#the love of chunhyang

[b-else-writes]

The Great CLAMP Re-Read Part 8: Legend of Chunhyang

Part 1 (RG Veda) | Part 2 (Man of Many Faces) | Part 3 (Tokyo Babylon) | Part 4 (Duklyon) | Part 5 (Clamp Detectives)| Part 6 (Shirahime)| Part 7 (X)| Part 9 (Miyuki-chan)| Part 10 (Rayearth)

The RG Veda historical epic that never was, or better off cancelled? While X is widely cited as CLAMP's first unfinished work, there is actually another 1992 stillborn CLAMP work, before we can finally move onto 1993 in the CLAMP timeline. To be a broken record, I had no idea this existed! It’s unsurprising: only 3 chapters were ever published (plus 1 drama CD), before the magazine folded and CLAMP decided to cancel the project (yeah yeah they said they’d love to finish it. They’re liars).

Unlike many of their other discontinued early works, this one actually got a tankoban release, and Tokyopop did the now out-of-print English translation in a single volume with no extra art. Plus, I was hesitant about approaching a work of Korean folklore written by 4 Japanese women, given the history, and my fears were not unfounded. So I’m content that I put off getting the physical release for my collection. Spoilers (?) ahead.

Synopsis: In Ancient Korea, a brave young maiden called Chunhyang, opposes the injustices of the corrupt governing Yangbans. When her mother, a magic-wielding mudang, is kidnapped by their town's Yangban, Chunhyang is aided by the lecherous Mongryong, the Amhaeng’eosa, a secret government agent. Together, the two set off on adventure that will take them across Korea to liberate towns and discover the truth of Chunhyang's father.

The Story: I wrote all of that out, but the reality is what actually exists of Legend of Chunhyang is two chapters and a flashback. It's very hard to judge a story that hasn't settled in or moved further than the set up for the adventure. What we got is entertaining enough - chapter 1 is the inciting incident where Chunhyang’s mother dies and she teams up with Mongryong, 2 has them liberate a mystical flower village with the help of a rain god and twin mudang, and 3 is a flashback that reveals Chunhyang’s dead father was important and killed for defying the Yangban. It’s very Robin Hood, and moves at a good pace despite being pretty standard YA fantasy. Speaking of, I don’t think CLAMP realises most Korean towns back then would have been agricultural. Why does Chunhyang live in a huge villa doing nothing all day? I want my peasant hero, not a disgruntled pseudo noble.

The skeleton for the entire story is pretty obvious (bring revolution to Korea) and I’d definitely be curious to see more of it. But I’m also not sad we got nothing more. It’s a pleasant afternoon distraction.

The Themes: Don’t be a bully and tyrannical governments are bad and must be resisted - as long as they’re Korean (side-eyes that Rising Sun flag in CLAMP Campus Detectives. Ah, Japanese nationalism). It’s 3 chapters, that’s all I can glean.

The Characters: Chunhyang fits heavily into the CLAMP stock heroine: young, spunky, strong, pure-hearted, and athletic, shojo ingenue. Still, while she’s nothing new, I enjoyed Chunhyang. CLAMP has the formula for the fun, palatable heroine we love to see win, and I’m hardly immune. Mongryong was more bland to me, falling hard into that 90s era shojo hero who gets comically beaten up by his love interest, but always suavely swoops in to save her. It’s nostalgic, he’s hot, but that’s it. Maybe with time they would have defined themselves like RG Veda’s cast did (also archetypes), but there’s just so little!

The crumbs of minor characters are equally stock - one dimensional cackling villains, and pure beyond belief good guys. Mongryong’s tiger spirit was my favourite because I love all cats. It’s really the charm of Chunhyang that carries us above - she’s a good balance of fierce and endearing.

The Art: Legend of Chunhyang is interesting in that chapter 1 was brush inked due to their experience on Shirahime, but the remaining art was done with marker pen. The result is chapter 1 feels a bit unpolished, with backgrounds being mostly chunky blobs and quick lines in a way I found distracting. 2 and 3 work much better, with thick swirls of soft magic and flowers, giving Chunhyang a slight distinction from their other early 90s work. The panel work is quite conservative unlike RG Veda, very rarely having dynamic spreads, but satisfactory and readable. Chapter 2 is a standout of circling dragons and flowers. Everyone is gorgeously dressed and pretty. It’s not the best of CLAMP, but it’s nice and elevates the material.

Questionable Elements: While certain CLAMP podcasts have praised CLAMP for essentially rewriting the folktale to make Chunhyang more active - why would you even choose to adapt that Korean folklore then, if your intention is to make a generic Robin Hood sword and fantasy series that has zero to do with the original culture? You could just set it in feudal Japan! It feels very distasteful to deliberately choose Korea as a setting of barbaric unending tyranny that needs correcting. Especially given Japan’s history in “modernising” Korea.

On top of that, there’s a clear lack of research done - a lot of the outfits and hair accessories are inaccurate. Chunhyang’s mother’s decision to kill herself than risk dishonour is also incredibly Japanese (and notably doesn’t exist in the original). I have to cry foul because if you’re going to actually set this in a real ancient Korea, you should do your research. I’m not saying CLAMP are anti-Korean but they show a disappointing lack of care and bias.

Also. How old is Mongryong if Chunhyang is 14. Answer quickly, CLAMP.

Overall: Listen, RG Veda 2.0 this is not. Rather than an imaginative, fantastical, sweeping epic, Legend of Chunhyang is built on very familiar tropes and stock characters with a dose of cultural insensitivity and bias. It doesn’t even have a proper narrative arc, existing more as a “what if” than an almost masterpiece. It’s alleviated by the sheer charm of Chunhyang herself, its brisk, entertaining pace, and the enjoyable art. But it’s no great literary tragedy that it was never finished, and I’d really only recommend it to diehard CLAMP fans who want a quick, pleasant escape on a fantasy adventure.

[dangermousie]

This is the man's default state.

Honestly, Jung Woo cries so much that between that and bleeding, if I were him I'd start to get seriously worried about dehydration.

PS You actually now see what happens when I don't watch a drama in my usual fashion (ie skipping and ff at 3x as a matter of course.) It is taking freaking forever - I am only on ep 8. Most dramas I ff like my life depends on it because I have no attention span unless I am fully engaged.

PPS I think you can perhaps see why I have by and large peaced out of current kdramas and certainly rarely get obsessed over one. If something like Missing You is what I crave and why I got into kdramas then a typical nowadays kdrama slate can offer me little. If you think about it that makes sense - I got into kdramas in 2006, when this type of a drama - one I like to label angsty moodpiece melo - was very very common. Some of them were executed well, some not so well, but the TYPE was close to a default. (Winter Sonata took parts of the world by storm only four years before I got into kdramas.) Back then even a large percentage of romcoms would inevitably descend into serious angst (think Delightful Girl Chunhyang and My Girl, both of which made me cry tears of blood by the end. 2008's Hong Gil Dong started out as a wacky anachronistic comedy and ended up as an utterly bleak demontration of immutability of absolute power and a rocks fall everyone dies ending.) If I didn't love this type of drama, I would not have gotten into kdramas back then since it was basically the majority of what was on offer. Trends change and I have zero issue with that and no desire to claim that the type of drama I love is superior to other types of drama but it does mean that I find less to appeal to me nowadays.

[gulongming]

♪ Musically Yours | Best Soundtracks of 2022 (based on prompt n. 6 from @kdramaspace and @userdramas' joint end-of-year event)

◌ Jué ài, Faye (Love Between Fairy and Devil) ◌ Fēng xī, Tiger Hu & Ye Xuan Qing (Who Rules The World) ◌ Twenty Five, Twenty One, Jaurim (Twenty Five, Twenty One) ◌ Just Watching You, Jeong Se-woon (Alchemy Of Souls) ◌ Chunhyang-ga, Lee Ji-hye I (Pachinko) ◌ Still Love You, Yoo Hwe-seung (Tomorrow) ◌ Hollow, Sød Ven (Blueming) ◌ Wanna Be Your Lover, Monday Kiz (Soundtrack no. 1)

[moehistory]

The nobleman's son from the capital. He followed his father the district governor to Namwon. He fell in love with Chunhyang at first sight. He has all the potential to successful, but has been slacking off on his studies.

Chunhyangjeon

[pionia-milly]

Watch "[Eng Sub] Pansori 'Sarang-ga' (Love Song) from the Story of Chunhyang | Korean Traditional Music 101" on YouTube

[trcquotes]

Chunhyang: Good luck comes from being especially loved by one of the gods! I wonder if you were always like that. Sakura: I don’t know. All I remember is my name and some people from a desert town. That’s all.

[swanlake1998]

youhee son photographed as chunhyang in brian yoo and evgeny neff's the love of chunhyang by kyoungjin kim

[jinyoungot7]

my love, jinyoung-ah bonus:

[commajade]

I had a question about fusion music in Korea and I thought you may know - does Korea not have a strong presence of fusion music? I mean something that marries traditional types of music with modern instruments/styles. I have been listening to OSTs for a few historical dramas and it struck me that they sound quite modern, no different from other genres. I

I’m sure it exists but is it popular? I have heard a few modern renditions of pansori (I had just watched Pansori Boxer and liked the style) but I was wondering if you had any more information/recommendations for other sorts of folk songs/fusion genres.

i would say it's popular, moreso recently! it's always been a niche everyone knows exists and there's a lot of varying opinions about it. it's a growing genre i love but it's hit and miss for me as well because there's a lot of ways it can go wrong and be cheesy or unpleasant or too much of a gimmick. retro korea has been the trend so people are using a lot more traditional imagery like even building more commercial areas in a traditional aesthetic which i honestly love i think it's so cool. there's a big difference between traditional korean musicians that make fusion music and nontraditional artists that want to use certain sounds and there's a ton of variation in style and quality, there's so many parts u can mix and match and the biggest choice is whether the vocalist is traditionally trained or going to try to sing traditionally at all.

for historical dramas it's because the point is the mood rather than authenticity to time period. they want it to feel dramatic and until recently traditional music has an immediate association with old timey rustic quaint things and boring historical texts and people's gradnmas and it didn't fit the grand royal mood they wanted.

i've shared this playlist before and it's just a small assortment of the fusion stuff i've heard, it should be a good starter. the songs from phantom singer aren't playable but i recommend looking them up on youtube it's classically trained vocalists and very good. for pansori i usually prefer the traditional versions but there's a fusion version of sarangga here (also not playable) from chunhyangga/the chunhyang story it's one of the most famous pansori songs there's several fusion versions of it.

[amythesailor]

Since the new delivery came I wanted to do this with the historical Korean clothes. You may not know but I am #shawol and I love love love #shinee. When I first got into kpop #hellobabyshinee was on air. And #thetaleofchunhyang was their parody story for baby Yoogeun. Ahhh pure nostalgia... Anyway I miss old days and decided to make this hope you love my version of Minho and Taemin as a Mongryong and Chunhyang...

[b-else-writes]

The Great CLAMP Re-Read Part 3: Tokyo Babylon

Part 1 (RG Veda) | Part 2 (Man of Many Faces)| Part 4 (Duklyon) | Part 5 (Clamp Detectives)| Part 6 (Shirahime)| Part 7 (X)| Part 8 (Chunhyang) | Part 9 (Miyuki-chan)| Part 10 (Rayearth)

The CLAMP 90s series. Perhaps their greatest work ever. Tokyo Babylon ran from 1990 to 1993, concurrent with RG Veda, the CLAMP School, Shirahime, Chun-hyang, AND X. It makes you wonder how X and Tokyo Babylon shaped each other (but more on that later). Tokyo Babylon (and X) is also set in the same universe as the CLAMP School reflecting CLAMP’s early interest in crossovers. Planned out as 7 volumes, it consists of 11 big stories and 3 annexes. I read the omnibus versions which contain lots of coloured art, but the original print run is a beauty in 80s and early 90s graphic design.

While I'd never read this before, it's famous enough (two OVAs, a drama CD, and a live action movie), that I went in knowing some of the big spoilers, but not details. So while my reading was coloured by the knowledge of its tragic end, it still felt revelatory to me. It is the first CLAMP work where I think they had gotten their storytelling pinned down enough to consciously think of how to write a story that ties together on a thematic level, in every stage, and it's phenomenal. Heavy spoilers.

Synopsis: Onmyoji and thirteenth head of the Sumeragi clan, Subaru Sumeragi is called upon to solve occult mysteries in post-bubble Tokyo. It's a time of glittering lights, a rotten economy, and city populated by lonely people desperate for an answer to their problems as the millennium draws near. Joined by his fashionable twin sister Hokuto and the kindly but strangely sinister vetenarian Seishiro Sakurazuka - who is in love with him - the overly sacrificing and empathetic Subaru must solve these problems and learn how to live - but Tokyo is not a kind place, especially to those with gentle natures.

The Story: On its surface, Tokyo Babylon begins as a "case-of-the-week" style story, where Subaru has to solve an occult case and learns something. Its a deceptively simple premise that allowed for CLAMP to explore pressing social issues of their time (which still feel resonant due to the sensitive way they explored them), while also building upon Subaru's character development through this, and the suspense of Seishiro's true nature. We observe Subaru grow through his failures and learn more about the limitations of his empathy. No case feels pointless in how it develops Subaru as a person, and his relationship to Seishiro. The dread we feel about Seishiro's connection to Subaru grows that we almost believe we might just get out of this. It's just excellently plotted out.

The comedy is well-timed and CLAMP know when to pull back from it to allow the emotional aspect to come through. Every case is incredibly gripping and I even cried reading "Old". I have seen some suggest it would have been more effective to have a massive twist rather than seed Seishiro's psychopathy throughout, but I actually think this works on a thematic level, and finding out Seishiro is a murderer, the bet, and Hokuto's death, still hit like a gut punch. It's a brilliant usage of seeding information without the full context until the end. I have no complaints here. It's a poignant story of Tokyo in the early 1990s and its destructiveness, while never losing its humanity.

The Themes: Do you know why the cherry blossoms are red. Tokyo Babylon is a story about well, Tokyo. It's about how modern city living that pursues only personal gain and conformity leads to human loneliness, and loneliness is a trap that destroys us all. We can never know someone else's pain, which leads to loneliness - but to recognize that is also freeing because it means we cannot judge and be judged for it. Having empathy is good, but too much and for the wrong people and not for yourself, can only lead to death. Subaru forms his self-identity through others, in contrast to his self-actualized twin, remaining aloof and detached from his own self - this is why Seishiro's betrayal breaks him, because Subaru doesn't know how to live as his own person. It is also what causes his loved ones so much harm in how little he loves himself in comparison to others.

Its a fascinating interplay between community and individuality, the reality of modern life of trying to be someone while also needing to generalize, without ever really settling on either side. Hokuto is right that they're not the same person, but Subaru is also right that they are deeply connected, as all people must be. Where it does come down hard is that humans are not the villains but Tokyo is, in what it represents - greed, selfishness, cruelty, and apathy. "Things like this happen in Tokyo everyday". It is intensely tragic and yet, strangely, incredibly life-affirming. Despite everything Subaru suffers, people are not born and made evil and everyone should be taken for who they are, not a faceless mass. Including ourselves.

The Characters: Like the plot, everything in the characters is tied into the story of Tokyo. Seishiro is Tokyo: the slick, cool-cut well to do man in a suit with no empathy and a taste for violence. He's Subaru's mirror - charming AND connected to people, and yet not. Nobody is special in Seishiro's eyes, nobody deserves to be treated as anything but an object. And then we have Subaru, poor sweet Subaru who is so empathetic and yet so detached from the world and himself because he's so focused on only his job, on not being an individual. He is what Tokyo wants him to be, filled with self-loathing and frankly suicidal impulses that he shouldn’t be alive if others are not.

It's so tragic to watch Subaru finally grow into a person, but to do so to the one person who will hurt him. Subaru wants to to love Tokyo so badly, that it kills his sister, the one person he SHOULD have been pouring his love into, the person who could love him back and expect nothing in return, the person who would allow him love while not dissolving himself in it. And Hokuto is just a showstopper, funny, kind, witty and cool. She's Subaru's northstar, the empathy and humanity where he cannot, almost co-dependent. I love characters that reflect one another and the themes.

The Art: The visual storytelling and panelling are fantastic. Tokyo Babylon offers a sparser and more distinctly black and white look than RG Veda, with a stronger emphasis on emotional paneling that breaks into beautiful spreads. It creates an almost wood-block, timeless appeal (despite the fashion) that is neither too busy nor too simplified. Anything to do with the Bet and especially the finale is incredible. Subaru surrounded by cherry blossoms? Haunting. The fashion is impeccable, I love the bold design choices in the covers and spreads. The character designs in and of themselves are quite simple (and I don't love the seme-uke look of Seishiro and Subaru), but the personality-costuming is so well done and tell stories themselves. And the use of Hokuto and Subaru being identical to conceal the twist? Masterful character design. My only complaint is some of the scanned photo backgrounds are jarring against the lovely drawn art.

Questionable Elements: Subaru is 16 and Seishiro is 25. That being said, I do think from their interviews and the actual text, we aren't meant to ship them, and it's not unrealistic to be a teen and fall for an older person only for it to majorly fuck you up because they abuse their greater knowledge to harm you (which hey, might be a theme!). Some of the way issues are handled is dated, but not too badly. Again, I’m not going to comment on whether this is queer representation or not, since I don’t think that has ever been CLAMP’s intention. Despite the stereotypical seme and uke stuff, the relationship feels real and tangible (which is why the payoff works). My real gripe is Hokuto getting fridged, though it's handled better than expected (still. let's stop killing women to make men sad).

Overall: A beautiful tragedy and an ode to human alienation, identity, and empathy. I went into this expecting to like it, and ended it never the same. It is genuinely a fantastic, fully complete thematic work from them that speaks as a reflection of the time it was written, and yet remains resonant. I know some people find it edgy, but I actually don't think edge is its intention, it's dark and it's tragic but never misanthropic. Yes, Subaru enters the adult world broken, but his refusal to become like Seishiro and to continue to count himself amongst humanity despite everything, reaffirms that life and people have value (notwithstanding his behaviour in X).

You can see so much of their ideas crystallize here that they’ll repeat across X, Xxxholic, etc. We're all just lonely people and we hurt each other in our loneliness, and it's important to recognize that in ourselves and take care of ourselves for it. We have value as individuals AND through others. Read it!

[virghogh]

💝🙇🏻‍♀️😶‍🌫️ september is my birth month too!!!

another September baby yess <3

Pull:

Justice; represented by "Amhaeng-eosa" a Korean Legend.

This legend tells the story of an Amhaengosa ("secret royal inspector") during the Joseon period. This story is about a man named Yi Mongryong who fell in love with a beautiful and highly sought after woman named Chunhyang. When he left for Seoul to become a amhaengosa, he left his wife and she gave him a ring to remember each other. When he left, a new government official took over the area and not only was it poorly managed but he also wanted to pursue Chunhyang, and took her as a prisoner. While that happened, Yi Mongryong completed his training and returned to the town undercover to learn about all of the new rulers wrongdoings. He was able to confront the new ruler and punish him as an Amhaengosa. After that, he tried to approach his wife but she barely recognized him and refused to believe who he was. Until he showed her the ring he kept after all this time, then she realized who he was. And they lived happily ever after!

[koreanfilminsight]

Chunhyang // 충향뎐 (2000) Directed by Im Kwon-taek // 임권택

Based on the Pansori folk song of the same title, Chunhyang tells the tale of two star-crossed lovers who consummate their love after overcoming various obstacles. Mongryong, the son of a nobleman, falls in love with a beautiful maiden on a swing. He learns that she is Chunhyang, the daughter of a retired kisaeng (equiv.to geisha)named Wolmae, but he pursues her despite her lower social status.Mongryong succeeds in winning the heart of Chunhyang and Wolmae and pledges Chunhyang as his life-long companion. Unfortunately Mongryong is forced to leave the side of his beloved when his father is summoned by the king's court. Sadly he leaves for the city with the promise to return as a court official. One day a new governor, BYUN Hakdo arrives in Namwon, the hometown of Chunhyang. Notorious for his insatiable desire for women, he orders Chunhyang to serve him after hearing of her beauty. When she refuses, BYUN tortures Chunhyang and throws her in jail. Meanwhile Mongryong passes the state exam with the highest distinction, whereby the king makes him his personal emissary, a post which grants him the authority to punish corrupt officials. Disguised as a vagrant and accompanied by his envoy, Mongryong heads toward Namwon with a vengeance... (Synopsis by KOFIC)

[dangermousie]

Prior to 2010 kdrama rec post

@walkwithheroes84 asked: “What are some dramas (Japanese, Taiwanese, Chinese, and/or Korean) that are older (pre-2010) that you wish more people would watch.”

Ooooh boy, we are gonna be here all day so I am just going to do Korea and save the rest for later. I had to really cull!

A Love to Kill (2005) - I own Japanese DVDs of this, I was so obsessed. A dark, intense melo in which Rain gets a job as a bodyguard to a rising young star played by Shin Minah. His plan is to seduce and wreck her to avenge his dead brother (who he believes killed himself after she heartlessly left him for fame), but he recons without his own impossible feelings for her or the extent of SMA’s internal damage. They remain one of the most impossible, messed-up, intense, doomed OTPs I’ve ever shipped. Stock tissues.

https://www.youtube.com/watch?v=WJox8iEcFMs

All In (2003) - he is a gangster, she is a nun. Have I gotten your attention yet? This was a huge hit and Lee Byung Hun and Song Hye Kyo are out of this world together.

https://www.youtube.com/watch?v=AuVDFLOytQI

Beautiful Days (2001-2002) - a super classic, grown up melo about a plucky poor girl and a tortured workaholic and Choi Ji Woo and Lee Byung Hun set the screen on fire.

https://www.youtube.com/watch?v=c3skKcivjJs

Capital Scandal (2007) - somehow both frothy and deeply emotional, this centers on freedom fighters and playboys and spies in 1930s Seoul. If you don’t love it, you have no heart.

https://www.youtube.com/watch?v=HN-0tERlaNM

Chuno/Slave Hunters (2009) - possibly my favorite sageuk (it’s a threeway tie atm), this story about an aristocrat turned slave hunter, a general turned slave, and a slave woman turned an aristocrat, all involved with rebellion, court secrets and sheer desperation of their lives is amazing. Beyond amazing. Jang Hyuk, Oh Ji Ho and Lee Da Hae are all on fire and if you ever watch only one sageuk, make it this one.

https://www.youtube.com/watch?v=5vAGdXpN6no

City Hall (2009) - Kim Sun Ah as a small town civil servant and Cha Seung Won as an amoral fixer for a powerful politician sparkle beyond words in the most grown up, smart kdrama romcom I have ever seen.

https://www.youtube.com/watch?v=KLek2pnv8yY

Coffee Prince (2007) - Yoon Eun Hye is a woman dressing as a man, Gong Yoo as a man horrified to discover he likes her while thinking she is a boy. This was a mad hit for a reason.

https://www.youtube.com/watch?v=OKSupXmez5w

Damo (2003) - my first sageuk, this is as good as ever. Ha Ji Won is a police tea servant, a noble lady whose family was executed and she came down in the world; Lee Seo Jin as her noble superior who loves her silently. She infiltrates a conspiracy led by the charismatic, tortured Kim Mim Joon, and epic tragedy follows. 

https://www.youtube.com/watch?v=RGkglLvjJ9k

Delightful Girl Chunhyang (2005) - back when Hong Sisters were consistently good, this is a modern take on the famous folk tale. Our heroine is a studious poor girl and our hero a ne’er-do-well son of a local prosecutor. There is arranged marriage, true love surviving some insane sacrifice, one of my all time favorite OTPs, and a heroine and hero that grow into people I was obsessed with. Confession time - I wrote fanfic for this drama!

https://www.youtube.com/watch?v=5kTGHJZIUvA

East of Eden (2008-2009) - a sprawling multigenerational epic they don’t make much of any more, this has its flaws but the plots and brotherhood and romances and the characters and the revenge are so worth it.

https://www.youtube.com/watch?v=x6LBIo16-e8

Emperor of the Sea/Sea God (2004-2005) - a larger than life sageuk epic they don’t make any more. 

https://www.youtube.com/watch?v=j53vbAxW3d4

Family’s Honor (2008) - Kdrama does North and South. Our heroine is a widow from an aristocratic family, our hero is a noveau riche ruthless businessman who gets attracted to her. This is so so good!

https://www.youtube.com/watch?v=YrAMgTKg_As

Fashion 70s (2005) - period drama about a bunch of intense cool peeps, fashion and love. Just watch it. 

https://youtu.be/qly7vkFUv3g

Friend Our Legend (2009) - the most criminally underrated drama on this list, about a group of childhood friends turned gangsters and the tragic fall out.I want a rewatch rn tbh.

https://www.youtube.com/watch?v=OJQx3tA5cGs

Goong (2005) - a giddily fun take on an alternate universe where an icy modern crown prince and a bubbly commoner have to get married.

https://www.youtube.com/watch?v=GAjz-5b4P6A

Green Rose (2005) - this tale of a man (Go Soo) trying to get revenge and get back to his love (Lee Da Hae) is a modern take on Monte Cristo and has one of my fave opening scenes ever.

https://www.youtube.com/watch?v=epJt6jCIOlU

Hello My Teacher (2005) - Gong Yoo is a student in love with Gong Hyo Jin’s teacher.

https://www.youtube.com/watch?v=oNFoENWvEEk

Hong Gil Dong (2008) - starts out wacky, ends up by making me cry. A wonderful take on Korean Robin Hood and the OTP omg the OTP!

https://www.youtube.com/watch?v=ingEOTBSnt0

IRIS (2009) - in the running for my favorite kdrama of all time, with definitely the most tortured hero, this starts out as a fun routine actioner until our hero’s life details in a horrifying fashion and even his attempts to right the world are doomed in this horrifyingly bleak, intense, romantic drama. 

https://www.youtube.com/watch?v=5kesXxZOBzQ

Jumong (2006-2007) - the DADDY of all traditional sageuks, with insane ep count (81) and equally insane and deserved ratings. See our hero go from zero to hero and an awesome king.

https://www.youtube.com/watch?v=ILBnGNxtwXw

The Kingdom of the Winds (2008-2009) - Song Il Gook’s last sageuk (so far, though I don’t think he’s gonna bother to come back), a story about a cursed prince and his quest for love and throne, this is wonderful.

https://www.youtube.com/watch?v=R1qfC0yFIf0

Last Scandal (2008) - they dated in high school. Now she is an exhausted ahjumma with a deadbeat husband and he is a huge star. A second chance romance that starts out hilarious but turns profound follows. One of my all time faves.

https://www.youtube.com/watch?v=zquHf8-p3ZU

The Legend (2007) - I’ve raved about it elsewhere; it is arguably my favorite sageuk of all time (or maybe even just plain fave kdrama), smart and passionate and hugely epic.

https://www.youtube.com/watch?v=853sc-s2hHE

Lobbyist (2007) - one of the very few actioners I’ve ever liked, and with more whump than you can shake a stick at, Song Il Gook is a tough as nails international arms dealer with an even tougher OTP (JJY) and this is a heaven of plot and love and hurt/comfort.

https://www.youtube.com/watch?v=J8puRJNmey4

Loveholic (2005) - a student/teacher romance AND a story about a man going to jail to protect the woman he loves all rolled into one. What more could you want?

https://www.youtube.com/watch?v=b6nVH75IRCM

Lovers (2006) - if it’s a smart adult love story you want, come right in!

https://www.youtube.com/watch?v=bgpe4VkbtNk

Mawang/The Devil/Lucifer (2007) - meet possibly my n1 kdrama of all time. Haunted past, tragedy, revenge, complicated characters and plot. If there is a perfect kdrama, this is it.

https://www.youtube.com/watch?v=lkn1KYaCjVk

My Girl (2005) - Lee Dong Wook and Lee Da Hae set the screen on fire in a romcom with hidden identities and plot twists. PS it is funny but when the drama starts, I literally bawled.

https://www.youtube.com/watch?v=k0jpSCN72Wg

One Fine Day (2006) - Sung Yuri and Gong Yoo in a lovely, angsty romance.

https://www.youtube.com/watch?v=qVeUG5U3oCU

Piano (2001-2002) - this is like who is who before they got to be big stars - Go Soo and Kim Hae Neul are in love but can’t be together because they are stepsiblings, Jo In Sung is a young gangster, tragedy and melo all around.

https://www.youtube.com/watch?v=hRG_4Uxl4Zo

Que Sera Sera (2007) - Eric and Jung Yumi play the ultimate dysfunctional couple. He uses his good looks to date rich generous women, she is a neighbor who is neither. Their levels of obsession with each other are insane.

https://www.youtube.com/watch?v=d4XqW14_A7k

Queen Seon Duk (2009) - want a female centric sageuk that is intense and epic and amazing? Look no further!

https://www.youtube.com/watch?v=ZwIY4poVBNw

Resurrection (2005) - a tight, complex revenge thriller that more people should see.

https://www.youtube.com/watch?v=k_ZbmVAk8zQ

The Return of Iljimae/Moon River (2009) - Jung Il Woo’s debut, this is arguably my favorite take on Korean Robin Hood ever and except for Someday and Friend Our Legend, the most underrated drama on this list.

https://www.youtube.com/watch?v=0YjgmHVO3n0

Robber (2008) - Jang Hyuk and Lee Da Hae break my heart and then heal it in this intense story of a man preying on desperate women and a broken widow. Yes, it’s another two messed up people heal each other story. I love those!

https://www.youtube.com/watch?v=SDyy3UtUWeM

Romance (2002) - a teacher/student romance, with gorgeous young Kim Jae Won and Kim Ha Neul.

https://www.youtube.com/watch?v=9LBs1tnc5Js

Sang Do, Let’s Go to School - Gong Hyo Jin is a teacher, Rain is a gigolo taking gigs to support his son; they used to be each other’s first loves. It’s wistful and slice of life and utterly tragic. Written by Lee Kyung Hee of the A Love to Kill and Thank You fame. 

https://www.youtube.com/watch?v=jRg1q3RULWk

Save the Last Dance for Me (2004-2005) - I binged 17 episodes of this baby at a go, a record that has not yet been surpassed. Ji Sung is a rich man who is in an accident and gets amnesia, being cared for and falling for Eugene. However when he recovers his memory and forgets his amnesia time - he will end up meeting her again and falling for her all over again (hilariously, his RL wife Lee Bo Young plays the psycho secondary girl in this.)

https://www.youtube.com/watch?v=ekfBrvJil8c

Say You Love Me (2004) - a much better attempt at Dangerous Liasons than the wretched Tempted. Kim Rae Won and Yoon So Yi, naive and tragic young lovers, come across a pair of jaded sophisticates; the female half of whom is intrigued by the fresh faced KRW and envious of uncomplicated young love and asks her partner to take YSI away from KRW for kicks. 

https://www.youtube.com/watch?v=niL2WJ_oAIU

Seoul 1945 (2006) - from WW2 to the Korean war, this is intense and smart and pulls no punches.

https://www.youtube.com/watch?v=bYsotv2rFQI

Shining Inheritance/Brilliant Legacy (2009) - Han Hyo Joo is a young woman tormented by her family; Lee Seung Gi is a spoiled rich boy who needs to grow up. I was obsessed with this.

https://www.youtube.com/watch?v=1_sWhVZA3DY

Snow Queen (2006-2007) - Hyun Bin and Sung Yuri do a tragic romance melo right. He is a poor, smart kid, she is a brittle rich girl with a terminal illness. It hurts so good.

https://www.youtube.com/watch?v=GEkAbJLYVpk

Someday (2006) - a sheltered cartoonist suffering from a writer’s block meets a sort-of small time private detective. They are both haunted by their pasts but find hope and healing with each other. 

https://www.youtube.com/watch?v=tLVijs891dw

Spring Day (2005) - a very solid melo where Jo In Sung ends up stealing the girl from the original leading man.

https://www.youtube.com/watch?v=ps7l27OBnVQ

Spring Waltz (2006) - the last and, imo, best of the seasons dramas, possibly in my all time top 10 kdramas, it follows a haunted young pianist and his OTP and their shared tragic past and hope for the future.

https://www.youtube.com/watch?v=3IGO0DST8dk

Swallow the Sun (2009) - Ji Sung as the haunted mercenary wanting revenge on his father, Sung Yuri as his tough, common-sense girlfriend, one of my fave secondary OTPs (mercenary x stripper) etc etc.

https://www.youtube.com/watch?v=C51efR5Iq5I

Thank You (2007) - Gong Hyo Jin is an island woman living with the stigma and agony of having an HIV positive child. Jang Hyuk is a surgeon haunted by the death of his girlfriend. Two lost souls find and heal each other in one of my all time favorites.

https://www.youtube.com/watch?v=UVk1TjvZZOw

Time Between Dog and Wolf (2007) - Lee Jun Ki is tortured a lot on his path to revenge and love. I loooove this one.

https://www.youtube.com/watch?v=v24-57tLFH4

Tree of Heaven (2006) - only ten eps but bring your tissues for this tender and tragic and gorgeous love story between Park Shin Hye and Lee Wan, stepsiblings for a brief time; they reconnect when she’s a cleaner and he’s a gangster. I was sooooo obsessed with it!

https://www.youtube.com/watch?v=YnAZlXZjFcw

What Happened in Bali (2005) - Ha Ji Won, Jo In Sung and So Ji Sub are a trio of desperately damaged people entangled with each other in what is probably still the darkest melo I have seen out of Korea. Money grubbing poor woman played by HJW, high-strung, abused rich son played by JIS, or a cold, ambitious man on the rise SJS - pick any of them, there is enough damage to level a city.

https://www.youtube.com/watch?v=FKHcYvK5qZM

Will It Snow for Christmas (2009) - a melodrama with Go Soo and Han Ye Seul by Lee Kyung Hee.

https://www.youtube.com/watch?v=bvQ14gtCqvw

Worlds Within/The World That They Live In (2008) - the last candidate for my n1 kdrama of all time. By Noh Hee Kyung, with seemingly mundane lives of TV station personnel. But every character is someone you feel you know and Hyun Bin and Song Hye Kyo are both real and unreal as the OTP.

https://www.youtube.com/watch?v=OBHrjZ8T6a4

Congrats if you made it to the end!

[yello-nailpolish]

I’m not usually one for rewatching dramas I’ve already seen but there are these three that I’ve noticed I could rewatch and rewatch. 

1. Delightful Girl Chunhyang 

2. Startling By Each Step

3. Yanxi Palace

I almost rewatched Ruyi’s Royal Love in the Palace. I think I have a thing for Qing dynasty dramas. which is weird because I’m not really into their clothing. I like the flowy stuff more but I have only ever rewatched Qing dynasty dramas LMAOO 

[thetavworld]

Penulis Drama & Pendapatku ^^ part 2

ngetiknya diiringi lagu A Million Dreams - OST The Greatest Showman (nglanjutin ngetik part 1 aja siih) ^^

Si Penulis Lee Woojung ini nampaknya baru punya karya 4 doang. Tapi yakiin deh, bagus semuaaa... Aku nonton semua... Meskipun Hospital Playlist ini masih ongoing di ep 3. Dan keliatan banget kalo Lee Woojung ini punya ciri khas dalam setiap kisah drama yang dia tulis. Tema persahabatan selalu ada, dengan jumlah pemeran utama wanita yang lebih sedikit dan dikelilingi sahabat lelaki. Selalu ada pesan dalam setiap kisah yang Lee Woojung tulis. Ciri khas persahabatan, kisah cinta yang manis, juga potongan kehidupan akan perjuangan. Apik pokokke..

Diantara 4 diatas masih suka Reply 1997, kita liat bagaimana Hospital Playlist ini. Karena cuma tayang seminggu sekali doaang...

Hong Sisters ini niiih yang sering disebut namanya sama kakak-kakak di Gank 579.. 

Aku pernah nonton My Girl, tapi nggak selesai dan entah kenapa nggak begitu like. hehehee.. Kalo Hotel del Luna juga belum pernah nonton. Soalnya hantu-hantu gitu siiih... Cuma one day akan nonton. Bisa nonton Master’s Sun, brarti bisa nonton Hotel del Luna. haha..

Kalo yang lain siih udah kutonton, meskipun Hwayugi endingnya kurang mantep. Semacam cliff hanging gitu lhooo... 

Kalo disuruh milih mana paling suka bingung juga.. haha... Suka The Greatest Love, ada mbak Hyo Jin yang kisahnya juga aku suka. Sassy Girl Chunhyang juga berkesan, soalnya menemani masa-masa SMP ku dulu di asrama. 

Yaa Pokoknya gitu deeh.. 

Mau drama genre apa aja kalo menurutku bagus ya kutonton.. hahahaha...

Mau ngomong sesuatu yang nggak nyambung aah... Semoga corona segera berlalu, yang sakit segera pulih, kondisi ekonomi semakin membaik. Aamiin.. ^_^

listening to Maroon 5 - Girls Like You