#the only reason I haven't made more animations for his wings is because I didn't have ideas
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leftshiftwashere · 24 days ago
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Showing him off because I'm proud as hell
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I think the doorwings are one of the best parts because guess what! I animated them
So basically the animations they have: Idle, walking, running, swimming, jumping, hurt
He was a pain to texture and at some point I got scared I'll have to start from scratch, mostly because I messed up the files and the textures wouldn't apply. Obviously in the end I fixed it because I simply can't stop winning.
His animations also got a bit messed up. I planned for it to be possible to run and jump without the jumping animation interrupting the running one but oh well.(Not sure what went wrong I adjusted the priorities correctly)
Also I'm thinking of adjusting the hurt animation to be faster because it's not as clear
Annndddd also have a regular skin of him I made. He's very bald though
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It's just that I got too hungry and bit his doorwings off. Whoopsies!
Anyway 👋
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sleepytoycollection · 4 months ago
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In Which Moose Toys Made a Dislestia Child and I Am Amused
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This isn't really a review proper, but this Magic Mixies set was brought to my attention by @sparklyaxolotlstudent after they pointed out that the "pegacorn" of this set looked like a MLP Discord fankid lmao.
So needless to say I became interested.
After just getting into MLP this year, and especially being a fan of the draconequus character Discord, I thought the idea of another toy company taking a stab at a the idea of horse/dragon creature was funny.
Granted, MLP didn't invent the horse-dragon. Qilins and longmas long predate our colorful horse friends. So it's not necessarily borrowing from MLP, but come on. When was the last time you saw one in a little girl's toy line?
The set comes with all this stuff to do the magic potion thingy. Call me lacking in whimsy, but I didn't wanna do all this shit. I just wanted the toys.
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It also comes with some info about our new friends.
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Moose Toys call this creature a pegacorn. Now "pegacorn" is sometimes used to describe a unicorn/pegasus. It's what MLP calls an alicorn, but there's no way this creature isn't also part eastern dragon too. It has scales. And Claws.
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Let's back up a bit tho, and look at the dolls fully.
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I really like the Pixlings dolls. This is actually my third one now. They're what Enchantimals could've been if they were good. I wish their shirts weren't molded on, but it's not a deal breaker if only because they're so nicely painted.
The only reason I haven't acquired more is that they have a LOT of leftover trash. The potion bottles these come in can't really be used for much else, and they're not worth donating either. So that's a LOT of plastic going to waste. Wish I could just buy the dolls without all that mess tbh.
Still a cutie of a doll.
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I also appreciate they gave the pegacorn articulation! It's so rare anymore to see animal friends in doll lines that don't feel like cheap afterthoughts.
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Now to address why this set, the pegacorn especially, makes me think MLP. -deep inhale-
Rainbow Star looks like a Celestia/Discord fankid.
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Look at this child and her divorced parents. Tell me she doesn't look like the designer at Moose Toys ships these two.
Even the name "Rainbow Star" fits.
Hell, if her dad were Discord is would explain the nonsensical butt wings. Nonsense is kind of a given for a child of chaos. Plus Discord in the show flies with magic, and his wings are useless when he's de-powered. So placement wouldn't matter if she's using magic to fly as well.
Now I don't personally go for this ship, but it's still pretty funny. Either this was on purpose or one hell of a coincidence.
Putting MLP aside tho, I do like these little guys.
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Unia could use a little bit of a restyle...
Wait a minute, if you imagine the blue replaced with purple, doesn't Unia look a little like human Princess Cadence?
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Okay that's enough for today. Bye.
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yanderes-galore · 2 years ago
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Can I ask for a rivalry between transformers animated Megatron and starscream oneshot?
Oh a scenario? I haven't done a rivalry scenario before- Sorry if something seems off, I finished Season 1 and only just started Season 2.
But... the dynamic of Megatron and Starscream is pretty much the same in all incarnations from what I've seen. It should be okay regardless. Darling is a Decepticon. This also takes place in an AU before TFA. So right before the Allspark situation. Left on a cliffhanger as I didn't know where to take the story after. May have a sequel in the future?
Deception and Loyalty
Yandere! TF:A! Megatron vs Yandere! TF:A! Starscream Scenario
Pairing: Romantic
Possible Trigger Warnings: Gender-Neutral Darling, Jealousy, Attempted murder, Violence, Stalking implied, Cliff hanger, Rivalry.
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Starscream has always been envious of Megatron. For countless stellar cycles his goal has been to take his place. Starscream has many reasons to bring Megatron offline.
Starscream craves power. He craves respect. He's jealous of the fact Megatron can push him around but he has to take it.
However... there's something else Starscream's jealous of...
Your loyalty to Megatron.
You are one of Megatron's most loyal Decepticons, or at least close. The main Decepticons in command under Megatron included Lugnut, Blitzwing, Blackarachnia, Starscream, and you. Although... Starscream's position was being revoked due to his betrayal attempts.
When Starscream was still a somewhat loyal commander, you caught his optic. At the time he first met you, you simply tolerated Megatron like Starscream. Despite this you carried your duties in the Decepticon leader's name.
Starscream found himself attracted to you, a fellow Decepticon. He often dreamed of the day he'd take over and you'd listen to him. Since he adored you so much, he thought of you as his second-in-command.
But over time... Megatron seemed to have a similar connection to you. Based on the fact Megatron gave you Starscream's position as the years passed by was enough confirmation. Megatron has stolen yet another thing from him...
The one Decepticon he actually cares deeply for.
This only made Starscream despise his "leader" more.
Starscream's assumption was right in the end. Megatron does have a similar attraction to you. The idea surprised the Decepticon lord when he noticed it.
You often follow his orders, already much better than Starscream. You aren't obsessive about him like Lugnut, which is a refreshing change. You're even a very composed Decepticon like Blitzwing, yet less unstable.
In Megatron's eyes your promotion is simply because you are the perfect servant.
But it became more than that.
Megatron also notices Starscream's distress when around you.
Megatron finds himself treating you differently from the rest. He never finds any reason to hurt you like he does with Starscream. No... in fact Megatron treats you with care.
The idea of causing Starscream discomfort only encourages Megatron's obsession with you.
Your life as a Decepticon was not very eventful for the most part. At least, your jobs around the ship weren't. Your encounters with Megatron and Starscream are always a bit... off.
First of all, you are the one Decepticon Megatron didn't even belittle since your promotion. Every Decepticon is usually met with Megatron's taunting or degradation. To be fair... many of the others were incompetent.
Although you still found it odd.
Megatron respects you. You aren't complaining and even show him the same respect. Your mutual companionship with your leader was what made Starscream act up.
It wasn't... in fact, Starscream was never annoyed with you.
Starscream is the other strange experience that happens to you on The Nemesis. The Decepticon who used to rank above you now ranked under you. You thought that was the cause for his irritation.
The con often follows you around The Nemesis like a clingy pet. His wings are usually angled down around you, meaning he's at ease. Starscream sometimes talked with you but usually seemed too... nervous or occupied to engage too long.
Despite this you didn't find Starscream as annoying as Megatron made him out to be. Around you Starscream actually seemed... behaved compared to his usual fights with Megatron. You tried not to question the con too much.
You swore he had a bolt loose sometimes.
You always knew about the feud between Starscream and Megatron. What Decepticon didn't? Starscream never approved of Megatron's leadership....
It wasn't until you look closer into their behavior that you realize power isn't the only issue.
You're more involved in their feud than you thought.
While you worked to keep The Nemesis up and running, there's conflict behind your back. Megatron is often trying to keep Decepticons like Starscream away from you for a reason he's still trying to understand. Meanwhile Starscream is plotting another murder plot to keep you to himself as his subordinate.
You don't get the full picture until you listen to them.
Starscream is caught muttering your name at times to himself. Megatron himself is adamant on you keeping post by him in the ship. Then there's the arguments.
According to Blitzwing and chatter you've heard yourself, one of them brings you up when they fight. This usually makes the other one go off. What confuses you is why you are such a popular topic amongst them.
Trying to get the answer isn't easy. Starscream tends to lock up when you ask him, wings shooting up in alarm before he ignores the question. He doesn't seem like he ever wants to answer you.
You utilize the loyalty you have with Megatron to ask your Lord the question. Megatron grumbles towards you but you get some sort of an answer.
"I'll give you that intel another time."
It's an answer but you're still left in the dark. You have no clue the two are not only fighting over power... but their obsession over you... the efficient Decepticon simply doing their job.
Months pass and both of their obsessions solidify. Megatron has finally come to the conclusion he wants you not only as a loyal second-in-command, but a partner. A romantic partner, which is a shocker to Megatron.
Such a realization only makes Megatron more defensive about you.
Starscream has already loved you in a romantic sense for longer than Megatron. In desperation, the Decepticon has gotten bolder. You'll feel him tap your armor to get your attention, then you're met with a strangely talkative Starscream.
He never lets his plans about Megatron or his obsession slip, however.
Tension rises in The Nemesis between Starscream and Megatron. The only "good" thing that comes out of it is you finally understand.
You almost wished you didn't.
An inevitable fight between the two breaks out in one of the larger rooms of the ship. You can hear the screaming and the sound of blasters. You made your way to the room... only to catch the argument.
"Your crush on that Decepticon must be put to an end, Starscream!" Megatron bellows
"Do you think I don't know your intentions!? You love them too! I can TELL. You're so sickeningly NICE to them!"
"SILENCE."
"Make me! I'll bring you down someday and I'll have them under my command again!"
"You are such an IDIOT. I'll have you executed. I'll make sure you never see them again."
"Good luck with that when you're offline!"
It's obvious who they mean. You know deep in your spark you are causing their feuds to be worse. The worst part... you aren't sure how to stop it.
Eventually one of them will kill the other. Your bets were on Megatron, but is that a good thing? It's not like you could just ignore it.
Megatron is your boss and Starscream will follow you. On this ship you are... stuck. You begin to think the only way for them to stop fighting is to have one of them die.
You never enter the room. Once the noise died down you assume they had finished. With an uneasy feeling within you, you continue to work.
That is until you're given an alert later on in the shift.
Supposedly there was an Autobot sighting. Not only that, but it's close to the Allspark Megatron's been hunting. The news makes you vent out of relief.
A new mission... one that could hopefully stop the fighting momentarily until the Allspark could be secured.
You hope that this mission will allow the two cons to put aside their obsessive fighting to focus on the task at hand.
You had no idea that this event was only going to make your life worse....
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aworldoflovely · 1 month ago
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Trigger Warnings: Discussions of SA both current and in the past. Extreme emotional distress and deraotory language towards someone physically different.
This is purely fiction and is just a fun hobby that helps me with stress during free moments in the day.
If anyone has any ideas for how this could be better or if there is something that stand out just let me know!
*******
Hawk's was standing in Enji's holding cell. He looked even more miserable than Enji.
"You were my hero, I tried so hard to live up to you. After the PLF mansion and the video and my wings, we were all so hurt. Your family was so crushed that I thought everything i had based my life on was a lie. I was so close to just giving up and letting myself fade away. But you came back, and you fought, and you sacrificed, and you attoned that. That indomitable spirit. I thought it made up for everything."
Hawks took a deep breath through his nose.
"I guess I was just desperate. If you came back, proved to the world that you were still a hero, then that was proof that I was too."
Enji looked at Hawks, the blubbering child begging him for answers. Reasons that could hopefully patch up the heart of that ugly little boy in that shack years and years ago.
Hawks looked at Enji with eyes red rimmed and dilating. Without his wings, it really made the other animal parts of his physiology stick out.
"Were you always like this Endeavor? Did- did being a hero change something in you that drove you to this point?"
Enji had a headache. His entire body ached and burned. The only relief that he had gotten these many months was when he was with his Touya. But that relief was long gone. He was due to be in court at 9am for his sentencing. He wanted to sleep at least a couple of hours.
He had no patience for Hawks. No patience for anything.
Enji let out a sigh, and barley kept himself from rolling eyes.
"You should know why. You've fucked him too."
Hawks started at this.
"You know how he looks at you with those big blue eyes. His voice panting and moaning. The way he just crumbles beneath you"
Red started to climb up Hawks' face. "Shut up,"
Enji smirked. He could at least have fun with this. "You've felt what it's like to have him squeezing you just right. No one else feels quite as good as him."
Hawks started to bear his teeth. Fucking animal.
"He's so sweet, my Touya. Just a little bit of affection, and he'll do anything for you. Is that how you did it, Hawks? All that information you hand delivered to me, just pillow talk between you and the closest thing you would ever have to my attention?"
Quirk or no quirk Hawks was still physiologically different from a regular human. The raptor stress grip in his hair was proof of that.
"It makes me so sick to think that i ever looked up to you. I would sell every soul in this country if it meant I could go back in time and rip your heart out before you could even breathe in your children's direction -"
"Why did you come here, Hawks? To tell me what a miserable person I am? I already know it. To enact revenge? Then why haven't you done it already? Or did you come to try and see if there was a part of me you could salvage? Just like when we fought side by side against All For One and you were so relieved that all of those awful things I had done didn't matter anymore? I'll tell you this Hawks, the only one who bought into my atonement more than you was myself, and you saw how that shattered in the end. Now, either do something or leave because you are helping no one, not even yourself, just standing here wheeping."
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popculturebuffet · 1 year ago
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Richard Moll Tribute: Batman TAS Review: Two-Face Parts 1 and 2 (Comission for WeirdKev27)
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In Loving Memory of Richard Moll 1943-2023 Just one year. Just one damn year after loosing Kevin Conroy another treasured member of the Batman The Animated Series Cast passes. I wasn't expecting this and i'm hoping with all I got this isn't a trend.
While Kevin requested a tribute for Moll it was an easy request: While I sadly can't do a tribute for every tragic death as my schedule is packed, it's why poor Matthew Perry didn't get one even though his death is also truly gutting, but Moll is an actor I loved and still deeply repsect and I'm proud to honor him.
Ironically I first became a fan of Moll not thorugh two face, who I liked fine but wasn't really a faviorite of mine yet, but through his other famous roll that came before this: Baliff Bull Shanon on the NBC sitcom Night Court
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If you haven't seen Night Court it's free on freevee and amazon prime so please do when your done here, but for the short version it was a sitcom about Harry Stone, a young judge who was both a goofy prankster and a kind, wise man who judged fairly and always tried to help his staff, played by the sadly also late Harry Anderson.
Bull was big, strong.. but also entirely kind and goofy. He had a childlike sense of wonder to him, missed the point often, but refrenshingly for a sticom he wasn't portrayed as a complete idiot, having a lot of emotinal intelgence. He was simply oblivious. And while VERY sweet he had a habit of reminding people, paitcuarly dan the court's prosectuer and sex pest, that he had his job for damn good reason. Moll was a treasure and never lost his step in the roll though sadly he declined to return for the recent revival and now never will.
So it suprised me when I found out Moll was Harvey all this time. It wasn't that Moll lacked talent or even him doing something after night court, he'd done plenty. It was more the range, perfectly playing Harvey in all the forms the show gave him: early on as bruce's pepppy friend, as a man grappling with his split personality in these episodes, as Harvey's brutal personality.. and later as a horrifying combo of the two as two face. All distinct, all using a diffrent vocal tone, all great.
So we're honoring his finest performance. So join me to remmeber Richard Moll under the cut as Harvey Dent grapples with the other person in the mirror.. and both become something else.
One touch i've always liked about Batman TAS is that Harvey was a recurring character before this two parter. It was only two episodes, On Leather Wings and Pretty Poison, but the former was a nice cameo to show he exists and the latter really showed off Harvey and Bruce's friendship, their easy report, the hint they had a long history we were never privy to, and it made the stakes higher when Harvey got poisoned by Ivy. It's remakrable how much legwork that one episode did to setting up this one. You can watch one without the other, Batman TAS is still largely episodic and one of the best shows ever at pulling that off... but the two enrich each other. While Batman TAS wasn't the first to try and have Harvey Dent around before he got faced, Batman 1989 ATTEMPTED it but then didn't bring back Billy Dee Williams and retconned Harvey to be Tommy Lee Jones because fuck me I guess, it's the work i'd credit with popularizing it as the Long Halloween and the Dark Knight after it made sure to show us who harvey was BEFORE, which makes what he becomes that much more tragic, that Bruce didn't just loose an ally.. he lost a friend.
It also makes what we see at the top of the episode have even more weight: Harvey having a troubled dream as he's harassed by a shadowy version of himself with a growly voice flipping a coin. Harvey is only freed from his nightmare by his assitant Carlos, who informs him the raid they've been planning is on boys.
The target is one of Rupert Thorne's gambling dens.
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For those who've forgotten this guy, Rupert was the series mafia presence, head of Gotham's organized crime and slimeball, played by John Vernon aka the dean from animal house aka the character that inspired the dean from futurama. Rupert is the perfect arch enemy for a pre face harvey: it's easy to arrest a guy who kidnaps the police on christmas day after rocketing out of his aslyum on a christmas tree, it's harder to arrest someone who covers his tracks.
It's also hard because Throne's men have a bunch of high end weaponry stockpiled in there including grenade launchers. Thankfully Bat beats Grenade as bruce decided to pitch in to help with his buddy's relection campaign, helping clean house to make it easier on the police. I also like the touch of Harvey being ambivilant, not against Batman's presence but not really cordinating with him like Gordon would.
Unfortunately one of the goons makes the mistake of taunting harvey... and that wakes up the other person. As it turns out Harvey has Disociative Identity Disorder, and his alter, big bad harv, is all of the anger Harvey's surppressed his whole life condensed into a person. And Big Bad Harv suckers the goon before nearly beating him to death, with Harvey waking up from the episode horrified and making a lame excuse. As if things weren't tense enough Rupert Throne's decided to do a bit of digging into Harvey's life: he's become too big a thorn in his side and the irony's a bit too much to swallow on that, so he has Candice, his right hand minon look into that.
We cut to Harvey giving a speech at a big campaign rally Bruce is throwing. It also brings me to Batman The Animated Series Version of bruce who I like a lot: instead of playing up his uselessness or just barely using the identity when necessary, this bruce is a bruce wayne I like to see: a philamprohist who still fights to help people. It makes hiding he's batman harder sure.. but it shows Bruce more as another side of who he is rather than a mask he wears because society won't let him go around beating up people in a mask all day every day.
At the party is Grace, Harvey's girlfriend who wants to bump it up to fiance. It's unknown just HOW long it's been since pretty poison but given Harvey was willing to marry Ivy after a week, it's on brand for him to jump into life alterting decisions and he makes it clear he only hasn't because he's busy trying to get reelected, not getting that the engagment would probably bump up his raitings but whatever. Grace is mostly here so Harvey has more to loose. She's the weakest part of the episode, only being there so Harvey has a love intrest to weep at what he's become when we already have bruce. Though given this was the 90's I woudln't be shocked if Fox wanted to give Harvey a case of the not gays.... which come on. Why WOULDN'T it make sense for Two-Face to be BI-Sexual. It fits too well. Like Batman giving oral.
Every party needs a pooper though and the pooper for Harvey's party is a phone call: THrones men are being let go as someone "misfiled" a warrant.
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So naturally out goes the good harvey, in comes the Big Bad Harvey who straight up THROWS his assitant carlos into an ice sculpture cleaving the thing in two.
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And nearly beating BRUCE up this time when Bruce tries to calm him down. It's only grace begging him to stop that brings back standard Harvey.
Bruce didn't get to be the world's greatest detective by ignoring the obvious , so he goes to talk to harvey .And I absoutely LOVE Bruce's attitude in this scene.. the man was almost punched in the face by his best friend.. and instead of raging against him or recoling in horror he runs up to help him, recognizing this wasn't just harvey flipping out, but something deeper, correctly guessing Harvey has some sort of mental illness and needs help.
And as someone with some mental illnesses and a neurotypical brain not helping either of them, I really like how the episode treats Harvey's illness. The talk about it has aged REALLY well: While it was even MORE stigmatized back then, Bruce's reaction to all of this is recommend Harvey get help and then be utterly PROUD when he finds out Harvey already is doing the work, it's just taking time and the pressure of being a public figure AND hunting a crime lord really isn't helping. Harvey is treated as he should be: as a man who needs help and is struggling with it, not as some monster but as a man who simply needs help after a childhood trauma left him with an extra guest in his head. Harvey is never accused for what Big Bad Harv does and while Big Bad Harv's actions are seen as awful, as they should, no one ever blames Harvey for them if they know. It's something I struggle with: I also have big freakouts where I can't control myeslf. Diffrent type as i'm still ME when it happens, but I can still relate to this episode and harvey's struggle of both letting his pride down to ask for help and worrying about what people would think despite getting therapy being entirely normal.
Unforutnely Candice overheard this as we cut to Harvey in sessoin with his psychatrist, Nora Crest. Nora is a wonderful therapist, helping harvey slowly and making it clear what Big Bad Harv does isn't his fault. She also draws BBH out to try and help manage him better. Unfortunately.... she fails to recognize that Big Bad Harv dosen't WANT to be managed, want to be locked away, or want Harvey to come back again and in the most horrifying display yet trashes Nora's office, breaks a window and tries to attack her before she undoes the hypnosis. Again it's done well as Nora simply misunderestimated HOW bad things were and while sh'es trying her best.. .as she puts it Harvey NEEDS to check himself into a hospital. And I love how that's not portrayed as a bad thing: A dire circumstance, but we've seen how bad harv is. She's not suggesting locking him up in arkham or anything drastic, she just wants him where he can get help and where big bad harv can't hurt people.
Ultimately what holds Harvey back... is a combination of pride and society itself. In a better world Harvey going in to get treatment after two public outbursts would be seen as a heroic act and he'd win the election. Sadly we don't live in that world and Harvey correctly fears the voters would just sterotype him as crazy and he'd loose the election. He TRIES to mitgate it by having more sessions an da reduced work schedule and it works to a point.. but it's clear it's putting a band-aid on an open wound.
This meatball mental surgery DOES enough to get Harvey through the election, and almost to propose to grace.. but sadly dosen't last as Thorne has stolen his medical files and wants a meeting. Once again it's not Harvey that's the issue.. it's that society won't accept that he NEEDS help and it's OKAY to get it. And Throne's all too happy to exploit it.
Thankfully for Harvey his best friend is batman, so Bruce is able to follow Harvey and put a tracker on the car he's taken in. Thorne makes the BOLD decision to confront the man whose DiD is shown to be triggered by extreme stress... in a remote room with only a few guards, only one of them actually armed, and mock his mental illness. We also find out WHY Harvey has DiD: as a kid he hit a bully in the face. Said bully wound up in the hospital and Harvey blaming himself vowed never to be angry again. Turns out it was apendcitis. Hence Big Bad Harv.
And unfortuantely for Harvey's future and Throne's present.... Big Bad Harv comes out. He does manage most of the thugs, with some bat help, but given whose origin this is.. you know this can't end well. And it dosen't: in a truly gutting moment Harvey rushes after Throne, the goon from earlier tries to fire.. and in stopping the guy batman accidently directs his fire at a power coupling in the factory, causing an explosion. Harvey Dent as we knew him .. is gone.
Some time later Harvey's in the hospital in bad shape, with doctors promising they'll restore him with plastic surgery. Instead... we get
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I know he was heavily burned, and that his face would be hard to fix.. but how did you think "make him look like a blue goblin man with a bigger eye on half his face" was EVER going to go down well. Does oscorp own this hospital?
While I joke, because i'm a goofy bastard, I do love the nod to Batman 89, with Harvey asking for a mirror in the same way as Jack Napier and Lisa Simpson... only instead of laughing he throughs a raging fit and then gapes in horror when his new visage makes his fiance pass out.
So thus ends part one. One last thing I want to note is how LITTLE batman is in this. Ther'es an action bit with bruce at the beginning of the episode and later at the climax. That's it. It's something TAS did a lot, having a more methodical build up before the third act is all I AM THE NIGHT, but it feels diffrent here as we aren't WITH bruce for most of the episode. He's still present and important to the plot, but he's a supporting character in Harvey Dent's story. There's no breaking things down with alfred, no break from the tragedy of Harvey Dent, and it's why the episode works so well. This isn't a Batman story yet.. it's Harvey Dents.
Part 2, naturally, splits time between both men as both go on their own journey. It's 6 months later and the man who was once Harvey dent has abandoned his old names: No more Harvey Dent, upstanding DA or Big Bad Harv, Harvey Dent's anger and hatred given shape and form... the two have merged. It's something I never noticed before till tv tropes pointed it out: Fitting his dual nature Two Face is a bit of both: he's aggressive, rageful, and quick to anger, berating his twin thugs when they go off script. He'd of killed them by now but damn can they belt a cover of Don't Pull Your Love
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Yet we see a tactical side that just wasn't present in Big Bad Harv.. but was in harvey, with the raid being his idea and his attacks on thorne being calculated, using every bit of info on his operations Harvey ever aquiried but going outside a law he no longer belivies in. Two-Face is a new personality.. and a fairly haunted one.
He also naturally now has his gimmick, using coin flips to decide his decisions, hence why he hasn't seen grace in a while as the coin keeps telling him no. After all he lost, after all that happened he now belivies only in chance... the only justice left. And given the system allowed thorne to thrive while Harvey sacrficed his health, his time and ultimately who he was to stop him only to get nowhere.. it's hard not to see why.
It's what, once again, makes this work: it's not just Harvey's DiD that turned him into Two-Face. IT's the main cause, sure, but the regular Harvey still had an obessive, vengeful streak about him: he may of locked his anger away.. but he still hunted thorne, obessed over the case and put beating thorne over his own well being. Being DA was important, beating thorne was important.. but it wasn't worth loosing himself. He was doing the work, had he taken his doctor's advice and checked himself in.. Harvey may of been okay. He wouldn't of had the office but he'd have his mind and the love of his life. Now only rage and a determinatoin to destroy thorne remain.
Thorne naturally isn't taking this sitting down. He has some shit to throw around in anger dammit. After months of Two Face hitting him hard then fading away into the night he puts out a bounty: a million a face. And Cadance, being sneaky and what not, sets her self on the path to the moolah by pretending to be a cop and giving grace a tracker.
Meanwhile Bruce, naturally, is also doing pretty bad. In his dreams Harvey cries out to bruce asking "Why couldn't you save me?"... and Bruce has no answer.. nor one when his own father asks "WHy couldn't you save us son?" Once again Bruce has lost someone he cares about. And while with his parents the guilt isn't warranted, it was a random gunman and he wa sa children, you can see WHY he has it here: You can just feel Bruce replaying the moment he tackled the gunman, again, and again and again, thinking of all the ways he coudl've done it BETTER, all the ways that don't end in Harvey becoming Two Face. All the ways he should be BETTER. We know it was just an accident but Bruce.. can't accept it. He has to fix this, he has to save harvey from himself.
Harvey's decided enough fucking around. He's gotten Thorne weak enough, it's time for the killing stroke. Only Harvey isn't being THAT merciful: he COULD kill Thorne, but like any good super villian Twoey has a sense of irony: Thorne ruined his life and reputation, it's only fair Two-Face do the same
So TF and his minons raid a place where THorne has his most secure files, the ones that outline everything. YOu know your standard maffia macguffin. Bruce naturally shows up ... but tragically he can't help someone who dosen't want to be helped, a harsh lesson of the episode: Harvey is buried deep within two face, impossibly tangled with big bad harv. There's the possiblity he could become harvey again, but he has to want to. But all that's left in harvey is a want for revenge.
Batman does at least spot a pattern: all the clubs and establishments are two themed, and thus finds his hideout, Club Deuce. Unfortunately he's not the only one as Two Face finally decides to see Grace, who thinks the police would be genuinley invested in the health of someone with a mental illness
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And triggers the signal. Grace almost gets through to harvey who starts out wearing.. this
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Grace takes it off, almost convinces him to get help.. then Thorne busts in
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Thorne manages to ransom grace so he can get the files.. and then plans to just shoot everybody because Two Face was stupid to trust him. Thankfully it's time for the bat to make his big entrance, and our hero, villian protagnist and cardboard cutout clean house. Well okay Grace takes out Candance as is standard catfight protocol, but props to her for contributing.
It ends with Thorne in a chadelear and Harvey about to finish this. Bruce begs Two Face not to as there's no coming back from this.... but Two Face dosen't trust int he law anymore and Batman certainly hasn't finished off this son of a bitch, so he plans to play count the bullets.
How Batman stops him.. is creative as it is heartbreaking. When Two Face flips.. batman dumps a bunch of other silver dollars, stolen earlier in the ep, in. Two Face is paralized.. and Batman and Grace are left to mourn what they've lost. The episode ends somberly. No one won here: Thorne is still out there, Harvey is in arkham.. and all bruce can do is flip a coin himself into a wishing fountain.. and HOPE his friend can one day recover. It's all he has left, the same cruel fate his friend is now servant to.
So as you can tell Two-Face is a banger two parter and one of Batman TAS' best. Moll is spellbinding the whole damn time, playing all three versions of harvey perfectly, while Kevin Conroy gets some graet acting himself in both acts, as Bruce trying to be supportive.. and as the Bat desperately trying to save his friend. It's tight, gripping and a masterpiece. Check it out now, thanks for reading.. and rest in piece Richard. Thanks for giving us so much joy, so much sorrow.. and so much of you
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liminalpebble · 2 years ago
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The Refugee: Chapter 9
Masterlist link
As she left the room Lea felt every instinct, as she had for so many years, to run. Her impulse to avoid feelings or threats by continuing to move took over and she found her feet carrying her toward her quarters, and then passing them and continuing to walk and walk through the labyrinthine keep. Without realizing it, she was moving toward the medical wing, and very nearly ran directly into Magnus.
“Lea! What brings you out here?”
“I...I'm not sure. I just kept walking. I'm sorry. I didn't notice you there.”
Magnus detected the worry in her eyes, and her hair hanging loosely disheveled. Something felt very wrong to him. He felt his heart drop a little. What has he done to her now? He pondered.
“I'm sorry, I'm interrupting your work. I'll head back,” she said a bit absently.
“No no! It's no trouble. Are you okay?” he asked, putting an arm around her shoulder trying to meet her vacant gaze.
“Yes. Just turned around, I think.”
“It's easy to do here. I have some time. Let me walk you back.
----
“What the hell did you do to her, Loki?” Magnus said, riled pale face now ruddy with a small flush of anger. The two friends ate dinner together in their private lounge, per their routine.
Loki balked at the accusation in his voice and rolled his eyes. “I didn't do anything. Do you really think so little of me? I'm not an animal. As I said, we simply had a discussion about what her responsibilities will be. She's fine, Magnus. She's not a child.”
“No, but we are so much more powerful than her, she might as well be. Think of how terrifying that must be. To be a prisoner in a place where every single person, even the servants, could easily use magic to destroy her if she doesn't dance well enough or refuses to go to your bedchambers. She was raised hearing stories that had you haunting her nightmares. That must do things to a person.” Then more quietly he said, “And it's not a discussion when she's being ordered, especially to your bed. It's despicable, Loki.”
“Magnus, it's because of my mercy that she's even alive. I've made her comfortable...probably more comfortable and provided for than she's ever been. I've delivered her from a grueling peasant life. Isn't that the fantasy of every peasant girl, to be swept away to a palace and a life of luxury by a king? I'll give her anything she could possibly want and indulge any pursuit she could dream of. And you, my friend, have been quite the charming welcoming committee, haven't you? What a way you have with people...so cheery and affable, with your bleeding heart. I'm sure she's totally enamored with all your saccharine gestures. Let me know when the wedding is, will you? I'll either send flowers or poison your mead. I haven't decided which yet.”
“Do you ever get tired of this theatrical envy, Loki? Isn't this becoming tedious, especially for a man like you, quickly bored by everything? What about when you're bored of her? Will you just throw her away? You're envious of Thor, Odin, and now me? She enjoys my company for the same reason you do, Loki. I'm the only one here showing her some goddamn companionship.”
“That's enough, Magnus,” Loki growled into his goblet as he sipped his wine. Then with the barest smirk he quipped, “I hate you so much.”
“I hate you too, you utter prick,” Magnus huffed, but smiled.
-----
Loki decided after their odd last encounter to allow Lea some weeks to herself to adjust. Magnus recommended it and Loki thought it prudent, though it irked him to agree to it. She had several weeks to simply explore the citadel in her own time. Lea, for her part, was grateful for the reprieve in which to orient herself, although the nagging fear of a call to the king's chambers loomed in her mind. After spending days visiting libraries, arboretums, observatories, and training grounds to clear and distract her hungry mind, she felt as if she had only scratched the surface of the enormous citadel. Then one day, just as she finished dressing and preparing herself for the day, she answered the door to see the king himself.
“Ah...Lenora. Good morning. Today I'd like introduce you to the linguistics division. Are you ready? Do you need a moment?”
She was shocked to realized that he was, in fact, nervous around her. Even in her strange situation she found it a bit amusing that this menacing mage-king, who was a good foot taller than her, was looking at her uneasily, as if she might bite. He was wearing his green and leather attire again today, rather than armor or some other imposing royal uniform. His hair was carefully oiled in place, tunic impeccable, and he smelled pleasantly of pine and mint as if he had just bathed. She realized with amusement that he was trying to simultaneously impress, but not threaten her. He had considered this encounter at length and carefully, but tried to seem as if he hadn't. She actually found it rather touching. Lenora, on the other hand, wore another one of those warm simple dresses from the back of the closet. He made a displeased face as he noticed it, reaching out to touch the simple flannel.
“Do you purposefully try to still look like a peasant?”
“What's the matter with this? It's new and tidy. Why should it matter?”
He rolled his eyes. “Trust me it matters. Appearances matter.”
“I am a peasant. If I changed clothes, I'd still be a peasant in a nice dress and much less comfortable.”
“Fair enough,” he shrugged. Realizing his attempt pick a fun little fight was petering out.
The department was an odd mix of scholars and soldiers, all gathered around various reference tomes and magical glowing display boards for all to see and write on. Many contained scribble after scribble of text and notes from many different hands. There was a low but constant hum of conversation around the large hall, all focused in a similar flow, like a hive. The buzz faded to a reverent hush and greeting to their king. However, as soon as the room full of men noticed the small woman following behind him, loud grumbles spanned the room. Lenora sometimes forgot that Asgardians, for all their wealth and magic, were terribly primitive about gender relations. It grated especially on her nerves, as the Morhari were extremely egalitarian in these matters. The irrational uselessness of sexism was apparently also an annoyance to Loki, judging by how he addressed the division.
“Silence!” he bellowed, “You're biases are your own concern. We have a Morhari scholar at our disposal, a multi-front war to win, a race to solve dozens of coded messages, and at least three tongues to decipher. We need what she has to offer. If you have something useful to say, I will listen to your concerns, but I will not tolerate boorish idiocy.”
A cacophony of “Sire, but...” and “Your Majesty...surely you can't mean...” followed by indignant grumbles ensued. Loki was about to silence them again, but let them continue for his own amusement a few moments longer. Smirking with his arms crossed, he noticed Lea wordlessly elbow through the crowd to the large display board. Most of the analysts had been huddled around it in frustration before this interruption, and apparently for some time. She read it, considered it silently for a few moments, then decisively picked up the stylus to begin writing the translation in her neat precise script. When she was finished she placed the glowing stylus back on its ledge, turned and deliberately dropped a large tome with a loud crash to the floor.
Everyone but Loki jumped at the noise, turned to read the board, and shut their mouths in stunned silence. Lea simply said, “Show me the others, please”.  Loki was snickering and grinning so widely his cheeks ached.
“Miss Lenora of the Morhari, gentlemen. Please assist her efforts for the next few hours and the foreseeable future. As you were.” Loki glided out the door with long strides, stopping just a moment to nod a bemused farewell to Lea.
By the time she left for the day Lea was exhausted in every way, but it felt worth it. She had earned the respect of most of the men with her little stunt at their introduction. Now those who still glared and grimaced at least had the good sense to swallow it in order to work efficiently. Her head hurt. A servant met her on the way to her quarters to relay a message.
“Miss Lea, His Highness requests that you join him and his advisers in the banquet room this evening. He sends this gown to wear.” Lea thanked her and read the note;
If you want respect, Lenora, you have to dress the part. You've already acted the part to perfection this morning. It's time to stop looking like a peasant.
-----
The gown was not comfortable, but it was undeniably beautiful, a deep burgundy embroidered with gold; stiff-bodiced and long sleeved. In spite of the Asgardian dress, she proudly straightened her Morhari necklace and earrings. If he wanted to dress her up like a doll she would humor him, but she would retain these pieces of herself. She heard a knock at the door and, deeming herself as ready as she could be, she open it.
Loki stood before her in his green and golden armor and his long green cape. His expression matched his outfit, haughty and regal. She noticed the flicker in his eyes before he tamed it. He gave her a swift bow and kissed her hand. “You look ravishing,” he said. He knew the burgundy would flatter her when he chose the piece, and was anxious to see her in it. He did pride himself on good taste and style.
“Thank you. You look handsome...and somewhat threatening.”
“That is sort of the point.”
“This is very uncomfortable.”
“And you think a suit of armor isn't?”
“Unlike my situation, no one is making you wear it, you know.”
“My title demands it. I really need to teach you about the importance of dressing the part...show you the meaning of style, elegance, attention to detail. Oh speaking of which...”
He turned to present an elaborate hair clip laced with rubies and gold to match her gown.
She looked genuinely impressed and surprised by the gift, which pleased him.
“Thank you but I...I can't accept this.”
“You can and you will. This isn't a gift of charity. It matches the gown and it's impressive. You need to be impressive tonight. It's part of my plan to gain you some respect around here.” He smiled and said “Turn around.” Then the smile fell as they both remembered the last time he made that order and fixed her hair. He was determined to replace that memory with this one; a more pleasant one. He was brushing the long straight strands away from her face, fastening the clip behind her ear, when he noticed that she hadn't laced up her gown properly, probably not realizing that she needed a servant to assist.
“What are you laughing at?”
“Did you not ask the maid to lace your dress?”
“No. Was I supposed to?”
He couldn't stop laughing but she looked genuinely embarrassed by her ignorance.
“I'm sorry. Here...come here. God, no wonder you were uncomfortable.”
She turned again pulling her hair away from her back, as Loki's nimble fingers undid and restrung the bodice laces. She jerked a little each time he tightened the cords, not expecting the sudden tension of the corset hugging more firmly to her body, straightening her spine without warning. It excited him. He might have given a few more tugs than necessary just to enjoy her adorably clumsy responses to it. He found himself imagining how he'd love the opportunity to unlace it again, then remove the fine barrette, and allow her dark brown hair and his raven locks to fall together in a rich spectrum as they'd tumble together euphorically.
“Are you finished?”
He dragged himself reluctantly from the fantasy. “Yes. Better?”
“Much better, actually. I take it back. It is comfortable.”
Now she laughed and it was contagious, leaving them both chuckling. He realized with startling clarity that he was finally seeing her simply carelessly happy and that he would raze entire cities to her smile like that again.
Loki offered her his arm as they entered the grand but intimate dining chamber. His generals, and officers were in their formal uniforms, and bowed politely to their sovereign as he entered the room with the mysterious dark lady on his arm. Some rumors of the strange new resident had already sifted throughout the ranks. Some of the men had a look on their faces as if they were seeing an animal they had only heard about in the wild, one they thought extinct. She felt graceless. The attention of an audience wasn't new to her, true, but this wasn't an act. This was just herself, without performance or persona and it left her feeling horribly naked.
She could feel panic creeping higher and higher within her until she saw the beacon of Magnus coming towards her. He looked bright and splendid, with his thick fiery hair carefully combed and shining. His pale blue dress uniform cut a very handsome figure, emphasizing his lean height with perfect lines. The change of clothes seemed to have an effect on Magnus. He seemed less fretful and uncertain, carrying himself with a commanding poise she hadn't noticed from him before. She thought that perhaps Loki was onto something with his theory of clothing.
“Lea! Darling! You look just gorgeous,” Magnus said with the fullest, most luminescent grin. He grabbed her hands and planted a kiss on each cheek, handing her a glass of wine and toasting her with his own.
“So do you! Handsome, I mean. You look very handsome.”
“Ha. Thank you but I'd settle for gorgeous as well,” he said in his light charming way.
Loki broke in, “If you two are quite finished, I'd like to introduce Lenora to our cabinet.”
“By all means! Don't let me keep you. Sire...Lea.” he nodded to them both and stood behind his seat as they all did, awaiting Loki's address and then permission to sit. Again, Lea was placed at his left, Magnus to his right, and she wondered if he did this on purpose as some kind of formality.
“Gentlemen, I've gathered you this evening to introduce you to our wonderful new resource in military intelligence. Lady Lenora of the Morhari is a skilled linguist and has, apparently, an uncanny knack for the puzzles. Many of you will make her acquaintance, if you haven't already, as you continue to work with the division. I know our Asgardian roots have unfortunately also given us habits towards the irrationalities of bias, bigotry, and sexism within our ranks, however, you men are by my side because you are intelligent. You are certainly intelligent enough not to entertain or carry on such absurd traditional habits. Miss Lenora, we welcome you as an asset to the Laufeyson Empire”.
His pleasant speech had the undertone of a threat or command regarding their behavior, rather than an observation, but somehow this didn't detract from the grace of his words. Loki nodded to her, indicating that it was her turn to say something. Lea looked around the table to the uncertain faces of war-hardened commanders, slick politicians, haughty academics, and advisers, and steadied her nerves with a breath.
“Thank you, Your Highness. I am at your service, gentlemen.” She nodded a little frantically to Loki, pleading for him to talk again and relieve her of this. He gladly did this, clearly enjoying the sound of his own pristine voice. As soon as he finished, Magnus approached.
“To Lady Lenora of the Morhari,” said Magnus lifting his glass to initiate a toast. And Lenora, finding a courage she was unaware of, spoke a traditional Morhari toast. “ Shuni kansa...to the memory of my lost people. May I be a worthy legacy.”
The room fell to a hush as the glasses hesitantly clinked once more.
Loki broke the tension, inviting everyone to sit and begin the service of their meal. He would be angry later.
After the dinner was cleared and the company milled about the room, Lea caught the sound of one man confiding in hushed tones to another in a High Asgardian language.
“ 'I'm at your service, gentlemen'. I'm sure she is. She used to work as a whore and a dancer for Madame Beatrice, you know.”
She snapped her head to him, glaring, and said in perfect High Asgardian, “Sir, have you already forgotten my credentials? I was not a lady of pleasure, although if I were I would also deserve your respect. I would speak more kindly of my sisters if I were you, as I imagine the only woman who would endure your company would be one who is well paid to do so.”
Loki and Magnus caught everything, and smiled mischievously to each other.
“Shall I kill him?” Loki said lightly, raising an eyebrow.
“I think she already has,” replied Magnus with surprised amusement.
---
When all the other company left, the trio of Loki, Magnus, and Lea, were left to speak together  in arm chairs in front of the fire. Although they were already tipsy, Magnus brought the decanter of liquor and three tumblers over to the low table and began to pour. When he finished and sat, he raised his tumbler in a toast. “Shuni kansa, Lea. Your legacy is worthy.”
Lea smiled, clearly very touched by the gesture, and to her surprise Loki also toasted with no words of complaint. “I thought you'd be angry by now,” Lea said to Loki.
“I'm much too entertained by you today to be angry,” Loki said honestly, and exhaled a little laugh as he eased back into his chair. He went on to describe her antics in the linguistics division to Magnus' animated delight. Lea was becoming uncomfortable, even before Loki began telling Magnus the hilarious saga or her badly laced dress, so she interrupted.
“That reminds me. I want a uniform. I'm in the division. I should be wearing the same uniform.”
Loki huffed his reply. “I can't give you a uniform, Lenora.”
“Why not? Am I not doing exactly the same job?”
“You are. A better job, probably, but I can't give you a uniform because there isn't one with a skirt.”
The liquid courage had taken full effect upon Lea now. “Are you serious? You had a gown ready for me in mere hours today. Do you mean to tell me the emperor himself can't procure a simple uniform skirt? Or just give me trousers like everyone else.”
Loki sighed, “If I give you a uniform with trousers it will only detract from your goal of assimilation. These backwards Asgardian elders will be in a useless tizzy over a woman in men's clothing. Nothing will get done.”
“Remarkable. In a culture with the Valkyrie, Lady Sif, and Hela they still insist that the other women of their society adhere to such ridiculous standards. Compromise, then. Give me the appropriate uniform, and I will agree to wear it with a skirt. Is that fair enough?”
“Cognitive dissonance is a failing of Asgardians as much as anyone else. Fine! You insufferable woman. But you have to take these off.” He reached to her necklace and earrings.
“No.”
“Yes. Your only jewelry should be the badges showing your credentials.”
“These are the emblems of my credentials, and they will stay.”
“Fine! I've decided to just pick my battles with you Lenora.”
“Are you so afraid of losing to a puny non-sorcerer?”
“No. It's that I might never get anything else done and I'm a busy man.”
Magnus laughed the loudest at this exchange, although all three did a bit, loosened up by an evening of drink.
“Well, now that I've irritated you, my job is done. Good night, gentlemen,” Lea said wobbling a little on her path to the door.
Loki, drunk and tired, magically changed his armor into his pajamas. He huffed over his shoulder. “Magnus, walk her back, will you?”
“I heard that. I don't need anyone to walk me back. I'm not a dog.”
“How about if I just happen to be going in the same direction, Lea? My quarters are down that wing anyway. I need to call it a night too and get out of this damned uncomfortable suit.”
She nodded. Loki grumbled from where he was slumped on his seat, eyes already closed, long legs draped over the arm of the chair sloppily as he splayed sideways. “I swear, Magnus, she's adopting all of our bad habits. We've corrupted her terribly.”
The two laughed at that as they took their leave, and Magnus offered his arm yet again.
“That's sweet of you Magnus, but you really don't need to do those formalities.”
“And what if I just want to stumble around with a lovely lady on my arm?”
She rolled her eyes. “As long as you don't pull me down with you if you fall. I'm not a lady, Magnus, I'm a stray in a nice dress.”
Magnus stopped her a moment to look at her seriously, “Well, apparently the kitten does have claws...but, don't say that about yourself. Please. You're amazing. How can you see yourself in the mirror, like this, and not be in awe of yourself.
“I...I don't actually remember if I looked in a mirror today. I suppose I must have.”
“You absolutely should! You won't be able to take your eyes off yourself. I know when I'm in formal attire I can't pull myself away from this beautiful man in the mirror.”
She chuckled. “Now you're sounding like Loki. But you do look very gorgeous and beautiful.”
Magnus curtsied and batted his eyelashes dramatically, and they both laughed hysterically.
Walking ahead, their giggles fizzled out into a comfortable silence until they arrived at the door to her quarters.
“Thank you, good doctor. I'm here safe and sound. Will you make it to your door?”
“Ah...well unless there are suddenly pickpockets and roving gangs in the halls of the palace I think I'll be okay. It's a pretty safe neighborhood.”
She gave him a friendly shove. “Point taken. Oh...I just remembered, I can't undo these laces myself. Please help me or I'll never get out of this thing.”
“Uh...sure. Of course,” he said stepping carefully into her quarters.
She turned around for him to loosen the laces, not even considering that it could make him so warm in the cheeks or cause his heartbeat to sprint. He tried to seem relaxed as he moved her hair out of the way, so close he could smell her perfume. He fumbled a little at the complicated knot Loki had made, a little amused at how unintentionally symbolic it was. He laughed.
“What is it?”
“It's just that I'm a surgeon and I'm struggling with my motor skills undoing corset laces. I'm beginning to question my competence now.”
With his fingers against her spine he could feel her breathy laugh roll through her. He grazed the narrow line of her bare skin as the dress loosened. Her fragrance like honey and incense, made him feel more drunk, more dizzy. He longed to tug those laces all the way open and trail his lips along the tender skin of her shoulder blades, her neck, bury his face into her smooth fragrant hair, pull her close against him in a rustle of rich fabric. He found it so easy to imagine exactly the path his lips and hands would take along her body. He reluctantly came back to himself, leaving his daydream behind.
“Ah...there you go. It think it's loose enough to wiggle out of now.”
“Thank you, Magnus. I was beginning to think I might have to live in this dress,” she joked, oblivious to what ideas Magnus was suffering from, or the effect she had on him.
He simply smiled and said, “No problem. Good night Lea...and you really should look in the mirror. You ought to know how gorgeous you looked today. You look and acted every bit a lady.”
He kissed her hand and made the rest of his solitary way to his quarters in a warm and confused daze.  
@lokisgoodgirl @lokisprettygirl @gigglingtigger @goblingirlsarah (Thank you so much for wanting to come along on this journey)
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michaelmyersbignaturals · 2 years ago
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this won't go anywhere since my blog is still new and no one will probably care but i need to talk my vampire and werewolf lore somehow. it's not fully developed yet but oh my god i can't shut my mouth. i wrote this 2 years ago and my writing has improved since then but these are the basics:
Basically there are four main courts of vampires; one for each direction [north south east west], and there are small "sub-courts" within them [some affiliated with the main ones, some not]. They each have their own form of politics, but sometimes if there is a large event going on [like one of the subcourt lords going batshit insane and trying to cover the sun, so vampires can go out for longer and take over the world yk] they meet up and discuss how to deal with it, do it, and go back to their homes
There are also wars, but they almost never actually do anything territory related, but it does change a lot bc you know it's WAR. there are mostly humans though, and these subcourts are usually small, and the main courts are very far away from human civilization [like the northern one literally being in the middle of the ocean].
And some more about the vampires themselves; they were created by a rogue god, trying to wreak havoc onto the world. The vampires that were around when they were created have either been vanquished, or seclude themselves from others, and so modern vampires don't know much about this god. The main courts mostly forgot about them, but the south didn't. No one in the south did, so the subcourts here are connected to the main court, but only because they're basically a huge cult, and their lord is a cult leader who believes he himself is the creator of all vampires.
Also the lord of the western court is dumb but his decision caused them to be one of the most powerful vampires
So basically what he did was he found a desert in not sunny weather, and chose to make his court live there. A few days after settling there the regular hot, sunny weather came back, and they were super far into the desert so they're just stuck there. But! Since they're immortal, they've developed large, broad wings [either man made or evolutionary] that block out the sun! And they also developed a small resistance to it, so they can be out there for hours, since the sun now only feels like a bad sunburn to them
If they're out for too long they'll still get vanquished though. sad
the way their fangs work is that they have modified canines that act as glorified straws; they suck blood, and these fangs connect to some major arteries that only vampires have that flows through their body, which comes in handy when it comes to our next point;
the sun.
The vampires feed on humans, but in MY universe the sun chooses what to affect, so if you have human blood in your system, you won't be vanquished; so what the vampires do is feed on humans and basically trick the sun. i haven't fully developed the reason the sun doesn't get immediately suspicious, but i would say that it wants to make sure it doesn't make a mistake, so it just allows anyone with human blood to not get vanquished [and animal blood too ofc]. i might develop this more as i write a story based on this lore. i like the celestial bodies being sentient; so let's move on to the moon, and werewolves! the werewolves aren't as developed as the vampires, but i can't wait to think of some interesting ideas for them.
The moon is also a sentient being [like local 58 but equally terrifying] and that causes werewolves!
basically imagine the moon being a living creature that roamed the earth; in any form. wreaking havoc, killing all of the humans the other gods created. the gods decided to banish the moon into space, cursing it into the form of a planetary mass. in order to keep the moon subdued, hunters were assigned to quell it by hunting and giving it blood; but the moon forced them to undergo a painful transformation each time they hunted in it's in its full phase, and so the first werewolves roamed the earth. every few years, when the moon is at its full strength and getting ready to return to the earth, hunters from around the world are chosen to undergo this painful transformation. their forms vary on their strength; more strong and powerful ones were the more anthropomorphic werewolves you see in most media, and the more agile and sneaky ones were basically transformed into wolves. some are just humans with their anatomy squished and stretched, basically wolf shaped humans. others get fur, and basically transform into wolves.
this transformation takes hours. their bones stretch and break, their organs shift and change, their skull changes drastically. this is the most painful experience any human could ever have to experience. hunters start at around 4 in the afternoon, and it ends at 10 at night, where they then rise and begin the hunt. they stay in this form for the rest of the night, and then turn back the next day. the transformation afterwards can be triggered at any time, and becomes less painful the more they do it. some consider it a blessing; others consider it a curse.
because of the vampires dependency on animal and human blood to survive, there is conflict with the two. there will be more development as i write the story.
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reduxulousoctopus · 5 months ago
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Alright we got a bite.
DISCLAIMER first of all: I am pretty new to X-Men, like I said I've watched every episode of XTAS at this point, and I did have an X-Men phase when the first couple movies were coming out way back in caveman times but I haven't read any of the comics or really watched any of the other animated series (except I think the first season of Evolution?). So while I know more than the average person does about X-Men, I'm very much not an expert.
Regardless, I'm very much of the belief that an adaptation has to stand on its own. X97 is a sequel to XTAS, so XTAS should be all you need to know to understand what's going on, and XTAS should be what the story and characterization grow from. I don't want a bunch of nerds jumping in here like "well actually if you've read the comics--" just shut up and save us both the trouble.
As a more serious disclaimer, I've only watched X97 once, because I didn't enjoy it and don't rewatch things I don't like. Unfortunately, my brain is made of swiss cheese so it's entirely possible I've forgotten or misremembered things, which may have contributed to some of my negative reaction to the show. If so, that's my bad.
Okay, what to talk about first?
It's pride month! Let's talk about gay shit!
So, there was some culture war drama (when isn't there?) around X97 and, specifically, the decision to portray Morph as nonbinary. The typical right-wing chuds were horrified that X-Men had "gone woke", and everyone had a good laugh about it. Don't they know X-Men has always been woke? Don't they know that X-Men is an allegory for civil rights? Don't they know about [insert queer characters from the comics here]?
Ha ha, yeah. Good times.
Anyway, nothing in the show or in interviews I've read with the creators (with the possible exception of their voice actor, but he's so out-of-the-loop that he doesn't even know what his own character's pronouns are so I doubt he has a whole lot of influence in the writer's room) indicates that Morph is nonbinary for any reason than typical cis-brained obsession with genitals. I even saw a YouTube comment from one of those right-wing chuds I mentioned, who nailed it right on the head. [paraphrased] "Well, Morph can change into males and females, so I guess it makes sense for him to be nonbinary. But nonbinary people don't exist in real life." Like, yeah dude, that seems to be the logic here! Every time a shapeshifter is made nonbinary in media, that is always the implication. If you want to avoid that implication, you have to put the work in to develop your nonbinary shapeshifter and explore their identity and what it means to them, which they didn't so here we are. ::shrug::
So what other queer representation is there in this woke, progressive show released in the year of our lord 2024?
...Hold on, I'm sure I'll think of something.
Oh, they showed a few same-sex couples dancing during the ball in Genosha. Briefly. And didn't give them names. Or lines. Hey, what happened to most of the characters in Genosha, by the way?
Come on, there's got to be something else, right?
Well, there's Bastion, a villain who's coded as a self-hating minority and is implied to have sexually assaulted Magneto. Ew no, is that really it?
Holy shit, how could I forget, Morph confessed that they're in love with Wolverine in the season finale! A queer romance with the most popular character in the franchise! Wow, way to turn it around, y'all, I was worried there for a second but that's huge! A genuinely brave and compassionate gesture of support, at a time when trans people are being scapegoated and persecuted, to show a love story between a trans person and--haha nah I'm fucking with you, the lead writer basically sprinted to twitter as soon as the finale aired to reassure the same right-wing chuds everyone mocked for not "getting the point of X-Men" that no, no, don't worry, Wolverine isn't in love with the tranny.
Right, this show was produced by Disney, a megacorporation who contributed to the campaign finances of the very politicians responsible for that scapegoating and persecution of trans people I mentioned. Morph isn't one of the mainstay X-Men characters so it's okay to make Morph nonbinary and attracted to men for some easy diversity points and marketing buzz, but let's not get crazy, now. All the characters who actually matter are certified, corpo-mandated heterosexuals, baby.
The fact that a supposedly woke and progressive show made for adults has way less and worse queer representation than kids' media from only a few years ago is genuinely sad--as is the fact that so many queer fans are eating it up. Babes, we can do better, we don't have to settle for slop. Go play Bugsnax and maybe you'll feel better, okay?
After finally finishing X-Men TAS a little over a week ago, yesterday I wrote a review of each season and my overall opinion on the series as a whole--a review which unintentionally spiraled out into a lot of my complaints about X-Men '97, a show that only seemed to get worse the more I thought about it and the more of its predecessor I had to compare it to. However, I prefer to keep my interactions with fandom positive and most people seemed to really like X97 so I doubt anyone would want to read my bitching anyway. That review will probably just stay in my drafts, or appear in a severely edited form at some point with all the X97 references cut out.
THAT BEING SAID I'm super anxious for no reason, my sleep schedule is fucked and I'm gonna be up all night anyway, so I am declaring it The Bitching Hour (disclaimer: may last more than an hour). If anyone reading this right now IS interested in my thoughts about X97, from now until I run out of stuff to talk about (or just decide to stop) each reply to this post will get a hopefully brief rant about a different thing I hated about X97. Feel free to suggest topics.
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kio-may · 3 years ago
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Close your eyes - I
Maleficent!AU Malleus x fem!reader
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A/n: HHHH ok part 1 herr we go 😎 i have not proofread aaaaaaaa
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"After all these weeks, look who came back"
Malleus stood in front of you, his wings relaxed and his stance less standoff-ish than when you both had first met.
"I thought it worth the risk," you smiled at the boy, approaching him. "So what do you do for fun?"
He took you around the Moors, playfully held you against a small lake before dropping you in it, your laughter filling the peaceful forest as he chuckled at the water you splashed around. Both of you ran on weirdly shaped pathways, raced each other and he let you feel his wings. Your lives were different, too vastly so, but both of you went against odds and anyone who would see you both playing,if it were not for his wings,would have just shrugged off as just village kids.
From then on you would always find a way to meet him; whether at noon or midnight, you always made time to visit him. There were barely a handful of days when you couldn't meet him, and made up for those days by bringing him storybooks you were able to snatch from the merchants and your distant relatives that would visit your tight knit family. He listened intently as you made animated motions telling him of fantastical stories your people had come up with,and looked at you adoringly as you carried on your tales.
For a time the hatred between your and his kind was forgotten, the war and bloodshed, the sounds of blacksmiths slaving away and iron piercing ethereal flesh could not be sensed. And a part of him hoped he could stay with you like this, until he was ready for life to whisk you away, at least.
A day before your 16th birthday, Malleus promised you a gift. You were giddy, not for the reason that he was a fae, but rather it was because.. it was him.
You would not necessarily deny that you found some of his antics adorable, or endearing. You would also neither deny (or agree) you may have developed something special for him, different from the feeling towards anyone else.
"Malleus!" You stood near the entrance of the forest, calling out for him. The goofy smile on your face could not be hidden.
"Child of man," he emerged from the forest. His nickname for you. "You've arrived." He smiled fondly.
"Of course I did" you started walking towards him. He was much taller than you, his figure almost towered yours. You figured it was because he was a fae.
He turned and walked deeper into the forest with you beside him, listening as you talked about your day and your other friends, what they're doing and how your family is. He was the more elegant out of you both, his stance tall but formal and stable, as you kicked stray rocks around playfully, and sometimes even stumbled.
The day was like any other, it was evening this time sincr you spent a while with your other companions, and Malleus didn't mind. You told him and even showed little trinkets of what your friends had bought you, and he fondly smiled, listening to you ramble on. Eventually both of you walked along a trail and it diverged into a river bank, where both of you shared a peaceful quietness. The only sounds accompanying both of you were the crunching of wood underneath your feet and the rushing water.
The evening sun was set to sleep and the night sky was just above, when Malleus came to a stop.
"Child of man," he looked down at you, as you stopped right in front of him.
"Malleus, you can call me by my name" you smiled slyly at him.
He chuckled, "y/n," he reached out his hand and grazed the skin of your cheek. Gentle and soft.
You hummed in question. "Remember the gift I promised you?" His palm now rested on your cheek wholly. It was warm.
"Oh yes, you haven't told me what it is yet"
"Well then, close your eyes", his wings slightly twitched.
You closed your eyes and,
Malleus kissed you.
It was gentle, and his lips felt cool to the touch. It didn't last for long, but it wasn't too short either. He told you it was true love's kiss.
...
It was midnight now, both of you sat under a tree near it's roots and leaned on each other, his wing protectively caving you a bit.
He kissed your forehead and you cherished the attention. You leaned more into him until you realized it was time to go back. You slowly shifted and his wing gave room for you to move. He looked at you in confusion.
"I'd love to stay, but it's time for me to go now," you got up and slowly stretched. "Mom's gonna be mad I stayed out so late" you laughed a bit.
"Alright then." He sunk a little. Maybe he even pouted.
"I'll be back soon," you faced him now, smiling. "I'm not sure it'll be tomorrow, since mom's been giving me more painstaking tasks but," he pouted more.
You laughed, "I can try coming as soon as I can." You kissed his forehead with a bye and went off on your way.
...
"Mom? What's going on?"
Your mother stood in the doorway with a strange nobleman you hadn't seen before. With the way he was dressed you could assume he worked at the palace.
"Darling, we should sit down and discuss" your mother smiled giddily at you and beckoned you in.
---
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I don't know if i already sent this request sorry if i did
Could you write about how ruggie would react to a suicidal and starved Yuu ?
Thank you
Ruff Day
It didn't get too dark tbh as I got sidetracked and cut half of it out since I was getting off topic. Anyways beast tamer yuu and ruggie would actually get along super well imo... like hid best subject is animal speech
Yuu has No description. Gn as usual. Semi established relationship. Takes place in the same universe as cooking for Ruggie
Another day, another crumb in your shitty life since arriving at Twisted Wonderland. The only reason you haven't left at this point is because you still don't know where the hell you are, and can't get a solid answer out of anyone. As a beast tamer, you must be accustomed to an outdoorsy, adventurous, or cottage-core life. You would surely be able to survive and thrive out there in the woods.
However, you do have a roof over your head, and a big one at that. With forests surrounding the dorm and enough room for all of your monsters. Intelligent individuals, that shouldn't be considered less human. Monsters that need to be fed. Monsters that are perhaps too smart for their own good. Monsters that knew of your pitiful situation and your pitiful state of self. The kangaroo-chinchillas that swept your how with their tails would often be cuddling you for this
Hell, the tarantula wizard would spin webs of the two of you together with 'BFFs' woven within it in hopes to cheer you up. You were miserable. Your beloved caucasian shepherd Akita mix let out a few resounding barks at you, muffled from the sword in their mouth as they smack their head into you. Everyone was worried about you, yet it felt like no one was. None of your human friends to say the least… Perhaps beasts were always better than humans…
Crowley's 'pay' barely covered a few meals at Sam's even with his generous discounts and freebies he offered you. Fine then. You rode out on a flightless hippogriff-chimera creature, its wing damaged by its previous abuser, upon healing it, the thing now followed you everywhere. Trotting into the woods, you send out a small bug-winged hawk scout and feathered, peacock wyvern to survey the area for prey. A car-sized house cat gave you a parting meow as you embarked.
Behind you, some of your top beasts followed. A large plant-lion, or should you say Dandelion, a slobbering pangolin-hyena, along with a bipedal naga-like creature whose skin was so rough, it shredded anyone who touched it down to the bone. On your shoulder a land-octopus, or should you say rocktopus, gripped onto you, rubbing its rough yet smooth skin into your neck. Its spiked, flat tentacles used for digging used to rub your back as hunger pain strikes through you.
'We're gonna need more than a deer. At least two for everyone, please. The crops aren't ready and the fish aren't here yet…' you thought, hanging low on your mount who tiptoed carefully along the forest floors. One caribou— what the hell even is the magic realm that is this dorm— whatever, dinners dinner and there's no time to question it. A bow wouldn't do too much from this distance, and you aren't close enough to throw your spear.
Looking above you noticed the wyvern looking down at you, circling where your prey was. Raising your arm, the hawk landed on it. All beasts waiting to sink their teeth in. If they all attacked at once you doubt there would be much caribou left… 
You made a gesture for the wyvern to dive, the feathered beast falling through the sky at incredible speed. Its beaked mouth and talons held the creature down. The caribou struggled and went to flee when you tossed over the octopus to secure it in place, its sharp ends ensnaring the thing. From there it was easy pickings, now, the Dandelion carried it back in its mouth, the wyvern now following by foot, occasionally making snapping gestures at the new meal that was caught. 
Skin, butcher, use everything. The hide is good blankets, the antlers now new utensils, marrow harvested from bones, every bit is essential now more than ever. Yet there's nothing left. After cooking everything up all beasts gathered around the table awaiting a feast. Ravenous beasts left nothing left. You hoped that they wouldn't notice you not eating amidst their hunger. Now all were full. All aside one. That dog, where are they?
You supposed they went out to train with their sword yet again. But it is fine. It just gives you more time to be alone and rest, the stress of today kicking your ass. At some point, you didn't even notice you were in the entrance hallway misty-eyed and filled with resentment of what's become of you. Some survivalist rotting away and listening to some old crow hag… 
There was knocking at the door. There was knocking at the door? No, wait. You heard boofs along with the smacking of the wooden door. A familiar voice cited out with it. "Hey- you– Hey! Bad dog, bad doggie let me go let —"
You opened the door to see him there. Ruggie. The other one here who was just like you, a survivor. One who also foraged alongside you for food. A close companion. "Release." You commanded, making the dog drop Ruggie. "Yowch…"
Ruggie rubbed his head for a few seconds before looking up at you from the floor. Your face was a mess and tear-stained. Ruggies glare softened slightly at that. The questions and teasing he had at the tip of his tongue dying out. "So what gives? Your dog here kept yapping about how sad you were and dragged me here… Do you want to talk about it?"
You paused for a moment. So this was your dog's angle, huh? "Yes… yes, that would be nice."
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destinywillowleaf · 2 years ago
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hey @greentrickster i made a basically full (rough) spriteset for this AU. literally the only things missing are his 6-5 breakdown and a version of Apollo's disheartened sprite(cause he looks more frazzled than disheartened or discouraged at the end of his surprise set(s)) and it would be done.
also featuring "Nahyuta is vaguely like a fallen angel" in color because it turns out the implications his scarf had were "another Japanese cultural shorthand that conveys Nahyuta’s holiness and suggests that he is like a god" and "not unlike a character with a pair of angel wings in the West" so that's. fun. (both links lead to the same page btw) not sure how godly Apollo get to be as a result. probably not that much tbh sorry bro.
anyway, sprites! in order, top to bottom, left to right, left page!
normal/neutral, thinking (and transition into talking and thinking, the side profile is a reference for how his hand's positioned), desk slam into determined (his left hand comes up and is a fist on the desk), objection point, confident (two versions).
right page!
shock 1, shock 2 and its progression, shock 1 resolution (because i forgot it before), nod, shake head, embarrassed.
fun facts/information about the choices made in the sprites under the cut~
Nahyuta keeps his arm around his back because he's mimicking Kristoph when he was standing as co-counsel (and also because that's just what he does in canon :P but here it's more of a mimic). He can take off a coat easily but mimic poses are harder to break.
his thinking animation has a fist to his mouth because i do that sometimes and this is my AU and he should have a unique pose. originally was considering keeping his arm behind his back and still might do that instead?? it works either way really
desk slam is mostly based on his canon slam, but without the beads. It's just a forearm and fist into the bench together, with his arm sort of parallel to the front of the bench instead of perpendicular (mostly to differentiate himself a bit from Asogi)
the determination pose changes the angle of the arm and adds his other hand to the bench. it's supposed to be able to slide into his breakdown (with a change in face, of course) with the vague plans i have for it now
also the main reason he gestures with his right is cause i thought it'd be fun since prosecutors use right arms/hands and defense attorneys use their left arms/hands. so what if Nahyuta just. didn't get with the program.
idk what i want his confident post to be but crossed arms is always an option. could be unique, could get in another mimic. (also if you can't read it the additional text is just saying the weird colors are a bleed-through from the colortest Apollos on the previous page)
why shock 1 and shock 2: you know how Apollo as of soj (and maybe dd) has two version of his shock animation where one has his mouth crack open like the og sprite. it's sorta like that. shock 2 is for more intense surprise which is why the papers float, Nahyuta pauses to see the floating pages (eyes dart from one side to the other), and then slaps them down to try and regain composure. also because green suggested it near the start of this whole AU and i love it. that was so much fun to draw.
i also have no idea what i actually want his embarrassed sprite to look like. awkward smile is probably gonna stick around though. it's funny.
important note, cosmic turnabout would be the same animations but the bits of hair in front are braided into the rest. he's not letting his emotions show as much. there might be an additional damage animation where he just flinches and grabs his prayer beads for this section.
when he's got Clay's jacket, it's sort of worn like Dhurke's because i like parallels and no one can stop me. maybe his arm is also actually broken but i haven't decided yet. what matters is that he refuses to use his right arm because he can feel a burning sensation from the Defiant Dragons tattoo due to his failure to his friend and he's just having a rough time of it all. also there's a non-zero chance his hair would be down more if he can't use his right arm 👀
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fuchstastisch · 2 years ago
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WIP Challenge Part 3:
I had to re-read this story idea myself first to be able to summarize it. xD Also the word document with the name of the WIP was mostly blank so I needed to transcripe it from my notebook first too, so it took some time. ><
This idea is rather a quick one I had and there are still quite a few logic gaps, but see for yourself:
"Don't touch it! For God's sake, didn't you read the sign?!" Leonardo stormed toward the visitor who, despite all the warnings, had stuck his hand through the gate. Startled, the latter flinched and retreated.
"I just wanted-"
"I can see what you wanted, but that's expressly forbidden, and for good reason."
"Oh come on, they're just rabbits. What's going to happen?"
"Haven't you heard the horror stories?"
"I don't believe in that humbug. You know, I do think there's been some exaggeration. Bet the government is behind it? To prevent us from having our own ideas! But what am I talking about, you surely know that long ago. After all, you deal with these things."
Leonardo's expression darkened at the man's words. "Come with me. I want to show you something."
The visitor looked at him in disbelief. " Excuse me?"
Leonardo made a snide hand gesture to the side. "Just come." He signaled him once more to step into the old barn. The man complied with this request - or command, he wasn't so sure - only out of sheer curiosity. The floorboards creaked under every step and the visitor looked up skeptically at the beams that were supposed to support the roof, but looked more like they were actually held up by the roof. Thus, he was all the more willing to match Leonardo's brisk pace in order to get out of here as quickly as possible.
"I usually only show this to my best customers."
The merchant, a bit young for his profession (yet he was without question among the best in his field) fixed the visitor with a particularly meaningful look.
"Well, then I hope it's worth it" the latter grumbled in the most bored tone he could manage. In his eyes, however, the sparkling expectation betrayed him.
A slightly triumphant smile appeared on Leonardo's face, then he swung open the wings of a large gate at the back of his barn. Behind it a huge meadow appeared and in this meadow, held back by a fence five meters high, through whose crossbars one could see, was a rabbit of enormous proportions. At least the shape of a rabbit, the plotbunnies were none in the actual sense. They were ideas, bundled in an appearance, which their creator had thought up. And this corresponded now times mostly to that of one of these rodents. Not only because it kept them mostly harmless, but also because it suited them best. After all, they reproduced so quickly and unexpectedly, as only their namesakes could otherwise.
The specimen that now stood before the visitor, however, really only had this resemblance to the small animals in common. Half-torn words and sentences raged in its dark eyes, spinning in whirls, briefly forming a black dot in the middle, and then flowing back into the rest of the body to form paragraphs and complete chapters. Here and there, a word pushed outward and twitched beyond the edge that defined the creature's shape, making it look as if it had ruffled fur.
"Wh-what is that?" the visitor stuttered almost fearfully.
"It's almost a complete story," Leo replied proudly. "A horror story with only the finest and best plot twists."
"And who's going to be able to hold a beast like that?"
"That's why writing is such a dangerous business."
"And ...," the visitor hardly dared to ask. He swallowed hard. "Have you ever been sucked in by one of those things? In other words, is it really possible?"
"Quite a few times. It's a pretty regretful loss every time."
"Loss?" the visitor repeated, startled.
"Yes quite a pity for the good story." The visitor exhaled in relief. "No human loss, if that's what you meant," Leo added. "But it costs me a pretty penny every time, and it's not exactly pleasant, either, even if you hardly remember it."
"You don't?"
"Just blurry images."
"I see." The visitor fell awkwardly silent because of his previous statements. However, after a while, which he found sufficient, he opened his mouth again. "Well, but surely it's not dangerous to just touch a little Plotbunny, is it?"
"Not directly, but you, as a layman, are very likely to change the story, and if you're unlucky, you'll multiply it."
The visitor turned pale. "But only such a brief touch. Not long-"
Leonardo's eyes narrowed. "Don't tell me you've-" he growled.
"Well..." Before the visitor could finish his sentence, Leonardo had already stormed outside. The bewildered man was left alone until he decided to follow him.
Pushing aside the gate of the barn, he caught sight of a Leonardo kneeling on the grass. In his hands was a Plotbunny.
"Is something-?" the visitor cautiously put in. Leonardo slowly turned his head around to face him. At his look, the visitor's blood froze in his veins.
"Do you have any idea what you've done to it?" he hissed. The visitor shook his head slowly and fearfully. "This story is ruined!" continued Leo, upset. "I had already sold it and now it's gone! I'm not only losing money, I'm losing the trust of my customers!"
"I'm sorry."
" That is not going to help me any more."
"There must be some way to fix this..." The visitor approached Leo cautiously, wanting to see the Plotbunny for himself.
"Nothing can be fixed. Here you can keep the Hoppler. I don't need it anymore!" Leo pressed the Plotbunny into the hands of the befuddled and completely overwhelmed visitor. " Have a good day."
<<<>>>
This story takes the word plot-bunny literally. In this world, writing is not just writing, but putting your life on the line. If you think up a story, it takes the form of a plot-bunny, and these are known to multiply very quickly. So it happens easily that you are overrun by them or a particularly large Plot-bunny sucks you up, whereby you yourself become a part of the story and live in it. The only chance to get out of this plot is to destroy it. However, depending on Grene, you should be careful of the main character of the imagined story, so that you don't die yourself ...
But despite these dangers, there are still people who write because there is a lot of money to be made. But when a plot-bunny runs amok, Leonardo comes into play. He owns the Plotbunny-Farm where he takes in such plot-bunnies (if he didn't have to destroy them to save the author) and raises or crosses them and then sells them.
I think the plot was suppossed to start with “the visitor” and he had to work for Leonardo to make up for the messed up Plotbunny. They would then proceed to be sucked up in many storys and need to find their way out of it.
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bookwyrminspiration · 2 years ago
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Omg wait I've heard of road runners. I love them. They really do run
My reasoning for Maui having Kea wings is because he's a cheeky little shit, like a Kea. Like these birds take every chance they can get to be a menca to society, from just squawking obnoxiously loudly to eating the window seals off of cars. They are deceptively beautiful. Like Maui. But yeah the rainbow has got something to do with it, and that's bexause they're very pretty wings. It's mostly because of the green, though, and Maui is very aesthetically pleasing in green. And it's his favourite colour.
Keas also take things from people to get a reaction, they're very intelligent birds (Some of the most intelligent, in fact, and often more intellegent than mammals)
Keas have also benefitted from human changes to their habitats, and will scavenge meat off of dead deer killed by people, among other things. They also nest on the ground, even though they can fly (One of the few native birds that can!) and are very adaptable
-Heathen
They do! They really do run! I've lived in New Mexico for over a decade and it was only a few months ago when I saw a roadrunner's full wing span in person like. Their wings are just there for fun they're actually just running all around and in the roads like little idiots who are gonna get themselves hit by cars. Those roadrunners sure do love running in the road.
Also I didn't need to read anything beyond "cheeky little shit" to know everything I needed to know about the comparison you've made between the two. That is Maui right there. He is a menace and I have full confidence that Maui, even if he wasn't a bird, would eat the window seal off cars. Delicious midday snack regardless of your species.
Green!! That does seem to be The Maui Color, so I can see why that would fit him as well. I am looking at pictures of these pretty birds and you're very right, they are deceptively beautiful. Like those are a quality stunning set of feathers right there! Which of course means its right up Maui's alley. He loves pretty things and being pretty
Oo smart birds? I am even more intrigued animals are so cool. This also might explain the article I found but haven't yet read about keas excelling at statistics. I'm so proud of them and their object trajectory <33. Very interesting that they've benefiting from human changes in that way. I have at least one if not two cousins who enjoy hunting, which isn't really related but it's what you reminded me of. I know at least one of them has/used to go hunting, but I'm unsure about the other one. I don't really know anything that goes on with my extended family.
Shout out to keas for being adaptable and Maui-like, truly a noteworthy accomplishment. Also I'm sure their nests are more advanced than just burying themselves in dirt but for some reason rn I'm imagining Maui just diving headfirst into the ground and wiggling around like a worm to make a hole in the ground that is his nest. So I hope he enjoys that dirt.
This is all excellent information and I did not know anything about keas until now so thank you for informing me!
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cartooniack1994 · 2 years ago
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I’m a bit late for the party, but I bought the first season of The Owl House on Google Play last week. I started it three days ago, and just finished it tonight. Needless to say, it was amazing! I got hooked after the very first episode! I can see the influences from Avatar: the Last Airbender, Little Witch Academia (which I still haven’t seen yet) and, of course, that one popular franchise I wish not to bring up anymore because the author is now a TERF. I noticed that this show was made by the some of the same people who made another Disney animated show, Gravity Falls (which I also haven't seen).
This is going to be a long post, so I’ll add a break here.
This show has got adventure, humor, and fantasy, which are all things that I like seeing in cartoons. However, by the two-part season finale, the show took a bit of a serious tone when Emperor Belos entered into the picture and the Day of Unity arc began.
I also love the characters. Luz is a cool character, because she feels like a fish out of water in the her world because of her compulsive obsession on fantasy. When she entered the Boiling Isles, she wanted to become a witch, just like Azura, the witch from her favorite book, as a way to become somebody, even though Eda didn't want Luz to attend Hexside (which was where her friends Willow and Gus attend) until the episode "Something Ventured, Someone Framed". My most favorite character is King, because despite his cool name, he's a cute (and funny) creature.
I also love the LGBTQ+ representation in this show in not only the minor characters like Willow's dads (and by extent, I love the fact that Willow was raised by same-sex parents), but also in the major characters, Luz and Amity. I may have said this before, but I feel that LGBTQ+ representation in media, especially youth media, is very important, just like how it was with shows like The Legend of Korra (which I have seen), Adventure Time, Steven Universe, and She-Ra and the Princess of Power (those of which I have not seen), to name a few. I feel that children souldn’t left in the dark about that sort of thing, because love shouldn’t have to be defined by gender, but rather by dynamics and chemistry.
The more I watch the show, the more character development I see. For instance, Eda didn't want Luz to attend Hexside, not only because she doesn't believe in being tied to one coven, but also because she did so many bad things that her permanent record would fill up a whole volume, not to mention that she tried to mix magic tracks (that was, until Principal Bump decided to reverse his decision, against Belos' will). Also, it was revealed that the reason why Eda has had the curse was because her sister Lilith gave it to her, but Lilith reversed the curse with a cost: Eda and Lilith couldn't cast spells the way the did, so they had to do them the way Luz does them, by using glyths.
The character who got the most character development was Amity. When the show started, she had this snobbish, Mean Girls-type, trying-to-stay-on-top attitude, hanging around with people like Boscha and Skara, but it was revealed that she used to be friends with Willow in “Hooty’s Moving Hassle.” In “Understanding Willow,” it was discovered that she was forced to hang out with them by her parents, because they were the children of friends of the family. So, her parents subsequently forced her to destory her friendship with Willow. Afterwards, she and Willow replanted the seeds of friendship after she undid the damage she unintentionally did. In "Wing It Like Witches," Amity stood up to Boscha, proving that her friendship with Willow is rebuilding (and possibly because she has got a crush Luz).
While on the subject of Lumity, I am now an official shipper of this ship. True, Luz and Amity didn't really get along with each other due to Amity's Mean Girls-type attitude towards her and her friends, but as the series progressed, Amity warmed up to Luz to the point where she later developed a crush on her, despite Luz being oblivious to it at first. I started shipping them after “Adventures in The Elements,” and declared it my OTP after “Enchanting Grom Fright” where Luz and Amity danced to defeat the Grom demon.
I am looking forward to what the second season has in store, but I’m waiting for it to be finished before I can watch it, which won't be much longer.
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alison-anonymous · 4 years ago
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I Want to Write a Mikayuu Series
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Okay.
So um.
If you're reading this, HELLO. All of you long time ONS fans probably don't know me, but I'm Alison and I'm a hardcore Mikayuu, Mitsunoa, Gureshin, etc shipper. I've been in the ONS fandom for almost a year and dear god. The amount of people telling me that Mikayuu is queerbait is just making me really sad 😅 I'm a writer, and I'm the type of person who honestly feels like the author of a series should have the ability to choose how a story ends without influence of their readers. I mean, if it's their story, then it should be their ending, right? However, I also do have some qualms when it comes to how this "love triangle" between Yu, Mika, and Shinoa is being portrayed. This is entirely my personal opinion, but I feel like Shinoa seems to be forcing herself to love Yu. I honestly don't think she cares for him in a romantic way, but more of a very deep-rooted admiration or even envy that she's trying to convince herself to be romantic love. And Yu has said multiple times that he values Mika's life above his own, that he doesn't know what he would do without him if he were to die again (I mean the fact that he suffered seeing his best friend and potential lover die a first time was definitely scarring enough, PLEASE STOP TORTURING OUR POOR BABIES). And it's basically confirmed by now that when Mika said I love you in the manga, it was in the romantic sense. Even though I wish, I hope, I dream, and I pray that Mikayuu will become canon, I honestly can't say for certain what I think will happen. I think it could sway any way, with Mikayuu becoming canon, Yu and Shinoa becoming canon, or it being one of those ambiguous endings where it's heavily implied but nothing actually happens. And in order to make myself feel better when stuff like this happens, I tend to rewrite the entire story with the ending that I would have liked to see ;)
You're probably wondering where the hell this stranger is going with this. Well, I want to write a book. A series, actually.
One that's inspired by Seraph of the End.
Now, if you're interested in hearing me out, then feel free to keep reading. But if not, continue on with your scrolling, no hard feelings. But if you do, and I really hope that you do, give me a chance to explain.
I want to write a series inspired by Seraph of the End called Bloodsucker (working title, obviously). And this series is going to be a reimagination of ONS with an ending that I would have loved to see in the anime and manga. I plan to have three main characters (please keep in mind that I'm going to have name changes): Yuichiro, Mikaela, and a brand new character, Epic.
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Now, I would begin this series a bit before the anime and I'm assuming the manga begins. I'd start with introducing our main three characters as they meet in the orphanage (yes, Epic would be a part of this orphanage as well) and how Epic and Yu try to make moves to run away only to be stopped by Mika and Akane.
I plan to include a scene between Epic and Akane where Epic tries to run out in the middle of the night only to be stopped by Akane, and this is what caused Epic to develop a crush on her (Epic is a girl btw). Then I would begin the whole shit with the vampires and how they set the world on fire and shit, but instead of the apocolypse, I'd make it so that most of the adults died in the fire while the kids were taken alive (because young blood is better and whatnot). This includes our little Hyakuya family. The directors would have tried to trade the kids lives for their own, and due to their selfishness, the vamps killed them and took the kids anyway.
This would begin my first story arc: the prewar.
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Epic, Akane, Mika, and Yu would all be living under the vampires at this point along with the rest of the kids in their orphanage. I plan to include lots of moments of bonding that heavily imply Epic loves Akane even though she doesn't know it yet and Mika loves Yu, but Yu is fucking oblivious. The four begin to plot their escape, but while Mika and Akane (yes Akane too) are making deals with the vampires to help out with their family, Epic is constantly finding herself getting dragged along to visit Queen Krul. The pink haired vamp has a soft spot for her for some reason and often tells her that Epic and her family are "special" or sum shit. And she's super confused and semi grossed out. But none of the vamps ever dare to hurt her so she thinks it's fine. Then one day they all plot their escape and it's much more planned out and lengthy and less rushed than it is in the anime. Things almost seem to work out until the vampires stop them
And Mika and Akane DIE.
I know. I'm horrid.
Epic is standing here in shock as she watches the love of her life die before her and Mika BEGS for Yu to take Epic and run while they can. So while in the series only Yu survives, he obeys Mika and both him and Epic survive this. They're found by Guren (a new character I haven't come up with yet lol) and Yu is super protective over Epic, not wanting anyone to take the only piece of his family he has left (he's a fucking mess without Mika let's just be honest) and Guren ends up taking them under his wing.
Now we hit the second arc. Still with me?
The War.
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Hold onto your hats everyone because this is where shit is about to get complicated. So I do plan to have a bit of a time skip into the current spot where Yu and Epic are attending school with Guren as their father figure and they've become very close. So close that Yu refuses to work with anyone else but her. They end up getting onto Shinoa Squad (obviously going to be completely different in my version) and they get put onto the battlefield. But here's the catch. Well, two catches.
Yu and Epic do have demon weapons. I do plan to try to incorporate that into this. BUT the backstory is different. I plan to make it so that the vampires obviously see the humans as fies. Insignificant things that are more playthings than threats. And they didn't want to have to deal with killing all of them, so they sent demons in their place to handle it. But the humans were able to form deals or "contracts" with the demons and therefore turned the vampires' own secret weapon against them.
Now, catch no. 2
So, Epic, Mika, and Yu aren't seraphs in this. But they are something else. I'm going to try to explain this as simply as I can, but each of them (besides Mika since he doesn't have a demon) have 3 souls inside their body:
Soul 1 is their current soul, the one that identifies as Mika or Epic or Yu.
Soul 2 is their demon soul, like what Asuramaru is to Yu.
And soul 3 is their archangel soul (I might change that name later on).
So I'm just going to come right out and say it. In this series, Epic is the villain.
Yes.
You read that right.
Epic is the villain. But she doesn't know that she is. These Soul 3s were reincarnated into the current bodies of Mika, Epic, and Ari (and I know that's not exactly how it works but screw logic this is just a fucking concept) from their lives centuries ago.
These souls existed way before vampires existed and Epic (or Essie) was very close friends with Yu (or Aytigin). Aytigin was in love with Haru (Mika) but for one reason or another, they couldn't be together. Essie wanted to do something, willing to do anything to make the two of them happy. So she made a deal that brought the vampires into creation so that Haru and Aytigin could be happy. She was willing to sacrifice everything that they stood for so that the two of them could be in love together.
She had good intentions, but of course Haru and Aytigin were furious because now the vampires were turning against the humans and they all basically died. Until they were reborn respectively, but unknowingly.
Now picking back up in the present, Yu and Epic are fighting in one of the main battles and the two are very confused when the vampires make a very deliberate attempt not to hurt Epic. They're unsure as to why, but Guren tells them not to worry about it.
Suspicious bastard.
Anyway, it's revealed finally that MIKA IS ALIVE
BUT HE'S ALSO DEAD
Yes he is a vampire. And Yu falls in love all over again upon seeing him, and after a bunch of struggling, Epic gets kidnapped. At first she gets strangled by Lacus and then she gets kidnapped by Ferid who doesn't kill her surprisingly.
Oh and uh... Ferid is nice in this. He's still a fucking creep, but he's a lot nicer than he is in the series. I plan to make Queen Krul or whoever I turn her into be the villain.
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Anyway, they take Epic back to the vampire palace or whatever and Queen Krul and Epic are reunited! And Krul is the one who reveals to Epic exactly who she, Mika, and Yu are and this is what sparks Epic's fall to insanity.
I mean, she's the killer. She's the one who brought them into this world. She's responsible for every death the vampires cause.
I would go crazy too.
So, she manages to escape (partially thanks to Mika) and the two join Yu and the others again and it's revealed a second time exactly what is going on. And while no one actually blames Epic on the Shinoa Squad, that doesn't stop people like Kureto and even herself from blaming.
And this causes her demon to go haywire.
She begins losing her marbles, almost killing her teammates and trying to kill herself, all while the three begin to experience dreams or visions of their Soul 3s.
While all this shit is going on, there's heavy romance between Mika and Yu because these two lovers just got reunited and FUCK did they have glow ups but yes -
Oh. And there is another spark for Epic, even though she doesn't think she's worthy of love.
Okay. I'm just gonna say it.
Lacus falls in love with Epic. Yes. You read that correctly too.
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I plan to make the two of them get trapped together at some point and they have to work together to escape. It's during this time that Epic realizes he's not all that bad and has some form of self control and he realizes that she's the most interesting thing he's ever met in this disgusting and boring life and damn do her eyes look pretty-
But yes. She forms a permanent alliance with him that he jokes about as marriage and they meet on other occassions too, but lol yes.
Anyway, blah blah blah, more fall to insanity, the Soul 3s take over their bodies on multiple occasions and there's a lot of bonding and fighting and Epic and Mika somehow manage to get some of the vampires on the human side.
And in the end, Epic and Yu basically sacifice themselves to save the human race and kill Queen Krul. It's a very rough ending I haven't quite perfected yet, but Yu has a moment like he did with the King of Salt. But though he inflicted a lot of damage, it's not enough. So while the team is worried about him, Epic takes this opportunity to fix her and Essie's mistakes.
She allows both Essie and her demon to take control of her body and dies on the battlefield. Queen Krul is eliminated. Most of the vampires are gone. The humans won.
Horray.
Epic is dead.
Kinda. Yu and Mika take her back home and this is the preview to the last arc where everyone's in the hospital and Epic's in a coma. Mika and Yu barely ever leave her side and it's only when Lacus of all people comes to visit that she fucking wakes up.
Okay. Are you still with me? Now come with me to the final arc.
The Post-War.
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No my friend. It doesn't end there. Because Mika and Lacus are still vamps and life still sucks and I drank too much coffee this morning.
No it's not over yet.
So flash forward a couple years and Kureto and Crew are working as the heads of this city. Stuff is being rebuilt, people are settling down in homes, Lacus and some of the other "good" vampires find jobs, and Mika, Yu, and Epic get a house together (in case I didn't mention before, Epic is pansexual. She loved Akane dearly and I plan to include scenes where she sees her in her mind and dreams like Mikayuu so she's never truly gone, but she falls for Lacus too when he's not being a sadistic asshole). Things are going strangely when
BAM. Epic and Yu come up with a cure for vampirism.
How, you may ask? I don't fucking know, I haven't read about it in the manga yet but before we come up with an idea for it, imma say they came up with it through a spell. They share their findings with Guren and soon all vampires are being cured, most notably Mika, Lacus, and even Rene.
BUT and there's always a but, Kureto passes a new law claiming all vampires to be property. That any vampire or previous vampire or even vampire supporter/owner that tries to disobey these new laws is to be killed immediately. Now Epic and Yu are in jeopardy because their ex-vampires are in danger (Epic and Lacus have been hanging out a lot more and he's proven himself to be a decent guy. Contrary to popular belief, I headcanon him as not really knowing what to do when he actually cares about someone since he's been a heartless vamp for so long. So when he turns to Mika and begrudgingly asks him for LOVE ADVICE of all fucking things, Mika is ready to die). So basically, Mika and Lacus end up getting locked up along with the other ex-vamps (including Ferid which was a pain in the ass) and did I forget to mention that there's a proposal?
Oh yeah, Yu proposes to Mika and the blond still has yet to give him an actual answer because poor baby is still having a hard time accepting that Yu can love a "monster" like him.
But anyways, now Epic and Yu are furious and SHINOA SQUAD IS BACK IN BUSINESS. With the help of Guren and Shinya and everyone, they form a sort of rebellion and blah blah blah they manage to get Mika and Lacus and everyone out and blah blah blah they all get separated and Lacus begins to get INSANELY protective of Epic and ends up confessing his feelings to her before he nearly dies and blah blah blah did I forget to mention that I'm making Mitsunnoa and Kimizuki x Yoichi canon and blah blah blah.
Epic kisses Lacus as an instinct. Lacus kisses her again. Mika accepts Yu's proposal then almost dies AGAIN. I kill off some characters for emotional tugs and after a ton of more fighting and revenge and psychological breakings later, Kureto is killed. And Guren (or someone else haven't decided yet) is the new head of their city.
Epic, Mika, and Yu finally let Akane and the kids go. There's a lot of Shinoa Squad bonding but this is a summary so I haven't included much besides the main three. Epic and Lacus becomes canon. Mika and Yu get married. Guren and Shinya get married. Shinoa gets pregnant.
And everyone gets the FUCKING HAPPY ENDING THAT THEY ALL FUCKING DESERVE BECAUSE FUCK
I do plan to be slightly ruthless like the creator and include a lot of heartbreaking scenes, but it's going to be much different than ONS but I still want it to hold on to some core relationships.
I just want them to be happy. And I just want to make other people happy because fuck I JUST WANT TO BE HAPPY
So. Yeah.
That's Bloodsucker...
So my question to you is... if I wrote this shit.
If I sat down and typed about 30 books roughly inspired by Seraph of the End and Mikayuu and Mitsunnoa and shit...
Would anyone read it?
♡ a.a.
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angelswithcigarettes · 4 years ago
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“To find a way to cope”
Summary: Morgan finds Spencer's notebooks filled with partly disturbing drawings and poems and learns once again how much of what Spencer feels he doesn't know how to express and how much happened in his childhood he never talks about.
AU: [This is an AU in which Morgan and Reid share a house (as friends). The parts can be read independently.]
Warnings: Past Sexual Abuse
Relevant Tags: Autistic Spencer Reid, Suicidal Thoughts
Word Count: 4626
First Chapter:
Notes: Since this series is the follow up serious to another one of mine "Green" (I will link it in the endnote) there can be some confusion if you haven't read it. But here is a short summary of it so you don't have to read it all and can still 'enjoy' this:
In the story "Green" Spencer gets together with Lola who abuses him following up this abuse he stays with Morgan who helps him recover as much as that is possible. Spencer doesn't want to go back to his apartment so Morgan decides that it is time for a change, they move in together in one of the houses Morgan renovated ones.
They each have their own privacy, their own floors including bathrooms and bedrooms and each of them has their own office but its not a secret to anyone that they also don't have much privacy because at some part after living together for so many years the embarrassment or shame for many things just faded.
However when Morgan picks up a box of books in the basement while looking for his old baseball equipment he feels bad when he looks inside of them.
They are notebooks, written in with black ink and he can tell that it's Spencer handwriting. There is a date on the corner, the note book is hardly a month old. He puts it away and grabs one from further down, revealing another date from eight years ago and he opens up a random page and starts reading.
"And if you look at me
Look at me for another moment
See me
If you really see me
Can you look at me the same again."
It's seems to be an attempt of poetry and Morgan opens another page finding a scetch of a person. Also in blank ink. Their hands scratching at their eyes, looking like they are screaming.
He reads another poem.
"Can you hear me screaming?
Did you hear me screaming for you? You hands burning my skin,you hands burning my innocence.
Can you hear me screaming?
In the latest night, can you hear me screaming?
Did you hear him burning my skin, his hands burning my innocence."
Morgan can feel an unsettling feeling spread through his body, these are too old to be from the time with Lola, judging by the date he must have been in his early twenties.
He looks into another notebook finding a lot of sketches and a few of them look similar to people Morgan had seen before, he figures they are unsubs and then he opens another scatch and it looks like a women, warning a gun holster and having a glass in her hand, her hair shoulder long and judging by the date this is Elle.
Morgan picks up another one, it is dated for approximately a year ago. The drawing shows their house but the windows are barricaded with wood and nails, only a light shining out of Morgan's room and a kitten is sitting in front of their doorstep, skinny and looking up to the doorbell handing in front of the door that is also barricaded.
The next one is a drawing from their kitchen and it shows Morgan, at least he thinks so, sitting at the table with his hand on his head the other around a coffee cup and on the kitchen counter are files stacked and the kitchen table is filled with overflowing cups.
There is a third, showing their bathroom and there is a liquid on the floor,again every drawing is held black ink but he guesses its blood and a handprint on the mirror and in front of the puddle and then there is a hand sticking out from behind the curtain from which the liquid drops down.
The fourth is what makes Morgan want take the notebook with him, it's a man standing in the door and by the tattoos he can make out that it is supposed to be him but he is wearing a mask and he is holding Spencer's stuff animal in his hand while wearing only Jean's and boots no shirt. Morgan can make out that this is supposed to be Spencer's room.
The worst he finds in that notebook is one of a women, sitting on a chair, her head leaned back and her arms sliced open, blood dripping down on the floor and by the necklace, the gun at her hip and the long slightly curly hair Morgan dares to assume that this is supposed to be JJ.
He puts the notebook aside and pulls out one from the time when he started at the BAU and the first drawing is of a little boy with glasses standing in the bullpen that is crowded with files. The second is a room filled with bees at the wall and an empty chair in the middle.
Morgan knew Spencer can draw he didn't know how well he does.
There are a few sketches of Morgan and Gideon and a lot of JJ. And many butterflies and with the ripped out pages in between he guessed that he draw them for her.
He quickly puts everything away when he hears Spencer walking down the stairs but goes back down to grab the one with the poem about the 'burning hands' the one with the sketch from Elle and the one with the drawings from the house and the women on the chair and for weeks he hides them in his office and eventually started profiling a few of them but quickly stopped that, feeling uncomfortable.
"What are you drawing?" He asks stepping into Spencer's office and the man shuts the notebook again.
"I don't draw."
"You don't?"
"No, I haven't in years."
"You haven't?"
"No, I am horrible at that." Morgan steps closer and it fits what he had found downstairs. The little pencil case open, only black pens inside and a pencil with a rubber. "What did you want?"
"Nothing just wanted to check in on you." Looking over he sees another stack of papers, and in a box next to his desk watercolours. "Its getting pretty stuffed in here."
"I like it. And I would like for you to leave now."
"I will." Apologetic Morgan takes his hands up and leaves the room.
There is a high chance that Spencer knows himself that his drawings are concerning and that that is the reason he is so defensive over people knowing he draws.
He keeps his findings a secret for a few more days until he gets to concerned and tries again talking to him about it but the moment he takes the word drawings in his mouth Spencer denies having drawn in the last years and accuses him of having sniffed around his office for things he draw as a teenager.
So he takes the notebooks and in a quiet moment walks up to Hotch's office who is similar concerned by them. For him the worst is one of Spencer himself, someone pressing a hand over his mouth and him into a pillow next to a poem about the lyrical I suffocating.
"There are more that hint at sexual abuse."
"He has a history we know that."
"Some are older than what happened with Lola."
"Did you try talking to him about these?"
"He claims he hasn't drawn in years." Hotch looks further through it finding more and more thinks he finds concerning.
"There are quite a lot of you."
"That's why I am here. I was hoping he maybe would rather talk to you about it. I can't explain why the drawings are portraying me like that." Hotch looks down on the page of a drawing of Morgan laying on the couch, the TV running but he is sleeping. On the table a ashtray with smoke coming from it on the floor next to the couch, multiple books that block his way and lianas hanging from the ceiling one close to curling itself completely around his neck.
"You have a theory?"
"My first guess was that something in the house made him feel captured, or even me but I am not sure."
"I would actually say that it's the opposite. That he feels like he captures you."
"Me?"
"This doesn't look like he is the one captured." He points at another painting showing Morgan standing in the kitchen, one half of his body having spiders all over it his other side being completely normal beside the fingers that in the end turn into bees and more bees flying away from it. "Are you okay?"
"You see this drawings and you ask if I am okay?"
"Besides that these drawing are definitely not something that leave you unaffected there are a few that a showing you in a vulnerable state he probably saw this before drawing it in his own interpretation."
"I am fine, I don't know why he draws me like that."
"Alright I will talk to him about it." Morgan initially wanted to go to JJ with this but she really doesn't need to see the drawings of herself being death by suicide. There is the one on the chair but also one hanging out of a tree with wings on her back.
For Hotch the most disturbing once are the two from a child, being beaten and in the other drawing having wings sitting on top of a clip, stars around them.
Morgan brings him the other notebooks too and in the earlier once its clear that he draws what he sees on cases and around himself. The poems not so much.
But the younger the note books the more it concerns his friends and random children.
Hotch doesn't find many of himself, but there is a notebook around the time Emily died that breaks his heart and when she came back the drawings change to something with more anger and eventually one that shows Spencer and him sitting in his office, Spencer looking at Hotch, Hotch doing the same but behind Hotch stands Emily or JJ he can't tell having a hand on his shoulder and covering his mouth while Spencer has a ghost behind him, covering his eyes.
He thinks long about if he wants to talk to him about the notebooks because Spencer seems to use this to cope and that is a good thing no matter how violent they look but on the other hand it seems like something is really bothering him so after weeks of debating he hands Morgan the box back saying that it feels wrong for him to interfere and Morgan first gets angry but then agrees that it is better if he first talks to him and then can offers Spencer to talk to Hotch if he rather wants that.
So eventually Morgan breaks the ice at a dinner picking up the box and placing it on the table. "You know what this is?"
"A box"
"You know what's in it?" He asks and Spencer nods with worry in his eyes. "I found it in the basement while cleaning it out."
"Did you-" Nervous he bites on the inside of his lip.
"I did"
"They are mine" He tells him, the fear clearly audible in his voice.
"I know, I am just a little bit worried about you, there is some pretty dark stuff in there."
"You weren't supposed to see."
"But I did and I just want to make sure that everything is alright."
"Yes they are just drawings."
"They are not just drawings."
"And poems."
"Not what I mean kid" Morgan grabs the notebook on top and sits down in front of him opening the page with the drawing of their house. "Is this our house?"
"Yes"
"Can you tell me why you draw this?" Spencer shrugs ones, tears in his eyes. "These are yours and I am not judging you or am mad I just think that some of these, because this notebook was finished a few weeks ago, need talking about. And I am just trying to help you."
"I don't know why I draw this."
"What about the cat? Is that Garfield?" Garfield is an old cat they adapted years ago and died.
"Yes"
"You still miss him?"
"Sometimes I wish he comes home again but then nothing is open here anymore."
"Garfield is dead and even if he wasn't dead when we got the call he would be by now." Morgan tells him in a gentle voice. "So this is about Garfield not coming back in,not you feeling captured in here?"
A nod.
"See that's why I think talking about this is good because I completely miss interpreted this."
"Did you see all of them?"
"Yes"
"All of them?"
"Yeah, I looked through them." He nods and then a tears rolls down his face. "Come on we go over to the couch for this, we cuddle up with your stuff lion and we talk about these, you can lean against me no need to look me in the eyes or for me to see your face." Morgan over the years found out that that is what makes him feel the most comfortable while talking. Either on car rides when Morgan can't tear his eyes from the road or while walking somewhere or placed so that Morgan isn't looking into his face.
Spencer ignores the offer to get his stuff animal from upstairs but he takes the thick blanket while Morgan pulls out the cautions from underneath making the couch bigger and then leans against him and Morgan opens the next page.
It's the drawing from Morgan in the kitchen, the files everywhere and the cups on the table. "What's with the Cubs?"
"I don't remember."
"Mr I have an eidetic memory that's very hard to believe."
"Sometimes everything gets dirty in our kitchen."
"And that bothers you?"
"I try cleaning it but it seems like it doesn't get better even when everything is properly stored."
"And the files?"
"It always happens when we have many cases after another and then it isn't fun coming home anymore."
"Because its dirty?"
"Because it's all tight" He tries to explain how the house feels to him. "We can't move in here."
"Is that the same thing you wanted to express with this?" Morgan asks opening the page of him laying on the couch with the lianas from the ceiling.
"Yes and- and that I- that I take your energy away."
"Okay one point after the other, what is it with the house being to tight? We have a lot of space and a lot of garden and everything, what makes it tight?"
"I don't know sometimes it just is." He tells him moving his head back on Morgan's arm shutting his eyes for a moment and then breathing in deeply.
"We don't have to do this all now if its to much for you" He tells him worried about how this affects Reid. "You just explain it the best way you think I will see about the rest."
"You won't get me."
"I do, it's tight in here sometimes, like you can't move."
"Yes"
"And cleaning doesn't help"
"Yes"
"See not that bad"
"It makes me feel bad." He continues and then hits his thigh ones. "Like I need to run."
"Like you need to run?"
"Yes. Like I have to move. Like my legs haven't moved enough."
"Because it's to tight in here?"
"Yes."
"What about you taking my energy away? What do you mean by that?" Spencer turns his head away not looking at the page but then eventually speaks.
"I am really not an easy friend."
"For me you are."
"No I am not."
"You are not taking my energy away."
"You could do a lot more thinks if it wasn't for me." Spencer justifies his statement.
"Like what?" But he just shakes his head still facing away from him and Morgan tries encouraging him to talk to Hotch but Spencer denies the offer so Morgan moves his hand down around his waist and pulls him closer again. "C'mon you did so good with the first drawings and we won't have to talk about this one any more we can just move on to another.”
Rest on Ao3 (I can’t post more words in here I’m sorry):
23 notes · View notes