#the other style for simple things and this one for more dialogue-y posts lol

[druidberries]

Elowen is a little confused about what german means, but at least he's not running away screaming !!

transcript under the cut !

ELOWEN: german! hi!

GERMAN: woahhhh, nice cosplay!

ELOWEN: cosplay...?

GERMAN: yeah! you know geekcon isn't until next week right? no need to be in character just yet! although...i wouldn't say no to some roleplay ;)

[stepswowdsen]

【Multifandom】 Rambles

Update Rambles

Putting this as a ramble post too cuz I edited it today

I think in terms of art, I wanna grow even more obviously but I'm happy with my huge improvement this year... My style looks the best it's ever been and my way of drawing face/eyes and sense for picking colours keeps getting better and better.

I do think I wanna jumpstart a huge art improvement growth journey by trying to make gesture drawing somewhat of a consistent thing for me. Cuz I have no consistency for my gesture drawings. Not right now obviously but I wanna design plushies for my fave ships (XanLena, KuroEne, JuAli, IdaTatsu, LimGuda) one day. I love them all dearly… 🥺🫶

Because I was thinking that I would love to have physical merch of them. I'll make my faves kiss like barbie dolls ✌️💗 I would LOOOVE to dress them up and sit them next to each other... That's a huge dream of mine

I think KuroEne should be on the easier end of my fave ships since their designs are rather simple and less detailed in comparison? I'm not used to drawing chibis, compared to how I usually draw, but I'll do anything for my faves. Don't underestimate me. I'm dedicated.

I also wanna doodle some scenes from my KuroEne AU Route where MaryEne team up against Saeru. This Route has such a fun setup, especially with the way it plays out. Because it's so long, I haven't finished writing for it yet.

So I wanna draw some snippets from it eventually. Ofc I'd love to draw more, but my yapping outpaces my drawing speed, unfortunately. That's why I do rambles/dialogue scripts. So I can remember my ideas and hope to draw them later whenever I get the time

This Route is super long so I haven't gotten the chance to sort all my dialogue scripts for it yet. I take from my Notion docs for my stories. They remind me what I have/haven't posted on my socials

I have some art concepts simmering in my head like KuroEne wearing Viet clothes cuz seeing my faves in traditional clothes makes me <3 And then a ball themed art where Kuroha drapes a black veil over the both of them and Ene wears a dress with a cage dress aesthetic <3

I used to post my notes onto Insta directly (by copying them from my Notion docs) but it takes more time to format. I’ve been busier lately cuz of school, so I just post SS of my Notion docs directly.

Art Growth

Exactly agreed with this. This is how I spend my time drawing so I appreciate OP for putting this into words. For me I usually rotate between my interests but always end up coming back to them eventually since they're always in the back of my mind, even if years down along the line

I find that if I get really invested, then I don't move on from my fave series/characters. They linger in my heart forever and I just rotate between them. This also helps avoids burnout with one interest for me. My followers don't really have to worry about me not drawing [X] character/ship anymore. I will always come back to it eventually.

Tho, just in general, it's natural that peoples' interests just phase in and out, and they may or may not come back to [X] thing. I first got into KagePro when I was 12 so I'm surprised it took me this long to come back to it publically, since I had instances where I'd draw doodles for it but just not post them

I'm MORE shocked that I didn’t talk about my KuroEne obsession until 2024? I was literally NEVER obsessed with a ship like that until them (KuroEne). 12 y/o Sen's first big ship 💗

Cuz I was 12 when I first became obsessed with them, and up until that point, I wasn't insane about a ship like that until them

Me with my faves is basically just my insanity speedrun, especially when I’m mainly obsessed with XanLena, KuroEne, and IdaTatsu solely cuz of my ship AUs & interpretations. Those ships hinge entirely on my AU writing.

But I think it's cuz I knew the KuroEne obsession would come back in full force and that's exactly what happened in April. I predicted it LOL. I'm not really surprised cuz Kuroha/Saeru is EXTREMELY Sen-core in both writing and design, and his character concept and role as the main villain, is so unique. The instigator of the time loop tragedy who’s the embodiment of “Knowledge/Wisdom”

As I said, my top faves are all equally important to me they're just personal and important to me in different ways. So I try to split up the time spent between each interest by rotating through them periodically and drawing for them in random bursts. I always get a feeling of “I miss them and want to draw for them again...”

Like, I've mainly been drawing and writing KuroEne lately cuz they're the easiest of my faves to draw imo (other than XanLena).

I'm very particular about the way I draw Xanxus' eyes and hair (it's generally easy but sometimes I have trouble), but with KuroEne, I don't really have much trouble drawing them at all (their headphones are annoying to draw, along with the belts/straps on Kuroha, but they're generally easier).

So I'd put XanLena and KuroEne at a similar level. Like I don't really have trouble drawing KuroEne's hair and facial features. They're easy to do an initial sketch pass for. For the others, I either draw them good on the first try or they take multiple sketch passes for me to get right

I think it goes like this in terms of difficulty (easiest to most difficult)

KuroEne & XanLena < JuAli & IdaTatsu < LimGuda

And LimGuda's difficulty is because of how detailed Douman's design is

Also cuz Feila chats with me about KuroEne everyday, so the KuroEne AU rambles are just easy to post cuz I can just snatch from my notes, or whatever KuroEne AU works I'm working on.

In general, I snatch from whatever I'm currently drawing/writing about (or recent WIPs, or ones I've recently worked on and revamped)

But I think about all of my faves daily. I've been thinking of wanting to create for my other interests too.

Art is a craft of someone's passion and hard work. People are not entitled to it. I lowkey got sick/annoyed of drawing Ak*Yona cuz I got sentiments from people like "Please draw more ANY 🥺" and cuz it overshadowed the main AU works I focus on. Like... how do you think I'd feel about that.

Every few ~ several months, I get a feeling of wanting to archive my old works, cuz I hate looking at my old art. Some things from 2023 are hard for me to look at, much less anything older than that. I felt a sigh of relief when I archived most of my gallery. I want to fill it with new arts eventually ✌️

My mental health hit its lowest lows at times in the last couple years cuz of my not so great home life, but I think in terms of art, I'm the happiest I've been, rn. If I draw something, I want it to come from my heart as something I wanted to do, not because people wanted me to draw it

Ship Tastes

I think I talked about how I felt before in my Notion docs, but didn't post it here. To me, I feel like, the more that a ship resembles "traditional romance," the more I'm turned off by it tbh. I'm not looking for highschool sweethearts esque stuff. I like literary romanticism, the opposite of literary realism.

My fave ships are ones that are intense and dangerous, and deadly and passionate. I like ships with a compelling amount of conflict and tension, ones that are complicated, complex, and messy.

My ships are not "traditional romances" and I prefer it that way. Makes it much more interesting to me

Because for me, my only reaction is just, "Oh it's cute Ig." But there's nothing (or hardly anything much) for me to say about it.

ALL of my top fave ships are like this, so I think it really shows in my ship tastes.

Also on a side note. I also get bored by masc charas who are too NORMAL... Fiction is a form of escapism for me, I'm not searching for normal people it's generic and boring to me

That's why my acc is a villain enjoyers zone cuz my faves are all weirdos. They're just more fun /pos /endearing

Though I do make exceptions.

This is exactly how I feel

This fully explains why I'm only obsessed with MLW ships if:

The ship is complicated, messy, chaotic, and funny

At least one of the charas is queer, or can be HC'ed as queer

Like it HAS to have these, in order for me to be obsessed with it. Like if it doesn't have these requirements, then it's only a casual like to me. I’ve never had an exception to this

I HC my faves as LGBT+ by default cuz I'd keel over if any of my faves were straight. I'm allergic to cishet people

The thing is, is that I have very hyperspecific ship tastes, so my ships need a certain level of intensity and danger for me to be obsessed with them. I like when my ships are intense and dangerous

(Either one or both of the charas are dangerous, or their relationship is, in some way)

My big MLW ships are IdaTatsu and KuroEne, like the men in these ships are fruity af

Cishet meow meow mfs are a myth

Kuroha/Saeru can use Awakening Eyes to change his body into whatever he wants. I love my NB genderfluid Kuroha/Saeru HC sm. That's genderfluid swag 💖

Agreed with this post btw like the best MLW romances are written by queer women (bi women and lesbians allergic to heteronormativity)

I noticed that a LOT of my fave ships are Enemies/Rivals to Lovers

Enemies to Lovers: JuAli, LimGuda, KuroEne

KuroEne

KuroEne is my case study ship like it's fascinating to me

I'm studying them like a hamster spinning on a wheel

My mad scientist brain (or maybe Kuroha/Saeru's mad scientist brain?) is going off the rails /lh

Every other fave ship of mine I want them to be happy. My ship AUs are generally fluffy and focused on the ship and their intimate moments and them spending together

This is true for KuroEne too, but for KuroEne, I want their infinite XXX amount of Routes to keep on going forever so I can keep writing their endless possibilities cuz it's so fun to think of

There are some ships where I'm like "I don't think of them in terms of a usual romance/relationship, I just think they're interesting"

And yeah. KuroEne engage in intimacy but their r/s is soooo messy, and that's why makes it fun.

Once my faves are past the initial animosity/hostility, getting to know each other, I could definitely see my other ships in actual romantic relationships.

KuroEne is a different case tho because of Kuroha's role/setup as the instigator of the time loop tragedy constantly killing the cast who retains the knowledge/memories of previous Routes.

So in these XXX amount of Routes, they get reset back to 0 at the end everytime, and then they meet again... And Saeru remembers all these encounters.

Their relationship is filled with conflict and tension, desperation, love, obsession, passion, yearning, desire, attachment.

KuroEne is definitely different from my other ships, cuz, in the context of a ship AU, Kuroha/Saeru loves for his own sake due to his selfish, twisted desires. The emotions are genuine but it lacks pure, genuine love.

I imagine that the KuroEne AU started cuz he wanted to prove his theory that humans will do anything for love.

Irt how the KuroEne AU starts

He first questions humans' desire for love (that he probably mistook as lustful pleasure) then he decided to test his experiments on Ene (due to his vessel). Takane/Ene is more affected by Haruka & Konoha than anyone else. And that's how he comes up with the whole idea of the "game" with her, their trysts. And that's when he approaches her with the proposal to make her a body...

His elaborate scheme done in the most roundabout convoluted way, lol

One that he presents to the other party as being an equal trade, but ultimately benefits himself, mostly.

Though it is true that Kuroha/Saeru grants all of Ene's wishes in their relationship... He caters to her wishes and appeases her personality and whims, takes her out wherever she wants, gives her gifts, and love and affection...

Kuroha gives her everything she wanted (even if it comes at a heavy cost)

That heavy cost being - He kills everyone.

He gives her everything except for what she truly wants (getting to move onto the future with everyone and have a happy life)

And he gets to satisfy his desires for accumulating more knowledge (with getting to build the android body and improve on it)

It's filled with a very ILL affection, cuz he is at his core, ill.

Even Douman can be very genuine/show more tender sides...

When he reveals himself to Ene, the betrayal's gonna sink in. Like, if you spend that much time getting to know someone (I imagine they were basically living together for 1 - 2 years) then the betrayal from him revealing his true intentions is gonna be devastating

I imagine that he genuinely enjoyed his act of playing pretend with his S/O (and to the rest of the MekaDan, if they meet in this Route) and enjoyed the time he spent with them, and that's exactly why he won't give it up.

Like...... He's gonna push back against the idea of Ene proposing moving onto the future with everyone as much as possible for the sake of his own immortality (above all else), and then, on a secondary level, for the sake of the game - the love that's keeping him fulfilled

I see them as the type that will meet and cross paths with each other and meet and engage in intimacy with charged sexual tension

[inevitably-johnlocked]

Do you have any fanficions that are very science-y, if that makes any sense? Like, focused on scientific things, in the writing style or actual experiments incorporated into the story itself? I hope I'm making sense

Hi Nonny!

Ahhh yeah, though a lot of the fics I read have it deep in the fic, lol. BUT!!!! Guess what?? Your ask is the lucky one that spawns a new list I’ve been waiting forever to post the next part for a tonne of new fics, LOL!

As always, gang, if you have a fic more tuned to what Nonny is ACTUALLY looking for, please add them here, LOL. Pt. 1 will have a lot more of what you’re looking for Nonny, since there’s a lot of my FFNet recs on that one, but both lists have great recs!! <3

IT’S AN EXPERIMENT! Pt. 3

See also:

It’s An Experiment!

It’s An Experiment! (Pt. 2)

The Perfect Place by SilverSmile (K+, 1,955 w., 1 Ch. || Humour, Romance, 5 and Ones, Fluff, Experiments, Bed Sharing) – Sherlock attempts to find the perfect place to sleep, but his little experiment proves to be far more difficult than expected.

A Study in Lace by KarlyAnne (E, 2,320 w., 1 Ch. || Est. Rel., Crafty Sherlock, Tiny Lace Panties / Lingerie, Domestics, Experiments, Oral, Masturbation) – “Why do you suppose he was doing that?” “Why do I suppose who was doing what?” “The room. The lace. The secrecy. He was playing with fire in everything he did, and didn’t care one bit. But he had a secret chamber, carefully concealed, solely for the purpose of making lace lingerie. Obviously for personal use. Why?" Part 1 of The Unintentional Crafts of Sherlock Holmes

Insomnia by TheSingingGirl (K+, 2,635 w., 1 Ch. || Friendship, Humour, Bed Sharing, Sleepy Sherlock) – Sleep is merely the next frontier in what has become the battle to keep Sherlock alive. It's because of this that John ends up in bed with a sociopath.

Undercurrents by entanglednow (E, 2,996 w., 1 Ch. || PODFIC AVAILABLE || Disturbing Things, Crime Scene Fetish, Pseudo-Necrophilia, PWP, Masturbation) – “There, that's it, perfect, shut your eyes and don't move - and don't speak."

John's Missing Wednesday by PipMer (K+, 2,999 w., 1 Ch. || Pre-Slash, Pre-TSo3, Non-Con Drugged John, Friendship, Experiment) –  "Now John I'd poison. ... Sloppy eater – dead easy. I've given him chemicals and compounds that way, he's never even noticed. He missed a whole Wednesday once, didn't have a clue." – The Sign of Three. This is the story of that missing Wednesday.

Museums and Laboratories by RhododendronPonticum (T, 3,004 w., 1 Ch. || Romance, Angst, Obsessive Sherlock, Anxious Sherlock, Anxiety/Panic Attack, Separation Anxiety, Doctor John, Co-Dependent Sherlock) – If Sherlock's kitchen was his laboratory, then his bedroom was his museum.

Bathroom Accessories by Evenlodes_Friend (E, 3,324 w., 1 Ch. || Sex Toys, Butt Plug, First Kiss / Time, Romance, Horny Sherlock, John’s Patience Wears Thin, Humour, Bottomlock) – John discovers that Sherlock has been playing with some very adult toys in the bath.

After the Bombs by VampirePam (T, 3,337 w., 2 Ch. || THoB AU, Drugs, John’s PTSD, Panic Attack, Nightmares, Caring Sherlock, Cuddles, Bed Sharing, Angst, Hurt/Comfort) – In which the drugs Sherlock used to dose John trigger a severe episode of PTSD. When terrors old and new cause John to fall apart, Sherlock must rectify his mistake and pick up the pieces.

Experiment by Gwen's Blue Box (K+, 4,222 w., 3 Ch. || Non-Con Drugging, Hurt Comfort, Friendship) – Of course John has always known about his flatmate’s irregular sleeping habits, especially when they’re on a case. This time, however, the case is taking longer and longer, and soon John starts to worry. But there’s not much he can do, is there? Because drugging Sherlock isn’t an option. Not yet, maybe, but will it be soon? {{CW: John drugs Sherlock without his consent}}

Survival Strategies for the Domesticated British Butthole by Atiki (E, 6,183 w., 1 Ch. || Crack, Rimming, Anal Sex, Iced Lolly, Hair Removal, Depilation) – In which there’s a rimming disaster, Sherlock depilates his butt, everything goes very, very wrong and groceries are mistreated. This fic contains hair removal creme in a butthole, ice lollies in a butthole and John Watson's penis in a butthole. You have been warned.

My First, My Only, and My Forever by vintagelilacs (E, 6,220 w., 1 Ch. || Post-ASiB, Virgin Sherlock, Pining Sherlock, Sherlock’s Bum, John’s Scar, Sherlock POV, Body Worship, Fingering, Bottomlock, Promise of Forever / Proposals, Misunderstanding, First Kiss/Time, Loss of Virginity, Virginity Kink, Seduction) – Sherlock narrowed his eyes. He was missing a vital piece of data, he was sure. John had been looking at him oddly ever since they left Buckingham Palace, and the ensuing incident with Irene Adler had only exacerbated his erratic behaviour. What was it? Why would he care that Sherlock was a virgin? There was nothing reminiscent of mockery or pity in his gaze. And then it hit him. John Watson was aroused.

Time on my hands by Mildredandbobbin (M, 7,179 w., 1 Ch. || PODFIC AVAILABLE || Post-S3, One Night Stands, Mutual Pining, Virgin Sherlock, First Time, Sexual Exploration / Discovery, Desperation, Body Worship) – Virginity’s a construct, a concept—what does losing one’s virginity entail for a gay man anyway? Sherlock wants to fill that particular gap in his knowledge but John won’t, can’t, never will assist and there’s only so much desperately unspoken pining even Sherlock can take.

Speak My Language by Itsallfine (T, 7,479 w., 4 Ch. || Thanksgiving, Love Languages, Love Confessions, First Kiss, John Experiments in Sherlock) – When Mrs. Hudson introduces John and Sherlock to the concept of the five love languages, Sherlock descends into a dark mood and John’s curiosity gets the better of him. What is Sherlock’s love language, and why does the whole concept set him so on edge? Part 1 of A Holiday Triptych

Made for You by Raxicoricofallapatorious (K, 8,440 w., 1 Ch. || Friendship, Sci-Fi, Androids) – When John was shot in the shoulder he was decommissioned and his memory and personality was wiped. Sherlock was given the blank droid and he quickly learns that this droid is more than it seems. John just so happened to come back and no one can fathom how or why. Johnlock if you squint.

Ravish Me by amalnahurriyeh (E, 10,025 w., 1 Ch. || UST / RST, Makeup / Lipstick, Sympathetic Sally, Experiments, Pining John, First Kiss, Face Fucking / BJ’s, Cuddling) – Sherlock is experimenting with patterns of wear on lipstick in daily encounters. John is going to go insane.

You fit me, Sherlock Holmes by orphan_account (G, 10,077 w., 1 Ch. || It’s An Experiment, Bed Sharing, Slow Burn, Fluff and Angst, Idiots in Love, Mutual Pining, Questionable Science) – An unfortunate series of events leads to John accepting being a part of Sherlock's study in physical intimacy. As the days pass by, John realizes he might be in for more than he bargained for. He doesn't entirely mind.

Fucking Cake by Random_Nexus (E, 12,965 w., 1 Ch. || Pre-Slash, Humour/Crack, Inanimate Object Smut, Frottage, “For a Case” / “Experiment”, PWP / Kinky, Mutual Pining, Fluff) – Sherlock brings home a chocolate cake, John finds him about to have sex with said cake, then exceedingly weird hijinx ensue. Part 1 of "Fucking Baked Goods" - Sherlock BBC

Division by MrsNoggin (E, 19,542 w., 11 Ch. || Coffee Shop AU || First Kiss/Time, Fluff, Barista Sherlock, Clingy Sherlock, POV John, John’s Limp, Bed Sharing, Fluff, Sleepy Cuddles, Sensuality, Touching, Virgin Sherlock, Insecure John) – John likes mysteries. And every morning he dips into the local independent coffee bar with his newspaper and ponders another... one Sherlock Holmes.

Hellfire by testosterone_tea (E, 28,596 w., 9 Ch. || Fantasy / Magic / Mages / Elementals AU || Mage Sherlock, Elemental John, Developing Relationship, Torture, Powerful / BAMF John, POV Alternating, Dark / Blood Magic, UST, First Kiss) – Sherlock is a Mage that gets involved with a case involving Dark Summoning rituals, leading him to John Watson, a man with Berserker blood. The only thing is, Berserkers have been extinct for centuries. And of course, nothing involving Mycroft and his interfering ways is ever simple. This time, even Sherlock may have bitten off more than he can chew.

Never Change a Running System by Lorelei_Lee (E, 54,246 w., 18 Ch. || Pre-TRF, Romance, Humour, Drama, Sex Toys, Anal, Rimming, Masturbation, Frottage, Blow Jobs, Public Sex, First Kiss / Time, Virgin Sherlock / Loss of Virginity, Accidental Voyeurism, Unresolved Sexual Tension, Experiments, Naive Sherlock, Pining Sherlock, Jealous Sherlock, Possessive Sherlock, Straight With an Exception John, Hand Jobs) – Sherlock discovers his sexuality – with far-reaching consequences for John.

Being John Watson-ish by elwinglyre (E, 69,902 w., 17 Ch. || Bodysnatcher AU || Author John, Cranky Sherlock, Angst, Sexual Tension, First Kiss / Time, Falling in Love, BAMF John, Past Soldier John, Feelings, Inside Someone’s Brain, Shy Sherlock, Sherlock Loves John, POV Sherlock, Switchlock, Slow Burn, Internal Dialogue, Mental Turmoil) – When consulting detective Sherlock Holmes steps on one toe too many at a crime scene, he's consigned to a desk job in an archaic office on the seventh-and-a-half floor of the New Scotland Yard. It’s in this bleak office that Sherlock discovers a portal into the mind of renowned author John Watson. Grander than his mind palace, this new wonderland affords Sherlock new vistas of experimentation. To learn more about the mystery behind the portal, Sherlock seeks out and befriends Watson. But then it all goes wrong when others find the secret portal door—including the man whose brain he visits.

Northwest Passage by Kryptaria (E, 95,157 w., 27 Ch. || PODFIC AVAILABLE || Canadian AU ||  BAMF!John, Canadian John, PTSD, Anal / Oral Sex, Rimming, Emotional Hurt / Comfort, Drug Rehab, Falling in Love, Pining Sherlock, Love Confessions, Sherlock’s Violin, Panic Attacks, Switching, Anxious / Protective Sherlock, Hugs for Comfort, Suicide Mentions, Healing Each Other) – Seven years ago, Captain John Watson of the Canadian Forces Medical Service withdrew from society, seeking a simple, isolated life in the distant northern wilderness of Canada. Though he survives from one day to the next, he doesn't truly live until someone from his dark past calls in a favor and turns his world upside-down with the introduction of Sherlock Holmes." Part 1 of Tales from the Northwest

The Adventure of the Silver Scars by tangledblue (NR [M], 142,458 w., 41 Ch. || S3 Fix-It, Post-HLV/ Post-TAB / Canon Compliant, Case Fic, No Baby, Angst, Humour, UST, Slow Burn, Angry John, Reconciliation, Not Nice Mary / Leaving Mary, Dependent Sherlock, Pining Sherlock, Caretaker John, Fist Fights, It’s An Experiment, Virgin Sherlock, Dancing, Drugging, John Whump, Pet Names, Sherlock’s Mind Palace, Scars) – It’s been thirteen months since Mary shot Sherlock and John finds he’s still pissed off about it. Sherlock had thought everything was settled: John and Mary, domestic bliss. But when John turns up at Baker Street with suitcases, the world’s only consulting detective might not be prepared for the consequences. A new case. Some old scores to settle. Certain danger. Concertos, waltzes, and whisky.

[ato-matsuri]

On Agartha

Been a while since I’ve written a long text post, most of all one about Fate. It honestly inspires a lot of rambling in me, after all. But I don’t think, this time, it’s due to its good writing, the emotions it makes me feel, or anything good. This, my friend, is about Agartha. I should probably prelude that this contains a metric shit ton of Agartha spoilers. If you haven’t seen Agartha, and you’re actually wanting to see the story -- scroll past. But, having played through Agartha completely and rested on the story for a bit, I think I want to repeat what everyone else has for ages lol.

Agartha, on paper, is incredible. A subterranean world built off fantastical story off fantastical story, made by a woman known for her ability to weave story after story, within stories, on the fly, and from a database of every possible Arabian Nights tale. Where the fear Scheherazade has due to Shahryar's endless abuse and fearmongering has stretched even to men as a whole due to literal years of having to survive Shahryar. Where the only leaders were queens, where the only rebellion force was a man so horrifically corrupt that he'd easily fall for the tricks she played. Her intent -- to reveal magecraft forever, removing any power magecraft has, saving her from ever having to fight and face kings -- and die -- ever again. That... sounds pretty good when I describe it that way, huh? Now if only it were executed with any modicum of sense.

From the beginning, Agartha's writing struck me as remarkably odd. It was like I was watching someone desperately try to emulate Nasu's writing style -- but had absolutely no idea what made Nasu's writing so good. Its exposition dumps, rather than being interesting, ended up being thoroughly boring -- as they focused on the mundane, like the fact that moss glows to light up the landscape -- instead of the magical implications of a world like Agartha even existing to begin with. Albeit, with the mystery of Agartha at that time, we can safely assume that there wasn't much to focus on, but then why spend so damned long talking about this stuff?

The worldbuilding, while passable, feels fairly flawed in execution. The idea of a world made the way Agartha was could've made for some interesting commentary about the way men treated (and still do treat) women in modern society, but Agartha not only misses the point, but tumbles head-over-ass into the uncanny valley and makes the whole thing sound like a continent-wide BDSM session. There's barely any actual subtle or well-done symbolism to showcase misogyny in this way -- and while hyperbole can serve a good point at times, the hyperbole combined with the strangely sexual writing of these segments makes it feel less like commentary and more like a badly-done doujin.

For example -- El Dorado was as simple as it gets. Men are slaves/breeding machines/whatever. The whole 'breeding machine' thing is played off extensively, even with Penth -- a minor at this stage, mind you -- comments on using the protagonists as such breeding machines. I'll come back to this later, because this serves as another point.

Ys was a fucking cool concept -- a world ruled entirely by rampant consumerism and chaos. Men, in this world, are still second-class citizens, pretty much the playthings of the women around them. I say that Ys is the best kingdom comparatively, as it was at least more bearable than its other kingdoms, but it still felt weirdly sexual in its writing tone. Of course, following tone, Dahut (who I'll get back to later) smashes men constantly, and is very keen on fucking Guda as well, following a trend. It's played for comedy, mostly, but it's still uncomfortable as all hell. Even so, I note it's more bearable because it's a very slightly more subtle take on the whole 'misogyny' allegory -- these people are using men for basically whatever they want, and tossing them away after. I'd compare it to a few true crime cases of people who murdered, or assaulted women for no good reason at all, purely out of a want that was either denied (for good reason), or that the want itself was to inflict harm. While the allegory still does feel unintentional here, it's at least slightly less unintentional. It was probably mostly just by accident due to Agartha's generally uncomfortable writing style, but the allegory here feels a little more potent when it's not so blatantly a BDSM fic.

I hate the Nightless City, despite it again being a cool concept. A 'utopia' where speaking out at all means death -- where men are in concept free citizens, but in practice fall victim to the law if they look at someone funny. Again, in concept, great allegory. The law does not treat men and women the same -- and while it differs depending on the case which is preferred, the vast majority of the time, women are pretty much shafted by the legal system (see Brock Turner), especially in very conservative areas. Cases can be made for both genders being shafted, of course -- but for the purpose of this allegory, picking out the prejudices of the legal system against gender is a fair critique. But, like everything else Agartha does, these neat ideas fall flat in practice.

They barely touch at all on the allegory, and nobody seems to even realize it in the cast, making me further believe the allegories aren't intentional at all. In due fact, it's as if the writer didn't even realize that this could be read as an allegory. The men's plights make some sense, as they were yoinked out of nowhere into a world that hates them. But the Servants and Guda don't think about it at all past the 'wow men are slaves that sucks' -- barely even considering that this could be an allegory the world's creator made due to their own horrific circumstances. They do point this out, but to my knowledge, it's very late -- when Scheherazade's called on her bluff, only then is it ever mentioned, and only in passing at that. If anything, the fact they point this out so close to the ending makes the ending itself that much more insulting. But before I get to the ending, I think there's something else about Agartha that sets the scene for just how awful it is -- and that's the way the characters are written, and the dialogue that comes of it. For this, I'll split it up into the characters who portray this the most. I'll even describe their personalities in Agartha's context.

Guda: Crouching pervert, hidden Mash stan. A few non-sequiturs of Guda complimenting Mash despite the mood being completely broken by it. Guda's incapable of taking a situation seriously in Agartha, even when the world's basically due to be changed forever. They keep cracking jokes, creeping on Astolfo/d'Eon, and other such things even when people are literally dying all around him. For that matter, I clearly recall the scene where -- for no real reason -- Guda just changes gears with Mash in tow, and starts trying to decipher d'Eon's gender. There's absolutely no real context to this, nor any reason for Guda to do this. Further noted is the fact Guda has worked with d'Eon before, and should've probably realized d'Eon's situation by this point. The Nasuverse has always been a bit, er, behind on gender norms and such, but it's so prevalent in any scene with d'Eon it hurts -- especially in that particular scene.

Astolfo: Oddly enough, the most tolerable person here (sans one other person). Agartha's refusal to take itself seriously works remarkably well for Astolfo. And while Astolfo isn't exactly written well here either, the fact that Astolfo's always been a bit loopy makes them seem, well, more in character. They're responsible for some of the funnier moments in Agartha, with their input composing approximately 3/4 of the, like, seven or eight funny moments in Agartha proper. Even so, Astolfo's appearance sometimes hurts Agartha as much as they help it, probably since Astolfo is a bit of the reason Agartha won't take itself seriously.

d'Eon: Deserved fucking better. The previously mentioned scene was the worst offender by far in my eyes, with it coming out of fucking nowhere. d'Eon's paired with Astolfo as a buddy and fighting partner, which itself could've made for good material -- instead, d'Eon is constantly dragged into Astolfo's fanservice-y gimmicks, and d'Eon themselves are pretty often creeped on by Guda. I'd go out on a limb to say that d'Eon's implied dislike of gendered clothing (see the maid outfit) made their scenes wearing such outfits far more uncomfortable, especially with how distinctly sexual the Agartha humour is. I just hated it.

Columbus: I can't fucking believe I'm saying this, but Columbus was the funniest character in Agartha. And I don't even think that was intentional. Something about how unabashedly horrible he was caught me completely off guard -- I thought he'd end up sort of like Napoleon at a glance, someone whose Spirit Origin was completely changed due to Europe's collective worship of the dude -- but holy FUCK was I wrong. Something about the hilariously cursed faces Columbus pulls, combined with his loud-and-proud irredeemable evilness, made him a blast to watch -- and an even bigger blast to beat the shit out of. His, uh, toothy grin still cracks me up even a few weeks after playing it.

Penthesilea: One of a very large amount of people who really deserved better. She barely ever shows up -- and when she does, she voices her desire to turn Guda and co. into a breeding machine/slave (recall she's like. 16?), and pretty much throws the whole 'reasonable-ish zerk' thing out the window instantly, because Agartha decided to forego decent writing in favour of 'funny berserker hates achilles haha brrrrrr,' therefore losing pretty much all the characterization they could've given her. The lack of 'alternate views' that show her in greater detail make this far worse, which I'll go into later.

Dahut: God, wasted potential out the asshole! A woman who made an entire world that fucked around and needlessly consumed stuff, she's the epitome of such a belief. But that's all she is. I'd be able to forgive this awful writing if Scheherazade, who 'implanted' Drake onto Dahut, was a bad writer -- but she's fucking Scheherazade! Dahut's a completely flat character, who constantly tries to bed (and kill) Guda, and generally likes the idea of needless consumption. That's literally it. Again, could be explained if Dahut had difficulty keeping control of Drake's body and conscience -- but this isn't explored either! She's just a walking, talking missed opportunity.

Wu: God, look at her design. Do I even need to say more?! She falls under the same problem that the other rulers do -- shallow characterization, no opportunities to flesh them out, etc.

Scheherazade: She could've been so fucking amazing. Scheherazade's story is one ripe with interpretations the Fate series so loves to utilize -- and on paper, her character is amazing. It'd only be natural for someone like Schez to be this deeply traumatized after so many days on death's door -- not many could really get through that okay. The incredible storyteller who fears death, kings, and unconsciously, men as a whole -- creating Agartha as a subtle way of ensuring none of them harm her while she prepares her ultimate plan of revealing magecraft to the entire world. However, as with the other Agartha characters, she becomes cripplingly one-note. Bringing her fear of death above all else, she comes off as an unreasonable asshole, constantly freaking out about death and preserving exclusively herself to a fault. While one could argue it's partially due to a Pillar's influence, Phenex doesn't seem to have a hold on her at all -- it's a basic alliance, and nothing more, as the ending shows us. It just leaves her as a one-note death avoider, with no other character traits at all. I'd go into further detail, but I'm saving that for later.

Fergus: God fucking damnit, man. A literal child version of Fergus, who the entire cast constantly expects to sexually harass every woman in sight. He's a one-note flanderization of Fergus, just without the one character trait Agartha gave Fergus. It just makes him... boring, a character whose only character trait is his refusal to hit a woman. Like... Come on. The fact the entire team is so sure this literal child will start trying to hit on women is just uncomfortable to witness, and the fact he slowly starts gaining these traits feels less like him 'meeting his fate' as Fergus, and more like Agartha wants an excuse to sexually harass more of the cast.

The Fucking Ending I'm giving this its own category, because of just how much of a punch to the face it was. In short -- the plan to reveal magecraft is revealed, more jokes are made, bla bla bla. Agartha can't keep a serious mood at all. ...But the final few scenes take it to a whole other extreme.

Wu Zetian comes out of nowhere despite being squashed by Megalos earlier, stuffing Phenex into a pit of her weird water shit, placing Phenex in a state of 'life and death.' Child Fergus then sac's his own Spirit Origin to summon Fergus inside himself(???), thus gaining the power of Caladbolg to weaken Phenex enough for the player to destroy. ...However, Child Fergus just summoned Fergus inside his own body. So, what happens when you put Agartha!Fergus, a one-note sexual harasser, into the body of a child? You get the final scene of Agartha. For some reason, I guess you need more help from others to take out Phenex. To this end, Fergus decides to convince Schez to join their side. I'd like you to recall that FGO!Scheherazade is implied to have the trauma of Shahryar's abuse, sexual and physical, burned into her memory -- not just the whole death thing. In every form of the story, Shahryar abuses her in such a fashion almost nightly. It's to the point where Schez' first line of defence, and much of her skills, are as much oriented around storytelling as they are charm and seduction (moreso the former than the latter, albeit), because her defence mechanism was that as much as it was storytelling, to keep her abuser happy. This is a part of why Agartha is the way it is -- to keep such men away from her. Hell, there's not a single King in sight, save technically Fergus, and Chaldea's d'Eon and Astolfo. Fergus knows this. Hell, he heard this being called out. He's well aware how terrified she is. So, what does he do?

SEXUALLY HARASS HER. He claims she has to live to have kids. That men and women have to live to have kids. He claims that she should live, because he'd smash her. ...Now, that's insulting enough -- moreso, that it's played dead serious. Nobody even as much as calls him on such a shitty persuasion tactic, and nobody even mentions how awful it is to sexually harass a woman who'd been sexually assaulted at best for the better part of almost three straight years. AND IT. FUCKING. WORKS.

SCHEHERAZADE. IS IMPLIED. TO BE INTO IT.

And because of this, she's swayed to join the heroes and seal Phenex away for good -- giggling about how Fergus' worldview was partially correct even as she fades away. The epilogue features Fergus, sexually harassing Scheherazade ON SIGHT -- calling out 'tits on my 12:00' or whatever, as Scheherazade darts off. However, Schez isn't avoiding him due to trauma. She's avoiding it because, while she's into it, she doesn't want to 'die' so fast. This fucking ending highlights among the biggest issues with this damned Singularity. Even Blavatsky coming out of fucking nowhere to Deus Ex Machina a grail and help into Guda's hands -- despite seemingly being slaughtered by Columbus in a (admittedly a bit funny) way to get the base of the Resistance -- means nothing to me compared to the blatant slaughter of two characters at once. Fergus is a total horndog even outside of Agartha's reach, but he even notes he respects his partners' consent, and doesn't overstep his bounds if he makes them uncomfortable. Scheherazade isn't exactly trusting in the slightest, least of all in Agartha - she barely even begins trusting Guda due to Guda treating her with actual respect. Even then, she isn't actively prostrating herself for Guda in that sense, very likely due to the fact that's more of a defence mechanism to her rather than something she'd enjoy, due to extreme trauma. Albeit, Fate writing does leave the possibility in the air for Guda specifically, but that's very likely just due to Guda being Guda and being careful to treat her properly and help her than anything else (and also the whole 'self insert harem' thing, I guess, but that's a hell of a lot easier to ignore esp in contrast to Agartha) And yet, we see that epilogue, that butchers both of them in one fell swoop so badly that I almost ended up hating both of them. Agartha's biggest problem is that it tried to be deep and intriguing, while having the writing quality of the goddamned Valentine's events. It picked all the right characters to have an incredibly intriguing storyline, and fell flat because the author decided that playing sexual harassment, d'Eon's everything, and even the most serious scenes for comedy was more important than telling a story even half as meaningful as the chapters before it. Lo and behold -- to my knowledge, Minase wrote it. Of course he did. He chose the best, the most interesting characters he could find, and made them so fucking one-note that the story lost all its charm in moments. He chose to emulate Nasu without understanding what made Nasu's writing so good. He chose to make Agartha a laugh fest despite simultaneously trying to make it 'deep.' He chose to fall head-over-ass over a possibly interesting allegory into misogyny and fall right into sexualizing it to the point of feeling like a femdom BDSM fic. And go figure the only character he did decently was Christopher fucking Columbus. I have a hatred for Agartha I can't reasonably place anywhere else. Prillya was just as shitty, but I ignored it, because Prillya itself wasn't great, so of course the crossover sucks too. Valentine's events written by him weren't great, but whatever, it's a Valentine's event. Septem, written by someone else, was similarly not great. But it wasn't insulting. It simply wasn't great, and had a lot of wasted potential. But its ending wasn't out of character to the point of being insulting. Its story didn't make incredible mythological and historical figures too infuriating to like anymore. It didn't almost ruin entire Fate characters for me. Not the way Agartha did. I should probably contextualize that Scheherazade is among my favourite mythological figures. I introduced myself to her through Magi (lmao) due to further research into the base stories -- as well as a favourite Magic: The Gathering card, Shahrazad, which forced you to play a game within your game, like how Arabian Nights featured stories within stories.

Even in Fate outside of Agartha, I liked her. Her design didn't make much sense to me considering her character, but whatever, I didn't need to think too hard of it. It's just a design, and despite my hatred of Penth's design, I still love Penth as a character, so I can handle Schez. But Agartha painted her in such a way that all the subtlety and interesting parts of Schez went completely out the window. No longer was there any hidden references to the aftereffects of her life beyond 'i dun wan die,' and there was hardly an ounce of sympathy or kindness in her bones at all. While her being an anti-hero made some sense, especially as she was only a normal person with far above-average storytelling prowess, there was a point when she stopped being a 'good, but terrified person' and started being a complete asshole. And Agartha was that time. If it weren't for her Interlude, which redeemed her considerably, and Ooku, which did wonders for her character despite being written by Minase (as I believe Nasu was overseeing him at that point), I very likely would've never gone for her at all, despite my love of the myth. In Conclusion This rant is just to say that Agartha is bad. Horrific. Insulting, even. At every step where it could've been good, it tumbled head-over-ass into the most insulting, uncomfortable shit you could imagine. It failed to take itself seriously, and paced itself like a comedy event, but simultaneously acted as if it expected its audience to take it seriously. Like a clown brigade deciding to take on Les Mis, it loses all of its punch when every few lines is interrupted by a jab at Fergus, sexual harassment, or something that comes close to being cool before suddenly turning into a badly-timed joke, or suddenly becoming laden with dialogue so sexual it feels straight out of a porno. It's aggravating, awful, and with only brief reprieves of bareable comedy in between long, long lengths of hellish text and awful characterization. The only good part was the gameplay -- which, laden with interesting mechanics not seen elsewhere, was legitimately fun. My take? Avoid all Agartha cutscenes and plot, and just play the gameplay. The gameplay's fun, and if enjoyed on its own, would probably make for a far better experience than observing the story surrounding it. But good gameplay doesn't make up for a horrible story, especially in a game where plot is as important as it is in F/GO. Agartha's a pile of shit in my eyes, but that's ultimately only my opinion, and nothing more. If others have an opinion counter to mine, that's completely fine -- and don't let this analysis ruin your fun with Agartha if you enjoyed its plot. To be frank, I'd be happy if you enjoyed it where I could not. And if you think my takes are misinformed, or if I missed a spot (or overreacted to a spot), that's what the reblogs and comments are for! I'm definitely not the kind of dude who has the final say in matters like this -- this is only what I picked up. Thank you for reading!

[spencer-reid-in-a-pool]

A - Z 🤍🤍

I’m assuming this means all the asks! So buckle up LOL. And thank you for taking an interest in lil ole me. 

A: How did you come up with the title to [insert fic]?

Since you didn’t specify which title, I’m just going to talk about how I come up with titles in general. Normally, they happen one of two ways. Either I will come up with a title I think sounds cool out of the blue and then base a fic of its vibes, or I will write a fic to completion before deciding on a title. I like to use something that one of the characters say in this situation. It feels very full circle to me, if you will. 

B: Any of your stories inspired by personal experience?

Unfortunately, my life is nowhere near as cool as the characters’ lives I write about. So no, I can’t say that my stories are based off personal experience. Unless you count me naming side characters my middle name every so often to indulge myself oops. 

C: What member do you identify with most?

I guess by member it means character? And to be honest, I’m not really sure. I relate a lot to Spencer Reid I suppose, because I have never been popular and have always been a target for whatever shit life throws at me. I also like to think I’m kinda intelligent? Although if you look at my grade in my stats class right now, idk what to tell you-

D: Is there a song or a playlist to associate with [insert fic]?

Since there was no specific fic asked about, I can’t really answer this one! But to be honest, I don’t think there are any fics that I have written that I associated with songs. 

E: If you wrote a sequel to [insert fic], what would it be about?

The first one that came to mind is Guest Speaker. If I wrote a part three for that, it would probably be fluffy domestic cute stuff with Spencer. 

F: Share a snippet from one of your favorite dialogue scenes you’ve written and explain why you’re proud of it.

“I don’t even know what it was…it happened so fast. Did you kill it, Geralt?” Jaskier asked in a huff. Geralt crossed his arms, and shook his head. “I figured I should make sure you didn’t die first, bard.” Jaskier nodded, a simple “Ah,” leaving his lips. “Well, no matter. You can fix me right?” 

He sounded like he was poking fun at the situation, but I could hear the fear in his words. I decided to try and make him smile before I did this next part. It would be painful.

“Anything for Geralt of Rivia and his emotional support bard.”

(This was just really funny to me for some reason, and I feel like I did a good job with their characterizations! And then Y/N comes back with the emotional support bard comment and it’s something I would say in real life. From this fic.)

G: Do you write your story from start to finish, or do you write the scenes out of order?

It depends on my mood! Sometimes if I’m frustrated with a story or a scene, I’ll write them out of order based on what type of thing I feel like writing. But I would say 75% of the time I write my fics in order.

H: How would you describe your style?

To be honest, I have no idea. Do I even have a style? I just write stuff and hope that people read it and like it. 

I: Do you have a guilty pleasure in fic (reading or writing)?

Happy endings pfft. So cliche, but like- they make me happy. Unless I am feeling particularly angsty that day and want to make an ending a complete train wreck >:) 

J: Write or describe an alternative ending to [insert fic].

In this fic...I would let reader live LMAO. But like- I was feeling angsty that day okay-

K: What’s the angstiest idea you’ve ever come up with?

Reader dying at the end of the fic LMAO, in the fic linked in the previous one above this one.

L: How many times do you usually revise your fic/chapter before posting?

Uhh 😬 Maybe once? If that 😅 I’m usually so excited to post that I just kinda go ahead and click post and hope for the best. I rely on spell check and grammar check a lot 💀And I just hope my story flows well.

M: Got any premises on the back burner that you’d care to share?

I don’t think so! I keep my to do list public so everyone can see what fics I have planned. The only two I don’t have on there are the ones for the upcoming fic swap on @imagining-in-the-margins ‘s discord! But that’s cuz they’re secret :)

N: Is there a fic you wish someone else would write (or finish) for you?

I wish that I would finish the 85486824 WIPS I have, does that count? And that I would write down all the ideas I have in my head that I haven’t even given words yet. 

O: How do you begin a story–with the plot, or the characters?

Ooh this is a tough one. I’m not really sure how to answer it actually. There have been fics that I come up with a general idea for a plot for first, and then others I will decide what characters I wanna write for before I have any clue as to what the plot might be. 

P: Are you what George R. R. Martin would call an “architect” or a “gardener”? (How much do you plan in advance, versus letting the story unfold as you go?)

Oh I am 100% the type of writer to let the story unfold as I go. I have outlined two, maybe three of my fics? And then I didn’t even follow through with them because I had more ideas come to me as I was writing. 

Q: How do you feel about collaborations?

I would literally LOVE to collab with someone!

R: Are there any writers (fanfic or otherwise) you consider an influence?

There are a ton, and I am so sorry if I missed any! @imagining-in-the-margins @randomfandomimagine @reidetic @lexieshuntingsstuff @writing-in-april @reidgraygubler @zhuzhubii @dreatine @andiebeaword @dontkissthewriter @spencers-dria @sunlight-moonrise @personofsinterest @ontheoddoccasioniwritestuff @reidlusts @itslatinamagia

S: Any fandom tropes you can’t resist?

Oh boy! 😅 There was only one bed, mutual pining, manic pixie dream girl, kissed to keep quiet, just to name a few!

T: Any fandom tropes you can’t stand?

Not that I can think of! 

U: Share three of your favorite fic writers and why you like them so much.

But I have way more than three :’( @imagining-in-the-margins is definitely the first one off the top of my head. Last year I was in a really bad spot, and she invited me to her Discord, and it helped me get back into writing. Plus I made some life long friends in the server. @writing-in-april I love her sm because she is always around when I need her, and it’s nice to have a friend that thinks fairly similarly to me. @lexieshuntingsstuff and @reidgraygubler go hand in hand! They are the best sprinting buddies a girl could ask for. 

V: If you could write the sequel (or prequel) to any fic out there not written by yourself, which would you choose?

Ooh this is a tough one. I can’t think of any off the top of my head! Lame answer, I know 😅

W: Do you like more general prompts, or more specific ones?

Definitely more specific ones lol. It makes it a lot easier on me. 

X: A character you enjoy making suffer.

Reader >:))

Y: A character you want to protect.

SPENCER REID AND JASKIER OKAY THEY DESERVE THE WORLD

Z: Major character death–do you ever write/read it? Is there a character whose death you can’t tolerate?

Again- Spencer and Jaskier. I will not TOLERATE THEIR ERASURE !! 

[anlian-aishang]

I just want to say that I really LOVE your writing and aspire to be as good as you one day. Do you have any advice to get so good at describing scenarios? I find that I struggle a lot with those, but I have no problem thinking up ideas of what to write though. More power to your lovely fanfictions <3

Hello!!! Thank you so much for the kind words! You are seriously too sweet and messages like yours keep me going :’) 

okay I will preface this by saying I am not an expert by any means. I never did well (good? idk lol) in English classes and I got through college without taking any! I’m just a girl who likes to read and write :) I am the last person to say that I am qualified to give advice. I am only trying to help (and finally answer this ask).

Also, I spent a while comprising my thoughts on this but they are still scatterbrained lol. As always, feel free to ask me anything! Honestly, I think that author individuality is what makes fanfiction such a gift, so embrace your own style cause no one else has it! 

TLDR: Take the vision you have in your head and translate it into words. Keep it simple at first, make it fancy later!

A lot more under the cut.

Since you have no problem coming up with ideas, maybe think about the particular vision you have in your head. Here are some examples I find myself using: 

What era are you in? Canonverse / Modern AU / Medieval AU / Mafia AU / etc.? If in canonverse, when in canonverse? For example: the underground, before the female titan arc, after the Levi Squad deaths, before Return to Shiganshina, after the ocean, pre/post time skip? 

Who are they? Captain / cadet / barista / boxer / boss / lawyer / etc.? 

What is the event?  On an expedition / at a ball / on a roadtrip / in a coffee shop / etc.?

What time is it? Night/Day/Dawn/Dusk? Will your scene cross more than one of these? 

What is the weather like? Warm / hot / cool / cold? Rain or sun? Wind or snow? 

What is the relationship? Are they strangers / lovers / pining / enemies / friends / comrades / coworkers / etc.?

There are many other questions along these lines! I often think they bounce off each other, too. For example, clothing may relate to era / event / time / weather.

// // //

Sometimes, these questions turn out to not be super important. However, they can often help out with those small details and thus, I think, aid with describing the scenario!

Let’s say you need a dialogue. Depending on the questions above, it can help inspire what the conversation would be about. “Are you ready for the expedition?” / ”You should really get some sleep.” / ”Hot out there, huh?” / ”Do I know you?” 

Let’s say you’re describing how someone looks. What favors is the light doing them? pale moonlight / bright sun / amber sunset / warm sunrise? Are they drenched in sweat or shivering from the cold? 

Let’s say you’re establishing the relationship. How do they make each other feel? Love at first sight / yearning for more / heart skipping beats / anger seething through your veins? How much of the other can be understood implicitly? Can they read each other’s expressions? Do they admire / despise traits in the other? What is known about the other’s history? What is unknown? What will be learned in this fic, if anything? When and how did they cross paths?

// // //

NOW. Think about which (if any) of the questions above have an effect on your story. Include those. You do not have to include things that are not exactly relevant, but they can be a nice touch. In my opinion, I think this is a tricky balance. I try to establish enough so that the reader is not thrown into things, but also not so much that the reader gets overwhelmed with too much detail. I try to make the setting clear but also not overexplanatory. 

FOR EXAMPLE. In my opinion, the last passage sounds the best.

Underexplaining:

Levi asked, “You nervous?”

You had an expedition tomorrow. “Y-Yeah.”

Overexplaining:

This was Levi’s eleventh year in the Survey Corps - his ninth as a captain. He had seen over a thousand soldiers go through his ranks: boys, girls, blondes, brunettes, young kids and young adults. Not only that, but it was blistering hot outside today. So hot - soldiers were having a hard time sleeping. It was also getting late. There were more stars than you could count outside. Boots planted on the ground, lap facing the back of the chair, seated in reverse, elbows bent, hands perched, eyebrows knit, Levi lifted his gaze from folded hands, “You nervous?”

For all these reasons, you were surprised that he asked you anything at all. All this time, you did not know you were anything more than a comrade, a recruit, maybe even a stranger to him. Your heart beat so hard in your chest, you were sure it would wake the entire regiment: Hange, Moblit, maybe even Bertholdt. You thought about how your mother always warned you: never to let some boy make you lose your cool. You snickered internally. Yeah, in front of humanity’s strongest, that’s easier said than done. You thought back to earlier this morning, when you read the thermometer. That number it displayed, you swore it must have been hotter now - evidenced by the sweat on your forehead, temple, neck, and hands. Come to think of it, it would probably be hot tomorrow too - on your first expedition. You were assigned to the left wing, Armin to the right wing, Mikasa in back, Eren and Levi straight in the center, Erwin at the head, everyone else: you were not sure. You would go to the forest of tall trees and establish a route to Shiganshina. Everyone was so curious to find out what was in Jaeger’s basement, but you wondered how Levi felt. Truthfully, you could not even think about the basement - you were too nervous in the first place. Levi tapped his foot awaiting your response at which you word-vomited, “Y-Yeah.”

A middleground: 

There were hundreds of soldiers in the regiment, but still, he stayed well aware that tomorrow was your first venture. Levi lifted his gaze from folded hands. Past the regular steady in his voice, you caught a flicker of consideration in his eyes. “You nervous?”

His question caught you off guard. Not only was it the first time anyone had asked you, but it was being asked by someone far your superior - someone you did not think would notice or care about a measly recruit like you. In addition to words, your stuttering answered for him, “Y-Yeah.”

// // //

Now, here is a piece of advice that may throw off everything I just said about the amount of detail to include. I think that the balance of detail-inclusion is affected by the length of the plot. This is not just word count, but more so scenes of the story. If there are a lot of twist and turns in the fic’s story itself, it may be too demanding on the reader to include too much scene-setting detail. When it comes to longer fics, I explain the essentials and then see if I have room to include nonessential details. If you have a drabble or short and simple oneshot, I would encourage adding more detail to make the scene more vivid.

FOR EXAMPLE: Take Levi and Reader’s first kiss. 

If this is an entire story that has led up to this moment (going from first meeting to friends to pining to now), and you have already had to describe how they first met, what their friendship was like, how long and how they pined for each other, maybe leave out the details of what his room looks like.

If it is a one-scene fic where they already have a well-established relationship,  they are already in his room, they are already on the couch together, and from the start, they just minutes away from the kiss, I would go ahead and describe - maybe - what his room looks like. Go ahead and describe the night sky, the teacups scattered about his room, the way his bed is perfectly made, etc.

// // //

Finally, the TLDR, if you have a scenario clearly thought up in your head, then write down exactly how you envision it. You can make it sound fancier in editing! 

Whenever I write a fic, I start off with a bulletpoint list of what I want to include. The bullet points on this list can be anything. They can be dialogues (i.e. “That’s why I love you”), scenes (i.e. Levi finds Reader sleeping in the library), a phrase that I think sounds pretty (”effortlessly, he made your heart flutter. effortlessly, he picked it up), or even just hand-holding hints to myself (Reader takes this the wrong way and thinks Levi is mad at her. Really, he is just concerned).

Rarely do I have the time to write and complete a fic in one sitting or even one day. These bulletpoints help me keep that scenario in mind and preserve the vision I had!

// // //

PHEW. Okay. That is all I can think up for now. Once again, I am no expert! I am a dodo lol. There is no right way to write. What works for me may not work for someone else! Everyone has a different writing process and writing style, and this is what makes writing fun! 

As always, I am around for anything you need from proofreading to fangirling to cute animal videos.

❤️ I LOOK FORWARD TO READING YOUR WRITING! ❤️

LOVE anlian-aishang

[chubsonthemoon]

tagged by @storybookprincess!! (thank you!!) here are some of my fave fics I’ve written! tbh this was kinda difficult; I am very aware that nothing I write is neither perfect nor very polished (it wouldn’t be even remotely fun for me if I tried to do that), but mostly everything I’ve written I’ve written for the sole audience members of me myself and I (and also sometimes a friend :3), so these are some of my more recent faves. under a cut because this got kinda long, whoopsie!

tagging! @superish, @dodici12, and @owletstarlet! <3

Letters from Heaven: haikyuu!!, kagehina, 60k

this fic was written for last year’s kghn big bang and it was so fun! It’s the longest thing I’ve written yet, and boy oh boy it was such a challenge to juggle a bunch of different things that I hadn’t done on this kind of scale before, like longer character arcs and, especially given that this is a violet evergarden AU, describing things in a way that fits with kyoani’s style and VibeTM. My last longer fic, thy kingdom come, was about half this length and almost made the list simply because of how bonkers it was (like I hadn’t written at all that year and suddenly signed up for a big bang and then had to take a month long break in the middle because of school stuff, and then boom I ended up writing the latter half of it a few days before the deadline LOL), but anyway. It’s not perfect (nothing is!) but it’s chock full of recurring metaphors and long-winded descriptions about the sky and pining out the wazoo (basically: all wildly self-indulgent things catered to me and me alone) and I love it all the same. (also bajillion thanks to janine for this one heh she is to blame for most of my kghn madness)

over the edge (of all our knowings): hunter x hunter, killugon, 13k

okay this one almost went to my other killugon fic again bc everything I write is so self-indulgent but!! this fic is probably one of the few fics that I set out to write very intentionally? that sounds weird, hmm how to explain. I tend to write fic mostly to let out Emotions but tbh it’s so much easier and way more fun for me to do that through reading other people’s works--less work for me to read abt my faves than to write them, after all! so most of what’s on my profile before this fic is exactly that: I sat down at like one in the morning with my notebook and fever-dream scribbled out a oneshot that I spent maybe the next two or three days typing up, reading over once, and then yeeting it up onto the archive. but not with this fic! I had already written my Vent fic for the boys in question, but my goals with this fic were more deliberately geared towards examining and changing up my approach to writing: 1) I really wanted to explore gon after the world tree and what his healing might look like, but gon is Really Hard for me to write (the boy is so!! ARGHSLKDFJ). So: deeply inhabiting unfamiliar character pov practice. Asking myself, after every single line of dialogue and event and inner monologue, how this character would react and why. How will this impact their next action? How will it impact their relationship with this other character? How about this? and this? and so on and so forth 2) I wanted to find a balance with my metaphors on both a sentence by sentence and an overarching basis (I tend to just go for the first--I can’t help it I love purple-y prose jslkdfj). 3) Time!! I also went a lot slower with this one. Every night for over a month, writing a little bit at a time in my notebook. And I found that going slower...is actually really nice? Takes a lot of the stress away. tldr; this fic was basically one long exercise in me examining my writing (also ngl my creative writing professor’s feedback on my work for class really kickstarted this LOL) and boy oh boy was it satisfying to see it posted when I finished. I learned a lot! Also I got some of the kindest comments that made me tear up, which was so wonderful. god this got long okay moving on.

your heart, bright heart: natsume yuujinchou, tanunatsu & gen, 7k

after over a year of quarantine I’ve read more fic than I ever have in my LIFE and I have figured some stuff out about what makes me go absolutely bonkers, writing-wise. this fic was an attempt, after several months of reading literally hundreds of fics across dozens of fandoms and relationships and pairings (like geeze! hxh, run with the wind, hq, yuri on ice, the great pretender, ouran highschool host club, snk, mdzs, final fantasy xv, and yes natsuyuu too LOL), an attempt at making myself go bonkers, if you will. and I still can’t quite put my finger on what it IS but I know it has something to do with the naming of things. like an author will Name a Thing, very specifically, whether it is an action or a character thought or something very simple about the environment--and that something speaks volumes about the character and their relationships and the core themes of the series and it’s like. it’s like there’s a moment of understanding between that character and the reader, an oh! I know what that means. it’s wonderful and I’m butchering the explanation here but anyway. I still have no idea how to do this myself yet but goddammit I’m gonna get there one day. This fic was my first attempt in the Naming of Things. idk if there are any oh! moments in it myself, but natsuyuu is the perfect series for the kind of quiet that I think you need for those small moments. 

holy SHIT this got long uh. if you’ve made it this far--thank you?? this was also useful for me to articulate what the hell I’m doing in hamsterland. Recently a visiting poet came to one of my classes at university and talked about language-making as a physical art. Language has a physical existence, she said; it leaves the body and enters another and causes a physical reaction in both speaker and listener. She talked about how writers are creators of physical things, and how writing is mostly thinking before the creating. The physicality of language. To say it made me lose my marbles is an understatement!! tldr; there’s so much inspiration everywhere, and I wanna write more!!! So I’m gonna!!

[kinetic-elaboration]

100 Days of Writing: Day Forty

I’m getting really lazy about this lol. Today’s entry: the answers to a few random questions that have spoken to me, from days I skipped.

Project courtesy of @the-wip-project​. Tagging fellow participants @she-who-the-river-could-not-hold​, @thelittlefanpire​, @hopskipaway​, @easilydistractedbyfanfic​, @dylanobrienisbatman​ @fontainebleau22.

This got VERY verbose, sorry....!

*

Day 34: Do you prefer to write fluff or angst?

Funny story. I once had a fic nominated in the Best Angst Category in a fandom fic awards event. The nomination was, of course, flattering, but also really confusing, because I didn’t think the fic was particularly angsty. It wasn’t super fluffy either. It...just was? It was a basic strangers-to-lovers modern AU somewhere in the 7k range, and the main ship was endgame. There was a period where half of the main ship was dating someone else, but that was mostly mentioned in passing during a time skip; most of the actual content was the endgame couple talking/flirting/pining, and, again, they did get together in the end.

The nomination made me reconsider what I think ‘fluff’ and ‘angst’ are and what my relationships are to the genres. I feel like a lot of my work is neither.

Some types of stories are obviously one or the other. MCD and/or illness is angst. Hurt/comfort is angst. Romantic stories where the characters don’t end up together are, generally, angst. Romantic stories where the characters DO end up together but only after considerable obstacles can be angst, also--which might have been the rationale behind nominating the above fic in ‘angst’ although, again, it was only 7k. It’s one thing to have a 300k+ story where the main characters pine for each other, wallow in their feelings, fight, feel jealousy, etc, and the finally kiss in the final chapter--I’ve done that, too. A shorter story is a different beast.

Fluff, to me, is a genre of stories without (significant) conflict. The point is you feel good reading them. Romantic stories with established couples, or first date stories, are fluff. Slice of life or ‘curtain’ fic is fluff. Holiday fic with a found family feel is fluff.

I’ve written some stories that clearly fall into one of these two genres, sometimes because the challenge I’m doing or request I’m fulfilling calls for it, and sometimes because I need a palette cleanser after writing the opposite type of fic.

Another place I’ve thought about genre is with Troped, but I don’t always feel confident in the stories I’ve written there, in terms of theme. The very, very first round had a Fluff theme but I wasn’t sure if my story was fluffy (I’m still not). It had a happy ending and the final scene was decidedly cute, but the characters came from angsty backgrounds, and some of the early scenes had, imo, a melancholy feel. Then one of the 2020 Madness rounds had an Angst theme. I tried to fit my entry into that genre by giving it a general feeling of helplessness and an ambiguous, dreary ending. I think it was angsty, but it wasn’t as... hardcore angsty? as some of the other entries. I also picked the theme “angst” for one of my Choice fics and that one was decidedly angsty, both in the specific-trope sense--it dealt with the aftermath of a major character death--and in the more general ‘mood’ sense. The main relationship wasn’t repaired at the end, and the ending was ambiguous.

I feel like for every fic I’ve written that’s decidedly fluffy or decidedly angsty, and I could give examples of both, I’ve written one or more that isn’t really either. Again, most of the time, unless I have a specific reason to think ‘time to write angst’ or ‘time to write fluff,’ I don’t go into an idea thinking it should be one or the other. I usually have a mood I want, but it might not be simple to categorize.

ALL that said... I think if I had to pick one, it would be angst. I don’t like truly unhappy endings, but I’ve done a decent number of ambiguous endings. It’s also easier for me to think of stories I’ve written that I think are fairly categorized as angst than stories that are clearly fluff. Third, I love writing about pining, and longing, and missing, and needing, and these are not ‘fluffy’ feelings. But most importantly, like I said, I think ‘fluff’ is a type of story that has minimal-to-zero conflict in it and I actually find those VERY hard to write. Maybe We Will is probably the fluffiest thing I’ve written (4k of a first date at a carnival) and my biggest challenge was figuring out: what are these people going to DO?

This isn’t an insult to fluff at all. Fluff writers have a real talent for creating a pleasant narrative, and I like reading outright fluff more than reading outright angst. But for me, there is a lot more flexibility outside of fluff, whether or not the resulting narrative is truly “angsty” or not. It might not have the primary goal of making you feel sad, but it probably doesn’t have the primary goal of making you feel happy either.

*

Day 37: Post your favorite line of dialogue that you’ve written recently. 

Skimmed the Sleeping Beauty AU for this one. As soon as I’m asked to think about dialogue I like, I wonder if I’ve ever written good dialogue in my life! Lol. You think about it too much and it all sounds fake. Here’s an exchange I think is pretty good (perhaps just in comparison to a lot of the Really Rough Writing that surrounds it...).

"That sounded like it went pretty well," she says, as she balances awkwardly against the wall, pulling on her boots. "From what I could hear."

Bellamy shrugs. He's scanning the crowd, glancing over at her impatiently when she stumbles, trying to tie her laces without bothering to kneel. "Roma doesn't ask a lot of questions."

Clarke snorts. "Yes, she does. What you really mean is, she asks a lot of questions, then gets distracted whenever you turn on the charm."

"Yeah, sure. My well-known charm."

Clarke lets her foot fall heavily to the ground again, straightens up and pushes her hair back from her face. "If you weren't flirting and being charming, what were you doing?"

Bellamy hesitates, a light, embarrassed pink spreading across his cheeks, and Clarke rises up on her toes triumphantly, trying to lean into his space. "I should have gotten more ration points," he says, barely more than a grumble, and Clarke laughs and pulls her hat down over her head. Then she picks up the jacket, slips it on, and steps purposefully in front of him.

"How do I look?"

Day 38: What comes first, plot or characters?

Well, I write fanfiction, so I feel like this is a tricky question to define. My current fandom does have a lot of characters though, so it is possible to have a general idea of a plot but not know who to put in it. That’s happened to me on a few occasions I think, but generally speaking... I think the two come simultaneously?

When I’m writing for Troped, it’s easier to start with the plot because certain elements of the challenge suggest (or require) a plot but never the characters to go in it. So sometimes I do work from plot --> characters there. It’s usually pretty seamless in that the plot-idea usually comes with at least some idea of the characters, but sometimes there’s ambiguity--for example, deciding to include Bellamy in Mad Women when he wasn’t initially supposed to be in it, which ended up changing/defining the story quite a bit. Another example is Mountain Lion Mean, where I knew right away what the general plot would be but waffled a bit about precisely which characters would be in it and to what degree.

Other challenges often define the characters first and so then by definition that’s where I start. For example, a Bellarke challenge obviously requires you to write about Bellarke, but depending on the other rules, the plot may come entirely from each individual writer without any additional prompting.

If it’s a wholly original/spontaneous idea.... it either is necessarily about plot and characters at once (ex: AU where X character is in Y place or examination of Z ship in a modern AU) or it comes as nothing but Mood. That mood might have elements of plot and bits of character but the best way I can describe it is that I develop both at once. For example, my Southern Gothic AU came to me as certain elements--a character who does X, a relationship with Y feel, Z ship--and I’m working on combining all of those into a narrative. Or, as another example, I currently have a vague desire to write something with a Slow Summer Vibe but I have no idea what it will be about or who will be in it.

But again, it’s often “I want to write an angsty Jonty AU” or “hmm what about a Bravenlarke fic particularly about being in a poly relationship” or “this song makes me picture Bellarke at the beach; let’s write that”--ideas that essentially capture both character and plot at once.

I don’t know if I’m doing a good job of describing this but I write so much for challenges and events that I don’t have a huge pool of data for ‘spontaneous ideas’ to analyze.

*

Day 40: How do you start a new story?

I feel like I kind of already answered this in the last question. The very first step is an Idea, obviously. That would either come, in part, from the challenge or event I’m participating in or the request I’m filling, or it arrives by itself from some bit of inspiration: a song, a thought about a certain character or relationship, a mood I’m feeling and want to capture, etc.

But I feel like this question is about what happens with the idea.

Most (though not all) of the time, I start with a process of brainstorming and outlining. I’ve talked about this elsewhere, but I start by just sitting down with a notebook and writing down my thoughts, in a conversational style--basically like these posts. I write down any images I have, any plot points that have already come to me, etc. Everything I know. Then I brainstorm some more elements, filling in all the stuff I don’t know. Then I distill the plot down to discrete plot points: an outline of the whole fic in order. What needs to happen and in what order? The outline is generally organized by scene, though it’s flexible: sometimes scenes can be combined; sometimes they need to be split. Sometimes I need to re-evaluate the outline later, but most stories are simple enough that this initial outline works for the whole writing process.

I always write in order. I cannot write out of order. I need to immerse myself in the narrative and that means that events follow logically from each other. Also, sometimes what I come up with in the moment in scene 1 can change what I want to happen in scene 5--not so drastically that I’m re-writing the outline, but drastically enough that I would have to rewrite scene 5 if it were already done. That’s too complicated for me. I think there are probably advantages, in terms of amount of fun to be had, as well as in capturing ideas before they disappear from your brain, in writing scenes as the spirit moves you rather than in order, but I just can’t do it. That’s not how my mind works.

In order to start a fic, or even a new scene, I need to know HOW it starts and some idea of how I will describe that opening image/event/whatever. I often practice this for days before I actually write. For example, I’m going to write another Sleeping Beauty scene soon and I know it starts with Clarke hearing conversation behind her, so I’ve been practicing what that dialogue might be and how I might describe her listening while looking at something else. When I have a strong sense of the opening and a decent sense of the rest--what needs to happen to move along the plot--I just start writing. I do most of my writing as sprints.

Sometimes I write without an outline, and it’s basically the same process as the last paragraph, except I only have the opening and a vague sense of what’s to come. I don’t do that often anymore. But I started a couple outline-less fics last summer when I was just desperate to break my block and didn’t really feel like planning and stuff. I just wanted to get words on a page. Thus I have a couple WIPs that are about 1,200 words long and then just abruptly reach a cliff’s edge and stop!! I don’t know if I’ll outline or not before I return to them but right now I’m thinking not.

[goldenhour-goldenboy]

@detectivegordons So I saw you were looking for new youtube channels to check out and boy, do I have some gems for you. I started writing this as a normal ask but it quickly got waaay too long so we’re doing a classic text post + add where I can comfortably link the channels and also the rest of my peeps can check them out if they’re interested. So. Let’s divide and conquer:

Cooking

Bon Appétit (Test Kitchen) - One kitchen. Various series with their own themes and style by a specific cook. We have Claire who does ‘Pastry Chef attempts to do x/y/z’ of snacks and treats (e.g. ‘Pastry Chef attempts to make Gourmet Twizzlers’, ‘Pastry Chef attempts to make Ferrero Rocher’) and it’s a delight to watch her struggle through the process of replicating it as closely as possible. There’s also Brad doing ‘It’s alive’ featuring everything involving Fermentation, basically. The editing on this one is the best. There’s Carla inviting celebrities and doing follow alongs and back to back cooking. Ugh, and so many more, I love them all! 

House Renovations 

Wabi Sab-E - Follow this couple on their journey to renovate and old barn doing everything by themselves - construction, pluming, painting, tiling. It never gets boring due to the faster pace of the video and the really thought out and lovely edit. They’re a cute, genuine couple with two dogs and a cat as far as I can recall and just in general awesome folks.

Madeleine Olivia - Apparently she does lifestyle as well but I only watch her renovating videos. She and her boyfriend (fiance/husband??) bought a very cute cottage and just started remodeling the whole thing. She’s not as knowledgable or skilled as the other channels but watching her talk throughs and bringing bits and pieces together really calms me down.

Three Birds Renovation - Now, this is a professional channel. The three birds are three ladies from Australia renovating whole properties and really glamming up the lots. This isn’t diy it’s full on money and glam but if you want to watch houses getting remodeled and basically almost built from scratch again, this is your channel. They usually take on a house and then upload each room as a separate video. My favorite (as I guess most people’s fav is) is their forever home series where they each do their own houses and really kick it out of the park. Extravaganza. 

Lifestyle

Liziqi - A fairy queen from another realm. Absolute beauty shots of her doing her daily life, ranging from picking wild mushrooms, building a love seat from scratch with bamboo, making her own tools, cooking in a self made stone stove. No dialogue, mainly just music and her occasionally trying to keep the sheep from eating her cabbage. You NEED to watch at least one of her vids, I cannot describe this to you! 

Claire Marshall - Claire makes beautifully edited lifestyle vlogs featuring fashion, travel, reconnecting with her past, her cat, make up, drafting/doodling or just life and her thoughts on it in general. She has a much more calmer vibe which I personally prefer to a louder and up beat video personality and her flow, aesthetic and visual presentation really drew me in.

Grackle - A cute little every day vlogger from England. Nothing fancy, nothing out of the box, just plain good and old vlogging and following her around. She’s an absolute dork, a gentle soul and I find her family very funny and relating, lol.

Damon & Jo - They used to do a lot of travel vlogs and I mainly followed them because of their older videos, now they’re both kinda doing their own thing but they’re still great, still traveling the world on a low budget. They’re very very talented when it comes to languages and I find them going on adventures in foreign countries highly amusing. 

Eve Cornwell - Eve is a soon to be proper lawyer currently finishing her masters degree (I think?? I need to catch up on her, lol). She drinks too much coffee, is a relatable student who struggles through her workload and shows you what it takes to get that law degree. Also her editing is just *chef kisses* super cute.

Booktube

Paperbackdreams - I just saw a few of her vids bc I’m mainly not that much into booktube but her video about after just had me snorting all the way through so maybe you enjoy that. Also, a very small curly haired bean.

LilyCReads - Lily got famous for her rant videos and I just love how she picks apart shitty plots. Mainly, because she swears a lot. But she also has a series of her reading the Harry Potter books for the first time and I quite enjoyed them. Simple, very entertaining. 

Readwithcindy - Only watched a few of her videos but I love her style and her vibe a lot. Also, she has the same favorite books as I do so ... maybe that’s a reason as well. Oh, yeah. And we share the depression part and I can relate on t h a t.

Movie Commentary

Dylan is in Trouble - Basically a dude watching our favorite chick flicks, guilty pleasure or teenage obsession shows and comments on them. That’s it. That’s the whole content. He started a series where he was watching the cringiest shows and see how much he could take and it basically evolved from that to .. watching movies and commenting/ranting/questioning various parts that we all questioned. 

Alex Meyers - Alex comments on shows and sums up weird stories very well and he does so with the help of animation. Basically, he’s an artist making fun of weird shows but it’s very light hearted and mostly not ill intended. Also, his animations feature his dog so if that doesn’t get you selling idk what does. 

Trin Lovell - She’s like Dylan. But female. And asian. And much more energetic but just as funny (if not even more). Also, way more edited and dramatic but I like it. So, yeah, a movie commentary channel watching everything from Twilight to Riverdale, lol. 

Art

Emily Artiful - I mainly followed her because of her Sketchbook Storytime videos where she draws and chats/rants to her viewers at the same time and it’s not only beautiful but highly amusing as well. Love her presence and her way of telling a story and getting riled up about it. 

Documentary/Personal

Max Joseph - I know, it’s the guy from Catfish but hear me out. He’s got like 2 vids up where he really took the time and effort and met with very interesting peeps. One of the videos is about if you need to be an asshole to make it as a director in the movie industry. The other one is book related, how to read more books and such and I found them highly intriguing and fascinating! He doesn’t have that many videos yet but those two are like an hour long so grab a snack, sit back and enjoy! 

Film Analysis/Video Essays

Now, those are channels focusing on movie analysis and explaining shots and film for you and why we, as the audience, feel a certain way because we’ve been set up. So if you’re interest in that (I LOVE those) that might be your niche. They’re mostly doing the same thing so I’m just gonna link their channels down below! 

Lessons from the Screenplay

Nerdwriter1

Sideways

Tyler Mowery

Let me know if you knew any of those already or if you liked any of them! :) 

[xenoblade]

2017 in gaming

LATE AF (March???) but here is a short review for each game I cleared in 2017! Did this last year, so I wanted to did a little comparison.

Fun fact: according to my Backloggery, in 2017 I bought and cleared EXACTLY as many games as 2016. Holy crap...

FF15

Apparently the first game I beat this year was FF15! I feel I've explained my feelings about this game ad nauseam elsewhere... I've never really picked it up again and I'm not really interested in the DLC Episodes, because like... I liked this game! It was good! But... not THAT good to warrant extra money at the present time. Characters were the best thing so I know I will pick up the Episodes eventually, so... I really don't know how to say this but I didn't emotionally connect with it in the end? I'm sorry, I really wanted to REALLY like this, but many things (unrelated to the game but related to the development processes) got botched and it didn't 'click' with me...

Horizon Zero Dawn

What a blast! Reading about my expectation for it last year, it had me quite unsure of what I was getting into but oooh boy. Yes please. It's a nice take on the whole post-apocalyptic setting (the story DID have me go HOLY SHIT a number of times despite me being a sci-fi veteran I guess), and everything's so polished and so well designed (the machine monsters... yes...). I'm just so NOT used to triple A western games lol... Aloy's so good, her VA does an amazing job and dialogue is real good. Combat flows really well and all the things you can do with enemies, like dismantling parts, and bombs, and setting traps... Really nice. Real, real nice.

Nier: Automata

DEFINITELY ONE OF MY 2017 GOTY. This game does A Lot and does it really well, I still don't know if I like the Yoko Taro part or the Platinum Games part more... I think both come together really well. The OG Nier-style endings, the bullet hell parts, the park, the music, THE FEELIOS. This game is such a joy to play... Even if you're not into the Yoko Taro-style shenanigans, do. play. this game.

Tokyo Mirage Sessions #FE

Apparently I uhhh finished it this year so I gotta... TMS plays very nicely, actually. It's very good and very nice, I probably wouldn't go out of my way to recommend it over other games, but it was a fun ride! Characters are a bit of a stereotype but they're pretty likeable (Yashiro and especially Eleonora ended up growing on me!)

Fire Emblem Fates: Conquest

So it took me MORE THAN A YEAR to actually finish this game (like I had anticipated last year anyway), and I basically forced myself to only after starting Echoes. Playing Conquest basically reminded me of all that I didn't like about Birthright, and the plot... Uhhhh... Again, some characters are nice (especially the royals) but the plot fails to deliver on so many occasions and the maps are basically the same as Birthright... I remember Conquest being advertised as you having to "change an unruly kingdom from inside!", but... you literally do the same thing (invade Hoshido) while trying to convince others you're the "good" guys...? This is so flimsy OTL I thought Conquest was bad enough plot-wise... But then came REVELATION

Fire Emblem Echoes: Shadows of Valentia

Nice. Very, very, very nice. A real treat. This was so refreshing, after having to endure through THREE Fates games that basically had the same problems... orz. Echoes sorta took me back to a more "classic"-style Fire Emblem, it was all very pleasant and "new" while also paying homage to the old, if it makes any sense. I liked the new art style and the all-voiced cutscenes. I guess you could say there isn't much to "do" (not counting post-game) and the story is simple, but I felt it was told in a nice way without being overly pretentious (cough like Fates cough). Some mechanics are BROKEN (5-range bow?? what), but honestly Gaiden was so ahead of its time....

The Legend of Heroes: Trails of Cold Steel II

Oh boy. A worthy conclusion to the first part of the saga. Honestly, I'm still reeling from that ending... Somehow I ended up enjoying this more during my second run than during my first play... Still. Falcom owns my ass so they can put out any kind of Trails and I'm going to love it. 10/10

Tokyo Xanadu

Another Falcom game that FINALLY got released in english-speaking countries. This one was very nice! I liked the cast and it had a very Persona-y feel to it. I played the Vita version and uhhh... unfortunately it was marred by localization issues, like typos, unfortunate grammar, random names left in kana... From what I heard, these issues were fixed by AkSys in the PS4 release though, yay? Maybe one day I'll play the PS4/PC version, I had a fun time playing through this.

Fire Emblem Fates: Revelation

Not gonna lie, I could finish this only because Echoes gave me drive to play more Fire Emblem. This was such a chore... I guess it can be argued THREE GAMES EXTREMELY SIMILAR TO EACH OTHER didn't really help here. This one had extremely GOOD premises, but it falls apart like, RIGHT AWAY, because things basically make no sense. Azura makes no sense. Characters from both sides joining you for no reason. And then Corrin starts being like "Please believe me, we're fighting an INVISIBLE enemy!"... This is so stupid lmao... Maybe I could've dealt with it if it hadn't been THREE games but I just. I'm so glad it's over.

The Witcher 2: Assassins of Kings Enhanced Edition

I love Geralt. I just wanted to get this out here before anything. Okay, good? Good. The Witcher 2 was so good! A bit short, but everything I love from 1 is back here. The hidden twists and treachery are back, and so is a pretty engaging storyline! I can't deny a good 75% of the reason I love this series is the charisma and wit of the protagonist, though. Geralt being an actual protagonist instead of a silent type-ish character makes a HUGE difference. Combat also got so much better than W1, and I can't wait to have a laptop that can run W3 properly... orz...

[kaisooficrec]

Admins's favorite fic in 2016!

omg sorry for the long wait!!! this took us half a year bcos it was waaaay tougher than we thought 😅 so most of us have more than one fic, hope it’s ok!

Admin Y: 

If My Yesterday is a Disgrace - (parallel universe au) i’m always impressed by w-anderingheart’s writing, but this fic surpassed all expectations. it’s an incredibly poignant work and broke my heart one hundred times over. 

Admin H: 

Quicksand - both ksoo and jongin are authors! (and rivals) i loved the plot, it’s simple and easy to read but the way the author had written it…touched a nerve (in a good way) so ksoo had troubles with writing and the conflicts/thoughts that he had rly spoke out to all the writers out there. and jongin, ‘his enemy’ indirectly helps him out and their relationship is the cutest!!

Steady Now - this was one of the best slowburn fics ive read in 2016 and oh my gosh, zerrin is brilliant. i’m a sucker for slow burn and this monster fic (69k) managed to capture everything, romance, fluff, a bit of comedy and angst. basically ksoo wants to save his orphanage from being bought (tada by jongin’s company) and he befriends jongin bc of that so go figure ;)

Admin J:   

The Loneliest Place to Be - poet/writer + model, friends with benefits au, the poems were the highlight sobs i love ;u; I admire strange-seas a lot and her works were the ones that left a deep impression on me when I started reading fics thus when she came with a new fic in 2016 I already knew I’d be a goner :)))

Smile - one of the best hurt comfort fics I’ve read and their love is just…goals. soo suffers from ptsd and doesn’t feel worthy enough for jongin but jongin loves him unconditionally *^* I came across this when I was randomly checking the tags on AO3 and i consider it as the discovery of the year lol  .

Wildflower - tattoo artist/florist au, idk but this fluff is just my style! i mean kd going on dates, help each other and just being supersoft together? yes pls. honourable mention to sleepydanceur because I think she’s amazing yet so humble and she deserves all the recognition  

Admin I: 

aberration - hs!au with photographer!soo and dancer!nini, how do i describe my love for this fic except for being ‘!!!!!!!!!!!!!’ every time i so much as think about it :’( the writing is so beautiful, i love the imagery and i just love the way the story develops. definitely one of the best of 2016!! 

dust to dust - post-apoc!au, the actual best post-apocalyptic fic i’ve ever read, ever. it’s very character based, which i love, especially kyungsoo’s character (and kaisoo’s development will make you cry). i love the hurt-comfort theme as well, it makes the whole thing feel very human~ as an apoc-lover, this fic is v special to me ♡

the third path - medieval!au, fantasy!au, this is definitely my fave fantasy fic i think, it’s so good and honestly speaking, we are blessed to have hojichadust in our fandom. the writing is magnificent and the ending still haunts me :”( 

Admin Q: 

priceless - my all time favourite college!au !!!! written by our lovely booboo, admin Y. As a student who’s main focus is english/literature, I absolutely loved this fic and the areas it covered in relation to how people feel about their majors! I’m kind constantly being told “your exams gonna be easy you just need to analyse a poem” or something like that and it rly upsets me??? bc my friends are the ones saying it but anyway READ THIS FIC!!! i love it and it’s so well written im babbling ok i love how accurately jongin’s emotions are portrayed as an english major being tease;;

tranquil as a forest - Our very lovely Jumpthisship wrote this! (during 10KFR) and I had the honour of being assigned to her and I remember how excited I was after reading her first check-in. Kyungsoo’s ongoing dialogue in his head was so amusing I screamed so many times while reading this. It’s a travelling!AU which i absolutely love! 

mine and yours - by thatweirdo!! Y’ALL this fic was so absolutely beautiful (and filthy ;–))) i loved it so much;;;; It’s a jongkaisoo + doll concept fic and I think those words together should be enough to reel you guys in (-:

[ahouseoflies]

The Best Films of 2016, Part I

Rodrigo Perez of The Playlist posted his best-of list on January 15 and spent the introduction whipping himself for it being too late to be relevant. That was over two weeks ago, and here I am. But who can feel caught up if an actual critic doesn’t? Even now, at a point when I have to turn the page, I haven’t seen Toni Erdmann, Paterson, Things to Come, or Jack Reacher: Never Go Back. Aside from pretending that my thoughts on movies are worth something to other people, I’m just a regular guy living in a film market that is not L.A. or New York, and the system for movie release schedules is broken for all of us. Most of the year is trash if we can’t go to festivals. Then we hear about interesting stuff from the critics’ top ten lists that bubble up in early December. Because the press machine follows an old model, interviews and commercials and dates on posters are timed to promote a film while it is technically on about six screens. In the case of, say, 20th Century Women, it opens in my area on January 20th. By that time it has already been judged a failure because it had to share the airspace with dozens of other pictures released in a one-month window. And Hollywood wonders why a) they lose $75 million on Live by Night or b) regular people pirate the product. Forgive those hicks for wanting to see the thing you’re selling. This pattern repeats every year, and no one learns anything because exactly two movies end up being financial successes. I hate movies. Because I hate movies, I watched 124 of them in 2016, which is a 3% decline from my viewing last year. (In consolation, my balance between classic films and contemporary ones was better.) As usual, I have ranked all 124 and divided them into the tiers of Garbage, Admirable Failures, Endearing Curiosities with Big Flaws, Pretty Good Movies, Good Movies, Great Movies, and Instant Classics. As Isabelle Huppert probably said in Things to Come, “Allons-y!” GARBAGE 124. The Bronze (Bryan Buckley) I'm reading an hour and forty minutes as the running time on imdb, but I could have sworn this laborious movie was at least five hours. The main problem here, besides profanity being a joke in and of itself, is that the film is never sure how much empathy it has toward its characters. It judges them for cheap laughs, then turns right back around and tries to wring emotion by taking them seriously. Juggling both of those modes isn't impossible, but The Bronze proves how difficult it is. I rented this on a weekend when my baby had diarrhea, which really took the viewing experience up a notch. 123. Equals (Drake Doremus) What a snoozefest of a perfume ad this is. I liked Doremus's Like Crazy a lot, but I found little nuance or invention in his world-building here, for a setting that needed something new to separate it from the emotionless dystopias we've seen before. Kristen Stewart is at watch-everything-she's-in status for me, but even her whispery performance is paint-by-numbers.

122. Dirty Grandpa (Dan Mazer) I'm mostly angry with myself because I thought I had gotten trash like this out of my system. You can learn a lot from bad movies, but I learned all I could by seeing whatever two movies were playing every Friday of high school. I had been making such better choices. I hope, at the very least, that one of Robert De Niro's failing TriBeCa restaurants was able to hire additional bartenders as a result of this. The experience is a bit like spending time with a child who has just learned how to use the F-word, but also if that child had a deeply-ingrained sense of misogyny? God bless Jason Mantzoukas for at least trying in all of these red-band write-offs. By the way, same diarrhea weekend. 121. Sausage Party (Conrad Vernon, Greg Tiernen) Up until now, the Rogen-Goldberg aesthetic has been "genre/premise...but it's filthy." Sausage Party, more of a brand management lark than anything else, seems to stretch the high concept side and the filthy side until the whole thing breaks. The atheism allegory stalls halfway through. (So there is a God, but that God is evil? Is death being expired or is death being taken home? How can the device be so heavy-handed and so muddy at the same time?) The villain (a literal douche) is adequately motivated, but the screenplay drops him for a huge stretch of time. In the end, I needed more than hot dogs cursing. I wouldn't recommend this movie, but I would recommend the three following things in it: 1. Tha god Edward Norton as Sammy Bagel Jr. 2. The epilogue is clever! Where was that kind of thinking the whole time? 3. The one joke that I liked, then felt dumb for liking: A lavash lamenting that he won't get thirty-seven extra virgin olive oils. 120. The BFG (Steven Spielberg) If you drink every time you hear "Bee-Eff-GeeeeEEEE," then you'll die. And you might be better off than a person asking "who cares?" to the ether for almost two hours.Now that his style is so solidified, a brand of its own even thirty years ago, Spielberg has trouble merging his voice with anyone else's. You could argue that he did it with The Color Purple or Empire of the Sun, but Minority Report feels nothing like a Philip K. Dick work by the end as Anderton rubs the pregnant belly of the wife he's back together with. In Jurassic Park he casts a literal cartoon to yada-yada the science that Michael Crichton was fascinated with. And here he tries to wrap himself around Roald Dahl, a man who was simultaneously way sillier and way more cynical than Spielberg. Here's something that happens about a dozen times: The BFG doesn't speak English well, despite hearing all the whispers of the world and being alive since the beginning of time. So Dahl creates malapropisms and nonsense words for him. He calls someone "a human bean," and the girl corrects him  with "Bee-Eff-GeeeEEEE, it's human BEING." And that's the film in a nutshell: Someone toying with the wacky only to yoke himself back to this boring world. 119. Neighbors 2: Sorority Rising (Nicholas Stoller) Compared to the first movie--not a masterpiece by any stretch--this one has no stakes at all. It's always a bad sign when characters have to keep repeating what their short-term goals are as the film goes on. If (when) you look really closely at Efron's abs, you can almost make out the "lol nothing matters" gif. 118. Wiener Dog (Todd Solondz) Todd Solondz hasn't made a good movie since the first half of Storytelling, and he hasn't made a financially successful movie ever. Yet here he is in 2016, getting more chances to spray the same pointless contempt. All of his movies are mean, but they're also weirdly toothless. My mistake that I thought the people who deserved scorn were venal billionaires and hypocritical authority figures. It's actually slightly materialistic middle-class people and college kids who need to be taken down a peg. Go get 'em, Todd! Danny DeVito comes close to saving his misshapen segment, injecting pathos into a character who is a self-loathing mouthpiece for Solondz. Fewer people fit the bill of "sad-sack" more than DeVito, and he wears his character's anxiety on his slumped shoulders. I had almost forgotten about this observant, reserved side of DeVito, and he takes over until the film shuffles along to another half-scene--you know, before we, God forbid, get attached to someone.There's a reason that Solondz's best scenes take place in schools, and there's a reason why he keeps returning to his younger stand-in Dawn Weiner, his only character that rises above a type. It's because Todd Solondz is still the weird kid in the back of the classroom giggling to himself. Then, when the teacher asks what he's laughing at, he looks down and says, "Nothing."

117. The Neon Demon (Nicolas Winding Refn) Bukowski wrote: "An intellectual says a simple thing in a hard way. An artist says a hard thing in a simple way." Of course, he didn't live to see any of Nicolas Winding Refn's movies, which challenge that notion. It's hard for me to reject something crafted so meticulously--I won't be able to unsee some of these shots--but I suspect that Refn dresses these things up so luridly because he isn't saying much. (Shout-out to your best movie being the only one you didn't write.) And he falls back on provocation because he doesn't have as much confidence in us as he has in himself. That's reductive I guess. "There's no difference between text and subtext" might be closer than "not saying much." Take the bathroom scene, for example, where the labored rhythm of the dialogue really takes hold. The Jena Malone character says that lipsticks have names that conjure images of food or sex, and she asks the Elle Fanning character what her lipstick name would be. In other words, "Are you food, something devoured by others, or sex, something you are active in for your own pleasure?" Luckily, the character doesn't answer her, but the movie spends another hour and a half clinging to the line between predator and prey. (Unless it's literally placing a predator into the character's motel room to force the issue, a moment as magical as it is didactic.) Beauty is something as pure as it is ephemeral. So if beauty becomes a currency, and one is forced to use her beauty as a transaction, can it ever really survive? Is its innocence lost then? Alternately, if a truly beautiful thing enters a realm of ugliness, doesn't it become a poisoning element that corrupts that environment? Isn't beauty, in that sense.../puffs joint/...ugliness? I think I'm pretty close, but you be the judge. The Neon Demon reminded me of Under the Skin, another film I did not like, because they both spell out obvious ideas, thinking that the genuinely artful visuals will complicate that text. (And the camera loves Elle Fanning as much as it does Scarlett Johansson. None of this is her fault.) Both films could probably be played at double-speed without missing much, but then they wouldn't be fables or dreams or other things I don't like. I feel as if I get what both of them are saying but...so? Both films suggest something blinding and poetic on the margins just beyond our view, but there's nothing there. Their beauty is empty. 116. Mascots (Christopher Guest) "Hi, I'm Laci." "What's your name?" "Laci." That's the time I laughed. I could have used maybe ten fewer characters--though please keep Parker Posey and her heretofore unseen physical comedy. Eerily reminiscent of the Netflix season of Arrested Development in which none of the stars were in the same room at the same time. Do I have to go back now and make sure those other Christopher Guest movies are actually good? 115. Zoolander 2 (Ben Stiller) The first Zoolander was silly fun, and I didn't expect much more from the follow-up. But man, Zoolander 2, separated by fifteen years from its predecessor, feels stale. And it isn't tonally desperate in the way that many of these belated follow-ups are; it's just an idea that culture has zipped past, more of a satire of the fashion world of the first film than anything relevant now. I laughed a scattered handful of times, but the final third is rough. My biggest takeaway: Will Ferrell must be a loyal friend to have signed back up. ADMIRABLE FAILURES 114. Tale of Tales (Matteo Garrone) I appreciate Garrone's visual ambition: There's a shot that is manicured to look exactly like John William Waterhouse's Lady of Shalott. No two films of his look the same either. But I paused this movie to go to the bathroom, and I got really upset when I saw that there were forty-five minutes left. Most of the stories of this fractured fairy tale collection start off interestingly enough, but they all become bloody, sometimes unresolved messes that assert, well, I have no idea what I was supposed to take away actually. Violence makes the world go round? 113. Swiss Army Man (Daniels) Most reviews of Swiss Army Man start with the "what"--desperate castaway finds flatulent dead body and pals around with him--and move on to the "how"--it's actually about friendship and living life to the fullest and so forth. I'm going to flip that. I'll buy the "why," the semi-animated corpse as a device. I appreciated that it served to highlight a type of person we don't normally see on screen: sort of educated but rides the bus, social problems but resists being emo, family problems but has worked through them enough. No, the "what" is the problem. It was clear where the line between fantasy and reality was, but the filmmakers were inconsistent with that logic once the action moved into the real world. I feel as if I gave the movie the benefit of the doubt for its entire tedious second act, then it repaid me with, well, not much. 112. Elvis & Nixon (Liza Johnson) Team Shannon 4-Ever, but I think this worked better as a photograph. 111. Ghostbusters (Paul Feig) I would say that Ghostbusters was a mess, but the word "mess" implies risk-taking that went wrong. A much rarer breed, this remake is actually a safe mess. It hews closely to the original, slavishly incorporating cameos from the original cast and hitting all of the same beats. But it's also uniquely incoherent. For example, when the ghosts are released into Times Square, the lady busters can't shoot at the car Slimer is driving because "it would be like a nuclear reactor." So that problem disappears, and now the problem is that the ghosts have taken the form of a Thanksgiving Day parade? But our heroes extinguish that threat, so now everyone is possessed by the garbage villain into disco dancing? And now the ghosts are all huge again? By trying to up the stakes, the film can't even decide on what the obstacle for the characters should be. That sort of muddiness would be understandable if the film felt edited to shreds, but I watched the two hour and fourteen minute extended cut, and it still felt like that. Most of the cast is game, but Kate McKinnon is the standout, injecting weirdness (and, separately, queerness) wherever she can. It seems as if Holtzmann is the only member of the team who actually sciences, and McKinnon's mugging is just as indispensable to the team. The few shots that the film takes at protective nerds are funny, so I wish that the script had more of that bitterness. Or any tone of its own at all.

110. A Hologram for the King (Tom Tykwer) Spoiler: Tom Hanks gets wi-fi for his team. There isn't much "there" there in yet another low stakes tale of a White guy lolwutting a foreign culture. To be fair, Tykwer doesn't other the Saudis as much as most films of this type, but even with that respect, this feels like a movie we've seen before. Without Tykwer's surreal touches and without an actor that has built up so much goodwill, the film wouldn't have worked at all. 109. Amanda Knox (Brian McGinn, Rod Blackhurst) The recent true crime works that prompted Netflix to snatch up this one have been objective and gripping, reaching past their tawdry roots to reveal something about our own prurient interest in the subjects. Amanda Knox, on the other hand, can't get past tawdry. It exhibits just as much sensationalism as it decries in others. It is nice to hear Foxy Knoxy in her own words for once though. (For the record, I would have had enough reasonable doubt to acquit her.) 108. Jason Bourne (Paul Greengrass) Even the title makes it seem as if there's no reason for this movie to exist, so the least I can do is provide alternate titles: 1. The Bourne Pickpocket 2. Bourne: Folder Labeled "Black Ops" 3. Bourne: Last of the Jump Drives 4. The Bourne Cable-Knit Sweater 5. The Bourne Daddy (That one is accurate and true to the The Bourne ____ structure, plus you get a millenial hashtag.) I think Greengrass knew what he had with that trill car chase at the end, so everything else could be rote. Jason Bourne felt like returning to the house you grew up in and going, "Oh, they turned my bedroom into an office."  107. Money Monster (Jodie Foster) Dumb in small ways--a billionaire didn't hear about a national news story involving his company because he was on a plane?--and fairly big ways--dropping threads left and right and failing to give resolution to one of its main characters. Films involving finance are often too complex, but Money Monster isn't complex enough; it's missing a B story. If you think about the best possible version of a movie like this, it's probably Dog Day Afternoon. That film works because we care about Sonny just as much as we do about the boyfriend on the other end of the phone. There's no equivalent for Money Monster, though it could have been the cop, it could have been the girlfriend, it could have been the code-writers. There are a few surprises, good intentions, and Foster has a deft hand for the pacing. But any time the script asked me to care about these characters as people, I felt like it was faking. Maybe the smartest, most modern touch is the suggestion that becoming a meme on Vine is a deeper indignity that going on trial for breaking international law. 106. Jane Got a Gun (Gavin O’Connor) Jane Got a Gun makes sense as a vanity project for Natalie Portman because it allows her to play a lot of qualities she never has: steely, street-smart, matronly. The problem is that she doesn't play any of those particularly well, and the title character is not the most interesting or active one in the piece.That designation would go to Joel Edgerton's Dan Frost (not the woefully miscast Ewan McGregor). When the movie works, it's because he's selling the doomed nature of the Dan-Jane love affair, tugging at his own pride. But just as the film is cresting to an elegiac place, it pulls into the final shootout station. All of these movies end with the same twenty minutes, and if you aren't invested in the characters, that last leg can go on forever. 105. April and the Extraordinary World (Franck Ekinci, Christian Desmares) Like anything steampunk, April and the Extraordinary World has at least one dumb thing for each cool thing. I think the problem is that it can't decide how much of a mystery it wants to be; that is, which elements are unexplained to engage the viewer and which elements are unexplained because the filmmakers don't feel like explaining them. The art direction has so many tiny ingenious touches that define this alternate past in Paris, so of course the movie leaves Paris for a fake jungle created by sentient lizards. The animation does have some cell-shaded, Ghibli charm though. I almost forgot how water splashing looked for ninety years. 104. Florence Foster Jenkins (Stephen Frears) Meryl Streep is in this, I guess, so feel free to throw any awards you want its way. It would be impossible for Stephen Frears, Streep, and Grant to turn in something less than competent, but, other than normalizing adultery, I don't know what Florence Foster Jenkins is doing that is novel or unsafe. Here's something: Has any review mentioned that at least fifteen minutes of running time is made up of someone singing poorly? Not a starting-to-sing and we cut away after a few reaction shots. We're riding out full performances that are--such is the premise of the film--supposed to be unlistenable. Customize your back speakers to really steer into that piercing quality on minute eight of the Carnegie Hall performance. We got the point in the first half-hour, but let's really make it unpleasant. If you like this movie, it probably reminds you of splashy, unchallenging pictures that used to get made for adults. But, as a story about a person of privilege who is coddled to absurd, harmful degrees to hide her from an undeniable objective truth, it might be the most 2016 film I saw all year. 103. Cemetery of Splendor (Apichatpong Weerasethakul) If you say so. I still don't really get this guy. Part of the point is that these mystical things are happening all around us: goddesses chopping it up at picnic tables, intermediaries taking over dead bodies and going on dream walks. And all of that is written with deadpan certainty. But if the supernatural is always presented in that nonchalant way, then is it noteworthy? At the risk of sounding like an ugly American, what else is there if the film is about a bizarre sleeping illness, but we aren't meant to believe that the condition is bizarre or an illness at all? From a directing standpoint, other than a graceful dissolve at the halfway point (and who can't do graceful dissolves?), it's just full two-shots for the length of scenes--even simpler than the composition of Uncle Boonme Can Recall His Past Lives. The last five minutes play out like an observational music video, and I think I would prefer a music video from Weerasethakul to another film.

102. Elle (Paul Verhoeven) It's useless to think about what a movie is not, but it would have been interesting to gauge the reception of this film if it didn't have the imprimatur of an interesting director and a truly great actress. Because what we get is tawdry on the level of a Cinemax feature, despite the handheld trappings of art cinema. People who laugh with the film instead of at it might point to Michele's job as a video game designer as layered: She's in the business of devising fantasies publicly, and that's often what drives her privately. But the dialogue in that space--"This is our one chance with Activision," "given your publishing and literary background..."--is too clunky and artificial to seem lived-in. (That’s what happens when a novel is written in French, the screenplay is written in English, the screenplay is translated into French, and French is the director’s third language.) And, at the most basic level, the character just doesn't seem to know what she's doing. There's one specific plot thread that I found ridiculous, but in general the screenplay seems to confuse lots of stuff happening to the character with the character authentically developing. I can see what the filmmakers were trying to do by refusing to make Michele traditionally sympathetic, but I'm out on this. 101. The Fits (Anna Rose Holmer) For a debut film, The Fits is visually decisive and polished, but it's as thin as its 72-minute runtime might suggest. The girls in the movie, for reasons no one can figure out, fall victim to fits, and those seizures become a metaphor for the inexplicable, almost mournful dread of becoming a woman. It's rare that a movie of this type works on the level of metaphor but fails as a slice-of-life thriller--the thriller tropes are kind of the easy part. I liked how locked into the setting we were, but there wasn't enough meat on the bone for me. 100. Rogue One: A Star Wars Story (Gareth Edwards) The first Star Wars film that doesn't feel like an event, Rogue One has one interesting thing (what we learn about the retro-conned nature of something that happens at the end of A New Hope) and one cool thing (Darth Vader smoking some dudes). Ben Mendelsohn avails himself well I guess. But mostly the film feels like bloodless, sexless information in search of any type of humanity. What's weird, considering that A New Hope is one of the most mythologically sound films ever made, is that there isn't a lot of care spent on setting the scene. Can we see a bit more of the type of evil the Deathstar can wreak to build some stakes? Can we stay in one location for more than a few minutes? Can we not have a location named Jedah because it sounds too much like Jedi and makes me confused for a split second every time it's mentioned? I don't think I can say it any better than A.O. Scott, who considers Rogue One "a schoolbook exercise in a course of study that has no useful application and that will never end."