#the hero asks the heroine to marry him by writing his proposal on paper and showing her through the window

[thefitzs-blog]

Hello I recently began reading historical fiction (both mystery and romance) and I remember you commenting some time ago that you like to read historical romance. Do you have any recommendations? I’m still new to the genre and am finding what I like and don’t like. Thank you. Ps I like your header , Julia Quinn is grate

Hi Anon,

I’m quite fussy myself when it comes to historical romance, but hopefully I can be of some help - I’m really not into ham joints for hands, musclar men and a lot of authors across romance genre tend to base their hero’s around this image. It’s always important to read reviews especially when you’re testing the waters, they sometimes give more detailed descriptions or offer trigger warnings or just warnings of distress (which are much needed, my heart has been broken many a time and a spoiler would have been appreciated). However, don’t base all your judgment on others views, if you think it sounds good but top reviews don’t, just go for it - but if it’s got mostly 2 star reviews then maybe not.

Amanda Quick might be your cup of tea as she combines mystery and romance in a 19th century setting. If you’re just into period mystery then Agatha Christie is always a reccomendation. She’s actually how I got into hr, well Christie and a really good fic writer who wrote an amazing historic au years ago.

A few of my favourites:

Fool for love by Eloisa James. Some heartbreaking moments in this book, for context the heroine has had an injured hip since birth, “They said you would never marry, Henrietta. You are married. They said you would never dance. We are dancing. And they said you would never give birth. But I know you. I know you want this baby. We’ll go to every doctor in England if we have to. We can find someone who will save the baby. And you.”

A week to be wicked by tessa dare - this book is wild - fake betrothals, sharing a bed, science fairs, scientific dirty talk, impromptu weddings, sword swallowing, pretending to have an affair to hide in plain sight, misunderstandings, highwaymen chasing them and lets not forget being robbed at gun point with our hero left for dead before our heroine knocks the lights out of the unsuspecting bandit. This book seems like fanfiction, more specifically fitzsimmons fanfiction. Once I read it I was tempted to write it but I’m a bad writer. Worth noting this book is one of the few books I enjoy both by the author and in the ‘spindle cove’ series, the book prior to this is a good read, the rest are mixed.)

Seven Years to Sin by Sylvia Day is great, I like-love it but I don’t love-love it. The hero coveted heroine for several years however she married during this time, she becomes widowed and the two meet by chance and explore the sparks that have been between them since the moment they laid eyes on one another.

Scandal of the Year by Laura Lee Ghurke - fyi only a pretence of adultery none actually committed- Hero and heroine are discovered in bed together by heroines husband which results in divorce, yes the scandal! Hero has no idea how he ended up in bed with the heroine, he remembers nothing other than her kiss before all fades to black. One later, they meet again, we learn their lives have intersected since they were 16, each coveting the other at one point or another yet too afraid to say something. Basically, Hero wants a future with heroine, heroine is scared and wants to enjoy her freedom after her horrid first marriage.

Her Ladyships Companion by Evangeline Collins - fyi, adultery is committed but your heart aches for the heroine, she was so young when she married and he is so horrid you just want her to be happy ahh spoilers anyway - Hero is a male prostitute (I blame fanfic for my love of this rare trope), he is hired by our heroines close friend who believes heroine deserves some attention in her life. She has every intention of sending him away until she meets him and everything changes. Their relationship is great until Hero realises he wants more than she can give him. He leaves and asks she not to contact for him again, yet he is summoned once more. Does he go back? Will they ever be able to have a real relationship? 🤷🏻‍♀️

When beauty tamed the beast by Eloisa James - the Hero honestly reminds me of Fitz from aos, he’s such a grump. Our hero is a doctor - an upfront and emotionless one at that. He was injured as a child resulting in a permanent limp and the use of a cane. Our heroine is beautiful, the talk of the town and allegedly pregnant having been spotted kissing a prince then throwing up after eating less than fresh prawns at a season event. The hero’s father thinks that his son will never marry or beget an heir (he believes his son impotent) and so arranges a marriage between he and the hero, believing that she is already pregnant which would provide him his heir. The hero is no fool, as a doctor he knows a stuffed pillow when he sees one. This book is packed with affairs by the beach, a spreading disease, a race against time and thunder storms. This book also includes the heroine coming to terms with what she perceives as her loss of looks, as someone who prided herself on looks alone it is such an amazing journey to see her inner thoughts. This book is great, and I really recommend it.

The Earl takes All by Lorraine Heath - I cannot put this book into words. It’s heartbreaking but it’s worth the pain.

Less angsty books include the Westcott series by Mary Balogh (all save the last, Someone to Care, I didn’t care much for the protagonists as I had grew to dislike the heroine in prior books). I’m currently re-reading this series.

Someone to Love - Anna Snow has lived at the orphanage for as long as she can remember, whilst others left once of age, she stayed on to become a teacher (alongside her best friend Joel). One day she receives a letter from a solicitor to meet him in London. She discovers she is the only legitimate heir to an aristocrat after it is revealed he committed bigotry. She is thrust into a life she could never have imagined, with the help of Avery, a handsome lord, to guide her.

Someone to Hold - Camille Westcott begins teaching in the very orphanage Anna grew up in so she can find herself - if her half sibling can live so lowly, so can she. She meets Joel, an artist who teaches art once a week - they immediately dislike each other, due to his loyalty to Anna who is his best friend and the woman he once proposed to. He admires the way she engages the children and sees something in her that Camille doesn’t see herself. There’s sparks, heartbreak and a new discovery that could change Joel’s world forever.

Someone to wed - upon inheriting the Westcott title as the closest male relative to the late Earl of Riverdale, Alexander, the penniless Earl also inherits a mansion which is in desperate need of repairing. Thankfully for him, Wren, his neighbour, has just the solution to his financial problems. Marriage. Having only met Wren, a woman who hides herself behind a dark vail, ten minutes prior, Alex is taken aback by her offer. It’s the perfect solution but why would she marry a total stranger? And what is she hiding behind the vail?

I would also recommend Anna Bradley, her writings are quite light hearted and The Firstborn by Quenby Olson (latter is a clean romance).

I hope you enjoy these recommendations anon, I have tons more if not. I must warn a majority of these are angsty and so Julia Quinn may be a good read in between books. I hope you’re able to find the trope that you like 💕🦔

[bywordofaphrodite]

Book Reviews 7&8: Pride and Prejudice by Jane Austen & Anne of Green Gables by L.M Montgomery

This review’s theme is female-led romantic classics ! Audience age: roughly age 10+

This review is about two of my all-time favourite female-led classics! Pride and Prejudice is one of the only classics I can truthfully say I enjoy, sorry to lovers of classics I just cannot bring myself to love many of them. Elizabeth Bennet is a timeless heroine, and her story is an easy, comfortable read. Anne of Green Gables, likewise, echoes the same sentiments, albeit with considerably more hijinks added into the mix- and with the heroines’ age gaps and very different circumstances, this is to be expected!

Nostalgic review

Rating: ★★★★★

These novels are, if I didn’t already make clear, comfort stories in the best sense of the word. It’s been several years since I last read either of them in full, but there is a special ease about them at all times; even in the midst of disaster, you know there is hope just around the corner.

In the case of Pride and Prejudice, I’ll admit that as much as I love Lizzy, it is the entirety of the story that draws me in more than just her character. I love the general vibe of the novel, the drama and gossip in the town and all the fuss that comes about with each new ball the Bennet sisters must attend for social reasons. The surprising scandals are all very alluring, and really, Jane Austen’s stories walked so Gossip Girl could run!

On the flip side, Anne as a character- she is one of my absolute most favourite characters ever written. I’m no orphan and I’ve never had to struggle in the way she did, but I grew up the odd one out in a small town, with a hot temper and a huge imagination that always managed to get me into trouble. Everything about Anne is relatable to me- right down to the infamous scene where she attempts to dye the red hair she hates and it goes green instead (I tried to bleach mine and it went orange, so I didn’t fare much better).

While it has been a long time since I last read these books, I am expecting more positive surprises than negative ones, now that I’m older with a bit more perspective!

Pride and Prejudice Review

Post-read: ★★★★★

Synopsis: Elizabeth Bennet, the second daughter of a middle-class family desperate to marry off their five daughters, navigates her way through matters of marriage, estate, love and temperament in an attempt to make a match that ensures her own happiness in a time where love was not always a priority.

Set in Regency England, the middle-class family the Bennets begin to fear their ruin as Mr Bennet grows older. See, Mr Bennet’s estate and fortune detailed in his will can only go to a male heir upon his death, thus ruling out his five daughters without their marriages taking place. As luck would have it, two eligible rich men arrive in town, and Mrs Bennet becomes obsessed with setting up her daughters with them. Amidst numerous balls and trips to the rich families’ residence of Netherfield, Jane Bennet catches the eye of sweet Charles Bingley, while Elizabeth begins a cold war with Bingley’s best friend Fitzwilliam Darcy, after he slights her upon their first meeting, to Mrs Bennet’s fury.

Over time, Mr Darcy becomes increasingly attracted to intelligent and witty Elizabeth, but so do other, less appealing characters to the likes of Elizabeth’s pretentious and stupid cousin, the clergyman Mr Collins, and the handsome militia officer Wickham, who tells Elizabeth that he has lost his fortune because Darcy stole it from him. When Elizabeth’s fifteen year-old sister runs away with Wickham in the middle of the night, Elizabeth is forced to hear our Mr Darcy’s side of the story and put aside her prejudice toward him. He, in turn, overcomes his pride, and by the end of the novel the two are able to freely admit their love without pride or prejudice standing in the way.

For such an old book, it really does stand the test of time. The lessons Austen teaches in this story are forever applicable to relationships in any timeline, though we have to make do without the fancy dresses and balls (and the gender norms and sexism, so it’s still a win for us, I suppose). I enjoy her writing and love how humorous it is; Austen perfected the art of polite mockery. Elizabeth is a good role model, and her character development over the course of the novel is wonderful.

Characters who aged well: first and foremost, Elizabeth Bennet of course. She’s headstrong and real, and satisfyingly selfish when necessary (nobody should be selfless when presented with a proposal from Mr Collins, and I will not hear otherwise). Mr Darcy remains an eternal heartthrob- I do sometimes wonder how someone less determined to see the bad side in Darcy would have viewed him from the get-go (my guess that had Jane been the perspective offered, Darcy might have been cut a bit of slack earlier. But where would be the fun in that?). I won’t comment on all the characters, but I will mention that I appreciated Jane much more as an adult. As often happened with sweeter female characters, internalised misogyny used to get the best of me on occasion and I would resent them for being ‘boring’. Now I just think she’s lovely.

For a villain, Mr Wickham aged so well. I once saw a Tumblr post declaring him the 1800s equivalent of a modern-day fuckboy and it’s stuck in my mind ever since because yes, that’s exactly what he is.

Characters who aged badly: Everybody hates Mr Collins, but I don’t know if I’m entirely correct in listing him here, given he wasn’t well liked back in 1813 either. As an antagonist, he technically aged well, but I’m going to keep him here anyway because I felt like ranting about him. The same goes for nauseating Mrs Bennet and Mary… they aged as intended, but I will remain frustrated with them anyway.

Favourite scene/quote: ‘An unhappy alternative is before you, Elizabeth. From this day you must be a stranger to one of your parents. Your mother will never see you again if you do not marry Mr Collins… And I will never see you again if you do.’

This line never fails to make me laugh, whether on paper or onscreen. He does delight in vexing his over-excitable and irritating wife, and in this case it was all the more pleasing: he saw his wife trying to force his favourite daughter into marrying perhaps his least favourite person on the planet and supported Elizabeth’s decision to reject the man wholeheartedly, as well as reinforces the bond between father and daughter in a humorous way.

Scenes I particularly enjoyed are the ones surrounding Wickham’s secrets and shocking fake elopement with Lydia, partially because Lizzy and Darcy become close, but mostly because all the detective work unravelling the drama is so entertaining. It’s pleasing to see Darcy come out the undisputed hero after all Wickham’s deceit and attempts to ruin many girls’ reputations in attempts to get their fortunes.

Anne of Green Gables Review

Post-read: ★★★★★

Synopsis: red-headed orphan Anne Shirley is adopted by unmarried siblings Matthew and Marilla Cuthbert by accident. After a trial period, they agree to keep Anne, and the misunderstanding brings the greatest joy to their small farmhouse in the town of Avonlea.

This book! Everything about it!

As I anticipated, time did not change any of my love nor expectations for this book, but rather made me fall in love with it all over again.

Starting at the beginning, Anne’s introduction to the Cuthberts starts off with her first asking him to call her by a name she chose herself, and then settling with keeping her own name as long as they remember to spell it with an ‘e’. This alone is already something I relate strongly to- I can’t bear when people forget the second ‘e’ in my name… it looks so empty.

Moving on from the names!

Anne is enrolled in school, a place she is successful in due to her intelligence, yet many adults in the town, including her teacher, refuse to treat her very well. Anne’s temper gets her into trouble of numerous occasions with adults and classmates alike, the most memorable instance being when the handsome popular boy Gilbert Blythe calls her ‘carrots’ and tugs her plaits to get Anne to notice him- and she does, but likely not in the way he hoped: she smashes her writing slate over his head. Utterly iconic move.

The friendship between Anne and her neighbour Diana is a high point of the book, too. Anne is always on the lookout for ‘kindred spirits’ or ‘bosom friends’, terms she applies not only to Diana, but also to Matthew and her second teacher, the amazing Miss Stacy who represents that one literature teacher every writer child connects with.

Navigating dozens of scrapes and accidents, Anne manages to graduate school and attend an academy where- with Miss Stacy’s encouragement- she obtains her teaching license in one year instead of two, and ties first place with Gilbert Blythe, whom she has ignored to the best of her ability since the ‘carrots’ incident, though he has tried many times to obtain her forgiveness. Toward the end of the novel, Matthew has a heart attack that shatters both Anne and Marilla, and she gives up the scholarship she won in favour of teaching close to home in order to stop Green Gables from being sold. Gilbert Blythe passes on his teaching position at Avonlea school to Anne so she won’t have to struggle, and Anne finally accepts that she has lot more love for Gilbert than anything else.

Though they do not get together in this book, the following sequels end with their marriage, and their developing romance is a special part of this first novel too.

Characters who aged well: Anne Shirley, best girl! I think I’ve already listed enough examples to showcase what I think of her, but I also think she has aged very well as an interesting character and feminist role model, all the way back in 1908. Gilbert, too, is a wonderful example of how a man should be, and his character growth is every bit as good as Anne’s. The supporting characters are wonderful too.

Characters who aged badly: Mr Phillips, Anne’s first teacher who treated her terribly and tried to marry a student in the same classroom. Predator teachers exist now too, of course, but this man simply did not cop the jail time he deserved (yes, times were different then, I don’t care).

Favourite scene/quote: ‘I’m not a bit changed- not really. I’m only just pruned down and branched out. The real ME- back here—is just the same.’

This is the essence of Anne’s story, and I like to think for many people. Most people like to think they’ve changed while growing up, but the truth is that most people remain the same, they just grow into their ideas and find new dreams to follow; change doesn’t have to signify loss, just growth.

There are many great scenes in Anne of Green Gables, and narrowing down favourites is quite hard. As a romantic, I loved any scene with Gilbert, even though Anne herself was desperately trying to ignore him. All of Anne’s scrapes are hilarious, too, but if I had to choose, it’s when Matthew picks Anne up from the station the day they meet, and the quiet man- whose only interactions are with his sister- immediately takes a liking to the poor orphan girl no other adult has ever been kind to. Their ride home together signifies a beautiful change in both their lives, and their instant bond is heart-warming.

Overall verdict: I’ve read both of these novels more times than I care to count, so there was never really any strong doubt that I wouldn’t continue to love them a fair amount. It may seem a ridiculous thing to say that I still find them both to be well-written, but as someone who finds many ‘classics’ incredibly boring and too wordy to properly enjoy (looking at Charles Dickens, by the way), I’m making a note of my contentment with Austen and Montgomery’s writing styles. I do generally prefer female authors in the first place (and not just because most men can’t seem to write good female characters to save their lives) so I’m not entirely surprised by this, though I think it necessary to mention after my shock over the stunted sentences in Enid Blyton’s works and Nancy Drew and the Mystery at Lilac Inn.

While rereading these books I also felt compelled to re-watch the televised versions and show them to my younger sister too (she loves them!). I do have personal favourite versions, and this is due not only to the actors in the cast, but to which I deem the most accurate and faithful in comparison to the original written source material. For Pride and Prejudice, contrary to the popular version amongst most people who reference it, my favourite is not the Kiera Knightley movie. I greatly prefer the BBC show, finding the casting, setting and costuming far more accurately detailed. I don’t hate the movie, just to be clear! But if you want accuracy watch the television show, especially because the episodes had a chance to explore more of the script than the movie did, so there was no need to cut things out or rush certain developments.

As for Anne of Green Gables, there are a few different movies and series. My forever-favourite is the Megan Follows and Jonathon Crombie led film series, with the first movie released in 1985. The casting was perfect, I adored the settings and costuming, and Megan as Anne captured everything about the character in the most perfect way imaginable. As for the newer Netflix series Anne with an E, I have only seen a few episodes but I think that was really well done too; the casting of the leads was also very faithful to Montgomery’s novels. It’s a shame that Netflix chose to cancel a show that so many young people really enjoyed, but I hope maybe some of them will watch the movies or pick up the books!

The true importance of these books for me as a child was my connection to the characters, which hasn’t changed at all. Though I do identify in part with Elizabeth, it is Anne who is so much like me, and while I haven’t reviewed past the first book here, I can confirm that my personality has evolved in the same way hers does in the sequels. Something interesting I noticed when mentioning either of these series to people unfamiliar with them is that they are surprised I like these books. The reason? Owing to how old the novels are, people expect the characters to be boring and grounded in sexist tropes. While I cannot deny there are plenty of books out there that are full of these issues, the characters of Elizabeth and Anne are very much feminist in the best way possible. They fight against the expectations for their gender and forge their own paths. Their relationships with the male leads take a long time to develop- Anne and Gilbert do not get together until proper adulthood- because they want everything to be done on their terms, within their own certainty. Neither lead suffers from ‘not like other girls’ syndrome, both cherishing their friendships with the women around them, and Anne especially is a celebration of the best parts of femininity.

Ultimately I find both Pride and Prejudice and Anne of Green Gables to be comfort novels. There is conflict and angst, humour and love, and the reassuring knowledge that by the end of it everyone will get their happy ending.