#the way he never breaks the contact with her in this scene just kinda illustrates that | Explore Tumblr posts and blogs

buttterknifeee · 4 years ago

Text

How long is forever? - Teen Titans x Aquagirl!Reader

Masterlist

Request: "Hello, May I request an episode insert in the Teen Titans episode 'How Long Is Forever?'"

Summary: Starfire takes a trip to the future... only to find out that you and the other Titans have disbanded. Will she find a way back to the present, or will you live an unfulfilling life forever?? (from S2 EP1)

Pairings: None

Word Count: 3919

A/N: Hey!!! sorry this took a while, it was super hard to write it due to most of it being in Starfire's POV. Most of the episodes in the series are centered around specific titans, so if you have an idea for an Aquagirl centered episode, feel free to send it in!!! (theres also a grand total of one cuss word in there)

Aquagirl’s Room - 2004

“Where is it? Where is it?” you mumble, tearing your room apart. You were looking for one of your CDs that you were in the mood for listening to. You threw your clothes into the air, looked under your bed, and even checked inside of your fish tank, holding the water containing a few tropical fish above you until you gave up. You sighed, finally checking the clock. You realized that you’ve been in your room for an hour and you haven’t even said hello to the other titans. You quickly change into your suit and head to the living room.

You stretched as you walked in. “Hey guys-” you stop in confusion at the scene in front of you. Starfire was standing awkwardly in the middle of the room, holding a bunch of necklaces and boxes and babbling something about “Blorthorg”, Beast Boy and Cyborg were brawling for a video game remote, Raven was reading silently and holding up a pair of nail clippers (?) telepathically, and Robin….

Anger bubbles up inside of you as you realize that he was in front of the stereo, blasting music. From your CD. You cross your arms as you march up to the Boy Wonder.

“Hey Rob, whatcha doing with my CD?” You say. “What, was Kelly Clarkson too quiet for you?”

Raven adds, “Yeah Robin, could the music be a little louder? I can still hear myself think.”

He glares at the two of you “I don’t listen- I only turned the music up to DROWN OUT ALL THE YELLING!!” He refers to the two boys. Cyborg now had Beast Boy in a headlock, holding the controller triumphantly.

“Whose turn is it now, tough guy? Whose turn is it now?” Cyborg taunts the green teen.

“Knock it off! I can't work with you two acting like idiots!” Robin yells.

“Work?? The only “work” I see you doing is stealing my stuff!” You snap.

“Great. More yelling will definitely stop the yelling.” Raven says, a sarcastic smirk on her face.

The three of you glared at each other, Cyborg and Beast Boy were still fighting, and one of Starfire’s necklaces broke, its beads tumbling onto the ground.

“STTTOOOOPPPPP!” the alien princess screamed. You stared at her in surprise. She took a deep breath and recomposed herself.

“ Friends must never behave this way, and especially not on Blorthog! Do you wish to invite the Rekmas?” she said.

“Gesundheit?” Beast Boy said, confused by her vocabulary.

“On my world, ‘Rekmas’ means ‘the Drifting.’” she explains. “The point at which close friends begin to drift apart, and their friendship begins to die.” She frowned. You immediately felt bad for all the yelling you did.

“Aw, come on, Starfire.” Cyborg comes to her side.

“We are so not Rek-whatever-ing.” Beast Boy reassures her.

“We're getting on each other's nerves a little. Big deal.” Raven says.

“Fighting’s just a part of life. As long as we resolve it, we’ll be fine.” You say.

“Yeah. This is just typical roommate stuff. We're not going to drift apart, Star. I promise. We'll all be friends forever.” Robin declares

“Forever?” Starfire asks. Before you could answer, Robin’s T-communicator beeped. The communicator was flashing red, and he turned to you and the others.

“Titans! Trouble!” he says. You all rush out of the Tower and into the city.

You find the “trouble” in the Jump City museum. It was a man wearing black and gold armor and a goatee: Warp. He was monologuing to a bunch of guards that he had frozen.

“I didn't journey back in time one hundred years to squabble, I came to steal.” You see him reaching for one of the clocks. “The Clock of Eternity. Valuable in the past, priceless in the future.” Robin steppeds forward, throwing his birdirang to knock Warp’s hand back.

“But for the present...you'll keep your filthy hands off it.” He says, announcing the Titans’ entrance. The man turns to the six of you.

"The Teen Titans. This is a treat. I read all about you in the historical archives. And now, you're all history!” He fires his laser at you all.

“Titans! Go!” Robin yells as you scramble to dodge his rays. He blocks Warp’s rays with his staff, but at the last shot the staff breaks, and he backed up. Starfire blasts her starbolts at him, but the bolts ricochet off of him and hits her, sending her to the ground. You and Beast Boy attack him now, a stream of water lifting you into the air by your feet. You put your hands in front of you and a jet of water blasts out of your hands, heading straight for Warp. He held his hand us as the water made contact with him, and froze the water. The ice traveled up the jet of water and onto your hands, encasing them in the long shard of ice. You fell, the weight of the ice dragging you down. You winced as you saw Beast Boy meet a similar fate, his animal form frozen in ice next to you. You struggled to free your hands as Cyborg and Raven both went down. Robin gives one last attempt to take Warp down, running towards him.

“You cannot defeat Warp. I am from the future.” He says, throwing disks towards Robin. He dove to the side as the projectiles exploded. “And your relics are one hundred years out of date." He grabs the clock and presses a blue lens from his armor. Suddenly, a blinding white portal forms in front of him. Your hands were still stuck so you had to squint.

“Ta-ta, Titans. I have enjoyed our time together, but I've got a very bright future ahead of me.” He sneers, stepping through the portal. You finally pull your hands out of the chunk of ice just in time to see Starfire slam into Warp, sending the two of them into the portal.

“Starfire!” Robin yells, trying to dive in after her, only for the portal to close and him to fall on the floor. You pull him up from the ground and look around. Starfire was gone.

Titan’s Tower-2024

Starfire couldn’t believe what was going on. After tackling Warp, she ripped off the lens on his suit and ended up in Jump City, 20 years into the future. She found Cyborg alone in the rotting Titans Tower, hooked up to a large battery. He explained that the day she left, the Titans fell apart, and disbanded soon after. He told her that the others can help her get back to the present, telling her where to find you, Beast Boy, and Raven.

She found herself at a circus whilst looking for Beast Boy. There in a cage, sat Beast Boy, changing into various animals. She approached the cage as he turned back into his human form. He was now a pudgy old man, with a great deal of hair loss. He looked at her with wide eyes through the bars.

“No way! It's you. But how?” he asked, peering at her with his wrinkled eyes.

“I require your help.” Starfire said.

“What kinda help?” Beast Boy asked.

“The future is not as it should be. We must find Warp. I will free you from this--” Beast Boy stopped Starfire from continuing her sentence.

“This cage isn't to keep me in! It's to keep those maniacs out!” he explained in a panicked tone, referring to a group of kids. “Look. After the Titans broke up, I tried the whole solo-hero thing. Got my butt kicked, a lot. So now, well…”

He turned into a chicken briefly to illustrate his point. “ Besides, I'm in the showbiz now.” Starfire could tell he wasn’t happy with where he was, but there was nothing she could do. She left Beast Boy and went to find Raven.

She found Raven in a room in a broken down building. She was standing in a pure white room, wearing a white cloak to match. Her back was facing Starfire when she arrived.

“Raven?” she squeaked, inching into the room. “Raven, it is Starfire, your friend”

“No such thing.” she groaned, her back still facing Starfire. Starfire’s eyebrows furrowed.

“Please, Raven I-”

“Just another figment. Don’t even look.”

“You must listen! I am here because-” she pleads, but Raven stops her.

“I’m never coming back! Go away!” she yells, Starfire backing up in fear. “It has to go away. Just like before. Just like all the others.” Starfire frowns in realization. She must not think I’m real; she thinks it's all in her head.

“Your mind.” she says softly, approaching the cloaked woman. “Without friends, you must have--” Starfire was about to touch Raven, but her familiar dark shield formed around her. She gasps, then eventually leaves the room in defeat. There was one last person she could try talking to. You.

She walked by the Jump City beach, the same place where you got your powers all those years ago. Suddenly, you rose out of the ocean, the water around you carrying you onto shore. Your face was stuck in a permanent glare, different to your constant smiles as a teen. You were taller, definitely had a few wrinkles, and you were wearing Atlantean clothing. Starfire flinched at your sudden arrival.

“Aquagirl! how-”

“I don’t go by Aquagirl anymore. I am Queen (y/n), ruler of Atlantis. And word gets around when one of your old teammates who had disappeared 20 years ago is roaming Jump City again, even at the bottom of the ocean.” You say coldly, eyeing her as she shrunk at the sight of you.

“What had happened to you, my friend?” she asked.

You sigh, recalling your memories. “After you disappeared and the team disbanded, I vowed to never be as soft and vulnerable as I was then. I moved to Atlantis, and was eventually appointed ruler.”

“Oh my, that sounds terrible!” Starfire exclaimed. “I need your help my friend-”

“No.”

“No?”

“No. It’s not terrible, I am quite fine just the way I am. And we were friends 20 years ago; things have changed.” You turn your back to her. “I must get going; there’s much I need to do.” Starfire stares at you in sadness as you walk back into the ocean, the water swallowing you up and the waves lapping like normal.

Starfire trudges through the snow-covered city, when a laser blast knocks her back. Her eyes raise to meet with Warp’s, his weapon aimed at her.

“What’s the matter, dear? Have I come at a bad time?” he snarls, opening fire once more. She dodges his shots and fires back, but the starbolts simply bounce off his modern armor. She tried to hit him close up but he held up his hand and ice formed around her midair. The large chunk of ice containing Starfire drops and shatters, leaving Starfire on the ground, shivering. She glares at Warp, who now has deeper wrinkles on his face.

“You have become so old,” she notes, still on the ground.

“That's what happens when someone steals my vortex regulator.” he says, holding out his hand. “The regulator, if you please. I really must get back to my future.” She stands up and takes the lens out from her belt. She couldn’t let him leave, especially when she’s stuck in a future like this. She held the disk next to her and warmed up a starbolt, as if to hold it hostage.

“If you ever wish to see your future you will repair the damage you have done to my past!” she yelled, anger bubbling up inside her. The villain laughed.

“Damage? Silly girl. There's nothing wrong with your past. One cannot damage history, because history cannot be changed.” He held up the clock and continued. “I went back in time to steal this because history says it disappeared. And history says it disappeared because I went back to steal it. Past, present, future. It's all written in stone, my dear.”

Starfire stood in disbelief dropping her glowing hand. No… this can't be the future we’re destined to live. Such terrible lives… she thought. Warp walked up to her shocked state and took the lens out of her hand.

“And nothing you do can ever change it.” he scoffed. Warp prepared to blast her when he was knocked into the alleyway by an unknown figure. Starfire snapped back into reality and looked around for you had knocked the villain back. A dark silhouette lept forward and threw Warp against the end wall of the alley. They threw disks at the villain, the area around him exploding. When the smoke cleared, Starfire could see that Warp had used a force field. He released his shield only to be met with the mysterious figure dropping down towards him. He stared straight at Starfire.

“Another time, perhaps.” he said. Before the shadowed person could reached him, he dropped into the ground. The person who had tried to fight him landed right where Warp had been, and as they straightened up, Starfire inched forward to see who it was.

“It’s good to see you again.” the person said. Starfire could recognize that voice from anywhere, and apparently, anytime.

“Robin?” she asked.

“I haven’t used that name in a long time.” he said, finally stepping out of the shadows. He looked nothing like the Boy Wonder she knew. His traffic-light esque uniform was replaced by a black suit with a blue bird on the front. He still wore a mask and he now had long, black hair.

“Call me… Nightwing.”

Starfire found herself in Robin’s (or Nightwing’s) base. She looked at a glass case of his old uniform, a feeling of melancholy washing over her. She was glad that he was ok, but the Robin she once knew was now nothing more than a mannequin display. Nightwing wrapped a blanket around her with a small smile.

Nightwing finally spoke. “So I’ve heard you’ve been looking for help.”

Starfire sighed. “There is nothing you can do. There is nothing anyone can do. The past cannot be repaired, the future cannot be altered, no matter how wrong it seems.”

“So it’s impossible.” Nightwing determined from her rant, walking towards a bunch of computers. “Good. If memory serves, we've done the impossible before.”

Nightwing’s words had surprised Starfire. None of the others had said anything as hopeful since she’d arrived here. A small fire of hope blossomed inside of her.

“I held on to this,” Nightwing says, pressing a button from a device. “...just in case.” Starfire’s eyes widened, realizing that it was a T-communicator. The communicator began to flash red, and to Starfire’s delight, so did her neck piece and wrist guard.

At the bottom of the ocean, you sat on a throne, talking to your advisers. As they left, your seashell necklace began to flash red. You looked at it in surprise, recognizing what it meant: it was an emergency signal that Robin had put in your necklace while you were still in a team. Even after 20 years, he had never used it until now. You began to get up from your throne when a group of your advisors came back, swarming you with scrolls and questions. You sat back down, a bitter feeling in your throat.

Beast Boy’s belt had flashed red whilst he was performing a trick in his animal form. He quickly jumped back into human form. He observed his belt for a moment before stepping back, hanging his head.

Cyborg's robotic eye flashed red as he sat alone in the Titans Tower. He immediately got up and started towards the door, only to be stopped by the wires keeping him alive and stuck inside the tower. He looks back at the power source.

Raven still stands alone in the room, her back facing the door. The brooch of her cloak flashes red, and without looking at it, she covers it with her hand.

Starfire and Nightwing venture to Jump City museum, where they find Warp, fixing his time travel suit. He wields the lens that he took from Starfire to his suit, whilst talking to himself.

“Tick-tock.” he laughs. “Just a few more seconds, and I shall finally--” his sentence was cut off by Nightwing knocking the tool out of his hand, revealing him and Starfire’s position.

“The future will have to wait.” Nightwing says, extending his staff. “You just ran out of time.”

Warp growls and fires laser beams at them, causing them to split up to avoid getting hit. Starfire shoots her starbolts at Warp again, despite them getting deflected by his force field. Nightwing however, jumped down on him again, using his staff to crush one of his lasers. He turns to face Nightwing, but Starfire lands a hit on his back with her starbolt. He tries to laser Starfire but has to dodge Nightwing’s staff attacks that barely strike him. He fights quickly and with fury, eventually knocking Warp flat on his back. The two heroes step close to him to inspect him. But Warp grins, and uses his second laser to blow a hole through the roof, snow and rubble falling onto Starfire.

“Star!” Nightwing yells, but Warp blasts him back with his laser. Warp runs over to the tool he dropped and started repairing his suit again as Nightwing helped Starfire up. Suddenly, he was blasted back by a familiar blue ray. Starfire and Nightwing turn to see Cyborg, his arm cannon smoking, but being able to function without any wires.

“Boo-yah” he says with a grimace.

“Cyborg!” Starfire exclaims, flying over to the half robot. “You are repaired!”

“Glad you could make it,” Nightwing says, joining them.

“Wouldn't have missed it. Now who said y'all could start without me?” Cyborg said as Warp stood back up.

“So sorry,” Warp said, holding up another device. “Perhaps I should finish you first!” Before he could use the device, he was attacked by a green lion, Beast Boy. Warp looked at the lens he was repairing, now crackling with electricity. In anger, he pointed a laser at him, but a jet of water shot up from the floor. You ran into view, a trident now in your hand.

“Heard you guys needed help!” you yell, a hint of a smile peeking out from your stoic face.

Before Warp could fall to the ground again, he is overtaken by magic, and thrown into the side of the wall. Raven materializes, still wearing a white cloak.

“Nobody hurts my friends,” she said, reminiscent of the first time you met her.

“Dude, that is so unfair,” Beast Boy whines, comparing his bald head to Nightwing’s flowing hair. The six Titans turn to see Warp, who has managed to create a wormhole, despite his suit being damaged.

“It seems my time has come,” Warp said, preparing to walk through the wormhole. Nightwing threw a birdarang at Warp, Warp throwing his own disk to intercept it. Starfire watched in awe as the birdirang sliced through Warp’s disk and hit him in the chest, right where the lens sat.

“Uh?! No! NOOOOO!” the six of you watched in horror as Warp regressed in age until he was nothing more than a screaming infant.

“Ok, I am not changing any diapers.” Beast Boy said, staring at the baby.

Cyborg looked at Starfire. “We gotta get you home. Come on!” he pointed at the wormhole, which was shrinking. He took the lens from the suit and put it in his arm cannon. He fired at the wormhole, making it bigger.

“Im redirecting the wormhole.” Cyborg said, turning to Starfire. “Starfire! Go!” She steps towards the portal and looks back at her friends. Their lives seemed so lonely and.. dissatisfying. Is this life they were destined to live?

“Please, must this really be our future?” She asked. The rest of you looked at her silently, sadness in your eyes. “Is there nothing I can do to change it?” Nightwing stepped up and looked directly into her eyes.

“I'm sorry, Star. There isn't time.” Nightwing said. He placed the clock that Warp had stolen in her hand and his other hand on her shoulder. He gives her one last smile before stepping back towards the other Titans, beckoning her to enter the portal. Starfire took a deep breath, and walked into the portal.

Jump City Museum - 2004

“Starfire!” Robin yells, trying to dive in after her, only for the portal to close and him to fall on the floor. You pull him up from the ground and look around. Starfire was gone.

“Oh my god,” you whispered.

Beast Boy stared at the place the portal was. “Um, where did she-?”

Another portal opens with a brilliant flash between Beast Boy and Cyborg. Starfire falls out, curled around an item. You all rushed towards her.

“Dude!”

“Whoa!”

“Star! What happened?” Robin asked as the portal behind her closed.

“History said it disappeared.” Starfire said, straightening and revealing the clock warp had just stolen. “But history was wrong!”

The boys stared at her dumbstruck but you laughed, diving in for a hug.

You stood with the other titans as Starfire recounted her story. You covered your mouth in awe to find out what happened to you and the others in the future.

“Then Nightwing handed me the clock and I entered the vortex.” she finished.

“Woah,” Raven said, shocked by the recount of Starfire’s story.

“Bald?!” Beast Boy yells, grabbing at his hair. “You're telling me I'm going to be bald?!”

“Gosh, Star, all of our lives seem so terrible,” you say, thinking about what Starfire had said about you. You were a queen (which was cool), but you were also a cold hearted bitch (super uncool). You didn’t want that to happen, and more importantly for you to no longer be friends with the other Titans.

“Guess you were right about all that Rekmas stuff,” Cyborg said, slightly concerned.

“I don't want us to drift apart. Does it all have to happen? Isn't there anything we can-” Robin worries out loud, but Starfire stops him.

“Our friendship has already changed Warp's past. I believe it can also change our future.” Starfire says with a smile.

“Yeah I mean, the original reason we “broke up” was because of Starfire disappearing, and since she’s here now, we aren’t breaking up!” You chimed in, grinning at the other Titans.

Raven picks up the broken necklace with her telekinesis, stringing them back together.

“So… is it too late to do this festival-of-friendship thing?” she asks.

Starfire’s eyes sparkled. “Oh, it’s never too late!”

You all put on the bulbous necklaces Starfire brought in the morning.

“HAPPY BORTHOG!!!” Cyborg cheers.

“I thought it was Blort-Hog,” Beast Boy wondered.

“Okay, I feel like a wind-chime.” Raven groans.

“A very cool wind-chime,” you winked.

Starfire put the last necklace on Robin. He raises an eyebrow at her.

“So… Nightwing, huh?” he asked.

“Don’t even think about it bird brain,” you yelled from across the room, causing him to blush. You all burst out into laughter. The tower stayed cheerful the rest of the night.

210 notes · View notes

lightsandlostbells · 6 years ago

Text

Skam France season 3, episode 9 reaction

Okay, I finally did this one! I’m not sure how many people still care since Skam France S3 ended back in March, but I wanted to complete the whole season. Sorry for the delay, anyone still interested! I apologize if I forgot some crucial details in writing this since there was such a large gap between viewing the rest of the season.

Episode 9

Clip 1 - Guru advice for a sad boy

Lucas is lying on the couch after his rough night. Are they still going to make him sleep on the couch after this shit went down? Why is he even there anymore after he told them sobbing that this was his room now a few episodes ago? Or when he stumbled in with his boyfriend to fuck on the sofa and Lisa was like, yeah, make Manon sleep on the couch instead since she’s not getting any? Because I refuse to believe that Lucas chose to camp there voluntarily either when he was a) getting laid or b) in the throes of despair.

Mika checks in on him and tries to comfort him. There’s a nice, humanizing part where he says just because he seems happy all the time doesn’t mean he’s never sad, and just because he sleeps around now doesn’t mean he’s never been in love. Lucas apologizes for saying a dumb thing and Mika says it’s OK to be dumb when you’re sad. But don’t be dumb too long, meaning don’t be sad too long. He gives Lucas a kiss on the forehead. So at least we’re getting some of this affection between them later in the season.

Lucas asks Mika how you move on and Mika is just like … shrug. Like he literally shrugs. I mean, I get that there’s no easy answer, but you could have said that instead of leaving Lucas hanging, dude, give the guy a little relief.

Clip 2 - Lucas’ dad suuuuucks

Lucas is doing laundry and looking up bipolar disorder on his phone when Eliott sends him a picture, kinda similar to the one on IG of his raccoon fursona throwing away crumpled drawings? I think it’s be the same one. It’s like he’s trying to say something to Lucas but doesn’t know what. He sends another pic where the raccoon seems to want to call out to hedgehog but the hedgehog spurns him and doesn’t want to talk. Eliott then sends him a bunch of photos at once and Lucas texts him not to contact him because he's not dealing well right now. Which is kinda different from Isak’s reply to Even the night after? It might be lost in translation, but Isak was more “I don’t know what’s going on” and Lucas is like “I’m not dealing well with this,” so confusion vs. hurt/upset feelings.

More dramatic piano music as Lucas gets another text. not from Eliott, but from his dad, asking if it’s true he has a boyfriend. OK, so Dad is a homophobe? Because he sure took a while to answer his son (compared to Isak’s dad who answered him immediately). Like did he need almost a full week to process that his son was dating a guy, he didn’t text or call in the meantime? Dad says if that’s true that Lucas has a boyfriend, it’s not a good idea to bring him to church. He attributes it to Lucas’ mom not being able to understand, but this seems way more like Lucas’ dad’s problem.

Isak’s dad wasn’t a great guy, but I think he genuinely didn’t have a problem with Isak being gay, or at least not a huge one. He responded to Isak’s coming out right away, said it was nice if Isak had a boyfriend and he would like to meet him, and checked in with Isak about whether he was sad about breaking up with his boyfriend. It’s very possible he wasn’t 100% fine with it, but it seemed like he was awkward at worst rather than actually disapproving. Lucas’ dad feels like he is seriously not OK with it even if he’s trying not to come across that way. He waited almost a week to respond to his son coming out to him and then didn’t say anything nice like “I’m happy for you” on top of that, he just said went into how it wasn’t a good idea to bring his boyfriend to church. Lucas’ mom’s possible reaction felt like an excuse for his own problem. And I don’t think it was even her potential response as a religious person, but maybe the dad thinking that Lucas should keep his gay relationship away from the church as a general rule.

Lucas starts to type out that it was a joke (about having a boyfriend), but deletes the message and doesn’t reply, then seems about to cry again. So like Isak, he can’t bear to say it wasn’t real.

Also, by this point in Isak’s season, Isak had come out to both his parents, and he got his mother’s acceptance text right at his lowest point, when he needed it. So at least that weight was off his back. Lucas hasn’t even told her about having a boyfriend yet, so it’s just pure misery for him with no relief. He’s probably even more anxious about his mom rejecting him because of his dad’s text.

Clip 3 - Charles is THE ACTUAL WORST, NO EXAGGERATION

Manon and Emma are talking about Charles when Lucas gets home. Can we please inform the remake writers that this storyline is not even necessary in adaptations where the William actors don’t leave the show? Remember how much Noorhelm there was in S4? If it’s like this in S3 what will the Manon and Charles drama be in Imane’s season? Or will it be toned down in that season and is only more prominent in this one as a way to incorporate the girl squad more in a boy’s season?

However, Manon says Lucas can stay to hear about what happened with her and Charles, which is seriously a sweet moment since it shows how close they are and how much she trusts him. Additionally, he gets to return the favor (of sorts), because Manon supported him and Eliott and was there for him when he was falling apart, so now Lucas can listen to Manon’s story and support her in her time of need.

Manon tells her story. At first it was great with her and Charles, then he got busy working for his dad and Manon had classes, and she didn’t make many friends. I like that she’s all “not my strong point” to Emma; that’s nice continuity, since Emma was the first friend she made at her new school, and they bonded over not having friends, heh. Manon got summoned to testify against Nico and she was upset about it; Charles noticed but she couldn’t talk about it. Then Charles went back to Paris to see his mom and Nico was invited without warning. They talked, Nico cried a lot, he was depressed and regretted what happened. Charles thought Nico needed therapy, but prison would fuck up his life. Especially because Nico didn’t even rape Manon. Yes, that is what Charles actually said to Manon. The fuck.

Charles said he would support Manon in whatever choice but really, while he didn’t impose anything on her, he also didn’t support her. The day of the trial, she went to court but ended up leaving before it happened. Charles asked how it went and she told him the truth, but that she wasn’t coming home, either. Manon didn’t tell anyone what happened because she was embarrassed about leaving for London with her dream man and coming back after only a few months. She felt so stupid. Manon cries, Emma is supportive, Lucas suggests they all drink. Emma is like YESSSSS. Lucas is not surprised Emma wants to drink.

Manon is like, the last time I drank wasn’t exactly great. I mean ... good point, maybe not the best idea to remind her of Nico right now. Except Emma is like, I won’t make out with you, OK? Lucas is like, neither will I. Heh.

I’ll pay a compliment before I get into my rant: Marilyn Lima did a great job depicting Manon’s breakdown. I really felt for her. And that made me angrier at this narrative choice, honestly.

OK, I’m just like ... exasperated. And disgusted. I am not a Noorhelm fan. I didn’t like this story in Skam about why Noora left London. I think it illustrated why Noorhelm were not compatible as a couple, because the same mistakes were happening in S4 that happened with them in S2; just like when he ditched Noora at school when he heard from Niko and then ignored her texts telling him it was rape for days as she begged with him to talk to her, this incident again showed that William was not capable of supporting Noora to the degree she needed it. Sure, it’s a lovely moment when he holds her as she’s panicking, but what about when he cruelly removes that tenderness and love when he finds out why she’s panicking? It was her sexual assault, not his, and I know it’s more complicated because his brother was the perpetrator, but he still needed to put his own feelings aside and support his girlfriend, the victim. When he can’t do that, repeatedly, then we really need to question whether he is the right person for Noora. Not to mention that this issue was resolved off-screen, with Noora being vaguely like “we talked and I understand him so much better now” as if Noora’s failure to understand William’s feelings is the real problem here. Not to mention any other criticism I could say about Noorhelm. And in some ways I think Marles was worse than Noorhelm; there were times when Charles was more of a domineering asshole than William (the scene where he leaves Manon crying on the ground, for example, is even nastier).

So I say this as someone who doesn’t really care about the pairing … did they have to make Charles so much of an irredeemable asshole here?

Charles probably has some “good” reason for his behavior that we’ll find out later. Too bad I don’t give a fuck what it is. He minimized his girlfriend’s sexual assault because the attacker - his brother - didn’t technically rape Manon, because the brother is just so upset about it and crying and he needs therapy, not prison. Fuck Charles. Nico is probably manipulating him, or maybe Charles is doing this for his mother’s sake so her son doesn’t go to prison, who knows, but whatever the reason, he basically planted the idea in Manon’s head that Nico didn’t need to go to jail. He downplayed her need for justice. He downplayed her trauma. Like … the only acceptable explanation is that Charles was replaced by a pod person or an evil clone in Paris, and in S4 the real Charles fights his way out of the underground secret laboratory where he’s being held hostage and tells Manon the truth. That is the only way I will accept Charles and Manon endgame after this.

I would not have a problem with this development were I confident that Manon and Charles were going to break up for good. Okay, that makes sense as a factor that permanently separates them. I do still think it’s kind of frustrating and pointless, like why the fuck did we spend a whole season on their supposedly great and epic love if Charles was going to commit the same selfish and hurtful mistakes he did in S2? I think it would be fine to do a storyline where Marles/Noorhelm doesn’t work out because Charles just can’t be the guy Manon needs him to be, but like … that should be the story of S2. When they’re the focus of a season. When you can develop that idea clearly because the POV allows it. You could get them together earlier in the season and do an arc similar to Eva’s where the Noora realizes that while she loves William, it’s best if they break up because they don’t work as a couple (even if this might be a redundant storyline after S1, I think it could still have value in trying to portray girls not putting up with their boyfriends’ bad behavior). But not “we spent a full season trying to convince you they belong together, but something happens off screen and they broke up.” That’s narratively unsatisfying. And anyway, this whole rant is probably pointless, because my issue is that I don’t think they’re going to break them up for good. Charles will come swooping back later in S4 just like William did. He’ll likely have some weak excuse that we’re supposed to accept as justified for putting Manon through all of this pain. For fuck’s sake, even if, IDK, Nico was threatening Manon if she testified against him, or something dire like that, so Charles had to find a way to discourage her - in what world is it not better to tell Manon about this than to keep it to himself?

You know what? Even if you have sympathy for Charles, even if you think it’s understandable that he doesn’t want his brother to go to prison, however loathsome said brother might be - that still doesn’t mean he’s right for Manon. Maybe they love each other, maybe it’s not fair, but if he cannot support Manon entirely over his brother here, then this relationship will never ever be healthy. She is a victim of sexual assault; Nico is the one who assaulted her. There is no grey area to this situation. So if Charles cannot accept that, then he and Manon cannot and should not be in a romantic relationship; Manon deserves someone who can support her through her recovery of a harrowing experience wholeheartedly. I do understand if Charles has complicated feelings about the issue, but frankly then he needs to go to therapy and work them out with someone who is not the victim of a traumatic crime.

I mean, shit happens, sometimes you have to account for sudden unplanned factors, like when Thomas Hayes left the show. But Michel Biel didn’t as far as I know, so there was no reason to insert this frankly evil drama into the narrative. There was no reason to send Manon to London at all? She was going to move in with Charles. That was literally what was planned for them after S2 to free up a room for Lucas. It’s just so goddamn dumb.

I’m trying to consider if maybe the purpose of this crap was to make a parallel to Lucas’ situation, maybe to show Lucas how Eliott must feel to be abandoned by the one he loves by showing Manon breaking down? But nah. If that was the case, it’s really not highlighted enough, I don’t think we see Lucas clearly link it to Eliott. I know subtlety isn’t this show’s strong suit, but this would have been so subtle as to not be present at all (which is why I don’t think it was intended). And it’s also way too big as drama not to have drastic consequences in itself.

God. I just. Why. Whyyyyyyy.

Clip 4 - Pity party turns to pity rave

They’re all hanging out and drinking, nice to see all three season leads so far get a scene together. Manon’s lying in Lucas’ lap, that’s cute. They’re bemoaning their love lives and it’s Emma’s turn to vent about her relationship with Alex. Manon suggests talking to him to find out if he has good qualities other than sex. See, I would buy this if all we knew about them was that they were hooking up, but we’ve seen through social media that they do hang out together outside of the bedroom? They go places together enough to document their experiences on IG. So they would’ve attempted conversations already, they would’ve tried to bond. I think it’s time for Emma to call it like it is: a satisfying sexual relationship, nothing more.

Lucas is like, you’re lucky, you have a boyfriend unlike Manon and I. Dude, Lucas, come on. Emma is just FWBing it with Alex anyway, according to her. He’s drinking and getting sloppy and telling them about Eliott’s freak-out and him being bipolar and Emma is like, I have it worse. Lmao shut up, no you don’t. I get it in the sense that having a bipolar boyfriend is not a terrible thing, but Eliott’s manic episode is certainly a more drastic and serious thing than just being with some conversational dud who knows how to maneuver his penis. Even Lucas is like BUT MY BOYFRIEND IS BIPOLAR, though in his case I think it’s still the ableism peeking out.

Manon is like, excuse me, I have it the worst. They agree. I also agree. Charles is undoubtedly the worst.

Mika and Lisa come home and join in the debauchery. They put on a disco light and everyone dances. It’s very tonally jarring and I think it’s supposed to be kinda not actually happening? Or rather, some version of this is happening but Lucas’ POV is exaggerating or distorting it because he’s drunk. The lyrics are like “Take control” so I suppose this is his desperate way of reclaiming his messy emotional state

I do like the shot of Mika showing off his nipples and Lucas seeing it and being like … nope.

Manon and Emma make out and Lisa and Mika make out and I’m kinda cranky about it, because I don’t need more straight girl hawt drunk make-outs or a gay guy kissing his female roommate, like what a double dose of bullshit. More generously, I can attribute this to Lucas hallucinating and being out of sorts while he’s drunk and so imagining “wrong things” like everyone around him standing still, Manon and Emma kissing when they’re not a couple, Mika and Lisa kissing when Mika is gay, etc.

It’s all fun and games and party electronic dance makeouts until Lucas slows down and gets miserable. Things get blurry. He can’t drink his angst away, not for long.

There’s a shot spliced in of Eliott making eye contact with him on the dance floor in episode 3, as Lucas is coming down from his high. Nice inclusion as Lucas is trying to escape his problems but of course he can’t get over Eliott or his sadness that easily.

There’s possibly more you could analyze about the composition of the ending but the editing kinda gave me a headache so I only watched the clip once, sorry.

Clip 5 - Basile isn’t a dumbass for once

Lucas is very hungover at school on Monday. Yann is like oooo, night out with Eliott? Lucas explains that it’s because of Eliott that he got drunk. He says Eliott is bipolar as Arthur and Basile sit down. Arthur is like, Kanye West is bipolar. Maybe not the best example to use in 2019, bro.

Honestly they’ve ruined Basile SO FUCKING MUCH with his horrible creepy sexism that I can’t even enjoy this moment from him where he talks about his mom. I mean, this is easily the best Basile has been all season, and if they hadn’t made him so disgusting, it’d be a great scene for him. And I completely understand people liking him in this moment. Hell, divorced from anything else in this season, I like him in this moment! But I cannot get over how atrocious their depiction of him has been elsewhere in the story, like I’m glad he dropped some wisdom on Lucas but this isn’t some magical fix-it that will erase my negative feelings about him.

Like for example, Basile says the first time his mom saw a Tom Cruise movie, she fell madly in love with him and flew to LA and went to his house and got removed by the cops. And not to be insensitive since this is an example of her mania, but my first thought was, “Oh, stalking runs in the family.”

The rest of the dialogue is pretty similar to OG where Basile inquires about how Eliott is doing and he suggests Lucas talk to Eliott, Lucas is a dumbass for listening to Eliott’s ex, etc. Basile says it seems like Eliott really wanted to be with Lucas, and that there are times when it will suck, but if Lucas wants to be with Eliott, he’s got to do it, you have to take people as they are. I dislike the music intruding over the end - I don’t think it’s well-timed and it feels forced - but other than that, the message is fine.

Clip 6 - Bye bye foyer

I like how Lucas and Yann are kinda cuddled into each other as they share earbuds and the couch. Lucas is still wearing his ROMANCE sweatshirt despite being deep in heartbreak. I admire his commitment to love.

There’s a little meta joke because they’re watching a show on Yann’s phone, and he says it’s episode 9, and it’s almost over. Which is of course a reference to it being episode 9 of Skam France with the season almost over, heh.

Lucas gets a text from his mom about going to confession and how God forgives those who deviate from the path as long as they come back to it. This leads into the coming out from his mom, and THAT GODDAMN TINKLY PIANO MUSIC starts up again. I do think it’s been used appropriately at times, but at other moments it feel so soap opera-ish and overly dramatic. Sometimes it seems like Skam France is a really insecure show, like how they have characters state the obvious like they were afraid the audience wouldn’t get it, or they go for the OTT music as if the writing, acting, and directing won’t be enough to elicit an emotional reaction.

I mean I realize it is Bad and Wrong to compare Skams but remember in the original version of this scene where Isak just sat and typed out this entire, very long message, and it was silent except for the cafe noises and the camera stayed still on him the whole time, because Julie trusted the audience not to fidget and for Tarjei’s acting and the importance of the scene to hold everyone’s attention? And in Skam France we get the music and the camera will not stop moving like they assume the audience is made of easily bored toddlers who need stuff swirling in front of their eyes at all times. Speaking of, WHY ALL THE FUCKING PANS, why does the camera need to move so much, whyyyyyyyy. It’s distracting and doesn’t even fit for the emotional tone of the scene, really? Like isn’t he actually pretty steady writing this to his mom? Shouldn’t the cinematography reflect that?

Lucas starts to type a text about how he met someone and don’t get mad at him, but he deletes it and just types out a message saying he’s gay, sorry if it hurts or disappoints you, see you on Friday, love you. And Lucas’ mom texts him back immediately to tell him she loves him, too, and that she’s proud of him.

Heavy sigh. I feel bad being negative about this scene because it is important and beautiful for Lucas to hear, he’s profoundly touched by his mother’s acceptance, but boy oh boy did they minimize the impact of this scene, even aside from my gripes with the cinematography and music.

So the Religion clip was the catalyst for Isak coming out to his mom, and he specifically uses Sana’s words to come out to her. None of the S3 remakes seem to understand that clip’s importance to the Isak character except that hey, talking about religion and homosexuality is good! It aggravates me because it makes it seem like the writers missed a basic connection within the story; they think stuff just happens in the season Just Because and don’t get the cause and effect (like the generalization dialogue earlier in the season, something both France and Italia included without really seeming to get why it was there other than “the message is important”). And I mean, you can adapt the religion scene so it’s not the same! You can adapt the message, it doesn’t have to be verbatim. But not connecting the religion clip to Lucas coming out to his mom makes that relationship between Lucas and Imane less meaningful. It makes the scene more of a tangent rather than an important stepping stone in Lucas’ coming out narrative. It’s just there.

Again, I hate being sour about this but it just makes me grumpy, like I feel this is a demonstration of the differences between Skam and Skam France. Skam did this simple, quiet coming out scene where we just lingered on the actor for a while and which was built up to within the narrative by a prior scene that linked the two thematically, and which delivered the “punchline” with some excellent pacing (where Isak’s mom didn’t reply until when we least expected it, and with powerful timing and execution, when Isak most needed to hear it), and Skam France flies by this pivotal scene and does it in under two minutes like it’s getting it out of the way, with nothing remarkable about pacing and timing, but with dramatic music and camera movement.

Part of my problem is that honestly, I feel like Skam France kind of ... doesn’t care about this moment. Consider the amount of time given to Lucas’ coming out to his mom and her acceptance, versus the amount of time for the foyer stuff that takes up the rest of the clip. I feel like other than Yann’s random initial rejection, all of Lucas’ coming out stuff has been so smoothed over and easy, not just from an outsiders’ perspective, but from a personal psychological perspective. And it’s not that I expect CONSTANT TORMENT but it feels massively oversimplified, like these scenes are just obligatory. I hate to say this because I know the screenwriter is gay and I don’t want to diminish any personal anecdotes on coming out he brought to the story, whether this reflects his own experience. But I almost feel like they knew the Evak fans would flock to this season (which is true, we know with all the behind the scenes stuff and cast interviews they were doing that were blatantly to appeal to shippers) and so they allocated some screen time to getting in the shippy romantic content while pushing aside some of the pesky, less exciting stuff that doesn’t have to do with romance. Like for instance, coming out to one’s mom.

I do like that when Lucas is crying, Yann asks him if he’s OK and Lucas is just kinda like, yeah, I’m fine, and Yann smiles at him. It’s a simple, nice moment.

But here I go again. Just the fact that this incredibly pivotal and meaningful scene is cut off so we can get to the fucking common room drama?? The common room is more important that Lucas coming out to his mom?? They could have at least made the coming out moment a separate clip from the foyer stuff with the principal. It’s not like they haven’t been doing that all season, splitting up big scenes into two or more clips. (And yeah, Isak’s coming out to his mom didn’t have its own clip, but the content surrounding it was at least extremely important and concerned Isak on a very personal level, compared to the foyer stuff.)

The principal storms in and yells because the students have been snatching the Wifi. Daphne takes the blame and gets in trouble for it. Then the principal hears giggling from another room and there is the nerd dude who set up the Wifi and Chloé’s friend Maria, getting cozy on the mattress. They get up and run off when the principal yells at them. Okay, who the FUCK thought it was a good idea to put a mattress in a room behind a closed door, in a school full of hormonal teenagers??? Did you not think this is where it would lead? Idiots.

The principal is roaring mad and yells at Daphne more. What’s next, a Fight Club (lmao, I wouldn’t be surprised) or a heroin den? He singles out the mural as peak bullshit and tells the students to pack up their things. The foyer is closed. And they have to come in on Saturday to repaint the mural.

Lucas is like, no, that’s where I lost my virginity! It’s a monument to my first experience with gay sex! No, actually he just defends it as an homage to Jackson Pollock. Yann defends it more calmly, but the principal gives them both detention. Well, that’s not fair, Yann didn’t deserve that.

Imane stands in front of the principal and gives a speech about how they all participated in the mural and how it means something to them and represents their differences, difference races and sexual orientations. It shows how they can all live together. And now he wants to paint over the mural in white, of all colors? It’s a good speech not because she means it, because L M F A O they did not all paint that fucking mural, Lucas and Eliott splashed some paint on the wall before fucking against it, but because it appeals to the principal’s sense of self-preservation. Does he really want to erase the mural that represents his marginalized students and the harmony and diversity of the school? Does he really want to risk the backlash?

The principal backs down from the mural and leaves. Wait a minute. Imane didn’t actually mean that speech did she? Because lmao, this mural did not mean anything about diversity. There’s an ass print on the wall, for fuck’s sake.

I think she was definitely manipulating the principal and going over-the-top, but the issue is that the rest of the season then tries to play her words as sincere, like that’s the whole point of them standing up for the foyer in the finale, that it’s a place that brings different people together.

Anyway, they’re all sad. The foyer is closing! Daphne says there will be a solution, the others comfort and reassure her.

Maybe because I’m in a bad mood from the coming out part of the scene but: I do not care about the foyer. Actually, I care about it a tiny bit in that Daphne would be sad if it closed and Daphne is my girl but other than that? Nah.

And you know what? The principal had a fucking point! Multiple points! They did host a party after school hours where dozens of students broke into the school and potentially caused mess or damage. They were stealing Wifi to the point where it was slowing down the network. They did have a room with a mattress where two students were just caught in the act of trying to hook up. He was being petty about the mural, but other than that? He’s not wrong. I love Daphne but looking at it from the POV of a meanie adult, she’s enabled a lot of irresponsible actions with this foyer regardless of possible negative consequences.

But mostly? I don’t care about this. I’m weary of how the foyer has encroached on Lucas’ season the way the bus took over Sana’s season. I only gave a shit about the bus because as it meant something to Sana with reconciling her Norwegian culture with her Muslim/Moroccan culture, and because I wanted to see the girl squad have fun in the bus, not because I cared about the bus in itself and how big it is or whether it has certain features or if they can afford a bus as opposed to a van. Likewise, I care about the foyer only in how it relates to the main characters, and so far mostly it’s just Daphne’s investment in it. Lucas’ investment in the foyer is mainly that he and Eliott did the mural and fucked there, a scene that was ridiculous in itself, so I have a hard time caring about it.

But like … if Lucas really cared about this foyer instead of seeming just along for the ride for most of its development? It would make more thematic sense in the season. Like if he and Eliott were more actively involved in fixing up the foyer all season instead of just the mural scene, if it really represented something to them. Say he and Eliott had more meetings and flirtations in there. Or Lucas secretly crashed here when he was having problems at home. If this foyer really felt important to Lucas. Because honestly, I feel like his involvement is mostly “the girls asked him to do something and he did it because he had nothing better to do/got railroaded into it.”

He does text later that the mural is all he has left of Eliott. But the mural is now safe? The principal backed down from painting over the mural. So again … who cares.

IDK, I feel like there were so many ways this could be better. For example, if the foyer was more actively a place that represented diversity and LGBT rights and anti-racism and political activism. If the mural had some legitimate political commentary behind it, or they’d hung a pride flag somewhere and the principal came in and told them to take it down. Or maybe he just got word that a gay couple (aka Lucas and Eliott) were being snuggly in here - not that they banged, just that they were kissing and holding hands in a place that made them feel safe and welcome, and he came in to shut it down in a way that was loaded with microaggressions against them. Then the foyer would genuinely feel like something that needed to be protected. As it is, I’m just like … he’s not wrong about anything he said, lmao, and the idea that the foyer is some haven of diversity and different people coming together feels totally tacked on.

Clip 7 - Lucas’ mom is great

Lucas goes to church and meets with his mom. His mom greets him warmly and hugs him, so that’s very sweet. But it turns out Lucas’ dad isn’t coming. Mama blames it on leaving too many voicemails for him, and that she thinks he doesn’t want to see her anymore since the separation. Nah, I think Lucas’ dad is just a turd, and probably a big homophobe.

Mama says people are the way they are, you can’t try to change them, they have good qualities and their faults. We just need time to understand. So kinda similar to what Basile said earlier about taking people as they are. Lucas ponders that and they go inside the church.

I’m kinda ehhh on them using a church for this scene, considering there hasn’t been as much religious symbolism in this season? Lucas’ mom did send him Bible texts, and there was the Lucas light/dark stuff, but that didn’t seem explicitly tied to religion the way the Isak birth/rebirth stuff was through the 21:21 reference, or the baptism imagery, Even’s Halloween costume, the presence of Christmas? However, I could totally just be missing something. And I don’t think it’s wrong for them to use a church, just that I think it’s a church because it was a church in Skam, rather than because they built up the religious symbolism in this season.

Clip 8 - Run for your love

Lucas and his mom are in church. There are some shots of candles so I guess that’s a tie-in to the light/dark imagery. Or that Lucas is finally seeing the light, heh.

The mass starts and soon Lucas gets a text from Lucille about how no one can find Eliott and they’re freaking out. So Eliott himself doesn’t send Lucas a text, let alone a goodbye text. He’s totally gone off the grid.

We get a montage through Lucas and Eliott’s relationship as the priest talks about how believers can find peace and comfort in God, God gives us the strength we need. No matter your sorrow, God accepts you and you’ll never be alone because God is with you. The church is your shelter. Mixed in with the priest’s words are images of Eliott, so it comes across pretty clearly that Eliott = God in this scenario? Lucas finds peace and comfort in Eliott, he gets strength through him, he’s not alone with Eliott.

I think this would come across a bit stronger if they had built up that religious symbolism throughout the season, because otherwise the Eliott = Lucas’ God thing is a little ... random. I get that they probably just wanted the priest’s words to resonate with Lucas rather then trying to say Eliott = God as a metaphor, but it’s one of those those things where they could have subtly planted connections all along. (I don’t remember any but I’m also finishing this recap like two months later, so I could’ve forgotten something.)

The montage is kinda funny if you consider that Lucas is in church, flashing back to the better times of him boning Eliott. I mean ... who wouldn’t, really.

I enjoy Seinabo Sey and appreciate Skam France using so much of her music, but at first I wasn’t sure how I feel about this choice of song. Is it too on the nose (“I’ll remember you” for a flashback montage)? Skam used plenty of songs with lyrics that described what was happening on screen. Does it fit the church setting? Eh, I don’t think a church scene needs a religious soundtrack. So the song choice has grown on me a bit since then.

I think the reason I was somewhat hesitant about the montage is that Lucas gets a text that Eliott is missing and he just sits there for a few minutes flashing back to the good ol’ days instead of reacting immediately like oh shit, Eliott’s disappeared. Even if they’re not in a relationship, that’s still cause for concern. Whereas with Isak, he didn’t quite understand Even’s text at first; he just smiled and sat down because Even loved him and he read the text in a purely positive way. It was when he realized Even’s text was a possible suicide note that he left the church to go after him. I guess because Lucas was remembering his relationship with Eliott, he was able to figure out where Eliott might be? But still, seems like he should’ve reacted instantly to Eliott possibly being in trouble.

Lucas decides to go and tells his mom. They exchange I love yous, which is sweet and a great closing note for this relationship. The shot of him walking down the aisle feels like a direct homage to OG.

“Remember me under the sun” - OK so I guess that’s another light reference.

The growing intensity of the music is good and I was getting into the scene but dear lord, the slow mo of Lucas running is ABSURD. Why did this turn into Chariots of Fire all of a sudden? Why is Lucas running through the actual street and not the sidewalk, he’s going to get by a car!

OH MY GOD HE ALMOST DID GET HIT BY A CAR, WHY WAS THAT NECESSARY, I STARTED LAUGHING MY ASS OFF

Like was that some outtake where Axel Auriant almost got mowed down because they asked him to run in the fucking street and they decided to keep it in for the ~drama? Talk about a mood killer.

I do like that Lucas knew where to go because he knew it was a place special to Eliott, and to the two of them. And that he found Eliott in the dark and that Lucas brings the light on both of them (literally, with his cell phone). Maxence does a nice job of crying and looking heartbroken.

This scene isn’t bad (except for the running and almost getting hit by the car…. why) but it does makes me think the remakes really need to start from scratch with the climax of this season. Not just recreate an O Helga Natt-ish clip with similar setting, music, dialogue, or story beats, but to look independently at what the themes of the season are - not OG, their season - and then build up something that’s consistent with that. That’s a big part of why O Helga Natt is such a masterpiece: It ties together Isak’s main lessons throughout the season, as well as paying off foreshadowing and incorporating multiple motifs and threads of symbolism that have been developed along the way.

So for example, just a small observation: Lucas tells Eliott he’s not alone anymore. Which is of course a line from O Helga Natt, and a line that does have a powerful meaning in this context. I’m not saying it’s a bad line in the slightest. But in O Helga Natt, Isak was saying it as a direct response to Even’s text message, in which he says “everyone is alone anyway.” And also in response to something Even said back in episode 5, about “the brain is alone” and being alone with your thoughts and the only way to escape is death. And to some degree in the hotel clip when Even said the alone way to have something forever was to lose it, just after they were talking about Isak and Even in infinite universes, as if Even was talking about losing Isak and being alone. It was established that Even had a fear of being alone. Here, Eliott does not send Lucas a text, so “You’re not alone anymore” is not a direct response to anything. And I don’t remember Eliott saying anything about being alone in episode 5, having that line of Even’s, or in episode 8 (Again, I took a long break between recaps so it’s very possible I just forgot Eliott’s prior comments about being alone to Lucas, feel free to remind me.) So while the line is sweet and supportive and powerful, IMO it lacks the extra punch that Isak’s “You’re not alone” did simply because Skam’s writing was tighter. I mean ... if Isak hadn’t said “You’re not alone,” would Lucas have said it to Eliott? Might he have said something else relevant to their relationship, rather than recreating an existing iconic line? I don’t know if I’m explaining myself clearly, and I truly don’t mean to make a mountain out of a molehill, because the line is perfectly fine here. It’s just that I think the remakes need to not lean on O Helga Natt so much, and instead rely on their own ingredients in the season to craft this climactic scene, if they want to create something with the most impact.

Social Media/General Comments:

Lucas doesn’t text Mika after the boat clip, he texts Manon. Which seems completely in line with those relationships, in my opinion. Isak texting Eskild and Eskild dropping everything to go home after the hotel is a testament to that relationship’s strength, but Lucas and Mika still don’t seem to have that degree of closeness, even if their relationship has gotten stronger. It’s Manon who Lucas seems closest to, the one who can cry with him and sit in silence together just for comfort.

However, Lucas doesn’t give Manon the details or even imply something is wrong in his text to her; he writes a (typo-filled) draft where he explains what happened on the boat and then deletes it. I’m assuming he told her afterwards, but this is a really good detail! Skam France and other remakes sometimes miss innovative ways to use social media to enhance the story, and I think this small touch is quite clever. Lucas is shaken and distraught after the boat and writes this messy draft of a text to Manon, spilling everything, but he deleted it and went with a neutral text, holding back the information. The reason I think he deleted his explanatory text is not just because of how messed up it was, but because writing out everything - Eliott disappeared, he’s bipolar - would make it more real, and Lucas cannot handle that it the moment, it’s too much.

Mika sends Lucas a link to a sad song, for help with his wallowing, I guess. Maybe not the best thing to send tbh, but it was kindly meant. And Lucas posted on his IG story that he was listening to it, so perhaps it helped him.

The pity party was documented quite well on IG. I wonder what Eliott thought if he saw any of it? Lucas drunk and dancing ... could go “he’s upset” or “he’s glad to be rid of me” which tbh I could see happening in a depressed mindset.

Eliott posted colors to his IG - like just colors - and deleted them really fast. Which is another good use of social media here, possibly to illustrate his changing moods, to hint at his mindset (like his depression being just a dark gradient) I’m kind of like ... why didn’t they do something like this last week to hint at his mania?

Lucas contacted Eliott via text, saying he wanted to see him or talk. That would’ve been good to see in a clip, really.

People using Imane’s BS speech on IG to promote the common room cause = LMAO.

Lucas says the mural is all he has left of Eliott, which is at least some reason he’d care about protecting it and the foyer. The boys encourage him to go to Eliott’s place, and Lucas is hesitant, saying he was told to stay away. However, then there’s an IG story of Lucas outside Eliott’s building.

Lol, OK, that’s something that definitely would be better as a clip rather than a stalker-y IG post. I mean, when you think about it, isn’t it kind of weird for him to broadcast that to the world? I guess he hoped Eliott would see it and know Lucas cares and wants to talk to him?

But sooo many questions. Like ... did Lucas try to ring the bell or contact Eliott while he was there ... or did he just stand looking up at his window like a creep ... how long was he standing there ... I don’t think they thought this one through. Yeah, absolutely should have been an actual clip so we know what the hell happened.

Ok I realize it is sooooo after the fact, and regarding this topic that has already been discussed to death, I hate to come back with another rant like AND ANOTHER THING!!!! but at some point I came to another realization about why Yann’s reaction to Lucas’ coming out is bad and stupid and I wanted to get it out because it has been bugging me.

Yann’s reaction is bad and stupid because the “you weren’t honest with me/told everyone else but me” reaction is often fake and disingenuous. Like I hate to generalize and I’m sure that somewhere in the history of the world, someone has genuinely been hurt that their friend came out to other people before them, but also, sorry, I don’t think it’s a common authentic reaction. It’s a smokescreen for homophobia.

So let’s talk about Please Like Me. Please Like Me is one of my favorite non-Skam shows ever. Like Skam S3, its protagonist, Josh, is a young gay man just accepting that he is gay and coming out (although he’s older than Isak). Like Isak, Josh has a mentally ill mother. Like Skam S3, Josh gets into a relationship with a mentally ill person. It’s less idealistic and more painful than Skam, but still completely worth a watch, I highly recommend checking it out.

At one point in Please Like Me, Josh goes with his boyfriend, Arnold, to Arnold’s birthday party with Arnold’s family. Arnold is not out to his family yet and is planning to come out to them at the party. However, in a previous episode Arnold told his friends that his dad has said he doesn’t like gay people and told Arnold to quit singing in a choir because people would think he was a (homophobic slur) and beat him up. So, Arnold’s dad is an established homophobic asshole!

At the party, Arnold announces to his family that he’s gay and dating Josh. Arnold’s brother and mom are like “Yeah, we knew,” which is not the best thing to say but they’re overall chill and supportive. Meanwhile, Arnold’s dad stands there with a sour look on his face. When he does finally speak, he says that he’s been “backed into a corner” - presumably because the rest of family supports Arnold, and because they have other guests with them looking expectantly at him waiting for him to say he’s OK with Arnold being gay. Like he’s basically saying he doesn’t have the freedom to react negatively. You know, something a total non-homophobe would say! Then he starts going in on Arnold for lying to him, and saying the biggest problem is that Arnold didn’t feel he could be honest with him. (Then he knocks over a croquembouche.) Arnold’s dad leaves, but not before telling his wife that Arnold should be gone when he gets back.

Why am I bringing up Please Like Me? Because Please Like Me, created-written-directed-acted by real-life gay man Josh Thomas, is smart enough to recognize that homophobes often direct their disapproval into other excuses to be upset when someone comes out. Arnold’s dad didn’t stand there and rant about how homosexuality is wrong or gross. He didn’t say anything about homosexuality at all. Instead, he funneled his feelings into the weaselly excuse of “you weren’t honest with me.” (This right after Arnold has said, in his coming out speech, that his best chance at happiness is to be honest. Honesty in this case acknowledging he’s gay and has a boyfriend.) But let’s be real: if that were the case, if Arnold’s dad were upset about the lying rather than his son’s sexuality, would he really get that angry? Enough to effectively kick his son out of the house? To knock over a goddamn croquembouche? No, this scene is obviously about a father being pissed that his son is gay. But he feels “backed into a corner” and it’s not like he can say he’s upset that his son is gay in front of everyone else, in front of the guests, his son’s boyfriend, his wife and other son who have known for a long time and are fine with it.

Circling back to Skam France: we had Yann upset enough with Lucas coming out to him, for Totally Non-Homophobic Reasons, to walk away from him because he was hurt Lucas didn’t come out to him first. And I do believe the writer intended for Yann to not be homophobic at all! But it’s such a shitty, cheap excuse for drama, such a flimsy rationale for Yann’s reaction, one that doesn’t fit his prior behavior at all, that frankly, it pings too close to a smokescreen. Like Skam France is trying to pass off this blatantly artificial reaction as genuine. If someone reacted like this IRL, my gut feeling would be that they were a fucking homophobe. They’re most likely homophobic but aware that openly saying bad things about gay people, openly expressing their disapproval, is not a good look for them. Or they’re homophobic but trying to tell themselves they’re not by channeling their disappointment into other reasons that don’t rely on discomfort with homosexuality. It’s completely plausible and even probable for people to have some homophobic hangups under the surface, that in theory they were OK with gay people but when your best friend is staring you in the face telling you he’s in love with another man, those hangups might suddenly rise up.

And if somehow we give these reactions the benefit of the doubt, that someone is truly upset because “you lied to me” or “you didn’t tell me first?” - that person’s still a selfish asshole. Think about it. Your friend is confessing an extremely vulnerable secret about themselves, something that may have caused them great internal stress and pain, and you’re mad that they didn’t tell you sooner? Fuck off.

Anyway. The point I’m making is: in a Doylist sense, I think Yann’s reaction is not homophobic. The Skam France team really didn’t think of it that way. In a Watsonian sense, I call bullshit. Yann walking off during the coming out scene is most plausible if Yann actually had a homophobic reaction to Lucas’ coming out, and needed some time to process it before accepting Lucas’ sexuality. His explanation to Lucas is weak and unlikely. If it is true, that makes Yann a self-centered asshole. I know people don’t react perfectly and obviously Yann stepped the fuck up for Lucas afterwards but let’s acknowledge it for what it is, prioritizing one’s entitlement to someone else’s deepest, most painful secrets over their comfort and safety in keeping those secrets.

To be clear, I don’t hate Yann, not at all, and I attribute this mess solely to bad writing. It’s one of those things where the intent is different from the finished product. In analysis of Yann or Skam France or whatever, I’d acknowledge the intended purpose of that creative decision to make Yann walk away. But I’m also acknowledging that this creative decision is some stupid shit, lmao. And I’m aware the screenwriter is gay, and for all I know this is based on personal experience, but for now this scenario feels fake and manufactured only for drama, and inauthentic to how people would genuinely think and react in these scenarios. Someone who walks out on their friend when said friend comes out is probably homophobic to some degree, or else self-centered as fuck. Simple as that.

I am not French, so please feel free to correct me on any translation or cultural notes that I missed.

Like I said, I took a break from recaps, so I also might have forgotten certain details of this season, feel free to remind me of any of those, too!

If you got this far - and if you are still reading this after all this time - thank you very much, I love you!

#skam france reactions #skamfr reactions

36 notes · View notes

tbbt-faves · 8 years ago

Text

So it’s 5 AM and I can’t sleep so let’s just go ahead an write this damn thing.

Sheldon Cooper: A prime example of character development.

NOTE: I’m so sorry if it takes forever to load all the gifs accompanying this gigantic text post but they’re necessary to illustrate my point perfectly and remove any possible ambiguity that might get me in trouble with anon h8ers (and also, the gifs make it more interesting). If necessary just let this page load for a few minutes in the background. Anyway, let’s begin:

So, I love this character. As most people do. I remember in.. 2007/8 when this show first came out and all people talked about at my school was Sheldon. Maybe a little bit about Howard but mostly Sheldon. He was, and in many ways, still is, such an unlikely likable character. For real, like, imagine reading this character, before seeing Jim playing him. He’s a dick. But somehow, and I don’t think we’ll ever know why, we all love him. We feel this strange sympathy for him.

I attribute a lot of that to Jim Parsons’ adorableness.

I mean look at HIM. But we’re not here to talk about that.

We’re here to talk about how he went from being this guy, who hated relationships and had no interest in other human beings

to becoming this guy.

Because I remember very well how everyone was so apprehensive about the idea of Sheldon having a love interest back in season 3.

Almost as much apprehension as we feel about the Sheldon spin off right now, am I rite? *high fives u* Ok, sorry. I’m gonna try to explain, or describe how I think the writers pulled this off. And you’re entitled to disagree with me, ok? This is just my opinion.

I think the writers of this show are geniuses, a little bit. Not because they write science jokes, because it’s barely about that anymore. But because they found a way to develop a character who seemed 1000000% the most unlikely to ever change in any way.

Let’s look at Season 1/2/3 Sheldon for a second.

He’s a germaphobe.

He doesn’t even like human company.

He disagrees with everyone.

He’s (as far as we know) asexual.

Best part, he’s 100% clueless.

100%!!!

Even when a girl shows interest in him, he doesn’t realize it

Or a guy.

It was funny, yes, but then the news came out that Sheldon was going to have a love interest

And we all wondered how the hell that was going to work. This is how they made it work: They brought in a character that was exactly like Sheldon. Despised physical contact.

Only went out with him to please his mother

Was just as smart as him.

Had the same interests as him.

But the best part about Amy was.. She did not seem as much into Sheldon as Sheldon was into her.

I loved that. Because it seemed so unlikely. I think most of us have forgotten this. Because the way they played it in every other season after season 4, it was the other way around, but not at first.

Amy seemed mostly unfazed by Sheldon.

At least from a relationship point of view.

It would’ve been so much easier for these writers to have this girl be into Sheldon and Sheldon not into her at all but then Sheldon could’ve never fallen for anyone like that, because we remember how that Ramona business turned out, right?

So of course, he liked her more.

He got a bunch of cats after a fight that ended their “relationship” (their words, not mine).

He asked her out and she turned him down

He got jealous of Leonard

He liked her kisses.

But the part that remained very true to the character we all knew and loved was that he denied all of it. That was what still made him very Sheldon. The Sheldon we all loved.

He denied jealousy

He let go of her hand after grabbing it.

He denied being hurt

He denied her being more than a friend.

Meanwhile Amy was just there… a bit of a mystery. Both to us, and Sheldon. Until we got to know her a little bit She became her own character and she.. had desires.

The roles reversed but Sheldon could not let go of her at this point. He was already so into her.

She kissed him and he pretended like it never happened. But it did.

And this is something we’ve come to see from this couple over and over again, and I suspect its the reason why we’re all oddly ok with Sheldon being the way he is today, compared to what he was then. They dragged things out as long as possible. It got to the point where we were all screaming at our TV screens, GOD, JUST ASK HER TO BE YOUR GIRLFRIEND ALREADY!!!!!1 It got to the point where Sheldon just couldn’t deny his own feelings anymore.

He had to ask her out.

He had to apologize when he was wrong.

He had to allow himself to love her.

And boy, that took a while.

But Amy always found ways, because she’s THE BEST.

So patient, so loving, so understanding.

Because she was Sheldon at some point, right?

She knew what he was going through.

And yet another great example of the writers dragging things out like crazy. Even “Sheldon initiated kiss” (SIK) was a thing on tumblr. I remember the 1000 fanfics written about how a SIK could happen. It was our #1 dream

And let’s all face it, season 6 was a major disappointment. Not only did we not get our SIK, but Sheldon was just… a dick this season.

But we got a cute hug

And Sheldon kinda admitted how much Amy meant to him

So we decided to forget about it and hope the season 7 was the year of the SIK AND BOY IT WAS.

But before we get into that, let’s look at how much they dragged things out, shall we? 1

That last one was honestly just brutal.

I think all of us shamy shippers would’ve been ok if they just kissed whenever. We would’ve been fine with anything as long as he kissed her on the lips, but the writers probably struggled with the “everyday, normal, general, casual viewer” who doesn’t write huge essays like this one.

And it was so perfect man, I remember watching that scene, I almost had a heart attack.

I remember so very clearly when this scene came out and some Shamy haters (yes they exist, omg) were like “EVERYONES TALKING ABOUT HOW PERFECT IT WAS BUT ANY SCENE WOULD’VE PLEASED U GUYS” and I was like, yeah, thats true but. This kiss was on EVERY NEWS NETWORK IN THE WORLD

THIS STUPID MEME HAD LIKE A MILLION NOTES

EVERYONE WAS TALKING ABOUT IT BECAUSE

it. was. so. perfect.

Let me tell you why, this episode begins with this scene: Sheldon, once again, suppressing his feelings. He counts down until he no longer feels the need to hug her.

And he’s so betrayed when he finds out Amy was hoping for some romance, cause he does NOT enjoy romance. He tries to make a point.

But now his own body betrays him.

It’s also perfect because this isn’t like every other time where Sheldon’s actions are completely misaligned with what he says. He’s not denying something, he’s just doing it. And he doesn’t ever try to deny it.

Let’s look at Sheldon with the cats once again.

He’s clearly struggling, while saying he’s not pining over anyone.

But kissing, he’s never talked about kissing. He’s never been in a position where he really wanted to kiss her and did it but then denied it.

This, somehow, has never occurred before. 3 years in and this has never happened

And now it does, and he so clearly loves it, and he never, ever. Not even the day after, tries to deny how much it meant to him.

This, ladies gentlemen, is when Sheldon realizes he’s in love.

And he sooo wants to kiss her again, but he doesn’t do it.

Instead he adds it to the relationship agreement, of course. And he’s so willing man, it’s beautiful.

Of course he doesn’t admit he’s in love ’til a year later, but that’s how much we have to drag it out right?

And now that he’s said it, he doesn’t have to hide it anymore.

This guy is just so in love

It’s beautiful. We’re all so happy

and Amy too, and she starts to think that maybe that means Sheldon’s ready for a little bit more.

But he’s not, and that hits her like a damn truck.

She has to break up, patience’s run out, she needs some time off.

And Sheldon knew what had happened. Amy was disappointed because he wasn’t thinking about sex, so he thinks it’s the coitus part that made Amy want to break up.

I’ve said this 10 thousand times already but I love that look (JIM YOU DESERVE EVERY EMMY). It’s such a small, 2 second shot but it shows exactly his thoughts this whole time.

He thinks Amy broke up with him because of the lack of coitus, but it wasn’t that. It was so much more than that.

This whole episode was so clearly a set up to them getting back together.

They’re back to season 4 Shamy. They’re playing games, admiring each other.

Once again, we’re all going JUST KISS HER DAMMIT GET BACK TOGETHER PLEASE

And the end hit US (and Amy) like a damn truck now.

Sheldon was so hurt, he didn’t want to go through all that pain again. He decides he’d rather have Amy as a friend, now that he sees it as a possibility, rather than risk getting his heart broken again.

But then, he comes to a great realization. Amy’s only made him better since they met.

He realizes he is, once again, denying his own feelings.

To hell with that, they’re back together, and this time, for real.

Yes, that means coitus, too. And once again we all went.. “how the hell is that gonna work”. This is probably the first time, since Amy’s arrival, when something happened when we were not expecting it.

They didn’t really drag this out, I mean, in a way, they did cause it’s already been 5 years since Amy’s introduction but also.. not so much. They’d just gotten back together, and we’d all probably thought that 2 kisses were supposed to hold us for a while.

And coitus happened. Something I mysteriously haven’t talked about yet, is why this couple is so appealing to so many people. In part it’s beautiful because of Sheldon’s development, yes, but also because Sheldon and Amy are each other’s 1st love. It seems so unlikely that two people would find love for the first time in their 30s, but that’s exactly what this relationship is.

This is the first time for both of them, and I’m not talking about virginity, no. I’m talking about first time falling for someone. Watching that is so beautiful. It’s one of the best parts about this couple. It brings out a familiar feeling for all of us.

Same with them losing their virginity, it wasn’t about “oooh, Sheldon’s a stud in bed!!”, it’s about, being nervous, anxious...

But ultimately knowing it’s the right time because you love this person and know them and trust them.

It’s again, so unlikely that Amy would be the one having doubts and being nervous right before it happens, and Sheldon’s so calm and sure that this is right.

But that made it all the more beautiful for us, didn’t it?

And yes he’s a genius in bed, too. Period.

Now there’s nothing really holding them back. Coitus only once a year, sure, but that’s it.

Sheldon makes mistakes, and denies his own feelings sometimes but he’s matured enough to realize it and apologize for it, but more than that, he makes adjustments for Amy.

He moves in with her,

adjusts his lifestyle for her

he makes a real effort

Something Amy’s been doing for years now, he’s finally doing it for her.

And, as I’ve said 10 thousand times already, it’s BEAUTIFUL.

And finally, to end this extremely long text post, my favorite headcanon about this couple has always been how Amy is the ONLY person that could’ve made this happen for Sheldon.

She’s the only woman he’d ever want to date, be intimate with, kiss, etc. She’s the only one he could fall for. And I’ll be honest, I was never really sure that that was really canon on the show. Until season 10, episode 24 happened.

And it sucked seeing Sheldon enjoying somebody else’s company so much, even though he obviously did not enjoy it as more than a friendship, but

when Ramona kisses him, he realizes Amy’s the only person he ever wants to be with. It’s canon now, bitches!

Amy’s the only one.

#shamy #sheldon cooper #amy farrah fowler #tbbt #bbt #the big bang theory #long text post #complete now #idiot me

482 notes · View notes

diegest · 5 years ago

Text

2010 V.S. 2019

Age 15 and almost 25

(This is long a messy but I wanted to make some kind of post about it before the year ends.)

I was making a stink face bc my then best-friend was over and said something funny before she took the picture and afterwards we busted out laughing. We were at my then step-dads parents house out in the country walking down to their creek either just getting done swimming in their pool or intending to get in it after going to the creek.

I was most likely a freshmen or sophomore at the time of this picture. (Probably right before sophomore year started...) It was definitely during Summer. I either had a flip Nokia phone or an LG Neon at the time as I upgraded from one to the other. I had my first “job.” I was a veterinary assistant after school for a few hours a day and did some work out there during Summer as well. I wasn’t paid and used my time as a volunteer to play with animals, hold them down for simple procedures, walked dogs, and it helped me gauge whether or not I wanted to actually pursue being a veterinarian. I had competed in track for 6 years in a row by this point and was probably finished with it by the time this picture was taken. (Two Elementary School leagues, all three years of Middle School, freshmen year of High School). I was crushing HARDCORE on my childhood best friend whom I’ve known since the age of 6 but neither of us could handle our feelings for the other and things would become super awkward until we had actually dated 7 years later. I was tan as hell because of track practice, walking to both pools in town, and walking to Sonic with friends during sleepovers.

I was struggling trying to find my identity as a teenager while maintaining being in the middle of my parents joint custody battle and being forced to be 100 miles away from my friends two weekends out of the month. I was a cynical older sister of two step-brothers and did not use my time with them as wisely as I wish I could have, sometimes being a real bitch to them looking back at it. I had no control over my hair color or length and remember desperately wanting to layer it to look like a scene kid despite how naturally thin it is. I had just started dabbling in eye liner (not pictured, as I preferred and still prefer my poolside activities over makeup), wore converse every day I wasn’t wearing flip flops for the season, wore baggy jeans, the same Paramore hoodie daily, and had an extreme creative drive that I miss deeply. I was bullied horribly for my teeth, nose, skin (I had terrible eczema that pool water, cortisone shots, and Summer weather in general helped tremendously with!), height, cup size, fashion, hobbies, having split parents, and then some. My metabolism was extremely high and I was in my athletic prime. I had a touch of internet fame by drawing my own personal characters on deviantArt.com as well as fan art for games and shows I was super into using my first Wacom tablet on my first laptop and to this day still have a folder of fan art created for me on my computer. I was obsessed with cats, rock music, anime, and drawing. I could drive a boat and got both a high five as well as scolded for that time I flipped myself into the water to retrieve my dads hat while we were going full speed over white-caps because I was too impatient for him to circle around and wanted to impress him and the rest of the family. I was for the most part unafraid of most things.

I was secretly extremely depressed and suicidal during the school year to the point I had missed my period for 5 months because of stress alone and I’m certain at the time this picture was taken, I was almost breathing a sigh of relief I was off from school for the summer. I had a close knit group of friends still before it had combust the following school year. I was “working” as a veterinary assistant but also had interests in pursuing being an animator, art director, cartoonist, children’s book illustrator, or graphic designer by this point and my mom encouraged me to pursue whatever I was comfortable with. I wasn’t really boy crazy like my friends were, instead having my heart set on one in particular and probably still having a soft spot for my ex whom I was with for 3 years prior. My bedroom contained my artwork, sports posters, cat posters, band posters, and trophies/medals from my days running track. My friend and I, though not legally allowed to drive, would occasionally sneak to Taco Bell using her parents car if they weren’t home and we never got caught or pulled over for it. My grades were A’s and B’s, though I could not pay attention in History to save my life because I was too preoccupied with doodling on my papers and ignoring this asshole who was two classes above me who had called me ugly but then admitted he liked me at one time because of my attitude?? He’s still an idiot from what I’ve heard only he’s an idiot who knocked up a few women post-high school, is apparently married now, and no surprise to me - is still stuck in that same small town with no goal to go anywhere outside of it.

I was scared of the outside world beyond my small town and had no idea how rough it would get for me. The family issues and my trip to family court had not happened yet. I had yet to become estranged from my family. I was small and awkward as hell. I struggled to hold conversations or make eye contact unless it was with people I felt most familiar with since people were kinda fucking mean. I could argue back but would immediately break down and cry from the interaction at the first chance I’d get. I’d use books, art, and video games for the escapism. Life felt scary and fragile and so very uncertain but at least I had a few individuals in the world whom I loved so much and who I know loved me.

I’m 24 now. I’m now in control over my own hair cut and color. I choose to keep it long as I didn’t even like the way it looked short when I finally chopped it as a teenager. It’s been red, reddish blonde, blonde on top and brown on the bottom, dark brown to blonde ombré, and now platinum blonde with my natural color as a shadow root and I quite like it. I don’t really dabble in makeup unless it’s for an occasion except for covering up my acne as my body decided that having zero acne in my teen years was just too good for me while I was battling eczema instead. I’m not nearly as tan or athletic as I’m forced to be inside at most times. I still love to swim though and I take every opportunity to go to my childhood beach during the Summer when I can in particular. I still don’t consider myself to be family-oriented despite this year really challenging that for me. I have a ton of amazing friends and people who care about me and feel like recently in particular, I’m always busy with someone doing something and making memories as we do whatever.

I have a bachelors in Psychology and a minor in Art, though I did not pursue a masters in art therapy like I had originally intended. I was heavily burnt out from school and my baby brothers worsening medical conditions and the news that he had been in a children’s hospital for quite some time with my family deliberately choosing not to tell me made me choose not to pursue one for the time being. I was working at Dairy Queen while technically sharing a lease with my ex before finding a job at a psychiatric hospital that I loved and getting my own apartment to myself and my cat, whom my ex gave to me as he saw she benefited me more than she benefited him. Though I lost that job, I can now say I have two years of field experience in Psychology and almost 6 months worth in social work and feel like I’m always learning something.

I’m not as creative anymore because the years of crippling depression, anxiety, and being forced to create for school absolutely ruined any creativity I had once had. Though occasionally I’ll have the opportunity to channel that creativity into a video game or quick doodle for a child.

I’ve moved to two cities after moving out of my high-school “home” town (not quite home but a good chunk of my upbringing!) and have every intention of doing it again within the next year after I save up some. I don’t take shit from anyone and have taken after the best parts of my moms personality in my opinion with the added benefit of my dads patience and keen eye. I’m known for making people around me comfortable and able to laugh and decompress and have been fortunate enough to use that power professionally. I would like to go back to mental and behavioral health as I miss the thrill and excitement as well as the camaraderie with fellow staff members in the pursuit of helping individuals. I’m very likely starting a new position in my company as early as next week and have been extremely excited about the pay and hour boost. I’ll be getting my dog in just over two weeks and am excited to start our life journey together. Though I had developed my moms serial-monogamist trait for a while there after my 6 year-long relationship had ended in the pursuit of finding someone to fill that gap, I feel very comfortable lately simply being pursued and wanted without the commitment. I’m addicted to sushi bowls, coffee, and chocolate. My passion is helping others. I feel comfortable in my body enough that I would love to pursue modeling of some sort and have been lucky enough to dabble in that a bit already. I also have a bit of a love for fashion now, though I rarely feel the urge to actually properly plan my outfits unless my goal is to dress to impress or for the sake of photography.

I’ve learned to allow myself to enjoy the things I enjoy without the fear of judgement from others. I still love nerd-culture and have somewhat recently taken an interest in cosplay and want to attend more conventions. I’ve learned that it’s an accomplishment for me to have gotten this far, to have my own place, and that it’s alright that I don’t have everything figured out and not everything has to be figured out right away. I don’t have the same best friend I had 10 years ago, but we’re still in contact and I love my current best friend tremendously though I don’t get to see him often. I’ve learned that my current group of friends may be temporary, but while I’m lucky enough to be around them I’m going to do what I can to make them feel as loved and cherished as possible and make plenty of memories. Ivy and I are doing well and I know we will continue doing well even with Atticus by our side. I value traveling way more and will continue to travel and see new things when I’m able to. Eventually I’ll narrow down a Masters program and go back to school when I feel ready. I might even work alongside my brother at some point as we had talked about working on a project together and I’m pretty excited. This is getting really really long oops

I also just look dope as all hell with blonde hair and have gotten the notoriety of being “that blonde girl who wears the leather jacket” and I’m beyond thrilled about this. I’ve come a long way and I’m proud of myself. It’s hard to believe that lanky, tan, dark haired, greasy-headed kid is me but I think she’s come a long long way and I’m genuinely proud of her for doing so and not ending things when she’s had the opportunity. Here’s to 10 more years of careful and concise progress and glow-ups~

0 notes

lightsandlostbells · 7 years ago

Text

Druck episode 9-10 reaction

If they don’t renew this show I’m going to boycott Germany.

a huge thank you to everyone who translated Druck and made the clips accessible to the international viewers! I know it was a lot of work and the geoblock was a pain. I really appreciate the continued effort.

Episode 9

Clip 1 - Hanna comes for Matteo

Jonas is really closed-off in their conversation; he’s not that warm to Hanna, which is kind of interesting since I’d say the other Jonases were a little less frosty in this scene. Especially because German Jonas and Hanna have such strong chemistry. But I get why he’d still be upset, I think less time has passed since he and Hanna had the talk about him not understanding her? He hasn’t had much time to work through it so he still seems really wounded.

Clip 2 - Hanna and Jule

Hanna appropriately has a “stronger together” shirt for a scene in which girls commiserate over how boys are such dicks.

Jule and Hanna’s conversation didn’t really have the meat to it from their previous interaction to set up how friendly Jule is here, I would’ve preferred a little more hesitation and maybe an apology from Jule. A little initial awkwardness just to acknowledge that they didn’t leave off on a cozy note.

I do love the initiative Hanna is taking and that she’s the one to extend the invitation/olive branch to Jule. It’s a nice mark of maturity. We’ve seen some scenes of her gradually gaining confidence and being proactive so we can chart how her character is slowly but surely moving forward.

Clip 3 - Fight on the stairs

I dig this artsy paint-splattered stairwell. I felt like it also made the scene a little more tense and awkward (in a tonally appropriate way) - instead of them running into each other in a warmly lit stairwell or hallways with lots of light shining through the windows, they’re in a closed space (very awkward) with cool coloring and no sunlight. There really is no way to avoid this conversation once they run into each other, and there’s still ice between them, unlike with Eva and Jonas where you could tell they did enjoy seeing each other despite the awkwardness.

Nice details are added to Matteo’s family story, that the dad wanted him to come along but Matteo chose to stay behind and take care of his mom. Oh baby :(

Jonas got rougher with Samuel than I expected, like he seems dead inside talking to Hanna but he came alive to slam Samuel up against that bar.

To be fair, Samuel was kinda asking for trouble with that comment, which was unprompted and meant to provoke. You guys are also in a tight enclosed space, you can’t really avoid each other.

And Jonas doesn’t tear away from her grip, he firmly removes her hands. He is not happy with her at all.

Lmao, these random students staring at Hanna. She was just a bystander to that male aggression, yo.

Clip 4 - Drink your way out of obligations

Is it just me or did Sam’s hair get even bluer? Or is she just that radiant?

Nice that Mia acknowledged that Kiki behaved poorly even while expressing that they should include her. Because yeah, I feel bad for all the Vildes/Kikis knowing what they’re going through, but they also were nasty to their friends.

L O L Sam’s brilliant plan to get out of supervising the party - get drunk, get fired, go to the party. That’s kind of amazing. And they’re all like sure, we’ll roll with it.

Good that Amira mentions that Leonie and Sara called Kiki a slut previously and there’s a bit of a challenge between her and Kiki. Not a great look that Kiki wanted to disregard that incident at least in front of Amira, her defender.

You know, Kiki is one of the bigger jerks of the Vildes, but … I still kinda like her, I’m sorry! It’s not that she’s a great person, it’s that the way she’s acted and written feels very realistic. She feels like a clear social climber/popularity seeker but is messy enough to alienate people. Compared to the way that say, Kelsey is portrayed in Skam Austin, she’s also a jerk, but the depiction often veers into something cartoonish and broad - like a definite TV character. Kiki feels like a ton of people I’ve known in real life.

Sam is drawing an alien in her notebook to illustrate how her pal Kiki has gone to space. She also appears to have doodled a flower and a unicorn.

Clip 5 - Karaoke emotions

Okay, now THIS karaoke scene is exactly what I wanted from karaoke in S4 of OG Skam. Lovable scamps wailing their hearts out to beloved pop tunes.

Sam doing Wannabe by the Spice Girls!!! I'm not imagining that she dressed and styled her hair like Scary Spice, right?

YES AMIRA “DA QUEEN” IS NEXT! Dedicating it to her favorite Germans! Everyone cheering Amira :D :D :D Amira doing Rolling in the Deep!!!! We are blessed.

Are they all wearing pussy hats? Also love Hanna and Mia’s blatantly feminist shirts. Truly a ladies’ night.

It’s hilarious that Carlo and the other dude (do we know him?) are wearing matching pussy hats. Honestly from what I remember of him way back in the Dark Ages of March/April, he didn’t seem like a terrible dude. A bit obnoxious, but not rude or bad on Elias levels.

The Hanna and Matteo confrontation? My soul will never be ready.

Oh man, Matteo openly acknowledges his mom is going insane. There’s no feigned attempt to keep an optimistic attitude about his parental situation like with Isak. And he’s not putting in any effort to seem cheered up, except for having a drink.

Hanna doesn’t even toy with her food before eating it, she just lays it out for Matteo and confronts him directly about telling Jule.

And he looks so sad and depressed when she asks the reason. Worth noting that he doesn’t directly confirm her hypothesis that he has a crush on her, he just looks downcast and awkward.

He looks honestly near tears when he asks her how she couldn’t get it. Because as we know, he’s not really talking about him liking Hanna, he wants to know how she couldn’t understand his BLATANTLY OBVIOUS crush on Jonas.

A drunk Kiki appears! Does she have a tattoo on her arm??

And she gives Matteo a hug … have they met before? Lmao.

Kiki staggering in just in time to steal Amira’s spotlight, scream a thematically appropriate song about how she and Alexander could have had it all, and then collapse is the most Kiki-ish thing I can think of. Yeah, that’s exactly how it would go.

Also I thought “we could have had it alllll” could apply to Amira and Kiki’s relationship , heh. Especially because it ends up getting downgraded a lot from Sana and Vilde’s relationship? It was so important that Sana was the one carrying Vilde and sticking her fingers down her throat and letting her puke down her front, and that their relationship in particular was affirmed.

They just dragged Kiki to the nearest toilet and had her puke on some dude’s shoes (that’s Matteo’s friend, right?) which I will admit, more practical than carrying her like a romance novel heroine as a divine hymn plays.

Wow, so it’s just Mia tending to Kiki and we don’t get the girls all lying in bed together. On the one hand that’s a little disappointing; it’s one of the most iconic scenes of S1 and probably the whole show, and it’s a moment that really solidified the girl squad as a ride or die group of friends. But I also like them to try new things and not just redo big successful moments from the original show. I did like seeing Mia go through all these little steps of tending to Kiki, getting her dressed, sending a text to her mom.

Pretty big difference that it’s Mia and not Amira taking care of her, though; as mentioned above, the Amira-Kiki relationship is downplayed. Not super keen on that because Kiki was quite nasty to Amira and visibly hurt her feelings on several occasions, such as the bus stop incident and the disastrous group meeting. Sana was better at adopting a harder attitude and not letting the hurt show. But then again, Kiki is the one who really needs to grovel, not Amira.

Also ...HUGE break in POV since Hanna isn’t there but lol I’ve accepted it’s a losing battle even if I’m still not super fond of it. You win, less-than-tight third person POV. I surrender.

Mia has a text from Alexander, because what is truly desirable in a man you have rejected is him texting you about changing your mind close to midnight while you take care of your friend who he fucked and then ghosted passed out beside you in bed.

JONAS PLAYING THE GUITAR AND SINGING FOR MATTEO WOW WOW

while wearing a pussy hat lmao, BEST REMAKE JONAS

I’m sure Matteo loved Jonas playing and singing a song dedicated to him, only for Jonas to slow down and get more serious once Hanna entered. Not to mention shifting that eye contact from him to Hanna.

Lovely scene of Hanna and Jonas, I’m a broken record but they have SUCH good chemistry. They just seem so into each other, and overall I would say they felt so much that they liked each other.

NOOOOOO don’t break up! Please!

Episode 10

Clip 1 - Honas and Janna

Honas and Janna fucking ADORABLE.Them snuggling… you’re hurting me, Druck.

He took her nose! Goddamn!!!

I love all this backstory and delving into the beginning of their relationship. This honest conversation that takes its time and really lets them talk ... what Skam does at its best, man.

Jonas looks so heartbroken in this flash forward where he’s holding onto Hanna.

And that painfully raw moment where he asks if she regrets choosing him and the answer is an unspoken yes, owwww

All this emotional soul-baring, such as Hanna talking about how once she got with Jonas, she was only happy when she was with him, and dependent on him for happiness. And that she became paranoid Jonas would cheat on her and thought she deserved to get hurt. And that she changed her personality so he would like her and wouldn’t have a reason to leave her. Really happy how plainly Hanna stated the truths, even the raw and uncomfortable ones.

I know they just laid out all the reasons Hanna should be on her own and they should break up, but I don't want them tooooooooo

The way they hold each other and cry and draw it out for so long because they don’t want it to end!

“I still got your nose.” “You can keep it.” FUCK YOU, DRUCK!!!!!

You realize that we need this show to run for many more seasons and eventually Jonas will casually mention to Hanna that he’s still got her nose and she says, “I hope you’re taking care of it.”

And then one day he gives her a fake nose like on one of those Groucho Marx masks and she puts it on and IDK, this is all a buildup to them kissing again.

Hanna as an independent woman, wearing her Femme Future shirt. Nice.

They’re honestly up there with original Eva and Jonas for me. Round of applause for the director and actors for making this couple as likable and believable as they are.

Clip 2 - Mia and Kiki in the mooooorning

Oh jeez, this is a TOTAL break from the POV, I wonder what the logic behind it was?

I guess they're setting up S2. Or who knows, maybe there were scheduling conflicts with the actors and they couldn’t have everyone together.

Seriously, what’s Kiki’s tattoo? I’m sure it’s just because the actress happens to have one.

Kiki saying she wants to die, oh no. She looks miserable.

Although how dare you show Mia’s flat but not her roommates.

Clip 3 - Doctor visit

So only Mia went with Kiki? They’ve really downplayed her relationship with Amira, and the other girls as well. I mean in a way, it’s nice it’s just the two of them, and I presume Mia will keep this incident a secret. I hope this will affect their S2 dynamic a little.

I got so hyped for this scene, though. I adore this doctor.

Did she tell her she was pregnant at first just to mess with her??? Omg.

I doubt that’s the most professional approach but who cares, my love

Mia saying that the pregnancy was “Unplanned of course, she’s 17” and the doc mentioning the 5-year-olds in Peru or Chile who gave birth … I mean, 5-year-olds who get pregnant are the victims of rape, so hardly planned.

“An apple a day keeps the doctor away” but I want to see more of you! Can the whole cast just get like incredibly sick and have a reason to stop by?

Not only did she have an apple, she gave Mia a banana too, lmao! She just keeps fruit in her office for wayward teenagers not getting the proper nutrition.

We need this show to get to S3 so I can see this doc talking to Matteo.

Clip 4 - Mia giving Kiki the talk

I guess Hanna told Mia about hearing Kiki puke at school.

This is pretty direct referencing to Kiki’s ED when I think it’s been more or less implied before, in other versions. I mean it’s pretty obvious, it’s just not spelled out quite this much.

There’s also a more direct reference to Mia also having an eating disorder … “I know exactly how you feel.” That’s very pointed. Noora having an eating disorder was understated and mostly subtext in a lot of ways.

Again, a shame that Kiki and Amira’s relationship was downplayed, but hopefully the focus on Mia and Kiki in these scenes will add more to S2.

Clip 5 - Hero party

This was just a heartwarming clip so don’t expect commentary other than 😍😍😍.

Hanna and Mia and Amira just hanging out!!!!

Amira eating during Ramadan, though... the remakes are really bad at remembering this. (I’m not Muslim so if I’ve made a mistake in understanding when she can/can’t eat, let me know. And I do know that she can eat during her period, it’s more like in the absence of other acknowledgment of Ramadan, I tend to think it was an oversight.)

Amira giving Hanna a hug and telling her she’s strong … GOSH. Although she calls Hanna out on the similarities between what she did with Leonie and what Matteo did to Hanna, which I mean ... fair.

Amira encouraging Hanna to talk to Matteo .... I know this is for Hanna’s benefit, not Matteo’s, but man, I can’t wait for Amira and Matteo friendship. They’re both vulnerable kids with lots of buried feelings.

Oh my God, them putting on their security uniforms and being ADORABLE, ahhhhh! We get another slow motion power walk on the way to the party, Druck gets the essence of Skam.

Of course the power walk was just to lead up to them standing/sitting outside awkwardly.

Are they for real going to get drunk to avoid their responsibilities? Maybe not the best life choice, but in this situation, sure, why not.

Amira getting “high on Allah” was precious. GIVE ME S4 ALREADY.

Mia is drinking, which is quite a character divergence from Noora.

Was that a peace offering of beer from Leonie? Love it.

OH GOD JONAS AND MATTEO AND THAT OTHER DUDE ROLLING UP IN A CART

Sam is so magnificent. Her hair is a beautiful blue tower!!

And she and her brother are too cute! She brought him and his Bass Bus to liven up the night!

SHE TOLD HIM TO DRIVE INSIDE. THE BEEEEST

Matteo and Hanna <3333 She said she realized she’d done as wrong to her friends, and she asks if they can stay friends. It seems like a really genuine moment, guys. I wouldn’t blame her for keeping him on her shit list for a time but it feels like they might not drift quite as much as Eva and Isak did, since there’s maybe a bit more comfort between them here.

Mia says she’s worried that Kiki is drinking too much again and that’s why she’s not there, suggesting that she hasn’t told Alexander to apologize to her and that’s not the reason she wants to call her.

OH GOD THIS AMAZING ADAPTATION OF THE “FUCK, YOU’RE BEAUTIFUL” MOMENT

Mia tells Alex he’s creepy for that whole “no means I want you more” thing. She tells him it was blackmail to pressure her for just one date and then he’ll leave her alone. He tries the “fuck, you’re beautful line on her” and she turns around to make out with Hanna. Then she calls him a massive asshole and tells him she’s not her type, wink wink. She and Hanna walk away laughing.

This is the best remake, guys.

ALSO LET’S TALK ABOUT THAT HANNA AND MIA SMOOCH, A REMAKE FINALLY GAVE ME NOOREVA

On a more serious note, there’s absolutely reason to be concerned this is just queerbaiting. I doubt Hanna and Mia are going to be a couple, Mia and Alex are almost certainly going to have a romance arc, and the whole “two girls kissing in a bar so a boy can witness” is definitely enough to give off “barsexuality” vibes and make it seem like just a gimmick.

However, the production team has confirmed that Mia is bi, so hopefully that will be acknowledged in the show itself (other than “I don’t like labels” which is not actually an admission of bisexuality, and tbh which suggests that she won’t call herself bi on the show). But even if she doesn’t want to label herself, there are ways to address her interest in women and incorporate it into the story. And I hope to God they don’t make Alexander all “girls kissing is hot” or trying to pursue Mia even though she’s indicated she’s a lesbian (even if she’s really bi, her comment to him suggests she’s a lesbian), because that character does NOT need another reason to make me dislike him.

For real, Alexander better leave her alone after this, because Mia has told him she is not only not him, but not into dudes, and whether that’s true or not, he needs to accept it as truth. If they get together Mia has to make the first step in pursuing him.

Damn, this this makes me want to go back and rewatch S1 through shipper-tinted goggles. So was Mia really trying to hit on Hanna at the bar? I don’t know if that’s what they meant but I’m declaring it canon in my mind.

Plot twist: Toilet Sam pats Alexander on the shoulder here as foreshadowing for their upcoming love affair, Mia will be free to get together with a nice girl in S2.

Another plot twist: That awkward yet smoldering Jonas/Toilet Sam eye contact.

You know, if Alexander apologized to Kiki without any incentive - if Mia’s like “I’m gay” and then Alexander apologizes to Kiki anyway - then that makes me approve of him more, since he doesn’t think Mia is an option now. Unless he’s thinking, “Well, time to convert the lesbian!” But otherwise - a MAJOR step in improving Winterberg.

Kiki got a little sarcastic with Alexander, too. ”Wow, you know my name?: GOOD FOR HER.

Group hug! I still feel that the girl squad is a little disjointed, mainly on the Kiki angle, but that’s to be expected.

Mia giving Kiki a slice of pizza … very nice to work that in, nice. And Alexander apologized so that may have something to do with it, that her image-related insecurities stemming from his comment have been soothed.

Also, props to Mia for waiting until the other girls left to bring up Matteo’s gay porn to Hanna.

L M A O it only took Hanna 10 episodes to realize Matteo’s deeply gay looks and feelings for Jonas. That’s impressive because of all the m/m Isak/Jonas pairs, Matteo was by farrrrr the most transparent about his 😍😍😍😍😍

Speaking of, excellent smitten look Matteo gives Jonas there. Some of the remakes have been toning down the 😍😍😍😍😍 but no, Matteo is bringing it.

Awww, the cast dancing during the credits <3 <3 <3 Was this from their audition tapes or something?

General Comments:

This is my favorite remake. My ass will be so bitter if Druck out of all of them doesn’t get renewed. It’s the one that most captures the spirit of the original, has an age-appropriate and charming cast for the most part, great chemistry between the characters, and did a decent job of adapting the storyline while giving the story its own personality.

Moreover, Druck really captures the vulnerability of the characters, which is essential to Skam’s storytelling. A Matteo or Amira season really excites me because those actors have already displayed capacity for fragility in this season, and I think they could do decent jobs in their own seasons.

Plus, Jonas would be SO amazing in a Matteo season! If I already loved him in S1, when he’s at his worst, imagine how awesome he’ll be supporting Matteo during his coming out process!

Give me that Amira and Matteo friendship. Or Amira falling in love, jeeeeeeez. Matteo falling for a boy who can match him in longing stares.

I’ve had some reservations about Mia’s acting but she has honestly grown a lot on me as a character, I like how she’s written, and so frankly? Even S2 kinda has me excited. My personal feelings about the central relationship aside, Druck deserves a chance to have its S2 as much as any of the others.

IDK, it’s kinda frustrating that the geoblock and random production issues seem to have cut off a lot of the potential fanbase, so I hope the show gets another chance, and that they fix whatever lingering issues.

They definitely could do better with social media output and overall keeping the interest in the show flowing between clips.

Anyway, for the most part, I actually enjoyed Druck S1 quite a bit, and I truly hope I get to see more of these characters.

I don’t speak German, so if I missed some context, feel free to correct me.

If you got this far, thank you for reading!

#druck reactions #this is a week late bc i got busy with life stuff #but i enjoyed these last clips so much that i did want to write something

21 notes · View notes