#the pit had to rewrite/improvise the Eye of the Tiger score because it was so profoundly off
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regallibellbright ¡ 2 years ago
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Today in “apparently this crappy show will haunt me forever,” I mentioned the jukebox musical we did for my high school freshman year, Back To The Eighties, while talking to someone. Including bringing up the Star Wars dream sequence set to the theme from The Greatest American Hero - and no, I have no idea why they chose an entirely different property’s theme song for a Star Wars dream sequence. Even if they couldn’t get the rights you’d think they’d have chosen something that wasn’t a theme song? Anyway.
On the way home, what comes up on the radio but Believe It Or Not, theme song from The Greatest American Hero. My mom and I find this very funny and sing along because how can you not, and keep singing even as we enter a tunnel and the signal cuts out. I time the instrumental break in my head and continue. My mom can’t keep track of it and wonders out loud as we finish the song what part it’ll be at when we get out of the tunnel, shortly before we do.
Me: I know I go fast in my head but I remember how long the lightsaber fight is, we’ll probably be at the very end or the very start of the next song.
We exit the tunnel on the very last notes of Believe It Or Not. I was in this show fifteen years ago and wasn’t even in this number. Score one for Regalli’s musical memory, I guess.
#family shenanigans#incest mention in tags#in fairness it’s also a very memorable sequence due to having one of the funniest stage directions in a show full of bizarre ones#(a dancer with a chiffon scarf appears to give the scene a surreal feel) which is entirely unnecessary#because the scene puts Acceptable Levels of Nerdy Protagonist as Luke Skywalker; Jerk Jock Romantic Rival as Darth Vader;#and Love Interest as Princess Leia. and then they do the Luke-Vader fight from the end of Empire. You know the one.#don’t think too hard about it the writers sure as hell didn’t. this is about the level of eighties reference and plot writing throughout.#the pit had to rewrite/improvise the Eye of the Tiger score because it was so profoundly off#they also had to debug the score because apparently it had sections for saxophone containing notes saxophones cannot hit.#as one does.#the other funniest stage direction here is the one at the end of Centerfold in which the final count is ‘one last tirade against humanity’#(that one-two-three-four before the final round of nah nahs.)#in case you couldn’t tell this is not a good show and as far as I can tell it’s largely done by amateur productions like say high schools#because they need nostalgia money and the license is cheaper than Footloose (or it’s otherwise unavailable)#it makes for some great stories though.#oh also I give it a pass because it was written in like 2001 but it includes Never Gonna Give You Up. so we also got rickrolled for months#riiiiight around its peak.
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