nino Lahiffe was off from work and was at home with their daughter Chantal Lahiffe, which was disappointed, that her mother wasn‘t there with them to go out on a field trip like they had planned a few weeks ago. Nino then had an idea and suggested it to the daughter and together they planned it together to make it work….
Outside of the house of the younger generation of the Agreste‘s Nino and his best friend Adrien had lain a table with the surface aside on the floor, so that it would look to the front and a child with light-brown skin and curly light-brown hair brought a sheet, that was stuck together to be almost as big as a table and she placed it in front of the table, then waited for her father, which had opened a small bag with adhesive pads and placed a few pads over the table followed by Chantal sticking the sheet carefully over them.
„You‘re doing it well, Chanty,“ Nino complimented, then noticed Adrien trying to carry a wooden board with the help of his son. „Yo little dude, have you got a seven-pack under your shirt?“ Nino asked jokingly, making the boy laugh.
„What was that?“ The blonde child asked seeing his father laugh too at his best friend‘s comment.
„You know from these memes you see on Facestargram“ Nino explained helping the boy and the father place the wooden board over the legs of the table. „Good now we need two chairs and a cameraman“
„I‘m going to get the chairs, you guys can stay here, “ Adrien said walking back to his house, then Nino took out his smartphone and opened the camera by sliding at the camera symbol and pressed on video and gave the smartphone to the blonde boy.
„Here Elliot, you press the red button here then the timer up here starts to count the time of the filming. We warn you at the end when it‘s over and you have to press again on the red button. Is it good?“ Nino questioned the blonde earning a nod from the child.
„Yeah It‘s like the smartphone from my father“ Elliot answered earning a smile from the Moroccan, which ruffled the hair of the boy, making him chuckle.
Adrien appeared carrying two chairs with both of his arms, then placed them behind the table, adjusting them and walked back to his son, while Chantal took place on a chair along with her father.
„Okay we‘re ready“ Adrien announced watching Chantal looking at her notes, she had inside her trouser‘s pockets and unfolded them up to see them.
„Don't worry, we can try as much as we need to make a good video for your mom“ Nino commented earning a nod from the girl.
Adrien observed Nino watching Chantal going through her notes, then she gave Nino a thumb up and Nino raised his eyebrows up signaling Adrien, that the two were ready.
Elliot pressed the red button starting the recording, then Adrien pulled his shirt up covering his mouth to change his tune of the timbre of his voice.
„This was Adrien Agreste with the sports channel, now we‘ve got special news from Chantal Lahiffe with her co-assistant Nino Lahiffe,“ Adrien announced while Nino snickered under his breath at Adrien‘s idea.
„Sorry can we do that again?“ Nino asked. „Your idea was hilarious“
Adrien shook his head amused at Nino‘s reaction, then pressed on the smartphone Elliot held the red button and pressed it again and looked at the Lahiffe‘s at the table and did the same thing again.
„This was Adrien Agreste with the sports news, now we move back to Chantal Lahiffe and Nino Lahiffe with some special news“ Adrien spoke with his voice covered by the textile of his t-shirt and gave the two a thumb up.
„Here is Chantal Lahiffe with news….I mean with the news…..can we start again?“ The girl asked earning a nod from the blonde and Elliot copied Adrien‘s deed from before.
„Okay…...This was Adrien Agreste with the sports news, now we move back to Chantal Lahiffe and Nino Lahiffe with some special news“ Adrien foretold watching Chantal start her role again as a news anchor.
„Here is Chantal Lahiffe with some great news…..Today we‘ve got Sunday, the 27th and this isn‘t only a regular Sunday, today in France and various other countries such as Cameroon, Morocco, Algeria, Tunisia, Sweden, Swenegal…….argh not again!“ Chantal growled making Elliot chuckle. „Elliot, that‘s not funny!“
„Sorry, I couldn‘t“
„Don‘t worry little B, we got more chances“ Nino mentioned. „Right?“
„Right“ Adrien agreed observing Elliot press the red button again letting the video start the timer again. „This was Adrien Agreste with the sports news, now we move back to Chantal Lahiffe and Nino Lahiffe with some special news“ Adrien recited it with his voice altered, then gave the Lahiffes a thumb up to start.
„Chantal Lahiffe is on with some great news. Today it‘s Sunday the 27th of May and this Sunday isn‘t just a regular Sunday. Today is mother‘s day in France and also in various other countries too such as Cameroon, Morocco, Algeria, Tunisia, Senegal, Sweden, Mauritius, Dominic…..I mean the Dominican Republic…..Sorry I‘ve had the name misspelled here…..“
„Sure, we give it another try“ Nino mentioned earning a nod from Adrien.
„Ready?“ Adrien asked earning a nod from Elliot, which pressed the red button to stop the filming. „This was Adrien Agreste with the sports news, now we move back to Chantal Lahiffe and Nino Lahiffe with some special news“
„Chantal Lahiffe is on with some great news. Today we have Sunday the 27th and this Sunday isn‘t just a regular Sunday. Today is mother‘s day all over France and not only France but also in various other countries too such as Cameroon, Morocco, Algeria, Tunisia, Senegal, Sweden, Mauritius, the Dominican Republic a few to be named. With this, I want to tell my mother Alya Lahiffe, who is currently working right now as a journalist at the TVI station something special“ Chantal recited without any problem, while her father Nino smiled and Adrien smiled too as he observed the girl speaking. Adrien looked at Elliot‘s job with the camera and shut his eyes open unsure if the timer of his smartphone was working,
„Elliot, did you press the red button to record them?“ Adrien asked earning a nod from Elliot.
„Sure“ Elliot answered looking at the time to see it was all set on Zero, then Elliot looked neutral as he noticed he didn‘t start to record the video again. „Oh“
„Elliot you did that on purpose!“ Chantal complained making Elliot feel down.
„But that was an accident. I really thought I had pressed the red button“
„Come on, we try it again“ Elliot‘s father advised the daughter of his best friend. „I make sure he doesn‘t forget it“
„Okay“ Chantal replied watching Elliot press on the display of the smartphone, then Adrien looked at the Lahiffes and recited his sentence again.
„This was Adrien Agreste with the sports news, now we move back to Chantal Lahiffe and Nino Lahiffe with some special news“ Adrien spoke pointing at the girl to do her part.
„Chantal Lahiffe is on with some great news. Today we have Sunday the 27th and this Sunday isn‘t just a regular Sunday. Today is mother‘s day all over France and not only France but also in various other countries too such as Cameroon, Morocco, Algeria, Tunisia, Senegal, Sweden, Mauritius, the Dominican Republic a few to be named. With this, I want to tell my mother Alya Lahiffe, who is currently working right now as a journalist at the TVI station something special“ Chantal formulated the words earning a thumb up from Adrien. „For the best mother in the world, Alya Lahiffe, or how I call her….Mom. Dear mom. You brought me to life and this was almost ten years ago. You raised me all these years, you gave me a lot of love and attention. From everyone in the family you‘re the friend, I trust the most and the one that is there for me, when I feel down. We know each other very good and you were even able to organize a meeting with my favorite singer Vivica and you knew how much I liked listening to her and you gave your best to convince her to come along. I know a simple thank you won‘t be enough for all that you have done for me in the past years and…...you know if there was a way I could show you how much grateful I am for all that you have done for me, I would,“ Chantal was done with her speech, earning a warm smile from her father, which looked at the Agreste‘s.
„That was the message Chantal had for you. You must be glad to know you have such an amazing daughter,“ Nino mentioned making Chantal roll her eyes down in embarrassment.
Adrien did a sign to his son to stop the recording, then clapped at the two Lahiffes.
„Well done you two, now we have to see it and when we receive an okay, we share it,“ Adrien told walking at the table and sat on the wooden board in front of the two, then the board slipped from the leg of the table causing Adrien to fall down on the ground.
„That was smooth dude“ Nino joked making Adrien laugh along with their kids.
At the TV1 studio, Alya walked out at the terrace of the building walking to the tables in the middle, where two women and a man sat eating their lunch.
„Ruby sent me a picture of a work in project canvas for mother‘s day, “ A brunette woman said showing to a blonde, that sat vice versa to the woman.
„My son drew me this invitation for a Spa day he plans to give me this evening with Wayhem‘s help. That‘s so far the cutest thing, they have ever planned to do“
„Hey Aurore, hey River and hey Jean“ Alya greeted sitting down next to the brunette.
„Hi Alya“ Aurore greeted. „Have you already received your mother‘s day surprise?“ The blonde asked watching the Martinic woman take out her smartphone turning the flight mode off, to receive a message from her husband Nino.
Nino has tagged you in a video.
„Oh I think I just received it“ Alya mentioned seeing the cover of the video with Nino and Chantal sitting together.
„A special mother‘s day present for a special woman. (And Bonus material)“
„Aww look they tried to copy our desk at the studio“ Aurore pointed out looking at the smartphone of the brunette along with River and Jean.
After two minutes Alya swiped to the next videos, which were the cuts from the errors done, during the making.
„This was Adrien Agreste with the sports channel, now we‘ve got special news from Chantal Lahiffe with her co-assistant Nino Lahiffe,“ Adrien‘s altered voice announced while Nino at the table snickered under his breath at Adrien‘s idea.
„Sorry can we do that again?“ Nino asked. „Your idea was hilarious“
„Those two together are really impossible“ Alya mentioned shaking her head amused at the scene, then swiped to the next scene as the first clip started again.
„Today we‘ve got Sunday, the 27th and this isn‘t only a regular Sunday, today in France and various other countries such as Cameroon, Morocco, Algeria, Tunisia, Sweden, Swenegal…….argh not again!“ Chantal growled making Elliot chuckle offscreen. „Elliot, that‘s not funny!“
„Sorry, I couldn‘t“
„Don‘t worry little B, we got more chances“ Nino mentioned. „Right?“
„You got the very first comment“ River mentioned earning a nod from Alya.
„marinettedesigner: what a fantastic mother‘s day present,“
„Oh, that‘s Marinette“ Alya answered. „We‘ve been best friends for twelve years“
„Wow“
„Yeah“ Alya replied opening the account of Nino and pressed on the video call button to stabilize a call with him, then he answered and he sat on the stairs of Adrien‘s house along with Chantal.
„Hey babe“ Nino greeted.
„Hi mom, did you see the video I made with dad?“ Chantal asked earning a nod from the mother.
„Yes I did my angel,“ Alya answered. „It was wonderful, thank you so much“
„See, two hours of preparation and about 20 minutes for the rest. Didn‘t we or didn‘t we do good?“ Nino asked his daughter, which held her fist up and did a fist bump with the Morrocan man.
„Good to know it was worth it, “ Alya said earning a nod from the husband and the daughter. „Are you two going to lunch with Adrien?“
„Adrien is going to take us on a Brunch at the Grand Paris and believe it or not, Adrien joined the eating contest. He‘s going to regret it in the end, I can feel it“
„Then I would stay by his side after that“
„Sure, that‘s what friends are for, except he isn‘t alone there but still“
„Yeah, look I still have to warm up my meal and eat, is it okay if we stop right here?“ Alya asked earning a thumb up from the husband.
„Sure babe“
„Bye mother!“ Chantal said waving at her mother.
„Bye my angel, “ Alya said sending her daughter an air kiss, then Nino finished the call and Alya placed the smartphone down, then looked at Jean showing Alya and Aurore on his smartphone something making them laugh as they saw a video of copied parachuting scene of a senior in an advertisement.
#ecofinisher#ecofinisherfanfics#mother's day#oneshot#fanfic#fanfcition#ao3#original character#miraculous#next gen#nino lahiffe#alya cesaire#djwifi#adrien agreste
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My name is Eva Camacho-Sanchez, and although I was born and raised in Andalucia, Spain, I have spent most of my adult life in the eastern part of the United States. I learned to create from my mother, who grew up in a poor, rural village, and who had no choice but to make her own clothes and other textiles in the 1940s and 50s. A passion for creating and the importance of self-sufficiency was instilled in me at an early age, though my artistic passion only came alive when, as an adult, I discovered the amazing qualities of wool and the wonderful art of felting. Coincidentally, my father also tended to his family’s sheep flocks while he was in grade school. Unfortunately, he had to leave school at the age of eight to tend to the flocks full time, so it only seems fitting that I continue with a similar connection to sheep and the fibers they produce. Most of my felting career has been dedicated to creating nuno felted garments. Over four years I went to many art shows, where I sold my work, and many pieces were also sold in galleries, boutiques and museum stores. But I knew that wasn’t going to be it for me. I’ve always admired artists who create conceptual work. and I wanted to be one of them, too. In 2017 I decided to not make anymore wearables and dedicated my artistic career to teaching workshops and making more visual and conceptual work. Although I am devoted to felt, I have also been intrigued by other fibers and fabrics. I have been including other materials such as paper into my work because, through my own experimentation, I learned I was able to make a very durable material by felting mulberry paper into the wool. Mulberry paper is made from the mulberry tree, and it has long fibers which help to give the paper its distinctive finish. This paper originally comes from Asian countries, such as South Korea and Japan. Jiyoung Chung, a Korean paper artist, has been a great influence on my work. The process of Joomchi is very similar to wet felting, and I love how these two techniques can be used interchangeably. I have also been stitching on a lot of my final pieces, especially since I found slow stitching as a way of meditation. The simple running stitch going through the felt, and not knowing where the next stitch might end up, brings a lot of joy and a lot of peace to me. I’ve been very much influenced by Claire Wellesley-Smith, Alice Fox and Christine Mauersberger, three great fiber/ textiles artists and amazing stitchers. https://www.thisiscolossal.com/category/art/
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Trotsky on the Russian Revolution
THE political struggle has a logic all its own. A man may be an adept at walking the tight-rope. He may strain every nerve in doing so, and be entirely successful in avoiding a fall either to one side of the arena or the other. But in the class struggle man cannot walk the tight rope. The more he tries, the more obvious it becomes that he is on one side and not the other.
Something like this has happened to Trotsky in his History of the Russian Revolution. For all his pretensions that it is “an honest study of the facts, determination of their real connections,” his book is none the less—or all the more—a bulky, three-volume pamphlet against Leninism, and above all against Lenin’s Party. It would indeed be strange were matters otherwise, when a man fought Lenin’s Party, off and on, from 1903 to 1917, and again from 1927 (to take only the date of his formal expulsion) up to the present day.
From the introduction onwards, when we learn (Vol. I, page 16) that social-democratic (i.e., revolutionary) criticism of Tsardom before the revolution was “nothing more than a safety valve for mass dissatisfaction, a condition of the stability of the social structure,” Trotsky’s monstrous idea of what constitutes a revolutionary Party of the working class is only equalled by his contempt for the one he had to deal with in Russia. This makes his book of great value to those reformist leaders, particularly in the I.L.P., who are now moving heaven and earth to restrain the revolutionary rank and file from joining forces with the Communist Party in this country. No wonder these leaders advertise Trotsky’s books and use his language at every convenient opportunity.
Trotsky’s mantle casts the glamour of revolutionary experience (even that of a renegade who declares that it is not socialism which the U.S.S.R. is building) over I.L.P. attacks on the revolutionary Party of the British working class—for the most part in exactly the same language that Trotsky used for many years about Lenin’s Party.
The amazing description of the rôle of a revolutionary Party in prerevolutionary times, just quoted, is no slip of the pen. Trotsky quotes without a tremor the secret police report on the Bolsheviks just before the war. “The most energetic and audacious element, ready for tireless struggle, for resistance and continual organisation.” But he abstains from giving even elementary flesh and blood to this bare skeleton—from drawing even a summary picture of the actual Bolshevik Party, in its cells, district committees and Central Committee, struggling, resisting and organising. Why? For a very good reason.
During these same years Trotsky was bitterly fighting the Bolshevik policy and working frenziedly for the liquidation of their organisation. This bitter fight went on from 1903 to 1913, in which latter year his attitude was well summed up in his own letter to the Menshevik leader, Chkheidze (April, 1913): “What a senseless incitement seems the rotten discord which is systematically excited by the specialist in such work, Lenin, that professional exploiter of everything backward in the Russian Labour movement . . . Lenin has made Pravda the implement of sectarian intrigue and unprincipled corruption . . . Lenin has to play systematically at hide-and-seek with his readers, talking of unity from below and making a split above, representing conceptions of the class struggle in terms of sect and faction. In short, the whole structure of Leninism to-day is built up on lies and distortions, and contains the poisonous seed of its own decay.” And Trotsky called for the wiping out of all “factional” differences, i.e., the uniting of all groups of the Social-Democrats, opportunist and revolutionary, irrespective of their policy. Trotsky himself described his purpose as “the destruction of the very foundations of Leninism, which is not compatible with the organisation of the workers into a political party, but flourishes magnificently on the dung of factional differences.”
Not only did Trotsky declare himself in this sense, but he worked for it too. And it is not accidental that the chronological table at the end of volume I, which comes from the pen of Trotsky’s “distinguished translator” and disciple, Max Eastman, omits (i) the foundation of the Social Democratic Party in 1898; (ii) the all-important Second Congress of the Party in 1903, at which the Bolsheviks split from the Mensheviks (including Trotsky); (iii) the “August Bloc” of all the Menshevik elements which Trotsky organised to fight the Bolsheviks in August, 1912; (iv) the historic revolutionary manifesto against the war published under Lenin’s direction by the Bolsheviks in September, 1914. For the Trotskyists the long years of relentless struggle for the Party, building it up group by group, hammering out its policy step by step, in incessant battle not only against the police but also against opportunism in all its forms (including Trotsky), don’t count—they are merely “a safety valve for mass dissatisfaction,” at best “sectarian” prehistory.
So when the war came, with its natural disorganisation of the revolutionary movement, at first Trotsky sees only “a dreadful desolation in the underground movement,” in which “only scattered groups, circles and solitary individuals did anything” (p. 60). That “only” is a political autobiography in itself. Trotsky does not suspect—or suspecting, he hides—that it was Lenin’s battle for a revolutionary illegal Parry, mercilessly fighting opportunism on all fronts during those previous years of “the dung of factional differences” which alone made it certain that, however much the Tsar’s police arrested, seized, broke up, of the machinery and the leadership, the class conscious workers always built up a new Party organisation around even a single Leninist, and sometimes even without him. That is why the police report which Trotsky himself quotes, without apparently understanding, speaks of the revolutionary activity of the Leninists leading to strikes and disorders, in all the larger centres “since the beginning of the war.” Nothing else could happen, after 10 years of Bolshevik work.
It is essential to understand this. At the present time so-called “Socialists” are glibly talking of the “crushing” of the working class movement in Germany by the bourgeois White Terror, and blaming its “break up” on the German Bolsheviks, while paying lip service to the splendid fighters against Hitler who have made their appearance all over the country. They hide from the workers—just as Trotsky does in his History—that the fighters have been schooled and inspired by the relentless fight of the German Communists in previous years.
So again when Trotsky comes to the revolution of March, 1917. The rôle of the Bolsheviks, so eloquently attested by the secret reports of the police to their superiors, is reduced by him to the very barest minimum, frequently to vanishing point. He speaks of the great political strikes at Petrograd in October, 1916, with a passing reference to “Bolshevik leaflets distributed”—ignoring the manifesto of the Petrograd Bolshevik Committee and its three days’ discussion at many factories which launched the first strike of 60,000 workers and the similar lead which led to the second strike of double the size. He refers to the 575,000 strikers of January and February, 1917, the 150,000 who struck at Petrograd on January 9th (“Bloody Sunday”) the continuous strikes in February, the 90,000 who struck on February 14 on the day the Duma opened—and completely ignores (apart from a passing reference) the intense Party work which lay behind these strikes, backed by the tremendous prestige of the “Leninists” which even the police recognised. It was expressed in the existence of no less than 15 sub-district committees, with live connections in scores of factories, and numerous illegal leaflets which called the strikes referred to (Fleer: “the Petersburg Committee of the Bolsheviks in the War Years”).
No wonder, after the foregoing, that Trotsky describes the actual mass movements which began the revolution, from February 23 onwards, as an initiative “taken of their own accord by the most oppressed and downtrodden part of the proletariat, the women textile workers” (p. 120). Again and again he underlines this point, declaring that two days later, when the Petrograd Bureau of the Bolshevik Central Committee called for an All Russian General Strike, they were “watching the movement from above . . . they did not lead” (p. 129); and “the masses had almost no leadership from above” (p. 135). He even discovers that the Vyborg subdistrict committee was “opposing strikes,” because it was against action on that particular day, February 23.
What are the facts? The facts are that the Bolshevik Party of course did not “launch” the revolution against absolutism. The first strikes at some factories on February 23 may or may not have been started by members of the Bolshevik Party. But neither these nor the other strikes would have played the part they did but for the immense work of the Bolsheviks in the preparatory period—the 480 strikes at Petrograd with 500,000 participators between July, 1915, and December, 1916: of these, over 250, with 350,000 strikers, political, for the most part led by the Bolsheviks: the minimum figure of 87 leaflets and other publications in not less than 300,000 copies, issued illegally in the factories and barracks of Petrograd by the Bolsheviks during the war period: the contacts with dozens of works and factories already mentioned.
In point of fact, however, in its manifesto shortly after February 14, the Petrograd committee for the first time declared that “the time for open struggle has arrived” and called for fraternisation with the soldiers as well as for strikes. And the immediate response came, not from the women textile workers as Trotsky alleges, but from one of the Bolshevik strongholds—the giant Putilov Works, 30,000 strong, where a stay-in strike on February 18 was countered with a threat of a general lockout on February 20. The workers at mass meetings in the shops on February 21 refused to surrender, the state controlled management closed down the works on February 22, and 80,000 workers of Petrograd poured into the streets the next day in support of the Putilov Works. The next day they were 200,000. This movement of the biggest detachment of the Petrograd proletariat, one to whom that proletariat was accustomed to turn for a lead, “escaped the notice” of Trotsky.
Only much further on in the book (pp. 167-8), he admits grudgingly that “the mystic doctrine of spontaneousness explains nothing.” But even so he goes no further than to refer to the revolutionary experiences of the masses, and to “scattered workers . . . capable of making revolutionary inferences” and “progressive soldiers seized, or at least touched, in the past by revolutionary propaganda.” But what workers; where did they come from; from whom did they learn; what inferences; who “touched” the soldiers? At long last, very cautiously, we learn in one sentence (p. 169) that they were “educated for the most part by the Party of Lenin.” That this is an afterthought is shown by its total lack of connection with anything that went before it. The party of Lenin, up to that point, has been scarcely more, in Trotsky’s representation, than a vague shape in the background which gave little leadership. And no wonder. If Trotsky said more, he would have to reveal that Lenin’s party educated them for years in a life-and-death struggle against the Trotsky-Menshevik alliance!
Of course, Trotsky makes great play with the wavering and confusion in the Bolshevik leadership, during the first month after the March Revolution, singling out Stalin in particular. These waverings have never been concealed by the Bolshevik Party. Lenin’s writings on the subject were republished in his collected works, while Stalin recalled his own mistakes as early as 1924, when Trotsky first resumed his attacks on the Party which had been interrupted or restrained since 1917. It is amusing, however, to see Trotsky attacking Stalin for his shortlived advocacy in March, 1917, of a union of Bolsheviks and internationalist Mensheviks (p. 317) on the ground that thereby he was sweeping aside Lenin’s wartime struggle “against social-patriotism and its pacifist disguise.” For all through the war Trotsky had been specifically attacked by Lenin for his refusal to break with these very Mensheviks, i.e., “social-patriots in pacifist disguise.” Lenin called Trotsky’s group “lackeys of opportunism abroad” (1915) and “waverers even more dangerous than the social patriots” (1917). While Trotsky, on these very grounds, was attacking Lenin’s “policy of group selection and sectarian intolerance” (No. 146 of his paper, Nashe Slovo).
And in the present volume itself. Trotsky gives every kind of psychological explanation of Menshevism except that of bourgeois elements in the ranks of the proletariat (pp. 185-7). He represents their pre-revolutionary rôle as that of putting the bourgeoisie “in touch with the more moderate upper layers of the workers, those with a tendency towards legal activity around the Duma and in the trade unions” (p. 237), a typically vulgarised apportioning of functions between the Bolsheviks and Mensheviks (as though the Bolsheviks also did not “tend” to legal activity in these institutions), which slurs over the fact that the Bolsheviks did so with a revolutionary, and the Mensheviks with an opportunist, purpose. Trotsky actually declares, in black and white (p. 239) that the bloc of the Menshevik leaders of the Petrograd Soviet with the big industrialists of the Provisional Government, after the March Revolution, “meant their break with the proletarian movement.” So that, prior to 1917, the Mensheviks were part of the proletarian movement, according to Trotsky of 1932! And this individual has the assurance to proclaim himself the “defender” of Lenin against his unworthy followers.
But apologies for and whitewashing of the Mensheviks’ anti-revolutionary rôle are a natural and inevitable complement of Trotsky’s systematic concealment and depreciation of the importance of the Bolshevik party organisation. One may note in passing that Trotsky, after flagellating Stalin to his heart’s content, cleverly passes over the fact that the majority decision on the question of unity (adopted before Lenin’s arrival) was that it was possible only with those Mensheviks who held a genuinely anti-“patriotic” standpoint, and that in any case the Bolsheviks would only go into the forthcoming meeting with the Mensheviks unofficially and for information purposes (Proletarskaya Revolutsia, No. 63, p. 155). The lordly Trotsky, as ever, knows only leaders: all the rest and the Party organisation as a whole may pass their resolutions if they please—they remain mere cyphers, “the dung of factional differences.” And even long after Lenin’s arrival, we learn, the party only “finally fell into step” with the workers (p. 368) in October—when, as Trotsky is too modest to recall, he had become one of the Party leaders.
One curious detail of this policy of never representing the Party as something vertebrate, alive, fighting and radiating energy: Trotsky even contrives to suggest that the enormous growth of the Party in membership and influence, from 12,000 in March to 240,000 in September, was something spontaneous. On pp. 430-1 we learn that “the Putilov workers had gone over to the Bolsheviks . . . the growth of the class struggle almost automatically raised the influence of the Bolsheviks . . . the factory and shop committees went over to the Bolsheviks much sooner than the Soviet . . . in the fundamental questions of economic life the Petrograd proletariat . . . had gone over to the Bolsheviks . . . The influence of the Bolsheviks in the metal workers’ union had grown still more swiftly,” etc. If the phrase had occurred once or twice there would have been no special meaning in it, but repeated so persistently, and in the light of all that goes before, its special meaning is unmistakable. Trotsky implies that the Bolsheviks were not a fighting organisation, alive at every point from Lenin to the remotest cell, which battled for its new members and won them from the enemy, but a revolutionary shadow which the enlightened workers at a certain stage (coinciding, so it happens, with the time when Trotsky at last came in) were good enough to clothe in flesh and blood. The history of the Bolshevik Party, in other words, began in 1917. The truth is the very opposite, as every factory in Leningrad could tell: but Trotsky’s objective does not coincide with the truth.
Up to the moment of Trotsky’s entry into the Bolshevik Party in July, 1917, this picture of the Party holds good. At the beginning of July the famous armed demonstration of the Petrograd workers and soldiers, known to history as the “July days,” took place. Then (to quote Lenin), out of the growing fury of the masses at the renewal of the Imperialist war by their “revolutionary” government, “followed the explosion of their anger—an explosion which the Bolsheviks tried to restrain, and to which they naturally had to try and impart the most organised form possible” (Lessons of the Revolution, July, 1917). The measures which the Kerensky Government took against the militant workers, on that occasion, opened a new and decisive chapter in the history of the Revolution.
Trotsky’s one concern in his second volume—devoted almost entirely to the preparation and the aftermath of the July days—is to show once again how the Party was not merely failing to lead the masses, but even distrusted by them. Again and again this theme recurs, like a haunting refrain. “Even broad circles of the Party were beginning to lose patience. . . . ‘Why don’t they get busy up there?’ the soldiers and sailors would ask, having in mind not only the compromise leaders but also the governing bodies of the Bolsheviks (p. 19). . . . ‘We have to play the part of a firehose,’ said a Vyborg Bolshevik (p. 21). . . . The masses did feel that the Party was irresolute (p. 26).... The Bolsheviks were caught up by the movement and dragged into it (p. 29). . . . The workers and soldiers had not yet acquired the conviction that they ought to come out only upon the summons of the Party and under its leadership. The experiences of February and April had taught them rather the opposite (p. 74). . . . From their mighty mass movement the political axis had been torn out (p. 76).” And so on, without end.
The political contradictions involved in this tangle of sham analysis are innumerable. If the “political axis” could be torn out from the mass movement by the betrayal of the opportunist parties—the Mensheviks and Socialist-Revolutionaries—how could they be at the same time rising in revolutionary impatience against the Bolshevik leadership? And particularly, if the Party, they left, was “irresolute.” If the experience of February and April had taught them not to follow the lead of the Party, while in July the Bolsheviks had to be “dragged” into the movement, how was it that the July days were—after a brief period of White Terror—followed by an unexampled growth of confidence in the Bolsheviks? Experience in other lands (the German Communists in 1923, for example), teaches that, if a revolutionary party at critical times lags behind the masses for a few weeks, let alone months, it forfeits their confidence for years to come. But, according to Trotsky, this didn’t happen. On the contrary, he suddenly makes a somersault and announces, in imitation of Lenin (p. 79), that the Bolsheviks were nevertheless right in not making a revolution—the masses were not yet clear and homogeneous enough!
The difference between the Bolshevik Party and the Trotskyist understanding of the masses was never clearer, by the way, than on this point. So far from agreeing with Trotsky’s estimate of the Party’s position at the time, Lenin, on the contrary, wrote that “the Bolshevik organisation alone had moral authority in the eyes of the masses, and induced them to renounce violence. . . . Our party did its revolutionary duty, moving together with the justly indignant masses on July 4” (A Reply, July 26-27, 1917). Again, Trotsky (forgetting his own earlier remarks on the impatience of the masses), writes in the best “blood and iron” style that “the workers and soldiers could not understand (the need for a new revolution). . . . The front and the provinces needed time to make their own inferences from the adventure of the offensive. . . . The Petrograd workers and soldiers had to test the situation with their own experience. . . . The offensive must be given time to exhaust itself” (pp. 87-89)
They had to be taught by hard knocks, says this dispassionate arbiter from the heights of Olympus. Whereas Lenin—while agreeing that the situation in any case was not ripe for an insurrection—points out that the main point is quite a different one: “On July 4, there was still possible a peaceful transference of power to the Soviets, there was still possible a peaceful development of the Russian Revolution. . . . The movement of July 3-4, was the last attempt by means of a demonstration to impel the Soviets to take power” (A Reply). “Precisely before July 4, the slogan of transference of power to the existing Soviets was the only correct one. Then it was possible peacefully, without civil war, for then there were not the systematic acts of violence against the people, introduced after July 4. . . . After July 4, the transference of power to the Soviets became impossible without civil war, since power from July 4-5 passed to the military Bonapartist clique, supported by the Cadets and Black Hundreds.” (They Don’t See the Wood far the Trees, August 19, 1917.)
Trotsky mentions this view of Lenin’s, as he mentions everything, but, in true opportunist fashion, without connecting up events and conclusions. On the contrary, Trotsky makes it quite clear in another connection that he does not agree with this estimate of July 4. Whereas Lenin was most insistent that “the Kerensky ministry is undoubtedly a ministry of the first steps of Bonapartism” (July 29), that “power passed on the 4-5 of July to the military Bonapartist clique” (August 19), and that “power has already been seized and consolidated by them” (September 1), Trotsky revolts against this view—which he carefully represents as Stalin’s (Vol. 2, p. 324)—asserting that in that case there would have been no necessity for the Monarchist General Kornilov to have resorted to insurrection shortly afterwards. That Lenin had already most inconveniently replied in advance to this very point—the Tsar was also in power after the crushing of the Bolshevik—led insurrection of December, 1905, but it took him two general elections before he felt strong enough to re-establish the full dictatorship—is of course of no consequence to Trotsky.
Why is it of consequence to us, however? Partly because it throws light on Trotsky’s differences with Lenin in his estimate of the character of the revolution itself. Lenin said, again and again, that the revolution had actually brought about in real life—and thereby had outgrown—the old Bolshevik slogan of “the revolutionary democratic dictatorship of the proletariat and peasantry” (Works, English edition, Vol. XX., Part i, pp. 120, 125, 133, etc.). Trotsky, on the other hand, asserts that “the régime which issued from the February revolution . . . was a living and exhaustive proof of the fact that such a dictatorship was impossible” (Vol. I, p. 328-9). Lenin said that, owing to lack of organisation and class consciousness among the workers and peasants, which the Mensheviks made worse, the Soviet power was surrendering its authority to the capitalists (Works, Vol. XX, Part i, p. 116). Trotsky, by skilfully sliding from the revolutionary peasantry in particular to the petty-bourgeoisie in general, and from them to the petty-bourgeois parties—Mensheviks and Socialist Revolutionaries—suggests that it was the peasantry (as part of the petty-bourgeoisie) which was “compelled to choose” between the proletariat and the capitalists, i.e., that the Mensheviks and S.R.’s really had no choice but to act as they did.
And, whereas Lenin insisted that the dual power thus created was “strikingly unique . . . unparalleled in history,” because the power of the Provisional Government rested on the support given to the big bourgeoisie by the second government—the Soviet, representing the workers and peasants—Trotsky “simplifies” dual power into “a temporary correlation of powers” through “dread of interference of a third force,” and professes to find numerous parallels in the English Revolution of the XVII. century and the French Revolution of the XVIII (Vol. I, pp. 223-7). Actually, the examples Trotsky quotes are the very opposite of Lenin’s definition: since they show alternative governments fighting for mastery, and not one ruling by grace of the opportunist controllers of the other, as in Russia.
That is quite natural. Trotsky’s whole purpose is to blur the distinction between the Russian Revolution and its predecessors. The distinction that not only were both the proletariat and the peasantry motive forces in the Revolution (Trotsky’s chapter on the peasantry in Vol. 3 is entirely disconnected with all that went before), but that the Soviets which they created were seized upon by the petty bourgeois parties and monstrously utilised as a footstool for continuing capitalist rule. Why should Trotsky blur over this fact? Because it confirmed the Bolshevik conception which Trotsky had fought against for years. The whole course of 1917, and particularly the rôle of the opportunist parties, were a ruthless condemnation of Trotsky’s own political creed and policy right up to 1917—and after it. After all, one cannot fight for half one’s political life for a bloc with the Mensheviks and against the Bolsheviks without committing oneself to an unpleasantly notorious extent.
Incidentally, it is not without significance that Trotsky passes very hastily over the question of how his own organisation—the “Mejrayontsi”—came at last to join the Bolsheviks in July, 1917. Half a page, with a declaration of his own, favouring fusion, quoted from Pravda, is, he thinks, quite enough (Vol. 2, p. 311). Why this coyness? For a simple reason revealed in the Review of the Lenin Institute (No. IV., published in 1925), where Lenin’s notes at the Mejrayontsi conference are reprinted. Trotsky at that Conference opposed immediate unity with the Bolsheviks, which Lenin had suggested; he declared that he could not call himself a Bolshevik, since “the Bolsheviks have debolshevised themselves”: and secured the rejection of Lenin’s proposals. Moreover, as late as the end of June, Trotsky was still paternally reproving (in strangely familiar terms!) the “difficulties in the way of unity due to Bolshevik habits of sectarianism” (Vperiod, No. 5).
Trotsky hides the facts about his own hankering after some bridge between opportunism and revolution—right up to the point when opportunism called in military dictatorship against the masses—for exactly the same reason that he does all in his power to belittle and discredit the revolutionary party, up to the moment he vouchsafed to confer his adherence upon it.
Trotsky’s “History” is much more an apologia of his past—and his present. To many people it may seem strange that one who played a not inconsiderable part in one stage of the revolution—from 1917 to 1923, should descend to counter-revolution. But the history of every revolution knows such cases. And we may safely refer such questioners—as well as those who, to-day also, attack the “exclusiveness” of the Communists, to the remark of Engels that “the movement of the proletariat inevitably passes through various stages of development: at every stage a section of the people stick fast and go no further.” Marx, on the same subject, observed that revolutions have a marvellous facility for throwing out their dross.
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by Andrew Rothstein · (Marxists Internet Archive, 2008.)
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Labour Monthly, Vol. 15, December 1933, No. 12.
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