#the hardie boys also make the situation difficult to read because they lie to you about the murder and are super hostile to Harry and Kim
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Evrart is a very intriguing character to me because on one hand he couldn't be shadier - he acts like a salesman trying to get you into his pyramid scheme, he's going to fund his syndicate through drug trafficking and he wants to start a war that will get many of his men killed - but on the other it makes you wonder... what if his plans work out and improve Martinaise. He asks you to open some guy's door and at first it seems suspicious but when you find out it belongs to Gary the Cryptofascist you don't feel as bad about it. The construction of the youth center is going to drive people away but at the same time it is a youth center in an incredibly impoverished area that has been forgotten by the Coalition. And even though he is the union leader, most if not all of the union members you see are fine with his behavior, willing to die for his ideas and proposals. Not to mention that, unlike Joyce and Wild Pines, the union is a force of good so it will always be preferable to support it than to defend a powerful capitalist company like Wild Pines. But, despite all that, he comes off as such a corrupt character, especially when compared to Joyce - who is so pleasant, cooperative and agreeable - that it makes you doubt and wonder if you're doing the right thing by siding with him.
#m#disco elysium#the hardie boys also make the situation difficult to read because they lie to you about the murder and are super hostile to Harry and Kim#which makes sense because the police are bad and all that but all the secrecy and lies definitely make them seem suspicious#and joyce is the complete opposite of evrart - a charming character but also (draw a cross) A LIBERAL!#it's also interesting that there are multiple representants of the union but there's only one for Wild Pines#so in the union you meet an array of characters - some of which are suspicious - while Wild Pines has one rep and she's great#i dont count the mercenaries as part of wild pines since by the start of the story they've gone rogue and don't follow its orders anymore
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As a personal challenge to myself, and because I’m pretty fond of writing about these two dorks in love, I wanted to see if I could complete all the available Damerey Daily prompts.
And, as of a few hours ago, they are all complete (and one prompt got two fics because I had two different ideas, and one prompt I did twice because I forgot I did the first one. Oops.)
All together, it’s 19,719 words over 93 separate works. Thank you to everyone who read, hit that kudos button, and commented!
The full list with links to the drabbles or ficlets, all relatively short with a few exceptions, are available below!
(Anything with three *** at the end are rated M or E)
January
Unspin the laws
No, his smile isn’t much like a skeleton at all.
Um… I’m gonna need vodka in a water glass, with ice, and I’m gonna be ordering ‘water’ from you all night long so… one… ‘water,’ please.
I write mostly on hotel paper, knowing that my thoughts will never leave this room.
You are the best thing that’s ever been mine.
Say that you’ll hold me forever; say that the wind won’t change on us.
I guess I kind of hate most things. But I never really seemed to hate you. So I want to spend the rest of my life with you, is that cool?
What’s that? In the distance? Such a ghostly glow.
I know.
Anywhere you go, let me go too. Love me: that’s all I ask of you.
“That’s right! It was a twist!” “No, it was a lie. A lie is not a twist.”
Sometimes a feeling is all we humans have to go on.
Everything seems simple until you think about it. Why is love intensified by absence?
There are so many lives I want to share with you. I will never be complete until… I do.
There will be boys who will tell you you’re beautiful, but only a few will see you.
Thinking that you can’t protect the ones you love, you have to hope they’re smart enough to save themselves.
Live with me and be my love.
Silence is a protective coating over pain.
He looked at you like you were the brightest planet in the galaxy.
And all the constellations shine down for us to see. Fic 1�� / Fic 2
They are the hunters, we are the foxes (and we run). ***
It well may be that in a difficult hour… I might be driven to sell your love for peace… or trade the memory of this night for food… It may well be – I do not think I would.
And mostly I hate the way I don’t hate you. Not even a little bit. Not even at all.
As you wish.
I will love you if I never see you again, and I will love you if I see you every Tuesday.
“Sir? I’d like you to take the helm, please. I need this man to tear all my clothes off.” “Work, work, work!” ***
‘Cause we got the fire, and we’re burning one hell of a something.
Take this sinking boat and point it home.
Most of all, I’m scared of walking out of this room and never feeling, the rest of my whole life, the way I feel when I’m with you.
So this is how liberty dies: with thunderous applause.
I did not make it out unscathed! I am extremely scathed!
February
And this all started as your standard ‘who would survive the zombie apocalypse’ debate.
Darling, I’m a nightmare dressed like a daydream.
We sow our truth, wait patiently.
Sweet creature, had another talk about where it’s going wrong.
I know that a life without love is no life at all. ***
They’re fascinating. It’s like being inside a dream or something. There’s truth but no logic.
You know, I can’t believe I’m saying this, but I actually checked out that snow globe museum that you recommended, and it was pretty awesome, I have to say. I mean, I did get in trouble for shaking one.
Is this horny crying?? ***
Do or do not, there is no try.
I wish I were a girl again, half-savage and hardy, and free.
Just when I think I’m out, those cheeks pull me right back in. ***
When I was growing up I didn’t have a normal mom and dad or a regular family like everybody else, and I always knew that something was missing. But now I’m standing here today knowing that I have everything I’m ever going to need. You are my family.
Make the baby do the magic hand thing! C'mon, baby, do the magic hand thing!
I’ve been thinking. What if I decided to go flying around the galaxy with some scoundrel?
This bridge will only take you halfway there.
Great, I’d like your $8-est bottle of wine, please.
Just remember, every time you look up at the moon, I, too, will be looking at a moon. Not the same moon, obviously, That’s impossible.
I keep meeting all the right people–at all the wrong times.
I sometimes have a queer feeling with regard to you–especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.
Never repent of your own goodness, child. To stay true in the face of evil is a feat of great strength. Fic 1 / Fic 2
He saved me in every way that a person can be saved.
I lost so much of the world’s beauty, as if I were watching every shining gift on its branch with one eye. Because I was hungry. Because I was waiting to eat, a self crawling about the world in search of small things.
She had fallen in love with him twice. She loved him now with both loves, so overpowering it was almost unbearable.
Make ten men feel like a hundred.
the long syntax of las montañas that lined his village, the rhyme of sol with his soul—
“You’ve got this. You could debate the entire Senate in your sleep.” “I have!” “I know you have. We share a bed. It’s been hell.”
[Kylo Ren], Good to see you. But if you’re here, who’s guarding Hades?
I cannot make speeches. If I loved you less, I might be able to talk about it more. ***
Whatever our souls are made of, his and mine are the same.
March
Because I knew you, I have been changed for good.
It’s not about who you know. Enlightenment comes from within. [Luke Skywalker] texted me that.
This is not yours to fix alone. You act like you’re all alone out there in the world, but you’re not. You’re not alone.
“But what if you met the right man, who worshipped and adored you? Who’d do anything for you? Who’d be your devoted slave? Then what would you do?” “I’d pity him.”
“You Rebel scum!!” [Han]:“…Scum?”
I bet I’ll never appear in a dream or a summer dress or next door. Displaying on one hand my prowess, the other my difficultness, I bet there will be just enough pain to keep me alive, long enough for the moon to be mine.
“Hate that nickname. Addicted to lemon bars. I’m in!”
Laugh it up, fuzzball.
I will love you until there is no till. / Till I die.
“The first time we met we hated each other.” “You didn’t hate me, I hated you. And the second time we met, you didn’t even remember me.” “I did too, I remembered you. The third time we met, we became friends.” “We were friends for a long time.” “And then we weren’t.” “And then we fell in love.” “Three months later we got married.” “It only took three months.” “Twelve years and three months.”
You will never find a more wretched hive of scum and villainy.
Time grabs you by the wrist, directs you where to go.
If you live to be a hundred, I hope I live to be a hundred minus one day, so that I never have to live a day without you.
Just as the whale, stuck in its baleen grin, climbs up out of the depths.
This is my boyfriend [Poe], and this is [Poe’s] boyfriend [NAME]. [Poe] is gay but he’s straight for me and he’s gay for [NAME] and [NAME] really gay for [Poe]. And I [love/]hate [NAME].
“I’m still mad at you, but I need to prioritize my hate right now. It goes [him/them/]her, cooked green peppers, and then back to you.”
She’s our friend, and she’s crazy!
If you’re ever lucky enough to find true love, you fight for it every day
Dying is easy, young man. Living is harder.“
“She’s at that age where she only has one thing on her mind.” “Boys?” “Homicide.”
Does [he/]she know that you told me you’d hold me until you died–and you’re still alive?
There is nothing more terrifying than the absoluteness of one who believes he’s right.
Our fates are sealed. But I think we have one move left: We can try.
The world is too quiet without you nearby.
“Why has the car stopped?” “It’s frightened.”
I am totally butt crazy in love with [Name]!!!
Any day spent with you is my favorite day. So, today is my new favorite day.
What you did was impulsive, capricious and melodramatic, but it was also wrong.
But what was the point of living so quietly you made no noise at all? ***
I, myself, am strange and unusual.
We have no plan. No one’s coming to save us. So… I’m going to do it.
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@mynamesdrstuff thank you ur brain is so big, i had like 10 moments of revelation while writing this
A Labour of Love- or, How to Write a Song That Makes Me Want to Lie Facedown On The Floor
Four decades separates the respective rises of singer-songwriters Hozier and Bruce Springsteen, nearly as large as the gap between the worlds in which their public images reside. According to popular myth, the former is the tall, near-ethereal Bog Man, half in this life and half in the next, who rose from a fae-inhabited woodland after 1000 years of slumber to find he was able only to mourn his lost love through song; the other is the Boss, a hardy yet compassionate working-class hero permanently streaked with the blood and sweat of a marathon shift, toiling endlessly alongside the heart-stopping, pants-dropping, hard-rocking, earth-quaking, booty-shaking, Viagra-taking*, love-making, legendary E Street Band. The domains of fen and factory may appear to be irreconcilable, but in reality the musicians have many things in common:
Broadly speaking, they both create wildly variable mixes of folk and rock, often with particularly strong Irish and African-American influences.
Their lyrics are poetic and commonly reflect on social issues with a progressive voice.
Songs about romantic relationships typically portray them as complex and difficult but remain respectful, sometimes near worshipful, of women.
Their characters yearn, long, pine and crave more often than not.
They both really like to use religious imagery.
They enjoy and return notable amounts of wlw love.
Representative of many of these are Hozier’s “Work Song” and Springsteen’s “Maria’s Bed”, two songs with close thematic parallels. Each is ostensibly told from the perspective of an exhausted labourer who dreams of returning to his lover. In a twist, however, “Work Song” is a melancholic love story, while the upbeat “Maria’s Bed” is a subtle tale of death; the opposing moods are complex reflections of these underlying narratives. These songs have Hozier and Springsteen skilfully intertwine the concepts of love, death, freedom and spirituality, creating two deeply moving portrayals of desire** that never fail to eviscerate the listener after 10pm.
Though the songs differ in overall lyrical structure, the similarities in narrative are evident from the first few lines:
Boys, workin' on empty / Is that the kinda way to face the burning heat? / I just think about my baby / I'm so full of love I could barely eat
Been on a barbed wire highway forty days and nights / I ain’t complaining, it’s my job and it suits me right / I got a sweet soul fever rushing round my head / I’m gonna sleep tonight in Maria’s bed
The audience can gather that each character works in a harsh environment where they are exposed to the elements. Their work is likely in manual labour, but the details are skimmed over because the narrators don’t particularly want to think about the details. Pushed to their limits, each instead copes by preoccupying himself with thoughts of his lover, though it makes him literally lovesick.
I’d never want once from the cherry tree / ‘Cause my baby’s sweet as can be / She gives me toothaches just from kissing me
She gives me candy-stick kisses ‘neath a wolf-dog moon / A sweet breath and she’ll take you, mister, to the upper room
The worker recalls his lover’s kisses as being vibrantly sweet, sweeter than nature. So, too, is her company- in contrast to the grim situation he is currently in, she is something to be savoured. Sugar cravings, an innate biological compulsion, come to mind; his hankering for her is likewise deep-seated and out of his control.
The reason for such devotion, the narrator reveals, is that she saved his life at a time when he had already resigned himself to death. He believes he was undeserving of such a deed; Hozier describes “three days on a drunken sin… she never asked me once about the wrong I did,” while Springsteen’s character recounts being “burned by angels, sold wings of lead / then I fell in the roses and sweet salvation of Maria’s bed”. In other words, his state of ruin was at least partially self-made, and her care seemed completely inexplicable. He eagerly returns her love, perhaps feeling that it’s the least he owes- but he still doesn’t quite understand where it came from.
True to both songwriters’ styles, these lines are direct allusions to the idea of redemption in Christianity: God sheltering a faithful person from the literally hellish consequences of their wrongdoing, through no merit of their own. However, the worker is notably dismissive of traditional doctrine:
My babe would never fret none / About what my hands and my body done / If the Lord don’t forgive me / I’d still have my baby and my babe would have me
I’ve been out in the desert, yeah, doing my time / Searching through the dust for fool’s gold, looking for a sign / Holy man says “hold on, brother, there’s a light up ahead” / Ain’t nothing like the light that shines on me in Maria’s bed
His faith rests not in God but on his lover; she is his religion now. Her act of grace already gave him a new, better life- he doesn’t need biblical promises when her love is tantamount to anything heaven might offer. This implication conveys a staggering depth of feeling, particularly to a religiously raised listener. Spirituality is, at its core, emotional; combined with the values and customs of religion, it is a force that can exert incredible influence over a person. The worker doesn’t reject spirituality itself- it’s an intrinsic part of him- but he has put all that power in the hands of the one he adores. It may make him vulnerable to her (that’s love!), but he is certain that she will give him the strength he needs.
Theological redemption also has close ties with death, as its benefits aren’t meant to be reaped on earth. Instead, the love, glory and freedom that are promised are relegated to the afterlife. Historically, the presumed ecstasy of achieving this gave death a sexual connotation; after all, if a lover could take the spiritual place of God, then perhaps sex could take the role of death as a gateway to paradise, far away from a life of pain. Work Song embraces this analogy, explicitly linking spiritual fulfilment to the pleasure of sexual intimacy:
When I was kissing on my baby / And she put her love down, soft and sweet / In the low lamplight, I was free / Heaven and hell were words to me
The equally suggestive Maria’s Bed allows the audience to draw similar conclusions, but it accomplishes this using a far less serious method: regular mentions of the titular bed, wink-wink-nudge-nudge. Yet this light-hearted sauciness is something of a misdirection. It’s easy to gloss over the song’s references to water, but they are strong hints that support an alternative reading: Maria is not a woman, but a river***. The story, from this perspective, then becomes much more sombre- the worker is a dying or suicidal man who wishes to have his body laid at the bottom of a river that provided for him in life, and whose real desire is for the peace he hopes to find there in death.
Got on my dead man’s suit and smiling skull ring / Lucky graveyard boots and a song to sing / I keep my heart in my work, my troubles in my head / And I keep my soul in Maria’s bed
This darker interpretation arguably makes more sense than the face-value love story, as it resolves some figures of speech that otherwise seem out of place. Even so, the more obvious reading is no less meaningful****; in fact, the coexistence of these narratives is what makes Maria’s Bed an almost perfect thematic inverse to Work Song.
When my time comes around / Lay me gently in the cold dark earth / No grave can hold my body down / I’ll crawl home to her
Hozier uses the finality of death to illustrate the strength of a man’s desire for love- his narrator embraces his own passing as he is certain not even the most permanent of barriers can keep him from his lover. Springsteen, through the personification of the river, uses the language of romance to demonstrate how fervently a man might desire death- his narrator embraces his demise because it offers a reprieve from life, just like a lover would.
All that said, no amount of lyrical analysis will reveal the clearest point of contrast the songs have: their music.
Work Song primarily draws from blues and folk music, both of which have roots in historical work songs used to coordinate physical tasks as well as boost morale. Reflecting this musical heritage, instrumentation is fairly simple, with the steady rhythm of claps and piano chords punctuating hard. It is slow and heartfelt, almost mournful; though there’s no mention of time frame, the audience has the sense that the worker still has a long way to go before he can return to his lover. This notion comes largely from the song’s circular structure. By ending with the same music it opened with, its story is also implied to finish at its beginning: with the men hard at work in the “burning heat”, and no true relief in sight. This is furthered by having little development over the course of the song- though iterations of the chorus are more intense than the verses, the arrangements underlying both sections barely change. The worker, it seems, is never quite far enough from his reality of hard labour, and never close enough to home.
On the other hand, Maria’s Bed is relentlessly optimistic, driven by a strong forward momentum. Where most modern songs have their choruses as their most powerful feature, here the wordless refrain (“hey hey, la la la li li li li”) acts more like a transition between verses, keeping the story moving. The jaunty fiddles that fade out are quite different to the introductory guitar and organ, suggesting the worker’s situation has developed for the better. In addition, the orchestration builds continually, only briefly pulling back before the music culminates in an extended musical outro. Many of the instruments work in counterpoint, each additional layer contributing to an air of an unrestrained joy that is further spurred on by Springsteen’s high hums and whoops. The linear musical direction and overall impression of good cowboy fun results in the feeling that, unlike the singer of Work Song, the narrator is already on his way to his heart’s desire- though, in light of the lyrics, what this actually means is somewhat ambiguous. Are those final echoes him moving out of earshot… or his ghost ascending to the “upper room” of heaven?
We may not know for sure how either of these stories end, but we can feel the aching hope for something better. This longing is an emotional line that runs all the way through both Springsteen and Hozier’s work, though it never seems to get old. Combined with explorations of love, faith, life, death- that’s why we return to their music again and again; they are experts at playing on old motifs and universal themes in new and creative ways, their crafted melodies and narratives touching wild and industrial hearts alike.
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* I am legally obligated to include all these adjectives.
** Maria’s Bed seems to be sadly obscure even among fans; the one and only online forum discussion I have seen about the song refers to it as “not that deep”. Having written this whole essay- if Springsteen himself said that to me, I’d laugh in his face.
*** A random internet comment I can’t find anymore backs me up on this. It even specified that it was about the Santa Maria River in California, as quoted “from Bruce”. Obviously an infallible source 😊
**** It’s important that “[drinking] the cool clear waters” can totally be the description of oral sex you thought it was.
#hozier#bruce springsteen#maria's bed#work song#mynamesdrstuff#mine#this is so tonally inconsistent skjhsakd#literally have not written an essay in 3 years so#@anyone who reads this... thank u and best of luck#send me your address so i can visit you and explain my passions
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I got this letter in response to a Facebook post:
Jimmie,
Recently, you posted on Facebook to list crimes committed by Morgan or the ECSO. There were a few responses and I applaud those who can speak out. Had there been an actual chance of people being able to exercise free speech you would have had many more responses. Sir David does not allow the speaking of wrong doing if it could cause his image to be tarnished. Had everyone been able to speak freely you would have been told stories that demonstrates people who destroy others for their own good. Stories of inexperience and inept leadership would have been described. You would have been told of people who will judge and destroy others but refuse to be judged for flaws they possess.
It is not even difficult to point out how unfair the ECSO leadership has been and continues to be. Now, one could believe that because Morgan has not been held responsible and is not mindful that he too must follow laws. Another explanation, for such blatant disregard for law, is because of ignorance to knowing the law. I would guess that it is a combination of the two obvious reasons. Sir David is an ignorant and inexperienced sheriff that has not been held accountable for improper actions. He has created a “brand” that resembles the rise of the Backstreet Boys more than it shows a law enforcement leader taking charge of a community to protect the citizens. The crime in that is appalling. Sir David has wasted 100s of thousands of dollars branding his poor law enforcement performance and creating a belief that he actually knows what he is doing. Those who support this effort are rewarded with undeserving promotions and pay increases. That is a fact that could never be argued. Anyone in the job, that truly understands law enforcement, would say that the ECSO has two worthless Majors that never accomplished mediocrity as deputies. Our PIO should feel fortunate that she isn’t paid based on the length of her skirts. If that were the case she would have to mortgage her home to pay the ECSO to work there. Sir David demonstrated that he does not care about the employees or the citizens by carving out the budget dollars he has for three people to pay back political or other favors.
Maj. Andrew Hobbs is making over $35 an hour and does not even supervise 10 people. In fact he is responsible for 6 employees. Two of the employees of Maj. Hobbs are sworn officers. Both of the officers under his supervision have more experience and accomplishments, as law enforcement officers, than Hobbs. The remaining employees are civilian employees with the assigned task of making Morgan appear to be a knowledgeable sheriff. That is a job that should come with a substantial pay increase. It must be a daunting endeavor to make Morgan appear to be competent with the lack of verifiable experience he claims to have. Couple that fact with his laughable antics in the numerous press conferences he has participated in and accomplished only looking like a poorly executed SNL skit. One would pause to consider how he found that many individuals to take on that job or why they would want that job.
Amber Southard receives a salary that is over $2600 for an 80 hour work period. This is appalling when you consider her job consists of mainly the production of propaganda to boost the image of an incompetent sheriff. She is provided an agency vehicle and fuel for the vehicle. She works a day schedule and, unless she has an abundance of drama in her private life, is never shot at, or spit on and is relatively safe during her work hours. Now, compare that to a sworn officer that will be paid just over $1300.00 for the same 80 hour work period. In no way does that seem to be a decision that any competent sheriff would make. In fact, it appears to be just what it is. Morgan provides for those who further his agenda void of consideration of the ethical obligation he has as a sheriff of our county.
Sir David has several law suits against him for wrongful acts to employees. He has allowed and been involved in destroying others for fictitious reasons but allowed others to avoid accountability when proven wrong. Lt. Frank Forte is a great example of Morgan ignoring wrongdoing because of personal reasons. Lt. Forte was caught lying under oath in his official capacity. Morgan took no substantial action against a lieutenant when proved to be a liar under oath.
Lt. Forte made a complaint on Sgt. Philip Nix about a court appearance. Lt. Forte stated that Sgt. Nix was “blurting” out derogatory remarks about the ECSO writing illegal tickets during a traffic hearing. Sgt Nix appeared under subpoena and testified in the case. Lt. Forte stated that Sgt. Nix was making comments that were embarrassing to the agency. Col. Steve Hardy responded to the complaint by Lt. Forte. He made efforts to get transcripts of the court appearance but never located the transcripts. Lt. Forte then had an opportunity to testify in an Internal Investigation interview and say whatever he wanted about the conduct of Sgt. Nix. Lt Forte continued to lie and embellish the story about court. Lt. Forte made an attempt to completely tarnish the reputation of Sgt. Nix. After reading the statement of Lt. Forte that was given to Internal Affairs one would conclude Sgt. Nix was an out of control maniac in court.
Apparently, Sgt. Nix was aware of the unethical conduct of Morgan and his posse. Sgt. Nix had paid for a transcript of the court hearing. Sgt. Nix did not provide the information to the ECSO and allowed the situation to take its course. The professional court transcript proved that Lt. Frank Forte was a liar. None of the accusations made about Sgt. Nix were true and Sgt. Nix had conducted himself as a professional would. I use this example because Nix is one of the only people who is not afraid of the backlash of using his real name.
Morgan took no action on Lt. Forte. The fact Lt. Forte is a liar was ignored…..for now. There will be point in time that Lt. Forte will have to explain his reason for ignoring the obligation that an officer takes to always be truthful and honest. Morgan will get the chance to explain all of the wrongs he has committed and many of those following his lead will enjoy that journey as well. I hope that they understand a Grand Jury is not as tolerant of liars and cheats as the Morgan administration is and what they are due will be paid.
In another incident, with an employee at the ECSO, an investigation by internal affairs finds reason to sustain or sanction policy violations for obeying the law. Most of you will read that sentence twice. It is true. An employee became a target of the ECSO administration and the rules, policies and laws were twisted until it was reconciled in their twisted minds the employee could be fired. The violation consisted of cooperation with an attorney during a deposition. The attorney was party against the ECSO so that would never be tolerated. Again, a career destroyed.
This matter will also be settled through a lawsuit. Morgan will distribute more taxpayer dollars to pay for the wrong he committed. More waste because of a staff that lacks the courage to tell Sir David he is wrong. It could be they are too selfish to take a chance on ruining their gravy train to stand for what is right. Many of those in a position of power in the ECSO staff is concerned that their “yes man�� mentality did not prepare them for the job they have with Morgan or they don’t want to be exposed for the indiscretions committed in the past. Either reason creates a setting that forces them to vacate their principles always seeking Morgan’s approval first. There is no cost too high to pay for the approval of Morgan. If you follow the rules set by Sir David you will be rewarded with favors that have benefits some in his staff could never enjoy if based on their proven ability.
I would be remiss in my description of the ECSO if I were to leave Eric Haines out of this discussion. There is no rational reason that this imposter made his way to Chief Deputy. He has pretended to be something he is not his entire career. I regard to his advancement at the ECSO it could not be argued that he was successful in padding his retirement. Had our retirement system required that an employee actually demonstrate law enforcement ability during his career he would be on food stamps at the time he retires. Haines advanced his career pointing at the other person and pretending to be far more intelligent than he actually is. His bully personality is effective when you are in control of someone’s career. However, his actions have proven time and again that he has no conscious or consideration for any misery he causes. He appears to be the guy that is getting even with the world because he somehow feels life dealt him a losing hand. I can agree that he has numerous reasons to be pissed at life. Most people would consider themselves in hell if they were forced to be Haines. Haines does not have the right to continue to harm and destroy an entire agency and the employees who suffer from his foul display of a failed attempt to prove him a leader. He is not a leader and will never have the respect he is in search of because respect does not come from a title. Respect is earned slowly by those who make an observation of a person. They observe a person who is able to demonstrate needed ability to accomplish success in the area they are leading. Haines has never been successful at being a law enforcement offer and therefore will never gain any measurable amount of respect from true law enforcement officers.
All roads in this equation lead to Morgan. His fairy tales about law enforcement accomplishments and experience have proven to be laughable. It is easy to target him for silly “dress up like a big boy” uniforms and senseless remarks made in a desperate attempt to make it into the media cycle again. Then it comes to mind that this leadership has caused so much misery to those that encounter him with an opposing opinion. Worse there are lives that have been lost that effective leadership could have saved possibly. It is not that laughable when you actually take the time to evaluate who David Morgan really is in this situation. He is a failed sheriff that has hidden from the responsibility of that office. The citizens are suffering and they are unable to see the cause because the tax dollars they pay are being spent by Morgan to create an illusion all is well.
It is a shame that “Ask the Sheriff “isn’t a real thing. If it ever is I have questions. David, why did you leave the Air Force? Did you really pay for that cross thingy? Do you see the harm you have caused? Do you care about the lives you have ruined or caused to be lost? Do you lie in bed at night regretting the horrible things you have done to people? Do you really trust those you have surrounding you? You caused them to cut and run when you offered a better deal. Imagine what will happen when you are not the best deal anymore. .
Sincerely,
No Longer a Victim
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A REAL “ASK THE SHERIFF” I got this letter in response to a Facebook post: Jimmie, Recently, you posted on Facebook to list crimes committed by Morgan or the ECSO.
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