#the point of these gifs for this song btw is that dean is the opposite of simple that's why I chose murder x5 | Explore Tumblr Posts and Blogs

dustydreamsanddirtyscars · 7 years

Photo

“Sitting On A Bench, Reflecting...” - On the Traces of “Forrest Gump” in the Story of An Angel of the Lord

“Life is like a box of chocolate, you never know what you’re going to get.” - Forrest Gump in “Forrest Gump”

One tiny white feather floats in the sky and slowly descends to the ground to eventually land on someone’s shoe. The certain someone, who is attached to said shoe picks it up gently and places it carefully into a book. It’s the introductory shot to one of the probably most well-known movies of the past 25 years. And it sets up the feather as a recurring theme, element and metaphor for the entire movie “Forrest Gump” from the year 1994.

A good 11 years separates this movie following the life of Forrest, a simple minded and innocent boy, whose “passion” and “gift” for running would lead him literally around the world and the beginning of a small show called “Supernatural”. On the surface there’s not much one could say connects this film and this show. One is embedded in a world where monsters like vampires and werewolves exist, the other is firmly placed in a “non-magical world” - though of course “Forrest Gump” in many ways can be considered a kind of fairytale just without the fantastic elements. Still - despite these huge differences in approach and especially in atmosphere and tone (one is a horror show the other a sort of sweet kind of drama after all) - when digging a little deeper the big themes tackled in both franchises align really well. From absentee parents, to the story of “adolescence” and “coming of age”, to family, love and the question of destiny vs. freedom of choice - there is much that “Forrest Gump” shares with “Supernatural” and in particular so with a character that was introduced in S4 with a shrieking sound on the radio, white noise on the tv and exploding windows in an all but abandoned gas station somewhere in the broader vicinity of Pontiac, Illinois, where on September 18th, 2009 one Dean Winchester dug himself out of his grave after he was dragged to Hell by Hellhounds four months earlier. It’s Castiel, Angel of the Lord, we are talking about, whose story feels like having quite a bit in common with Forrest. And all of that starts with one tiny feather dancing from the sky to the ground and coming to rest on Forrest Gump’s shoe, who sits waiting on a bench at a bus stop reminiscing about his life, telling anyone who will listen, his story.

Said feather is a recurring theme - paired with wings and birds and songs and metaphors of flying (mostly connected to Forrest’s one true love Jenny) - in the movie. A symbol capturing and describing how the main character’s life was seemingly shaped by circumstance, how one step lead to another, how he walked through life like a feather floating from here to there in the wind, drifting from one place to another, going wherever the road took him (and that is actually one major parallel to “Supernatural” as a whole with the Winchesters driving across America going wherever the next case leads them) without giving it much thought (in fact many places he ended up being had to do with him simply doing as told, to “run, Forrest, run” whether it was to get away from the bullies in his hometown or in the baseball team or when rescuing his companions from the jungle in Vietnam) - though he always had one constant, one person to return to: Jenny, his childhood girlfriend who throughout long stretches of the movie appears to be seen like an angel by Forrest (fittingly she is also often times wrapped in white flowy gowns, talking about her wish to become a bird so she could fly away - to escape her abusive father - or standing on a window sill read to jump and “kill herself” to be free while Lynyrd Skynyrd’s “Free Bird” is playing in the background). And an angel’s story is Castiel’s. A warrior of Heaven, a servant of God, who - like that tiny white feather - touched down on earth for the first time in millennia after he rescued none other than Dean Winchester from Hell.

Just a few days ago I was talking about Castiel’s trenchcoat, how it always set him apart from the rest. Just like Forrest, who couldn’t walk without aides as a child and was made fun of for being “simple minded”, Castiel, never fit in as the narrative told us. Cas was always a rebel (even if he doesn’t remember himself, those who re-programmed him know), the one who came off the line with “a crack in his chassis” as Naomi called it or as Samandriel put it, he always had “too much heart”. And while Castiel in S4 is intimidating and absolute, when it comes to human interaction he is ill-equipped, almost childlike, innocent. All traits one connect with Forrest Gump. Most of all though and that’s of course what defines Castiel’s arc in S4 most is how he “follows orders”, “doesn’t question”, but “obeys” and “does as he is told”. That is until “The Big Pumpkin Sam Winchester” where Castiel starts to express doubts for the first time and interestingly enough those doubts are connected to a bench in a park.

“I’m not a hammer”, Castiel tells Dean in 4x07 “The Great Pumpkin, Sam Winchester” and sitting down on a bench next to the one Dean is sitting on (there is a multitude one could just write about that little gap between them there btw, as to me it captures perfectly how Castiel grows closer to humanity, but isn’t completely on the same page or rather bench yet). It’s a scene in which Castiel expresses that he has questions and doubts - everything that a good soldier is not supposed to have. And yes, of course the parallel and wording of “soldiers” aligns Cas with Dean, in relation to this meta however it is also noteworthy that Forrest indeed became a soldier and worked well within the army. It’s a recurring theme, Forrest is told something and he follows. It captures how he drifts from one place to another. Rarely making decisions himself, instead he often times “goes with the flow”, “goes where the road takes him” or differently worded “floats”. And that is something Forrest at the end of the movie when standing at Jenny’s grave even voices himself and it captures the question of destiny vs. free choice that is so inherent to “Supernatural” quote beautifully:

“I don’t know if we each have a destiny, or if we’re all just floating around accidental-like on a breeze, but I, I think maybe it’s both. Maybe it’s both happening at the same time.”

And of course it takes us back to the feather imagery of the beginning of the movie, a feather floating in the breeze, that came to rest at Forrest’s feet while he waits for a bus (which also parallels nicely to Jimmy Novak’s bus journey but much more than that Castiel going to sleep inside an old bus when he is human in S9).

And to me Castiel and Forrest are working beautifully as parallels here - not just visually but on a narrative level as well. Because that’s where Forrest’s life truly changes, when he gets on that bus and meets Jenny, who introduced him to his son. That changes everything. Likewise Castiel, an angel with wings, was floating aimlessly and just did as he was told until the day he rescued Dean from Hell (and one could definitely see a parallel between Jenny and Dean here as well as they share the aspect of growing up in an abusive household). From there on out his mission changes, his focus changes, he himself changes.

“I’ve figured out one thing about this world… Just one, pretty much. You find a cause and you serve it. Give yourself over, and it orders your life.”

- Meg in 7x21 “Reading Is Fundamental”

And while his narrative mirror is Forrest, it’s also worthy to note that Castiel’s arc also works rather beautifully in contrast and opposition to Jenny, whose entire life circled around escaping and flying away. So when Forrest in the ending scene looks up to Heaven as if Jenny’s watching over him (like an angel) it gets clear she finally managed to escape and fly away. Castiel’s story can be seen entirely in reverse to her, as for him, it was never about flying, but falling. For humanity as embodied by Dean.

To me the scene in the park (a playground nearby - the whole conversation Dean has with Castiel here is a direct parallel to Dean sitting next to God on a park bench in S11) in 4x07 “The Great Pumpkin, Sam Winchester” works as a perfect starting point of Castiel’s journey. Roughly 2 seasons later we would meet him again - sitting on a bench (like Forrest) - in 6x20 “The Man Who Would Be King” telling us his story. A story that shifted from being a feather in the wind, following orders to making decisions yourself and having to deal with the consequences. A story that tackled the question of destiny and ended with free will.

I’m sure that none of these parallels have been inserted consciously by the writers at the time - though with Ben Edlund and 6x20 “The Man Who Would Be King” I could imagine that he thought of “Forrest Gump”, but the chances are slim - still to me these franchises work together and in opposition to one another, because they utilize the same tropes and themes. And I don’t know about you, but I personally quite like the theme of “reflection” and “identity” woven into these bench moments...

[In case all of this didn’t leave you all “I don’t know about you, but this person that wrote this bs has issues” ;P for more metas on benches and vending machines used as meatphors and symbols on SPN - yes, it’s a thing and apparently I have a thing for it - click here, here, here and here]

52 notes · View notes