#there are so many wonderful stories

[mustfindcreativeusername]

Sometimes I remember he died, he was dead for real, but SO MANY people loved him SO MUCH that he was brought back to life and got to have so many more adventures and get old and eventually retire and yes it's a fictional character but sometimes I think about that and I have to lie down and have a cry about it. We love you Sherlock Holmes

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[cubbihue]

Peri was very upset about a lot of things that happened. Within a span of a week, he felt like his entire life has changed for the worst!! He had a dumb bulb on his wand, Timmy was still moving away, and he had to go to a school far from everyone he knew!!!

Of course, the cause and trigger of those emotions was Timmy. But Peri can’t blame his older brother for any of that. So the next logical conclusion for a small child to reach was to blame his parents instead!!! And boy did he blame a lot on his parents.

Many of Peri’s actions in his childhood stems from misplaced grief and anger. By the time he was old enough to know better, Peri got a mixture of stubbornness and a bruised ego to admit he was wrong for how he reacted.

Bitties Series: [Start] > [Previous] > [Next]

Instability: [Start] > [Previous] > [END]

[patchworkcuddlebug]

A Parasite

Norae was always... resistant to having a doll. Her covenmates tell her about theirs like they're little slave-things, always wandering around your house and doing things you should be doing on your own. It's creepy, and (she would never say this out loud) enabling laziness.

But as her power grows, so does her manor. She begins noticing hallways stretching out longer than they once did, with protrusions shaped like doorknobs emerging from the walls. There's already a set of stairs leading uselessly into the ceiling, no doubt where the second story will begin to grow.

The effort she put into keeping things in order used to be paltry for a witch as powerful as her, but she's starting to get annoyed by the distractions. She is growing tired of pruning new furniture like weeds.

She knows nothing of clockwork, and she never developed her skills in magical dollcraft for obvious reasons. But she will sometimes catch sight of a stray, trying to find purpose in picking the wild berries just beyond her yard. She wonders if she'll be helpful enough, before quietly correcting herself and wondering if it will be helpful enough.

She told her coven how she was thinking about leaving a sort of trap for it, a cup of tea under a cardboard box held up with a stick, only half serious. Regardless, they told her that dolls are much more trusting and docile than she was assuming, and that she simply needed to approach and talk to it.

She waited with a book, just on the edges of her property. The wide brim of her hat helped block the glare of the sun as she'd occasionally look off through the trees. Soon, it came walking past her unceremoniously, seeming as if it's trying to ignore her. It's walking to the bush. There's already a few ripe berries piled neatly in its hand.

It was made with porcelain, with a more tattered version of the maid dress they all seem to wear, walking with just as much rigidity and poise. But this is the first doll she's seen with a wind-up key. It slowly turned just a few degrees for every moment that passed. She could see a little rope tied to one of the sides, presumably so that one could wind it on her own.

"Excuse me? ...Doll?" Just as she starts speaking, it perks up, looking ready to leap into action. "Y... yes, Miss?" Its voice is timid, but eager.

"Would you like to, uh..." She hesitates for a moment, feeling ridiculous. This is the first time she's had to say something like this out loud. "Belong to me? I have tea."

It gasps. "Yes! Oh, yes, thank you Miss!" She runs up to the witch as if to give her a hug, only to skitter to a last-second stop just in front of her and give a polite bow, with proper curtsy.

"Right. Um, follow me, then." She closes her book and begins walking back to her door, her movements awkward as the doll followed close behind. She can't stop looking back at it, at its bizarrely serene face and excited steps. "So, do you have a name?"

"This one's old witch called it Lullaby, Miss!" It seems so happy to say.

"That's... still your name then, I think."

"Yay! Thank you Miss!"

. . . . .

Colloquially, the word "doll" is often used to describe any construct that obeys a witch, with considerable variation thereupon. Perhaps the most infamous among these variants in classification is the combat doll. These ones can often be identified by their more metallic exterior, such that they can easily be confused for androids at first glance, but there also exists combat dolls that

"Excuse this one, Miss?" the thing knocks at the door to the witch's study. It lingers in the doorway, not wanting to intrude further.

Norae tries to stifle a sigh of annoyance as she turns away from her book. "Yes, Lullaby?" She just noticed that her its hair just a little dishevelled from working, but it's not nearly as matted and gnarled as it was earlier today. She's glad it looks so much more... healthy.

"This one has finished sweeping the first floor, Miss!" The doll smiled, clearly proud of herself. The witch is caught in her own head for only a moment, ruminating on owning someone... something so close to a human. "What would you like it to do next?"

"You..." it takes her a moment to stifle her shock. She's read enough to know that such a task is to be expected from dolls, but it still seemed to work so hard so fast. "Then you've completed your chores. Treat yourself to some tea." She tells it matter-of-factly and turns back to her book, trying to match the professionalism of her literature.

"But, Miss!" The doll says. Norae turns back, and sees the doll has a very human, very concerned look. "This one has barely worked today! Would you like it to scrub the floors as well? Or organize your bookshelf? It can cook for you, Miss!"

"Hey, calm down, it's alright." The doll's owner tries to sound reassuring, as one would to a friend. "I don't know how your last witch did it, but I don't want to overwork you. Do you like to read? I have a library."

The doll tried to swallow its apprehensive look. "This one will read for you, Miss." It nods dutifully and runs along.

That... went well, she thinks. She understands that dolls are... eager, to a certain degree, but she's sincere about not wanting to exhaust the poor girl thing. She also thinks about her own autonomy, and how listless she'd feel if left without her own chores.

. . . . .

Norae lets out a bored sigh as she watched the vegetables sizzle in their pan. She tries to stir them around, spreading them evenly in the oil, but it's more to entertain herself than to properly cook.

She hears Lullaby quickly, yet still with a polite reservation, hurry up the stairs.

"Miss!" It calls out, drowning out its footsteps before it turns the corner. As it emerges into the kitchen, it looks... mortified. "It's so sorry, let this one, good dolls should-"

"Lullaby, it's okay!" She holds the frying pan up, higher than the doll can reach. "You don't have to do everything for me just because you're a doll."

"But, Miss, this one wants to!" It looks desperate and pleading. "Please, Miss, you've been so nice, and this-"

"Hey, calm down, there's no need for that." Norae tries to sound reassuring. She sets the pan down and turns to give Lullaby her full attention, kneeling to match her its eye level and placing a hand on its shoulder. "I know you want to help, but I enjoy being able to take care of myself, too. You already do plenty, and you should be proud of that."

The doll trembles, only as much as its docility will allow. "Yes Miss, Thank you Miss." After a quick bow, it gets out of Miss's way, leaving her to return to her monotonous stove-watching.

Lullaby takes a seat on Miss's couch. eyes forward and hands on its lap. It's so comfortable, the soft cushioning much more enveloping that the stumps it was used to sitting on. It tries to find a place to rest its eyes. On Miss's roaring fire, magically permeating a tender warmth through the room? On the door to the maid's quarters, where Miss had cleaned it and told it all it had to know? On Miss's beautiful and intricate grandfather clock, which it is letting collect a thin layer of dust?

It shouldn't cry. Miss is being nice, after all.

. . . . .

The doll shakes itself from a stupor. It wasn't still; there was no comfort in its emptiness, just effortful restraint fading into a half-present miasma.

Norae gestures for it to face away, gently guiding its shoulders to face where she sat on the couch. "Lean forward, please."

"It's okay, Miss." The doll sounded groggy, words tumbling heavily out of its mouth. "You don't have to if you don't want to."

The witch leaned to the side, showing the sympathetic look she had on her face. "Why wouldn't I wind you up? It's no trouble at all, and... I can't just let you pass out."

Lullaby slowly, heavily, shook its head. It wanted to be polite, to word itself delicately and reserve itself, but its clockwork was moving too slowly to stop it before it spoke. "No, please. It's a bother. This one doesn't do enough, it's not worth it."

Miss places a hand on its shoulder. "Oh, Lullaby, no, that's not true at all. You do just as much as you need to."

"It's not enough." The doll rested its elbows on its knees, leaning forward and cupping its face in its hands. "Miss is so nice, and this one just... takes it all in without giving enough back. It feels so useless, and pathetic, and... i-it just wants to be helpful." Its voice falters just at the end, hitching into a repressed sob.

Norae felt a pang in her heart that deepened with every word. Of course, she's been such an idiot. She feels like a bum when she doesn't keep herself busy, how would a being purpose-made to be helpful feel? It finally dawns on her, what the extent of a doll's inhumanity means.

"I'm so sorry, I... had no idea you felt that way." There's a sincere sorrow in her voice, the doll hearing Miss's confidence drop for the first time. "I never meant to hurt you, I just didn't want to be too hard on you."

She placed a hand on her doll's back, careful to leave room for its key to turn. "From now on, you get to do whatever you like. Cooking, cleaning, anything. I might still make you take some breaks so I can do something myself, but I'll never leave you with nothing to do."

Lullaby slowly, hopefully, lifts its head to look at Miss. "This one doesn't want to make you do anything you don't want, Miss, it can-"

"Lullaby, if you do everything you can to never feel like this again, you'll make me the happiest witch in the world." She put on a reassuring smile.

Norae didn't have time to see the grin widening on her doll's face before it latched on for a hug. All it could say was thank you as its tears left wet marks on the witch's dress.

"I'm just happy that you're happy." Miss hugged back, making the doll feel more loved than it could remember. "Now let's get you wound up, you've got some dishes to do."

[artsyvii]

story of seasons, a wonderful life 🌱🍂

[greywoe]

"The she-wolf laid into the squires with a tourney sword, scattering them all. The crannogman was bruised and bloodied, so she took him back to her lair to clean his cuts and bind them up with linen."

[swordscleric]

I'm only halfway through the second phase of Predathos (which, to be clear is an incredible vibe for a bossfight, love a good head & hands/multitarget-same-entity boss) but I cannot shake the feeling of disappointment and just dissatisfaction I have had with this campaign that definitely started with Dusk/Yu, got followed up handily with the first Delilah/Sun Tree fight and then has been unfortunately reinforced with every discussion surrounding the Prime Deities since Hearthdell. This campaign is fascinating to pick apart, I have been really enjoying pulling apart why it isn't working compared to C1 or C2. But as much as I'm having fun dissecting where the worldbuilding has led to the current weaknesses in the gods' argument or reading other people's incisive commentary on the lack of personalities on the Ruby Vanguard's end, the "girlfailure" nonsense, etc etc, man do I wish this campaign was better than it is.

There are so many avenues of improvement -

Matt telling everyone to prep and write characters for this campaign instead of a C2-esque character-focused campaign.

Matt working religious organisations into the world properly.

The cast engaging with Marquet as a genuine location rather than set-dressing.

Otohan, Ozo and the rest of the Vanguard having more than "*insert snappy line here*" for their personalities.

No Delilah.

Bell's Hells having an iota of curiosity for anything outside of their own selves, including but not limited to: the gods, religious worship, the Elemental Titans and why they were sundered, how the people of Exandria feel about the gods, Vasselheim and its role in suppressing information about Predathos, Ludinus Da'Leth's plan and how it would still break the world if they did it in his place

I don't know why all of this fell into place in the way that it did, but it did. We can endlessly speculate why - the cast resting on their laurels after C2, not having enough time between the animated shows and Daggerheart and Candela Obscura and, and, and - but at the end of the day I really do hope that whatever form the final campaign wrap-up takes, they burn the damn questions asking the cast "what if the world was made of pudding and this character and this character kissed?" and instead pick questions that get them to introspect for a potential Campaign 4. Otherwise I don't know what will happen, but it sure as hell won't be Mighty Nein part 2: Issylra Boogaloo.

[cirphu]

YORYAK x WANDEE "NO KISSING" CHECKPOINT [3/4]

What do you want? Your kiss. What? Give me your first kiss if I win. […] Are you consoling me? Yes. Consider it a consolation reward. But this kiss is all from me.

[properdxse]

crazy how one band/artist’s lyrics can do so much for your mental well being

[forgettable-au]

I love it when you guys like all of my posts but sometimes you'll get to the veryyy old stuff and it's so embarrassing cause my art looked SO different and also THE STORY WAS SOO DIFFERENT (I retconned lot of stuff at some point)

But also I'm so glad this comic is finally being posted and seeing old posts getting attention reminds me of how much I've progressed ♡ so that's nice

Still embarrassing ...

But very nice♡ glad to see new people finding this au everyday

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[mssallsunday]

mouthwashing features a mc who rapes and impregnates a woman and then crashes a spaceship full of innocent people to cover that fact up when the news gets out to the ppl she confides in and the captain tells her her assaulter wouldn't do that because he "knows him" and the mc pretends like it never happened as he is haunted by the images of his lies and deceit and cowardice and the image of his unborn child and the sound of a child's cries and the captain who failed to act cannot move himself or feed himself or speak for himself or defend himself when the mc attacks him and berates him and blames him for every lie he's ever told as the captain loses every scrap of autonomy he has left. but yeah it's about fucking. capitalism and yaoi. whatever i guess

[ineed-to-sleep]

What if we fell in love and you died LMAOOO what then

[that1notetaker]

Mha chapter 429 Spoilers! Deku hugging ochaku mirrors exactly ochako's hug when Deku's 'heart' went out of control back all those chapters ago. In both cases, both their hearts were out of control because of someone else. Izuku because of Katsuki and Ochako because of Toga. Again, they're mirrors. They've been mirroring each other for a long time. Izuku knew exactly what to say, because he literally understands. He really does. Now, I absolutely loved the tenderness of the scene. The 'hey, you can let the ugliness out, I'm here, it's okay. You can let it out." Izuku has been dealing with his own closed-off heart for a long time, and we still haven't seen HIM open up properly. I'm not sure how the manga will handle it, IF it will. But it feels like there's something missing, for Izuku's character to round up. I vote for Deku vs Kacchan 3, a reversed of 'The only one that can accept Kacchan's feelings is me'

[specialagentartemis]

The Odyssey stands the test of time as a story because it latches into the deep storytelling desire within us to go “and then some MORE weird random shit happened”