#the talk was about what influenced my comics

[maplesyrupart]

TLDR; this comic dragged 14 year old me into comic making/ story telling and I am still inspired by this comic to continue my other works.

Update I just read the whole thing again and I have officially slid back into my undertale interest. Rip any studying I was suppose to do

Also I found the original comic dub that I discovered this comic and it’s from 2016, I am officially ancient.

I didn’t realize how much this comic influenced my artstyle from back then to now and what I am going for, the coloring and the shading is fantastic and I am still lowkey trying to replicate it to this day lol. My first really solid memory was the freakin blinds lol. 14 year old me geeked over the blinds and spent like hours try to recreate it lol. Also the bros relationship goes so hard, got me tearing up frfr. Bro so much of my writing literally was inspired by this comic, I literally have sibling relationships a central part of all my stories now, and it is literally based on how so well done their relationship was done in this story. I ended up writing so many sibling relationship stories that I got my minor in creative writing.

Hopefully when I actually get the balls to post my stuff on here, I can have evidence of what I’m talking about. But this comic literally changed my life when I was 14 and I am still inspiring to write/draw as well as Wily-arts.

Also my many reactions to the comic below and the blinds picture because HOW THE FUCK DOES THE BLINDS LOOK SO GOOD????????? IMMA DRAW SOME BLINDS TOMORROW AND SEE IF I CAN MAKE THEM LOOK THAT GOOD.

HI I'M NOT DEAD

I DID A THING

[dunmeshistash]

Do you have the part where kabru and i think maizoru are talking about defining human and demihiman and bone count and stuff? If there are other examples of characters talking about that topic in the story or otherwise id appreciate that too if it's convenient for you. Thank you!(in general for your work on this blog)

No problem! Here you go, it's Kabru and Hien chatting!

Just for context: that explanation Kabru gives isn't really "scientific" and kinda falls apart in the same comic (Ogres have horns but are considered humans, he says it's a modified part of the skull but still...) it's more something arbitrary people in that world made up to justify why some races are human and some aren't. There's more people talking about it in the notes of that post if you're interested.

In the AB both Kobolds and Orcs are described as being "a cross between humans and monsters" but both times that's described as something that isn't confirmed ("seem to be" "thought to be") so I don't think Kui wanted to confirm or deny that that's what they are

One guess of how they came to be is the demon's influence, since its implied that's the source of how the races became so different from each other (at least when it comes to lifespan and magical powers)

Here's a post I made when I first noticed this part, the notes on this one also have interesting discussion

Another interesting things about demihumans are mermaids and fishmen, here Laios and Chilchuck even have a small discussion of whats a demihuman

Chilchuck calls fishmen demihumans but they aren't related to humans at all (mermaids get called demihumans in the AB tho). He even says it just "feels wrong" so yeah demihuman as a classification is completely arbitrary.

[raptorjules]

saw a cowboy as i was leaving work last night. i am not entirely unconvinced that it was your cowboy ghost. you’ve doomed us all.

i would be entirely surprised if this guy followed me all the way across the sea but you know, whats a little Yee-Haunt to end your work night, amiright?

for context i did a panel at a convention recently here telling stories about my experience on the overnight shifts from when i lived in texas, ofc you're bound to run into some cowboy ghosts. so heres a snippet from my little talk about my time working in a restaurant on the late shift.

'cuz see I've had experiences before, when i was younger, at my first hotel job. (yeah i'm old and I've worked in hotels basically my whole life.) I used to work in a hotel restaurant in a swanky Holiday Inn in a my hometown (listen i know there's no such thing as a Swanky Holiday Inn but my boss tried very hard to make it so.) i didn't work the overnights, but i did work the closing shift, so sometimes i would be there past midnight cleaning up. one of my first nights there alone i was cleaning the ice machine, and this thing had a huge metal scoop and a pick. and the cook and i were chatting and laughing about something, and suddenly this ice pick flings itself off the counter so hard it embeds itself in the wall right beside my elbow. needless to say we were shocked. musta slipped right? now my restaurant was above a basement, and in that basement was a bar. i could see the entrance to the bar because one of the walls of my restaurant was made of glass and looked down on the entry. it was all enclosed inside the hotel, nothing was outside. so one day the bar has closed early and i'm looking down in the dark and watching the entrance and i see an old man walk into the bar and im thinking, huh. thats weird cuz i saw Al leave and i know he locked up. so i goes out the side entrance of my restaurant dining area that leads to a staircase that goes right down to the bar, and i go down to see whats up and i look through the glass door and i see a cowboy sitting at the bar. its dark. no ones there, i try the door and its locked. i take out my walkie and i call security. and two seconds before he gets there, i knock on the glass, you know the tune, classic shave and a haircut, and the cowboy looks up. he makes eyecontact with me and he has these blue blue eyes. and he gives me this grin, like he knows what hes up too, knocks twice and i blink and hes gone. someone tells me later a scorned woman murdered her lover there by throwing a knife so hard it embedded him to the wall. to be frank that sounds like a pretty convenient story to scare me, but after that i made sure to talk to the noises i heard around the place at night. just in case.'

next time you see my ol' cowboy with his blue blue eyes and haunting (ha) grin, tell 'em i said hello. and remember to talk to the noises you here when youre alone. you never know.

[turtleblogatlast]

Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”

[screwpinecaprice]

Got a freeform connverse ko-fi request, baby!

I mean, the request was them doing something cute as a couple, but almost same thing.

Thank you for the tip and request, Alphasun! 😁

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[reminiscentrainclouds]

I get to make a presentation about my special interests in animation class. Heck yeah.

*Putting Your Turn To Die front and center and forcing the entire class to watch the trailer.*

[the-acid-pear]

Why did my cooking dream get hijacked by my brain making a William Afton oc and au what was that about.

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[psychronia]

I've been rewatching Avatar: The Last Airbender because why not and I'm losing my mind at Zuko's proper introduction. I don't know if it's hindsight, shifting characterizations, or just me not watching this in a long time, but this was amazing.

We start off showing he's an impatient and very angry kid. Reasonable, and the sort of flaw we might expect to see in a villain. Kinda funny that he expects to go up against an adult and fully 4-Element realized Avatar, but the kid is desperate and Iroh clearly expects his nephew to get the banishment-denial kicked out of him.

What's important here, though, is Zuko's introduction to the Southern Water Tribe.

Here, we have a very intimidating entrance where his entire ship just sails through the ice right up to the village's front door. It's quite ominous and this is our first proper introduction to how the Fire Nation interacts with a foreign people.

Sokka charges, I'm assuming fully prepared to die, and Zuko casually knocks him out of the way. Okay, so clearly the Water Tribe are entirely outgunned.

He asks "Where are you hiding him?" and the people of the Water Tribe go silent. I assume they're either just too scared to talk or actually protecting Aang.

Whatever the case, it's important to note that the Southern Water Tribe know the terror the Fire Nation can inflict. We have a whole episode dedicated to tracking down a division of raiders. Sokka was able to not only identify the ash-mixed snow as signs of an incoming attack, but estimate how many ships the amount of ash measures to. These are a people who have experience being terrorized and are probably expecting something terrible to happen.

And then, after they don't answer, Zuko grabs Gran-Gran. There was a horror sting to it, and everything the tribe knows about the Fire Nation suggests that Zuko is about to threaten or straight up hurt her to get answers. Classic "terrorize the elderly" bad guy stuff.

And then...

He goes "He's (the Avatar) be about this age and is a master of all four elements!?" and lets her go.

And all of a sudden, the tension that was built up is shattered as Zuko went "I know, I'll give them a reference for the person I'm looking for because clearly they're confused and I wasn't specific enough."

This went from a show of villainy to a show of Zuko being totally socially awkward and misreading the situation entirely. Not helping is that when he does try to menace them a moment later, his fire is slow and angled quite safely.

It still worked on the Water Tribe because they're understandably scared, but all I could think of is that this was the equivalent of a playground bully trying to make someone flinch with that fake-out lunge thing.

Because the fact-and something we'll come to learn-is that Zuko is TERRIBLE at being a Fire Nation oppressor. He's capable of doing morally dubious things and is a competent fighter. But he's lousy at terrorizing people and cruelty-that's kind of the point of his banishment.

And while we can see the story paint this picture of Zuko's true character as the story goes on with hints of good and conflicting loyalties, here we get to see just how bad he is at being "the bad guys". He's still unambiguously being the villain of this scene, and it makes no real difference to the oppressed themselves, but there is a comical gap between where Zuko thinks he is, where he actually is, and somehow it still puts him on the same page as his victims just because of how terrible the Fire Nation's influence is on everyone involved.

[whinyskeleton]

Haven’t seen this yet so I’m gonna talk about it. The majority of people Elisabeth/Sue talk to throughout the movie are men. Elisabeth talks to women 1) on the set of her job before she gets fired and 2) when a waitress asks for her order. Every influencing voice and relationship she has is men.

Her boss telling her she’s too old to be in the business anymore, the other substance user who turns her on to it, her old classmate from high school who she turns to for a last ditch grab at validating her self worth. Her dealer on the phone is also a male voice.

Underlying her deep rooted self hatred is a desperate grab for male validation. When she’s Sue, her boss will do anything to keep her on the show. Society even reinforces his decision to fire Elisabeth by rewarding him with higher ratings. The men around her are obsessed with her to a comical degree (the line read on “youre even more beautiful than before” is practically goofy) while in Elisabeth, they either ignore her or treat her with disdain, even going so far as to get unnecessarily violet (what even was that reaction from the motorcycle guy?)

But despite all of this, in BOTH bodies, she hardly speaks. Men talk at her, not to her. The majority of her lines are when she’s alone, to herself or to the voice on the phone. When decisions are made, it’s without her input. The biggest source of control she has is choosing to take the substance and how she uses it.

All of this really made the movie feel like, to me, a depiction of the gruesome things women do to themselves in an attempt to chase male approval, whether or not they realize that male validation is the thing they are chasing. Elisabeth was chasing an impossible beauty standard that she herself spent her life perpetuating, and it was men at the top deciding what that beauty standard was.

It felt like a reflection of the countless arguments I’ve seen across many a social platform- “I wear makeup every day because /I/ want to” “I don’t think there’s anything wrong with my nose shape, I just don’t like how it looks on /my/ face” - but who taught you these things? what put those ideas in your mind in the first place? Who was influencing the person who was influencing you?

Because yes, it was Elisabeth’s decision to take the substance. But would she have taken it at all if she wasn’t a part of the hollywood beauty industry- one that specifically focuses on what women’s bodies are “supposed” to look like?

[spread-the-influence]

OH COOL ! A MASTERPOST !

a horror-comedy fan comic based on The Amazing Digital Circus where ragatha's the host of a parasitical virus and it becomes everyone's problem ! neat-o beans !

* this is also a VERY buttonblossom / pomni x ragatha-centric AU so if you don't enjoy that ship i don't recommend engaging with this sorry

[DISCLAIMER!] while this comic is mostly lighthearted in tone , this comic and au will contain topics that could disturb sensitive readers ! this includes ; graphic violence , depictions and discussions of emotional abuse , depictions of mental health issues , self-harm imagery , obsession , and discussions of suicide . any more specifics will be tagged in the pages , but these are the ones that encompass the Entire comic basically !

( also i hope it's a given that i'm not romanticizing the toxic yuri in this au , )

if any of these topics make you uncomfortable , it's alright to click away or block the #tadc influence au tag .

!! if you want to support this comic , try sharing and talking about it in other platforms OR throw some money at my ko-fi page ! it'll be radical either way !!

LINKS

>> READ THE BEGINNING !

or , if you prefer ...

* TABLE OF CONTENTS ( returning reader or just someone who's not up for scrolling through the tags ? here's the table of contents ! contains links to the comic pages all in one place , any extras , and possible relevant posts in the >>info; tag ! )

* FREQUENTLY ASKED QUESTIONS ! ( questions that i have constantly been asked ! )

* AU POST ! ( for those who have read the comic and are curious about the au — and people that want to spoil the first half of the comic for themselves . i don't judge ! )

* INFO CARDS ! ( info cards for the characters , just for funsies ! will contain blank templates for any ocs (: )

TAGS

[ highlighted are those of relevance + may be interesting ! ]

>>COMIC; - the comic ( be warned things will be out of order )

>>INFO; - specific asks about the au answered !

>>ASK; - old roleplay posts if you want to see em

>>MISC; - answered asks / non-comic stuff

>>DOODLES; - doodles from yours truly

>>PRE-FLUENCE; - stuff before the horrors

>>POST-FLUENCE; - stuff after the horrors

>>ANIMATIONS; - ... animations

>>OFFICE LORE; - pre-circus

>>REBLOGS; - ... reblogs !

>>EXTRAS; - some extra or ' ambiguously canon ' comics !

GUIDELINES & BOUNDARIES

READ THE FAQ , PLEASE ! there are some questions that are , well , frequently asked ! so please read the faq and only send an ask if the question's not there

this is NOT an ask blog ! i will sometimes play along with ask blog-esque asks , but that's only just once in a while — so just please only ask me , the mod , for anything about the au !

you can call me mod bee . i go by she/her in this account

keep it impersonal please ! i would prefer if the asks are related to the au , my art , or tadc . i'm fine with being asked about my interests or what i think of something but otherwise , i appreciate if you do not ask about my life or what timezone i'm in .

my art is free to use ! feel free to use it as an icon , in an edit — anything really as long as you don't sell it or it's not used to spread hateful messages ! my only condition really is to credit me

reposts are fine ! just please make it clear that you did NOT create the art and LINK the account . i gave the free rein to repost the art , all i'm asking is to please respect these conditions !

please do not dm me . i do not like dms . any form of communication is only through the ask box .

i am uncomfortable with nsfw asks so please don't send them . i am fine with suggestive humor , though

remember to spread the influence.

[willowsnook]

Expensive fight (18+)

Can i please request a lil bit of a salami and pulled pork? (Totally all good if it's just the salami one tho) and can i get that with tomato on white bread, pretty please? But also, could we make it mikes way?

lando norris x gf!reader

She isn’t you

I’d be insane not to love you

“She isn’t you,” Lando said exasperated. “I don’t understand why you’re being so insecure about this.”

“It’s fucking insulting for you even to think I am being insecure,” you snapped back at him. You two had been going at it for the past 15 minutes in your shared Monaco apartment. Lando had just gotten back from London and you were pissed about something he had said on one of Max’s streams. 

“Then what’s the issue?” He said firmly and you threw up your hands. 

“The issue is what you said on the fucking stream!” You yelled. “Now I’m being tagged in all this shit about you cheating on me.”

All season long, the internet has been speculating about Lando cheating on you with a well-known influencer. It was comical to you at first, but it got annoying fast, and Lando’s refusal to address it was starting to wear you down. Someone in the chat had asked about it, and Lando's response, “I’m not going to comment on that,” just sent the internet into a flurry. 

“I’ve told you a million times to stop looking at what the internet says,” he said, irritated. 

“You first,” you shot back, and he glared at you. Shoving past him, you stalked into your bedroom, pulling out your small carry-on suitcase. 

“What are you doing?” Lando asked, watching you pull clothes from your drawers and closet and putting them in the case. 

“Leaving. Clearly, I’m not a priority for you right now and that’s fine. So i’m going to get out of you hair for a little bit. Wouldn’t want me bitching at you to be a distraction,” you said sarcastically, and he rolled his eyes. 

“You are overreacting,” he said tightly, not moving to stop you. 

“You don’t even want to know what me overreacting would look like,” you seethed, getting into his face. 

“Fine,” he said, pulling out his wallet and handing you his credit card. “I’ll let my pilot know you’re heading to the airport.”

You snatched the card out of his hand and left without another word. 

Lando was not happy about the situation but felt somewhat okay with you leaving, knowing that you had his card and that he would have eyes on you through other people he knew. It had been a rough season for your relationship. You’d been together for 5 years, but you were in the trenches this year. Lando’s stress about the WDC, the online hate, and your inability to go to as many races due to work was taking a toll. You both knew you would get through it, but it was tough right now. 

Honestly, he figured that you’d only be gone for a couple of days. He loved you for your fiery attitude but knew you were a softy at heart and was counting on you breaking first. But the weekend came and went, and you still haven’t returned. He knew you were in NYC, wincing as he saw the list of charges to his card, but he hadn’t heard a peep from you. He’d paid the hotel staff a big sum to alert him every time they saw you coming or going so that he’d at least know you were alive. 

What was kind of amusing about the situation was that fans had spotted you out and about, so now the rumors had even more fuel to them, which was exactly what you didn’t want. You wouldn’t admit that to him, though. 

Lando hopped on to stream with Max, and his friend could immediately tell he was miserable. 

“She’s not back then?” He asked cautiously, and he heard Lando sigh over the mic. 

“Nope,” Lando replied. 

“Have you talked to her?”

“Nope.”

“Yikes, man,” Max said, and Lando hummed in agreement. The chat was going crazy, with questions pouring in about y/n being in NYC, and fans now confirming that you two were beefing. 

“Let me just clear the air for everyone,” Lando said into the mic. “Y/n is the love of my life. We have been together since we were 19 and we will be together until we are 90. I have never cheated on her, and I would literally rather cut my dick off than do that.”

“Well said mate,” Max said chuckling. 

“Now everyone, please blow up her social media and beg her to talk to me again,” Lando pleaded, and Max laughed loudly. “especially because I haven’t had a real meal in days.” 

Meanwhile, you had watched the stream replay over lunch and almost gave in and bought a flight back home, especially when your phone actually started blowing up with fans begging for your forgiveness. But you had already told one of your coworkers based in NYC that you’d meet him out for dinner, so the flight would have to wait until tomorrow. 

You spent the day shopping to fill out more of your winter closet. You picked up some clothes for Lando, too, along with a new watch and cologne. You were sure that some people would probably throw a fit knowing that you were charging this all to Lando’s card, but you knew he would prefer it. He made so much money that he would have preferred you quit your job to just hang out with him 24/7, but you loved what you did. 

Putting on a new dress you had bought, you headed out to meet your coworker for dinner. He’d picked a cute little pizza place close to your hotel, and you were excited to see him. He had started around the same time as you and you’d become fast friends despite never seeing each other in person. 

The two of you talked for hours, and you posted a selfie to your Instagram story to capture the moment and slightly hoping it would piss Lando off because you were still feeling crazy. Hugging your coworker goodbye, you hailed a taxi back to your hotel. Walking through the lobby, you did a double take at a man sitting on a sofa near the elevators. 

Lando’s gaze burned into yours, taking in your new dress and how it fit on your body. He had a black duffle bag next to him that he grabbed when he saw you stop. He said nothing as his hand found your lower back, guiding you into the elevator. It stopped on the next floor up, and a lot of people piled in causing him to pull you into him aggressively. His fingers were digging into your hips and you knew he was pissed. So the picture definitely worked. 

You led him to the room and he set his bag down while you sat down on the bed, waiting for him. 

“That’s a nice dress,” he said darkly. “Is it new?”

“Yep,” you said, not backing down from his stare. 

“New earrings?”

“Yep.” 

“I’m sure that guy on your story loved them,” he said and you smirked. You had him right where you wanted him. 

“Jealous baby?” you mocked and he was in front of you in an instant, gripping your jaw hard as he forced you to look at him. 

“I should fuck this brattiness out of you,” he growled. 

“What’s stopping you?” You purred and he snapped. 

“Knees,” he demanded, pulling you off the bed. His pants and boxers were already down by the time you were ready and you smirked up at him. 

“Needy for me?” He responded by shoving himself into your mouth, groaning as he hit the back of your throat, causing you to gag. His hands found the side of your head to get a better grip and he thrust in and out of your mouth with no care for how you were doing as he aimed to punish you. Tears were leaking down your face as he shoved all the way in, holding himself there until you coughed out. Gasping for air, he smirked down at you while wiping the spit that was drooling off of your chin. 

“Not so talkative now,” he cooed, and you found the energy to glare at him. He reached down to scoop you up before putting you on the bed, facing the mirror on the opposite wall. He pulled you up to your hands and knees and wrapped his hand in your hair, yanking your head back to look ahead. 

“Now you’re going to watch me fuck the attitude out of you, okay baby?”

You nodded, looking at your tear-stained face looking back at you. Normally, you would complain about him not going down on you, but the way he was acting right now had you soaking wet. 

“I need you Lando,” you whined, and he grinned at you in the mirror. 

“As you wish,” he replied before pushing all the way in and moving quickly in and out, not allowing you to adjust. His hand was still wrapped around your hair and you were having a hard time staying upright as he pounded into you. 

Lando let go of your hair and you collapsed forward, breathing heavily into the comforter on the bed. His hand found your clit and you whimpered at the sensation of that plus him moving inside of you. 

“Feel good baby?” He rasped and you whimpered in response. “My little whore, thinking she could run away from me.”

You moaned out at his words, your first orgasm quickly washing over you without warning. Lando cursed as you clenched around him and let you ride it out before pulling out. He dragged you to the other side of the bed, laying you on your back so that you could look at him. 

His dick found its way inside of you again, and you cried out, still sensitive after your climax.

“I know baby,” he whispered. “Just a little more okay?” 

You nodded lazily as he pushed all the way in, taking a much slower pace than he previously had. He started to pick it up, and you reached out to grab the back of his head and pull him down to you. His lips met yours eagerly and you moaned into his mouth, climbing closer to the edge once again. Moving your lips down to his neck, you sucked harshly, causing him to let out a soft whine. 

“I’m close,” he groaned as he drove into your hips over and over. You felt your body getting hot and knew you were about to go over the edge. 

“Cum in me, please Lan,” you begged as your back arched off the bed during your climax; he grunted into your ear, spilling into you before he collapsed on top. 

He took a few minutes to catch his breath before moving off the bed, and scooping you up in his arms, moving towards the bathroom. He gently set you down before turning on the faucet to fill the bath. 

“Are you okay?” He murmured, finally looking over at you. 

“Mmmhmm,” you replied and he smiled softly at you. 

“Come on, princess,” he urged as he got into the bath. You stepped in, sitting in front of him, your back leaning against his chest. His arms wrapped tightly around you and he sighed contently as he rested his chin on your head. 

“Do you still love me?” You asked vulnerably and Lando had to hold back his laugh. 

“Of course, baby. I’d be insane not to love you,” he replied, and you turned your head to smile at him. I’m sorry about this year. It’s been hard, and I could have been doing a lot more to show you how much I love you.” 

“I forgive you Lan,” you said softly. “You’re under a lot of stress and I could be more sensitive to that.” 

He buried his head in your neck, wondering how he got so lucky to have you. Before joining you in bed, he drained the bath and put on a pair of boxers. You laid your head on his chest and he wrapped his arms around you, tracing your skin lightly. 

“I was planning on returning tomorrow,” you admitted, and he chuckled.

“Damn, so I only had to hold out for one more day,” he said.

“You probably would have given yourself food poisoning,” you muttered, and he smiled cheekily at you. 

“I knew you watched the stream,” he boasted, and you rolled your eyes. 

“I had to after I woke up to a million Twitter mentions. You being a simp so publicly made me forgive you instantly. It's embarrassing behavior.” 

He tickled your sides, making you giggle and shift onto him. He guided your head up to his and pressed a soft kiss against your lips, moving slowly. 

“I don’t want to fight anymore,” he whispered and you nodded before laying back down on him. 

“Me either,” you mumbled. “I love you.”

“I love you too,” he replied and you felt yourself starting to drift off. “But you have to call the bank in the morning and explain that my card wasn’t stolen.” 

[dreadark]

so why is Luka obsessed with Hyuna anyway?

(mostly just trying to get my thoughts on Luka down before blink gone rewires my brain)

every pet human is extremely limited in freedom, but Luka's case is definitely the worst literally even his birth was by Heperu's design... he can't control any aspect of his own life, from his participation of ALNST (twice!) to what he eats on a daily basis

*translations all by whatafruit

humans have no power over segyein, and Luka doesn't even have any power over own his own body so what can he have power over, then?

other humans, of course

most obvious in round 5: Luka would've had an easy win even if he barely tried, but he goes out of his way to provoke Mizi anyway until she finally snaps... and he smiles as he's beaten

because this is his "power." he successfully manipulated Mizi into reacting, proving he has some control over the situation no matter how pointless it is in the grand scheme of things, this is all he can influence, so he makes the absolute most of it and this control is so important to him he doesn't care about his own physical injuries

it's Hyuna talking in this comic, but clearly reflecting Luka's own mentality

while for Hyuna it's likely just her love for singing and performing (whatever happens, they can't take this away from her) for Luka I imagine it's the ability to influence others from the stage (crushing his opponents, but also shaping his fanbase?)

...so back to Luka -> Hyuna

it’s mentioned more than a few times that Hyuna’s a really talented performer, but seeing their respective stat pages really drives it in

(think the “superiority test” Hyuna was put through relates to this also)

Hyuna doesn't seem to have been created in any special way like Luka was… she just has a natural affinity to performing. and that's enough that she’s considered a real rival to Luka—Luka, who was literally made for this, and put through constant hellish training on top (the pain of having your heart stopped...) to mold him into the perfect idol

to Luka… if he can’t dominate Hyuna, he can't even take pride in his own ability (that everything he's forced to go through amounts to something?). and power over other humans is all he has, so he needs to overpower Hyuna (also he likely admires Hyuna’s talents at the same time, which just adds to his twisted feelings)

so since his ability isn't enough... by making someone think of you, only you… that’s another way of having power over someone, isn’t it

“your life is mine” “I told you I only wanted one thing”

whatever exactly happened with Hyunwoo… well that certainly worked. both removing Hyuna's most important person and making Luka someone she can't not think of (oh and he doesn't seem particularly interested in Hyunwoo despite how similar the siblings are in personality? Hyunwoo was even the first to approach Luka, not Hyuna so it's likely because he doesn't have his sister's talents)

but you know how his intimacy(?) value for her is only 70% I figure that's because she escaped, so they could never actually face off onstage... maybe he's disappointed in her "wasting" her ability

what all this amounts to is that she did end up escaping his control, and he never even got to compete against her. so until he can somehow completely overpower her, he'll be obsessed with her

I wonder if this represents his final effort to that... ultimately, he values control over his own well-being, so if he can goad Hyuna into killing him, then doesn't that cement his power over her?

and maybe "saves" him from this hellish life too

kind of a tangent, but I really like how their designs contrast this dynamic Luka looks really angelic and androgynous, so from appearance he seems fragile and like someone to be protected (which even Hyuna seemed to be tricked by when they were younger) and Hyuna obviously looks the stronger one in comparison (very #girlboss (lol...))

but their relationship is one where Luka's trying to control her and Hyuna's trying to escape it... that "beautiful lady" line of ruler of my heart always felt somewhat uncomfortable, and then learning it's actually pitiful (가련한) instead of beautiful is... ...it's a very gendered dynamic, if you get what I mean. despite their surface-level appearances going against what's considered typical

[ask-the-rag-dolly]

after listening to an among us song i was given the drive to reboot this au so ,

originated from a doodle that spiraled , SPREAD THE INFLUENCE is an au where ragatha is the ( unwilling ) host of a parasite called ' the influence ' which is a virus that only wants to spread and survive . she wasn't compliant about it at the beginning which was ' fixed ' with an itty bitty bit of psychological torment !

also yes i know the abbreviation is unfortunate and i do not care it's funny

even though ragatha's still our usual sweet little optimist , there is this persistent feeling of wrongness . too positive . too affectionate . it's like all of her humanity has been scooped out and you're left with the mask she made for others in the circus .

which is how the virus spread in the circus - they preyed on vulnerabilities which was what their host is perfect for . striking when the victim puts their guards down , making them submit under the guise that their problems will be fixed ... unfortunately it's a monkey's paw situation .

of course , that's only for this particular instance of the influencer ! something to note is that the virus takes a lot from the host's personality , so t.i's mellow and passive , only resorting to violence whenever necessary . t.i's not really an opposite ragatha she's more like a Dark , Fucked Up Version of ragatha the amazing digital circus . she cares a lot for everyone she considers a part of her hive , but it took a lot of manipulation and gaslighting for them to get infected .

caine is left uninfected because " i would do that if my goal is to destroy this place ! " t.i's ultimate fear has always been dying . it'll do everything to not die , to the point it's trying to spread out of the circus ( <- honestly take this info with a grain of salt i wrote this before i fully developed the story ) . unfortunately there's this jester who's resisting the virus with pure lesbian rage and is trying to stop her .

now rags would eventually get de-influenced and the circus will no longer be infected , but we will talk about the extremely rocky journey of recovering from knowing you harmed everyone you cared about Later

was this ' the influence ' that amanda ( ragatha's va ) keeps referencing ? sighs ... yeah . ( feels so surreal that i can say i have their seal of approval for this )

why ragatha ? in story , how is she not the perfect host ? metatextually , this is an au of an au - this came from a blog about ragatha getting a virus that is inconveniencing her life . i simply thought of an idea of ' hey what if the virus took over her body ' one day . then this abomination was born . i would reveal the why and how she got infected ... eventually .........

is she still afraid of centipedes ? is it a ragatha if she doesn't have a fear of centipedes

does pomni still use a taser ? yeah

could i use / be inspired by the influence for my au ? i did not invent the concept of Computer Viruses so feel free to be inspired by it , no credit needed . for t.i as a character specifically , please credit me !

are there ships ? just pomni x ragatha

is suggestive content of t.i ok ? just don't send them to me , tag it as #tw suggestive or #suggestive so i could filter it out

is nsfw content of t.i ok ? my tiny artist hands are powerless against the unstoppable force that is the internet so my answer will not matter . that being said , i recommend that they're not put in the main au tag so people won't unexpectedly come across it . and no i do not want to see it please do not send them to me

could i draw fanart / write fanfic of this au ? 100% yes you could either mention me or tag it under #tadc influence au

does this au have an ask blog ? nah just a normal blog lol

READ THE COMIC ... I GUESS ... !!

the main story

oh boy a prologue