#there aren't really any long paragraphs

[isekyaaa]

I think the problem a lot of people have with not being able to stick to a story plan is not necessarily due to a lack of in depth planning or whatever. It's due to not knowing what you want to write in the first place. That say that to draw a straight line, you shouldn't look at the tip of your pen while you draw it. You should point your eyes to the destination, then your hand will naturally follow. What I'm saying is not necessarily that you should know your story end. I'm saying you should know why you want to tell your specific story. What is the goal of the story you want to tell? If you're unsure or vague at any point, you don't know you're story well enough to get started.

If youre the kind of person that cannot tell the point of your story without writing it a bit first, then you'll just have to put up with the fact that you'll have to expend more effort in writing your story.

[youryanderedaddy]

tw: female reader, obsessive behavior, captivity, fantasy lore, abuse, murder mention, suggestive (?)

"You seem to be upset."

He's leaning against the window not too far away from you. Not too close as well - just far enough for you to feel at ease.

"Aren't you a mind - reader." You respond under your breath, trying to focus on the book you're currently reading - but the letters are escaping you, and you find yourself re-reading the same paragraph for the third time. He sighs, much like a disappointed father, before stepping towards you. And if you flinch just slightly, he doesn't pretend to notice or care.

"What is wrong, my flower?" The man gestures theatrically, soft velvet voice unbecoming of the monster he is flowing easily into the open air. You don't know what to say, really. It's been two years - or so you think, there is no way to keep track of time in this kingdom, not that time goes the same way in the elfen world as it does in the human, yet the part of you still capable of logical thought seems to think so. Two years, and there is very little you haven't already said. Very little left to be said, so your conversations are mostly rehearsed repetitions of what you already know. What you already fear - that you're going to die here. Or even worse. That you've become incapable of aging, so very consumed by this foreign land you detest that you've given up death for a life of boring, purposeless immortality.

"Don't I shower you with lavish gifts?" The noble moves closer, stalking towards you - observing you as if you're a butterfly pinned to a wooden frame under a microscope. "Don't I buy you the shiniest jewels? Not even the queen herself owns such sparkling emeralds." He scoffs, painfully used to your lack of response. You clear your throat, turning a new page - having little to recall about the last. It's completely meaningless just like all the other pages in all the other books you read. How funny, you think. In that distant, dreamy past of yours you were too busy to read - busy with work, busy with family, busy with friends. Busy with life. Now nothing gets in the way of your reading, you have all the time in the world - but there's no one to share the knowledge with. No one to spoil the ending. No time limits. No goal to it all, no final destination. So you read, and you soak the pages with salty tears not remembering a word.

"I am grateful for all the treasures you give me, my Lord." You answer nonchalantly, keeping your pointer at the end of the paper in a desperate attempt to find the sentence exactly where you left it off. You can feel him move closer to you - and the only indication of your growing fear are the shivers that travel down your spine with the beat of your violently full, thumping heart.

"Don't I provide you with all the entertainment your little human heart could possibly bear?" The duke clicks his long sharp nails together once against the other - an ugly metallic sound echoes deep into the ceiling reminiscent of a dying forest clow. "There has never been a lack of wine or music or dance in my court. I've gifted you more golden dresses than you can wear in this life. I've written you more poems than you can read." He keeps going, describing every little thing he's done for you, despite the fact that you've never asked for any of it.

"I admire your taste for indulgence, my Lord." You repeat almost automatically, the praises sitting on your tongue just waiting to be spilt from parted honey lips. Your eyes are glued to the book, but you've given up on reading long ago. Now you're simply trying not to cry - focusing your eyes at one word at a time and blinking repeatedly, manically, feeling as if the world with end the moment you let him see your weakness. You can't believe you still have so much pain in you - enough to feel loss and anger and, what's even worse, hope. Hope that one day you'll be free again.

"And tell me, flower—" His fist wraps around your low ponytail, forcing you to look up at him and meet his eyes for the first time tonight. What's staring back at you might as well be the bottom of the ocean itself, misty and dark, cold and unknown. Human eyes convey so much affection - so much care that you can never mistake it for anything else. With elves it's different - you can spend centuries looking for a hint of kindness, and you'll only get lost in those beatiful bottomless pits. Shiny and sparkling and completely empty. "Don't I give you love? Don't I embrace you tightly every night?" His voice lowers dangerously, barely above a whisper.

"I don't understand what more you could possibly want. Should I prove myself to you? Should I slay a dragon for you? Perhaps I could tie the heads of your enemies with a pretty bow and give them to you as a wedding gift, hmm?" He's babbling incoherently, nails digging into your scalp with unyealding grip. "Would that finally, finally make you happy, beloved?"

"No, no, please let go." You cry out in agony, wriggling out of his hold - but he's too strong, too massive to move. "I'm happy, I'm—" You sob pitifully, weakly pushing at his chest. "I'm happy with you. Please, you make me so happy, just please let go. And please don't hurt anyone."

He slowly pulls away, chest heaving in and out wildly. The scariest part is always his face. It remains unbothered - cold and defined like a statue of a god, his true feelings hidden by a mask of barely contained rage.

"You're happy with me?" He raises an eyebrow, foot stomping on the ground impatiently. You nod hesitantly, too shaken up to comprehend what you're even agreeing to. "Then prove it. Show me just how happy I make you." He grabs your wrist, pulling you face-first into his hard chest. "Do it, and I might reconsider my other more... inhumane methods of courtship." His lips twist into a cruel smirk. "And may the Gods help you."

As you sink to your knees you try to think of what book to read next - but no title comes to mind.

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[ladykailitha]

So I saw this on Facebook and thought it would make a great Steddie fic.

Now the jewelry screams Eddie, but I think that this is bouncer Eddie and drunk Stevie, having been broken up with for the hundredth time and just wanting to get blackout drunk.

Modern AU. Robin is off visiting family when this happens and strictly forbade him from going out. But Steve is out of ice cream and fucks to give so he goes out.

He gets steadily more wasted as the night goes on. He's not even flirting with the hot bartender Chrissy. Which she thinks should feel insulted by, but just really feels sorry for him.

He's a weepy drunk and it's not long afterwards that she cuts him off before he scares off her tips.

She calls over one of their bouncers to get this guy out from under her bar.

Eddie lopes over and picks him up.

They try to get ahold of some of his other friends but they aren't answering, which considering it's well after midnight, Eddie really doesn't blame them for.

But he has a hot mess on his hands and no place to stash him. So he talks to his boss who lets him off early to take care of Steve. Who is definitely NOT sober enough to tell him his address and because he's been kicked out by his girlfriend his wallet really doesn't help (he had been staying at Robin's).

So Eddie takes him home and of course about half way up the stairs to his apartment, Steve empties his stomach EVERYWHERE. All over Eddie's boots, the stairs, but most importantly all over himself.

He manages to make it to his apartment and carefully strips him down to his underwear and socks, removing everything including some small jewelry. He throws the clothes in the washer and then sets about cleaning up any vomit that might still be on the guy and tucks him into bed.

Then he goes about cleaning the vomit up from the hall, he cleans his boots and sets them to dry on the balcony.

Then Eddie starts preparing for the this poor guy's inevitable hangover. Painkillers and water on the nightstand, phone plugged in with a spare charger he had. Wallet and keys next the jewelry in the drawer.

He puts some warm clothes in the top drawer of the dresser, towels on the toilet seat, and making sure there is coffee ready to be brewed for the guy when he wakes up.

Then he goes to sleep himself and wakes up to find the guy still out cold and he has to go to his day job. He feeds Dio his breakfast and takes him out to do his business, but when he comes back and still the guy hasn't woken up. So he types up the note and sets it on the nightstand over top of the guy's phone and heads out.

Two hours later, Steve wakes up to find the worst hangover he's ever had and that includes to the time Robin and Steve decided to do a drinking tour of the world and didn't know you were supposed to spit out after tasting.

He also almost naked and is really freaking out, hoping he didn't have some one night stand because Robin would murder him a second time, after killing him for going out when she told him not to.

Then he sees the note and his heart melts a little at being taken care of then immediately kicks up to 100mph when he realizes who his rescuer is.

The hot bouncer he flirted with the get in the club in the first place.

Shit, shit, shit.

He really needs to leave and needs all of his stuff before he can do that so he reads the note again and re-reads the last paragraph again and again.

Shower, Netflix and doggo? Hmm...

He doesn't work today, that's why he went out drinking in the first place. He could call an Uber to meet him at the main street in the note...

Or...

He could spend the day in comfort and security for once in his life.

He takes the second option and has a lovely time with Dio and messaging Robin.

She's still going to murder him but she's glad he's safe.

Then the owner of said apartment shows up and Steve is really glad he stayed.

They order in and get to know each other a bit more and when he finally gets back to his car and home, he's got a name and a number with the possibility of a date.

Robin absolutely hates his luck. Even more so when she meets Eddie because he's perfect for Steve.

It becomes her funny story at their wedding two years later.

[apas-95]

What criticisms do you have of direct democracy? Assuming it’s communist, as well as having laws about what can and can’t be voted on such as “no killing/disenfranchising the (blank) people” and “no voting for capitalism” (the actual laws would be longer but I don’t want to write a long paragraph about how you’re not allowed to vote for fascism in a fake direct democratic society)

While it's fine in the abstract, in practice it's exceedingly slow and inefficient - being a political representative in a council is a full-time job, and if every single decision made is subject to the popular vote, then both 1) polling itself takes considerably longer; and 2) the necessary amount of education and discussion needed to be carried out prior to a proper vote is much larger: rather than simply summarising the issue and presenting key facts to council members, a massive public education campaign now has to be carried out every time a new, say, regulatory standard for storm drains, is decided upon.

Which leads us into the other main criticism - in practice, people don't *want* to have to deliberate and vote on canal works every day. Either voting is mandatory, in which caee annoyed, disinterested voters are just randomly choosing without much thought; or voting is optional, and the vast majority of people aren't actually being represented in any given issue, because it's solely decided by whichever segment are motivated enough to get a campaign going. Here, delegating the business of understanding and making decisions on random organisational matters *does* genuinely lead to a more representative and democratic outcome.

Fundamentally, what we're talking about is division of labour - a factory is more efficient when each worker doesn't have to make a complete product by themselves. Bureaucratic and administrative work *is* still work, regardless of its political character. Again to bring up division of labour, in industrial society the operation of a single factory relies upon the co-operation of electrical substations next-door, power plants the next town over, logistics offices in the provincial capital, resources developed and extracted on the other side of the country, and the entire nation's collaboration on a unified economic plan; it is something that can only really be directed by a central authority that can collect and collate massive amounts of data to produce new courses of action - to try to operate such a body based entirely on direct democracy is, beyond any other considerations, both impractical and undesirable.

This is not to say there doesn't exist great political drive and passion among the masses, nor that they have no interest in the political process and their representation - but not everyone actually applies to be a council delegate during elections, because most people are fine with the council work itself being handled by a trusted representative.

In practice, the way communists have managed these matters is democratic centralis' - here are a few graphics explaining how representative democracy is carried out on the local level in China, as an example:

[khuzena]

Waiting room

Pairing: Dr ratio, Aventurine, Sunday x g/n!reader

Summary: You can love, get on your knees and wait on a miracle. There are things that are for you and aren't for you, you should know. It's for the better.

Cw. Heavy angst, no comfort, 1% fluff, manipulative men, toxic relationships, insecurities, death?, unrequited love, breakups, them neglecting you cos…, no closure, what is love?

A/n: hi, time to make you cry. I'm getting writer's block as I'm making a new novel!! It has the ‘your guardian angel’ fics plot but w my characters. 🥳

Dr ratio

He's a simple man, really.

Drown yourself in endless textbooks, advanced literature and neglect every other thing.

Like his thirst for knowledge; love is endless, affection is abundant.

Is what you initially thought.

It has been the 4th time this week that he turned down your requests, “Dear, you know I have no time for that.”

He does not try to sugarcoat his words, he does not try to make his tone less harsh, “I don't have time for dates, such a waste of time.'' He says it like it is, he says it like it's true.

Your eyebrows creased, annoyed at his flippant attitude, “What do you mean waste of time?”

Veritas takes one glance at you, then back to his nonsense book. To him, it was useless wasting his breath on arguing with you.

“Veritas, you said we'll go, you promised.”

He is cruel, his words flinty. “I do not recall making any atrocious promises to you, are you perhaps going insane?”

Insane?

“Insane? Last week, you promised me.”

“I did not.”

“Yes you did.”

He scoffs, as if offended, “If I did, then I was not thinking straight. I have a thesis due tomorrow. A date can wait.”

Veritas is a man with priorities and out of all of them, it seems, you were not one of them. He'd rather his books kept him company, not you. It's obvious, his pursuit of knowledge was greater than loving you.

He lit his lamp, taking his pen and highlighting some paragraphs, what was so important with them? You could not help but come closer, skimming through the contents, it was just some theory some genius society member wrote.

“You're miserable,” it might've accidentally slipped out, but it was true; he is, in fact, the most miserable of all men.

Veritas rolled his eyes, pushing his reading glasses and annotating whatever statement was written. The candle light flickered when his heavy breaths fanned over it, not paying mind to whatever you say.

Your patience was thinning, how long was he planning to play this damned game?

“Veritas.”

You call out once.

“Veritas!”

Again, in anger.

“Veritas”

The last time, desperately.

He does not respond, he does not care. Yet your voice was ringing in his ears in an unpleasant way, “Is this about the date?”

You were taken aback by his curt reply, it wasn't just about the date. “Is that all? Do you think that's the only reason?”

“Hypothetically speaking, yes.”

“Cut the bullshit, veritas.”

Veritas glares at you, as if making a statement; a bullshit one at that. He does not have time for mindless topics, he's overworked, he's tired, he's unsatisfied.

For a moment, you have the urge to yell at him. This shallow bastard has done nothing but fool you with aureate words, he writes poetry about you and shows you off.

He loves you because you are all he has. He may be an asshole but he loves you the way he knows how to love you.

Tonight, however, you are done with his bullshit. You do not argue further, he is confused. When you leave this room with no more qualms, when you do not scream at him, he is bewildered.

“Where are you going?” It's strange that he noticed you for the first time. Only when you get dressed up and when he hears the keys jingle, does he notice every single detail.

You adjusted the cuffs of your blouser, “I'm staying at a friend's”

“Which one?”

“None of your business.”

Stunned, he drops his pen. Why are you acting so off? You're driving him insane.

“What do you mean none of my business? Stop acting so childish.”

That was your last straw, childish? Childish? The fucking audacity.

“You are more childish.”

“How so?”

“You— do I even have to explain it?”

Nothing could quell your frustration other than being away from him for the meantime, “Yes,” he loves you, he wants to know. But even if he does, he never learns; so much for a genius.

“You neglect me, you prioritise this,” it was tempting to crumple his papers, “—over me.” So you did.

He is indifferent. He does not understand how and why it hurts you. So he tries to understand it from a logical standpoint, “So you want to really go on that date?”

“I'm tired of asking”

Tired of begging him to treat you right, to love you like you want him to love you.

He stays quiet.

“I'm tired of begging for something so small.”

“You didn't have to destroy my goddamn book,” he seethed and pulled the book from your hands, too absorbed in the damage of the book he does not notice how much he has damaged you. Veritas is too blind to see you holding back tears despite wearing his glasses.

The force surprised you, “Is that thing much more important?”

“What?”

“Answer me Veritas Ratio.”

It was merely just a book, but it was precious. It was a rare one, it annoyed him to immeasurable depths when you crumpled it so recklessly.

He does not answer.

“I'm leaving,” he's not sure if leaving meant temporarily, he hopes it is. He hopes you come back again tomorrow night.

So he waits. Tomorrow came, but you did not come home.

Aventurine

He loves you, he really does.

His idea of love is adorning you with jewels, showering you with riches.

Too much that you suffocate, it hurts. You can't breathe, soulless eyes stare into yours.

It's when you realise, he's trapping you. Does he think you're stupid? What does he take you for?

“Darling! I got you a gift!”

The 22nd one this week… Aventurine makes haste and runs behind you, wearing the necklace on you, it looks… okay.

You look like a doll, his doll.

But you are not a doll, you are human.

And like all humans, we all wish to be loved and cherished as an equal.

“Do you like it?” It would be rude to say no, but it does not fit you. Sure it accentuates your neck, but it's too much.

“I…” you traced your finger over the gem, “I do.”

“Great! I'll get you another tomorrow!” It is tiring. As much as planets worth of gold and extravagant jewels excite you, you would rather be in his presence.

You do not recall the last day he's ever taken you out on a proper date, you do not recall any time where he's been open to you about his past because you know damn well his name could never just be ‘Aventurine’.

You were sitting on the couch, sipping tea with your eyes glued to your book. Before you knew it, soft lips grazed on your cheek.

“You're back earlier than expected,” he smiles as he pressed another kiss onto you, “I ditched the meeting, for you.”

Oh how you hate it when he does things in your name just to make you indebted to him. Aventurine loves you, but love is transactional.

“Is that so?” He nods, wrapping his arms around you. “I'll buy you something again, we have another business trip in Penacony.”

It makes you wonder, does he think gifts are the only thing that'll make you stay?

He could see the reluctance in your eyes, “Is something on your mind?”

You bit your lip, “What do you mean?”

“You know what I mean.”

A deafening silence fills the room before he chuckles, he is everything but stupid. He knows, he knows you want to spend time with him, he knows you’d incinerate those gifts in a heartbeat just to trade even an hour spending time with him.

“Dear, I promise, next time,” he pressed light kisses on your exposed shoulder, but it isn’t enough: what truly is enough?

You want to push him away, with how ruthless he is with making empty promises so easily, “You said ‘next time’ last time.”

”I promise, I do.” Even he sounds unsure. You pick up on the hint of hesitation laced in his promises, he regrets it, but he thinks; he’s doing it for you, for the both of you.

“You said that too last month,” you scoff.

He tried to intertwine your fingers together yet to no avail, you rejected him, “Why are you acting up again?”

There’s only so many gifts can buy but he can never purchase the time lost that could’ve been spent in lazy mornings together yet he traded it all for credits. The second attempt, he forces a smile and even pulls a tiny ring for you, that gem you loved so much engraved in the centre. Words cannot express how much you despise these gifts because it was just a pathetic compensation for the neglect.

”Please, next month.” He took your hand in his and put the ring on your ring finger. “Okay?”

You cling to that possibility, to that sliver of hope when he is done with Penacony, he is relieved of his duties and he is finally free. That he no longer has to overcompensate for his absence and shower you with the time he’s lost.

You know next month won’t come, yet you are no different from a fool.

”Okay”

You wait upon endless tomorrows, two months have passed and none of his coworkers have any good news about his well-being. They’re sure he’s dead, but you still wait for that tomorrow where he is home to come.

Sunday

Love, what truly is love?

Is it when you praise your lover with endless ‘I love you’s?

Is it when you hold their hand and protect them for the impending doom to come?

or rather, is love just a fallacy built on a string of lies?

Sunday believes that he knows what’s best for you.

Before Sunday, you were allowed to make your own decisions.

Before Sunday, you actually had freedom.

The halovian swears he knows what’s best for you.

He makes sure everything you want or need, you get.

Sunday will kiss your tears away, even if he is the sole reason for them. ”It’s for your own good.” he says.

To strip you of freedom, to shackle you to him like a bird in a cage. His sweet kisses, his love, his everything; they’re all fucking poison. He does not hesitate to drown you in his poison if it means protecting you.

You cry out, “Sunday.” In desperate pleas.

But he will not listen, he’ll pretend he doesn’t hear anything.

He believes that if he gives you the taste of freedom, you’ll find a way to fly away from his grasp– he will not allow it. So he does what he’s best at, keeping you stuck to him.

”What do you want, dear?” He smiles at you like he’s never sinned.

You throw away the pathetic gifts he adorned you with, gold, diamonds and stones you could not name but they are not what you want, “I want to see my friends.”

”They’re no good, trust me.” Your friends once told you that you should go, that he’s toxic, but you were a fool to drown in him.

“What do you know about my friends?” He’s done everything to kill that flame inside of you, that hope that maybe one day you’d escape him and be free once again, you’re a fool, he thinks.

He clicks his tongue as he puts down his newspaper at the coffee table, ”They tried to take you away from me.”

”They did not, you know I would never leave you.” A blatant lie but it's stupid that you take him for a fool that’ll believe your words.

He only chuckles, your attempts to get away from him are futile, it’s pathetic it makes him laugh. “I admire your confidence, but you’re staying here tonight.”

Death has never been more alluring under his influence, but you can not die.

“Please,” you beg again, but he only presses his finger to your lips, “Shh…”

”One day you’ll thank me for taking such good care of you.” He gets down on his knees to kiss the back of your hand, “You’re safe here.”

He gets up to sit right next to you, he doesn’t flinch when you slap his face away when he tries to kiss you. The man only grabs your wrist when you try to push him away again. He kisses you with passion, in love but is it truly love when there is no trust?

There’s no use questioning his intentions, “This is for your own good.”

What good is there when there is no freedom? He thinks beautiful birds should be protected. Even if it meant being trapped in a cage, stripped of any sense of freedom, as long as you're safe, as long as you're here with him, he is content. "Dont give me that look."

Your eyes train on the way he rolls his eyes at your defiance, "Just let me go."

Sunday glares at you, his grip on your wrist tight, you're sure he's about to tear it off. "No."

When will you stop acting like a child?

The halovian is too far down the rabbit hole of self righteousness and his obsession with you that he if he needs to tear you limb by limb to keep you close to him, to keep you from rubbing away, he will do it.

His phone rings, it must be business calls again, Penacony sure is in a state of chaos when it's crumbling down. He lets go off you to take his phone.

"Yes yes... Sunday speaking."

You dont understand what they're murmuring about. All you could register is it's something about his sister.

His facial expression turned grim the more time he spent on the phone. The phone call ends and he puts it down, the life from his face drained but when he sees you, he is relieved.

You are still here with him.

He intertwined your hands together, you can feel anger and despair that he's exuding as he stares at you like a deer in the headlights. "Please, promise me."

"You'll never leave me too."

It doesn't sound like a question, it sounds like a statement.

You'll truly never know what freedom is, for that is only a privilege that you can never have. In his arms you cannot cry, because he'll drown you in his lies again and again.

On the bright side, you are never alone. You will always have Sunday, whether you like it or not.

Note: bye i got extreme writer's block at Sunday's part I had to take almost a 2 week break bc i rlly have no idea what to write for him oh my god. I absolutely did not give them justice 😥

Written by @khuzena. Likes, reblogs and comments are always appreciated. ♡ 

[yurislilygarden]

ʚїɞ Self Aware! Hazbin Hotel

ʚїɞ Their reaction after becoming self aware and first thoughts about reader! part 1

ʚїɞ Alastor and Lucifer Morningstar

ʚїɞ Keep in mind English is not my first language, so you may find mistakes!

ʚїɞ Word count: just about 1.7k

ʚїɞ I planned for all hotel characters first but then I realized how much I'm thinking on each paragraph and its details that I decided to just do 2-3 charas per part😭

Very few characters would notice something wrong on the first watch of the show, but wouldn't realize, nor become self-aware until the 2nd or further watch. 

While everyone's reaction would be different with different amounts of stages before total acceptance of the situation, they all would share the first emotion, simple disbelief. They would first need to even process the fact that they're not real, that they were created solely for the purpose of entertaining… something? Someone? In a completely different Universe. That everything that they thought had happened to them before they died didn't actually happen, they were never alive in the first place. Only after that did the emotions and reactions differ. The very first emotion or actual personal reaction would be:

ALASTOR

Irritation with a hint of madness.

His first thoughts about the situation would be how ironic it is that he seeks entertainment for himself while his own person, no, character, was a source of entertainment for whatever was watching them from time to time. It was quite ironic how he said that his face was made for radio when the truth couldn't be further from that. He was literally created solely to be watched on that funny colored box by… whatever was watching him and the others.

He was irritated at not noticing that something was wrong immediately, now he thinks about how blind he was, how obvious everything was. The city is actually quiet, too quiet when the noise and demons aren't needed, when they're not meant to be heard. Nothing actually happened that one time when he was out for a fix of his coat, it just got magically fixed, he went and came back when someone else decided he was to do so. They didn’t have much actual free will when he thought about it and that's what he was mad about. He thought that his deal was a massive problem to him, oh how wrong he was because the problem was you.

He doesn't know how he or the others didn't notice the small, glowing butterfly flying above their heads from time to time. They couldn't be that blind, could they? The little crystal thing (could he break it?) must have done something to be unnoticed for so long. He wondered how long they were watched for, the little thing above their heads seemed to be speaking sometimes, seemingly knowing what would happen… at least he thought so, the words would cut out so often that he was left with a pure guess at one point.

He didn't want to accept that he wasn't real, that he was just a 2D character with the sole purpose of entertaining someone. He was meant to be the one entertained, not you. But he couldn't actually do anything, could he? For sure not until more of the people he knew were aware. 

That's also something that he noticed. When it came to the hotel staff and guests, he seemed to be the only one who realized the situation at first. It took a few times of some events repeating before he noticed that someone else from the hotel was noticing the little crystal butterfly above their heads as well. 

Alastor seemed to be the first, or one of the very first people who noticed that something was wrong. He wasn't sure if someone realized before him, and if they did then who, but he was somewhat glad that he could finally discuss the topic at least a little once the other hotel patrons found out about the truth. He isn't one to really open up in any way, but this was a matter where he had to communicate with the others.

You. He didn’t know what to think of you at first. He did see you in a more negative light at first, under many emotions hitting him at once which he hated but after he calmed down, he started thinking. At first, he was sure you were some sick person seeking entertainment from the suffering of others, and yeah he was doing pretty much the same, but were you really alike when he wasn’t even real and you were? He was pretty sure that he’s never gonna get used to saying that.

Over time, when he stopped overthinking (he’s gonna deny that he was doing that till the day of his 2nd death), he noticed a few changes. The less negative his posture and thoughts were about you, even if neutral, the more he was able to find out. Alastor was able to pick up more than a few words whenever you talked, he was able to hear you talking clearly enough to recognize a possible gender, and something he wasn’t sure that he wanted to think about, it was way easier to pick up your emotions in your words.

I feel like he would be more lenient towards you if it turned out you were a female (or identified as one), but that would be the mama’s boy inside of him talking. There wouldn’t be too many differences of course, but those who spent enough time around him would be able to tell there's a difference after finding out your gender if it turned out you weren’t a man (again, not too much but it IS noticeable).

He would go from lowkey hating you at first to being mostly neutral with a hint of positive light as you seemed to do nothing but watch, up until later on when everyone is self-aware as well and would talk about the whole thing. Only then would the feelings towards you, the little watcher, as he first called you, turn more positive.

LUCIFER

Massive inner conflict and a complete mix of emotions

He didn’t know what to think. It was hard to comprehend that he didn’t actually live for as long as he thought, that all the things that supposedly happened, in fact never were even close to happening, they were just… a scripted past. 

Was all his suffering for nothing? Was it there just to entertain someone? Did those things who watched them enjoy seeing them sad and hurt? He was simply lost on what to think about the whole situation, it wasn't something that he could prepare himself for in any way beforehand. 

He was disappointed in himself for not noticing immediately or at least faster that something was not right. He's the literal King of hell! Even if… only in a show apparently… but he still is. No one better say anything about that because he's already on the brink of a yet another breakdown. He cannot take much more.

Should he try doing something about this? Or should he stay quiet and go with the script as he's supposed to? He wasn’t sure about the answer himself and had no one to answer his questions. The thought that what he thought were eons of life was actually a lie was… a little terrifying. Who knows just how much can someone force them to do without caring for their opinions because they don’t know that he and the others are aware of everything now, how much can you cause without their consent? He wasn’t sure if you or anyone else knew about them being self-aware or not.

He would actually try to ignore the little butterfly whenever he would see it, but at the same time, many questions were swirling in his mind.

Why were you around? Did you like to see them suffering? Did you have any control over what you saw? Did you have some sort of control over them? Did you have plans regarding them? Did you-

Yeah, again, he has a lot of questions and absolutely zero answers.

His personal feelings about you were all around at first. Not sure whether he should hate, dislike, or be generally negative about you, be more neutral, or be on the more positive side, especially since you didn't seem to do anything but watch them. Like it's all that you could do when it comes to them, but he couldn't be 100% sure.

Similarly to Alastor, he would be one of the characters who noticed something wrong on the first watch of the show before becoming self-aware quite soon after that. I don't think he, nor Alastor, would notice the other knows too fast, since both try to act like nothing's wrong around others. He did not want to be just a 2D character, something to be watched on a screen. It was… humiliating, in his eyes. He could tell that Charlie and the others weren't aware of anything at first so he didn't speak about it until later on when he was sure that they came to their senses, as he would like to say.

He wondered how long were you actually there before he, or anyone else, started to see or notice you, especially since he could literally hear you. Both as the small insect and the occasional words he was able to pick up. And that's if he was to forget the butterfly was literally, softly fucking glowing. Yeah, they're all blind.

I think that if you’re on the younger side, (which technically is any age a human can be alive at compared to him lmao) he would be a little softer, especially if you're similar to his daughter in character. It would come from the paternal side of his, you would probably remind him of Charlie so much :(

He would be more on the negative side at first, as much as he wishes he didn't straight up assume how you were as a person, it took some time but he went into the more neutral zone before being positive about you after being able to hear more of you talking, as he was able to at least have more idea about your character and wasn't completely clueless like at the start.

Your nickname also got changed to something else, something cuter over time, as Alastor’s name for you, little watcher, was deemed not good enough by everyone (Lucifer's words)

Notes, comments, and reblogs are greatly appreciated

[chaeyoei]

Hello :3 ,I had an idea while staying up late (it's 3am) and I was remembering school and so on, so I'm curious if you could write about HSR characters in school (as usual I want Blade and Aventurine;) and other characters if they're male or female (Kafka pls..) And how they act with the reader

All in all, have a good day/night (Any time.)

👀 we'll settle some things down then. Gender Neutral. These are personal opinions and my creative juices aren't flowing well.

Blade

Blade borderlines between Class delinquent and Bunker.

Blade was an A grade student but something happened and he lost all motivation and became who is he now.

You can expect school bully traits from him. He and his group are always in detention. It's become a daily basis.

His interaction with you would really just be him not acknowledging you or if you're close to him, he'll share his lunch with you.

Sliver Wolf

Sliver Wolf is the Kid who's going to be developing obbies in Roblox and just be a champion in digital games.

She's going to bunk classes and just grafiti the school wall.

If you ever see the username ChampionSliverWolf_0 in your game, just know that you're losing your one game streak.

She'd call you loser if you're really bad at games (me), and if you make for a good opponents, just expect from her to come up to you and go "Game night at 5 pal" And then leave.

Kafka

Makima Charm with Monkia's manipulation.

You know this woman is going to make you question your sexuality. She just has that charm. The one girl who's locker would be filled with love letters and roses.

If you ask anyone what they think she'd be in the future, 99 out of 100, you're going to hear model.

I think that her and Blade would be friends which nobody expected to happen but she would give her notes to Blade and in return Blade would protect her from the creeps. (No ship.)

Kafka would either be that one girl you can ask on how to charm your crush and she'll give you tips for some credits ofc.

Firefly

That one silent and shy girl that can kick ass and give you nasty looks if you bully her or her friends.

She's a goodey two shoes but she'd break rules for her friends.

I'd like to think she has a condition that limits her to have a few friends.

But I think she and Silver Wolf would get along pretty well. Silver Wolf would host a slumber party and invite Firefly, they play Mario kart and monopoly, munch on Cheetos and fall asleep.

Firefly, if you're a good friend would remain lighthearted and shy infront of you but boy if anyone ever bullies you, she's going to kick some ass.

Aventurine

That one kid who already has a business running. Need a pen? That'd be 10 credits, a new notebook? 25 credits. Gum? 5 credits.

He's really popular too. Heck he's somehow friends with the topper Ratio.

i think he'd be a shameless flirt. He'd have those right lines and rizz you up like it's nobody's business.

Herta

The Academic weapon. Doesn't even attend the class, shows up in the finals and scores the best with full marks and nobody knows who she even is.

honestly, nothing. She's not even attending. You either don't know her or do.

Robin

The popular girl who'd help you do your make up and is just nice. There's a chance that my Seele can crit more than the chance of anyone disliking her on planet Earth.

The most active and the lead of the choir.

She'd help you in everything, whether it'd be studies or getting you into a group.

Drabble and no long paragraph because my creative spirits have betrayed me like Dan Heng IL not coming home after I spent everything on him.

[strwbmei]

i can't get kafka off the brain, she's so attractive 😭 she'd be such a huge brat, testing your patience all the time with that smug grin. she deserves to get tied up, gagged, spanked, humiliated and fucked until she's crying and promising to be good 💞 she's 100% a masochist

-🌧️

I am so sorry. This was only supposed to be a short, 2-4 paragraph thirst, but then it turned into pure filth 😭😭😭 Also a bit extreme compared to other things I've written, so it might not be to most people's tastes

nsfw utc (fem reader with strap on, bondage, dom/sub dynamics, use of toys, spanking, dacriphilia, not proofread)

She'd probably rile you up on purpose just for that. There's nothing she wants more than to just lay there and get fucked senselessly until she inevitably ruins the sheets, and she knows you're perfectly willing to accommodate her. Still, getting what she wants so easily would be so boring, wouldn't it? It's not fun if you aren't seething with a kind of irritation only Kafka could make you feel and if she still has some form of control of her body.

It'd start with you tying Kafka up, a bullet vibrator pressed onto her clit. The way her moans sound through the gag is delightful; they show how much of a whore she is for you. You watch her with disinterest and indifference in her eyes, fully clothed as opposed to how the only things Kafka is wearing are a ball gag and fancy ropes of silk the color of your eyes (something she insisted on) digging into her curves and currently unblemished skin.

It's humiliating, really, being forced to feel all vulnerable and owned—but both of you know just how much she loves that. Maybe if you're in a good mood, you'll even let her cum once or twice tonight. Kafka doubts that, though, especially with how bratty she's been acting. Your patience has its limits, and Kafka wants nothing more than to push you over the very brink of it. She starts begging, vulgar and wanton; almost mocking in its tone.

Kafka thinks you've finally given in when you remove the vibrator from her puffy clit. She prides herself in her beauty, after all. No one would be able to resist her "charms" for long... right? Wrong. Instead, you push her down, knees bent so her face is pressed into the mattress while her hips are up in the air. When you start spanking her ass, she begs for the bullet vibrator again. Her abused cunt just feels so empty, fluttering around nothing as your hand leaves yet another mark on her ass. She's already so overstimulated, and you've barely even started.

The woman endures, locks of hair the color of her most favored wine cascading along her back as each moan becomes more strained than the last. Anticipation fills her lust-addled head as she feels the tip of your length rubbing against her folds. You relish in the way her back arches as you finally insert the strap-on inside her neglected cunt, not to mention the drawn-out moan she lets out. God, you're sure her facial expression right now is downright sinful—you can tell by how she's clawing at the bedsheets and eagerly moving her hips to chase yours.

But you don't move.

Why would you? Did Kafka think you'd be nice to her after all that she's done? Her whines are barely audible through the ball gag, but you hear her mention something about "how mean you always are to her." Funny. You've been patient with all of her bullshit for as long as you've remembered, yet now you're the mean one. You were planning to be a bit lenient since you felt bad for her, but she can wave goodbye to any chance of being able to use either her voice or her legs for the next few days.

"Move," you command her. "Don't you think it's time you stopped relying on me to get you off?" Kafka whimpers at your words, looking back at you with glossy eyes. You can't help but snicker in response. It's rare to see her so desperate and needy to be filled. Maybe you should do this more often? She never really learns her lesson, after all. Realizing you weren't gonna budge on your decision, she rocks her hips as much as she can with her limited range of movement. She can feel each vein and bump of the fake toy rubbing against her walls, but it just isn't enough.

It's not rough enough. Not fast enough. Not deep enough. Nowhere close to being enough, but Kafka submits to the humiliation nonetheless. She can't bring herself to care anymore, too focused on making sure to savor each and every bit of pleasure she's feeling. You look at how fervently she's fucking herself on the fake cock, and think of how you've each turned the other into fully fledged perverts. Kafka wasn't this much of a masochist before she ended up in your bed. Or was it hers? You don't remember.

She never understood the people who liked getting hurt. Kafka used to find the marks that ropes left on her skin itchy and unbearable, but now she loves reliving the memories of lust and passion whenever she sees them. She wears them with pride. You, on the other hand—have never felt like more of a degenerate. You catch yourself wanting to break her; to ruin her for anybody else. You desire to know her body in a way completely exclusive to you. You want to own her; mind, body, and soul.

The past few minutes are a blur. Without realizing, you've been fucking Kafka senseless as she sobs from the overstimulation. The smell of sex fills the air as does the sound of your hips colliding with the fat of her ass. You thrust as quickly as you can, much to the other woman's pleasure, but the tightness of her pussy makes it more difficult than it usually is. You've been holding her over the brink for a while now—you're not sure how long exactly, but enough for her legs to be shaking and for her knees to give out. If not for your hands settling themselves on her waist, she would've toppled over. Kafka is powerless, and she loves it.

When you see her cum form a white ring on the base of your strap, you know you've found another excuse to fuck her dumb, and you plan on making full use of it.

[thomasthetankieengine]

Tankie/Campist blog drinking game

For whenever you're really bored or feel like getting wasted alone.

Take a shot every time:

Complaint about the very idea of voting 

Fundraiser 

Dismisses charities as corrupt

Praises Russia 

Praises China

Praises Syria

Praises Iran

Praises North Korea 

Praises Hamas, Hezbollah, or the Houthis 

Link to Grayzone article 

Suicide baiting or wishing death on other users 

Anime mention

Video game mention

Says (or implies) that Hitler or Mussolini were elected 

"Death to America" (take an extra shot if user is an American) 

Treats Muslim and Arab as synonyms or near synonyms

"Death to Israel"

Dismisses misogyny as not real or unimportant

Dismisses antisemitism as not real or unimportant

Calls Jews white (especially if it's in relation to Israel) 

Complaints about white people when user is also white 

User is not American, but is very invested in American electoral politics  

Complaining about "homonationalism" (by which they mean talking about homophobia in any place other than Western Europe, Israel, or the Anglosphere. If you do this you are implicitly arguing for an invasion ... somehow)

Complaining about neoliberalism, when it's plain they're using the term incorrectly (neoliberalism actually refers to support of free market economics, shrinking the size of the state, and privatizing public or government-owned industries)

Complaining about Zionism

Uses phrase "imperial core" 

Uses phrase "global south"  

Reinvents idea of social fascism. (Take an extra half shot if they don't note how that worked out poorly for German communists in the 30's)

Denies mass killing or atrocity of communist or leftist regime 

Denies mass killings of non-left authoritarian regime that they want to defend for ... some reason 

Praises mass killings as long as it's of "bad people"

Vladimir Lenin mention, painting, or photo 

Joseph Stalin mention, painting or photo

Mao Zedong mention, painting or photo 

Take two shots when: 

Tantrum about someone asking them to tag graphic war footage or photos 

Dunks on anarchists

Long post with no paragraph breaks 

Anger that people aren't donating enough to fundraisers 

They seem so angry or depressed you actually worry for their well-being 

Dismisses the idea of war crimes or human rights as liberal praxis 

Presents themselves as expert on the Middle East, North Africa, and Central Asia when you're fairly sure they aren't aware that Turkey, Afghanistan, Kazakhstan, Uzbekistan, Tajikistan, Turkmenistan, Kyrgyzstan, and Iran aren't Arab countries

Drink a whole glass when:

Talks about their volunteer work

Posts links about how to volunteer at soup kitchens, homeless shelters, or co-ops

Talks about reading a book (or even just mentions one)

Disclaimer: I am NOT responsible for any liver damage you suffer. Play at your own risk.

[hollowtones]

first yiik impressions?

Hi. Thanks for your message. I've been thinking about this for days. I wrote paragraphs. Here you go!

Everyone talks up how the game is bad, but I've never looked into it much myself, so I went in with an expectation along the lines of "people whose opinions I often agree with think it was an awful mess, I'll likely think something similar". Expectations were low. Even then I wasn't really ready.

"YIIK" is a game of tedium. I don't think it's a game about tedium, that's something different (though it could be, if it was a different video game altogether; "what if the world was made of pudding" etc). To some degree I think the tedium is by design but I'm not really sure what it's in service of.

I don't think tedium in a video game is a bad thing. "Morrowind" and "Breath of the Wild" are two video games I like very much, and some of my favourite memories of those games are of slowly wandering through empty expanses, or having to suddenly deal with equipment degrading or supplies dwindling because I forgot to prepare. Moments like that feel thoughtful! They're interesting moments of reprieve or of tension that feel thoughtfully and intentionally designed! "YIIK" feels like trudging through chest-deep molasses so it can shout "hey did you know you're stuck in my molasses right now? that's weird, why are you stuck in my molasses right now? did you notice?" directly into your ear.

You'll notice this is a pattern.

Combat is turn-based and involves completing little minigames, timing button prompts or hitting targets or some such. It's a cute idea that wears out its welcome when you start realizing how long every single one takes to resolve, especially when you have multiple party members, and sometimes multiple enemies (I'm told this part specifically gets more egregious as the game goes on). I don't think it's awful or unsalvageable but I'm not super into it as of the point we're at.

This is a pattern.

Leveling up is a manual process that you have to unlock, and it involves going to a save point (any save point? we didn't check), to enter the Mind Dungeon, to enter the actual Mind Dungeon, to walk down a set of stairs and enter individual doors one-by-one, so that you can choose how you want to allocate stat increases, so that you can walk down a different set of stairs to commit your choices and spend your banked experience to level up. I think "you can only power up at specific points / times / locations" and the granularity of stat growth are interesting ideas, and the environment they made for it are a charming idea, and I don't think it needed to be a "Hotel Mario" level that you had to slowly walk through. It could have been a menu. They could have used the resources for a nice background or backdrop for a menu that accomplishes the same thing.

This is a pattern.

I haven't really mentioned anything about the story or writing yet. The protagonist's name is Alex and he's a very self-important nerdy misanthropic dickhead white man (a very specific kind of guy that I've definitely met at least once or twice) who is obsessed with a paranormal message board populated by people like him and desperate to find out more about the disappearance of a woman he witnessed. (The woman & her disappearance are based on the real life death of Elisa Lam & aren't handled with a whole lot of tact, IMO, but other people have put this into better words than I can right now. It sucks. It keeps coming up and it makes me bristle every time.) Alex is a bad person. I know he is. You know he is. The game knows he is. I've seen some reviews say a negative point of the game is "the main characters aren't likeable", which I don't really get, because that's the point of the characters, as far as I can tell. The issue, then, is how much time the game takes to exposit at you how bad the characters are. It's exhausting. Every time Alex has a monologue, it feels like it sums up to 10 minutes of "I am a bad person. I am a bad person. Alex is a bad person. This character is a bad person. Do you get it? He's a bad person. Alex is a bad person. Do you understand yet, player? Alex is a bad person. You should know that he's a bad person. Do you get it?"

This is a pattern.

(I don't know how interested I am in bringing up the game's lead writer right now, if at all, but there's a well-known anecdote where he talks about wanting to write a story about a bad person who is forced to grapple with himself and do better, and how the reason why his game wasn't well-received was because people who play video games didn't get it & weren't ready for a story like that. I dunno. I can understand being upset about negative reception to something you poured time and sweat into, and saying something hasty because of it. "Final Fantasy 4" is a beloved RPG classic, though, and "Disco Elysium" came out the same year to overwhelming praise. I haven't played either of these yet, though, so I'll admit maybe I'm off the mark here.)

The characters we've met so far (i.e. the ones that aren't unnamed NPCs) are… well. There's a smarmy younger kid who idolizes(?) Alex & also made the aforementioned paranormal website. So far it seems like he mostly exists to go "hey fuck you Alex, you dickhead" and immediately say something even more insensitive. There's the insensitive based-on-a-real=ass-dead-woman elevator woman, who immediately disappeared from the narrative while still being an essential part of the narrative. There was a dead(?) robot in a bedroom, who had a choir of ominous hooded people monologue about how weird and sad and strange and uncanny the scene is. What the!? There's a woman who works at the arcade and has Powers. Her design's cute. (I feel like, generally, the game's visuals are Fine. The audio, too. That all ranges from Just Fine to Surprisingly Neat. I don't really have much issue with those aspects of the game, but I don't have much to say about them either.) Alex and Kid Whose Name I Didn't Care To Remember are constantly very uncomfortable to her, because she's a woman and because she isn't white, in the 15 or so minutes we've seen her on-screen, and she gets to tell them off, but then immediately kind of goes "well whatever I can smile and put up with this and hang out with you". It feels misogynistic. I know to some degree Alex is misogynistic on purpose, because the game is bludgeoning your skull in and yelling "ALEX IS SHITTY TO WOMEN! AND PEOPLE OF COLOUR! DO YOU GET IT? HE'S SELF ABSORBED IN A SHITTY WAY! DO YOU GET IT, PLAYER? YOU UNDERSTAND THAT ALEX SUCKS ASS YET? MAYBE 10 MORE MINUTES OF THIS WILL MAKE IT CLICK?" But for a woman of colour (the only one we've seen so far who isn't Probably Just Dead) to finally tell him off for being a shithead, only to turn around and go "well it's ok, you're cool now, let's hang out now because it's narratively convenient and you're the protagonist" is pretty damn egregious!

This is a pattern.

Writing in general feels stilted and long-winded. Most of the main characters feel like they don't talk like people do. Alex gets to feel like a person but that's mostly because he gets to talk to himself so damn much. Most of his monologues feel like overly flowery prose, like someone padded it out with identical adjectives to meet a school essay word count. There's an interesting idea or premise or setpiece every now and then. There's a spark. A glint of something compelling. Every single time this has happened so far I find it immediately snuffed out by an over-blown "oh my god!!!!!!! how weird!!!!!!', or a very long plot dump, or a Joss Whedon-ass quip. There can be no small moment of joy. No story element or visual element can stand on its own legs. There can be no room for ideas to breathe. No space for the player to wonder, to dream, to play in the space. The narrative is compelled to suffocate iself on itself, to take up all space, to swallow itself whole in its making. One very minor (so far?) side character has some interesting dialogue in this one dream world, and I think "oh that's neat", and then I learn they're lines taken wholesale from a book (and I think that's fine, reference is fine, but I have a bit of a chuckle over the fact that this character is the reason why the game has a giant REFERENCES option in the main menu). The literal first minute of the game is a bird telling you "oh my god, the title of this game, right? why'd they spell it like that? so fucking dumb, am I right!" It feels insecure. It reads like the writing has no confidence in itself. It has to make a comment about how silly and video-gamey it is, roll its eyes at itself, mock itself for the thing it's doing while continuing to do it without addressing it or discussing it or doing anything with it.

This is a pattern.

There's a specific part of "YIIK", at this early point in the game (we're only around the start[?] of chapter 2), that feels emblematic of the thing as a whole up to this point. Alex is getting phone calls from a stranger. They're confusing and weird and sound a little like something you might hear in a dream. They make references to some shared past, some childhood, some understanding of Alex, or maybe of you, the player. They've come up a few times. Every single time, I'm left thinking about what it could mean, how it fits in with everything we've seen so far & what the game seems to be talking about, with regards to connecting to other people and to yourself. It's a neat little thing. It's a neat idea. I'm charmed by it. As much as my thoughts on this game are largely negative, I still try to look at it fairly, to understand it, to talk about it, to let myself be surprised by it. As soon as I find myself thinking about this, my thoughts are immediately drowned out by Alex telling me how weird the phone call is, how random and uncanny and dumb this is, and how he's rolling his proverbial eyes about it, in spite of all the other paranormal happenings around him, for another period of Just Too Long. And I am sapped of all strength and I crumble to dust.

I'm genuinely transfixed. I'm transfixed! Maybe the fact that I wrote Paragraphs about the 4-or-5 hours I've seen of the game can tell you as much, even if you skip everything I wrote in them.

I can't wait to see more.

This, too, is a pattern.

[toskarin]

how did you get started making music, tools-wise?

I've talked about this a bit before and I don't necessarily recommend doing this, so skip the following two paragraphs and go right to the one under the break if you actually want the method I recommend

I lied to a girl I liked from my school and told her that, because I could play guitar I could also play piano, so I could teach her to play piano. both of these statements were lies.

I had to panic and learn both guitar and piano one week ahead of the lessons I was giving her as an excuse to hang out. so I self-taught in a haze of panic and "maybe she'll like me" (she did not) (but she kind of did) (but she was bicurious) (but she was wishy-washy on if she wanted to get together and her parents didn't like me) (and her parents were homophobic) (I think she might have texted me at one point years down the line to tell me she had a girlfriend but it was after I deleted our text history and I'm chronically unable to remember to put people's names into my contacts so who knows)

but that's all an aside. that's a bad method.

anyway if you want to start making music in earnest, doing what I did when I got serious about making songs instead of trying to impress girls whose parents wanted to destroy me with their minds here's a better answer

go acquire FL Studio. it's apparently really easy to do this because people have been acquiring it for years, or so I've heard. FL is good for learning because you've got 20 years worth of free tutorials available to you on youtube to dig through and plenty of stock vsts to play with out of the box

FL Studio is, realistically, the only tool you actually need to start making music. you could get away with less, but it's what I used, and as long as you don't pick up Specific Bad Habits, your experience with it will transfer to other DAWs if you decide to switch it later

that's all, really

if you go this route, the golden rule I'm going to impart on you right now is that you need to have a limiter on your songs. the default FL studio song templates have one, so you should keep it until you know enough to know why you might adjust something like that

it doesn't matter if it sounds fine in the editor without a limiter. everyone thinks it's not a big deal at the time, but as you get more experienced, there's literally nothing short of getting in legal trouble that you'll regret more than realising that your old work is almost entirely unsalvageable because you didn't put a limiter on it and now half of the audio is just lost data to clipping

I'm gonna put a few more recommendations for things I've used, just so you can consider them if you need something else to chew on. everything past this point is entirely optional and you'll do just fine with FL Studio alone. in fact, probably don't worry about everything below the line

-=-

items marked with [F] are free.

DIGITAL AUDIO WORKSTATIONS THAT AREN'T FL

for tracker-based editing and chiptunes, use Renoise. you'll either love or hate trackers, and while they have a steeper learning curve than piano roll DAWs, they might come more naturally to you. I personally think that Renoise is a lot of fun to use. it kinda has an "addictive" quality to it, as funny as that is to say

for quickly sketching songs, use [F]Jummbox. it's an html workstation (multiplatform!) that writes your sketches to a url, meaning it's pretty easy to collaborate on musical sketches. Jummbox is good for making chiptune style instrumentals, but what makes it especially accessible is the fact that it works on a piano roll system, which will be familiar to you if you're working in FL

for writing sheet music, I recommend starting with [F]Musescore. I'll warn you right now that there aren't really any good notation editors and you're making lesser-of-evils decisions when you pick any of them, but it's probably the best compromise out there right now. it's the one I use when I need to hand something to a physical musician. you can also export pieces as midi, although there's better ways to do that lol

-

VSTs

if you can acquire Pianoteq, do that. if you feel uncomfortable with acquiring it, [F]Keyzone Classic is free and can sound pretty nice with a bit of work, but you really have to learn to work with it

if your workstation can handle it performance-wise, go pick up [F]Vital - Spectral Warping Wavetable Synth. there's tons of free presets for this out there and it sounds good. cool synth. Serum: Advanced Wavetable Synthesizer is also good and has plenty of presets, but it's on the pricy side, so consider how comfortable you are with [finding a friend to buy it for you]

[F]Decent Sampler doesn't do much out of the box, because it's just a tool for playing sample banks, but if you go to [F]Pianobook, you can find tons of weird and fun sample packs of just about everything you can imagine. sounds derived from folk instruments, industrial equipment, lego sets, stylophones, choirs, whatever. incredibly useful.

Valhalla VintageVerb. this is the reverb plugin. you want this one. [F]Valhalla Super Massive is also good but it's more focused on alien-sounding reverb effects and enormous spaces, so it's kind of got a niche use case and you should be a little careful with it

if you've heard a lo-fi hip hop song on youtube, it probably used [F]iZotope Vinyl. this one can save you a lot of time if you're going for that sound because it comes with all the little vinyl flourishes outside of compression (like dust crackling) that you'd otherwise have to add yourself

[F]Genny VST is advertised as giving a genesis/megadrive sound, but what actually makes it shine is that it's an actual synth emulating the YM2612 and SN76489 sound chips. this means you can create your own sounds that work within those specs, which is a lot of fun! definitely beats just using samples, if you ask me

-

HARSH VSTS THAT I PERSONALLY LIKE BUT WHICH ALSO MIGHT !!HURT!! YOU. SO BE VERY CAREFUL USING THESE.

[F]Tritik Krush is a bitcrushing plugin. it does a good job of bitcrushing and downsampling. I use it a lot in my songs, but you've really gotta know how to keep this one under control, because it's fully capable of making painful sounds on accident and can completely devour your mix

[F]FSA Latcher is a gorgeous noisebox. it screams in horrible ways and makes dying machine noises in various colours. this is the musical equivalent of working with radioactive material, so be extremely careful using this in anything you don't want to hurt the listener's ears

girlfriend just told me I have to recommend [F]Noise Engineering Ruina to you if I'm making a category with this heading. I don't personally use it, but she likes it (she's better at music than I am) and it's free, so you should go pick it up. "it annihilates sounds very deliciously" (maybe I should use it)

-

hope that helps a bit!

[sigmathesillyenigma]

shaw pack w/ a partner who bites their nails/skin around their fingers! ( gender neutral ) unfortunately long . i have never been one to write short and concise summary paragraphs . also these are all based on personal headcanons and visuals for the characters keep in mind!!

( req by anon ;3 )

david :

at first when he notices you doing it, he chides you, prying your hand away from your mouth and entangling your fingers with his own, forcing you to stop as he mutters something about being an idiot. this happens the next few times he catches you; you get scolded, hands locked together and lovingly insulted about you and your poor choice of habit.

if he notices that it's a nervous behavior, he approaches the confrontation more sympathetically, opting to silently tug your hand away from your face in favor for putting it on his or your thigh, cupped beneath his warm palm before he presses a firm kiss to the temple.

when / if you express feelings to david about wanting to break the habit, he'll drive to the nearest drugstore during his break and buy those horrendous nail-biting prevention polishes (and if you sweet talk him enough, he'll even apply it onto your nails for you, which he's surprisingly good at. what a begruding gentleman).

asher :

asher does it too. the habit started in high school for no particular reason, and he hasn't been able to stop since. when he was younger, he used to be really insecure about his hands, his jagged nails, bony fingers and knuckles but since meeting you, he's grown to love aspects of himself that he'd never taken the time to appreciate in the past.

when he sees you biting your nails for the first time he doesn't seem too bothered by it, not caring for all that "nail biting is gross!" "people who bite their nails are disgusting!!" bullshit. sure, it wasn't hygenic, but you were in the comfort of your own home, in the company of your dear husband who frankly, couldn't care less.

if asher suspects that the habit is hurting you ( e.g you bite too deep into the nail everytime, you're damaging your nail permanently, etc ), he'll start to try and coax you out of it which can come in the form of smoothly slotting his hand into yours, pushing your hand out of the way with his cheek in favor for a kiss, or even just flicking the back of your hand in a silent gesture. otherwise, if you aren't causing yourself any harm, it doesn't really bother him and he probably wouldn't interfere.

milo :

milo keeps himself relatively well-groomed, so his nails are strangely perfect in shape and condition. while he wouldn't ever judge you for biting your nails, he would encourage you to take care of yourself (god forbid you get pinworms LMAOO), and to stop if it was ever hurting you.

the first time he caught you biting your nails he wasn't all that bothered about it. he knew you, he knew your anxiety, so this, to him, wasn't really a big surprise. milo didn't make it his business the first couple of times he saw you doing it; you're a grown adult, weither you want to bite your nails or not is your choice to make, but if it's the case where your biting starts to cause long-term damage to your nail itself, he'd start to intervene, much like asher.

he goes about this in a few ways; if the biting is only minor, he'll gently push your hand away from your mouth with the back of his, but doesn't say anything or even acknowledge that it's happening aside from moving your hand. however, if he catches you more deeply biting at your nail, he'll flick your hand and chide you with a soft "ah-ah. jesus, doesn't that hurt, sweetheart?" it's not said unkindly, more so like a parent would to a toddler, but still gets the message across.

-

i didn't inclue sam sue me

@skunkox @definetelynuwonhere @huxleaf

if you'd like to be added to the taglist lmk :3

[squarebracket-trickster]

Okay, this started as a rant on another post but then i figured it wasn't fair to inflict that on OP. I don't even know OP. So uhhh...

I am, at this point, completely convinced that the people who advise against headhopping, beige prose, purple prose, and infodumping, and the people who love headhopping, beige prose, purple prose, and infodumping are using two different definitions of the words.

Because do you really enjoy reading published novels where you can't tell whose thoughts belong to whom? Do you really enjoy prose that is choppy, vague, awkward, and lacks enough detail to actually follow the story? Do you really enjoy prose that keeps using big, fancy words but it is clear the author doesn't actually know what they mean, or uses run-on sentences that are dizzying to try and make sense of? Do you really enjoy having your high-paced action scene interrupted by 6 pages straight of technical jargon with absolutely no attempt to incorporate it naturally into the story (and like two paragraph breaks across the whole 6 pages)?

On the other hand...

Do you really hate every single case of Omniscient POV you have ever read - did you hate Narnia, A Series of Unfortunate Events, Pride and Prejudice because of the POV? Do you really find sparse, accessible, "quick and snappy" prose that off-putting? Do you hate poetry - can you seriously not think of any examples of vivid, flowing prose chalk-full of literary devices (metaphor, zeugma etc.) that spoke to you? Have you really never enjoyed a paragraph here and there where a scifi writer explains exactly how their weird alien is biologically possible? Have you? Do you?

(Okay, okay. I know this is Tumblr. If anyone actually bothers to read this rant (hahaha) some little edgy contrarian is going to appear in the notes eventually but IN GENERAL)...

Long story short I think we have two different definitions of all these terms running around.

Headhopping

When the narrator describes the thoughts of more than one character per paragraph (or scene).

When the narrator describes the thoughts of more than one character per paragraph (or scene) in a way that makes it difficult to tell who is thinking and experiences what. It is confusing to the reader.

Beige prose

Simple, sparse, accessible, to the point, only conveying the tip of the iceberg.

Choppy, awkward, vague, missing critical information, sacrificing clarity for the sake of simplicity.

Purple prose

Poetic, flowery and/or vivid language, long complex sentences, a tendency toward the dramatic.

Language that is "too flowery" - fancy, rare words used incorrectly, or which don't make sense given the tone, mood, atmosphere, genre, style etc, or which make it hard to follow what is happening. Run-ons and sentences that are dizzying to make sense of. Melodrama, aka dramatic without adequate build up.

Infodumping

Explaining details that aren't necessary for the story. Taking a few paragraphs, maybe a page or two, at an appropriate moment in the story (even a whole chapter if it is built-up to correctly). This can be in the text itself or it can be in an appendix or prologue (à la Concerning Hobbits)

Explaining details that aren't necessary for the story. Taking a few paragraphs, maybe even several pages, at an inappropriate moment in the story. It interrupts the flow and pacing. There is no effort to weave or incorporate the information into the story. It is just dumped there.

And yeah, I just think we could solve so much discourse if we acknowledged that we aren't all using the same definitions.

[skitskatdacat63]

Happy One Year Anniversary to Boy King AU!!!! 🎉

Okay wait before I start talking, look at these close ups and the process!! Aren't they so beautiful aaaahhhh

Wow, can you believe it’s really been a whole entire year since my very first post about this AU? Well technically I first started talking about the statuette a day earlier, but the very first sketch was exactly a year ago!! Let us not forget the incredibly prophetic tag on that post: “also in the sense of this au i think the only ship that would work(historically accurate wise) is Vettonso.” Who knew that after that my entire life would devolve into vettonso, this specific period of history, and the lovely combo which is Boy King AU. Also wow this means it’s taken me almost a whole entire year to actually draw a joint portrait of them hahaha. I drew this sketch around the beginning of the AU, but never finished it. It’s fine though because this one is a lot better, and I’m in love with it. Took me a year to draw a couple portrait, and took me almost a whole entire month to finish said piece. 

Okay let me explain this piece, which I am very obsessed with!!! I dragged the process out more than I usually would, but I’m glad, because it was so enjoyable. But also look at that fucking crown, no wonder this took almost a month. Usually I’d write like 50 paragraphs detailing the characterization. HOWEVER! I’ve spent over a month writing little bits of characterization, mostly for fun, but also in preparation for this very post. A lot of the earlier ones, I had this drawing in mind, thinking on how I could expand on the ideas I was drawing. Though there���s definitely some things I could still write about. I’ll probably continue to write more Lore a Days, but yeah, they basically amounted to this drawing where you can actually see the characterization I was talking about displayed. Anyways, here are the explanations of bits in the drawing:

First of all, this is some part of the long process of their wedding. Look at the married couple!! Look at their rings!!!

Okay, but why are there two, almost identical looking pieces?? Because look at their hands!! I talked a lot about how Fernando is the one to give out affection more easily, especially in public, where he knows he can easily fluster Seb. He’s acting all grumpy and out of it, I mean to be fair, it’s probably been such a long ceremony across weeks. But he notices Seb is out of it too, just better at keeping his smile (let’s be honest, even if he’s distracted, he’s super smug.) So Fernando catches him off guard by squeezing his hand. Before that, as you can see, Fernando is just resting his hand on Seb’s outstretched palm, like that one scene from Succession. Very: yes I’m getting married, but I’m not happy about it. The combination of Fernando refusing to even touch him more than lightly beforehand but now going full force, them being in public, and Seb already being distracted catches Seb so off guard he has to try to cover his blush with his fan. He thought Fernando was being super impolite, but now he’s the impolite one!! Getting all blushy and giggly over a simple display of affection, perhaps even ha-

So. Their crowns. Seb’s wearing the crown of Austria, because he is in fact only a king still! Also, because I really wanted to try drawing it after I wimped out of it before in this drawing. Fernando’s a king as well by the point, but the fact he’s wearing only a tiara-like hairpiece is to represent how much of an outsider he still is. At this moment, he’s just Seb’s wi- ,I mean husband, to all these guests. Of course this bitch wears a black veil instead of a white one, to signal that he’s mourning the loss of his autonomy and personhood. Don’t worry too much about his mental state though, considering he’s not depressed enough to be able to resist teasing Seb. 

The fan, oh my god. Back in this era, people would gift/make fans for basically any occasion. To symbolize an event, to celebrate something, to show a story, etc etc. I wish I could have drawn something more narrative, but I think the bull vs. horse is good enough. Also you can see those same symbols on the pendants they’re wearing!! I’m so happy when I can fit irl, modern stuff like that into these drawings, it feels so clever!!

It’s so funny, I wrote a lore a day from a prompt about what they’d be like when doing a joint portrait, while I was already almost through painting a dual portrait of my own! So I got to explain some stuff like their clothing colors and poses before I even posted this. I feel very coy about that still honestly. 

Hmmm what else? It feels so weird to not expand on the characterization, considering I already did it for myself weeks in advance. I can’t imagine what it’s like opening this read more, and seeing more than 10 in-text citations. Happy reading!!!

 Happy anniversary to  this wonderful, crazy AU that makes me download 500pg German papers about 18th century etiquette. I drew a couple pieces of fanart before this AU, but I definitely think it jumpstarted my insanity about drawing/making AUs, and literally is what made me insane about Vettonso in the first place. Remember, if I hadn’t learned about Joseph I/Charles VI, most of my blog probably wouldn’t exist in it's current form. Thank you if you’ve stuck around since the beginning, or if you’re even just learning about it now!! It’s so incredibly niche but I’ve had so much fun researching and building this world and these characterizations, and I hope you’ve enjoyed what I’ve made in the process. I hope I can draw/write many more things in the future. I think next, I’m gonna maybe open up requests. I’d like to try to either write ficlets or draw chibi comics about specific Lore a Day posts on request. I think that’d be a lot of fun, but also will probably kill me. We’ll see!! Anyways. PPlease enjoy this absolute labor of love, which is a result of a year’s worth of work.

[whisperofthewildflowers]

deep down and below the surface

relationship blurbs!

ben clark x reader

headcanons incoming!

the sweetest boyfriend ever. it's like his single life goal is bringing you joy. he's constantly trying to get you to smile and laugh.

he texts you long and thoughtful paragraphs confessing his love, and then facetimes you so he can see your reaction as you read it. when you guys are in the same room, he feels guilty that he can't verbally share his feelings. he knows rationally that you love him and that he can't speak doesn't upset you, but he needs reassurance on bad days.

he can toss you around like a ragdoll. you want to cuddle? he picks you up and brings you to the nearest couch effortlessly. if you guys are laying on the couch, he would be the big spoon. its just easier that way! but if you guys are having a sleepover he doesn't really like spooning. he prefers facing you, wrapping an arm around your waist while you use his chest as your pillow.

he is so, so tense. his muscles constantly feel knotted, and his hands cramp up all the time. the second you guys started dating, you also became his personal masseuse. he wouldn't outright say it, but he loves being doted on. feeling your hands rub out the tension from his muscles is euphoric to him.

he loves doting on you too! he wouldn't spend much money on you, feeling as though it wasn't a genuine way of showing affection. instead you get random trinkets whenever you hang out. a rock that looks like a heart that he saw on the way home from school? its yours now. a four leaf clover that he saw on his front lawn? dried, preserved, and kindly delivered to you. the one thing that he does spend a good amount of money on? flowers. every two weeks, like clockwork, there is a new bouquet in your vase.

baking. dates. ben may secretly be the cake boss. who just knows how to make sculptures out of model chocolate? ben does. if you aren't good at baking, you will be soon. there is no escaping the baking. you always know when he's stressed, because he'll start bringing a variety of baked goods to school for the group to share.

he wouldn't be too protective in the phantom realm, he knows that you can take care of yourself. however, he is always keeping an eye on you. the second you look overwhelmed or you get injured, he is there.

ben is a 10/10 boyfriend, no notes.

thank you so much for the love on my last post! please don't hesitate to send requests, let me know if you want a part two. i'm planning on writing something like this for all the sbg teens, but comment if there's any you want to see next!!

song of the day: squaring up by sir chloe!