#the most main character main character to ever main character

[lightningfury13]

There are those books with alternating POVs that like halfway through I just really hated some of those POVs and just...refused to engage with them anymore. There was still a good story there. I was just gonna view it from the POVs that I enjoyed. Was I gonna miss some plot, some foreshadowing, some nuance or what not happening on the other side? Probably mostly the POV I was the most exhausted of was the main character so almost definitely but gods I just didn't want to read their POV anymore. This spy fellow in the palace weaving his plots while seeming a indolent lush was much more interesting than listening to the main character whine about the being awesome at everything...

Towards the end of the Wheel of Time I took this approach and realized it wouldn't work when the entire book was filled with literally nothing but people I didn't like and wondered how much I'd really miss if I skipped it. Just skipped the whole book. Seriously Perrin isn't even in one of the books. What's that about? Only to stop reading entirely anyway after what they didn't do for Mat. Yes I'm still mad. Ever now and then I think about picking it back up to finish it and get mad all over again.

sometimes a video game with a bad story has a good secret story that you can unlock if you pretend the bad parts aren’t there and make up a bunch of stuff

[daosies]

the only one

Sylus has a soft spot for you.

sylus ♡ gn!reader

warnings: reader is the protagonist but gender neutral, pre-established relationship, crude & violent descriptions, not proofread

notes: muehehe

You are the only one in the world who can treat Sylus like this. 

“[Name],” he calls for the nth time. “[Name].” 

Sylus observes the furrow of your brow, the wobbly line of your lips. He notices the way your entire expression scrunches up, the way you visibly gasp when your gaze drifts over the most audacious line of the book you’re reading. 

It’s endearing, really. The way your feelings dance across your face, oblivious to the crimson irises that do the same. Sylus notices all these things about you; he also notices how you don’t notice him, how your attention is fixated wholly on your book, how his adoring looks are bested by an inanimate object and how his terribly-obvious advances are shut down because of printed words on a paper.

Sylus hates losing. He hates being ignored. In fact, Sylus has never been ignored in his life—his sheer presence commands attention, his gaze alone being enough to silence a crowd. When it comes to you, however, his gaze is not enough.

Again, you are the only one in the world who can treat Sylus like this.

“[Name].” Sylus has had enough of losing. He reaches for the book and steals it from your hands. 

“Sylus?” you reply, as if he hadn’t been there the entire time. “Since when did you arrive?” 

Oh, he thinks. So, to you, he really hadn’t been there the entire time. 

“Ten minutes ago,” he states coolly. 

“Huh? Why didn’t you call me? Or tell me?”

“I did.”

“Really? Oh, sorry! That book was really getting crazy, I mean, like, the main character was—”

Sylus decides not to mention the part where he gave up. He had tried to get your attention, but somewhere along the way, he opted to sit in your presence instead, perceiving despite not being perceived. 

In the silence, Sylus’s gaze trailed over your features, from the bridge of your nose to the curl of your lips. His red eyes tied knots around your expression, burning the image into his retinas, weaving the strings towards himself, from the base of your pinky to his. Sylus hates being ignored. He hates losing and he hates the idea of not being acknowledged. 

When it comes to you, however, it’s different. 

Everything is different. 

“And then—oh, sorry. Am I boring you with the details?” you suddenly say, becoming bashful. Your pupils avert from his. Sylus is desperate to force them back on him, his brows furrowing ever-so slightly. 

Quicker than he can think, he replies, “Not at all.” 

You look at him. The tension laced into his expression eases. 

“I almost forgot to ask,” you say, switching topics abruptly, “why are you here, Sylus?” 

He chuckles at your bluntness. You are the only one in the world who can talk like that to him.

“I just wanted to see someone.” 

Your eyes widen. Sylus relishes in the sight, unblinking, desperate and wild and oh, utterly miserable. To rely only on sight is a terrible fate, but again, you are the only one in the world who Sylus cannot catch. Your image slips in between his mind, falling through the intangibility of memory and vision. You cannot be contained—your unabashed and radiant spirit, your breathtaking and limitless beauty. You torture him! With thoughts of your existence, with thoughts of your real and incomparable being! 

You—you exist! 

(Sometimes, Sylus can’t believe it. And then he looks at you, and then himself, and he realizes that you are damn near divine. You are damn near intangible, an entity he worships, a concept he follows and offers himself towards. If you were to tell him to dismember himself now, Sylus thinks he would. If you were to ask him for his eyes, he’d tell you to hand him a knife. If you were to ask him for his heart, he’d tell you to take all four chambers.)

“You… you wanted to see me?”

Sylus smirks a little. “Did I say that?” 

Your face erupts with embarrassment. “Hey! You… you!” 

“Me,” he affirms.

(Look at you.)

Mirth flickers across the carmine expanse of his irises, the scarlet of his lips and the crimson within his veins. His pupils catch your for a moment before you look away, covering your expression with the palm of your hand. Sylus is used to people avoiding his gaze, to shying away from his presence out of sheer terror. He prefers it that way, really. It makes his job easier. 

(Look at him.)

When it comes to you, however, it’s different. Sylus doesn’t want you avert your eyes from his—he wants to peer into your soul, to pick apart the temple with his own bloodied hands, to witness for himself the grandness of your presence, the impossibility of your existence. 

(How could he ever believe you exist? When he is terrible and haunted, while you—oh, you—are utterly divine?)

Sylus wants you to perceive him. He wants you to pick him apart, too. To dismember him! To peel apart his skin and come to realize that everything, everything within himself—from the branches of his veins to the curl of his ribs—have only ever flowed back to his heart. 

And you own that heart of his. That wretched, twisted little thing. You own it. And everything else that comes with it. 

“You’re so…!”

“So?” Sylus encourages you to continue, tilting his head slightly. A smirk twists at his lips. He’s enjoying this far too much. 

“Whatever!” You try to snatch the book back from his hands, your movements agile and befitting a hunter. Unfortunately for you, Sylus is used to playing things dirty, so he snaps the novel away with his Evol and calls it a day. 

“Let’s go,” he says, standing up. “You like the arcade, right?” 

You glare at him without saying a word.

You are the only one in the world who would ever make Sylus wait. Still, he obliges.

“You’re insufferable,” you mutter.

He hums. “And?” 

“Disrespectful.” 

Sylus’s cool expression remains unfazed. “I’ve never heard that one before.”

You snort. “Who would ever call you that?” 

Only you, he thinks. For some reason, the thought doesn’t irritate him. 

After all, you are the only one in the world who can treat Sylus like this. 

(As a matter of fact, to Sylus, you are the only one in the world.) 

[endless-ineffabilities]

be young, be dope, be proud

dynasty heir Aemond x heiress reader

a/n: randomly and carelessly drafted after a night out, so don't even ask me what this is. title obvi from Lana. also, I feel like the setting here is an acquired taste. so, enjoy? 💁🏼‍♀️🤍

themes/warnings: spoiled rich assholes, New York/modern references, language, clichés galore, Targs are like the Kennedys if that whole family was pure evil and Rep, SMUT, angst between brats who clearly want each other, also—you're kind of a hypocrite

main masterlist

The estate reeks with old money: marble columns, ancestral portraits, and a long dining table loaded with crystal and silver. Chandeliers try to warm the place, but it's all cold opulence. Outside, the gardens are cut and tamed to show that even nature has a price.

Your father always brings the family along to stately dinners up there in Westchester, with the usual crowd in attendance—the Targaryens, the Velaryons, the Lannisters—the whole lot.

Between them, they could probably purchase every building in Manhattan without creating a single dent in the bank.

Hell, maybe they already have. Generational wealth truly is the gift that keeps on giving.

You've tried to distance yourself from it. From people whose words drip poisoned honey and condescension. Being waited on like new order royalty.

But who are you to talk, when your father's lineage traces back to the fucking Mayflower? You and them are one and the same—filthy rich and borderline insane.

It is nearly impossible to maintain a steady sense of self, to have ample room for personal growth, when everything, every single thing, is handed to you on a silver platter. There is no tension there, no struggle, no need to exert any effort.

Failed your courses? Your father donates a building to the university. Aemond gets several DUIs? His great-uncle is a Supreme Court Justice. Aegon nearly burns his friend's house down while throwing a bacchanal-themed party? Let's just say that friend is grounded. For a week. Oh, the horror. Their family had many other estates, in many other places anyway.

When there are no real repercussions to your actions, you will feel like you can do just about whatever you want.

Burn the world down, for all you care. You can just buy a new, better one.

Granted, not everyone in your circle is an entitled egotist. There's Helaena, who strangely enough, does not possess a single self-important bone in her body, unlike her aforementioned brothers. Jace, who spends most of his time getting involved in political activism, for the side that his magnate grandfather Viserys steadfastly opposes.

You'd always sit beside either of them in these dinners, for the sake of your sanity. Unfortunately, Aemond and Aegon are never far. Especially Aemond—who occassionally stares you down as he sits across the table. Aegon, seated to his left, whistles at you. "Hey. Hey so... are you still slumming it with the art crowd?"

"I'm sorry?" You narrow your eyes at him. He didn't even say hello or mind if I cut in? as Jace was telling you about attending the DNC rally.

Aemond watches you again, so closely it raises goosebumps along your arms. He's been stealing glances at you ever since you arrived with your family. And you've been openly shooting glares at him when you sense it. Him and that steely one-eyed gaze of his always gets under your skin.

Aegon sneers, and you think how it's so in character of him. "You still live in Brooklyn? Cosplaying as a normie?"

"Fuck off, Aegon."

You've been living in Brooklyn for the past year, trying to finish up your Masters from Barnard. You would never hear the end of how this is the most redundant and useless thing, especially from people like Aegon. It does seem contrived, daddy's little heiress playing at being a scholar at Columbia, but at least you are doing something.

Besides, you have no desire to take over your family's empire. If anything, you want to branch out, maybe take on Jace's proposal on starting a charity foundation together.

"Aegon! Do you know how messed up that sounds?" Jace comes to your rescue, but you know it'll be for nought. Aegon's brain is too warped, too silver-spoonfed, to recognise his folly. You used to feel sympathy for the guy—this life is all he's ever known, and it isn't as if the adults around him ever set a good example, so can you blame him?

Used to. Now, he just annoys you. You grew up the same, but you are not like him, aren't you? So did Hel and Jace. So did Aemond. And Aemond, while still an asshole, is at least someone you can tolerate. He's vicious when it comes to his ambition, but he's genuinely smart.

He's cold and aloof, but he is also capable of tenderness.

You would never readily admit to anyone how you know this about him.

And he's staring you down, once again. You immediately know it's him when you feel someone nudge your shin under the table.

You eye him warily. What do you want?

He raises his eyebrows. Nothing. Just missed you.

At least that's what you're picking up from him. Why wouldn't he miss you? You're probably the best thing in his life right now. He should be so grateful you're still giving him the time of day, especially after everything he's done.

Aemond nods ever so subtly, the gesture meant for only you. You already know what he's getting at, but you don't feel like caving just yet.

It's another long moment of tuning in and out of your conversation with Jace, but Aemond's unspoken question lingers. When you deign to look at him again, he tilts his head to the side. Let's go.

He knows to leave first, and he stands and excuses himself from the table. Barely anyone gives him any mind, the adults debating passionately at the farther end.

You wait one whole minute, your heels tapping impatiently under the table. Then you follow suit.

"I need some air. Might have a smoke or something," you mumble to Jace. He wouldn't want to tag along, the scrunch of his face revealing how much he loathes the habit.

"Just the one," he tuts, raising a finger.

You roll your eyes fondly. "Okay, dad."

Aemond has just lit a cigarette when he hears you come in. The door to the private library lets out a tiny creak then shuts without a sound. He faces the window, his back to you. But he knows it's you. He can almost hear the derision in your exhale. A hint of your unmistakeable Guerlain scent is present in the room.

When you draw closer, he sees the ghost of your reflection on the glass, a mirage perched atop his shoulder. He thinks of the age-old visual of having an angel and a devil on either side. You would be the angel, and the devil... would probably be his own self.

The side he fights to keep buried. He knows you see it, and hate it, but you want him anyway. You let him have you anyway. And these stolen moments with you are the only times when he is truly free.

Without a word, he offers a cigarette to you, his hand moving with a smooth, practiced form that makes it feel like he's not just offering you a smoke but issuing a silent challenge. He lifts his lighter, an intricate, expensive thing engraved with his family crest, flicking it open with a soft metallic click, then holding the flame steady as you lean in.

He can't help but admire how beautiful you are as the glow illuminates your face.

"Do you ever get bored?" you sneer, folding your arms as you lean against a shelf. "Sitting there all night with that smug, 'yes, I agree with all of this' look while your family drones on about the 'sanctity of tradition.' Like a good little heir."

Aemond raises an eyebrow, barely looking up from his cigarette as he takes a drag. You sure have a habit of getting right down to business. "Funny," he replies smoothly. "For someone who 'hates' tradition, you play the part of Daddy's obedient little princess pretty well. I saw you batting your eyes at every gray-haired councilman at that table."

"Oh, please." You roll your eyes, heat flaring in your cheeks, though whether from anger or the way his gaze always seems to pin you in place, despite your best efforts, you can't say. "I'm not doing it because I like it. I don't sit there pretending I'm better than the rest of the world."

"You don't?" He cocks his head, his lips quirking into a wry, infuriating smirk. "Could've fooled me, princess. All I ever hear from you in these dinners are 'Oh, absolutely' and 'Oh, that's so interesting'—like you'd just die if they didn't think you cared."

"Wow, okay, says the guy who spent twenty minutes nodding along while they debated the tax breaks for HNWIs. Planning to cut yourself some more slack there, hotshot?" You take a quick, sharp puff, the smoke billowing out of your lips as you continue your tirade. "You're a damn statue, Aemond. Most of the time, you don't even say a word, and yet somehow you sit there looking like everyone should be grateful you graced them with your presence."

He takes a step closer, and his voice drops. This is something only you can do—you get to him, you hit him where it matters. Or, you're the only one he allows the privilege of doing so. "And you hate it, don't you? You hate that I don't care what they think. That I'm not actually here to impress anyone."

Your laugh comes out bitter. "Please. You don't care because you're so convinced they already think you're perfect. You don't have to impress anyone because you're Aemond Targaryen, right? The perfect heir to a glowing legacy."

"Better that than playing the poor, tortured rebel." He's so close you can count the facets of the sapphire in his socket, a dangerous gleam flashing behind them—another outlandish, excessive thing only a billionaire's son would think to do. "At least I'm not pretending I want to burn it all down while running around in the same circles as everyone else. Tell me, do you actually care about the policies Jacaerys painstakingly explains to you? Or is it all just for show?"

"You don't know me, Aemond."

"Oh, but I do. In fact, I think I'm the only one who knows the real you."

You clench your jaw, craning your neck up to look at him. How ironic that he literally has to look down on you too. "Unlike you, I actually feel something about all this. You sit there like you're above it all, and it's pathetic."

"Pathetic?" He lets out a low, humorless laugh. "You want to talk about pathetic? The only thing pathetic is you standing there acting like a revolutionary when you're just like the rest of us."

"At least I want to get out. At least I want to make a goddamn difference and—"

"Then do it," he says, his tone mocking, as he leans in closer, his breath warm against your face. "Get out. Run off, make your big escape. Show everyone how different and special you are, princess."

"Oh, right," you shoot back, trying to regain some of your moxie after his unexpected retort. "And leave you to taint my image after then?"

He scoffs, the gesture dismissive, almost cruel. "You wouldn't be here if you actually had the guts to go through with it."

Aemond may be a pretentious asshole, but he's right, and you know it. "You know what, Aemond? What if... I tell you that I like it. The power, the status, all of it. Is that what you want to hear?"

He smirks. "You'd be adrift without it. You'd be lost without all this to complain about." His gaze drops to your mouth, as if he could already guess exactly how a rendezvous like this is going to end.

How it always ends.

You feel your breath hitch, your pulse racing even as you grit your teeth against the draw of him.

"Don't look at me like that," you snap, trying to keep the upper hand. You should leave. You know this, know you should storm out and leave him here with that damn arrogant smirk on his face.

Call it a truce, and do it all over again next time.

"What's wrong? Afraid you'll do something you'll regret?"

The challenge in his tone has you seething, heat blazing up your neck. "You're insufferable, you know that?” You try to sound as furious as you feel, but your voice wavers, and the corner of his mouth tilts in a dark, smug smile.

"Then leave, princess." His eyes flash, daring you, mocking you, yet he doesn't move back. "Go on. Show me that strength you keep talking about."

The words are meant to push you away, to test how much you can take, but they do something else instead. They push you over the edge, sending you surging forward before you even know what you're doing, fisting the front of his pristine shirt and yanking him down to you.

Your mouth meets his, all anger and fire, biting at his lips as he smirks against you, welcoming the aggression. His hands find your waist, pawing at your gown, pushing you back until you stumble against the bookshelf.

You try to hold onto the anger, to use it to keep yourself in control, but the way he kisses you—rough, possessive, familiar, with a hunger that seems to match yours—makes it impossible. His hands slip to your hips, fingers digging into you with a desire that you both pretend doesn't exist anywhere but here, in the dark corners of your little meeting places.

"Stop," you gasp for breath, pulling away for just a second, trying to steady yourself, but he follows, his mouth trailing down your jaw to your neck, biting down just enough to make you groan.

His fingers slip beneath the slit of your dress, finding bare skin. "Then tell me you don't want this."

Your head tilts back involuntarily, the blissed hitches in your breath becoming frequent. You should tell him to stop, but the words never come, not with his fingers tracing up your thigh, the pressure of his lean body against yours, the electric shiver that races through you as his mouth tongue dances with your own.

You give in, letting your anger melt into something messier, something that's been building between you both for so long you don't know how to unravel it. Your hands move to his white-blonde hair, pulling him closer. His hand slips higher, while the other is braced against the bookshelf behind you.

There's nothing careful about it—gone are the dynasty heirs who are unfailingly curated and perfect and genteel in the public eye. It's all frantic, hands grabbing, mouths clashing, neither of you willing to let the other take control but both of you giving in to the heat. He yanks your dress up, lifting you and positioning himself between your legs, his breathing rough as he makes quick work of his belt. Then he lets his trousers and underwear drop halfway down his thighs, and his cock springs free, pressing on the draped material of your gown, which you hurriedly bunch to the side.

It's like a sick power play when he takes two fingers and plunges them past your soaked entrance, right to his knuckles. All without breaking eye contact.

But neither has the upper hand. You and Aemond are one and the same.

"Seems like you're ready for me, princess."

"Mhmm, aghh—" He hooks his fingers inside you, hitting that damned spot. "Just fuck me already."

And when he does, his cock practically propping you up against the bookshelf, it's fast, chaotic, your movements nothing short of needy and desperate, as if you're both trying to prove something to the other. You don't care about the priceless first-edition books that rattle precariously behind you, nor about the way his fingers dig into your flesh that guarantee bruises that will show tomorrow. Right now, you're past caring, past pretending that you actually ever cared about anyone but yourself.

And maybe... Aemond.

His groans come out unrestrained against your neck, his tongue flicking over the droplets of sweat, as if he can't bear you being any less than perfect.

Only he can taint you, only he can see you broken in and fucked out like this, your lipstick smeared to the side of your mouth. That same shade of rouge littering his cheek, his jaw, the collar of his shirt.

No words are exchanged, as if they've been used up in your twisted version of foreplay from earlier.

All he offers is, "Fuck, baby, I'm close," as his hips continue in its assault, his hands buried in the softness of your arse, keeping you in place.

"So am I," you counter.

He falls apart inside you, his cock sputtering while lodged deep in your clenched walls. The near-animalistic growl he lets out brings you to your climax, your forehead falling against his as your entire body is rendered limp in his arms.

When you finally pull away, flushed, your heart still racing, he looks at you with that same arrogant smirk, and you can't help but feel the distaste rising back up.

"Still think I don't know you?" he murmurs, smug satisfaction written all over his face.

You glare at him, pulling your dress back down, refusing to let him have the last word even as his expression uncharacteristically softens as he gazes at you, making you want to pull him close and kiss him again. Gentler, this time.

"This can't happen again," you force out your usual lie.

"That's what you said last time, princess."

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[senseandaccountability]

the narrative that could have been

Having mulled over the game for a couple of days I have realised that the main problem for me is that Veilguard is good based on the premises they ultimately choose, but not based on the set up and promise of what was there before. I know this isn’t a unique take by any means and yes it’s all about the Evanuris and the Veil and Solas. 

Replaying really emphasises how incredibly little the game convinces me of its original main quest - to prevent Solas from doing his ritual. This is a problem as a long-term player because for three games we’ve had build up for a great crescendo tackling the overarching themes of the (restrictions and oppression of) magic, of tears in the Veil, of religious tyranny and oppression based on myths about the Black City and the temptations of flawed humans, we’ve seen and deconstructed the elves quite a bit, we got started on the dwarves and in DAI your Inquisitor can openly ask Solas if it wouldn’t be better if the Veil came down because then spirits wouldn’t be separated from the living and risk becoming demons. Cole, whose function is to reflect the plot, talks endlessly about the old songs wanting to be sung again, about how it hurts to be cut off from part of yourself, how the templars feel it, how the mages feel it, how the elves and the dwarves feel it. The Veil as a prerequisite for life has been deconstructed, the Fade demystified, the gods have mostly fallen. The Veil as an actual wound inflicted on this earth has been presented as a theory and not been convincingly rejected by the narrative. 

The game actually gives no explanation whatsoever as to why the Veil coming down would be worse than what Rook causes in the beginning and what the escaped gods then do to the entire Thedas. The entire south falls to the Blight because Elgar’nan and Ghilan'nain are let loose. The Wardens are more or less wiped out. There’s enormous political turmoil. The game gives us Solas saying ���thousands” would die when he brought the Veil down, but that he had a host of spirits there to help. (Yes, I know, his sole function in this game is to Trick and Deceive so who is to say if he’s lying, HUH, but even so, THE ENTIRE SOUTH FALLS TO THE BLIGHT IN ROOK’S VERSION OF THINGS.)

The game puts emphasis on Solas's questionable methods and past horrors but it doesn't ever explain why his goals are despicable here and now. It doesn't convince us that tearing down the Veil with lots of safety measures in place and after considerations is a bad result, all things considered - save for Varric’s initial yelling about demons. (We even learned in DAI that the Veil itself creates demons because it restricts the passage of spirits, come on.) Because three games have suggested it's not, not ultimately. Trespasser especially nuances this, just as it nuances Solas’s view of this current world state. Right after his long nap he would have nuked it all, I’m sure, but the whole point of character arcs is that things happen in them and what happened to him is that he was shown layers and angles he had not considered and adjusted his mindset and ultimately his plan accordingly. That is where DAV should have picked it up. That's where the build up was headed. But, now he must serve the narrative solely as the God of Treachery and Lies which means that previous build up is washed away for the most part. (In no way do I think he is OOC in DAV, I just want to point that out so nobody thinks I’m a sappy fangirl or whatever. I think he is perfectly in tune with his inner Dread Wolf, but that is also all he gets to be, because of the narrative, and I’m always much more interested in when roles and personas clash.) Again. The main problem is that the narrative cannot explain why bringing down the Veil would be the worse option than the shit we see unfold on screen. Instead it gets a bit lost in the past.  And I have Issues with that, as well.  Like, the dumbing down of the war against the Evanuris. The war that started because the leaders of the rebellion - who previously had to carry out terrible orders so the Evanuris, the upper crust of the Elvhenan, could play gods - decided that the Evanuris was a threat to them all. And the game gives us what, a depiction of how the rebellion ended up crossing lines, too? No shit.

Like, I am fully on board with the individual theme of regret on Solas’s part and he ought to be wrecked with guilt but I wish the game could be less all over the place with what sort of things he ought to be wrecked with guilt over. Saying fuck you to the Evanuris is the best and brightest of his character, I suppose I just don't want it dragged down to the same level as him breaking the Titans. I suppose I would have wished for a narrative that also worked on a systemic level when depicting things like, you know, war and revolutions and subjugation. But we don't have that, because DAV is only about personal choices. The Lighthouse crew flippantly writing the hierarchical and violent power struggle off as being about love and betrayal is on my shitlist forever. 

No, Taash et al, it was not about pussy, it was about feeling compelled by superiors to commit heinous war crimes and being lied to about the actual purposes of your damn war in the first place. The elves shouting at Elgar’nan and Mythal in this painting aren’t driven by love and sex they have been lied to by their ruling class. It was never about freedom or ending the wars, it was always about Elgar’nan jerking off to ultimate godhood. The writing even suggests betrayal here is to be understood as Netflix drama betrayal, maybe some juicy porny plot but it’s ABOUT THE BETRAYAL OF THE ELVES BY THEIR OWN KIN.  ((ETA: I would have wanted my Dalish mage to be allowed to be furious, NOT WITH SOLAS, but with the fucking Evanuris for betraying her people and being so fucking vile that the only option that remained was to create a world where she's a second-class citizen. I would have wanted the game to recognize that not all causes are equal and that Elgar'nan's cause for godhood was objectively more vile than Solas's cause for freedom because as it stands now, there are some really iffy vibes of "both sides are equally bad" and other things authorities tend to say when comparing destructive regimes with uprisings.)) I’m sorry, this shit hits me on a personal and political rage level. 

I also can’t help but mourn a game where the Trickster God fulfilled his trope’s duty and shook the stagnation apart with his actions - for good or ill, the way trickster gods are wont to do - and where Rook was tricked into helping and then, a more complex game about its consequences could have unfolded. The Evanuris could still have been the bad guys, if they wanted big villains frothing at the mouth. There could still have been numerous unplanned consequences, like all of Solas's plans have. Maybe other ancients awake as well. Maybe ancient evils who aren’t elves, who knows. Point is - the Veil should have come down, at least in some form, at least in some outcome. THAT is what they've been building up to. In this game that never was, Rook could be an actual interesting character where we could mold her as either accepting of this trickster role (which fits perfectly for a blank slate with no ties) or set to overturn it and enforce status quo, with some vanilla option in the middle. Maybe the Veil doesn’t come down until the very end of the game, ancient magic takes time after all, maybe a lot has happened by then. But ultimately, Rook’s choice in the end should not have been about siding against Solas because he’s lying to you or because he did horrible things in the past or siding with him because you want him redeemed. The narrative should have provided those options either way. The narrative should have been brave enough to suggest that hey, maybe Solas isn't wrong at all - his methods maybe, but his goal, no. If they truly wanted mirrors between Rook and Solas, Rook should have tackled the issue of actively bringing down the Veil herself, not because it's a roses and sunshine-outcome but because it might very well be the lesser of two evils. Gods, that would have been interesting. It should have been a choice about what sort of world Rook and the Veilguard wants to see in the future. It should have been about the people, the world, not how angry Rook is that an ancient elf has tricked her. 

That would have been the game I wanted to play.  This story doesn't really give anything new to the world of Thedas, which a world without the Veil would have. It accomplishes closure for our favourite trickster god and bless them for that, but as for the plot and the world-building it ends on a meh because the narrative isn't about the people unless they're brought up as being endangered. This is why I can feel satisfaction regarding the thematic conclusion to certain character arcs, the trickster becomes the healer with the bloodiest hands, the wolf submits willingly to his trap and so on and so forth, and I can have fun with the characters and their arcs but also really mourn the game that was there, in subtext and build up over three previous games and in several tie-ins.

[themagicmusicman]

quick context: character im doing is shå; she is the girlfriend of angu, one of the main characters in neim’s worldbuilding project, kunirn. shå uses she/her, angu uses she/ her, kik (angu’s close friend/basically brother at this point lmao) uses he/xey 👍

1. i reckon she’s usually too busy beating people up to have other hobbies but like. does cooking count as crafting? she crafts. food lmao

2. this bitch might be trans but she wears the manliest man cologne lmfao like. whatever the kunirn equivalent of something tobacco, sandalwood and orange would smell like. man shite /fem

3. fuck yeah!!! that’s basically the main thing she does besides being gay and fighting people

4. mmmm not really, unless her and angu are baking together for the sillies (kik sometimes joins in too)

5. yeah!! she has the Ǎtrothang mark on her right shoulder (shown at the bottom of the post) as well as loads of others hjehekr

6. probably kik (angu’s friend n basically non blood brother) bcs xey seem like they would work the best under pressure and know first aid. all that shit yknow [update. neim told me that kik is canonically good at patching people up so i was right!]

7. bitch isnt scared of anything except her parents, and thats fairly normal i think. guys thats normal. right. ri-

8. yeah she probably has the weirdest collections of shit. stuff like bones, eyeballs, that kinda thing

9. she usually tries to just wait it out and continue whatever she’s doing, but when it gets so bad she can’t, she just leeches to angu until it goes away

10. not standing up to her parents’ bullshit :[

11. ehhhh probably not anything. canon but she seems like the kind of person who would

12. oh yeah shå has amazing style /gen this bitch dresses like the most butch lesbian. also she’s just hot lmao (evidence at tje bottom)

13. not in the slightest lmao

14. absolutely. it took her close to a year to open up to angu about her parent bs so. yeah just a bit

15. she’s just a silly lil guy. the sillies! silly and tiny and definitely doesnt have a really dark/horny sense of humour!

16. nope and nope :D

17. basically never. she stands by what she believes at doesnt bend for anyone

18. easier to become her enemy than her friend :3

19. you have to be pretty awesome she has trust issues lmao

20. meh not really seeing as her life in Ǎtrothang was. pretty traumatising

21. friends. friends for sure

22. never

23. n/a shes immortal /j (in other words doesnt think about dying ever)

24. most people are her enemies :3👍

25. uh morning routine, wake up and get on with the day. evening routine, go to bed and toss n turn until she eventually falls asleep

26. she’s her own hero (aka has no heroes (except maybe kik or angu but thats just her being gay lmao))

27. i mean. her meeting angu was pretty much a chance encounter and that changed her life drastically so!

28. # idontthinkgamingexistslmao

29. i’d want to be but she would scare me 😔

30. she doesn’t want to be famous. the less people who know her, the better

31. i would probably give her some sort of silly telepathic powers, she’d want invisibility

32. being afab (she doesnt mind the dick but she occasionally gets dysphoria thinking that she’s a Fake Woman because she has not biological booba (she is the most womanly woman i know))

33. oh yeah. i think angu, shå and kik would play silly ttrpgs the same way i play dnd with neim and my irl mates

34. terribly. she hides it well, but inside she’s struggling :[[[

35. in charge of her own destiny. fuck the dead gods she’s deciding her fate

36. yes and uh. for legal reasons no /hj

37. she doesn’t really like the gods, n chooses to just kinda. do her own thing lmao (same as angu but less Loud About It /lh)

38. she doesn’t dream (me core)

39. definitely!!! that sounds fun as shit!

40. she would be able to pull it out first try because shes a big strong jerboa. speaking of pulling ou-

41. she hates making mistakes so doesn’t learn from them as much as. promise herself not to make the same mistake again

42. yeh! she speaks mainly speaks rurleki (surprisingly. the language of rurlek) but also speaks atro from living in atrothang

43. fairly well, except mentally. afterwards she’ll freak out but she’s usually fine in the moment

44. only angu, not even kik i dont think

45. wing it gdejdbksbdkf

46. for sure, she probably lies quite a lot lmao

47. she would for quite a few people, ofc including angu and kik

48. in a heartbeat. revenge quest time babyyy!

49. nah she knows the difference. big difference (this is a threat 👍)

50. shes a trans lesbian jerboa!!!!! what is there to not love!!!!!!!!!

@neim-batteries-not-included haiiiiii :3

You've Got Questions and I've Got Answers OC Edition

Do they have any crafting hobbies?

Do they wear perfume/cologne? If so what scents do they prefer?

Do they enjoy cooking?

Do they enjoy baking?

Do they have any tattoos? If so what are they and do they have any special meaning?

If they were badly injured, and for whatever reason couldn't go to a hospital, who would they go to for help?

Do they have any unusual fears?

Do they collect anything? If so what and why?

When they're sick what do they do to feel better?

Do they have any regrets?

Do they have any addictions?

Do they have any sense of style? Regardless of the answer do they believe they have a sense of style?

Do they enjoy poetry?

Do they have a hard time opening up to people?

What kind of sense of humor do they have? Or do they have one at all?

Do they have or want kids?

How easily would they be convinced to do something that goes against their morals?

How easy is it to become their enemy?

How easy is it to become their friend?

Do they have a strong connection to their culture?

What is more important to them, friends or family?

Would they ever betray someone for money?

How would they want to die?

Do they have any enemies?

Do they have a daily/nightly routine?

Have they met any of their heroes? Did they regret it?

Has a chance encounter ever had an unexpected effect on them?

Are they a #gamer?

If they were real would you be friends with them?

If they had the chance to be famous would they take it? If they are famous would they rather they weren't?

What superpower would you choose for them and what would they choose for themselves? If they have one would they choose something else?

If they could change one thing about themselves what would it be?

Do they play ttrpgs? If so what kind of characters do they play? Or are they more likely to GM?

How well do they deal with grief?

Do they believe in fate or do they believe they are in charge of their own destiny?

Would they ever kill someone? Have they already?

Are they religious? If so do they have a strong sense of faith, are they uncertain, or are they somewhere in between?

What are their dreams like? Do they have any recurring dreams/nightmares?

Would they ever crash a wedding?

If they found a sword in a stone would they try to pull it out? How would they react to being able to pull it out or not?

Do they learn from their mistakes?

Can they speak multiple languages? If yes which all do they speak and why?

Can they handle stressful situations?

Who, if anyone, would they trust with their deepest secrets?

Do they plan in advance or just wing it?

Would they lie to get out of trouble?

Would they lie to get someone else out of trouble? Even if they would have to take that someone else's place?

How likely are they to go on a quest for revenge?

Do they have trouble keeping their enemies and their friends straight?

What is your favorite thing about them?

I love these so I figured I'd make one of my own! Just be sure that if you reblog this ask one or two of these to the person you reblogged from (｡•̀ᴗ-)✧

[judgeanon]

So About That BATGIRL #1...

I put this review up in another site, but since folks here on Tumblr seem to be realizing I have a lot of Thoughts about Lady Shiva, I figured I'd transplant it here. So here's how I feel about it. The short of it is that I think it's a strong start with a few small quibbles because I'm not sure how much of Shiva's writing is her being intentionally OOC and how much is Brombal trying to humanize her.

The long is here:

Now, one of Shiva's main issues as a character ever since they finally split her from the League of Assassins (God bless you Bryan Hill) is that, instead, writers have stapled her to Cass. Literally every major Shiva appearance since 2017 has involved Cass in some way. That is a problem not so much for Cass, who gets to have her own stories and series with and without the Batfam (although mostly with), but for Shiva, who doesn't get nearly as much exposure as her daughter. If there's a Shiva comic coming out, odds are it's gonna have something to do with Cass. Well, except for the other Shiva comic coming out this month that's gonna suck shit.

But at the same time, I don't think that means nobody should ever do another Shiva/Cass story, because I still feel like that's rich soil that nobody has had the time, space or desire to really commit to mining. Hill in Outsiders was writing a whole ensemble cast and couldn't linger too long on them. Writers like Grayson and Cloonan/Conrad both teased Shiva trying to reconcile with Cass but never took it anyhwere. A Shiva/Cass story can still be compelling and interesting as long as the writer is willing and able to Actually Write It.

So when literally the first panel of this new issue is Shiva addressing Cass and their relationship directly, I'm already perked up. Right from the get go, you can tell that Tate Brombal is absolutely here to tell a story about these two women and pretty much nothing else, and also that Tak Miyazawa and Mike Spicer are a killer art team. I adore how hard Tak's figures look without (usually) being stiff, thanks to some solid body language and expressions. And Spicer's colors have a cool kind of dark-but-vivid look. The last leg of the issue, with everything illuminated by fire, is especially cool.

Going back to the opening, it's curous how despite this being an issue #1, there's very little in the way of character introductions or set up. There's no slow burn here, no lengthy creeping intro like previous Shiva/Cass stories. And while I can't help but feel that it must be a little awkward for readers unfamiliar with them or their current situation, I think it also accurately reflects one of my favorite parts of the comic, which is Cass' being just absolutely fucking DONE with her mom.

After years of hyper dramatic standoffs and tearful moments of cheap heartbreak, it's fun to see a Cass who has no time for her mother, who's not interested in what she's got going on, and who's confident enough in herself to even be a little shit about it. It's fun and refreshing and fits Cass very nicely.

That not-quite-breakneck but still fast pace keeps up when the Unburied show up after just a few pages of setup and you know, in a couple of interviews, Brombal mentioned being influenced by Daredevil. And this is the page that made me go "Ah, yeah, that tracks." 'cause brother, those are some MILLER-ass ninjas.

Why Shiva fears these guys or thinks Cass can't handle them is not yet explained, but her desperation to keep Cass around does lead to a small but very meaning-heavy moment: the first punch in this series is not thrown into the face of the new enemies, but it's Cass decking her mom in the face and Shiva loving it.

It's an excellent touch and a perfect mission statement about the series. I love it as much as I love the ensuing fight, full of cool moves in big and small panels, but the most fun thing to me is how it's choreographed as Cass fighting her mom almost as much as she's fighting the Unburied. And on top of being a great fight, it ends with a small nod to QUESTION #1 or the 'Tec '88 Annual, in case I was somehow not sold enough already.

And while I still love Cass being so willing to call Shiva out on her lies, it does bring up one of the small gripes I have with this issue: I don't like it when Shiva lies constantly. I think she's best when she's strong and confident enough to not need to lie, when she just lays everything out on the table the way this comic is almost doing. It's good for Cass, as it keeps showing her as someone who has grown to understand her mother, who sees Shiva for who she is and what she does. And it does set up a slightly heartwarming scene at the end.

Of course, that's personal preferrence, and I'm not gonna say this is a bad comic because it doesn't follow my own idea of what works best for Shiva, especially since it's clear that Brombal is writing her with a lot of intention here. But that leads to the other big-ish issue I have with this issue: it's a bit hard to tell, from this story alone, how much of these moments are Brombal building his own personal version of Shiva and how much of it is Shiva, in-universe, acting out of character for the sake of some hidden scheme. After all, Cass points out that twice in the issue Shiva backs down, first from a moral fight and then from an actual fight.

So it's possible that even the constant lying is Shiva playing a role in favor of a grander scheme which will be revealed in later issues. Which, fair enough, I'm willing to see where it goes. But that second moment of yielding does lead to what's maybe my biggest problem with BATGIRL #1, and it's the Unburied themselves.

There's nothing in that initial fight with the Unburied that suggests Shiva and Cass would've had trouble dealing with them. Hell, there's very little to suggest even one of them would've had trouble with them. Now, I'm not suggesting that this issue should've started with the titular character and her mom getting their asses handed to them. But it feels like there's just not enough to these new enemies yet to justify the escape. Ninjas show up, Cass and Shiva beat them without getting hit once, more Ninjas show up and Shiva self-defenestrates herself.

Again, entirely possible that Shiva has something up her sleeve here, and issue #2 did promise to show us the main villain behind them, but as it stands it leaves me with this weird mix of not quite intrigue, not quite disappointment. It's just odd. They could've had, I dunno, a bomb set in the building or some other reason for Shiva to exit the venue like that.

Speaking of odd things, however, I did NOT expect to be reading a comic that brings up Shiva's cult from Puckett/Scott's BATGIRL #25. It's an "Order of Shiva" now though, with chapters and temples and stuff. Which is a bit of a change, since back in #25 they came off more like a gang of fanboys than an order of servants or anything like that. And after being summarily disposed by Shiva in that same issue, they were never really explored again.

So this is Brombal not just bringing back a bit of old lore, but also shifting it slightly, turning it into a more organized group... and then summarily disposing of them one panel later.

Also, I don't know what it is but I *LOVE* this panel. Shiva's face, her "wut" pose, the O.O, it's just... beautiful.

Anyway, once they're in the temple for the last bit of the issue, I start to see a bit more of what Brombal's doing. Like Gail Simone and Bryan Hill, Brombal seems to want to soften Shiva up a little, to make it clear that deep inside, she does have at least a bit of a heart, or enough of it to feel sadness at the wasteful death of people she may feel like she owes something to. Compare it to BIRDS OF PREY #62 for example:

This one is not quite as dramatic or vulnerable, but it's clear that Brombal wants to write Shiva with a slightly more human heart. Which, again, I'm not opposed to but I don't think it's the best thing you can do with her. I prefer Shiva being more detached in regards to death, like the most she'll do is see it as a waste but she's not gonna get emotional about it, she's going to be way more matter-of-fact. Death happens and such. But I think that kind of aloofness often gets interpreted as monstrous disdain for life by writers trying to make Shiva into a villain, and if I had to choose between what Brombal's doing and what, well, what Tom King's probably gonna be doing in a few weeks, I'll take this anytime.

Anyway, I also didn't expect to see the apprentice from BATGIRL #26, having apparently gotten a promotion somewhere in the last 20 years. Good for him! Less good for him is the shitload of arrows he eats two pages later but oh well.

The last couple of pages lead to a nice moment of sheer badassery for both Shiva and Cass and one last showcase of Miyazawa and Spicer's glorious team effort. Those two work really well together and I'm excited to see more of them in future issues. And while we're at it, I gotta give props to Miyazawa for being one of maybe two artists to draw a visibly older Lady Shiva.

His version isn't just aged but hardened by that age, looking stern and determined without having to rely on gritted teeth or angry looks. And on top of all that, he still finds more than enough moments to give her the kind of cocky smiles that bring out the more playful side of Shiva that some stories tend to either gloss over or turn into outright sadism.

Man... I just love to see that momma smile.

Other than that, there's a couple of minor quibbles I have with the issue. There's a funny moment where Cass pulls a Batman on her own mother (who charmingly acknowledges Bruce's influence) but it's undercut by Cass poofing back into existence on the next page. And there's also the weird, almost surreal emptiness of the city around them. Even after a building explodes, there's literally nobody on the streets other than Shiva and Cass.

On one hand, it speaks to the intentions of this run. This is VERY much a two-woman show so far, with no room for much else. But it's still glaring enough to be distracting.

However, it's that intentionality that ultimately wins me over. Even with all my personal little issues with Shiva's characterization, it's obvious from the start that this is a writer who is genuinely trying to write her as a character, who is ready to engage with her and with her relation with Cass on a deeper level than just hero and villain, or good daughter and evil mom.

Brombal, Miyazawa & Spicer have put some meat on the grill, and although I don't think the biggest pieces are there yet... I'm ready to let them cook.

[loulovingho]

Seeing the Maddie gif just reminded of all the wasted potential and storylines they could have had with Tommy and the bucktommy relationship. Because let's face it, for all of the mains it's the same storyline over and over again - we're not learning anything new about them. But then here we have a character who we sort of already know, who they've teased us with a bit of his history and it was like finally! A chance for something new! We could have learned more about his family, maybe see how Buck reacts meeting his father and then having to deal with his homophobic reaction to him, the man he loves and their relationship. He clearly sounded like he didn't have a lot of close friends/family/support outside of Buck - we could have explored that, have Buck be there for his man and show him how, you have me and the 118. We never got to see the whole "dating a fellow first responder and the challenges that come with that" - we've seen Buck in the hospital so many times, it would have been interesting to see Tommy in that hospital bed and Buck having to deal with the one being by the bedside for once, worrying about someone he loves, maybe making him fully appreciate everything his family had gone through in the past when HE was the one injured (like all the effort Maddie went into to look after him). We could have had Tommy and Eddie bonding over war stories - was Tommy discharged due to DADT? If so, we could have had conversations with Karen, who also was affected by that. Hell, if they were gonna do the stupid "he was engaged to Abby for two years" story, have Chim and Hen be like, dude, you were working with us all that time, how did we not KNOW (that story still makes no sense - he never mentioned her name to them? Because if he did, surely it would have clicked when they met her in S1 "oh, you're Tommy's Abby". But Tim acknowledged he retconned their relationship from an ex-boyfriend to ex-fiances so he clearly doesn't care.)

But most of all, despite being together for SIX MONTHS, we never saw Tommy and Maddie interact. Maddie was clearly excited for Buck ("tell me about the hot pilot"), she's married to Tommy's old friend, there was the perfect opportunity to see them start to bond over family dinner or something. We've never seen Maddie really click with any of Buck's LI's before, so it would have been nice to see Buck's whole world start to come together. And it could have led to family orientated stories for Buck for once - we always assume he wants kids because he says he loves kids and we see that with Chris, Jee etc. There could have been discussions for the first time about Buck's future - does he see himself getting married, having kids (and ugh, so annoyed that the first time Buck mentions the possibility of getting married is 30 seconds before his heart is crushed).

And that's not even going into the small things I wanted to see on-screen. I knew we were never gonna get anything too intimate - 911 is a bit prudish, they don't really do sex scenes, especially not since the first season, and hell, all their other main couples barely kiss as it is. But things like holding hands as they're walking down the street, talking about their day while making dinner together, waking up in bed together - small little domestic things that show how their relationship is developing. SHOW it developing. (Because while the snippets they showed of their relationship showed that they were growing more comfortable as a couple, a lot of that development happened off screen.)

This was the first time in a long time, maybe ever, that we saw Buck truly happy (that man was GLOWING, even covered in boils). For the first time, we could have seen his story GROW, instead of doing the same lather, rinse, repeat that has happened in all his relationships (Buck falls for someone, goes too hard too fast, they abandon him, he doesn't bother fighting for the relationship). We could have finally had a sprinkling of new storylines (Tommy wasn't a main, we obviously weren't going to get a hell of a lot, but if Karen can have her own stories/backstories, so could he). All that down the drain for what, Buck 1.0 again? Him jumping back on that hamster wheel of "find new love interest, it goes nowhere, he's single again". It's boring, and this show is on its 8th season - not only has this been played out for too long, who knows how much longer the show is gonna last. If it only goes until say season 10, that would have been two and a half seasons worth of seeing Buck be able to grow, get the love he always wanted (hell, maybe even get engaged, finish the series with a wedding implying he gets his happily ever after). Buck is only one member of an ensemble cast - they can't focus on him every episode, so two years is plenty of time to draw out only a handful of fresh stories. After 8 season, keeping him perpetually single for this long only works if he's always been played as like Joey off Friends - someone who is happy playing the dating game, not looking to go anywhere. Except Buck has been shown to be looking for love all this time - he doesn't want that single life (he doesnt want to "explore" Tim - screwing random men and women isnt going to help him find that love he's always wanted, especially when he already had it). But instead, they take it away from him AGAIN, and now they're back to square one. Sigh.

There’s so much i agree with here! They’ve tried to cram soooo many storylines into each episode that there’s no room to breathe. Everything feels stunted and half-assed. Tim said they didn’t want to ignore everything that happened at the end of 7, wanted to pick it back up, but they spent these first few episodes either destroying the storylines they built on, or ending them so abruptly it doesn’t feel satisfying. Nothing feels connected anymore. In early seasons you’d have them all working together on certain major storylines, but I’d doesn’t really feel like that happens now outside of calls. And the calls are so quick (besides the damn plane) that you don’t really connect with that either.

It would have been nice to see tommy and buck develop more, nice to see him involved with the group instead of just Eddie, nice to see them keep their word and try to make this love interest different from the rest. They did none of that.

[cat-mermaid]

swear I saw an episode of this show that established that if the main character ever left her kingdom for too long that literally it would start storming and the sun would go out and the place would eventually be destroyed?

that was real right? like that episode of the powerpuff girls that showed a future where they didn't exist and it was the most bleak episode of anything?

🎀 Stunning illustrations from Lady Lovely Locks and the Pixietails: The Golden Ball; written by Harriet Marcelle and illustrated by Pat Paris; published in 1987 🎀

Read the full book here!

[empressofthewind]

Rating Reactions to Seeing Shinigami for the First Time

A comprehensive (and probably biased) list :-)

~~~

Chapter 1 - Light

Falls on the floor and screams, then recomposes himself and very unconvincingly pretends he expected this. This is the first we get to see of Light's Perfectly Normal And Chill Guy persona and I have to say it's not a strong introduction to his acting skills. He gets points for entertainment value though, and also for managing to scream without attracting the attention of his family???

Rating: 8/10

~~~

Chapter 7 - Kiichiro Osoreda

This is the guy who performs the bus-jacking that forces Raye to show his ID. It's a very entertaining scene, but he's being controlled and his reaction is therefore inauthentic, which makes it difficult to give him an accurate rating.

Rating: 0/10

~~~

Chapter 26 - L

This one doesn't technically count because L is merely hearing about Shinigami rather than seeing one, but it's too good not to include. He silently falls off his chair while actively solving a murder case in which the main cause of death has been heart attacks. Naturally the entire task force panics and thinks he's dying, and he does nothing to assuage these concerns. Absolutely iconic of him. Also makes for brilliant foreshadowing.

Rating: 10/10

~~~

Chapter 46 - Misa

We don't get to see Misa's very first reaction to meeting Rem, but we DO see their reunion during the Yotsuba arc, and she is horrified. She screams just like Light and L did, and her fear persists as long as Rem's hand is covering her mouth. She reacts pretty much how I would expect the average person to.

Rating: 5/10

~~~

Chapter 53 - Soichiro

Another pretty standard reaction. Falls backwards, screams and immediately reaches for his gun. Nothing remarkable about it.

Rating: 3/10

~~~

Chapter 53 - Aizawa

Exact same reaction as Soichiro, but he gets extra points because this panel of them both panting on the floor is utterly delightful. The eyes?? The pose???? They look like a pair of petrified crabs. I'm obsessed.

Rating: 8/10

~~~

Chapter 53 - L (again)

L has heard that Shinigami exist and already knows that there's a "monster" attached to the notebook, so he's not surprised at all by the time he actually sees Rem. Instead, he starts having such an intense and paralysing epiphany that he doesn't even notice Light taking the Death Note from him. The least dramatic reaction so far but incredibly on-brand for him in every way.

Rating: 6/10

~~~

Chapter 70 - Rod Ross

Freaks out once he actually sees Sidoh, but he's incredibly relaxed about the notebook flying beforehand. His line "I wouldn't be surprised if it's alive" is hilariously ironic given that the notebook does turn out to have a living component to it, and this does, in fact, surprise him.

Rating: 7/10

~~~

Chapter 70 - Kal Snydar

One of my favourite reactions purely for the implication that Rod might have recruited an 8-foot-tall man in a monster costume. Perfectly reasonable assumption to make.

Rating: 9/10

~~~

Chapter 70 - Mello

Much like L, everyone around him is panicking, but he stays impressively nonchalant. Immediately starts plotting ways to manipulate the demon creature for his own gain. This is essentially L's reaction if he was 90% more unhinged.

Rating: 10/10

~~~

Chapter 101 - Near

Only character to look genuinely happy about seeing the Shinigami which is an instant 10 for me. He gets an extra point for having the most precious smile ever <3

Rating: 11/10

[bunniehunn]

Yuubeni Chōga

Finally, Yuubeni’s character intro! She’s my yuusona/partial self insert(ish?) Tumblr destroyed the resolution click for a clearer view 😭😭 Me yapping A LOT about her under the cut!

Appearance:

Yuubeni is a young woman with light, freckled olive toned skin and dark brown, almost black eyes. Barely below average at 5’3, with a small build and curves. Still has some baby fat around the stomach area. She has short, curly dark brown hair, usually down. Her fashion fluctuates between the extremes of pink and feminine to looking like she just hopped out of a Dick’s Sporting Goods.

Personality:

Yuubeni is an introverted girl, who always likes to help her friends. She struggles a lot in multiple aspects of her life, like taking care of herself or school work, but she always seems to have energy to assist someone in need. She has adhd and anxiety, and she’s a little sensitive to negative attitudes towards her. She’s a bit naive and gullible, which gets her and her friends into less than desirable situations constantly. She’s also a bit self-conscious socially, and she tries to avoid talking much about herself or her interests in fear of embarrassing herself. If you do get her to talk about something she’s passionate about, though, she switches up to probably one of the highest energy people you’ve ever met. Of course, she’ll probably be thinking about that moment for days, scared you found her weird. She waters down her personality, and won’t let too many people get close. It’s easier for her to befriend extroverts so she doesn’t have to speak, or those who some might say are a little out of the norm.

Backstory:

Yuubeni was born into a very normal family. Her family moved around constantly due to her father’s job, and they never stayed quite in one place for too long. The most recent place they moved was the one they’d stayed for the longest, and Yuubeni really started to feel like she fit in. Of course, she can’t have anything nice, can she? Just as she finally felt comfortable, another move was announced. Distraught, she ‘took a walk’ in the middle of the night. During her ‘walk’, was the moment the sound of horse hooves clopping against pavement were heard, and moments later she blacked out. Waking up in a floating coffin was, obviously, VERY anxiety-inducing for her.

Now at NRC, she’s having trouble juggling her school work, duties, friends, and the constant overblots.

A relationship chart + some extra blurbs.

Random Tidbits!:

Started an art club at school! (Mostly so she can have school-sanctioned art time. Doesn’t expect anybody else to join.)

Gamer! Will get Ortho to convince (force) Idia to play with her. It’s a source of comfort for her.

Sings and acts, likes to do theatre but gets really bad stage fright. Like, straight up full-body shaking.

Her favorite flower is a hydrangea! Her brooch on her striped bow is based off a hydrangea petal.

Loves to do her nails in funky designs.

REALLY easy to scare. Do not scare her, she WILL cry.

Her main symbol/motif is a butterfly!

★彡

GAAAAH I FINALLY MADE IT!!! I’m really proud of her drawing, it’s only my third time attempting to mimick twst style and I think I did good. Sorry this is so long 😭

Tagging! @gimmeurmoneyagh @babyghoul138 @jadenui @taruruchi

@amai-sakura-chan @day-dr3aming @buttholesparkles @mirioho @cheerleaderman

@theolivetree123 @h0neybane @angelwishess @fell-e @tsubomisno1fan

@screamintoad @crystallizsch @skibidibabygirl @moonyasnow @beneathsakurashade

@boopshoops @the-rini-rush

[pianokantzart]

Hey this is kinda silly but can you convince me to get Brothership?

The art style and animation is so beautiful and bouncy! (I'm a particularly big fan of the Luigi Logic moments in the boss fights.)

You can make a few decisions that will effect what happens in the plot going forward, which is WILD for a Mario game and definitely enhances the replayability aspect.

Speaking of replayability, there are a lot of side quests and new routes that open up as you discover and explore islands. There are so many different little corners to investigate outside of the main game that Brothership is no doubt going to take me a good deal longer than the alleged 30 hour runtime. I want to see everything.

The gameplay runs smoothly and is a ton of fun, and when things begins to get repetitive it throws in some new tool or ability to switch things up and keep things interesting. Fights are pretty easy at the beginning, but as you go along the game slowly ramps up the difficulty in ways that feel both challenging and fair.

It's a Mario and Luigi game, so of course almost all the characters are brimming with charm. Mario and Luigi's characterization in particular is A+. They are so sweet and wholesome.

I'm only partway into the plot and it slaps. I hear word it's got one of the most intense stories out of any Mario game, so I am super excited to see how things play out.

I say, if you're considering getting this game, go get it! Ever since I got my copy I've been waking up in the morning with my first instinct being to get on my switch to see what happens and what else I can discover.

[agalychnisspranneusroseus]

Amphibia is proof that the best character writing tip is to make everyone at least a little bit problematic

[darkmagenugget]

Hiya! I'm Ashe! One of the main fronters of the DarkMage Nugget System, runner of of this account, and main artist! Fennec kitsune/shapeshifter as well. (She/Her) Welcome to the DarkMage Nugget Tumblr!

Creator of Hyper City (With extra lore from friends and Aqua) where a lot of my friends stories are taking place. You can find my commission info here and are open! I do character art, emotes, and more!

System Intros after the break!

Allow me to introduce the rest of the system.

Iris- (She/Her)

Iris is the host of the system. She has her own blog here ( @iristhedarkwitch - 18+ only). She is the witch of our system, and also the current host. Specializing in transformation spells fictionally, and energy manipulation in practice. One of my girlfriends as well. And Aqua's girlfriend too.

Aqua - (She/They)

Aqua is the writer of our system. Also has a blog of their own over here ( @nuggetofthesea ). She is an elf with (currently) 3 forms. A base, a sea, and a shadow form. She is the one responsible for most of the lore in Hyper City, and is usually the calmest of us and just loves hanging out by vibing in the room. Also girlfriend. Also dating Iris.

Chaos- (She/Her)

Chaos is a gremlin. Is always interested in things that are high-energy and fast paced. She plays games on stream on fridays at 4:00 PM Pacific. She is also the most direct of us (Though speaks a little rough) and able to put things bluntly and deal with scenarios we wouldn't be able to otherwise. She can by hyper, but cares greatly for everyone in the system. Usually spending time with Aria.

Mira - (She/They)

Mira is the organizer of the headspace. A crystal fairy who is able to duplicate herself up to up to 30 of her at once, she manages the entire headspace and the thoughts and memories of system members. Keeping the memory archive as a collective reference for us to go back to. They do tend to be able to handle multitasking better than the rest of us, but tends to stay out of the front unless she is needed (or wants to troll us, because when she enters the front we all see what she sees. All 30 of what she sees at once). She keeps everything organized.

Aria - (She/Her)

Aria is a puppy. She's just a big strong puppy. She is the sweetest person in existence. She can't really communicate well verbally or over text. But can communicate through images, emotes, barking, and through me or Chaos. Would protect anyone physically if needed, but we try to not have that be needed. She is too sweet! If she shows up, give her headpats. She absolutely loves them. ^-^

Nova - (They/It/Fae)

A trickster fae that has found its way into our system. Rarely calls anyone by name, and speaking with a scottish Accent, they are playful and tricky. But likes to fly free. Bound to it's "Little Fox" (me) in terms of willing to listen her, but will chime in at any time it wants. So if I ever speak with a scottish accent, that's Nova.

And just some more examples of my character design work. These aren't part of the system (As far as I know) but are still characters I use often.

[greeniegaes]

Thinking about Omega SQQ again sigh

Okay. So warning this is a male lactation AU so if you don’t like that don’t read, nothing explicit happens tho, just a guy and his pups

I imagine when he first goes into his body everything feels like he’s in haywire, constantly on edge and ready for a fight. Once he’s gotten the hang of things he uses his cultivation to try and simmer down his hormones.

Only to realize it was his cultivation preventing hormones that was making him feel like shit all the time.

So eventually he sighs and stops doing that. The first few days are bad, cramps and sickness and a general feeling of wanting to claw everyone’s eyes out. He gets through that though.

Then his breasts start to come in.

He knew PIDW has its weirder parts of omegaverse so he knew that this would happen. At first he starts binding his chest but that hurts SO SO SO much that he collapses on like the third day (he was also doing it improperly because it’s him, yk) and gets stuffed into Qian Cao

MQF: I was not aware shixiong was an omega

SQQ: I’ve only recently decided to stop holding myself back

MQF: it is recommended that you form a small pack of your disciples to help with your instincts and… that *waving at SQQs chest.*

SQQ: *screams internally.* Okay :)

At this point after like a week of just draining himself and going insane he finally gives up. LBH has already started living in the bamboo hut so he’s kinda the best option so he sits the boy down.

SQQ: Binghe, I hope you know this isn’t going to change anything but

LBH, thinking: oh my god no please don’t kick me out

SQQ: since this master has allowed his omega side back out he’s been struggling with his urges about thinking of his disciples like pups. If it’s not an offense to your character can I take some of it out on you

LBH, internally: YES YES YES PLEASE OH GOD YES I NEED IT

LBH, externally: If that would please shizun then sure :]

So they start a twice daily thing of in the morning and night LBH goes into SQQs room and his nest and gets feed. Apparently milk is hella good for the skin and shit because after a few weeks he starts to look flawless somehow.

And SQQ really wants to see his other kids- DISCIPLES flourish like that. He extends the offer to a close few and some look like they going to cry at the honor of their teacher wanting to take care of them.

LBH is still the main drinker and always wants to huff when he has to share, but he does it none the less. His Shizun gets really cute during feeding sessions, purring and chirping at them, fixing their hair and playing with it, scratching their scalp, the whole nine yards.

So LBH repays it by feeding SQQ more, which also makes him have more milk in turn. He huffs and complains at his body’s need to produce so much, his chest wayyy too heavy in the middle of the day to be comfortable, leaking and wasting everything.

He ignored that though, even if LBH and his other pups- disciples offer to help him.

Eventually after the Abyss his body is still making big amounts of milk because that’s what it was used to. Most of the time he just gets it out himself and pours it into the grass, often now also starting his other feedings.

Everything starts to get to him and he’s decided that staying on the mountain is no good. So he sneaks out, by himself, in search of something to heal his heart.

All the peak lords and disciples are going crazy, nobody can find him and nobody knows where he could’ve gone. Eventually while LQG is talking to a random villager out in a border town of their territory he sees SQQ again, arms filled with two pudgy babies and looking ever so pleased.

SQQ: Oh! Hi Shidi

SQQ internally: OH FUCK I FORGOT ABOUT THE SECT

LQG: where have you been???

SQQ: sorry sorry babies are hard work I didn’t want to travel alone with them

LQG, wanting to have an aneurysm but can’t: let me just help you home

On one hand the entire sect is so relieved that SQQ didn’t die of heartbreak over losing his favorite pup or get kidnapped. On the other hand SQQ??? Where’d you’d acquire those babies?? They aren’t yours, it’s only been 6 months!!

Anyways after SQQ is safely back in the sect he doesn’t see a point in leaving. I mean! Look! Look at his pups! So cute and round! One of them has little dimples!

The other peak lords carefully go to see what was going on, YQY opening the door to the bamboo house after being told to come in and all of them are just smacked with happy omega pheromones, SQQ gently cradling them both in his arms as he rocks in a chair.

At that point all of the peak lords decide that yk, maybe it doesn’t matter how the children were acquired. They were well feed and cared for and obviously SQQ was happy again.

(He got the children from a working in the WRP, she had wanted babies and all her sisters were supportive but then she realized she didn’t like being a parent but you also can’t morally just… dispose of a child. SQQ visited there once in his depression stoop and stayed for a few days after falling in love with the kiddos. Then he just went on an adventure with his babies and got distracted by the cool world building.)

[myokk]

✨MASTERLIST✨

(fanart, longfics, oneshots)

Welcome to my blog!!! Here is my masterlist of ALL of my little sketches, artwork, writing, and general brainrot related to Hogwarts Legacy💘

🌿 - Madeleine / Maddy / myokk

🌱 - AO3

🌿 - likes and follows come from my main blog, @oerflink, because this is a sideblog (🥲)

🌱 - Eloise Babbit, my MC and basically the whole reason for this blog🫶 I don’t necessarily view her as the game’s MC, as my fic is quite canon-divergent and she is sweeter than the evil gremlin I played in-game😆💓 [link to her character sheet]

🌿 - my art tag🫶🫶🫶 here you can see basically every drawing I've done since joining the fandom!

Writing:

Before It Felt Like A Sin (AO3 / tumblr - ongoing)

Sebastian Sallow x F!MC, canon divergent, longfic, wip, dual pov Eloise/Sebastian

Summary: Eloise never wanted to be different.

And yet, her differences are what have defined her life up until this point: growing up as a squib in one of the most prominent wizarding families, being exiled to muggle society, and then attending Hogwarts at the age of sixteen.

She finds herself thrust into the life she should have been prepared for from birth but was denied. As she navigates this new life and her new precarious position in her family, she must come to terms with the fact that maybe what she dreamed of her whole life isn't turning out how she ever expected it would.

Tags: slow burn, angst, magical theory, mythology references, pureblood culture, occlumency, legilimency, hurt/comfort, family dynamics, eventual romance, eventual smut, sacrificial magic, blood magic, dark magic rituals, implied/referenced child abuse

[coming soon] - an excerpt from the Ominis longfic I’m working on💘

Oneshots:

clumsy (AO3 / tumblr)

pairing: Sebastian Sallow x f!MC

word count: 9,1k

rating: E

summary: sebastian is clumsy.

or: two stubborn brats make things more difficult than they have to be.

cw: fluff, mutual pining, idiots in love, two really stubborn idiots in love to be exact, sir cadogan guest appearance, anne and imelda are the gremlin best friends every girl needs, smut (18+ ONLY), oral (f. recieving), no y/n

legilimency (AO3 / tumblr)

pairing: Ominis Gaunt x F!MC

word count: 1,7k

rating: m (language)

summary: (His parents and Marvolo insist it’s a gift handed down from Slytherin himself, just like the Parseltongue Ominis despises. It is not. It is a curse.)

or: The Gryffindor student has caught on that Ominis can read her thoughts and decides to get her revenge.

tags: ominis is a natural legilimens, he is entirely too introspective, fluff, no y/n

remembering the snow (AO3 / tumblr)

pairing: Imelda Reyes x Poppy Sweeting

word count: 3,3k

rating: G

summary: Imelda remembers the first time she saw snow.

Her parents always started the story telling her that she cried and cried and cried.

or: a character study on Imelda and how she grew up because I love her & she doesn't get enough appreciation :)

tags: character study, fluff, romance, first kiss, emotional hurt/comfort, I just wanted to write a sweet story & explore Imelda as a character

Illustrated scenes:

(aka where I illustrate little scenes from my longfic and oneshots💓)

🌿 - the summer before Sebastian and Anne’s first year at Hogwarts🥺💓

🌱 - Sebastian hates Eloise’s guts😳

🌿 - Eloise is really, really bad at chess😔 (this scene always makes me laugh SO MUCH)

🌱 - right after the pensieve scene🫶🫶🫶

🌿 - Eloise and Sebastian’s first kiss😇😇😇

🌱 - some angst after their first kiss😇😇😇

🌿 - sebastian overthinks things a lot😔

🌱 - an excerpt from my oneshot, clumsy💘

🌿 - another scene from my clumsy 🫶 I really love writing Sebastian’s pov & this was just so much fun to paint and write😫💓

🌱 - Eloise and her mother😔

[darker-than-darkstorm]

Did I reblog this one before? I might have.

Anyway, this was the first Shadow novel I ever read (this exact edition, too), though I'd been listening to the radio shows for years — thanks to local radio stations having "old time radio" blocks, not because I'm nearly 100 years old. :D

The Shadow of the novels is very different from the radio show. He has no powers, but he's a master of stealth, disguise, and gunplay, wielding a pair of .45 Magnums, and with a veritable army of "agents". Also unlike the radio Shadow, who would rarely kill villains (and that was mostly in the first season, where he killed indirectly by setting up traps, warning the villains about the traps, and then shrugging as they ignored his warnings and fell into the traps anyway; most villains died by falling into their own traps), the Shadow of the novels killed people all the time, most often by just shooting them.

Most of this story is told from the point of view of Harry Vincent, one of the Shadow's agents (who never appeared in the radio show) and the Shadow himself doesn't appear until very late in the book (or, more accurately, he actually shows up really early in the book, but the reader doesn't learn which character he's disguised as until near the end).

The other novel I read was The Ghost Makers, a smaller story about a bunch of con artists running phony seances. A police officer, Detective Cardona, who had only one line in one episode of the radio show (and that line was something like "Yes sir"), is the main character in that, receiving coded messages from the Shadow in bouquets of flowers, though the Shadow does take a more direct hand in things.

I've also read a three-novel omnibus, The Weird Adventures of the Shadow (with novels The Grove Of Doom, Voodoo Death, and Murder by Moonlight), that were written later, after the radio show became more well-known, where the Shadow himself is the point of view character, and he's written more sympathetically. Margo Lane (who was created for the radio show) also appears in these stories.

Good times.

Vintage Paperback - The Shadow #07: Gangdom's Doom by Maxwell Grant (1970)