#the movie is Glory to the Filmmaker! by Takeshi Kitano

[world-of-lang]

i think i finally found a movie i saw for a while when i was like 12 and have been unable to identify since. i've been trying to google different descriptions every couple of years and always failed. until finally i just opened a japanese movie list on letterboxd, filtered them by decade and started opening movies that felt like they could be the one i was looking for. i can't wait to watch it in the next 6 years

[apicturespeaks]

Glory to the Filmmaker!, Takeshi Kitano

[ozu-teapot]

Films Watched in February 2022

Liberté | Albert Serra | 2019

Hoffman | Alvin Rakoff | 1970

Alison's Birthday | Ian Coughlan | 1981

Night and Day | Hong Sang-soo | 2008

Wetlands | David Wnendt | 2013

Hahaha | Hong Sang-soo | 2010

Girl Stroke Boy | Bob Kellett | 1971

The Day a Pig Fell Into the Well | Hong Sang-soo | 1996

The Brute | Gerry O'Hara | 1977

The Power of Kangwon Province | Hong Sang-soo | 1998

Visitors | Naomi Kawase / Hong Sang-soo / Lav Diaz | 2009

Oki's Movie | Hong Sang-soo | 2010

France | Bruno Dumont | 2021

Virgin Stripped Bare by Her Bachelors | Hong Sang-soo | 2000

On the Occasion of Remembering the Turning Gate | Hong Sang-soo | 2002

Krabi, 2562 | Ben Rivers / Anocha Suwichakornpong | 2019

In Another Country | Hong Sang-soo | 2012

Petite Maman | Céline Sciamma | 2021

Woman on the Beach | Hong Sang-soo | 2006

Bergman Island | Mia Hansen-Løve | 2021

Like You Know It All | Hong Sang-soo | 2009

The Day He Arrives | Hong Sang-soo | 2011

Nobody's Daughter Haewon | Hong Sang-soo | 2013

Our Sunhi | Hong Sang-soo | 2013

Quiet Days in Clichy | Jens Jørgen Thorsen | 1970

Jours tranquilles à Clichy | Claude Chabrol | 1990

Hill of Freedom | Hong Sang-soo | 2014

Sleeping Beauty | Julia Leigh | 2011

Right Now, Wrong Then | Hong Sang-soo | 2015

La fiancée du pirate (AKA A Very Curious Girl) | Nelly Kaplan | 1969

On the Beach at Night Alone | Hong Sang-soo | 2017

Yourself and Yours | Hong Sang-soo | 2016

The Day After | Hong Sang-soo | 2017

List (Short) | Hong Sang-soo | 2011

Emotion (Short) | Nobuhiko Ôbayashi | 1966

Kantoku · Banzai! (AKA Glory to the Filmmaker!) | Takeshi Kitano | 2007

Introduction | Hong Sang-soo | 2021

Bold = Top Ten

Some notes: So this month I watched a lot of Hong Sang-soo! It wasn't planned I just kinda got into it. I see a lot of Rohmer in his films who is another big fave of mine (I've said Rohmer's films are "walky talky", Hong's are "drinky talky"), and once I was in the Hong groove it was easy to keep up the momentum. As John Cooper Clarke once said of his poems "They're all the same tune these aren't they? No problem for yer!" Another factor is that I was off sick from work for most of the month (nothing too serious, a bad leg) so was able to watch a couple of films each day.

Another couple of stand out films were Bruno Dumont’s France and Céline Sciamma’s Petite Maman, and I finally got to see a film I’ve been looking forward to for a long time Mia Hansen-Løve’s Bergman Island (I had to watch it twice as the first time I found my mind slightly straying into “Bergman stuff” and my theory that the film is based on Greta Gerwig - originally lined up to star - and Noah Baumbach’s trip to Fårö which she spoke about here).

[watchilove]

La Biennale di Venezia and Jaeger-LeCoultre are pleased to announce that the great Greek director Costa-Gavras (Z, Missing, Music Box) is the recipient of the Jaeger-LeCoultre Glory to the Filmmaker 2019 award of the 76th Venice International Film Festival (28 August – 7 September 2019), dedicated to a personality who has made a particularly original contribution to innovation in contemporary cinema.

The award ceremony for Costa-Gavras will take place on Saturday August 31st 2019 in the Sala Grande (Palazzo del Cinema) at 10 pm, before the world premiere screening Out of Competition of the new film he wrote and directed, Adults in the Room (France, Greece, 124′) with Christos Loulis, Alexandros Bourdoumis, Ulrich Tukur.

ADULTS IN THE ROOM – Director Costa-Gavras

With regards to this acknowledgment, the Director of the Venice Film Festival Alberto Barberahas stated: “There are many reasons why Costa-Gavras deserves to be counted among today’s great directors, but there is one reason in particular. He is able to turn politics into a fascinating topic, a subject like any other, not just for the initiated and already convinced few, but as well for the greater public, using every means at cinema’s disposal in order to touch the greatest number of spectators possible. This director, reserved yet determined, has always held that all movies are political. This not only enables him to dodge the label of political director, which has always been attached to him – often in a polemical and reductive manner – but also to claim a peaceful and sincerely democratic faith in a type of mainstream cinema that makes the viewer reflect and question, and also sparks deep emotions. Thanks to the intrinsic, authentic indignation of his movies, to the deep humanism that characterizes them, and to the freedom they demand, Costa-Gavras calls into question our weaknesses and our submissiveness. It has been said that, “if we have fallen asleep, his cinema wakes us up. And if we have lost hope, his films restore it to us.”

ADULTS IN THE ROOM – Official still (© KG PRODUCTIONS)

Synopsis

Behind closed doors, a human tragedy plays out. A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them. A tragedy in the Ancient Greek sense: the characters are not good or evil, but driven by the consequences of their own conception of what it is right to do. A tragedy for our very modern time. Adults in the Room is based on the book Adults in the Room: My Battle with Europe’s Deep Establishment, by Yanis Varoufakis.

Jaeger-LeCoultre sponsors the 76th Venice International Film Festival

Jaeger-LeCoultre is a sponsor of the Venice International Film Festival for the fifteenth year in a row, and of the Glory to the Filmmaker prize for the twelfth year in a row. The prize has been awarded in past years to Takeshi Kitano (2007), Abbas Kiarostami (2008), Agnès Varda (2008), Sylvester Stallone (2009), Mani Ratnam (2010), Al Pacino (2011), Spike Lee (2012), Ettore Scola (2013), James Franco (2014), Brian De Palma (2015), Amir Naderi (2016), Stephen Frears (2017) and Zhang Yimou (2018).

Jaeger-LeCoultre Glory to the Filmmaker engraved Reverso

In keeping with the inventive spirit of its founding, Jaeger-LeCoultre has been driven by a quest for excellence. Sharing many values with filmmaking, its Manufacture based in the “Vallee de Joux”, in Switzerland, has made watchmaking an art form, balancing technical and artistic skills.

Jaeger-LeCoultre to be main sponsor of the 76th Venice International Film Festival of la Biennale di Venezia

The 76th Venice International Film Festival will be held on the Lido from August 28th to September 7th, 2019, directed by Alberto Barbera and organized by La Biennale chaired by Paolo Baratta.

Biography

Costa-Gavras was born in 1933 in Loutra-Iraias (Greece). At 22 years old he left Greece as an economic migrant to study in Paris. He enrolled at the Sorbonne University before being admitted to the National Institute of Film (IDHEC). After graduating he worked as Assistant Director alongside eminent French directors René Clair, René Clement, Henri Verneuil, Jacques Demy, Marcel Ophüls, Jean Giono and Jean Becker. In 1965 he directed his first feature film, Compartiment tueurs. His subsequent films were huge successes: Z won two Oscars in 1969, two awards at the Cannes Film Festival and dozens more awards. Through his political films, Costa-Gavras has tackled burning issues of the era and has continued his work between France and the United States, directing 20 films, including Un homme de trop, Section Spéciale, Missing (Palme d’Or and Best Actor for Jack Lemmon in 1982), Hanna K, Betrayed, L’Aveu, État de siège, Clair de femme, Conseil de famille, La petite apocalypse, Mad City, Music Box, Amen, Le Couperet, Eden à l’Ouest, Le capital.

Costa-Gavras is married to Michèle Ray since 1968. They have three children: Alexandre, Julie and Romain. Alexandre is a producer, Julie and Romain are film directors. In 2018 he published his autobiography Va où il est impossible d’aller. Since 2007, he has been President of the Cinémathèque Française.

ADULTS IN THE ROOM – Director Costa-Gavras

ADULTS IN THE ROOM – Official still (© KG PRODUCTIONS)

Jaeger-LeCoultre sponsors the 76th Venice International Film Festival

Jaeger-LeCoultre Glory to the Filmmaker engraved Reverso

Jaeger-LeCoultre to be main sponsor of the 76th Venice International Film Festival of la Biennale di Venezia

Greek director Costa-Gavras awarded the Jaeger-LeCoultre Glory to the Filmmaker 2019 prize La Biennale di Venezia and Jaeger-LeCoultre are pleased to announce that the great Greek director Costa-Gavras…