#the postal movie is also made by one of the worst movie directors of all time
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Hi! What is Postal about? These dudes look so greasy and I’m Intrigued (TM)!
ohhh man yeah theyre greasy. postal is a series of. Video Games... postal 1 was kind of a spiteful message towards people who said video games cause violence, back in the 1990s. it was published in 1997 and is just an isometric/top down shooter where all you do is kill people. it's really fun to play though. postal 2 on the other hand is just a silly satirical offensive game with dark and childish humor. it's fun as hell and the protag, postal dude, is just... a guy. literally just a guy. i'd recommend maybe taking a look at some videos about it, theres a couple good ones out there that i cant remember right now. it's totally worth it if you're into stupid shooters with dumb humor lmao
#postal#genuinely the game is so fun#all of them#except 3 kinda#3 is.... not good gameplay-wise#and the plot beats are like weirdly paced#its a super weirdly paced game in general#postal 1 is really straightforward#postal 2 is just a good romp#brain damaged is a doomlike#and 4 is like 2 except more recent#the postal movie is also made by one of the worst movie directors of all time#but somehow the movie works really well for the dumb humor of postal#oh yeah i forgot to mention that postal sometimes gets very edgy and gritty#specifically with postal 1#yeah.#sorry for rambling in the tags i shouldve just done this in the actual post#oops
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The Predator: Chris Kyle
The Predator has failed to reinvigorate the series for a myriad of reasons, and all of them contribute to an overstuffed mess that screams design by committee. It sounds like what started as a carte blanche for director Shane Black didn’t quite make it through to completion. But there’s one cook in the kitchen that stood out to me among the others: the United States Department of Defense. We are well past the point where US military involvement in the production and content of popular media is only a thing of conspiracy theories. The recent reveal that the DoD bothers to make tweaks to seemingly unrelated films like Meet the Parents opens the floodgates to a world of patriotic tampering.
That The Predator would have sought and/or taken tweaks from the DoD is far from a stretch: The plot centers hero army ranger, Quinn McKenna [Boyd Holbrook], along with a gaggle of veterans taking a detour from battling the VA’s medical records system to fight space poachers, as well as an ill defined shadowy American intelligence agency. There are more than the requisite amount of Ooh Rah Moments™. For all their slapstick foibles, the soldier crew is dripping a casual heroic everyman energy, and they effectively sacrifice themselves for their brave leader. There are lines here and there that are a little too enthusiastic about the troops to escape suspicion, and some changes were clearly made to soften anything that could be taken as criticism. Things like a line from the trailer that refers to McKenna’s sniper squad as “killers” making the change to the neutral term “snipers” in the movie. The movie’s growing patriotism-for-pay hit’s a peak with a list of accolades barked out by McKenna’s neglected wife [Yvonne Strahovski] to confirm to the group that our hero sniper is “the man that I think he is”.
The crew of soldiers all fit into that post-Vietnam era image of happy-go-lucky, morally complex (but ultimately honorable) grunts. They each have a “hilarious” mental illness slapped onto them like one-note character name tags, and McKenna, their de facto leader, bears a striking resemblance to the American Sniper himself: Chris Kyle. Both are snipers, family men, massively decorated, generically white-sports-bro handsome, etc., but the resemblance deepens.
The gulf between the film version of Chris Kyle and reality has been well covered, both by others and by Chris Kyle himself who was fairly open about his sociopathic hatred for everyone from those labelled “military-aged male”to black Americans trying to survive a catastrophe. While the hunting of the latter may have been a fiction, there really is no clearer a sign that the real Chris Kyle considered himself more of an apex predator than a conflicted warrior for hearts and minds.
Quinn’s resemblance to Kyle’s two clashing images is a result of a movie that in many areas tried to push two opposing things together, not realizing in the best case that tends to cancel them out and in the worst case, makes something sinister. Here it’s the attempt to have Quinn be both someone who is brave, honorable, and loving of his family; but also a really heckin’ cool badass who’s maybe off his rocker a little (in a cool way that is badass). It’s not impossible to merge the two, in fact it has been done plenty of times, but The Predator ends up telling us that Quinn isn’t only super good at murder, he loves it.
Right off the bat Quinn makes bets with his fellow rangers on the lives of the cartel leaders he’s about to snuff out (assassinations in a foreign country no less). From there he moves on to out gunning dozens of black clad shadow government goons as well as taking shots at a regular sized predator and his big hunting pooches. So far so suspend-able, as belief goes, that this is just a regular action hero. But the real turn comes in the form of a joke that’s set up when Quinn tells his son, a horribly dated representation of an autistic child and soon to be apex predator himself, that the difference between a soldier and a killer is that a killer enjoys what he does. That grim shouldering of mortal sin already grinds up against the gusto with which Quinn celebrates his ability to out-murder others, but sure. The knockdown comes when Quinn, captured by smug intelligence agency goons, blames his captors for making him lie to his son. He snuffs the guards and sadistically quips: “Because I really enjoyed that.”
Quinn’s sociopathy tends to be highlighted in contrast with his driving motivation to keep his child safe, but he seems equally invested in passing on this trait to his nerdy, bullied son. Quinn’s murderous fist pumps are often echoed by the little predator in training, though perhaps he’s already well on his way. Near the child’s introduction he informs a mailman that the postal service exists solely on the corpses of his father’s conquest, more or less. How gangsters in another country figure into “Neither snow nor rain nor heat nor gloom of night” etc. is beyond me. Apparently US civilians aren’t really of too much concern either as the child, wearing the over-sized predator mask as a Halloween costume like some sort of slasher ET, vaporizes a household of degenerate heavy metal fans and barely blinks. In what is both the movie’s third act twist and top jaw droppingly moronic moment, we’re told that lil Quinn is actually the object of the mega-predator’s DNA assimilation quest. Harvesting autistic children’s hunter-killer genetics so a two story tall sweaty monster can go on more safaris, fucking yikes.
As we trudge on through this presidency, we’re seeing the kind of films that would attempt to make a buck off of our nation’s newly invigorated fascist contingent. There’s a part of me, despite my obvious feelings, that feels like the Quinn-Kyle connection has to be coincidence borne of various cultural tides. The other part of me looks at how a top tier military operator fighting a troop-disrespecting intelligence organization looks a lot like the “deep state” conspiracy storylines popping up in work like Stephen Segal’s magnum opus Way of the Shadow Wolves. Or I can look at how Quinn starts the movie off killing pseudo-MS13 members in Mexico; a blurring of the line between policing and war, as well as a classic dogwhistle for those who see Mexican immigrants as fundamentally criminal. For all Quinn’s patriotism, which America does he represent? The one that annihilates the corrupt shadow order to take control. The one that leverages its experience killing potential invaders abroad to kill outsiders from the stars that might try to lay a finger on it’s genetically superior, lily white progeny.
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The Top 10 Films Of 2017
Ok, I said this year was great for albums...it was probably even great for films. I mean it, some of the worst weren’t even that bad (some where worse than ever but I usually don’t do worst lists, ask me personally for that). But there was some amazing movies to choose from this year, but sadly I can only pick 10 for this list.
So here is some rules
1.Technically some of these movies have been released in 2016, but some where only released at film festivals or had overseas released. I usually go by the rules of if it was released in Cinemas in 2017 or on DVD
2. This is a personal list. So some opinions are biased and selfish.
3. I haven’t seen every film from this year sadly. So any recommendations or even your top 10 lists would be helpful. I always want to watch more and I have an odd fetish for lists and stuff, so if you have any send me links and stuff.
This list may change in time…so this isn’t 100% final…but it’s pretty damn close.
10. The Handmaiden (Park Chan-wook)
Korean cinema this year was actually amazing, with some real great movies coming from the far east. But as always, the top title has to go to the king of Korean revenge Park Chan-wook (who is one of my all time favourite film makers. Set in Japanese occupied South Korea, this movie tells the tale of a handmaiden who is brought into a world of deceipt, greed, sex and madness. As always Park Chan-wook tells this tell with some amazing cinematic techniques and with some mad imagery. Also this movie is also probably the strongest LGBT themed movie of the year too (if you watch it you will know what I mean). The king has returned!
9. Lady Macbeth (William Oldroyd)
Period dramas usually bore me to death. But I heard Northern English accents in this one, so my intrigue was heightened. A definite master work this movie is, with some amazing shot scenes and wonderful acting, but the real highlight has to do with the main themes raised. A psuedo horror movie, dealing with a woman's slow hatred of men that she slowly becomes a monster, this movie slowly goes from one shocking moment to the other. Oldroyd's amazing directing really adds to this tone with the smallest details being highlighted to create a real tapestry of drama, intrigue and evil. Major props have to be given Florence Pugh and Cosmo Jarvis for giving some amazing performances throughout.
8. Get Me Roger Stone (Dylan Bank, Daniel DiMauro & Morgan Pehme)
This is a brilliantly made documentary about one of the most controversial figures of American politics, a definite bogeyman if there ever was one. While most people fight and shout over politic issues, there is always a master manipulator in the background for his own personal gain or just for the fun of it, and Roger Stone is definitely one of those characters, who is so dishonest and slimy that you almost have to respect his own evil twisted genius and odd take on the world around him. Brilliantly told and brilliantly seen through the eyes of Mr Stone himself, it is a definite watch for those who need to see the other half live and how they work behind the shadows.
7. Paddington 2 (Paul King)
Paul King is definitely one of the most underrated directors working today (he's the next Michel Gondry). Loving the original Paddington haven't been aware of the character since I was a child, I am so glad that Paul King has his hands on this property, because I can't think of any other director who has such great charm, talent or design. Certain technical scenes in this movie are way better than anything Wes Anderson could ever play out. As a comedy, especially a kids movie, this movie really is a laugh a minute rollercoaster. My mouth hurt from smiling too much. Ben Whishaw takes the main role so well as usual, but the best addition to this movie is Hugh Grant who plays the madder than life villain.
6. Accidental Courtesy: Daryl Davis, Race & America (Matthew Ornstein)
This documentary is just a mad one, but it is the story we all need. Daryl Davis is a famous activist who is famous for de robing Klan members in some very controversial yet practical methods. Politically, the race issues in USA at the moment really are a minefield and taking a side really can be suicide at times, but thankfully a man comes along who I can at least side with in a more philosophical and pacifistic manner. Brilliantly told through the words and eyes of Daryl, the documentary really shows how love can conquer all. It may not take immediate effects, but at least it's the most, dare I say it, Christian way to deal with issues from a mostly Christian country.
5. It (Andrés Muschietti)
It really is a horror staple, being a main influence on many peoples fear of clowns. While the first celluloid adaptation (the original mini series) is a guilty pleasure to horror fans, it really was a platform to show off the brilliant talents of Tim Curry, many believed would never be bettered. Enter Bill Skarsgård who has approached the role in a very unique and creepy fashion. While being a real treat for this movie with his outstanding performance, more props has to be given to the kid actors in this movie, who may be the best young ensemble I've seen in a blockbuster movie, turning this original mad horror movie to a heart-warming childhood tale with a good few laughs thrown in too. Don't fret, this movie still will have horror movie fans gushing with some really impressive scares and effects. This movie really touched me and I am looking forward to the upcoming sequel.
4. Prevenge (Alice Lowe)
Being a fan of her casual work in British comedies and loving her acting and screenwriting talent in Sightseers I was of course looking forward to her directorial debut, with a concept as mad as herself (she was pregnant while making this movie...this is gonna produce some awkward conversations to her child). Telling the tale of a mother who becomes a serial killer under the guise of her unborn baby, this movie had B movie schlock written all over it, but being a talented screenwriter, Lowe really fashions an interesting study into mental health, dealing with grief, auto and postal depression. With every line of dialogue being as important as the next, this movie is a great re watch, piecing together the many brilliant fabrics she has woven throughout. Also behind the psuedo drama there is also hilarious comedy movie underneath this madcap rollercoaster. I look forward to anything Mrs Lowe will produce in the future.
3. Moonlight (Barry Jenkins)
Finally. The Oscars got it right (...almost). If you have only heard about this movie through the controversial fuck up at the Oscars, I advise you to ignore it and focus on the genius of this celluloid masterpiece. Also I would also try and ignore the click bait nature of seeing a movie about a gay black guy, this movie is so much more. Split into 3 chapters, the movies sees the life of a young boy who goes through turmoil, both personally, mentally and sexually. In many ways I see the movie as a tale of someone approaching masculinity, but adopting an almost Freudian approach (each chapter representing id, ego and super ego). Masterfully shot, shockingly portrayed and hauntingly beautiful, Barry Jenkins really shines as both a technical director and a brilliant visual storyteller.
2. Toni Erdmann (Maren Ade)
A very odd movie with a very odd sense of humour. If you are a fan of cringe comedy, this is definitely a worthy one to watch. Equal part uncomfortable yet equal part hilariousity, this movie has it all. Also oddly enough this movie is near 3 hours long, but only feels about an hour and a half, and has you begging for more. This movie also has a lot of heart too. Behind the nudity, wigs, hairy bodysuits and cum covered cakes, this movie deals with family, distance and how we all grow apart and become different people. Sandra Hüller and Peter Simonischek lead this movie with amazing talent having me on the brink of tears one moment, crying with laughter the next and now and then covering my face into my hands with some awkward yet hilarious scenes. Fans of British comedy would definitely get a kick out of this.
1. Mother! (Darren Aronofsky)
I have been a fan of Aronosky's movie's for a few years and I have always marvelled at his interesting methods of telling stories, dealing with images and themes more than a concise and cohesive narrative and I was approaching this movie with caution due to it's mad campaign before release. I went in knowing nothing and I came out knowing only slightly more. I love how deep this movie is. You can watch it 100 times and still not fully pick up on all it's nuances or themes. Multiple people can watch this movie and come away with many different interpretations. A good director shows and doesn't tells, and Aronofsky proves that in this movie. Using well crafted techniques and a lot of shocking scenes (mixing graphic and emotional material), Aronofsky creates a magnificent piece of art with a potent and intelligent critique on religion, humanity, environmentalism and philosophy. Carried by griping performances from Jennifer Lawrence and Javier Bardem, this movie is a masterpiece and fully plants Aronfsky's flag as one of the world's most controversial and talented filmmakers.
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The 10 Best Computer game Movies Ever before Made.
COMPUTER Gamer is the global authority on PC games. Some would state that the plots of many computer games are just also simple to equate right into a motion picture, existing just to provide the player an excuse to go out and also fight things. . Just what I locate fascinating is that, while games that make use of film licenses are rarely good, there are lots of really excellent games that are influenced by films. Genuine success, you need a game that can actually equate to the cinema. The dive from the cinema to the console has actually generated several fantastic games. It showcases a lot of the same voice stars and the very same type of cartoonish humor as the games, so it's rather precise as far as video game movies go. While it tells an initial story, Thor: God of Rumbling is inevitably a rugged experience that deserves its place at the bottom of the deal container. As it turned out, making movie-games was actually a whole lot riskier than it appeared from the outside. Probably the most precise, authentic leisure of a film seen in a videogame, in spite of featuring new areas, stories, and characters. Nowadays, workshops often favor to avoid the threat by enabling LEGO to earn a tried-and-tested video game of their movie. I've come at these games vice versa, and also while SoM is an excellent game, the Nemesis system isn't really the ground-breaking techniques administration I was lead to believe it was. Maisie Williams has obviously had conferences about playing the protagonist, Ellie, but for now the movie doesn't appear to be relocating anywhere quickly. However that was 1982, as well as the Nineties and Noughties saw an additional boom in movie linkup games, with TerKeurst clarifying that the first-person shooter GoldenEye 007 really made more cash than the movie. Uwe Boll might have done his very damnedest to break any type of chance of an engaging Much Cry motion picture being made with his own distinct take on the material, yet Ubisoft is coming back around for one more go. This moment, it's aiming to invest much more heavily and also keep a greater degree of imaginative control over the movie. "Warcraft" is full of wood performing as well as its plot will certainly earn less than zero feeling to people who do not enjoy the computer game. Spider-Man 3 might not be the most awful computer game ever made, but it somehow took a step in reverse as well as showcased glitches galore that usually messed up the gameplay. Aside from that, I just checked out Darkness of Mordor's access as well as it seemed like worst of worst games based upon crappiest books I utilized to check out as a snotty youngster. Interestingly, Peyton is additionally servicing a film variation of the prominent arcade game Rampage which stars none other than San Andreas lead, Dwayne "The Rock" Johnson. made my day Throwing in George W. Shrub, Osama Container Laden, offending jokes concerning 9/11, or even a scene featuring himself supplying the line "I hate videogames," Boll really received the best director honor for Postal at the Hoboken International Film Event. as well as an additional Razzie election for Worst Supervisor. Both directors later on worked together on District 9, and in spite of occasional conversations and reports that emerge, the Halo motion picture seems embeded advancement heck, where it's most likely to stay for some time to find. However, the game suffered from all the regular mistakes of the period, including jump controls that were large aggravation to obtain right. mobile games tips
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