#the main advantage avid absolutely has over premiere comes at the finishing stage
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According to an interview with the editor. Paul Rogers said it was "a mess, but it worked."
I def believe that. EEAAO is a very ambitious film and it's the type of project not really suited for premiere but where there's a will post-production folks find a way.
the premiere pro timeline for Everything Everywhere All At Once (2022) dir. Daniels, edited by Paul Rogers.
#gonna have to see if the editors uploaded this to the blue collar post collective cause I NEED to see sequence timeline in higher resolution#everything everywhere all at once#assistant editor life#film editing#nerding out#love it when editors share their timelines#it is impressive the film was cut on premier but#not for the reasons most post-pro people think makes it impressive#in the avid vs premiere debate i pretty much disagree with everyone in post#each NLE (except for FCP) has itself strengths and weaknesses#both are good at different kinds of projects#the main advantage avid absolutely has over premiere comes at the finishing stage#most online facilities (nothing to do with internet btw) are geared for avid and#the old timers doing that work are accustomed to the tried and true avid workflow#And the online phase can be quite complicated on a technical level so most post folks prefer to stick with what they KNOW works#especially since deadlines can be very tight at that stage#no one cares about Final Cut Pro because they tried to reinvent the wheel and no one asked for that#and that's my nerdy AE info dump no one asked for
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