#the third post rebellion was some old man who had a heart attack and died in the sept as they said their vows

[maekarlargenaturals]

The targs aren’t even my favorite house despite having the most OC’s for it. It’s just like… the funniest one to choose from.

[felassan]

 obscure elven heroes! appreciation. post

The Pale Demon: after Orlais conquered Halamshiral in 2:20 Glory and the Dales fell, one of the Keepers of the diaspora clans became infamous for his vicious attacks on Orlesians. humans came to know him as the Pale Demon, for he set upon soldiers and even unprotected merchants with iceblasts and blizzards from his staff, even in summer. these attacks continued until chevaliers killed the Keeper and then slaughtered his entire clan. the staff he bore was called Yavanalis (it’s curious to me incidentally, that Flemythal named one of her daughters Yavana - any connection? maybe the two words share the same root word in elven).

Wenni di Ladia: a City Elf from Nevarra, she was one of the most famous elven heroes from the Towers Age. directly descended from one of the last Emerald Knights who protected the Dales, she took up her grandfather’s bow, Tenasarin (any relation to the river Tenasir, where shrines to the elven gods stood?), to fight when the Third Blight threatened Thedas. her deeds, skill and beauty inspired entire armies, such that I don’t think it would be a stretch to say Wenni was one of the Heroes of the Third Blight. after the Archdemon was defeated, her name launched revolts and rebellions in the alienages, becoming a rallying cry - mien’harel! human Marcher rulers were angered by this, and Wenni was forced to flee criminal accusations. she vanished into obscurity, not unlike some Wardens in some of the potential epilogue slides, but her legend still lives on in the hearts of City Elves. this is very important, because in the City Elf Origin elven children playing “Heroes and Humans” will tell Tabris that they don’t know any stories about elven heroes. I like to believe that Wenni’s story is one that every elven child knows and takes great pride and solace in, just like Garahel’s is noted to be. 

Rajmael: a great general. the elves of the Dales fought valiantly against the Exalted March, but defeat became obvious. in one last act of defiance, Rajmael threw his dragonbone waraxe, The Veshialle, at the oncoming enemy before committing suicide by jumping from the Forlorn Falls. his weapon is said to rebel against all but elven hands. Rajmael may have been an Emerald Knight. a verse in the Chant of Light insists that he recanted his faith in the Creators, but we all know that’s human bullshit. curiously, his tale bears some similarity to that of Nomaris, one of the last Emerald Knights alive after the Dales were destroyed. he too bore an axe - the Axe of Green Edges. he lodged it in a tree, declaring that it should remain there until his People were free, before flinging himself into a river, presumably to his death.

Iloren: the Keeper of a Dalish clan that wandered the Anderfels during the Second Blight, in a time when Keepers were priests that served as archivists and magical scholars. he was a hunter in his younger days, and as crafty as a wolf. he led his people in their flight from the darkspawn horde, staying always one step ahead by the grace of his wits alone. one night, the darkspawn cornered and ambushed them. but the dark ones fell into Iloren’s trap. he and the other hahrens called upon the old magic, and with lightning set fire to dry grass and kindling that the hunters had strewn around the camp in preparation. the area went up in flames, and not a single creature made it through the blaze to harm his clan. today his tale is preserved in its most cherished form in books.

Willem Trialmont: a City Elf who followed a company of the Legion of the Dead for three days through the Deep Roads, doggedly intent on fighting darkspawn with his family blade - a fine elven sword which would later come to be known as Topsider’s Honor in light of his deeds. he was quiet but insistent; the dwarves, confused at why someone from the surface would care to combat darkspawn underground, initially thought that he wouldn’t last, and threatened to kill him if his actions put them at risk. but he shocked them, for later, they witnessed him fight like a man possessed, with incredibly light, silent strikes and marked precision. they toasted and broke bread with him, and when he died in 7:5 Storm, they extended that which was sacred to them and conveyed him to the Stone as if he’d been born a dwarf. his epitaph reads that he served the Deep Roads better than a native son. many Legionnaires lived to see another day because Willem fought at their side and fell in their place. in death, the dwarves lauded his honor and claimed him as a brother in blood. his story is one of true family beyond kin and taking up arms against darkness.

Alidda of Halamshiral: the most famous elven criminal in all of Orlais. a City Elf, she was arrested in 4:45 Black for killing three knights - a deed which hardly makes sense to pair with the word “crime”, as chevalier initiation practices involve “testing their blades” by entering alienage slums after dark to murder innocent elves who happen to be out after curfew. Divine Clemence I presided over Alidda’s trial, where it came to light that she had actually killed twelve chevaliers, in justified retaliation for the abhorrent graduation ritual. she escaped and killed twenty more chevaliers - two in single combat - before finally being cornered. rather than be captured, she cut her throat with Knightslayer, her own dagger.

Orahn: A Dalish smith known to have created fine weapons such as the Dal’Thanu waraxe that was an heirloom in the possession of Deygan’s family. His grandfather passed it down to him. Family legend holds that it was used to fight in the service of Andraste herself, meaning Orahn may have been a contemporary of Shartan.

Corimae: Presumably a City Elf, she owned a beautiful dagger called the Voice of Velvet. She was an assassin - possibly an Antivan Crow? - and when a nobleman refused to take her as a lover, she used the dagger to open his throat.

Sendis and Iselle: A Dalish archer and blood mage respectively, this brother and sister pair were part of a band of heroes that saved the Free Marcher city of Kaiten, having aided Viscount Ravi in preventing an abomination from destroying the place. Their clan was led by Keeper Tianne. Over time Iselle and Ravi became lovers, and she eventually died bearing their elf-blooded son Eiton. Sendis later saved his clan from blood magic control by calling on Ravi for help.

Embri of Gwaren: A City Elf, she was a mage, though unfortunately one of limited talent. Testament to her brave spirit and selfless desire to help, Embri volunteered of her own volition to be made Tranquil. As a Tranquil she proved to be a skilled enchanter, despite her absent-mindedness. She always kept an array of magical herbs and other ingredients at her belt, and eventually the belt itself came to hold magical properties. Embri died of lyrium poisoning.

Temolai: A skilled craftsman who made The Long Sight, a helm which grants a strange and unnerving acuity. He made one more helm better than it, but that helm allowed him to gaze upon the Black City, and he was lost forever.

Korin: An elven king, from a tall tale Tabris can tell children in the Denerim Alienage.

Tathas: A sneaky elven bandit, from a tall tale Tabris can tell children in the Denerim Alienage.

Blargha: A mighty elven warrior, from a tall tale Tabris can tell children in the Denerim Alienage.

[dalekofchaos]

Ways they could’ve handled Rey in the Sequel Trilogy  and what they did instead

My other Sequel trilogy wasted potential posts

Finn

Poe

Rose

Luke

Han

Leia

Kylo Ren

Captain Phasma

Hux

Snoke

Ways they could’ve handled Rey in the Sequel Trilogy

Let Rey have a character arc. Rey starts off as a mix of Han Solo and Jyn Erso. Someone who only cares about her own survival and is consumed by her own trauma but learns to overcome her trauma, start caring for other people and something bigger than herself. That would’ve been the perfect character arc for Rey.

Rey would sell BB-8 for food, then fight to get him back.   It doesn’t work that she would be selfless and was willing to pass up all that food for a droid she just met. So I think it would help if she had sold BB-8 and later after meeting Finn, she learns of the importance of the droid and she feels guilt and fights to get BB-8 back. That I think would’ve improved her arc in TFA

Show that Rey is still learning piloting a starship and have Han teaching Rey how to fly proper. Rey will mention that she flew simulations on Jakku, but realizes flying simulations is different than flying for real. This will give us a nice scene of Han mentoring Rey in flying the Falcon.

When returning to D’Qar, showing Rey going to the infirmary with Finn, while Leia hugs Chewie. Rey’s concern should be to make sure Finn is okay, we didn’t need to see an unearned hug between two characters who didn’t know each other.

Have a meaningful mentor and student relationship with Luke and Rey. Luke reaches out after R2 and seeing so much of himself in Rey. It is more important to have a Rey and Luke strong mentor-apprentice relationship than having Rey have a connection with Kylo Ren. It should be about training Rey and establishing a relationship between Luke and her. It was said their relationship would be the heart of the film, so my suggestion is do just that. Focus on Rey and Luke having an actual relationship with each other and her training. Rey needs to be trained in the force to be a believable character. Even Anakin, Ahsoka, and Luke himself were given training and time to become skilled and powerful. Instead of just copying Yoda and old man Obi’s personality into him, do something we have never seen before in a Jedi Master in the movies: make Luke humorous, lighthearted, make Luke lecture Rey ON the importance of attachments and understanding the darkness just as much is the light. It would also create a parallel to what Snoke is teaching Kylo. Have Luke show Rey how to feel the force. Even show Luke teaching Rey to craft her own Lightsaber. Rey could finally make her Saberstaff with Yellow or Purple Crystal and teach Rey that attachments can lead you to the dark side if you let them, but they won’t lead you to darkness if you control your emotions. 

Keep that Rey is related to no one, but Rey knows this. She knew who her parents were, she did not want them to be anyone special, in the end all she wanted was for them to come home. She was going to pass up adventure and being important to stay on Jakku because all she wanted was her family. She didn't want them to be important, the audience did. All we needed to hear is they died. We could get Kylo saying "When you reached out as they flew away, you destroyed their ship, Rey you killed your parents....you were never the same again and cut yourself off from the force.” The important thing about Rey is she found a new family in Luke, Leia, Han, Finn, Poe, Rose and The Resistance, a family who loves Rey for who she is, not her heritage.

Rey and Luke together go to The Supremacy after they both feel Leia and Finn in danger. Rey flies the Falcon, while Luke lifts his old X-Wing and head to the Supremacy to face Snoke. Rey will pose as bait, while Luke sneaks aboard The Supremacy.  Rey is brought before Kylo Ren and Snoke. Snoke taunts that today hope dies and The Resistance dies. But what happens next, Luke enters the throne room. ��MASTER SKYWALKER! AT LAST WE MEET” Snoke will echo through his throne room. The Praetorian Guards will attack, but Luke kills them easily with the force. Luke will say he’s come to save his apprentice, his sister and the rebellion. And finally what we’ve been waiting for Luke vs Snoke. Snoke takes out the true Darksaber, while Luke takes out his Green Lightsaber. The master of the light and master of the dark. And we have the rematch between Rey and Kylo. This time Kylo appears stronger. He is dominating Rey in the fight. Kylo will tell her “you should have accepted my offer, scavenger” “Rey will say “I’ll never join you!” Kylo with the famous Solo snark will say “pity” and cuts  Rey’s hand off. Luke enraged will use the force to knock Kylo out. Finally Luke defeats Snoke. Luke will take Rey with him. As the hyperspace ramming happens, the Falcon is there to pick up Rey. Luke leaves on his X-Wing to guide Rey to safety.

Rey awakens and senses Finn nearby on Crait. As Luke is fighting Kylo, Rey knows while injured, she has to lift the rocks in order to save Finn and The Resistance. Finally Rey embraces Finn, reunited again. The movie ends with Rey getting her mechanical hand and joins Luke and Leia. Leia places her hand over her and Luke’s hands and say “we have everything we need”

What they chose to do with Rey

Rey is good natured and selfless for no reason or build up whatsoever. My issue with this it makes no sense considering that Rey grew up on Jakku, a dog eat dog world. She had no reason to be selfless on that planet. I do love Rey, but it really makes no sense that a person who was raised on a ruthless and violent planet of thieves and scavengers, abandoned and lived the life of a scavenger who barely makes enough to survive would give up all that food for a droid she just met.

Rey perfectly flies The Falcon despite not flying a ship. In the movie she says she’s never flown before and doesn’t know how she did it. In The novel she says she flew ships at night and flight simulations. That’s all well and good, but if you choose to explain things in the novel, but not in the movie. Then you deliberately chose not to explain how a scavenger who never leaves the planet knows how to fly the Millennium Falcon.

She pulls off maneuvers and mechanical tricks that not even Han Solo could think of and a scene later he is dumbfounded and astonished by Rey

Rey hugs Leia. Leia hugging Rey out of nowhere instead of Chewie just doesn’t work. Why is she hugging and grieving with someone she just met when Chewie is right there?

Daisy doesn’t think Rey should have any flaws and that’s a problem

Rey has a connection and starts to trust Kylo Ren…when only ONE DAY passes since Kylo has tortured her, killed Han Solo, and injured Finn. There’s a difference between being “forgiving” and there’s being blindly gullible. She went from wanting to kill him to believing he’s “our last hope”….for reasons.

Rey’s stupidity in TLJ. Rey’s plan. Rey has some vision of Kylo Ren deciding to help her out and locks herself in a box to fly straight to him, with no escape plan or regard for her own safety. As bad as JJ chose to develop Rey, I will admit that Rey is adaptable. Rey makes plans and strategizes. She has been raised as a scavenger, working hard for every day of survival and fighting for every item in her possession. While Luke and Anakin throw caution to the wind in order to succeed, Rey keeps a level head and fights her way through things. TLJ acts like that version of Rey doesn’t exist.

Rey has no character arc in TLJ.  Rey doesn’t learn anything and I don’t feel like she has a character arc or journey. She starts her journey in TFA and I was excited to learn where her character would go. And TLJ does nothing with Rey.  I do love Rey, but I don’t feel like it truly tests Rey and forces her to grow as a character. Rey is intriguing and we care for her, but her journey feels non existent.  Luke and Anakin had struggles and journeys.  I just don’t feel it from Rey. I am really disappointed with how TLJ handles Rey. Rey doesn’t have any struggles. Rey is all powerful and she is the same character she is from TFA. Everything TFA was building her up was instantly ignored.  How Maz got the Skywalker lightsaber? Never mentioned again. How Rey was drawn to the Skywalker lightsaber and what the force vision was meant to mean? Never addressed. Rey says that she’s classified information, “none of your business” Then her parents are revealed as junk traitors who sold her for drinking money and died in Jakku. If her parents were just junkers, how did they afford that space ship if they spent the money on booze? Rey herself told BB-8 she was classified information. All that build up for nothing. The force can come from anyone, we all feel it but you build Rey up only to do nothing with her. Whatever TFA was building up for Rey was dropped entirely.  My big issue with how TLJ handles Rey, is she does not learn anything. She was awakened by Kylo’s mind melding and has his powers transferred to her, she doesn’t even earn her powers on her own, it’s all from Kylo. Your big feminist icon has to get her powers from the man who’s been harassing her. How empowering….please kill me. She doesn’t learn anything from Luke and she feels like the same character in The Force Awakens. We see Luke showing Rey to feel the force and the Jedi’s hubris. The third lesson was deleted, but we did not really get to see Luke train her as a Jedi. Rey doesn’t learn anything. Rey even defeats Luke… In the end we see Rey has the sacred Jedi texts, but Yoda pointed out that those texts were holding back the Jedi and doesn’t teaches her what she doesn’t already know. SO in the end, Rey doesn’t learn anything and that’s the problem. And the big problem is we are expected that Rey will learn everything off screen….that’s the problem. You cannot just have a character who can do all these amazing feats, show her not being trained as a Jedi and make her even more powerful in the final movie with no build up whatsoever.

Rey in TROS teaser looks like nothing ever changed. The same type of outfit from The Force Awakens, the same Lightsaber and the same hairstyle. Like nothing ever happened or changed. Like nothing ever changed. God forbid Rey looks like a mix of a Jedi Knight and Resistance Leader, godforbid Rey builds her own lightsaber, especially a Saberstaff. It’s almost as if JJ and Lucasfilm are afraid to develop Rey as a character and let her look different at all….*sighs*

Rey has no development or arc. Rey is not allowed to have flaws or personal struggles or has a real hero’s journey.  Which is disappointing because I truly loved having Star Wars be centered around a female lead and feel like it’s a missed opportunity. It’s not Daisy’s fault, I feel like the blame lies with Disney. I’m not sure if Disney got cold feet with a female protagonist and felt they would get backlash if they made her character naturally flawed but it’s storytelling 101 to have your protagonist faced with problems that aren’t easy to overcome and correlate to said flaws. Instead we got a hero who faces no real consequences, has no real goals, and can defeat everything in her path with abysmal training. Which ultimately makes for an extremely uninteresting hero. No hard training, no real consequences, no real flaws, no struggles or not even an arc and everything is handed to her. It just makes Episode IX predictable and boring. Rey will defeat Kylo again to no one’s surprise. There is just not a reason to care to see what will happen with Rey. I’m more invested to see what happens with Finn, Poe, Rose and Jannah. I just lost any and all investment in Rey after TLJ. Rey just doesn’t feel like a reason to even want to watch Episode IX and Disney just failed Rey as a character.

[hottytoddynews]

These Dog-Days of summer are a good time to hit the cineplexes. Milk Duds, Goobers, a tub of “buttery” popcorn, and a bottomless iced cold drink, a chaise lounge experience in posh [anti-bedbug] leather seats, and A/C. What more can you ask for? And, unlike most summer Augusts, there’s much to shout about at cineplexes.

The days are long, and some of the best films are short. The studios aren’t waiting for late October roll-out of prestige films. They’re putting them out weekend after weekend – often with three/four openings on a Friday. Some making a big impact at box offices are indies. There’s comedy, drama, romance, murder, Superhero thrills, war-zone chaos, one determined dude on a snowmobile, and a new action goddess. Oscar-nominee Taylor Sheridan (Deputy Chief David Hale, TVs Sons of Anarchy; Danny Boyd, Veronica Mars) of Hell or High Water fame has sneaked in with the season’s sleeper, crime thriller Wind River, which he wrote. Oscar nominee Jeremy Renner is letter perfect as rough and tumble game tracker of mountain lions and coyotes who prey on livestock on a remote Utah Native American reservation. He’s also no slouch on snowmobiles! Already in the stark winter of their discontent, the poor natives are devastated by a second murder of a young woman, found viciously beaten and raped multiple times. This is not savory going — especially when Renner is called upon to assist urban (Las Vegas via Ft. Lauderdale) FBI Agent Elizabeth Olsen (Captain America: Civil War’s Scarlett Witch). We’ve seen directors handle flashbacks many ways, but Sheridan, no slack when it comes to inventiveness, introduces a new and seamless approach. The estimable Oscar nominee Graham Greene is featured as the girl’s father. In a brief but memorable seduction scene, HOHW’s Gil Birmingham – showing different sides of himself, will have a lot of audience members swooning.

In the U.S., a child goes missing every 40 seconds. You never think it’ll happen to you. Until it does. In Kidnap (Aviron/Di Bonaventura Pictures), when mom, Oscar winner Halle Berry, returning to the big screen after three years, catches a glimpse of the abductors speeding away, she begins a high-speed pursuit across Louisiana highways, byways, and bayous, overcoming obstacle after obstacle. The nappers messed with the wrong mom! TV veteran, 10-year-old Sage Correa delivers a masterful performance during the marathon chase that had to be shot with great care. Pay no attention to the red herons, as they don’t deliver pay dirt. The only delivering is done by indefatigable Halle Berry. The ending is powerful, but, on second thought, it would’ve been interesting to have another motive behind the kidnap other than the crackers out for ransom, that include long-time character actress Chris McGinn – move over (Misery’s) Kathy Bates!

There’s another Man in Black and, alas, he’s not Johnny Cash. The mind of Stephen King has no limits when it comes pulp fiction, but his works have proved to be a mixed bag when brought to the screen. Nikolaj Arcel’s brave attempt to adapt his seven novels and a short story published over 30 years [with homages to Robert Browning, J. R. R. Tolkien, and Sergio Leone] in Dark Tower (Columbia Pictures) falls into that category. It’s a box office champ, but no critics’ darling. However, who needs critics? Idris Elba is the last gunfighter in an alternate land out to keep the world from colliding; and Matthew McConaughey is evil incarnate as the Man in Black, with whom he’s locked in eternal battle.

Oscar winning director/and co-producer Kathryn Bigelow proved her mettle with Best Picture The Hurt Locker, and followed with a Best Picture nomination for Zero Dark Thirty. She and ZDT collaborator Mark Boal know a thing or two about war zones. This one is stateside, 1967 Detroit (Annapurna Pictures/M-G-M), where a police raid and a number of murders set off a literal African-American rebellion that set off a night of turbulence that segued into one of the nation’s largest race riots. The film is docudrama realistic, raw, disturbing, engrossing, brutal. A writer aptly summed it up: “The degree of terror and carnage is so strong that ‘based on a true story’ is too tame to do the film justice.” Not for the faint of heart, and in these Dog-Days of summer, certainly not a date movie. There are lessons that should have been learned and weren’t. John Boyega, John Krasinski, Jacob Latimore, Anthony Mackie, Will Poulter, and Algee Smith headline a huge cast.

Director Christopher Nolan’s Dunkirk (Warner Bros.), a sweeping 70-mm IMAX epic [with the help of CGI] restaging of the 1940 evacuation of more than 300,000 Allied troops [French, British, Belgian, Dutch] in fast retreat from the Western Front at Dunkerque, France. Penned in by the Germans, they’re stranded due to a lack of transport. Fionn Whitehead, in a near silent role, delivers a shattering performance. There’s also Sir Kenneth Branagh, Tom Hardy, and, in his acting debut, Harry Styles. Except for Branagh, you may find it hard to spot the others. Olivier, BAFTA, Oscar, and Tony winner Mark Rylance gives a solid performance helming his boat, which joins the civilian watercraft armada aiding the rescue. Though you never see blood, the gore as Germans strafe and use their U-boats in unconscionable torpedo attacks is harrowing– but something’s missing. At 1:45, they’re no humanizing back stories to motivate audiences to care instead of just being blown away. The Dunkirk headlines were instrumental in getting FDR to aid the U.K. to avoid a conditional surrender to Germany.

How does a sweet gal with the name Lorraine become a bad-ass spy? In Atomic Blonde (Focus Features), adapted by Kurt Johnstad from Anthony Johnston’s graphic novel series The Coldest City, illustrated by Sam Hart, Charlize Theron is an agent sent to walled Berlin to retrieve a list of spies destined to fall into the hands of Russia for Britain’s MI6 military intelligence group. It seems like a set-up because she’s a marked woman upon arrival; but like Berry in Kidnap, Lorraine isn’t to be messed with. With almost 90% of the 115 minutes so bloated with mortal combat, karate chops, all manner of guns, and objects for body blows, it begins to get monotonous, sometimes ridiculous, and lacks a core.  The story gets muddled with the intro of a lesbian [it appears] French spy, played by Sofia Boutella – but it also gets rather steamy. Numerous flashbacks don’t help the film’s coherence. That said, Theron is, indeed atomic as a spy who doesn’t know when to come in from the cold. Kudos to director and veteran stunt coordinator David Leitch (John Wick), fight coordinator Jon Valera, and crew. Without their precision choreography, bloodied, bruised Theron and cast mates wouldn’t have come out of this alive. James McAvoy co-stars. John Goodman and Toby Jones are featured.

 There’s nothing sanitized about the raucous, crass R-rated comedy about female friends bonding, nonetheless is non-stop hilarious [and probably would be just as hilarious with less F-bomb raunch and sexual innuendos and more creative expletives], Girls Trip (Universal), made for $20-mill, rolled in out of the blue and has swept up $86-mill. In addition to stellar performances by Regina Hall and tiny dynamo Jada Pinkett Smith, brilliant comic Tiffany “Shake it ‘til it brakes” Haddish, better known to TV audiences, has had the big-screen break-out role of the year; and the gals have found a new crush in former Off Broadway actor and now hunk Mike “The Arm” Colter (who’s been gym-pumping since his Good Wife Lemond Bishop days).

It’s been a good summer for superheroes. In Spider-Man: Homecoming (Columbia Pictures/Marvel Studios), director Jon Watts does a high dive, forgets the past, and begins anew. Tom Holland (Lost City of Z) soars to new heights in the third reboot of the webby franchise by not taking himself seriously and being adept at slapstick. He’s superbly abetted by Oscar winner Michael Keaton’s intense menace– some of the film’s best moments are when Fresh-faced kid v Grizzled villain, and guest star Robert Downey Jr. as Tony Stark. Peter Parker wasn’t alone waking up to the full potential of power. In Wonder Woman [Warner Bros.] Gal Gadot (a prime asset of Batman v Superman: Dawn of Justice) spectacularly segues with gusto from princess of the Amazons to discover her true destiny as guardian of the world. With global grosses in the multimillions, it’s no wonder sequels are in the pipeline.

Ellis Nassour is an Ole Miss alum and noted arts journalist and author who recently donated an ever-growing exhibition of performing arts history to the University of Mississippi. He is the author of the best-selling Patsy Cline biography, Honky Tonk Angel, as well as the hit musical revue, Always, Patsy Cline. He can be reached at ENassour@aol.com. 

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